Woolley & Wallis

FINE JEWELLERY

THURSDAY 20TH & FRIDAY 21ST APRIL 2023

SPECIALIST DEPARTMENTS

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FINE JEWELLERY

THURSDAY 20TH APRIL 2023

10.00AM LOTS 1000 - 1374

FRIDAY 21ST APRIL 2023

10.00AM LOTS 1375 - 1637

at our Castle Street Salerooms, SP1 3SU

VIEWING AT CASTLE STREET, SP1 3SU

Saturday 15th April 10.00am – 1.00pm

Monday 17th April 10.00am – 4.00pm

Tuesday 18th April 10.00am – 4.00pm

Wednesday 19th April 10.00am – 4.00pm

No viewing on the days of the sale

You will be asked for I.D. prior to viewing

BUYER’S PREMIUM

Each lot is subject to a Buyer’s Premium of 25% plus VAT

TELEPHONE BIDDING

Requests for telephone bids cannot be accepted after 5pm on Wednesday 19th April

CONDITION OF LOTS

Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

ILLUSTRATIONS

Front cover: Lot 1637

Inside front cover: Lots 1625, 1626 & 1627

Page 1: Lot 1630

Back cover: Lot 1636

Catalogue £10.00 (£15.00 by post)

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

Megan Corbett mc@woolleyandwallis.co.uk

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JEWELLERY NOTICES

Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT

Please note that lots marked † are subject to VATon the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

ARTISTS’S RESALE RIGHTS / DROIT DE SUITE

Lots marked ‡ are potentially subject to a levy.

1000 A mixed group of 90 antique and later jewellery boxes, including William Ogden, N Bloom, seven 19th Century ring boxes and a 6 compartment ring box £400­600

1001 A collection of nine jewellery boxes, including three ring cases and one oval case by Cartier, two cases by Harrods, one by Liberty & Co., one by Asprey & Co., and one by Walter Davies & Sons £100­150

1002 A jewellery box containing a collection of jewellery, comprising: a sapphire and diamond cluster ring; a ruby and diamond three­stone ring, a gold ring set with a carnelian intaglio, and five gold and gem­set rings; seven plain gold rings; a gold coin pendant and coin earrings; a gold masonic pendant and a gold heart padlock pendant; two hardstone fob seals; a gold wristwatch; a pair of American dime coin cufflinks; two garnet bead necklaces; two propelling pencils; a multicolour sapphire pendant; a pair of gold and enamel cufflinks; a sapphire pendant; two amethyst pendants; a collet­set moonstone pendant; an amethyst bar brooch and pair of earrings; and a collection of gilt metal, costume and shell jewellery

£400­600

1002

λ 1004 A large collection of steel and cut steel jewellery, late 18th/19th century, comprising: three headbands; two hair ornaments with tortoiseshell hair combs; a pair of earrings; two single earrings; a brooch; a cross pendant; a demi­parure of floral design consisting of a necklace and a bracelet; two necklaces; a panelled cuff bracelet and two loose panels, each of cut steel; together with four chatelaines, three in steel, one of base metal set with an ivory, coral and untested pearl Shibayama panel; and a steel longchain £200­300

1003 A collection of jewellery, including: a silver and black opal ring (opal broken); an amber bead necklace; a lapis lazuli bead necklace; a gold and shell cameo brooch; a gilt metal Blue John brooch; a gold and citrine brooch; a gold gate bracelet; seven gold rings; and a pair of gilt metal and citrine earrings

£200­300

λ 1005 A collection of tortoiseshell piqué­work jewels, 19th century, comprising: five haircombs; a pair of pendent earrings of amphora design; a pair of buttons; a pair of domed brooches of faceted design; two locket pendants; two further pairs of pendent earrings; a graduated bead necklace, four bangles, an elasticated bracelet and a hair grip, each in tortoiseshell with gold and silver decoration £200­300

1007 A large group of paste jewels, 19th and early 20th century, comprising: three brooches and a button, each in green and colourless pastes; a pair of earrings in green and opaline pastes; seven floral buttons in frosted glass and colourless paste; two buttons set with colourless pastes; a pair of earrings and a pair of buttons, each set with domed blue glass and colourless pastes; a paste chatelaine; two paste slides; a paste belt buckle; two large buttons set with colourless pastes and centring on cabochon green pastes; a very large pair of slides set with colourless pastes and simulant pearls; a set of purple and colourless paste buttons, fitted case; and a small rosary bracelet, some pieces with later fittings £200­300

1006 A large collection of cut steel jewels, late 18th/early 19th century, comprising: two pairs of bracelets, lengths 17.5cm each; a tiara, centring on a floral motif between spikes of wheat sheaves, height at front 3.8cm, inner curve 46cm; a longchain, length 156cm; and two chatelaines, one set with carnelian, length of longest 18cm, necklace length 70cm; a pair of pendent earrings, length 6.3cm, hook fittings, length 6.5cm each; and a collection of components £200­300

λ 1008 A large mixed group of jewellery, 19th century, comprising: a brooch and pair of earrings, each of floral ribbon bow design, set with rose­cut diamonds, later adapted; a paste pendant earring, later adapted; a large cultured pearl and marcasite stopper/handle, length 4.5cm; a pair of earrings of roundel design suspended from hook fittings, set with topaz, later adapted; a pair of Archaeological Revival gold earrings; length 2.5cm each; a necklace strung with fluorite beads with foilate gilt metal spacers; a similar necklace with opaque glass beads; a spherical bead applied with black enamel and set with half pearls, pearls untested; a gilt metal, enamel and simulant pearl cross pendant; six drop­shaped simulant pearls, five capped with pastes; a simulant pearl and marcasite brooch of girandole design; a brooch set with an oval citrine in a gilt metal foliate border; a copal resin and tortoiseshell hair ornament with a matching copal resin bar brooch; a small collection of loose seed pearls; and two gilt metail chain necklaces; togeter with a pair of early 20th century silver and paste links £200­300

1009 Four pairs of paste shoe buckles, late 18th century, comprising: a pair of shoe buckles set with rectangular scissorcut pastes, case; a pair set with circular­cut colourless and blue pastes and pear­shaped cabochon opaline pastes, case; a pair set with circular­cut and pear­shaped pastes, in a bicoloured mount; and a pair set with shield­shaped and circular­cut pastes, all mounted in silver, largest pair measuring 7.4 x 6.4cm £200­300

λ 1010 A collection of hair ornaments, 19th century, comprising: a large crown of openwork foliate design in gilt metal, set with pastes, inner circumference adjustable, height at front 7.5cm; a hair ornament set with coral beads, haircomb fitting; and four smaller hair ornaments with tortoiseshell haircomb fittings: one of foliate design in gilt metal, one of red Vauxhall glass; and two set with colourless pastes £200­300

λ 1011 Three gilt metal and tortoiseshell hair ornaments, mid 19th century, comprising: one hair ornament designed as undulating gilt ribbon set with large simulant pearls; another set with simulant pearls in gilt metal surrounds; and a third set to each side with a row of graduated gilt metal beads, each hair ornament with a hinged tortoiseshell comb fitting, largest inner curve 22cm £200­300

1012 A collection of five hair ornaments, 19th century, comprising: three set with colourless pastes, one with haircomb fitting; one set with two rows of purple pastes, haircomb fitting; and one of foiliate scroll design, all mounted in gilt metal, tallest 6.2cm at front £200­300

1013 Four sets of buttons and a hardstone chatelaine, 19th century, comprising: a set of six lacquered buttons, inlaid with gold, silver and shell in the Japanese taste to depict a butterfly and a flower, each 2.3cm diameter, case; a set of five paste and enamel buttons and one blue and colourless paste button, enamel and paste buttons each 1.8cm, case; a set of nine single paste buttons and one colourless paste button of cluster design, smaller buttons 11mm diameter each, case; and a set of six buttons of swirl design, set with colourless pastes, each 3.1cm, case; together with a chatelain set with cabochons of agate and jasper, length 14cm £200­300

1014 Two sets of buttons, late 18th/early 19th century, comprising: a set of ten large dress buttons, designed as roundels set with cushion­shaped colourless pastes and shield­shaped green pastes, mounted in silver, each 3.7cm diameter, case; and a smaller set of twelve buttons, each set with a circular­cut blue paste, each 8mm diameter, case £200­300

1015 A mixed group of jewels and accessories, comprising: a gold bangle set with cushion­shaped and brilliant­cut diamonds, fitted case; a Chinese blue tourmaline snuff bottle carved as two cicadas, to a pink tourmaline stopper, mounted as a pendant suspended from a spinel bead necklace; an enamelled cylindrical perfume bottle; a pendant set with a cushion­shaped orange paste and rose­cut diamonds; an emerald and ruby bangle; an Indian bracelet set with foil­backed paste; an enamelled miniature suspended from a bow surmount, bordered by seed pearls; and a collection of turquoise jewels including a necklace, a pair of carved slides, a bracelet, a brooch, a jabot pin, and a small Chinese­inspired horse carving £200­300 Provenance: The snuff bottle: The Country House sale, property from the 14th Earl of Kintore and the late Edward Lyons CBE, Christie’s South Kensington, 18th March 2009, lot 220.

1016 A pair of seed pearl bracelets, early 20th century, and a Regency seed pearl necklace, circa 1820, the bracelets each designed as a ribbon composed of seed pearls, to an engraved silver bar clasp, length 16.5cm each; the necklace designed as a series of stylised foliate motifs, backed in mother of pearl, length 40.5cm, pearls untested, case £800­1,200

1017 A Regency seed pearl parure, circa 1820, comprising: a necklace, brooch and pair of earrings, each composed of seed pearls and mother of pearl fretwork, necklace length 39.5cm, earring length 5.2cm each, brooch 4.2 x 3.6cm, fitted case stamped Collector’s Curio Corner

£600­800

1018 A collection of George III seed pearl jewellery, early 19th century, each composed of seed pearls, some components backed with mother­of­pearl, comprising: eight brooches, the longest measuring 13cm; two Maltese cross pendants, length 4.4cm; two bracelets, one with a diamond clasp, longest length 18.5cm; and a necklace, length 43.5cm £400­600

1019 A selection of early 19th century paste jewellery, including five brooches and a necklace (broken) all in closed back silver settings £100­200

1020 A mixed quantity of jewellery, including a gold propelling pencil, a Regimental gold brooch, a gem­set REGARD gold brooch, a pair of moonstone earrings, a paste cross on a chain, a banded agate cross, a fob watch by Longines, two stickpins, a George III seed pearl brooch, a carved lion’s head cameo bangle, two brooches and two rings £300­400

1021

Three hardstone bracelets, mid 19th century, comprising: a bracelet set with oval chrysoprase bordered by black enamel and stamped gilt metal mounts, length 18cm; a bracelet set with agate and jasper, to gilt metal mounts with cannetille accents, length 17cm; and a gilt metal bracelet set with carnelian cabochons, length 18cm £200­300

1022 Three enamel and gilt metal bracelets, mid 19th century, comprising: a pair of bracelets and one additional bracelet of similar design, each centring on an enamelled panel within a tapering bracelet of foliate openwork design in gilt metal, largest width 5.1cm, lengths adjustable £200­300

1023 A pair of gilt metal and paste bracelets, mid 19th century, each composed of gilt metal panels stamped with foliate designs, centring on oval purple pastes, length 17.2cm each £200­300

1024 A pair of paste and gilt metal bracelets, 1830s, each centring on an oval pink paste, within a floral border of gilt metal cannetille and filigree openwork accented with circular­cut green paste stones, to a pierced panel bracelet, length 19cm each £200­300

1025 An enamel demi­parure and a bracelet, mid 19th century, comprising: a necklace and a pair of pendant earrings, each designed as plaques of floral designs in enamel within stamped gilt metal scroll mounts, necklace length 46.5cm, earrings with hook fittings, length 7.8cm; and a bracelet of similar design £200­300

1026 A mid 19th century metal bracelet, set with five rectangular panels depicting typical Swiss dress, in yellow metal surround, length 19.5cm £200­300

λ 1027 A gilt metal and tortoiseshell hair ornament, mid 19th century, designed as a headband set with spherical motifs engraved with foliate crosses, to a hinged tortoiseshell comb, inner curve 20.6cm £200­300

1028 A gilt metal tiara, mid 19th century, designed as a line of graduated drop­shaped motifs in gilt metal, height at front 3.1cm, inner curve 31cm £200­300

λ 1029 A gilt metal and tortoiseshell hair ornament, mid 19th century, the headband designed as coiled wire enclosing spherical motifs, topped with smaller spherical beads, to a hinged tortoiseshell hair comb, inner curve 18.7cm £200­300

λ 1030 A tortoiseshell and damascene hair ornament, 19th century, designed as an arc of graduated domed motifs inlaid with gilt metal stars and geometric bands, to a tortoiseshell comb, measuring 10.8cm x 8.3cm £80­120

λ 1031 A fine tortoiseshell hair ornament, mid 19th century, composed of a single panel of tortoiseshell, the carved and pierced upper section of foliate scroll design, centring on a basket weave bowl filled with fruit, to a seven­pronged comb, measuring 20.6 x 20.3cm £100­200

λ 1032 A tortoiseshell hair ornament, mid 19th century, the single panel carved and pierced with foliate and lattice decoration, eleven prongs, one broken, 19cm high £100­200

λ 1033 A set of three French gold and tortoiseshell haircombs, 19th century, each with an undulating gold top with gold cross decoration, French control marks, largest length 11.5cm £150­250

1034 A group of hairwork jewellery, 19th century, comprising: five pairs of earrings, including one accented by seed pearls, longest 11cm; a bracelet with a gold clasp; and a brooch set with half pearls, Swedish hallmarks, pearls untested, each composed of woven hair £200­300

1035 A collection of four gold cross pendants, 19th and 20th century; comprising: a cross pendant set with cabochon agates, length 6.6cm; an enamelled cross pendant set with citrines backed in red foil, length 11cm including bail; and two gold crosses, one of floral open work design, the other plain, longest 5.9cm £80­120

1036 A collection of four cross pendants, 19th century, comprising: three pendants designed as crosses, set with colourless pastes in closed­back settings, longest 7.9cm including bail; and another pendant set with oval orange pastes imitating topaz, length 5.4cm including bail £80­120

1037 Four cross pendants, including an early 19th century colourless paste cross set in closed­back silver mount, length 6.2cm, and three other paste cross pendants £80­120

1038 A collection of jewellery incuding a pocket watch, comprising: a gold pocket watch, its case engraved with foliate scroll designs, case diameter 3.5cm, dial stamped Elgin, case signed Keystone, numbered 7183701; a silver brooch with a dove in the style of Georg Jensen; two coloured glass bead necklaces; a half pearl and blue enamel ring, in 9ct gold, size N, British hallmarks; a Georgian paste shoe buckle adapted into a brooch; an amethyst bar brooch; a gold chain bracelet, stamped 9KT; an amethyst and seed pearl ring, mounted in 9ct gold, size P½, British hallmark; a gold wreath brooch; a mid 19th century knot brooch; and a silver locket, British hallmark £600­800

Accompanied by an Insurance Valuation from Tadema Gallery for the Peking glass beads.

1039 A group of four carnelian intaglio brooches, the brooches each set with a modern intaglio depicting one of the labours of Hercules: slaying the Learnaean Hydra, capturing the Ceryneian hind, capturing the Cretan bull, and stealing the mares of Diomedes, after neoclassical originals from the collection of Prince Stanislas Poniatowski, each mounted in gilt metal, one applied with black enamel, largest brooch 5.5 x 5.0cm £200­300

1040 1041

1040 A group of signed watches and accessories, comprising: a stainless steel ‘Heure H’ watch by Hermès, ref. HH1.510, box and papers; a silver and blackened steel torque bangle by Paloma Picasso for Tiffany & Co., case and pouch stamped Tiffany & Co.; two Gucci watches and a Gucci lighter, two cases stamped Gucci; together with a pair of hinged enamel and gold bangles, in red and green respectively, unsigned, stamped 750 £200­300

1041 A collection of jewellery, comprising; a fire opal and diamond pendant, length 2.2cm including bail; a jadeite and gold bangle; a pair of twisted bicoloured gold hoop bracelets, Italian marks, stamped 750; a gold and blue enamel bangle with a design of elephants, stamped 750; a 9ct gold tie pin with base metal stopper; an Egyptian scarab pendant; a lapis lazuli bead necklace; a gold and cultured pearl necklace; and a gold and peridot ring, size G½ £200­300

1042 A collection of jewellery including an emerald demi­parure, comprising: a gold necklace and bracelet, each composed of fancy gold linking set with a central line of circular­cut emeralds, necklace length 44.2cm, bracelet length 17.5cm; a pair of earrings and a ring en suite, each of bombé design, set with circular­cut emeralds, earrings 16cm diameter each, post fittings, ring size N; a silver parure set with imitation malachite behind faceted glass; and a silver, onyx and marcasite demi­parure

£600­800

1043 A collection of jewellery, comprising: a collar suspending a fringe of pear­shaped rose quartz pendants, inner circumference 38cm, Italian maker’s mark, stamped 750; a pair of drop earrings set with polished blue chalcedony and rose quartz, accented with cultured pearls and brilliant­cut diamonds, hook fittings; a necklace composed of variously­shaped gold links, wooden hoops and spectacle­set links of oval rock crystal, amethyst and blue topaz, length 86cm, stamped 375, French import assay marks for 9ct gold; and a necklace composed of fluted rock crystal beads, spherical amethst beads and brushed gold beads, length 87cm £400­600

1044 Fred, a diamond bracelet, ‘Force 10’, the black cord bracelet to a clasp set with brilliant­cut diamonds, length 17.5cm, signed Fred, numbered 952567, stamped Au750, two extra interchangable cord bracelets, pouch stamped Fred; together with a satinless steel and diamond ‘Horizon’ bracelet by Philip Stein, to a leather strap, length adjustable £150­250

1042 1043

1045 Georg Jensen, a silver bracelet, bangle and necklace, comprising: a hinged bangle, inner circumference 17.5cm, and a link necklace and bracelet, necklace length 39cm, bracelet length 17.5cm, each signed Georg Jensen, each marked 925S for silver, bracelet with British hallmarks, date letter for 2003, each with fitted case stamped Georg Jensen £200­300

1046 Georg Jensen, a silver demi­parure, circa 1996, comprising: a necklace and a bracelet, each composed of smooth navette­shaped silver links, bracelet length 18.5cm, necklace length 45cm, each signed Georg Jensen, British import hallmarks for silver, cases £300­400

1047 Six pairs of gold ear clips, comprising: one pair set with mabé cultured pearls within an 18ct gold border, British hallmarks; another pair set with mabé cultured pearls, to plain gold borders; a pair of plain gold domed ear clips; a pair of lapis lazuli and diamond ear clips; a pair of gold knot ear clips, stamped 9K Italy; and a pair of plain gold ear clips composed of a domed motif in a wreath border, largest 2cm diameter £200­300

1048 A collection of jewels, comprising: a pair of turquoise and seed pearl ear clips, mounted in 18ct gold and silver, length 2.3cm, British hallmarks, clip fittings in silver, pearls untested; a pair of lapis lazuli ear clips; an Edwardian gold and pearl brooch of floral design, stamped 14K, pearl untested; and a 19th century gold and amethyst brooch £400­600

1049 A collection of jewels, comprising: an Art Deco bangle in bicoloured silver, inner circumference 17.1cm; French assay mark for silver, French maker’s mark BP&FJ; an Art Deco white gold and cultured pearl brooch, centring on the letter S, length 3cm, French import assay mark, possibly converted from a clip brooch; a pearl and calibré­cut sapphire ring mounted in white gold, size P, French assay mark, pearls untested; a silver necklace composed of collet­set emerald­cut green pastes, length 38.5cm; and a gold ring set with brilliant­cut diamonds, size K½, French assay and maker’s marks £400­600

1050 A mixed group of jewellery, including a George III garnet and seed pearl gold mourning brooch, a Victorian turquoise and seed pearl gold brooch, a black enamel and woven hair mourning brooch, with four other brooches, two stickpins and four pendants including a half sovereign

£200­300

1051 An early 19th century paste collar necklace, in closed­back silver setting, length 31cm, with two similar paste bracelets in closed back setting, 17.5 and 17cm

£150­250

1052 A mixed group of jewellery, comprising a carnelian­set gold long chain, a gold slide set with a carnelian intaglio, a gold ring set with an intaglio carved with an Islamic inscription, a gold locket pendant, a dress watch by Waltham, a Victorian shell cameo in a scrolling gold frame, a gold bracelet, a gold chain, a gold thimble, three gold brooches, a pair of diamond studs, one diamond earring and a pair of damaged gold earrings, a gold cross pendant and a barometer

£300­400

1053 A collection of jewels, comprising: an early 20th century pearl and diamond wreath brooch, pearls untested, case; two gold signet rings, one set with a sardonyx intaglio of a family crest; three gold brooches, one with Chinese characters reading jixiang ruyi, one modelled as an arrow set with seed pearls, one with opals and seed pearls; a gilt metal bar brooch; two gold chain necklaces; and a silver, moonstone and ruby brooch of foliate design £200­300

1054 No lot

1055 A collection of gold jewels, comprising: an enamelled bangle of zebra stripe design, marked 750, Italy; a plain solid bangle, British hallmarks for 9ct gold; a bangle of rope twist design, stamped 975, Italian maker’s mark; a gold and enamel pendant opening to reveal an Arabic inscription; a gold panther pendant, stamped 585; suspended from a 9ct gold chain, British hallmark; a rectangular gold pendant with a design of floral openwork; a gold pendant depicting an elephant, set with calibré­cut sapphires and a cabochon ruby eye, stamped CETAS 750, to a belcher link chain necklace, stamped 585; and a gold disc pendant to a cord necklace, pendant stamped 750 £2,000­3,000

