Luxe Magazine - May/June 2023 New York

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AN EXPERIENCE Like No Other

Your private showcase awaits at a Thermador Experience and Design Center. Explore luxury bespoke kitchens and discover how true craftsmanship, design, and innovation can bring your unique vision to life.

IRONIES

Modern Forms offers effortless, uncomplicated lighting and fan designs created from the finest upscale materials and innovative technology. Our designer collections refresh and redefine luxe spaces.

MAY JUNE

Scene

52 DESIGN DISPATCH

The little black book of all things new and fabulous in the local community.

Radar

66 FIRST PERSON

Stephanie Stokes’ new book is an ode to collected tabletop treasures from near and far.

68 INSPIRATION

Luxe traverses the globe to nd modern makers putting their spin on traditional craft.

76 LEGACY

At a bustling French mill, the centuries-old method of weaving horsehair still produces some of the nest textiles.

Market

98 MATERIAL

Four companies tapping talents around the world—from Ireland and Colombia to India and Massachusetts—to fashion exceptional rugs.

108 TREND

Meet three oral designers creating beautiful arrangements in unconventional ways.

116 SPOTLIGHT

The newly reimagined Hispanic Society Museum & Library opens its doors to talented Latin American furniture and lighting makers.

Living

136 KITCHEN + BATH

Elevated European in uences are the impetus for these charming kitchens, baths and debut tiles.

DOWNRIGHT TRANQUILITY.