1059

1056 A collection of nine rings, comprising: an 18ct gold ring set with two rows of brilliantcut diamonds, size Q½, British hallmarks; a gold and lapis lazuli ring, size S, Portuguese assay marks; a ruby and diamond ring, size R; an 18ct gold, amethyst and diamond ring, size O½, British hallmark; a 9ct gold ring set with a circular­cut sapphire and cushion­shaped diamonds, size M½, British hallmark; a banded agate cabochon ring in 9ct gold, size M½, British hallmarks; a green chalcedony cabochon ring in a quatrefoil mount, indistinct assay marks, size M½; a coral cabochon ring, size L½, indistinct assay marks; and a blackened silver ring set with a tiger’s eye cabochon, size Q £400­600

1057 Four gem­set gold rings, comprising: a sapphire and diamond cluster ring, size M, inscribed Cartier, numbered 53 416952, Swiss assay mark for 18ct gold; an 18ct gold band rubover set with three oval rubies, spaced by brilliant­cut diamonds, size R, British hallmark; a gold ring tension­set with an oval orange sapphire, size R½, stamped 750; and a ring set with a step­cut emerald between princess­cut diamond shoulders, size Q, stamped 18kt £400­600

1058 Six gem­set gold rings, including an emerald solitaire ring, a sapphire and diamond cluster ring, a turquoise ring, a sapphire and diamond half hoop ring, and two diamond rings in gold £400­600

1059 A collection of four rings, comprising: a mourning ring set with hairwork beneath a polished crystal, the black enamelled band with a poem and dedicatory inscription dated 1831, size M½; a base metal mourning ring dated 1787, size I½; and two gold bands, one applied with black enamel, size I½ and J respectively £100­200

1060 A collection of three gem­set rings, comprising: a ring set with a cabochon emerald between pairs of cushion­shaped diamonds, size O½, stamped 18CT PLAT; a Victorian sapphire three­stone ring, accented by circular­cut diamonds, size O; and an early 20th century gold ring set with a double row of cushion­shaped diamonds, size O, all mounted in gold £300­500

1061 A collection of gold and gem­set jewels, comprising: a ring set with an amorphous carved aquamarine, the mount of abstract gold wirework, size L, British hallmarks for 18ct gold, 1975, partial sponsor’s mark CH; an Edwardian amethyst, seed pearl and rose­cut diamond brooch of foliate design, 3.2cm diameter; a ring set with a cabochon turquoise, size I; an Edwardian seed pearl bar brooch of interlocking crescent moon and star design, length 4.4cm; and a gold signet ring, faintly initialled WS, size M½, British hallmarks for 18ct gold, 1972 £300­400

λ 1062 A coral bead necklace, composed of graduated coral beads, measuring approximately 7.9­13.8cm, to a concealed clasp, length 40cm £600­800

1063 A string of banded agate beads, (broken), comprising 27 graduated beads £200­300

1064 A single row amber bead necklace, composed of large graduated oval beads, the largest measuring approximately 7 x 4cm, length 52cm, gross weight 214 grams £800­1,200

1065 Two cultured pearl necklaces, one designed as a single strand of cultured pearls, with a circular­cut and cushion­shaped diamond clasp, length 40.5cm; the other designed as a double strand, the clasp of abstract textured gold set with additional cultured pearls, length 41cm £300­500

1066 A collection of two brooches and a pendant, circa 1900, comprising: a brooch set with a turquoise cabochon within a border of circular­cut and rose­cut diamonds, measuring 4.2 x 3.3cm; a brooch with an image depicting a woman in profile, within a border of rose­cut diamonds, 3cm diameter; and a pendant composed of a heart­shaped polished citrine with a crowned surmount, set with red pastes and half seed pearls, length 5.4cm £400­600

1067 A black diamond demi­parure, comprising: a pendant neckalce and a pair of earrings, each designed as a heart and arrow set with brilliant­cut diamonds of black and colourless tints, mounted in white gold, pendant length 2.4cm, chain length 44cm, earring length 1.6cm each, with clip and post fittings, all with British hallmarkf for 18ct gold £400­600

1068 A diamond and black diamond pendant, of abstract hoop design, pavé­set with stripes of brilliantcut diamonds and black diamonds, mounted in white gold, pendant length 2.5cm, to a 9ct white gold curb link chain necklace, length 42cm, British hallmark £600­800

1069 A collection of Arts and Crafts jewels, early 20th century, comprising: a mother of pearl and enamel pendant designed as a stylised winged insect suspending a cultured pearl drop, length 4cm; a rose quartz and chrysocolla pendant necklace, suspended from a fancy link silver chain, pendant length 7.7cm including bail, necklace length 49cm; an opal and moonstone brooch mounted in silver; an opal brooch mounted in silver, the reverse stamped ‘Dawn Rec’d’; an an annular brooch enamelled with floral designs £200­300

1070 Harold Stabler, an Arts and Crafts silver and enamel brooch, circa 1915, of oval outline, brightly enamelled with a bouquet of flowers, to a bicoloured silver border, measuring 3.5 x 2.9cm, signed Stabler £200­300

1071 An Arts & Crafts silver, gem­set and marcasite brooch, early 20th century, of annular design, the open work brooch composed of scroll motifs set with marcasites, and circular­ and step­cut amethysts, chrysoprase and iolite, mounted in silver, diameter 6.5cm, fitted case £200­300

1072 A lapis lazuli and turquoise brooch, 1970s, of abstract textured design in gold, composed of stylised floral motifs set with cubes of turquoise and lapis lazuli, measuring 4.2 x 4.4cm, maker’s mark H, stamped 750 £600­800

1073 A pair of gold and diamond earrings, each composed of a disc inscribed with stylised letters, suspending a hoop set with brilliant­cut diamonds, length 3.3cm each, post fittings £600­800

λ 1074 A pair of coral and diamond ear clips, each of abstract design, set with sections of polished coral, bordered with brilliant­cut diamonds, mounted in gold, each measuring 3.1 x 3.1cm, Italian maker’s marks 3454 AL and additional maker’s mark, stamped 750 £800­1,200

1075 A gold pendant and silver pendant, each designed as interlocking hoops, one in gold, one in silver, to a black cord necklace, necklaces lengths 68cm each, pendant lengths 3.9cm £400­600

1076 A garnet and diamond choker necklace, centring on a triangular garnet within a border of brilliant­cut diamonds accented with calibré­cut and cabochon garnets, to a fourrow collar composed of spherical garnet beads, width at front 3.2cm, inner circumference 32cm £800­1,200

1077 A pair of sapphire, cultured pearl and diamond earrings, each of pendent design, composed of one sapphire bead suspending another, spaced by cultured pearls and topped by a brilliant­cut diamond, length 4.3cm each, post fittings £800­1,200

Accompanied by GCS report no. 81304­99, stating that the sapphires are of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

1074 1075

1078 Geoff Rowlandson, a gem­set cultured pearl brooch, designed as three stylised heads formed from oval cultured pearls inlaid with sapphires, diamonds and rubies with gold and diamond­set headpieces, engraved ‘Hat Trick’ to reverse, maker’s mark and London hallmarks for 2015, length 5.2cm, case £800­1,200

1079 Geoff Rowlandson, a cultured pearl and diamond brooch, ‘Art Deco Lamp’, designed as a lamp, its stem composed of a branching cultured pearl, to a striped base, the lampshade set with brilliant­cut diamonds, suspending cltured pearl and onyx bead pendants, length 6.4cm, signed Rowlandson, numbered B564, British hallmark for 18ct gold, fitted case stamped Geoff Rowlandson £800­1,200

1080 Geoff Rowlandson, a cultured pearl, diamond and fire opal ‘Sun Worshipper’ brooch, designed as a sunbathing figure composed of a baroque freshwater cultured pearl, accented with diamonds, reaching for a separate sun brooch, set with a faceted fire opal, mounted in gold, figural brooch length 5.7cm, signed G. Rowlandson, inscribed ‘Here Comes the Sun’, British hallmarks for 18ct gold, sun brooch 2cm diameter, partial British hallmark for 18ct gold, fitted case stamped Geoff Rowlandson £600­800

1081 Geoff Rowlandson, an opal and diamond portrait brooch, the carved opal depicting a woman in profile within onyx and diamond oval border on textured 18ct gold surround, maker’s mark and London hallmarks for 2000, length 4.1cm, case £800­1,200

1082 A collection of gentleman’s accessories, including an 18ct gold pocket watch by Asprey & Co., case diameter 4.6cm, signed Asprey, British hallmarks, date letter possibly for 1912; a stainless steel Rolex Oyster Junior Sport wristwatch, case width 2.9cm, numbered 164864; a cased pair of mother of pearl and seed pearl cufflinks; a cased pair of cultured pearl collar studs; and a cased set of mother of pearl and turquoise buttons £600­800

1083 Cartier, two wristwatches, ‘Must de Cartier’, ref 2415, and ‘Tank Solo’, ref.3170, the ‘Must de Cartier’ in silver gilt with a white dial, case width 2.2cm, quartz movement, signed Cartier, numbered 227779CD, Swiss assay marks, quartz movement; the ‘Tank Solo’ in stainless steel with a leopard print dial, case width 2.4cm, signed Cartier, numbered 733902 PX, quartz movement, each to a leather strap with a deployant clasp £200­300

1084 Omega, a gentlemans diamond wristwatch, signed dial with Roman numerals, quartz movement, diamond­set steel case, leather band, case width 3.6cm, band length 21cm, box and papers £1,000­1,500

1085 Hermès, a lady’s steel Heure H wristwatch, small model, the steel watch with signed dial, quartz movement and long interchangeable strap in brown leather, case 25mm, strap 40cm, with papers £200­300

1086 A gold pocket watch, the white enamel dial with black Roman numeral indicators and gold and red enamel details, with gold hands, within a case engraved to both sides with radiating floral and foliate motifs, topped by a winder and a suspension loop, to a base metal brooch surmount of bow design, length 4.6cm including suspension loop, Swiss assay marks, interior numbered 109432, stamped 18K, maker’s mark DF&C, manual winding movement, gross weight 25.4 grams excluding gilt metal bow brooch surmount £400­600

1087 A group of four gold pocket watches, 19th and early 20th century, comprising: a gold pocket watch, the case front with a central aperture bordered with blue enamel Roman numeral indicators against a guilloché enamel background, length 4.6cm including pendant loop, Swiss assay marks, stamped 18C, to a watch chain, indistinct assay marks; a gold watch with a starshaped aperture, its case intricately engraved and enamelled to the reverse with a daffofil, inscribed ‘Rocco to Kitty’, length 4.8cm including pendant loop, interior stamped 14K, to a watch chain, indistinct assay marks; a pocket watch with a white enamelled face accented with gold and silver enamel decoration, the case and reverse with floral engravings centring on an escutcheon, length 4.5cm including pendant loop, interior with British hallmarks for 18ct gold, dedicatory inscription dated to 1903, to a gold watch chain, stamped 18ct; and a gold pocket watch with gold engraved dial and case, together with a winding key, length 5.6cm including pendant loop, interior with British hallmark for 18ct gold, 1851, combined gross weight 170 grams, one with case

£600­800

1088 An 18ct gold pocket watch, circa 1899, the gold dial of engine turned and sand blasted finish, with polished Roman numeral indicators and a subsidiary seconds dial, the hands of blued steel, to an 18ct gold case, the reverse with engine turned decoration, the cover plate over the movement with floral decoration, set with a rose­cut diamond, case diameter 5.3cm, interior of case with British hallmarks for 18ct gold, Chester, indistinct date letter Q, sponsor’s mark TH, numbered 2762, key and glass deficient

£1,000­1,500

1089 Clarté, an Art Deco silver and lacquer purse clock, 1920s, the circular white dial with Arabic numeral indicators and blued steel hands, within a silver case of rectangular outline, applied with black, cream and red lacquer with a stylised flower to one corner, the hinged lid opening to reveal a winder, measuring 4.6 x 3.5 x 1.3cm, manual winding movement, case signed Clarté, French patent mark, partial British import hallmark for silver

£300­400

Jaeger, a diamond deployant watch clasp, early 20th century, set with rose­cut diamonds, intended for a watch bracelet, length 3.7cm, French assay marks for 18ct gold num, French maker’s mark for Jaeger, £400­600

Bucherer, a lady’s white gold and diamond wristwatch, the circular brushed metal dial with baton indicators, beneath a faceted crystal, to a plain bezel and integrated chain link bracelet set with brilliant­cut length 15cm, case width 1.6cm, manual winding movement, dial signed Bucherer, clasp with maker’s mark CB, Swiss assay mark for 18ct gold, stamped 18K and 750, case stamped Bucherer £500­700

Movado, a lady’s diamond­set Art Deco wristwatch, 1920s, the dial marked MOVADO, set with gradauted circular­cut diamonds and black onyx in platinum, to a black silk band with a white gold clasp, case width 1.5cm £150­250

1093 A lady’s Art Deco sapphire and diamond cocktail watch, 1920s, the rectangular silvered dial with black enamel indicators and blued steel hands, to a platinum case of geometric design with scrolled shoulders set with single­cut diamonds and calibré­cut sapphires, the sides engraved with foliate scrolls, to a white gold mesh link bracelet, case width 1.5cm, strap adjustable, manual winding movement £200­300

1094 An unusual gold pen, France, circa 1928, modelled as a feather quill with a removable gilt metal nib, inscribed ‘à notre cher petit Henry, ses parents, Bruxelles, 18 Mars 1928’, length 21.2cm, French export assay mark for 18ct gold, indistinct French maker’s mark, case £200­300

1095 Mont Blanc, a black fountain pen, 18ct gold knib £150­250

1096

1096 A collection of sixteen stick pins, late 19th and 20th century, comprising: two stick pins set with turquoise and seed pearls; one of foliate design set with a cabochon amethyst and seed pearls; one set with a pear­shaped garnet; one set with aquamarine and seed pearls; four set with pearls, one in a rosecut diamond border; one in plain gold of Celtic design; one set with a rose­cut diamond in gold border; one set with a banded onyx cabochon; one designed as a fly set with a rose­cut diamond, green hardstone and simulated pearls; and two of Masonic design, pearls untested £300­400

λ 1097 Two coral stick pins, mid 19th century, the first stick pin designed in the Archaeological Revival style, designed as a hinged gold hoop with rope twist borders, to a coral bead, length 10cm; the second set with coral carved as an owl’s face, its eyes set with rose­cut diamonds, length 5.2cm, both mounted in gold £150­250

1098 A ruby and diamond stick pin, early 20th century, set with a cabochon ruby within a millegrainbordered surround of circular­cut diamonds, mounted in gold and platinum, length 4.8cm £200­300

1099 A Cartier keyfob, a hand mirror by Hermès, and a pearl stick pin, comprising: a gold key fob by Cartier, suspending a disc pendant from a chain, length 11cm, signed Cartier, stamped 18K; together with a hand mirror in gilt metal, length 10.3cm, signed Hermès, French maker’s mark, fitted cover stamped Hermès; and a pearl stick pin, the pearl measuring 7.9mm diameter, mounted in gold, length 7.2cm, pearl untested, fitted case £300­400

1100 Cartier, a base metal lighter, inlaid with various hardstones to each side, length 7.1cm £80­120

1101 A collection of fob seals, late 19th/early 20th century, the five fob seals set respectively with polished carnelian engraved with the letter R, plain polished sections of moss agate, bloodstone and white chalcedony, and a moulded glass intaglio imitating carnelian, two mounted in gilt metal, three mounted in gold, to a gold connecting hoop, tallest 3.8cm, one with Chester hallmark for 9ct gold, date latter for 1924 £300­400

1102 Attributed to W.A. Bolin, a princely smoky quartz desk seal, circa 1870s, of baluster form carved from smoky quartz, the base with an elaborate Russian coat of arms for Prince Barclay de Tolly­Weymarn, height 8.3cm, fitted case stamped W.A. Bolin £400­600

The coat of arms on this imposing desk seal are those of the Princes of Barclay de Tolly­Weymarn. The princely title of Barclay de Tolly was bestowed upon a branch of the Scottish Barclay clan who had fled their home after the ‘Glorious Revolution’ of 1688, to settle in Swedish Livonia (covering parts of modern day Estonia and Latvia). The family distinguished themselves through military service, and were accepted into Russian nobility, rising to the rank of Prince in 1815. Upon the death of the last Prince of Barclay de Tolly, the princedom was permitted to pass through the female line to the prince’s grand nephew, Alexander von Weymarn (1824­1905), himself a distinguished military commander, and the family title became Prince Barclay de Tolly von Weymarn in 1872. The coat of arms on the present seal is that of the Princes Barclay de Tolly­Weymarn, and may have been commissioned from the prominent jeweller Bolin (a close rival of Fabergé) around the time of this bestowal of princely rank in the early 1870s.

1103 Retailed by Cartier, a pair of gold cufflinks, 1972, each end of oval outline, engraved with a crest and the initials BDS respectively, to chain connectors, each end 1.9 x 1.4cm, each signed S. Cartier for Studio Cartier, British hallmarks for 18ct gold, date letter for 1972, sponsor’s mark C&F for Cropp & Farr, case by Asprey & Co. £300­500

1104 A mother of pearl and enamel dress set, early 20th century, comprising: four buttons, a pair of cufflinks, and a pair of collar studs, each of circular outline, set with engraved mother of pearl within a black and white enamel border, mounted in gold, buttons and cufflinks 1.4cm diameter, collar studs 0.7cm diameter, each stamped TM18ct, together with four base metal button loops, fitted case stamped Asprey £400­600

1105 Gerald Benney, a pair of gold royal presentation cufflinks, circa 1972, each front of circular outline, with the royal cipher of EIIR beneath a crown, to a textured background of radiating design, each 2.2cm diameter, British hallmark for 9ct gold, date letter for 1972, sponsor’s mark for Gerald Benney, fitted presetation case stamped Gerald Benney, the lid with the royal cipher in gilt tooling £600­800

1106 A pair of mother of pearl and diamond cufflinks, France, early 20th century, each end composed of a mother of pearl disc inset with a rose­cut diamond, to chain connectors, mounted in gold, each end 1.3cm diameter, French export assay marks for 18ct gold, French maker’s mark £150­250

1107 A pair of shell cameo cufflinks, late 19th century, each end set with a conch shell cameo of a classical figure in profile, including figures of Ceres, Socrates and Zeus, mounted in gold, each end measuring 1.2 x 1.0cm £200­300

1108 A pair of gold and sapphire cufflinks, each end of square outline with rope twist details, each corner set with a circular­cut sapphire, each end 1.2 x 1.2cm, connectors stamped 18K, case stamped Asprey & Co £200­300

1109 An onyx signet ring, set with an onyx intaglio carved with a coat of arms, mounted in gold, size K½

£100­200

1110 A carnelian intaglio ring circa 1928, set with a carnelian intaglio depicting a greyhound in a landscape, to a plain gold mount, size M, British hallmark for 18ct gold

£200­300

1111 A gold signet ring, circa 1909, engraved with a dragon, to shoulders carved with foliate scroll motifs, in 18ct gold, size Q, British hallmarks, date letter for 1909

£550­650

1112 A gold signet ring, circa 1946, engraved with a crest of a greyhound beneath a tree, in 9ct gold, size L, British hallmarks, date letter for 1946 £300­400

1113 A gold signet ring, engraved with the arms of the de Havilland family, depicting a tower over a ribbon bearing the motto ‘Dominus Fortissima Turris’, or ‘the Lord is the Strongest Tower’, size R½, British hallmarks for 18ct gold, date letter for 1992, gross weight 10 grams

£400­600

1114 A gold signet ring, the large gold signet ring engraved with the crest of clan Wallace, the garter border inscribed ‘Pro Libertate’ (For Freedom), size W½, British hallmark for 9ct gold

£450­550

1115 A gold signet ring, circa 1928, engraved with a crest of griffon’s head, in 18ct gold, size S, British hallmarks, sponsor’s mark GM, date letter for 1898

£450­550

1116 A gold signet ring, circa 1928, engraved with a coat of arms, bearing the motto ‘HUMAN NIHIL ALIENUM’, meaning ‘nothing human is alien to me’, in 18ct gold, size L, British hallmarks, date letter for 1928

£550­650

1117 A group of gold writing instruments, early 20th century, comprising: four gold propelling pencils and one gold double­ended propelling pencil and fountain pen, longest 16.9cm when extended, four signed S Mordan & Co., one signed JC Vickery, two with British hallmarks, one with a dedicatory inscription; a gold biro retractable ballpoint pen of stylised bamboo design, length 10.6cm, stamped 14K; a gold retractable toothpick, length 8.6cm, signed S Mordan & Co, stamped 18CT; a gold box link chain with engraved clasp, length 41.5cm, stamped 750, Italian maker’s mark 18 VI; together with a gilt metal vinaigrette, combined gross weight excluding vinaigrette 130 grams £700­900

1118 A gold bangle, composed of three interlocking hoops in yellow, rose and white gold respectively, inner circumference 19cm, stamped 750, Italian maker’s mark, gross weight 98.3 grams £1,500­2,000

1119 A gold watch chain, late 19th century, composed of fancy linking, the centre suspending a T­bar, length 37cm, indistinct assay marks, gross weight 32 grams £600­800

1120 A gold necklace, composed of bicoloured chain linking, to a spherical clasp, length 47cm, Italian maker’s mark, stamped 750, gross weight 42 grams £800­1,200

1121 A gold bracelet, mid 20th century, designed as an articulated strap, composed of rectangular links bordered by chain, engraved with a design of flowers against a wicker trellis in three­colour gold, length 18.2cm, stamped DRGM, 15K £600­800

1122 A hunting­themed brooch and an intaglio ring, comprising: a bar brooch modelled as a riding crop and a fox face, its eyes set with rubies, length 6.2cm, stamped 14ct; and a gold ring set with a white chalcedony intaglio depicting a classical figure, the band of rope twist design, size L £200­300

1123 A gold Albertina chain, the woven gold chain with tassel terminal, length 30cm total, weight 19.5g £600­800

1124 A gold chain, mid 19th century, designed in the Archaeological Revival style, composed of a foxtail chain, to a clasp and sliding fastener of in gold cannetille, total length 148cm, gross weight 28.7 grams £800­1,200

1125 A gold chain necklace, composed of fancy linking, length 41cm, stamped 15, 28.6 grams £1,000­1,500

1126 A gold long chain necklace, composed of rope twist links punctuated by elongated rectangular links, suspending a tassle pendant, length 148cm, pendant length 4cm including bail, marked 96, gross weight 29.4 grams £600­800

1127 A turquoise and seed pearl necklace and bracelet, comprising: a gold bracelet, of gate linking in gold, set with turquoise cabochons and seed pearls, length 16.5cm; and a similar necklace, the turquoise cabochons and seed pearls spaced by elongated oval gold links, length 39.5cm, clasp partially stamped 15CT £600­800

1128 A gold and jadeite bracelet, composed of polished sections of jadeite, mounted in gold, to connected by twist motif links, length 17.5cm £600­800

1129 A Victorian lava cameo pendant/brooch, late 19th century, the oval lava cameo finely carved in high relief with a figure of Pallas Athena in profile, her elaborate helmet surmounted by a miniature Pegasus, to a gold mount, measuring 5.7 x 4.7cm, case £400­600

λ 1130 A pair of hornbill earrings, early 20th century, set with hornbill plaques carved with floral designs in high relief, mounted in gold with filigree decoration, suspending a drop pendant, to floral surmounts, length 5cm, hook fittings, maker’s mark LC £200­300

1131 A garnet, enamel and onyx cameo pendant, Austria­Hungary, circa 1900, set with an oval onyx cameo depicting a classical female figure in profile, within a foliate silver surround set with oval pyrope garnets, and applied to the front and reverse with multicoloured enamel, length 9.9cm including bail, Austro-Hungarian assay marks for silver, Vienna £200­300

1132 A pietra dura locket pendant/brooch, of oval outline, depicting a boy playing a flute in hardstone inlay, the reverse with a glazed locket compartment, mounted in silver, length 6.4cm including bail £150­250

1133 A late Victorian gold micromosaic pendant, the central oval panel depicting a micromosaic beetle, within gold fruiting vines (damaged) surround, length 5cm £400­600

1134 A garnet and diamond mourning pendant, mid 19th century, composed of a cabochon garnet drop, set with a star motif of cushion­shaped diamonds, to a bail similarly set with a polished garnet and diamond star, the reverse with a glazed compartment containing hairwork, mounted in gold, length 3.4cm including bail £250­350

1135 A George III blue paste cross pendant, set in closed­back yellow gold setting, length 4cm £100­200

1136 A paste bracelet, early 19th century, the flexible closed­back links set with cushion­shaped pastes, to a clasp of cluster design set with oval and single­cut pastes, mounted in silver, inner circumference 18.5cm £100­200

1137 A collection of three gold and gem­set pendant necklaces, early 20th century, comprising: one pendant set with a ring and drop pendant of polished carnelian, the drop inset with a faceted disc of rock crystal, pendant length 5.7cm, necklace length 38cm; a drop pendant of knife wire construction set with circular­cut aquamarines and pearls, pendant length 4.6cm, necklace length 43cm, pearls untested; and a drop­shaped pendant suspending a line of circular­cut sapphires within a border of half pearls, pendant length 4.5cm, necklace length 40.5cm, pearls untested £200­300

1138 An aquamarine and diamond ring, set with a brilliant­cut aquamarine between brilliant­cut diamond shoulders, mounted in 18ct white gold, size M½, British hallmarks

£300­400

1140

1139 A diamond three­stone ring, tension­set with three brilliant­cut diamonds estimated to weigh a total of approximately 0.70 carats, mounted in 18ct gold, size J, British hallmark

£300­400

1140 A pearl and diamond brooch, late 19th century, of bar design, set with three half pearls in pinched collet settings, the largest 10.5mm diameter, spaced by scroll motifs set with cushion­shaped and rose­cut diamonds, mounted in silver on gold, length 5.8cm, pearls untested

£600­800

1141 A Victorian diamond and pearl brooch, late 19th century, designed as a stylised flower, of knife wire construction in silver and gold, set with half pearls and circular­cut diamonds, 2.7cm diameter £400­600

1142 A diamond brooch, late 19th century, designed as a six­petalled flower, set with circular­cut and cushionshaped diamonds, mounted in silver and gold, 2.2cm diameter £500­700

1143 A collection of gem­set and enamel jewels, late 19th/early 20th century, comprising: a locket pendant, set with pear­shaped garnets, half pearls and rose­cut diamonds, applied with black enamel and accented with rose­cut diamonds, the reverse glazed, length 3.2cm; a tassel pendant set with a domed black onyx, set with cushion­shaped rubies and a cushionshaped diamonds, suspending strands of seed pearls, length 6.8cm; and an oval gold bezel applied with scroll designs in white enamel, measuring 2.8 x 2.5cm, pearls untested £500­700

1144 A pair of gold earrings, mid 19th century, each designed in the Archaeological Revival style, composed of drop­shaped motifs designed as stylised snake’s heads, within a border of spiked foliate decoration, length 3.8cm each, hook fittings £300­400

1145 An enamel and diamond brooch, possibly Switzerland, late 19th century, designed as a circular plaque finely painted in enamel to depict a woman with white hair wearing a crown, against a pale blue basse taille enamel ground, accented with rose­cut diamonds, within a floral frame topped by a pair of birds, set with rose­cut diamonds and circular­cut rubies, length 3.4cm, unmarked £300­400

1146 A diamond brooch, mid 20th century, of scroll design, set with single­cut, brilliant­cut and baguette diamonds, mounted in platinum, length 3.7cm £600­800

1147 Hedges & Co., an enamel and pearl brooch, America, circa 1900, designed as a pansy, applied with blue and cream enamel, the centre set with a pearl, length 3.1cm, stamped 14K, maker’s mark for Hedges & Co., pearl untested; together with a mid 20th century brooch designed as two hoops of blue enamel and accented with single­cut diamonds at the centre, length 3.2cm, case £400­600

1148 A mid 19th century nine stone brooch, the oval brooch set with sapphire, catseye, garnet, topaz and amethyst in gold pellet border, length 2.2cm £500­700

1149 A late Victorian enamel and diamond brooch, set with a central red enamel heart within a diamond border on a bar brooch with seed pearl terminals in silver and gold, length 2.4cm, fitted case by Tessiers Ltd and outer cardboard box by Tessiers Ltd £200­300

1150 A ruby and diamond brooch, 1960s, designed as an abstract floral spray, set with step­cut rubies and circular­cut, single­cut and baguette diamonds, length 5.9cm, maker’s mark, stamped 750 £300­400

1151 Garrard & Co., a pair of mabé cultured pearl and diamond earrings, circa 1992, each set with a large mabé cultured pearl, within textured gold mounts accented with brilliant­cut diamonds, each 2.2 x 2.4cm, clip and post fittings, one with post deficient, each signed G&Co., British hallmarks for 18ct gold £400­600

1152 A pair of turquoise earrings, each of pendent design, suspending a sphere pavé­set with turquoise cabochons from a chain to a gold surmount, length 3.6cm each, screw fittings £200­300

1153 A blue enamel egg pendant, each side decorate with blue enamel, separated with a gold twisted rope border and set with a diamond, total length 2.1cm £400­600

1154 A turquoise, ruby and diamond brooch, designed as a butterfly, set with turquoise cabochons and rose­cut diamonds, its eyes set with circular­cut rubies, mounted in silver and gold, measuring 6 x 7cm £800­1,200

1151

1155 Cartier, a lady’s steel Tank wristwatch, signed dial with Roman numerals, quartz movement, on a leather band with a steel deployant clasp, case width 2.4cm £400­600

1156 Baume & Mercier, a gentleman’s white gold ‘Baumatic’ wristwatch, the oval white dial with black Roman numeral indicators and blackened steel hands, the winder set with a synthetic sapphire cabochon, to an integrated textured white gold bracelet, case width 3cm, dial signed Baume & Mercier, case back with Swiss assay mark for gold, clasp with maker’s mark, stamped 750, automatic movement £1,500­2,000

1157 Bulgari, a lady’s ‘BVGLARI BVLGARI’ stainless steel wristwatch, the circular black dial with steel indicators and hands, within a bezel inscribed BVLGARI BVLGARI, the winder set with a pink tourmaline cabochon, to a ‘Tubogas’ cuff bracelet, case diameter 2.6cm, inner circumference approximately 17cm, bracelet flexible, dial and bezel signed Bulgari, case back numbered BBL 26 2T S and PO 0150, bracelet stamped PRMRT M, quartz movement £200­300

1158 Cartier, a stainless steel ‘Santos’ wristwatch, the square white enamel dial with Roman numeral indicators and blued steel hands, within a gilt bezel, to an integrated stainless steel case and bracelet with deployant clasp, studded throughout with screw head motifs, case width 2.3cm, dial, case back and bracelet signed Cartier, dial with secret signature at X, case back numbered BB176331, quartz movement £800­1,200

1159 Tiffany & Co., an 18ct gold wristwatch, ‘M263’, the white enamel dial with gold Roman numeral indicators and hands, with two subsidiary dials, within a plain gold bezel, to a leather strap, case width 3.3cm, manual winding movement, dial, case back and buckle signed Tiffany & Co., numbered 16-060, M263, Swiss assay marks for 18ct gold £500­700

1160 Beuche Girod for Cartier, a lady’s gold and enamel wristwatch, 1970s, the oval white dial with black Roman numeral indicators, to a gold bezel and integrated stirrup­link bracelet applied with green enamel, case width 2.2cm, bracelet length 17cm, dial signed Beuche Girod Cartier, manual winding movement signed Beuche Girod, bracelet stamped 18KK ITALY, reverse numbered 7603 40645, 9 69 and 20442, interior of watch back with Swiss assay mark, maker’s mark AXL Swiss and stamped 750 £2,000­3,000

1161 Bulgari, a lady’s ‘BVGLARI BVLGARI’ wristwatch, signed mother of pearl dial with diamond hour markers, in steel case on steel band, quartz movement, case width 2.6cm, length 17.2cm £200­300

1162 Cartier, a rare twenty dollar coin watch, C1950, mechanical jewelled lever movement, silvered dial, black Roman numerals, outer five minute division, circular case, back secured by two screws in the band, hinged within a United States of America Twenty Dollar coin, the front with Lady of Liberty dated 1906, the reverse with the bald eagle, the watch revealed with the thumbpiece in the milled band is pressed, dial signed, diameter 34mm £3,000­4,000

1163 Hublot, a lady’s titanium, stainless steel and diamond ‘Classic Fusion’ wristwatch, the black dial with steel baton indicators and hands, with a date wheel aperture, within a bezel set with brilliant­cut diamonds, to a rubber strap with stainless steel deployant clasp, case width 3.3cm, signed Hublot, case back numbered 1053325, quartz movement £800­1,200

1164 Tiffany & Co., a gentleman’s gold wristwatch, ‘Atlas’, ref. M6930, the plain gold dial with blackened hands and date wheel aperture, within a bezel bordered by Roman numerals, to a leather strap, case width 3.6cm, automatic movement, dial, case back and buckle signed Tiffany & Co., numbered M6390, 19-158, Swiss assay mark for 18ct gold, pouch stamped Tiffany & Co. £800­1,200

1165 Chopard, a gentleman’s gold wristwatch, ref. 1910, the circular brushed gold dial with baton indicators, to a plain gold case and integrated gold bracelet, length 18.5cm case width 3.2cm, signed Chopard, numbered 15/2539, 260420 and 1091, Swiss assay mark for 18ct gold, quartz movement, gross weight 70.6 grams £1,500­2,000

1166 Tiffany & Co., a lady’s gold wristwatch, ‘Atlas’, ref. M0630, the plain gold dial with blackened hands, within a bezel bordered by Roman numerals, to a leather strap, case width 3.1cm, quartz movement, dial, case back and buckle signed Tiffany & Co., numbered M0630, 32-1787, stamped 18K, pouch stamped Tiffany & Co. £500­700

1167 Rolex, a lady’s gold Datejust wristwatch, the signed silver dial with baton numerals, date aperture, sweep seconds hand, automatic movement, on textured gold bracelet, case width 2.6cm

£1,500­2,000

1168 Cartier, a gentleman’s 18ct gold wristwatch, ‘Pasha de Cartier’, ref. 1035, the circular white enamelled dial with black enamel and gold button indicators, with blued steel and luminescent hands, with a date wheel aperture, within a plain gold bezel, the winder cover set with a cabochon synthetic sapphire, to a plain leather strap, case width 3.7cm, automatic movement, dial, case back and buckle signed Cartier, numbered 1035, MG272906, Swiss assay mark for 18ct gold, Cartier instruction manual

£2,000­3,000

1169 Rolex, a lady’s rose gold and diamond ‘Datejust’, ref. 179165, the brushed rose gold­coloured dial diamond indicators, gold hands and date wheel aperture, to an integrated link bracelet with deployant clasp, case width 2.6cm, automatic movement, dial and bracelet signed Rolex, case and bracelet with Swiss assay marks for 18ct gold, bracelet numbered 72135 £2,000­3,000

1170 Jaeger LeCoultre, a unisex stainless steel and 18ct gold wristwatch, ‘Reverso Classique’, ref. 250.5.08, circa 2002, the rectangular silvered dial with black enamelled Arabic numeral indicators and blued steel hands, to a reversible case, the reverse plain, to a bicoloured link bracelet with double deployant clasp, case 3.3 x 2.3cm, bracelet inner circumference 16.5cm, signed Jaeger LeCoultre, numbered 250.5.08 and 2060298, quartz movement, original box and papers £1,000­1,500

1171 Cartier, a lady’s gold wristwatch, ‘Mini Panthère’ ref. 1130, the square dial in cream enamel with black Roman numeral indicators and blued steel hands, to a gold case and integrated bracelet with double deployant clasp, inner circumference 16.2cm, case width 1.7cm, quartz movement dial signed Cartier, secret signature at X, case back signed Cartier, numbered 1130 1, C29370, Swiss assay marks for 18ct gold and maker’s mark for Cartier, clasp signed Cartier, key for hand adjustment £4,000­6,000

1172 Van Cleef & Arpels, a lady’s gold and diamond wristwatch, the rectangular brushed gold dial with black enamel indicators and black enamelled hands, beneath a domed crystal, within a gold case set with two rows of brilliant­cut diamonds, to an integrated gold bracelet of basketweave design, length 17cm, case width 11cm, dial signed Van Cleef & Arpels, manual winding movement signed Movado, watch back numbered NY16174, stamped 18K

£3,000­4,000

1173 Cartier, a lady’s 18ct white gold and diamond wristwatch, ‘Pasha de Cartier’, ref. 2400, the circular guilloché dial with white gold indicators and hands, within a plain white gold case, the crystal crossed with a grid of brilliantcut diamonds, the winder cover set with an inverted brilliant­cut diamond, to an integrated bracelet with double deployant clasp, inner circumference 17cm, case width 3.1cm, automatic movement, dial, case back and clasp signed Cartier, numbered 2400, 306053MG, Swiss assay marks for 18ct gold, gross weight 137 grams, pouch stamped Cartier

£7,000­9,000

1174 A pair of black enamel and diamond cufflinks, the discs set with concentric rings of black enamel, onyx and diamonds in yellow gold, with two matching studs, case £600­800

1175 A pair of gold cufflinks, each terminal designed as a stylised log, joined with oval­link chains in 18ct gold, London hallmarks for 1965, each terminal length 19mm, Boucheron case

£1,200­1,500

1176 Cartier, a pair of square gold cufflinks, hinged and with sapphire terminals, signed and numbered 2532 2870, length 3.5cm, fitted case

£1,000­2,000

1177 Asprey, a nephrite and gold cigarette case, of curved rectangular design, hinged with a ruby thumbpiece in yellow gold, signed, length 9cm

£800­1,200

1178 A mid 19th century banded agate desk seal, the hardstone waisted seal with scrolling gold decoration, set with a bloodstone seal carved with a crest of lion within a garter border bearing the motto ‘FORTITUDINE ET FIDELITATE’, height 6.5cm £600­800

The crest and motto is by repute that of the Browns of Merton Place, Surrey, which was the home of Horatio, Lord Nelson and Emma, Lady Hamilton, from 1801 until 1805.

1179 A gold and agate snuff box, possibly English, early 19th century, the hinged box of cut­cornered rectangular section, the lid and base set with polished sections of agate, mounted in gold, measuring 7.1 x 5.1 x 1.8cm £1,000­1,500

1180 An agate and gold horseshoe form snuff box, English c.1750 the two agate sections to the hinged cover and base with Rococo style chased decoration on matted ground to the gold mounts, length 4.5cm, fitted red velvet lined shagreen case

For a similar box see Eighteenth Century gold boxes, A Kenneth Snowman, p268.

£1,500­2,000

1181 A George III gold vinaigrette, late 18th/early 19th century, of oval section, the exerior with stamped decoration, the interior of the lid inscribed ‘From a lame dog’ and faintly initialled, the interior of the base initialled SA, measuring 3.2 x 2.7 x 1.3cm

£400­600

1182 A whimsical gold paper­knife, mid 18th century, the shaped tapering handle decorated in the Rococo manner with enamel birds, flowers and a dog amongst shells and scrolls on matted ground, two white enamel bands with the motto rien nest trop and followed by bon pour ce quon translating to nothing is too good…for what you love, elaborate shell tangs to the plain gold tapered blade, 24cm, fitted later case

£4,000­6,000

1183 An early 19th century blue enamel desk seal, of amphora design decorated overall with blue guilloché enamel, white chalcedony seal engraved with the inscription 'Mon pays sera mes amours toujours' meaning my country will always be my love, height 7.5cm, fitted case

£2,000­3,000

1184 A ruby and diamond brooch, designed as the arms of the City of London, set with brilliant­cut diamonds and calibré­cut rubies arranged in the form of a St George’s cross with a dagger to one quadrant, within an escutcheon surmounted by a wing crest, mounted in gold, length 3.9cm, British hallmarks for 18ct gold, maker’s mark TTP £800­1,200

1185 A labradorite desk seal 19th century, with a gold seal set with a carnelian engraved with an elaborate coat of arms, above the motto ‘FIDE ET AMORE’, height 9cm £600­800

The elaborate coat of arms engraved on this seal are those of Seymour quartering Conway, which appear beneath the coronet of a Marquess. The Seymour­Conway family have held the title of Marquess of Hertford since 1793, as well as Viscount Beauchamp and Earl of Yarmouth. While their family seat is Ragley Hall in Warwickshire, the family’s London home, Hertford House, is now better known as the Wallace Collection, housing the family’s collection of predominantly French art of the ancien régime, which was gifted to the nation in 1900.