Truer Colors

Happy Accidents

Comeback Kid

Page Turner

DESIGN DIRECTOR

Pam Shavalier

ART DIRECTOR

Candace Cohen

PAMELA LERNER JACCARINO

EXECUTIVE EDITOR

Brittany Chevalier McIntyre

SENIOR MANAGING EDITOR

Colleen McTiernan

MANAGING EDITORIAL DIRECTOR

Kelly Velocci Jolliffe

MANAGING EDITORS

Krystal Racaniello, Clémence Sfadj

HOMES EDITORS

SOUTHEAST

Kate Abney

COLORADO, LOS ANGELES, SOUTHERN CALIFORNIA

Kelly Phillips Badal

PACIFIC NORTHWEST, SAN FRANCISCO

Mary Jo Bowling

ART

ART DIRECTOR

Maria Pluta

SENIOR GRAPHIC DESIGNER

Jamie Beauparlant

GRAPHIC DESIGNER

Ellen Antworth

ASSOCIATE GRAPHIC DESIGNER

Kyle Anderson

SENIOR RETOUCHER

Christian Ablan

GREATER NEW YORK

Grace Beuley Hunt

STYLE DIRECTOR

Kathryn Given

ASSOCIATE EDITOR

Khadejah Khan

AUSTIN + SAN ANTONIO, DALLAS + FORT WORTH, HOUSTON

Paulette Pearson

ARIZONA, CHICAGO

Shannon Sharpe

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

Jennifer Pfaff Smith

MARKET

SENIOR MARKET EDITOR

Sarah Shelton

DIGITAL

SENIOR DIRECTOR, CONTENT DISTRIBUTION

Amanda Kahan

SENIOR MANAGER, DIGITAL CONTENT

Ileana Llorens

WEB EDITOR

Michelle Yee

ERICA HOLBORN

CHIEF EXECUTIVE OFFICER

CHIEF OPERATING OFFICER

Michael Shavalier

CHIEF DESIGN OFFICER

Cindy Allen

CHIEF SALES OFFICER

Kate Kelly Smith

EXECUTIVE VICE PRESIDENT + DESIGN FUTURIST

AJ Paron

EXECUTIVE VICE PRESIDENT, STRATEGY

Bobby Bonett

VICE PRESIDENT, HUMAN RESOURCES

Lisa Silver Faber

SENIOR VICE PRESIDENT, PARTNER + PROGRAM SUCCESS

Tanya Suber

VICE PRESIDENT, BUSINESS DEVELOPMENT

Laura Steele

VICE PRESIDENT, STRATEGIC PARTNERSHIPS

Katie Brockman

DIRECTOR, VIDEO

Steven Wilsey

SANDOW DESIGN GROUP OPERATIONS

SENIOR DIRECTOR, STRATEGIC OPERATIONS

Keith Clements

CONTROLLER

Emily Kaitz

DIRECTOR, INFORMATION TECHNOLOGY

Joshua Grunstra

SANDOW was founded by visionary entrepreneur Adam I. Sandow in 2003, with the goal of reinventing the traditional publishing model. Today, SANDOW powers the design, materials and luxury industries through innovative content, tools and integrated solutions. Its diverse portfolio of assets includes The SANDOW Design Group, a unique ecosystem of design media and services brands, including Luxe Interiors + Design, Interior Design, Metropolis, DesignTV by SANDOW; ThinkLab, a research and strategy firm; and content services brands, including The Agency by SANDOW – a full-scale digital marketing agency, The Studio by SANDOW – a video production studio, and SURROUND – a podcast network and production studio. SANDOW Design Group is a key supporter and strategic partner to NYCxDESIGN, a not-for-profit organization committed to empowering and promoting the city’s diverse creative community. In 2019, Adam Sandow launched Material Bank, the world’s largest marketplace for searching, sampling and specifying architecture, design and construction materials.

This magazine is recyclable. Please recycle when you’re done with it. We’re all in this together.

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KATE KELLY SMITH EXECUTIVE VICE PRESIDENT + MANAGING DIRECTOR

SENIOR VICE PRESIDENT, OPERATIONS

Tanya Suber

GENERAL MANAGER

Scott MacClements

NATIONAL SALES DIRECTORS REGIONAL SALES DIRECTORS

NATIONAL PUBLISHER Michelle Blair

HOME FURNISHINGS DIRECTOR

Blaire Rzempoluch

WEST COAST DIRECTORS

Lisa Lovely, Carolyn Homestead

MIDWEST + SOUTH CENTRAL DIRECTOR

Tanya Scribner

SALES OPERATIONS DIRECTOR John Baum

EXECUTIVE ASSISTANT Bianca Buffamonte

SALES ASSISTANT Janice Hyatt

INTEGRATED MARKETING

SENIOR DIRECTOR, MARKETING + DIGITAL STRATEGY Samantha Westmoreland

DIGITAL STRATEGY MANAGER Kasey Campbell

INTEGRATED MARKETING MANAGERS Verity Lister, Frank G. Prescia

INTEGRATED GRAPHIC DESIGNER Antoinette Childs

EVENTS MANAGER Gabriella Laimer

EVENTS COORDINATOR Rachele Daszkal

PAR TNER + PROGRAM SUCCESS

DIRECTOR, SPECIAL PROJECTS Jennifer Kimmerling

PARTNER SUCCESS MANAGER + TEAM LEAD Brittany Watson

SENIOR PARTNER SUCCESS MANAGERS Lauren Krause, Susan Mallek, Molly Polo

LUXE PREFERRED, PROGRAM SUCCESS MANAGER + ANALYTICS SPECIALIST Victoria Albrecht

LUXE PREFERRED, PROGRAM SUCCESS MANAGER Stephanie Fritz

NATIVE CONTENT EDITOR + TEAM LEAD Greta Wolf

NATIVE CONTENT EDITORS Heather Schreckengast, Matthew Stewart

CIRCULATION + DISTRIBUTION

SENIOR MANAGER, MANUFACTURING + DISTRIBUTION Stacey Rigney

ARIZONA PUBLISHER Adrienne B. Honig

SALES ASSOCIATE Catherine McGlynn

AUSTIN + SAN ANTONIO PUBLISHER Jim Wilson

SALES ASSOCIATE Addie Szews

CHICAGO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Tracy Colitte, Carolyn Funk, Taylor Greene