1186 A turquoise and rock crystal seal, probably England, early 20th century, the gently flaring rock crystal handle engraved with a grid accented with collet­set turquoise cabochons, the base set with a rock crystal seal engraved with the crest of an eagle above the motto ‘ESSE QUAM VIDERE’, height 7.8cm, case stamped Wyon, 287 Regent Street £600­800

1187 A fine gem­set Regimental brooch, late 1930s, for the Royal Engineers, enclosing the cipher of King George VI (r.1936­1952), within a garter bearing the motto ‘HONI SOIT QUI MAL Y PENSE’, intricately set with calibré­cut sapphires, emeralds and rubies and single­cut diamonds, a cabochon ruby forming the velvet cap of the crown, measuring 3.6 x 3.0cm £400­600

1188 A citrine, chalcedony and enamel desk seal, circa 1910, the faceted citrine handle above a wide band of lime green guilloché enamel, to a gold mount decorated with scroll designs, enclosing a white chalcedony seal engraved with an intaglio of Sir Isaac Newton, length 8.5cm, fitted case imitating Fabergé £800­1,200

1189 A Regimental brooch for The Kings Royal Rifle Corps, decorated with green and red enamel and pavé­set with diamonds in platinum and gold, length 4.5cm £1,000­1,500

1190 A sapphire and diamond cluster ring, the oval sapphire set within a surround of round brilliant­cut diamonds in platinum, size Q½ £1,500­2,000

1191 A diamond crossover ring, set with two circular­cut diamonds within scroll diamond shoulders in platinum, size O½ £1,000­1,500

1192 A diamond cluster ring, set with a central circular­cut diamond weighing approximately 0.70cts within diamond­set border in 18ct white gold, size O½ £1,000­1,500

1193 A sapphire ruby and diamond half hoop ring, the central band set with rubies and sapphires each covering half the ring, with two hinged bands either side set with diamonds, size P½ £400­600

1194 A diamond ring, of cluster design, set with circular­cut diamonds within millegrain borders, mounted in gold, size J½ £300­500

1195 A sapphire and diamond ring, claw­set with an oval sapphire weighing approximately 3.00 carats, between shoulders set with brilliant­cut diamonds, mounted in gold, size R £800­1,200

1196 An early 20th century diamond cluster ring, of rectangular form, set with a central old cushion­shaped diamond and diamond surround in platinum, size O½ £400­600

1197 A diamond cluster ring, claw­set with brilliant­cut diamonds, mounted in white gold, size N £1,000­1,500

1198 A glass­set gold ring, the pyramid­shaped glass rubover­set in plain gold mount, size N £400­600

1199 A pink tourmaline and diamond ring, the oval­shaped pink tourmaline within diamond borders and shoulders in white gold, size K £800­1,200

1200 An emerald, seed pearl and diamond harem ring, early 20th century, composed of three connected hoops, set to the front with panels of rose­cut diamonds, circular­cut emeralds and seed pearls to millegrain borders, size Q½, French assay marks for 18ct gold, pearls untested £300­400

1201 A pearl and diamond ring, of floral cluster design, set with a pearl within a border of circular­cut diamonds, mounted in silver and gold, size P, pearl untested £200­300

1202 A chrysoberyl catseye and diamond cluster ring, the oval chrysoberyl cabochon set within old­cut diamond surround on a later foliate engraved platinum and gold band, size T½ £400­600

1203 A sapphire solitaire ring, the hexagonal sapphire with rose­cut diamond shoulders in platinum, size M½ £600­800

1204 A diamond ring, claw­set with a brilliant­cut diamond weighing approximately 0.75 carats, to a bicoloured gold mount with shoulders of twist design, size L £400­600

1205 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 0.50cts, claw­set in platinum and gold, size N½ £200­300

1206 A sapphire and diamond three stone ring, the emerald­cut sapphire flanked with old circular­cut diamonds rubover­set in 18ct yellow gold, size Q £1,200­1,800

1207 A peridot and diamond ring, the oval­shaped peridot within pierced diamond­set surround in platinum and gold, size N £600­800

1208 A diamond half eternity ring, the engraved band set with circular­cut diamonds in platinum, size R½ £400­600

1209 Tiffany & Co, a diamond­set ‘Atlas’ ring, set with three circular­cut diamonds amongst Roman numerals in 18ct white gold, maker’s mark and London hallmarks for 2001, size M½ £400­600

1210 A diamond ring, designed as a glazed circular compartment containing free­moving collet­set brilliant­cut diamonds, the border set with additional brilliant­cut diamonds, mounted in white gold, stamped 750, size Q½ £150­200

1211 A Queen Anne blue paste necklace, set with rose­cut cushion­shaped blue pastes on a blue velvet cord and suspending a further paste pendant in gilt metal, necklace length excluding ribbon 29.5cm £600­800

1212 A George III composite sapphire and pearl brooch, the cushion­shaped sapphire set within a surround of seed pearls in yellow gold, length 2.5cm £1,500­2,000

1213 A chrysoberyl devant de corsage brooch, possibly Portugal, 18th century, the top designed as a ribbon bow issuing foliate sprays, suspending a pear­shaped drop, set with oval, cushion­ and pear­shaped chrysoberyls, mounted in silver, measuring approximately 7.8cm x 6.7cm, upper central section and two side pendants deficient, later brooch fittings £200­300

1214 A Regency gold long guard chain, with a white stone and cannetille barrel clasp, length 118cm, weight 46g

£3,000­4,000

1215 An early 20th century purple paste necklace, the oval pastes in silver closed­back setting, with an a purple paste­set bar brooch, fitted case, necklace length 40.5cm, brooch 5.2cm £200­300

1216 A gold guard chain, 19th century, designed as a double strand of floral gold links, to a barrel clasp, length 42cm, converted from a single longchain, gross weight 34 grams

£1,500­2,000

1217 A Regency gold long guard chain, of textured interlocking circular links, with a filigree gold barrel clasp, length 84cm, weight 46g

£3,000­4,000

1218 A Regency gold guard chain, early 19th century, the chain of tubular section composed of fancy gold linking, to a clasp designed as a hand emerging from a lace cuff, adorned with an emerald ring, length 84cm

£1,500­2,000

1219 A gold guard chain, 19th century, composite, composed of stamped gold links, the clasp modelled as a hand wearing an emerald ring emerging from scrolled leaves and a garnet cabochon, grasping an ouroborous, length 45cm, chain stamped 15, 19th century clasp possibly later matched to chain £1,200­1,500

1220 A George III pink paste rivière, set in closed­back cut­down collets and suspending a line of pear­shaped pink pastes, length36cm £600­800

1221 A George III carnelian necklace, the faceted beads with filigree caps either side and separated with faceted gilt beads on a wirework chain, length 38cm £1,500­2,000

1222 A yellow sapphire and diamond cluster ring, the oval sapphire set within a surround of round brilliant­cut diamonds in platinum, size P

£3,500­4,000

1223 A tanzanite and diamond three stone ring, the oval tanzanite flanked with round brilliant­cut diamonds in platinum, size M½

£1,600­1,800

1224 A jade and diamond cluster ring, the oval jade cabochon within a fanned surround of tapered baguetteshaped diamonds and circular­cut diamond shoulders in platinum, size N½

£1,500­2,000

1225 An opal and diamond ring, of cluster design, set with a cabochon opal within a border of cushion­shaped diamonds, mounted in gold, size M½, stamped 18CT £800­1,200

1226 A diamond ring, tension­set with a brilliant­cut diamond stated to weigh 0.66 carats, to a gold band, the front pavé­set with brilliant­cut diamonds, stamped 750, inscribed 0.66 HSI, size O

£1,000­1,500

1227 A diamond eternity ring, the round brilliant­cut diamonds channel­set in white gold, size P½ £800­1,200

1228 An emerald and diamond ring, of cluster design, collet­set with a step­cut emerald within a border of brilliant­cut diamonds, mounted in gold, size I½ £500­700

1229 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 5.22cts, set within diamond surround weighing approximately 0.90cts in white gold, size N½ £5,000­6,000

1230 A ruby and diamond cluster ring, the oval ruby within diamond surround in platinum and gold, size P½ £2,500­3,000

1231 A gold necklace, composed of bicoloured fancy links, length 41.9cm, Italian maker’s mark, stamped 750, gross weight 25 grams £800­1,200

1232 A diamond line bracelet, set with round brilliant­cut diamonds in heart­shaped 18ct white gold setting, length 18cm £1,800­2,000

1233 A lapis lazuli and diamond ring, of cluster design, collet­set with a lapis lazuli cabochon within a border of brilliant­cut diamonds, mounted in gold, size M½, stamped 18ct £400­600

1234 A cultured mabé pearl and diamond dress ring, the cultured pearl set within scrolling yellow gold border set with diamonds in platinum and gold, size Q½ £400­600

1235 An emerald and diamond­set gold bangle, set with square emerald clusters waisted with diamonds in yellow gold, inner diameter 5.5cm. weight 45g £400­600

1236 A ruby and diamond bracelet, set with a central line of circular­cut rubies within a border of calibré­cut rubies separated with diamond panels in white gold, 18cm long £5,000­5,500

1237 Kutchinsky, a pair of gold ear clips, circa 1973, each of bombé design in 18ct gold, with a Florentine finish beneath a rope­twist lattice, length 2.2cm each, each signed Kutchinsky, British hallmarks £1,500­2,000

1238 A pair of tsavorite garnet and sapphire ‘Sputnik’ earrings, set in white gold, 2.7cm long £2,000­3,000

1239 A pair of gold earrings,Italy, 1970s, each designed as a half hoop composed of woven gold linking, length 2.6cm, clip and post fittings, stamped 750, maker’s mark 195 TO for Giovanni Marchisio £1,000­1,500

1240 Henry Dunay, a gold bombé ring, of three­row hammered design in 18ct yellow gold, size N £800­1,200

1241 An early 20th century opal and diamond heart brooch, the solid white opal cabochon claw­set within a border of stylised fleur­de­lys each set with a diamond in yellow gold, stamped 15ct, length 3.5cm £400­600

1242 A Belle Époque diamond pendant, early 20th century, designed as a ribbon knot suspending two dropshaped pendants, set with circular­cut and cushion­shaped diamonds, connected by knife wire linking collet­set with circular­cut diamonds to a platinum backchain, pendant length 3.1cm, necklace length 37cm £2,000­3,000

1243 An early 20th century diamond stickpin, the pierced oval platinum plaque reveals a hissing cat, within millegrain­set diamond border in platinum and gold, width 1cm, length 6.7cm, case £150­250

1244 A blue zircon solitaire ring, the circular­cut zircon weighing 8.40cts, claw­set in white gold, size M £400­600

1245 A gem­set brooch, circa 1900, designed as a dragonfly, its thorax set with an opal, its abodomen set with step­cut demantoid garnets, its wings set with seed pearls, with cabochon ruby eyes, mounted in gold, length 3.4cm, stamped 15CT, fitted case £600­800

1246 A pair of emerald and diamond lizard brooches, pavé­set with graduated diamonds and a line of emeralds in silver and gold, joined with a fine­link gold chain set with seed pearls, each lizard length 2.9cm £2,000­3,000

1247 A tourmaline intaglio ring, the octagonal tourmaline engraved with the scene of Apollo and Daphne, in rubover setting with diamond­set shoulders in platinum and gold, size O £2,000­3,000

Accompanied by report number 5782­2563 from GCS stating that the green tourmaline is natural elbaite.

1248 An Edwardian hessonite garnet and diamond pendant, the cushion­shaped garnet within diamond­set border and suspending from a diamond­set bale in silver and gold, length 4.4cm, case £1,000­1,500

1249 A garnet rivière necklace, set with graduated circular­cut garnets in gold collets, suspending a central line of graduated pear­shaped garnets, length 37cm £1,200­1,500

1250 An emerald and diamond ring, claw­set with a step­cut emerald, to shoulders set with trios of brilliant­cut diamonds, mounted in white gold, size J £300­400

1251 A ruby and diamond bracelet, early 20th century, the front set with circular­cut rubies and diamonds, to a white gold mesh bracelet, inner circumference 15.5cm £1,500­2,000

1252 An Edwardian opal and diamond pendant, set with a solid black opal suspending a pearl in gold lozenge border and a further larger black opal in yellow gold, on fine­link yellow gold neck chain, chain length 42cm, pendant length 4.6cm £700­900

1253 An early 20th century diamond monkeys brooch, with a stylised monkey pavé­set with diamonds, sat on a bar suspending another monkey hanging from a fine link gold chain, in silver and gold, length 5.4cm £1,500­2,000

1254 An early 20th century peridot and diamond bar brooch, designed as a stylised apple, in platinum and gold, width 6.2cm, fitted case £600­800

1255 An Edwardian diamond pendant, the old circular­cut diamond suspending two further diamonds on knifeedge links on a fine link platinum neck chain, pendant length 4cm, chain length 38cm £800­1,200

1256 A pair of sapphire and diamond drop earrings, the cushion­shaped sapphires millegrain­set within diamond borders beneath a further smaller diamond in white gold, hook and clip fittings,Austrian marks, length 2.6cm total £300­500

1257 An Edwardian peridot and mother of pearl bracelet, the scroll panels alternately­set with circular peridots and mother of pearl, separated with fine­link gold chains, stamped 15ct, length 18.8cm £700­900

1258 A diamond­set sailing pendant, set with a central reverse carved crystal depicting a yacht, within circularcut diamond border and diamond cluster in white gold with silver backing, on fine­link white gold neck chain, pendant length 3.8cm, chain length 42cm £1,500­2,000

1259 A pair of Edwardian zircon earrings, set with a pear­shaped zircon suspending articulated foliate links set with pearls and diamonds and an oval zircon in gold, length 4.2cm total £400­600

1260 A ruby and diamond ring, claw­set with an oval ruby between cushion­shaped diamond shoulders, mounted in gold, size J, case £800­1,200

1261 A sapphire and diamond cluster ring, set with an emerald­cut sapphire within diamond surround in white gold, size O £4,000­6,000

1262 An emerald and diamond ring, the oval emerald in rubover setting flanked with baguette­shaped diamond shoulders in yellow and white gold, size Q £500­700

1263 Tiffany & Co., a diamond eternity ring, designed as an 18ct gold band set in the round with brilliant­cut diamonds, size I½, signed T&Co., British hallmarks £400­600

1264 A sapphire cluster ring, the elongated oval­shaped sapphire set within circular­cut sapphire surround in yellow gold, size P½, case £800­1,200

1265 A topaz and diamond ring, the oval orange topaz flanked with graduated circular­cut diamonds in yellow gold, size N½ £1,000­1,500

1266 A gold, enamel, emerald and diamond brooch, 1970s, designed as a chipmunk holding an acorn, its gold body applied with black enamel, its eye set with a circular­cut emerald, its teeth set with baguette diamonds, the acorn pavé­set with single­cut diamonds, length 4.2cm, maker’s mark M, stamped 18K £1,000­1,500

1267 An emerald and diamond ring, the oval emerald flanked with three old cushion­shaped diamonds in platinum, size O½ £3,000­4,000

1268 Theodore B. Starr, a diamond ring, early 20th century, claw­set with a cushion­shaped diamond weighing approximately 1.20 carats, to a border and shoulders set with cushion­shaped diamonds, mounted in white gold, size Q, signed TB Starr

£4,000­6,000

Theodore B. Starr (1837­1907) was one of the most prominent American jewellers and goldsmiths of the late 19th and early 20th century, who founded his eponymous firm in New York City in 1877. An example of Starr’s work can be found in the Metropolitan Museum of Art, New York, accession no.2013.605.

1269 An emerald and diamond ring, collet­set with a step­cut emerald, within a border of single­, brilliant­cut and baguette diamonds, mounted in gold, size N½

£1,000­1,500

1270 E Wolfe & Co., a large 18 carat yellow gold brooch depicting a field mouse, set with a ruby eye and diamond highlights. London Hallmarks for 1962 and with a makers marks for E Wolfe & Co possibly retailed by Garrards the crown jewellers at the time, length 11.5cm

£1,000­1,500

1271 A pair of black enamel and diamond earrings, decorated with snake­skin like panels of black enamel, three of which are highlighted with diamonds in yellow gold, folding post and clip fittings, length 2.5cm £800­1,200

1272 A gold and turquoise brooch, circa 1965, designed as a hedgehog in 18 carat gold, its eyes set with turquoise cabochons, length 3.4cm, British hallmarks for 1965 £500­700

1273 A diamond line bracelet, set with round brilliant­cut diamonds rubover­set in 18ct yellow gold, London import marks for 1996, total approximate diamond weight 3.5cts, length 16.5cm

£1,500­2,000

1274 A pair of labradorite and diamond earrings, of girondolle design, set with faceted labradorites, each within a border of circular­cut diamonds in gold, post fittings, length 5.7cm

£1,500­2,000

1275 A diamond ring, of cluster design, set with brilliant­cut diamonds, mounted in 18ct gold, size M½, British hallmarks

£1,000­1,500

1276 A jade and diamond three stone ring, the oval jade cabochon flanked with baguette­shaped diamonds in white gold, size L £1,500­2,000

1277 A diamond solitaire ring, the emerald­cut emerald weighing 1.28cts, with diamond­set shoulders in platinum, size M½ £3,000­4,000

1278 Theo Fennell, a spinel solitaire ring, the oval spinel rubover­set in 18ct yellow gold, maker’s mark and London hallmarks for 1998, size J £1,000­1,500

1279 An emerald and diamond cluster ring, the oval emerald set within a surround of diamonds in yellow gold, size O½ £3,500­4,000

1280 An aquamarine and diamond ring, the step­cut aquamarine with baguette­shaped diamond shoulders in yellow gold, size N½ £1,500­2,000

1281 An diamond solitaire ring, the oval­shaped diamond weighing 1.02cts, claw­set in yellow gold, size P £800­1,200

1282 A topaz and diamond cluster ring, the step­cut topaz within a surround of small round brilliant­cut diamonds in white gold, size O½ £800­1,200

1283 An emerald and diamond ring, of cluster design, collet­set with an oval emerald within a border of brilliantcut diamonds, mounted in 18ct gold, size N½, British hallmark, sponsor’s mark CJ £400­600

1284 An aquamarine and diamond cluster ring, the oval aquamarine within diamond­set border in platinum, size O

£1,000­1,500

1285 A yellow sapphire and diamond cluster ring, the oval sapphire set within a surround of brilliant­cut diamonds, mounted in platinum, size P £800­1,200

1286 A diamond bangle, the hinged white gold bangle channel­set to the front with a line of graduated brilliantcut diamonds, inner circumference approximately 18.4cm, British hallmarks for 18ct gold £2,500­3,500

1287 A mid 20th century diamond­set brooch, the central round brilliant­cut diamond within a border of baguette­shaped diamonds and abstract surround set with diamonds in white gold, length 8.5cm £1,500­2,000

1288 A diamond solitaire pendant, the old circular­cut diamond weighs approximately 0.90cts, rubover­set in yellow gold, on a fine­link yellow gold neck chain, 43cm £3,000­4,000

1289 A pair of diamond cluster earrings, set with round brilliant­cut diamonds in white gold, width 1cm, post fittings £400­600

1290 A diamond­set bar brooch, the rectangular brooch set with two rows of diamonds in white gold, length 5cm £600­800

1291 A diamond line bracelet, composed of elongated links set with brilliant­cut diamonds, mounted in white gold, length 17.5cm, stamped ITALY £800­1,200

1292 A diamond brooch, 1960s, of rosette design, set with brilliant­cut, baguette and marquise­shaped diamonds, mounted in platinum, length 5.1cm, case stamped Garrard & Co. £800­1,200

1293 A sapphire and diamond cluster ring, of cut­cornered square outline and target design, centring on a brilliant­cut diamond, within concentric borders of calibré­cut sapphires and single­cut diamonds, mounted in platinum, size N

£1,500­2,000

1294 A diamond soltaire ring, the old circular­cut diamond weighs approximately 1.45cts, with diamond­set shoulders in platinum, size Q, case £2,500­3,500

1295 A blue zircon and diamond dress ring, set with a central emerald­cut blue zircon within octagonal surround pavé­set with circular­cut diamonds and further baguette­shaped diamond shoulders in platinum and white gold, size P½ £1,800­2,000

1296 A diamond solitaire ring, early 20th century, set with a cushion­shaped diamond weighing approximately 0.60 carats, to fluted platinum band, size G½ £300­500

1297 A sapphire and diamond ring, the cushion­shaped sapphire flanked with graduated baguette­shaped diamonds in platinum, size O £3,000­4,000

Accompanied by GCS report number 5783­1244 dated 27th January 2023 stating that sapphire is natural, origin: Sri Lanka, no indications of heating.

1298 An aquamarine solitaire ring, set with a step­cut aquamarine weighing approximately 16.00 carats, to a plain mount in white gold, British hallmarks for 18ct gold, 1979, sponsor’s mark DN, size N½ £1,500­2,000

1299 A sapphire and diamond ring, designed as an oval plaque, set with circular­cut and rose­cut diamonds within a trellis of calibré­cut sapphires, to birfurcated shoulders set with circular­cut diamonds, mounted in gold, size L½ £800­1,200

1300 A mid 20th century jade and diamond double clip brooch, each clip set with an oval jade cabochon within scrolling foliate surround set with graduated circular­cut diamonds in platinum, total width 7.4cm, case

£4,000­6,000

1301 A pair of diamond stud earrings, each collet­set with a brilliant­cut diamond weighing approximately 0.80 carats, each mounted in platinum, post fittings

£1,500­2,000

1302 A diamond strap bracelet, set with waisted rectangular plaques set with a central line of old circular­cut diamonds within pierced platinum surround, length 18.5cm £4,000­6,000

1303 A French ruby and diamond bracelet, set with calibré­cut rubies and diamond in Greek key pattern design in platinum and gold, French control marks and maker’s lozenge, length 18cm £4,000­6,000

1304 A pair of triangular­cut diamond earrings, in rubover settings, hook fittings, 16mm high total

£1,300­1,500

1305 Lacloche Frères, an Art Deco diamond brooch, circa 1920, designed as a stylised openwork bow, millegrain­set with circular­ and rose­cut diamonds, mounted in platinum, length 5.4cm, signed Lacloche Frères, numbered 64160, French assay mark for platinum and indistinct maker’s mark

£3,000­4,000

1306 A pair of early 20th century diamond drop earrings, composite, the pear­shaped diamonds suspend from an articulated line of graduated diamonds in platinum, hook fittings, length 4.5cm total £4,000­6,000

1307 An early 20th century sapphire and diamond brooch, the cushion­shaped sapphire millegrain­set within pierced geometric diamond surround in platinum, French control marks, length 4.5cm £2,000­3,000

1308 A sapphire and diamond ring, the emerald­cut sapphire flanked with graduated baguette­shaped diamonds in platinum and gold, size K½ £4,000­6,000

Accompanied by GCS report number 5783­1809 dated 8th March 2023 stating the octagonal cut sapphire originates from Sri Lanka and has no indications of heating.

1309 An early 20th century oval diamond brooch, millegrain­set with a border of diamonds surrounding lines alternately­set with smaller and larger diamonds in platinum, length 2.9cm £300­400

1310 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.30cts, with baguetteshaped diamond shoulders claw­set in platinum, size R½ £1,000­1,500

1311 Charlton & Co., a diamond brooch, circa 1920, designed as a galleon, set with circular­cut diamonds, mounted in platinum, length 2.8cm, signed Charlton & Co. £800­1,200

1312 A diamond three­stone ring, set with an antique cushion­shaped diamond weighing approximately 1.00 carat, between shoulders set with cushion­shaped diamonds, mounted in white gold, size J½ £3,000­4,000

1313 A Stuart crystal and diamond mourning ring, circa 1700, set with a pear­shaped citrine over a miniature skull on a ground of woven hair, between rose­cut diamond shoulders, mounted in silver and gold, size N £600­800

1314 An enamel and diamond ring, 19th century, designed in the Renaissance Revival style, set with a cushion­shaped diamond, to a geometric setting and scrolled shoulders applied with blue and white enamel, size L, later Dutch assay mark for 18ct gold, indistinct additional assay marks, maker’s mark KL £1,000­1,500

1315 Carlo Giuliano, an enamel and pearl necklace, late 19th century, and an unsigned gold and pearl pendant, mid 19th century, the necklace designed as a series of twisted cane links applied with black and white enamel, spaced by seed pearls, length 35cm, clasp signed CG for Carlo Giuliano, suspending a 19th century gold pendant in the Archaological Revival style, finely modelled as a cherub holding an amphora and a goblet containing a pearl, decorated with gold granulation and filigree work, length 2.3cm, unsigned, likely later added to necklace, pearls untested £2,000­3,000

Cf.: Geoffrey Munn, Castellani and Giuliano: Revivalist Jewellers of the Nineteenth Century, England, 1984, no.152, for a similar example of the candytwist enamelled necklace, thought to be based on a 16th century example known to the Giuliano family.

1316 An enamel and garnet ring, 17th century, set with a rose­cut garnet, to a gold band with engraved shoulders, applied with remnants of white, blue and green enamel, size M½ £500­700

1317 A gold and pearl neckalce, late 19th century, the necklace composed of gold chain linking threaded with seed pearls, suspending a pendant in the Archaeological Revival style, modelled as a putto holding a pearl, necklace length 42cm, stamped 15ct, pendant length 3cm including jump ring, pearls untested £500­700

1318 A diamond cluster mourning ring, late 18th century, centring on a cluster of rose­cut diamonds in closed­back silver settings, to a gold band with a partially legible dedicatory inscription, dated ‘JAN 1773’, size M½ £1,200­1,500

1319 A rare emerald ‘poison’ ring, possibly Spain, circa 1700, set with a table­cut emerald, to a high­carat gold mount with foliate shoulders and a fluted band, one shoulder hollow, the interior of the band with a concealed compartment with a hinged cover, size O½, later French assay mark for 18ct gold £1,500­2,000

1320 A carved onyx pendant, early 19th century, carved in sections of banded onyx and agate to depict a ‘blackamoor’ figure in a turban and robe, accented with gold buttons, length 3cm £600­800

1321 A rare enamel and diamond ring, 17th century, set with a table­cut diamond within a rectangular gold setting, the mount and shoulders applied with black enamel, suspending a heart­shaped pendant applied with black enamel, with the number 3 in reserve, size H £1,000­1,500

λ 1322 An enamel and ivory miniature mourning pendant, late 18th century, set with a glazed ivory miniature depicting a woman at a funerary monument initialled ES, the reverse containing a woven lock of hair, within a ribbon mount applied with white enamel, the inscription ‘Not lost but gone before’ in reserve, mounted in gold, length 3.4cm £600­800

1323 An articulated gold ring, 1860s, designed in the Archeological Revival style, composed of domed floral motifs connected by gate linking, size N £400­600

1324 A sapphire and diamond ring, mid 18th century, of ‘toi­et­moi’ design, collet­set with a circular­cut sapphire and a rose­cut diamond in foiled silver settings, the openwork shoulders accented by rose­cut diamonds, mounted in silver and gold, size O, later shank with assay marks £1,000­1,500

Cf.: Diana Scarisbrick, Rings: Jewelry of Power, Love and Loyalty, London, 2007, pg.256, no. 353 for a ring of similar design, dated circa 1760.

1325 A Georgian enamel and diamond mourning ring, circa 1734, centring on a rose­cut diamond in a cut­down collet setting, to a black enamelled band bearing the inscription ‘SUS:HOISSARD:OB:DEC:2:1734:AE:37’, the interior additionally inscribed ‘CB obt 1880’ and ‘CWJB SBB obt 1905’, size O½ £1,000­1,500

1326 A gold and amethyst ring, designed in the classical style, set with a polished amethyst, mounted in high carat gold, size M £400­600

1327 A fine and rare gem­set giardinetti ring, circa 1750, designed as a spray of flowers, set with emeralds, sapphires and rubies, and rose­cut diamonds, to a partially openwork gold band of scrolling design, size N £1,000­1,500

Cf.: Diana Scarisbrick, Rings: Jewelry of Power, Love and Loyalty, London, 2007, pgs. 252­256, for comparable examples of these highly attractive Rococostyle rings.

1328 A Georgian garnet and agate ring, circa 1750, depicting a pair of hearts beneath a coronet, set with dendritic agate cabochons and bordered with table­cut garnets, mounted in gold, size Q, three garnets deficient £500­700

Cf.: Diana Scarisbrick, Rings: Jewelry of Power, Love and Loyalty, London, 2007, pg. 88, for a ring of similar design.

1329 An unusual gold puzzle ring, designed as three gold panels centring on floral motifs, spaced by gold pellets, detaching into three interlocking rings, size L £500­700

Cf.: Victoria and Albert Museum, accession no. 861­1871, for a silver example of similar construction, tentatively dated to the 18th century, acquired by the Victoria and Albert Museum in 1871 as part of the collection of the scholar Edmund Waterton (1830­1887).

1330 A George III topaz rivière necklace, late 18th century, composed of oval and cushion­shaped topazes in closed­back foiled gold settings, length 43cm £3,000­5,000

1331 A pair of Stuart crystal mourning bracelet clasps, circa 1700 and later, each of oval outline, containing the initials OM beneath a Ducal coronet and the initials AC respectively, over woven hair work, enclosed within a gold rope twist border, to an outer ring of gold stars on a blue ground, each covered by a faceted crystal and mounted in gold, converted from slides and set within a matching pair of early 19th century gold bracelet clasps with beaded borders, each measuring 1.7cm x 1.5cm £800­1,200

1332 An enamel Saint Esprit pedant and an enamel mourning pendant, 18th century, comprising: a pendant designed as a bird, set with a square paste stone, suspending three pendant fittings, length 3.2cm, pendants deficient; and an oval glazed mourning pendant, the border applied with black enamel with a dedicatory inscription dated 1734 in reserve, length 2.5cm, both damaged £300­500

1333 A late 19th century ruby and diamond horseshoe brooch, set with a row of rubies within a row of diamonds in closed­back yellow gold setting, later brooch and pendant fitting, width 2.1cm £300­500

1334 A French Art Nouveau gold necklace, the graduated triangular plaques depicting roses, the largest suspending a seed pearl in yellow gold, on fancy­link gold neck chain, French control marks, length 42cm £1,200­1,500

1335 Eight cabochon emeralds, each in silver cut­down collet setting, total approximate weight 35 ­ 40cts £7,000­9,000

1336 Pierret, a mid 19th century stickpin, decorated with four gold cameos including Machiavelli, Leonardo and Michelangelo, within blue tesserae oval surround with pelletwork border and ropetwist decoration in yellow gold, maker’s plaque, length 9.7cm £600­800

1337 A gold long guard chain, the circular links with beaded decoration, with a gem­set filigree barrel clasp, length 154cm £1,500­2,000

1338 A gold longchain, early 19th century, composed of stamped belcher­style linking, to a clasp modelled as a hand in a flaring cuff adorned with a flower, accented with rubies, length 161cm, clasp tongue stamped 15ct, gross weight 43 grams £800­1,200

1339 A gold, tourmaline and diamond necklace, circa 1970, composed of oval Rococo­style gold links alternating with floral links set with circular­cut tourmalines, suspending a similar pendant set with an oval green tourmaline and accented with rose­cut diamonds, necklace length 62cm, stamped ITALY and 585 for 14ct gold £1,500­2,000

1340 A Victorian gold, seed pearl and enamel locket pendant necklace, circa 1878, the oval gold locket centring on a star design set with half pearls and blue enamel, opening to reveal an interior with two glazed panels, the reverse with a dedicatory inscription dated 1878, to a fancy link chain necklace, pendant length 6cm including bail, chain length 46.5cm, pendant bail stamped 15ct, pearls untested £1,200­1,500

1341 An emerald and diamond brooch, mid 19th century, of cross­shaped outline, with scroll and chain link details, set with lines of step­cut emeralds and cushion­shaped diamonds, measuring 3.9 x 2.9cm, later brooch fittings, case stamped Garrard & Co. £300­400

1342 A Georgian amethyst brooch, early 19th century, designed as a cross, set with oval amethysts, within a beaded gold border, length 5.3cm £400­600

1343 A turquoise and diamond pendant, 1830s, designed as a stylised padlock in gold cannetille, set with a crescent­shaped polished glass panel, bordered with turquoise cabochons and cushion­shaped diamonds, suspending a heart and a key pendant set with turquoise cabochons, length 5.8cm

£3,000­4,000

1344 A Regency acrostic heart pendant, with a gem­set flowerhead spelling out REGARD, within engraved foliate gold surround, hinged opening and glazed locket compartment to reverse containing plaited hair, length 3.4cm £800­1,200

1345 A French gold citrine ring, the step­cut orange citrine set in pierced wirework yellow gold mount, French control marks and maker’s lozenge (obscurred), size T £600­700

‡ 1346 Andrew Grima, a gold cyclamen leaf brooch, set with a diamond in 18ct gold, maker’s plaque to reverse, studio mark and London hallmarks for 1970, length 4.2cm, Grima case

Accompanied by original receipt from Grima dated 22nd June 1971.

£1,500­2,000

‡ 1347 Alan Gard, an opal and diamond cockail ring, 1969, the cabochon opals and round brilliant­cut diamonds set within textured interlocking circle border in 18ct yellow gold, maker’s mark and London hallmark for 1969, size R½

£2,000­3,000

1348 A diamond solitaire ring, the old circular­cut diamond weighing approximately 0.55cts, rubover­set in yellow gold, size O½ £600­800

1349 An emerald ring, set with a cabochon emerald weighing approximately 2.90cts carats, to a platinum band, size M½, French import assay mark for platinum

The emerald with a verbal report stating it is Colombian, insignificant oil.

£5,000­7,000

1350 Dan Alsberg, a modernist tourmaline, opal and diamond bangle, the hinged textured bangle of Cubistinspired design, collet­set with step­cut tourmalines, an opal doublet and brilliant­cut diamonds, mounted in silver with gold accents, inner circumference 16.5cm, signed Dan Alsberg £300­500

Dan Alsberg is an Israeli goldsmith and jewellery designer based in Jerusalem, known for his experimental, modernist designs.

‡ 1351 Andrew Grima, a cultured pearl­set gold ring, the textured octagonal band surmounted with another gold octagon suspending a cultured pearl in textured 18ct gold, marked Grima, with studio mark and London hallmarks for 1970, size H approx. Grima case

Accompanied by original receipt from Grima dated 18th December 1973.

£1,500­2,000

1352 A gold longchain necklace, London, 1971, composed of oval links in textured 9ct gold, dividing into two bracelets and a necklace, length as longchain 80cm, British hallmarks for 9ct gold, sponsor’s mark H&M, gross weight

116 grams

£2,000­4,000

‡ 1353 G.Weil, a diamond bracelet, of abstract textured gold design set with graduated circular­cut diamonds in platinum and yellow gold, maker’s plaque to reverse, width 3.9cm, length 18cm

£5,000­7,000

1354 Cartier, a pair of textured gold hoop earrings, maker’s mark JC and London hallmarks for 18ct, length 3.5cm, post fittings with piston action backs, small Cartier case

£2,000­3,000

1355 Kutchinsky, a diamond­set dress ring, the pierced textured gold set with graduated baguette­shaped diamonds in 18ct yellow gold, maker’s mark and London hallmarks for 1971, size L½ £1,500­2,000

‡ 1356 Andrew Grima, an opal and diamond ring, of abstract triangular design set with a cabochon opal with diamond accent within textured gold border in 18ct yellow gold, signed Grima, A.G.Ltd, with studio mark and London hallmarks for 1970, size O approx. Grima case £3,000­4,000

Accompanied by original receipt from Grima dated 30th January 1973.

‡ 1357 Andrew Grima, a diamond ring, the diamond­set gold band with a surmounted diamond­set gold hoop at 90 degrees in 18ct yellow gold, marked Grima with studio mark and London hallmarks for 1970, size M½, Grima case £1,500­2,000

Accompanied by original receipt from Grima dated 6th January 1971.

1358 A pair of ruby and diamond bombé earrings, set with a diagonal pairs of rubies within pavé­set diamond surround in yellow gold, post and clip fittings, length 2.3cm, with a matching ruby and diamond bombé ring, size M½

£3,000­3,500

1359 A diamond solitaire ring, the rose­cut diamond in a gold collet setting on a patinated silver band, size K £600­800

1360 A diamond ring, collet­set with a rose­cut diamond, to a plain gold band, size M £600­800

1361 A sapphire­set gold dress ring, the oval sapphire set in pierced gold oval surround, size L £1,500­2,000

1362 Tiffany & Co, a pair of of Heliodor ruby and diamond earrings, the stylised ruby and diamond bows each set with an emerald­cut heliodor in platinum and gold, signed, screw fittings, length 1.9cm £3,000­4,000

1363 A French gold umbrella clock brooch, C1945, designed as a girl holding a large umbrella shielding her from the rain, standing beside a post with a watch face at the top, decorated with single­cut diamonds and small cabochon sapphires, maker’s mark, assay mark, length 6.5cm

£1,600­2,000

1364 Van Cleef & Arpels, a sapphire spray brooch, C1950, set with a cluster of circular­cut sapphires within fine gold wirework surround in 18ct yellow gold, signed, length 4.8cm £3,000­4,000

1365 Van Cleef & Arpels, an onyx, ruby, emerald and diamond brooch, ‘Chat Malicieux’, circa 1959, designed as a winking cat, its body set with an onyx cabochon, its nose set with an oval ruby, its eye an emerald cabochon lined with brilliant­cut diamonds, mounted in gold, length 5cm, signed Van Cleef & Arpels, dated 1959, stamped 750

£4,000­6,000

1366 A mid 20th century French gold scarecrow brooch, the stylised scarecrow with citrine scarf, hands and feet, French control marks and maker’s lozenge, numbered 7031, length 4cm £1,000­1,500

1367 An Egyptian Revival gold and enamel bracelet, set with a central line of lapis lazuli cabochons within blue enamel surround depicting stylised lotus flowers, French import marks, length 19cm

£3,000­4,000

λ 1368 Jacques Lacloche, an emerald, coral and diamond brooch, mid 20th century, designed as a chick in textured gold standing on a branch, its beak set with polished coral, its eye set with an emerald cabochon and highlighted with single­cut diamonds, length 3.4cm, signed Lacloche Paris, French assay marks for 18ct gold and platinum, maker’s mark for Stoffel £1,500­2,000

1369 Jacques Lacloche, a gold, ruby, turquoise and diamond brooch, mid 20th century, designed as an elephant in textured gold, its eye set with a sapphire, its tusk with single­cut diamonds, its saddle with calibré­cut turquoise and circular­cut rubies, length 4.3cm, signed J. Lacloche Paris Cannes, French assay marks for 18ct gold and platinum, partial French maker’s mark £1,500­2,000

1370 An opal cameo and diamond brooch, centring on an opal carved to despict a classical woman in profile, to an abstract foliate brooch set with brilliant­cut diamonds, mounted in white gold, measuring 5.1 x 5.5cm, cameo 2.1 x 1.8cm £800­1,200

λ 1371 Van Cleef & Arpels, a gem­set madarin duck brooch, C1960, the stylised duck set with carved coral, lapis lazuli, black onyx and malachite sections separated with gold borders, with an emerald eye and diamonds set in gold, signed VCA, with maker’s mark and French control marks, numbered B1473 D19, width 4.7cm £8,000­12,000

1372 A gem­set gold bird brooch, the stylised canary with sapphire eyes and a turquoise and diamond crescent in yellow gold, French control marks, length 3.7cm £1,000­1,500

1373 An aquamarine and diamond ring, set with an elongated scissor­cut aquamarine, between flaring shoulders set with trios of marquise­shaped diamonds, mounted in platinum, size H £2,000­3,000

1374 A sapphire and diamond cluster ring, the oval­cut sapphire, weighing 12.71 carats, within a tiered and openwork surround of brilliant and baguette­cut diamonds, diamonds approximately 2.20 carats total, ring size M, cased by Garrard £4,000­6,000

Accompanied by number 22304 from The Gem & Pearl Laboratory stating that the sapphire is of unheated Sri Lankan origin, dated 28th October 2022.

END OF DAY ONE

DAY TWO

FRIDAY 21ST APRIL 2023 AT 10.00AM

1375 A late 19th century (and later) pink sapphire and cultured pearl brooch, the three interlocking circles set with pink sapphires, suspending two pink sapphire and cultured pearl drops in silver and gold, width 3.2cm £300­400 Accompanied by report number 21095 from GPL stating that the natural pink sapphires are Burma, with no indications of heat treatment.

1376 A late 19th century diamond foliate brooch, set with graduated old cushion­shaped diamonds in silver and gold, length 3.5cm £400­600

1377 A Victorian diamond star brooch, set with graduated old­cut diamonds in yellow gold, width 3cm £1,500­2,000

1378 A late 19th century gem­set turtle brooch, pavé­set with rubies within diamond border and diamond­set head and flippers in silver and gold, length 2.6cm £2,000­3,000

1379 A late Victorian demantoid garnet and diamond brooch, of starburst and scalloped edge design in silver and gold, width 3.2cm £2,000­3,000

1380 A Victorian diamond brooch, late 19th century, designed as a bow, set with circular­cut diamonds, mounted in silver and gold, width 2.5cm, fitted case stamped William Berry, 693 Fulham Road £200­300

1381 A diamond pendant brooch, early 20th century, of star design in openwork construction with knife wire arms, set with circular­cut diamonds, mounted in white gold, to a diamond bail and later fine chain, length 4.2cm including bail, chain length 44cm, bail and brooch fittings detachable, case £1,500­2,500

1382 A late 19th century diamond flower brooch, set with graduated old cushion­shaped diamonds in silver and gold, length 3.9cm

£1,500­2,000

1383 A Victorian sapphire and diamond brooch, late 19th century, designed as a three­leaf clover, set with oval sapphires and cushionshaped and rose­cut diamonds, mounted in silver and gold, length 2.7cm £800­1,200

1384 A late 19th century diamond cluster ring, set with graduated cushion­shaped diamonds in gold, size O½ £200­300

1385 A sapphire and diamond three stone ring, the central cushion­shaped sapphire flanked with old cushion­shaped diamonds in silver and gold, size O½ £2,000­3,000

1386 A diamond five stone ring, set with graduated old circular­cut diamonds in platinum and gold, size Q £800­1,200

1387 A mid 19th century topaz and diamond flower brooch, the head mounted ‘en tremblant’ set on a green (re)enamelled stem tied with a diamond bow in silver and gold, length 8.7cm £6,500­7,500

1388 An aquamarine and diamond brooch, France, early 20th century, designed as a ribbon knot, set with circular­cut diamonds, suspending two pear­shaped aquamarines, mounted in silver and gold, measuring 4.4 x 3.6cm, numbered 10011, French assay marks and indistinct maker’s mark £2,000­3,000

1389 A Victorian ruby bangle, set with graduated rubies claw­set in yellow gold, inner diameter 5.7cm £2,000­3,000

1390 A late Victorian diamond bangle, set with graduated old circular­cut diamonds in silver and gold, inner diameter 5.9cm £600­800

1391 An Art Nouveau diamond scroll brooch, of openwork scroll design millegrain set with old circular­cut diamonds, suspending a pearshaped diamond in platinum and gold, width 5cm £4,000­6,000

1392 A pearl and diamond brooch, late 19th century, of bar design, centring on a bouton­shaped pearl measuring approximately 9.5mm diameter, within a border of cushion­shaped diamonds, mounted in gold, length 3.2cm £500­700

1393 A pair of diamond drop earrings, the old cushion­shaped diamonds in silver and gold cut­down collets, suspending from an articulated line of smaller diamonds, screw fittings, length 2.2cm £2,000­3,000

1394 A Victorian diamond cluster ring, set with graduated circular­cut diamonds in yellow gold, size O½ £2,000­3,000

1395 A late 19th century sapphire and diamond ring, set with a cushion­shaped sapphire flanked with old circular­cut diamonds in carved yellow gold setting, size M £6,000­8,000

The sapphire tested as Basaltic no heat.

1396 A diamond cluster ring, set with graduated old cushion­shaped diamonds in platinum, size O½ £5,000­6,000

1397 A late Victorian enamel and diamond brooch, the green guilloché lozenge set with a pearl and diamond cluster within white enamel and diamond borders in yellow gold, glazed locket compartment to reverse, length 3.6cm £800­1,200

1398 An enamel and diamond brooch, late 19th century, designed as a four­leaf clover, its leaves applied with green basse-taille enamel, centring on a cushion­shaped diamond, the stem and one leaf additionally accented with rose­cut diamonds, mounted in gold, measuring 2.4 x 2.5cm £500­700

1399 A diamond cluster ring, set with circular­cut diamonds in platinum and gold, size M £400­600

1400 An early 20th century seed pearl and enamel acorn pendant, the stylised oak leaf with polychrome enamel suspends a seed pearl and enamel acord in yellow gold, length 4cm £600­800

1401 A gem­set bracelet, late 19th century, collet­set with various oval and cushion­shaped stones including two sapphires, a pink tourmaline, two peridots, a garnet, a citring and a green zircon, the clasp set with a cabochon turquoise, connected by two strands of gold chain, length 15.5cm £300­400

1402 An Arts & Crafts enamel, sapphire, pearl and diamond pendant/brooch, circa 1900, claw­set with a cushion­shaped sapphire, to a scrolled floral amount applied with multicoloured enamel and accented with rubies, suspending a floral pendant set with cushion­shaped diamonds and a pearl, to a diamond bail and later white gold chain, pendant length 4.4cm, chain length 40cm, chain with British hallmarks for 9ct gold, pearl pendant and diamond bail likely later added, pearl untested £600­800

1403 A peridot and seed pearl pendant necklace, early 20th century, millegrain­set with a circular­cut peridot, to a knife­wire pendant accented with seed pearls, suspended from a fancy link chain, mounted in gold, pendant length 4.2cm, necklace length 41cm, stamped 15CT £300­500

1404 Murrle Bennett, an Arts & Crafts gold, opal, chrysoberyl and pearl necklace, early 20th century, the circular openwork pendant set with a cabochon opal between three circular­cut chrysoberyls, suspending a pearl pendant, to a fine link gold chain necklace connected by a pair of cabochon opals, pendant length 3.6cm, necklace length 45cm, maker’s mark for Murrle Bennett, stamped 15ct, pearl untested, case stamped T.Rosse & Son, Glasgow £400­600

1405 An early 20th century amethyst flower brooch / pendant, set with five matched oval amethysts centring on a pearl in yellow gold collets, total length 6cm £1,200­1,500

1406 An early 20th century enamel brooch, depicting a parrot in polychrome enamel within gold border, length 5.6cm £600­800

1407 A late 19th century turquoise rivière necklace, set with graduated oval turquoise cabochons in gold cutdown collets, length 16cm, fitted Liberty & Co case

£1,000­1,500

1408 Child & Child, an enamel and gold wings brooch, C1905, decorated overall with blue and green (later added) enamel and paler blue counter enamel, maker’s mark to reverse, width 10cm, fitted Child & Child case

£800­1,200

1409 Arthur and Georgie Gaskin, an Arts & Crafts opal and emerald brooch, of pierced oval form set with opals, seed pearls and emeralds in yellow gold, length 3.6cm £800­1,200

1410 An early 20th century turquoise and diamond bracelet, set with graduated turquoise cabochons alternately set between trios of diamonds, on a curb link chain in yellow gold, length 16.8cm

£1,000­1,500

LOTS 1411–1418

ITEMS FROM THE ADOLPHE STOCLET (1871­1949) COLLECTION

‘There is nothing of the expected in this collection, for the collector was only interested in the exceptional’

Georges A. Salles, Director of the Museums of France (1945-57)

Adolphe Stoclet (1871­1949) was a Belgian engineer, financier, and notable collector of antiquities. With his wife, Suzanne, he amassed an eclectic and encyclopaedic collection of ‘haute epoque’ pieces from ancient civilisations including China, Cambodia, Egypt, Mesopotamia, pre­Columbian Mexico and tribal Africa.