COLORADO REGIONAL PUBLISHER Kathleen Mitchell

DIRECTORS Travis Gainsley, Katie Martin

DALLAS + FORT WORTH PUBLISHER Rolanda Polley

SALES ASSOCIATE Addie Szews

GREATER NEW YORK PUBLISHER Trish Kirsch

ASSOCIATE PUBLISHER, NEW YORK Donna Herman

DIRECTOR, NEW YORK Maritza Smith

HOUSTON PUBLISHER Amy McAnally

SALES ASSOCIATE Addie Szews

LOS ANGELES PUBLISHER Tiffany O’Hare

ASSOCIATE PUBLISHER Virginia Williams

MIAMI, PALM BEACH + BROWARD, NAPLES + SARASOTA

REGIONAL PUBLISHER Stacey Callahan

DIRECTORS Jennifer Chanay, Susan Goldstein, Karina Gonzalez

PACIFIC NORTHWEST PUBLISHER Debby Steiner

DIRECTOR Cathy Cruse

SAN FRANCISCO PUBLISHER Lisa Lovely

DIRECTOR Sara McGovern

SOUTHEAST PUBLISHER Sibyl de St. Aubin

SOUTHERN CALIFORNIA PUBLISHER Alisa Tate

ASSOCIATE PUBLISHER Kali Smith

Luxe Interiors + Design (ISSN 1949-2022), Arizona (ISSN 2163-9809), California (ISSN 2164-0122), Chicago (ISSN 2163-9981), Colorado (ISSN 21639949), Florida (ISSN 2163-9779), New York (ISSN 2163-9728), Pacific Northwest (ISSN 2167-9584), San Francisco (ISSN 2372-0220), Southeast (ISSN 2688-5735), Texas (ISSN 2163-9922), Vol. 21, No. 3, May/June, prints bimonthly and is published by SANDOW, 3651 NW 8th Ave., Boca Raton, FL 33431. Luxe Interiors + Design (“ Luxe ”) provides information on luxury homes and lifestyles. Luxe Interiors + Design SANDOW, its affiliates, employees, contributors, writers, editors, (Publisher) accepts no responsibility for inaccuracies, errors or omissions with information and/or advertisements contained herein. The Publisher has neither investigated nor endorsed the companies and/or products that advertise within the publication or that are mentioned editorially. Publisher assumes no responsibility for the claims made by the Advertisers or the merits of their respective products or services advertised or promoted in Luxe Publisher neither expressly nor implicitly endorses such Advertiser products, services or claims. Publisher expressly assumes no liability for any damages whatsoever that may be suffered by any purchaser or user for any products or services advertised or mentioned editorially herein and strongly recommends that any purchaser or user investigate such products, services, methods and/or claims made thereto. Opinions expressed in the magazine and/or its advertisements do not necessarily reflect the opinions of the Publisher. Neither the Publisher nor its staff, associates or affiliates are responsible for any errors, omissions or information whatsoever that have been misrepresented to Publisher. The information on products and services as advertised in Luxe are shown by Publisher on an “as is” and “as available” basis. Publisher makes no representations or warranties of any kind, expressed or implied, as to the information, services, contents, trademarks, patents, materials or products included in this magazine. All pictures reproduced in Luxe have been accepted by Publisher on the condition that such pictures are reproduced with the knowledge and prior consent of the photographer and any homeowner concerned. As such, Publisher is not responsible for any infringement of the copyright or otherwise arising out of any publication in Luxe Luxe is a licensed trademark of SANDOW © 2011. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without

Culture of Design

Analyze the most enduring and interesting spaces, and you’ll discover that they are often composed of a layering of cultural influences and ideas...design that preserves heritage while also pushing it to be experimental and fresh. In this issue, we report on, and praise, the people, objects and spaces that revere craft and cultural artisanship as something to be respected and lived with; rooms that offer a conversation about what came before and where things are headed. May they have everlasting appeal.

SCENE

SHELF LIFE

VICENTE WOLF CREATIVE INTERIOR SOLUTIONS

Cuban-born, New York-based designer Vicente Wolf has been imbuing interiors with a sense of simplicity and depth for the past 40 years. Rizzoli’s new tome, Creative Interior Solutions, is as much a portfolio of his