In 1905 the Stoclets’ passion for art, architecture and antiquities culminated in the commission of Josef Hoffmann, of Wiener Werkstatte, to build Stoclet Palace in Brussels to house their extensive collection.

Adolphe and Suzanne Stoclet entertained Queen Elizabeth I and the King of Sweden as well as historians, archaeologists, writers, and musicians however, pieces from the Stoclet Collection have rarely been published or seen in the public domain.

1411 A modern carved serpentine hardstone circular disc pendant, the border with eighteen overlapping male head profiles and centred with a circular raised gold boss, mottled reverse, suspending two baroque pearl drops, 4.5cm wide, with a gold multi foxtail necklace with lion head terminals and fastener similar to a knot of Hercules, 35cm.

£400­600

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.248 and p.250. Originally catalogued V Century BC.

1412 A modern West African gold sun circle pendant, centred with a face with scar decoration within two engraved sun ray surrounds, 7.2cm wide, tests as 17ct gold, 49 grams.

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

£1,000­1,500

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.483.

1413 A late 19th to early 20th century copy of a Merovingian fish­form large gold brooch, missing pin, the flat garnet and grey stone sections set in gold mounts, 9.3cm long, some sections cracked or damaged, the gold tests as 22ct. £600­800

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.133d, (the larger fish).

Lots 1413 – 1418, the items from the Adolpe Stoclet collection were originally believed to be Merovingian, from the 5th century area that is now France and Western Germany and were described as such in the catalogue produced by Stoclet’s daughter, Madame Feron­Stoclet who inherited the collection. Contemporary research now places these objects a century or two later and from the North Caucasian and Bulgarian areas with the Merovingian influence still clearly visible.

Lots 1411, 1412, 1413, 1414, 1415 and 1417 are illustrated in the Stoclet Collection catalogue with the original descriptions.

We are grateful to Mr Peter Szuhay of London and his associates for their helpful advice.

1414 An 8th century Caucasian/Bulgarian bronze belt buckle, circular and probably centred with a toadstone mounted in raised gold collet on a decorated circular gold centrepiece, within a gold border of triangular garnets, joined to the hinged buckle with a rectangular section decorated with coloured glass, 17.3cm wide (including buckle), 6.2cm high the gold tests as 22ct. £1,000­2,000

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.137d.

1415 An 8th century North Caucasian/Bulgarian bronze belt plaque, rectangular with oval buckle, and engraved hinged pin, centred with replaced modern oval cabochon garnet within gold quartered sections decorated with concentric circles of pellets and wave patterns, border of flat garnets, 9.6cm wide (including buckle), 5cm high. £1,000­2,000

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.139e.

1416 An 8th century Caucasian/Bulgarian bronze buckle, circular and centred with a gold collet set cabochon blue stone, probably glass, within a gold disc with circular decoration and set with four further blue discs and gold border of triangular mounted red stone sections, probably garnet with three bosses engraved with concentric circles, engraved hinged buckle, 9cm wide (including buckle) and 7.2cm high, gold tests as 22ct. £1,000­2,000

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

1417 An 8th century North Caucasian or Bulgarian bronze belt plaque, rectangular with oval buckle and hinged pin, decorated with coloured stones including malachite and garnets, contained within gold strips and centre gold lion head boss bow small attachment sections to reverse, 9.5cm wide (including buckle), 5cm high, the gold tests as 23ct. £1,000­2,000

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

Published: Georges A Salles and Daisy Lion­Goldschmidt, Adolphe Stoclet Collection (part I), Brussels, 1956, p.137a.

1418 An 8th century North Caucasian/Bulgarian fish form bronze brooch, set with flat garnets within gold borders, 6cm long. £800­1,200

Provenance: from the collection of Adolphe Stoclet, 1871­1949.

1419 A late 19th century emerald and diamond cluster ring, the pear­shaped emerald within diamond border in yellow gold, size M½ £600­800

1420 A late 19th century diamond cluster ring, set with a cushion­shaped diamond within diamond border in yellow gold, size P

£1,000­1,500

1421 A late 19th century opal and diamond butterfly brooch, the stylised butterfly with solid opal wings a diamond­set body and ruby eye in silver and gold, width 4cm

£3,000­4,000

1422 An Edwardian multi gem­set rivière necklace, the oval stones include topaz, peridot, citrine, sapphire, moonstone, garnet, turquoise, opal and zircon, all claw­set in yellow gold, the white opal with a folding pendant loop behind, length 35cm, fitted case, with a similar multi gem­set gold bracelet, length 19cm, case £600­800

1423 Charles Daniel Broughton, a Victorian garnet­set gold necklace, the cabochon garnet set within gold ivy leaves and flowers in triangular border, suspended from a similar cluster set with a peridot on a fancy­link gold neck chain, stamped CDB and 15ct, length 46cm, weight 26g

£1,500­2,000

1424 A Victorian sapphire and diamond bangle, the oval­shaped sapphire set within a surround of diamonds on plain yellow gold hinged bangle, French import marks, inner diameter 5.8cm £1,800­2,200

1425 A five­stone diamond ring, early 20th century, claw­set with a line of five circular­cut diamonds, accented with rose­cut diamonds, to a gold mount with scrolled galleries, size P½ £400­600

1426 A late 19th century sapphire and diamond three stone ring, set with a central sapphire cabochon flanked with cushion­shaped diamonds in yellow gold, size L £1,500­2,000

1427 A Victorian five­stone diamond ring, late 19th century, set with five graduated cushion­shaped diamonds, to a gold mount with scrolled galleries, size J½ £300­500

1428 A gold long guard chain, 19th century, composed of square links, to a hinged bail fitting, length 138cm, gross weight 16.5 grams £800­1,200

1429 A Regency gold long chain, the three row fine link gold necklace on a gold filigree barrel clasp, length 200cm longest £800­1,200

1430 A gold bracelet, composed of links designed as acanthus leaf scrolls, length 17cm £600­800

1431 A Victorian rock crystal, enamel and diamond pendant, late 19th century, designed as a witches’ heart, inset with a small enamel and diamond pansy, mounted in gold, length 3.9cm £800­1,200

1432 A diamond three­stone ring, early 20th century, claw­set with three circular­cut diamonds weighing an approximate total of 2.00 carats, mounted in platinum, size P £1,500­2,000

1433 A diamond ring, early 20th century, set with five cushion­shaped diamonds within millegrain borders, to a gold band, size J½ £500­700

1434 A diamond pendant, of pear­shaped design from a fleur­de­lis surmount, the centre suspending a pendant, set with brilliant­cut diamonds, mounted in platinum, pendant length 3.2cm, chain length 46cm, composite

£1,500­2,000

1435 A natural pearl and diamond pendant, the drilled pearl suspends from a diamond­set pendant in platinum and gold, length 2.4cm £600­800

Accompanied by GPL report number 20235 dated 27th July 2021 stating that the pearl is natural saltwater.

1436 An amethyst and diamond quatrefoil pendant, the large oval amethyst within pierced millegrain­set diamond border set in platinum and gold, on a fine­link seed pearl neck chain, pendant length 5.3cm, chain length 42cm

£3,000­4,000

1437 An Edwardian pearl and diamond pendant, the old­cut diamond cluster suspends two articulated pearl and diamond drops with diamond terminals in platinum, on a fine­link platinum neck chain set with two diamonds, chain length 39cm, pendant length 4.6cm

£1,500­2,000

1438 A late 19th century amethyst and diamond brooch pendant, the oval amethyst set within concentric surrounds of diamonds millegrain­set in silver and gold with later rhodium plating, folding pendant loop and detachable brooch fitting, width 2.7cm

£3,000­4,000

1439 A diamond ring, early 20th century, collet­set with a pear­shaped diamond weighing approximately 0.90 carats, to an open work plaque setting set with circular­cut and cushion­shaped diamonds, within millegrain borders, mounted in platinum and white gold, size L, stamped 18CT, sponsor’s mark M&M, case stamped Hamilton & Inches

£2,000­3,000

1440 A Belle Époque pearl and diamond pendant, of trefoil design, with a central articulated pearl and diamond drop within pierced concentric borders millegrain­set with diamonds and separated by pearls in platinum, on finelink platinum neck chain, pendant length 3.1cm, chain length 40cm

£1,500­2,000

1441 A diamond pendant, 1920s, composite, the pendant composed of a circular­cut diamond weighing approximately 0.95 carats, within a millegrain border, suspended from articulated geometric links set with smaller circular­cut diamonds, mounted in platinum, to a later white gold chain, pendant length 3.7cm, necklace length 50cm, stamped 750

1442 A single row natural pearl necklace, on a diamond­set barrel clasp, length 46cm

£1,500­2,000

£1,200­1,500

Accompanied by report number 78141­41 stating that the pearls graduate from 2.4 to 5.1mm and are natural saltwater.

1443 An Edwardian pearl and diamond brooch, of quatrefoil design set with untested pearls and millegrain­set with diamonds in platinum, width 3cm £600­800

1444 An early 20th century diamond three stone ring, total approximate diamond weight 1.90cts, with diamondset shoulders in platinum and gold, size Q½ £2,000­3,000

1445 A seed pearl and sapphire bangle, early 20th century, the hinged platinum bangle set to the front with seed pearls and calibré­cut sapphires, inner circumference 16.7cm £600­800

1446 An Edwardian diamond­set brooch, the triangular brooch millegrain­set with graduated old circular­cut diamonds in a trefoil and spray design in platinum, length 3.5cm £1,500­2,000

1447 An Edwardian pearl and diamond bracelet, set with a central line of old cushion­shaped diamonds within quatrefoil pearl surround on platinum links, length 19.3cm £2,000­3,000

1448 An Edwardian pearl and diamond brooch, set with a central pearl within radiating surround of diamonds (one missing) and a further border of seed pearls in platinum, width 3.8cm £500­700

1449 A pearl and diamond bandeau, 1920s and later, composed of two rows of elliptical pierced platinum links millegrain­set with circular­cut diamonds and spaced by pearls, affixed to a later steel frame, inner curve 27.8cm, pearls untested £2,000­3,000

1450 An Edwardian pearl and diamond pendant, circa 1910, designed as a ribbon bow with laurel leaf and ribbon swags, millegrain­set with cushion­shaped and rose­cut diamonds, and suspending pearl pendants, mounted in silver and gold, length 6.4cm, pearls untested £800­1,200

1451 A diamond necklace, composed of floral motifs set with rose­cut and brilliant­cut diamonds, mounted in white gold, length 42.5cm, case

£20,000­30,000

1452 A pair of diamond drop earrings, the openwork designs set with graduated round brilliant­cut diamonds a coral­coloured glass bead suspending three articulated diamond drops in platinum, post fittings, length 7.8cm

£3,000­4,000

1453 A tanzanite and diamond ring, claw­set with a cushion­shaped tanzanite weighing approximately 8.00 carats, within a border of brilliant­cut diamonds, mounted in white gold, size N½, British hallmark for 18ct gold

£1,500­2,000

1454 A sapphire and diamond cluster ring, the cushion­shaped sapphire within diamond border in 18ct yellow gold, London hallmarks for 1987, size N

£1,500­2,000

1455 A sapphire and diamond cluster ring, the oval sapphire weighing 4.77cts, set within a surround of diamonds weighing approximately 2.00cts in white gold, size N

£6,000­8,000

1456 A pair of diamond stud earrings, the rectangular diamonds weighing 1.54 and 1.73cts, claw­set in white gold, length 7mm

£3,500­4,500

1457 A pair of emerald and diamond earrings, set with two graduated emerald­cut emeralds, each within graduated marquise­shaped diamond borders in gold, length 4cm, post fittings

£5,000­7,000

1458 A gold and hardstone intaglio ring, set with a hardstone intaglio, a gold mount with fluted shoulders, size I½

£2,000­3,000

1459 A gold and lapis lazuli ring, collet­set with a lapis lazuli intaglio depicting Cupid, to a fluted gold mount, size T

£1,300­1,500

1460 A gold and bronze coin signet ring, collet­set with an ancient Roman bronze coin, to a wide tapering gold band of twist design, size J½

£2,000­3,000

1461 A Roman intaglio and gold ring, collet­set with a chalcedony intaglio depicting a figure in profile, to a heavy gold mount, size L½

£2,000­3,000

1462 A Stuart crystal and black enamel ring, the Stuart crystal set above woven initials, with a black and white enamel underbezel and black enamel shoulder in gold, size P

£1,500­2,000

1463 A George III jasper rivière necklace, the rectangular graduated jasper plaques in gold cut­down collets, length 39cm

£2,500­3,000

1464 A phoenician gold ring, engraved with lettering and symbols in yellow gold, approximately size H½

£4,000­6,000

1465 A 19th century gold gimmel ring, designed as two clasped hands hinged and opening to reveal two hearts in yellow gold, size N½

£1,000­1,500

1466 A Regency bloodstone urn pendant, realistically formed with gold decoration and screw­on lid, height 2.7cm

£1,000­1,500

1467 A late 18th century enamel, diamond and pearl pendant, of pierced scrolling design, set with table­cut and rose­cut diamonds and a ruby within polychrome enamel surround in yellow gold, length 7.7cm £1,500­2,000

1468 A George III agate cross pendant, set with various banded agates, including two intaglios; a bird and an insect and a cameo of cupid, in closed­back yellow gold setting, width 3.1cm £1,000­1,500

1469 A gold and ancient Roman bronze coin ring, collet­set with a reversible ancient bronze coin, to a ring of twisted yellow gold design, size J £2,000­3,000

1470 side view

1470 A three stone commemorative gimmel ring, early 19th Century, Dutch, celebrating the victorious battle of Waterloo, both shanks with flattened interiors and twist to the base to allow them to interconnect, one set with a cushion­shaped ruby and a hessonite garnet and engraved La Belle Alliance 18 Juin 1815, the other set with an emerald and engraved Le Pce D'Orange Wellington Blucher. size R½, case £1,000­1,500

This ring appears to reflect the significant and sometimes overlooked contribution of the armed forces of the Netherlands to the Allied victory over Napoleon Bonaparte on Sunday, 18th June, 1815. The stones may be emblematic of the three principal national entities arrayed against the French, with orange and red representing The Netherlands and Great Britain, and green perhaps standing for Prussia. William, Prince of Orange (the future King William II of the Netherlands) commanded the First Corps of the Anglo­Allied Army (including the 2nd and 3rd Dutch Divisions) at Quatre Bras and at Waterloo, where he was wounded; and the inscription listing the allied commanders gives precedence to his name. Further suggestive of a non­British perspective is the reference to La Belle Alliance, which as the location of Napoleon’s headquarters might have given its name to the famous battle, had not the Duke of Wellington insisted on ‘Waterloo’ over the objections of his allies. In this context ‘La Belle Alliance’ may also serve as a wry commentary on the tensions between the victorious commanders.

1471 An Iberian late 18th century gold pendant, set with diamonds in pierced scrolling surround, length 6.8cm £800­1,200

1472 A three colour agate cameo pendant, early 19th Century, depicting the profiles of a bearded man and woman wearing a diadem, possibly the Roman Emperor Antonius Pius and his wife Faustine the Elder. 3.1mm high, gold mount. £600­800

1473 An early 20th century ruby and diamond ring, the oval ruby within millegrain­set diamond surround in platinum, French import mark, size N½ £3,500­4,500

Accompanied by GCS report number 5782­2474, stating that the ruby weighs approximately 1.50cts, origina: Burma, no indications of heating

1474 A sapphire and diamond ring, of cluster design, set with circular­cut sapphires and diamonds, mounted in 18ct gold, size L½, British hallmark £1,000­1,500

1475 An Edwardian emerald and diamond cluster ring, the cabochon emerald millegrain­set within a surround of old cushion­shaped diamonds in platinum, size N½, case £600­800

1476 A sapphire and diamond ring, of cluster design, claw­set with an oval sapphire weighing approximately 3.00 carats, to a border set with brilliant­cut diamonds, mounted in platinum, size O £1,200­1,800

1477 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighing 4.27cts, claw­set within a surround of old cushion­shaped diamonds in platinum and gold, size N½ £2,000­3,000

Accompanied by GPL report number 20168 dated 2nd July 2021 stating that sapphire weighs 4.27cts, origin: Sri Lanka, no indications of heating.

1478 A natural pearl necklace and two pearl necklaces, comprising: a necklace composed of graduated natural pearls measuring approximately 3.0­6.7mm diameter, to a back chain, length 42cm; together with a pearl necklace composed of a single row of pearls measuring approximately 2.8­5.1mm diameter, to a diamond clasp, length 41cm pearls untested; and a gold and seed pearl necklace, length 43cm, pearls untested £500­700

A verbal report stated that the pearls illustrated on p.79 are natural saltwater.

1479 An Edwardian diamond necklace, the scrolling centrepiece set overall with graduated old­cut diamonds and suspending a diamond drop weighing approximately 1.60cts, on a diamond­set laurel necklace in silver and gold, length 43cm £5,000­6,000

1480 A natural pearl necklace, early 20th century, composed of a graduated line of natural pearls measuring approximately 1.8­5.0mm diameter, to a barrel clasp set with rose­cut diamonds, length 46.5cm £400­600

A verbal report stated that the pearls are natural saltwater.

1481 A natural pearl necklace, early 20th century, composed as a line of graduated natural pearls measuring approximately 2.8­7.0mm diameter, to a concealed pearl clasp accented with a rose­cut diamond, length 65cm £800­1,200

Accompanied by GCS report no.5783­816, dated 19th December 2022 stating that the pearls are natural, saltwater.

1482 A pair of pearl and diamond drop earrings, the circular­cut diamonds suspend a black and white pearl respectively on white gold hooks, total length 2.2cm £1,500­2,000

Accompanied by report number 19752 from GPL stating that the two pearls are natural saltwater.

1483 A sapphire and diamond necklace, early 20th century, composed of millegrain­set circular­cut diamonds and cushion­shaped sapphires, to a sapphire and diamond clasp of cluster design, mounted in silver and gold, length 45.5cm, later rhodium plated

£8,000­12,000

1484 A pair of natural pearl ear studs, mounted in white gold, post fittings £1,000­1,500

Accompanied by a GCS report stating that the pearls are natural saltwater.

1485 Two loose pearls, 9.13 and 9.35cts £600­800

Accompanied by a report from Gem­A dated 4th March 2008 stating that the pearls are natural freshwater.

1486 An early 20th century amethyst heart pendant, the heart­shaped amethyst inlaid with diamonds in an abstract pattern beneath a diamond mount and bale in platinum, total length 4.5cm £800­1,200

1487 An early 20th century opal and diamond clip brooch, the fan­shaped solid opal millegrain­set beneath a border of diamonds and above diamond­set laurels in platinum and gold, width 3.5cm £1,500­2,000

1488 An Edwardian peridot and diamond brooch, the cushion­shaped peridot set within starbust design surround set with diamonds in platinum and gold, width 2.8cm £1,000­1,500

1489 An Etruscan revival gold ring, C1900, in the Castellani manner,set with an oval micromosaic depicting a dove within gold stylised pillars on a gold wirework band, size K½ £400­600

1490 A late Victorian diamond butterfly brooch, set overall with diamonds, with ruby eyes and a pearl body in yellow gold, width 4cm, fitted case

£1,500­2,000

1491 A reverse carved crystal brooch, C1905, depicting a chihuahua within ropetwist gold border, with inscription for 1905 to reverse, width 2.1cm £300­500

1492 A late 19th century pearl and diamond pendant, the matched button pearls set within diamond trefoils in silver and gold, later diamond­set bale, width 3cm

£4,000­6,000

Accompanied by report number 5783­951 from GCS stating that the central pearl is natural saltwater, a verbal report stated that all pearls were natural saltwater.

1493 Giuliano, a pair of amethyst and enamel hat pins, C1880, the hexagonal amethysts within elaborate enamelled swag settings in gold, diameter 2.1cm, length 17cm, fitted Giuliano case

Illustrated: Munn, Geoffrey, Castellani and Giuliano, p148 plate 163.

£5,000­7,000

1494 A Victorian amethyst rivière necklace, the graduated oval amethysts set in gold cut­down collets, length 37cm £1,500­2,000

1495 A single row natural pearl necklace, the baroque pearls graduate to 9.00mm, the 20 pearls closest to clasp end are simulants, length 44cm £1,500­2,000

A verbal report stated that with the exception of 20 simulant pearls the pearls are natural saltwater.

1496 A reverse carved crystal brooch pendant, C1900, depicting two squirrils on a branch eating acorns, on gold twisted rope border, folding pendant loop, width 3.4cm £1,500­2,000

1497 A gold, enamel and diamond bangle, mid 19th century, centring on an oval motif set with rose­cut diamonds in a blue enamel star surround, to a hinged gold bangle decorated with rope twist borders and dotted white enamel, the reverse with a glazed locket compartment, inner circumference 17cm £400­600

1498 A reverse carved crystal box, C1900, depicting cyclamen in a vase, backed on mother of pearl, with sapphire thumbpiece on oval glass box, length 3.5cm £1,100­1,200

1499 A micromosaic gold slide, C1900, depicting a swan as a symbol for Zeus or Aphrodite, with the word ROMA to reverse within ropetwist border, width 2.9cm, case £600­800

1500 A pair of cameo chandelier earrings, each set with seven hardstone cameos in gold rubover settings, the cameos depicting the seven gods of Olympus: Zeus, Hera, Poseidon, Hermes, Athena, Apollo, and Ares, on gold hook fittings, total length 4.2cm £2,500­3,000

1501 A late 19th century ruby and pearl locket pendant, set with a cluster of four rubies within a gold lozenge, within pavé­set pearl surround, hinged and opening to reveal a glazed locket compartment, length 4.2cm £800­1,200

1502 Giuliano, a pair of gem­set and enamel brooches, each set with a large lapis lazuli cabochon within gold pellet and ropetwist edge and black and white enamel latticework surround set with rubies and pearls in yellow gold, maker’s plaque to reverse, width 4.3cm, original case (dilapidated) £5,500­6,500

1503 A late Victorian pair of gold earrings, of oval form with cannetille decoration, pellet and ropetwist borders suspended from flowerheads in yellow gold, length 5cm total, with a matching gold brooch with glazed locket compartment to reverse, length 4.4cm, fitted case £800­1,200

1504 A George III gem­set flower brooch, the central emerald and diamond cluster within further emerald petals with ruby borders in closed back silver setting, later brooch fitting, width 2.5cm £1,000­1,500

1505 A George III eye miniature stickpin, the oval glazed locket compartment containing an eye painting within gold surround, width 15mm, length 7.8cm £200­300

1506 A George III banded agate necklace, set with graduated banded agate cabochons in plain gold collets, length 41cm, with a matched pair of George III banded agate bracelets, both clasps broken, length 20 and 16.5cm £300­400

1507 A George III garnet and diamond ring, circa 1800, designed as a Maltese cross, composed of triangular garnets in closed­back gold settings, centring on a circular­cut diamond, to scrolled shoulders, mounted in gold, size J £1,500­2,000

1508 A hessonite garnet ring, 17th century, set with a table­cut hessonite garnet, in a closed­back gold mount enhanced with carved scroll decoration, with remnants of black enamel, size H½ £3,000­4,000

1509 A fine gold and enamel mourning ring, circa 1761, of scrolled design, applied with black enamel, with various memento mori symbols in reserve including a skull, two pairs of scissors, a winged hourglass, a shovel and pickaxe, and a coffin, the interior inscribed ‘Rt Hon: Lady Mary GregoryOb: 19 Jan 1761 aet 42’, size L, stamped 18 £600­800

Lady Mary Gregory was the youngest daughter of Henry Grey, Duke of Kent. Married to Rev. Dr. Gregory, Dean of Christchurch, Oxford, she is recorded to have passed away after a ‘tedious illness’ in the Bath Chronicle and Weekly Gazette, Thursday 15 January 1761.

1510 An enamel mourning ring, circa 1761, the gold ring of scrolled design, applied with black enamel, the inscription ‘Margt Counts of Hardwick Ob: 19 Sep 1761 AE:72’ in reserve, size L, maker’s mark MC £150­250 Margaret, Countess of Hardwick (1688/9­1761) was the daughter of William Cocks, and the widow of William Lygon. She married Philip Yorke, 1st Earl of Hardwick in 1719, who was Lord High Chancellor of Great Britain 1737­1756. They lived at Wimpole Hall in Cambridgeshire, now in the care of the National Trust. Their family would become connected to the Greys of Wrest Park through their son, who married Jemima Campbell (1723­1797), who as granddaughter of the 1st Duke of Kent and Jemima, Duchess of Kent (commemorated in lots 1516 and 1517 in this sale), became 2nd Marchioness Grey through special dispensation upon the extinction of the Grey family’s dukedom, and Countess of Hardwicke through her marriage.

1511 An enamel mourning ring, circa 1735, the gold band composed of panels spaced by scroll motifs, applied with black enamel, the incription ‘John Cater Esq. Ob 28 Dec 1735 AET 65’ in reserve, size L £150­250

1512 An enamel and diamond ring, 19th century, centring on a cushion­shaped diamond within a domed mount applied with black enamel, claw­set within a gold ring, to shoulders set with cushion­shaped diamonds, size P, two diamonds deficient, composite

£200­300

1513 A rock crystal and enamel mourning ring, circa 1727, the faceted rock crystal over woven hairwork, to a black enamel band, the inscription 'Lady A Glenorchy, Ob:2 Mar: 17267, AET 29' in reserve, mounted in gold, size K½

£200­300

The unusual date format of 1726/7 on this ring is due to the system of 'dual dating' that was informally adopted in England to avoid confusion with other European calendars. At the time other European countries were working on a different calendar to that of the English ­ the English were still using 25th March as the legal start to a new year, whereas much of Europe (including Scotland) commenced the new year on January 1st. Until the English brought their calendar in line with convention through the Calendar Act of 1750, the system of 'dual dating' was used on dates in that early part of the year (between January 1st and March 25th) that would fall in one year on the English calendar, and the following year on the European calendar. Lady Glenorchy was married to John Campbell, 3rd Earl of Breadalbane and Holland. Born Lady Amabel Grey, she was the daughter of Jemima, Duchess of Kent, who is commemorated in lot 1516 and 1517 in the present sale.

1514 A Georgian commemorative locket bracelet, early 19th century, composed of links designed as glazed lockets containing woven hair, each engraved to the reverse with a name, to a similar clasp with an engraved floral border, containing two interwoven locks of hair, the reverse engraved with two sets of initials, mounted in gold, length 16.3cm £800­1,200

1515 A gold locket pendant, early 18th century, containing grisailles drawings of Charles I on one side and Queen Anne on the other, in a fluted gold frame, length 2.7cm £3,000­4,000

The depiction of two Stuart monarchs may have discreetly been used to encourage Jacobite sympathy.

1516 A rock crystal, enamel and diamond mourning ring, circa 1728, centring on an oval rock crystal panel over woven hairwork, between diamond shoulders, the band applied with black enamel, the inscription ‘Jemima, Dutchess of Kent Ob:27 July 1728

Ae:53’ in reserve, size L £200­300 Jemima, Duchess of Kent (1675­1728) was born Jemima Crew, daughter of Thomas Crew, 2nd Baron Crew. She lived with her husband, Henry Grey, 1st Duke of Kent, at Wrest Park in Bedfordshire. A portrait of the Duchess and her daughter Jemima by Godfrey Kneller can be found at Wrest Park, in the care of English Heritage.

1517 A rock crystal, enamel and diamond mourning ring, circa 1728, centring on an oval rock crystal panel over woven hairwork, between diamond shoulders, the band applied with black enamel, the inscription ‘Jemima, Dutchess of Kent Ob:27 July 1728

Ae:53’ in reserve, size I½ £200­300

1518 A George III garnet necklace, set with graduated oval garnets set in yellow gold closed back settings, length 38cm £2,000­3,000

1519 A George III poison ring, inlaid with square agate plaques, one hinged and opening to reveal a secret compartment, in gold, size R £2,000­3,000

1520 A mid 19th century enamel mourning ring, circa 1857, the shield­shaped banded agate on elaborate gold band decorated with black enamel and the words IN MEMORY OF in 18ct gold, size U½, London hallmarks for 1857 £600­800

1521 An early Victorian enamel and diamond mourning ring, circa 1844, in the Neoclassical style, centring on a funerary urn applied with blue enamel and set with cushion­shaped diamonds, to blue enamel shoulders, a glazed compartment containing woven hairwork to the reverse, the interior inscribed

‘WFAM Hill Obt March 1844 Aged 27’, mounted in gold, size L½ £300­400

1522 A Georgian garnet and diamond ring, 18th century, collet­set with a table­cut garnet, within a border of four rose­cut diamonds, mounted in silver and gold, size Q½ £400­600

1523

1523 A late 19th century turquoise and gold perfume bottle, of spherical design, the rock crystal bottle decorated with gold latticework set with turquoise cabochons, hinged opening revealing a turquoise­set gold stopper, height 7cm £4,000­6,000

1524 A fine Victorian turquoise and diamond snake necklace, mid 19th century, designed as a snake, its articulated gold body and head set throughout with turquoise cabochons, its eyes set with cabochon garnets beneath diamond brows, length 39cm £5,000­7,000

1525 A fine Victorian enamel and diamond snake necklace, mid 19th century, the snake’s articulated gold body applied with blue basse-taille enamel, its head and tail tip pavé­set with cushion­shaped diamonds, its eyes set with cabochon garnets, suspending a heart­shaped locket pendant from its mouth, similarly applied with blue basse-taille enamel and centring on a flower set with cushion­shaped diamonds, the reverse glazed, necklace length 40cm, locket length 1.6cm, mid-19th century locket pendant possibly a later replacement £3,000­5,000

1526 A Victorian gem­set gold snake necklace, mid 19th century, the realistically formed serpent with graduated snake­link body, the head set with turqoise cabochons and ruby eyes and suspending a turquoise­set gold anchor from its mouth with a glazed locket compartment to reverse containing woven hair, length 40cm £4,000­6,000

1527 A turquoise and gold necklace, mid 19th century, designed as a snake biting its own tail, its body composed of articulated gold linking, its head and tail set with turquoise cabochons, its eyes accented with cabochon garnets and rose­cut diamonds, length 41cm £1,000­1,500

1528 A Victorian enamel and diamond snake necklace, mid 19th century, the realistically formed serpent with graduated snake­link body, the head with blue enamel (later) and diamonds in yellow gold, length 41.5cm £2,000­3,000

1529 A gold, ruby and diamond ring, late 19th century, designed as a coiled snake, its head set with a circularcut diamond, its eyes set with cabochon rubies, size N½, fitted case £800­1,200

1530 A sapphire and diamond ring, late 19th century, designed as a coiled snake, its head set with a cushionshaped sapphire and diamond, its eyes set with smaller circular­cut diamonds, mounted in gold, size Q, British hallmarks

£1,000­1,500

1531 Templier, a pair of late 19th century gold slides, designed as stylised wyverns in 18ct yellow gold, maker’s mark and French control mark, length 2.3cm, fitted case marked for Templier, 8 Rue Royale £1,200­1,500

1532 A garnet and diamond bangle, France, mid­19th century, the hinged gold bangle of twisted design, centring on a large cabochon garnet between flame motifs set with rose­cut diamonds, inner circumference 16cm, French assay marks for gold and silver, indistinct maker’s mark

£2,000­3,000

1533 A Retro gold and sapphire brooch, circa 1950, designed as a stylised propellor composed of polished gold, set with circular­cut sapphires, diameter 4.7cm, unsigned £1,000­1,500

Accompanied by original receipt dated 2000

Notes: Though unsigned, this brooch is very closely comparable to the design Tourbillon by Van Cleef & Arpels, which emerged in the late 1940s. Cf.: Evelyn Possémé ed., Van Cleef & Arpels: the Art of High Jewelry, Paris, 2012, p.146, for examples of this distinctive design.

1534 A French gold tank­track bracelet, C1940, of fluted design in yellow gold, French control marks and rubbed maker’s lozenge, width 2.3cm, length 18cm approx. 108g

£2,000­3,000

1535 A mid 20th century diamond bracelet, set with three graduated round brilliant­cut diamonds within scrolling surrounds of baguette­shaped and round diamonds, with green diamonds to the centre of the bracelet in white gold, length 17.5cm

£5,500­6,500

1536 A ruby and diamond brooch, France, circa 1950, designed as a spray of flowers, set with circular­cut rubies, circular­, brilliant­cut and baguette diamonds, mounted in platinum and gold, length 4.4cm, French assay marks and indistinct maker’s mark, several baguette diamonds deficient

£4,000­6,000

1537 Henri Lavabre, a diamond brooch, circa 1950, designed as a stylised ribbon rosette, set with circular and single­cut diamonds, mounted in platinum and gold, measuring 5.0 x 4.5cm, French assay marks for platinum and 18ct gold, maker’s mark for Henri Lavabre

£6,000­8,000

The Parisian workshop of Henri Lavabre was one of Cartier’s most important manufacturers in the Art Deco era, working exclusively for the firm between 1906 and 1921. After this they continued to produce jewels of superb quality for some of the most prominent jewellery houses of the 20th century, eventually closing in 1975.

1538 A cabochon emerald and diamond brooch, designed as a stylised peacock feather set with an oval cabochon emerald within diamond border in yellow gold, length 6cm £6,000­8,000

Accompanied by report number 80259­29 from GCS dated 25th July 2020 stating that the natural emerald is Zambian indications of minor clarity enhancement.

1539 Boucheron, a pair of twisted gold earrings, the gold spirals set with round brilliant­cut diamonds in 18ct yellow gold, signed, with maker’s lozenge, French control marks, numbered B908-3627, length 2.6cm, clip fittings

£2,000­3,000

1540 An early 20th century ruby and diamond eternity ring, alternately set with calibré­cut rubies and diamonds in platinum, size N½ £750­850

1541 A Retro gold and diamond jarretière bracelet, France, mid 20th century, of garter design, composed of gold brick links, the buckling mechanism pavé­set with brilliant­cut diamonds, length 17-18.5cm, adjustable, French import assay marks for 18ct gold

£4,000­6,000

1542 A French gold bracelet, with alternate ropetwist and linear decoration to the rectangular links in 18ct yellow gold, length 18cm, weight 51g

£2,000­3,000

1543 A diamond bracelet, composed of elongated gold links set with oval and marquise­shaped diamonds, length 18cm, French import assay mark for 18ct gold

£4,000­6,000

1544 A ruby and diamond dress ring, C1940, set with a square diamond within calibré­cut ruby surround and a graduated ruby and diamond scroll with ruby cabochons to the gallery, in white gold, inner re-sizing sleeve, size M½

£4,000­6,000

1545 A Retro French citrine ring, the step­cut citrine within gold border and scrolling gold shoulders, with maker’s lozenge and French control marks, size M

£1,000­1,500

1546 A pair of sapphire and diamond earrings, the crescents set with graduated calibré­cut sapphires and circular­cut diamonds in white gold, post fittings, length 2.4cm

£1,500­2,000

1547 A diamond cocktail ring, set with a circular­cut diamond weighing approximately 2.10 carats, within a concentric surround of graduated diamonds in platinum, size N

£8,000­12,000

1548 A pair of diamond earrings, mid 20th century, each centring on a circular­cut diamond weighing approximately 0.90 carats, to mounts designed as floral rosettes set with brilliant­ and carré­cut diamonds, in platinum and gold, length 2.1cm each, clip and post fittings

£5,000­7,000

1549 Bulgari, a diamond ‘BVLGARI BVLGARI’ pendant necklace, of annular design, inscribed BVLGARI BVLGARI, accented with a brilliant­cut diamond, to a diamond bail and chain, pendant length 4.5cm including bail, necklace length 56cm, chain and pendant stamped 750, Italian maker’s marks

£1,000­1,500

1550 Bulgari, a gold collar necklace, the rounded rectangular bombé links in 18ct yellow gold, signed, length 49cm, 105g

£5,000­7,000

1551 Bulgari, a ‘BVLGARI BVLGARI’ diamond ring, set with a central panel pavé­set with diamonds within inscribed gold surround and diamond shoulders, size P½ £600­800

1552 Ghiso, a sapphire and diamond brooch and earrings, of abstract scrolling design set with sapphire and diamond decoration in yellow gold, brooch signed Ghiso and numbered 490507, length 8.7cm, earrings number 420247, length 3.7cm, clip fittings

£8,000­12,000

1553 Van Cleef & Arpels, a pair of gold bow earrings, tied with diamonds in 18ct yellow gold, signed VCA and numbered B3290 A14, French control marks and maker’s lozenge, length 3.2cm

£3,000­4,000

1554 Boucheron, a diamond bombé ring, set with a swirl of circular­cut diamonds and tapered baguette­shaped diamonds in 18ct white gold, signed and numbered B76022678, size N

£3,000­4,000

1555 Cartier, a gem­set dress ring, C1990, set with an oval chrysoprase cabochon within diamond surround and carved lapis lazili shoulders in 18ct yellow gold, signed and numbered 929589, with French control marks and maker’s lozenge, size M½, Cartier case

£3,000­4,000

1556 Bulgari, a ‘tubogas’ steel bangle, with diamond­set terminals, 6cm inner diameter, with a ‘BVLGARI BVLGARI’ diamond ring, pavé­set with a central panel of diamonds in white gold, size O and a matching pair of ‘BVLGARI BVLGARI’ diamond­set white gold earrings, 13mm diameter, post fittings

£2,500­3,000

1557 Cartier, a Panthère gold and enamel ring, C1990, the wide gold band with black enamel decoration in 18ct yellow gold, signed and numbered 70668A, London hallmarks, size O½, Cartier case

£3,000­4,000

1558 Mauboussin, a gold ginkgo leaf brooch, in textured and plain yellow gold, signed, with French control marks and maker’s lozenge, length 8.5cm

£1,650­2,000

1559 Kutchinsky, a gold and diamond bracelet, circa 1972, of bombé section, designed as an articulated lattice of brilliant­cut diamonds, set in 18ct gold with rope twist details, length 19cm, signed Kutchinsky, British hallmarks for London, 1972, gross weight 103.2 grams, fitted case stamped Kutchinsky

£8,000­12,000

1560 Lalaounis, a necklace and pair of ear clips, the ear clips of stylised shell design, length 2.9cm each, clip and post fittings one with maker’s mark for Ilias Lalaounis, British import hallmark for 18ct gold; the necklace composed of flaring gold links with a hammered finish, length 38.5cm, signed Ilias Lalaounis, maker’s mark, stamped 750, combined gross weight 108.8 grams, case

£4,000­5,000

1561 Buccellati, a gold necklace, designed as a flexible tapering collar composed of woven linking, the front with a brushed rigato finish, inner circumference 38.5cm, width at front 3cm, signed Buccellati, engraved 18KT ITALY, Italian maker’s mark 783 MI, stamped 750, gross weight 127.1 grams, case and slip cover

£7,000­9,000

1562 Cassandra Goad, a gold bangle, ‘Ipanema’, the cuff of openwork design, inspired by the patterned Ipanema beach pavément in Rio de Janeiro designed by Roberto Burle Marx, in 9ct gold, inner curve 14.7cm, width 4.4cm, British hallmark, sponsor’s mark CG for Cassandra Goad, date letter for 2015, gross weight 76.7 grams, case and pouch

£2,500­3,000

1563 Theo Fennell, an amethyst and diamond ring, set with a cabochon amethyst, between shoulders designed as scarabs, accented with brilliant­cut diamonds, size N½, signed Fennell, British hallmark for 18ct gold, London, date letter for 2010, case and slip cover £600­800

1564 A diamond ring, claw­set with a brilliant­cut diamond weighing 1.18 carats, to shoulders set with singlecut diamonds, mounted in white gold, size O½ £2,000­3,000

1565 Cassandra Goad, a gold necklace, composed of fancy linking in 18ct gold, length 42.5cm, British import hallmarks, sponsor’s mark CG for Cassandra Goad, gross weight 64.5 grams, Annabel Jones case £2,000­3,000

1566 A late 19th century opal and diamond cluster brooch, set with an oval opal cabochon within diamond border in silver and gold, length 2.3cm, case

£2,000­3,000

1567 A late 19th century diamond floral necklace, the stylised fritillary flowers set overall with graduated cushion­shaped diamonds, each suspending three graduated diamonds in silver and gold cut­down collets, on finelink back chain, length 42cm, case

£4,000­6,000

1568 A diamond brooch, mid 19th century, designed as a violet, set with cushion­shaped diamonds, mounted in silver on gold, length 3cm

£2,000­3,000

1569 An Art Nouveau dragonfly brooch, realistically formed with plique­à­jour enamel wings and body set with diamonds, with ruby eyes and an emerald cabochon set to the body in yellow gold, the dragonfly detaches from the brooch fitting and the wings fold down so it can be worn and a pendant, brooch width 7.5cm £2,500­3,000

1570 A Victorian diamond pendant, late 19th century, of circular outline, the centre set with a circular­cut diamond weighing approximately 1.20 carats, within concentric open work borders of circular­cut diamonds, to a detachable diamond bail, mounted in silver on gold, length 4.5cm

£7,000­9,000

1571 Rood, an early 20th century pearl and enamel pendant, set with a pearl laurel wreath within a stylised web of pearls on blue enamel ground, set in yellow gold, length 4cm, fitted Rood case

£1,500­2,000

1572 A gold and enamel pendant, early 20th century, designed as a rose window in stained glass, the pierced gold disc applied with plique­à­jour enamel in red, green and blue, length 3.2cm including pendant loop, French assay mark for 18ct gold and maker’s mark

£800­1,200

1573 A ruby five stone ring, the five graduated cushion­shaped rubies with diamond pointers in carved yellow gold setting, size L

£3,000­5,000

1574 A late 19th century emerald and diamond ring, the cushion­shaped diamonds set within emerald­cut emeralds in carved and pierced yellow gold mount, size O

£600­800

1575 An early 20th century enamel long guard chain, the oval­link chain set with seven plique­à­jour and guilloché enamel panels decorated with cherries and cherry leaves in yellow gold, Austrian marks, length 118cm, weight 33g

£3,000­4,000

1576 A late 19th century enamel and pearl pendant, the stylised leaf­form pendant decorated with plique­àjour polychrome enamel in naturalistic design with diamonds and pearls to the border and suspending a natural pearl with diamond­set cap, in yellow gold, length 7.2cm, fitted case £4,000­6,000 Despite the lack of a signature on the pendant, it is clearly from a fine maker. The design, manufacture and generous application of the translucent enamel all contribute to the highest quality, culminating with a valuable natural peal drop. Accompanied by GCS report number 5783­1237 dated 27th January 2023 stating that the pearl in natural saltwater.

1577 A late 19th century ruby and diamond trefoil brooch, set with three graduated pear­shaped rubies in diamond surrounds and a further circular diamond border in silver and gold, width 2.6cm, case £2,000­3,000

1569 as a pendant

1578 A 19th century paste parure, comprising a green paste rivière necklace set in gold collets, length 38.5cm, plus 5cm extension, a paste ring set in yellow gold, size P, an oval paste brooch, length 4.5cm, and a haircomb set with an arc of green pastes, width 13cm, and matching earrings, hook fittings

£4,000­6,000

1579 A George III citrine and diamond ring, set with three graduated oval citrines separated with pairs of diamonds in closed back gold setting, size P

£1,200­1,500

1580 An early 19th century emerald and diamond cluster ring, set with a central cushion­shaped diamond within a border of emeralds and diamonds in scroll engraved yellow gold shoulders, size L½, case

£2,000­3,000

1581 A late 19th century ruby and diamond cluster ring, the ruby weighing approximately 2.75cts, set within a surround of old cushion­shaped diamonds in silver and gold collet setting, size P

£8,000­12,000

Accompanied by GCS report number 782­1395 dated 30th March 2022 stating that ruby weighs 2.75cts approximately, origin: Burma, no indications of heating.

1582 A George III rose­cut diamond ring, the oval­shaped rose­cut diamond flanked with smaller diamonds in silver and gold closed­back setting and engraved gold shank, size L½

£4,000­6,000

1583 A George III topaz and diamond ring, the cushion­shaped orange topaz set within a surround of diamonds in closed­back silver and gold setting, size O½

£8,000­12,000

1584 A George III diamond and enamel plaque ring, the cushion­shaped diamond on blue enamel ground within a border of diamonds in silver and gold closed back setting, size N½

£3,000­5,000

1585 A George III ruby, emerald and diamond ring, set with a central rose­cut diamond within borders of emeralds and rubies in closed­back yellow gold setting, on twisted gold band, size M½, case

£3,000­4,000

1586 A late 18th century (and later) topaz demi­parure, the closed­back silver diamond­set bows suspend interchangable pear­shaped topaz drops in yellow gold, with diamond­set hook fittings, with a matching late 18th century diamond­set silver bow brooch, suspending a larger orange topaz, earrings length 5.4cm longest, brooch length 4.5cm, fitted case £12,000­15,000

1587 A George III witches heart brooch, each of the conjoined hearts set with rubies and diamonds respectively, beneath a ruby and diamond coronet in silver and gold closed­back setting, length 3.1cm £2,000­3,000

1588 A pair of diamond drop earrings, the pear­shaped rose­cut diamonds weigh approximately 6.50cts in total, in silver and gold closed­back cut­down collets, hook fittings, length 15mm excluding hook £6,000­8,000

1589

1589 Louchet, an Art Nouveau gold armband, depicting a realistically formed man and woman sprawled and reaching for each others hands, on textured yellow gold, maker’s marks and French control marks, signed Louchet Ciseleur, inner diameter 7.3cm, weight 141g, fitted case by Louchet £7,000­9,000

Illustrated: Becker, Vivienne., Art Nouveau Jewellery P127, plate 128.

1590 Bulgari, a pair of diamond­set ‘Parentesi’ bangles, the sprung bangles composed of interlocking geometric links alternately­set with brilliant­cut diamonds, diamonds approx. 4.60cts total, signed Bulgari, maker’s mark, numbered T159 and T395, inner diameter 5.7cm, 190g total £15,000­25,000

1591 Buccellati, a diamond­set gold bangle, with a central line of diamonds within starburst surrounds and further diamonds on textured yellow gold, signed M. Buccellati and stamped 750, internal width 5.5cm, Buccellati case £10,000­15,000

1592 Bulgari, a gold ‘Tubogas’ bangle, the sprung bangle in yellow gold, signed, inner width 5.5cm, 65g £3,000­4,000

1593 An Art Deco emerald and diamond cluster ring, the emerald­cut emerald millegrain­set within octagonal surround set with diamonds in platinum and white gold, size N½ £2,000­3,000

1594 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 2.60 carats, to a platinum mount set with single­cut diamonds, size O £2,000­3,000

1595 An Art Deco emerald and diamond ring, the oval emerald within millegrain­set diamond surround quartered with emeralds in platinum, size M½ £600­800

1596 A diamond solitaire ring, the circular­cut diamond weighing approximately 2.40cts, with diamond shoulders in white gold, size J½, case £10,000­15,000

1597 A three­stone diamond ring, claw­set with a brilliant­cut diamond weighing approximately 0.60 carats, between shoulders set with smaller brilliant­cut diamonds, each weighing approximately 0.30 carats, mounted in white gold, size O, stamped 750 £1,000­2,000

1598 An Edwardian diamond ring, early 20th century, set with a line of circular­cut diamonds in millegrain bordered collet settings, within an oval openwork plaque pavé­set with cushion­shaped and rose­cut diamonds, mounted in gold and platinum, size R½, inscribed 585, unidentified maker’s mark, one rose-cut diamond deficient £2,000­3,000

1599 A gem­set bangle, circa 1900, set with alternating calibré­cut sapphires, emeralds and amethysts, mounted in gold, the sides engraved with decorative borders, inner circumference 21cm £600­800

1600 An early 20th century diamond jabot pin, designed as a stylised arrow joined with an articulated line of diamonds in platinum and gold, length 9.5cm £1,500­2,000

1601 A sapphire and diamond ring, of cluster design, collet­set with an oval sapphire weighing approximately 5.00 carats, within a rectangular border of tapered baguette and carré­cut diamonds, mounted in platinum, size J½, case £2,000­3,000

1602 A sapphire and diamond ring, the step­cut sapphire flanked with baguette­shaped diamonds in platinum, size L½ £4,000­6,000

Accompanied by GCS report number 5783­1141 dated 27th January 2023 stating that sapphire is natural, origin: Sri Lanka, no indications of heating.

1603 An early 20th century colour­change sapphire and diamond ring, the step­cut sapphire claw­set within pierced diamond­set shoulders, size O½ £5,000­7,000

Accompanied by GCS report number 5783­1808 dated 8th March 2023 stating the colour­change sapphire originates from Sri Lanka and has no indications of heating.

1604 An Art Deco pearl and diamond bracelet, circa 1920, the articulated wire­work strap threaded with pearls, collet­set with a central line of circular­cut diamonds, the largest weighing approximately 1.40 carats, to a clasp set with rose­cut diamonds, length 17.8cm £12,000­15,000

1605 A sapphire and diamond bracelet, set with a central emerald­cut sapphire flanked with old circular­cut diamonds and triangular sapphires, all within millegrain­set scrolling and linear diamond panels in white gold, width 2.5cm, length 17.6cm £25,000­30,000

Accompanied by report number 5782­1738 from GCS stating that the sapphire is natural, Sri Lanka, no indications of heat treatment.

1606 An Art Deco charm bracelet, the oval­link bracelet suspending diamond­set charms including a fish, a grouse, a terrier and a monkey with an umbrella in platinum, length 18.5cm £1,000­1,500

λ 1607 A pair of Art Deco coral and enamel earrings, the articulated black enamel and diamond links suspend black onyx panels above red coral drops, in platinum and gold, length 6.2cm, post fittings £3,500­4,500

1608 A diamond line bracelet, channel­set with baguette­shaped diamonds in white gold, total approximate diamond weight 6.30cts, length 16.5cm £5,000­7,000

1609 An Art Deco diamond cluster ring, set with a cushion­shaped diamond within a border of French­cut sapphires and trifurcated shoulders in platinum, size J £5,000­7,000

Accompanied by WGI report stating that the diamond weighs approximately 2.00cts, J, I1.

1610 A diamond solitaire ring, the round brilliant­cut diamond weighing 2.19cts, claw­set in platinum, size J½ £4,500­5,500

Accompanied by GIA report number 2215483343 dated February 23rd 2021 stating that the round brilliant­cut diamond weighs 2.19cts, with K colour SI1 clarity, Faint fluoresence.

1611 Marchak, an Art Deco rock crystal and diamond brooch, the rock crystal frame with fluted millegrain­set diamond terminals, width 4cm £800­1,200

1612 A star sapphire and diamond ring, the cabochon sapphire flanked with triangular­shaped diamonds in white gold, size Q £3,000­4,000

Accompanied by GCS report number 5782­1270 dated 21st March 2022 stating that sapphire weighs 31.78cts, origin: Sri Lanka, no indications of heating.

1613 A single­stone ruby ring, claw­set with a cabochon ruby weighing approximately 5.80 carats, mounted in gold collet and tapered platinum shank, size H £4,500­5,000

Accompanied with Gemmological report number 1109794 from the AGL dated 29th September 2020, stating that the natural ruby is from Burma, no heat.

1614 An Edwardian sapphire and diamond three stone ring, set with a cushion­shaped sapphire and two cushion­shaped diamonds within diamond­set shoulders in platinum and gold, size O £4,000­6,000

Accompanied by GCS report number 80239­58 dated 31st October 2019 stating that sapphire weighs 2.40cts approximately, origin: Burma, no indications of heating.

1615 A sapphire and diamond ring, claw­set with an oval sapphire weighing approximately 4.10 carats, between shoulders set with brilliant­cut diamonds, mounted in gold, size L £8,000­12,000

A verbal report stated that the sapphire was from Sri Lanka, no indications of heating.

1616 An Art Deco diamond ring, the emerald­cut diamond weighing approximately 4.10cts in pierced diamondset surround in platinum, approximately size L (misshapen shank)

£10,000­15,000

1617 A sapphire and diamond cluster ring, the step­cut sapphire set within a surround of diamonds in yellow gold, size M £5,000­7,000

Accompanied by GCS report number 5783­1243 dated 27th January 2023 stating that sapphire is natural, origin: Sri Lanka, no indications of heating.

1618 A sapphire and diamond cluster ring, the oval sapphire weighing 9.71cts set within a ballerina­style surround of diamonds in white gold, size M½ £15,000­20,000

Accompanied by SSEF report number 83928 dated 1st February 2016 stating that sapphire weighs 9.71cts, Burma, no indications of heating.

1619 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.70cts, claw­set in white gold, size O £5,000­7,000

1620 A French early 20th century ruby and diamond bracelet, designed as alternating platinum laurel wreaths set with diamonds joined with links channel­set with rubies in gold, French control marks,length 17.5cm £8,000­12,000

1621 An early 20th century jade and diamond ring, the oval jadeite cabochon within diamond­set border in platinum, size M £2,000­3,000

Accompanied by report number 79235­60 from GCS dated 27th September 2019 stating that the jade is natural jadeite with no indications of impregnation.

1622 A pair of sapphire and diamond drop earrings, the elongated oval sapphires set within diamond surrounds suspending from further diamonds in white gold, post fittings (butterflies missing) fitted case £5,000­7,000

Accompanied by GCS report number 79211­37 dated 26th April 2019 stating that sapphires weigh approximately 8.3cts total, origin: Sri Lanka, no indications of heating.

1624 A fine gold and gem­set bracelet, 1830s, composed of graduated vertical bar­shaped links set with a variety of oval and cushion­shaped gemstones including hessonite garnet, topaz, peridot, amethyst, citrine and aquamarine, accented with smaller emeralds, rubies, citrines and amethysts, each within gold collet settings embellished with gold beaded and floral decoration, length 18cm, width at front 6.4cm, original fitted case £8,000­12,000

lifesize

1625 A sapphire and diamond flower ring, set with a central cabochon sapphire within diamond­set petals in silver and gold, size N £20,000­30,000

Accompanied by SSEF report number 115516, dated 14th December 2020 stating that the sapphire weighs 4.12cts, origin: Kashmir, no indications of heating.

lifesize

1626 A sapphire and diamond cluster ring, the cushion­shaped sapphire claw­set within a surround of 16 circularcut diamonds in platinum, size N½, case £6,000­8,000

Accompanied by report number 5782­2207 from GCS dated 10th February 2023 stating that the sapphire weighs 8.27cts, is a natural sapphire, Burma, no indications of heating.

lifesize

1627 A fine sapphire and diamond ring, millegrain­set with a circular­cut sapphire weighing 4.53 carats, within a border of cushion­shaped diamonds, mounted in gold, size P½ £10,000­15,000

Accompanied by SSEF report no. 126141, stating that the sapphire is of Ceylon (Sri Lankan) origin, with no indications of heat treatment, dated 2nd December 2022.

lifesize

Art Deco emerald ring, circa 1920, claw­set with a large sugarloaf cabochon emerald, to a fine platinum mount with rose­cut diamond shoulders and a scrolled gallery, size M½ £15,000­20,000

1628 A

Accompanied by GCS report no. 5783­72 dated 1st November 2022, stating that the emerald measuring approximately 15.5 x 15.4 x 10.5mm is of Colombian origin, with indications of moderate clarity enhancement.

lifesize

£15,000­20,000

Accompanied by GPL report number 22416 dated 22nd November 2022 stating that emerald weighs 2.07cts, origin: Colombia, evidence of minor clarity enhancement.

1629

1630 A rare sapphire and diamond ring, millegrain­set with an elongated cushion­shaped sapphire weighing 5.94 carats, to a double border and shoulders set with circular­cut diamonds, mounted in platinum, size M £60,000­70,000

Accompanied by SSEF report no. 125072, stating that the sapphire is of Kashmir origin, with no indications of heat treatment, dated 6th October 2022.

lifesize

Accompanied

1634 A pair of impressive diamond drop earrings, set with a cushion­shaped diamond weighing approximately 1.05cts each, suspending a pear­shaped diamond weighing 4.11cts and 4.14cts respectively, set in platinum, post fittings, length 2.1cm £100,000­150,000

Accompanied by GIA report number 1206177718 dated 29th March 2019 stating that diamond weighs 4.11cts, E colour VS2 clarity, fluorescence faint

Accompanied by GIA report number 1206177718 dated 29th March 2019 stating that diamond weighs 4.14cts, E colour VS2 clarity, fluorescence none

lifesize

lifesize

1636 An important diamond parure, mid 19th century, comprising: a devant de corsage brooch, centring on a ten­petalled flower within undulating foliate scrollwork, suspending a detachable pendant and a festoon, set with rose­cut, cushion­ and pear­shaped diamonds, measuring 8 x 11.7cm including festoon pendant, detachable brooch fittings; a necklace, composed of graduating floral motifs alternating with stylised ribbon bow links, set throughout with cushion­shaped diamonds, length 40.5cm, detaching into two bracelets, central section originally intended to be replaced with the devant de corsage and worn in combination as a single necklace; an impressive pair of earrings of elongated drop­shaped design, set with cushionshaped diamond borders, centring on a line of cushion­shaped and antique pear­shaped diamonds, length 5.9cm, later tops circa 1910, hook fittings; and a small clip of radiating design set with cushion­shaped diamonds, 1.8cm diameter, set in silver and gold, later rhodium plated, some later alterations to fittings, estimated total diamond weight approximately 65.00-70.00 carats, fitted case £50,000­70,000

Provenance: Lord Lucius O’Brien 15th Baron Inchiquin (1864 – 1929) and Ethel Lady Inchiquin (1867 – 1940). She married the 15th Baron Inchiquin in 1896 who succeeded the peerage in 1900, thence by descent.

LOTS 1636 & 1637 FROM A NOBLE FAMILY COLLECTION

1637 A superb Victorian emerald and diamond bangle, circa 1860, claw­set with a step­cut emerald weighing 5.66 carats, within a radiating cluster of circular­cut diamonds, mounted in silver and gold, detaching from the bangle to be worn as a pendant, total diamond weight approximately 10.00 carats, pendant length 3.9cm, bangle inner circumference 16.6cm £60,000­80,000

Accompanied by SSEF report number 125424, dated 21st November 2022, stating that the emerald weighing 5.669 carats is of Colombian origin, with no indications of clarity enhancement.

Provenance: Lord Lucius O’Brien 15th Baron Inchiquin (1864 – 1929) and Ethel Lady Inchiquin (1867 – 1940). She married the 15th Baron Inchiquin in 1896 who succeeded the peerage in 1900, thence by descent. Baron Inchiquin is one of the oldest titles in the Peerage of Ireland. It was created in 1543 for Murrough O’Brien, Prince of Thormond who was descended from the great high king Brian Boru.

END OF SALE

Ethel Lady Inchiquin dressed probably for the House of Lords or even The Coronation of Kind Edward VII in 1902. She is wearing the parure (lot 1636) with the exception of the earrings, and the emerald and diamond centrepiece (lot 1637) worn as a brooch centrally pinned to her dress.

AUCTION INFORMATION

OPENING HOURS

Castle Street Salerooms

Monday to Friday 9am – 5.30pm

Castle Gate Offices

Monday to Friday 9am – 5.30pm

VIEWING

All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US

All first time buyers need to register with us. Once registration is complete you will be provided with a paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

1. a passport or photographic driving licence

2. a utility bill or document showing your name and address

You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk

You will be asked to show your documents or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION

See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM

To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING

If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING

It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING

Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS

The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS

These will be posted on our website shortly after the sale.

PACKING AND SHIPPING

Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes +44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK

If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to:

Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB.

Account no. 00957707

Sort code 30­97­41

IBAN no. GB20LOYD30974100957707

BIC code LOYDGB21063

Credit cards: Visa, Mastercard or Amex

Debit cards: Delta, Switch, Connect

Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT

Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS

Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvlaen/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3%€50,000.01 ­ 200,000

1%€200,000.01 ­ 350,000

0.5%€350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

INFORMATION FOR BUYERS

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020. Please refer to SOFAA website for updates to the Terms and Conditions).

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment).

(b) A reserve once set cannot be changed except with our consent.

(c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be reoffered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest.

(a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS

In these Conditions:

(a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate;

(b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid;

(b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

(c) Bidders shall be deemed to act as principals.

(d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

(a) Immediately a lot is sold you will:

(i) give to us, if requested, proof of identity, and

(ii) pay to us the total amount due in pounds sterling

(b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES

(a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

(i) to proceed against you for damages for breach of contract;

(ii) to rescind the sale of that lot and/or any other lots sold by us to you;

(iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere;

(v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(vi) to retain that or any other lot sold to you until you pay the total amount due;

(vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE

The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category.

(c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

(d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

(e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

(f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist.

(h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j) Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

4% Up to €50,000

3% €50,000.01 ­ 200,000

1% €200,000.01 ­ 350,000

0.5% €350,000.01 ­ 500,000

0.25% In excess of €500,000

Up to a maximum levy of €10,000

Lots marked with a ‡ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS

WHAT THIS PRIVACY NOTICE DOES

This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS

Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details:

• By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU.

• By email – privacyofficer@woolleyandwallis.co.uk

• By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA

We collect your personal data from the following sources:

From you when you:

• interact with us before entering into a contract with us, for example when you express your interest in our Services;

• instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions;

• communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account;

• in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as:

• other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you;

• the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider);

• sage paywho process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided);

• shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

We may collect the following personal data about you:

• your name and contact details including address, telephone and email address;

• your image, as captured by CCTV, if you attend our premises;

• personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details);

• account details and other information relating to your transactions/dealings with us and your use of our Services;

• payment details such as credit card and bank account details;

• credit and payment history (where you open an account with us as a buyer or bidder);

• information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and

• other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services);

• once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following:

• to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance;

• to deal with any concerns or feedback you may have in the performance of the Services;

• for our internal business record keeping and processes;

• to seek advice on our rights and obligations, including obtaining legal advice;

• to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes;

• to customise our website and marketing communications in line with your particular interests or preferences;

• to collect money owed to us or our consignors;

• to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following:

• our professional advisors;

• the­saleroom.com;

• debt collection agencies;

• third parties who assist us with our marketing;

• our website and email management software provider.

LEGAL OBLIGATIONS

We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following:

• to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks;

• in order to assist with investigations (including criminal investigations) carried out by competent authorities;

In this respect we will provide your data to the following:

• external auditors;

• the police and other competent authorities, including HMRC;

CONSENT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA

We process special categories of personal data for the following reasons:

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING

We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular:

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months;

• in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services;

• we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive;

• in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

Under the DPA you have the following rights:

• to obtain access to, and copies of, the personal data that we hold about you;

• to require that we cease processing your personal data if the processing is causing you damage or distress;

• to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect;

• to require us to erase your personal data;

• to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal);

• to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller;

• to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

VALUATIONS

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS

Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs. For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS

We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence +44 (0)1722 424500 | valuations@woolleyandwallis.co.uk

FREE AUCTION VALUATIONS

Free verbal valuations of items for sale are available by appointment. Please email valuations@woolleyandwallis.co.uk or call +44 (0)1722 424500

ABSENTEE BID FORM FINE JEWELLERY

20TH & 21ST APRIL 2023

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address Postcode

Daytime telephone

Email

ID may be required even if you have bid with us before.

Signature

PLEASE PRINT CLEARLY IN BLOCK LETTERS

Lot Number Brief Decription Price Excluding in numerical buyer’s premium order & VAT

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2023 AUCTIONS

AUCTION CALENDAR 2023

APRIL

4th & 5th Furniture, Works of Art & Clocks

18th & 19th Silver & Objects of Vertu

20th & 21st Fine Jewellery

26th English & European Ceramics & Glass

MAY

17th Medals & Coins, Arms & Armour

23rd & 24th Asian Art, Chinese Paintings & Japanese Works of Art

JUNE

7th Modern British & 20th Century Art

21st Fine Arts & Crafts (Including Martin Ware)

Exhibition Robert Wallace Martin Potter, Sculptor, Artist 12th to 23rd June

JULY

5th & 6th Furniture, Works of Art & Clocks

11th & 12th Silver & Objects of Vertu

13th Fine Jewellery

Dates may be subject to change

+44 (0) 1722 424500

enquiries@woolleyandwallis.co.uk

51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk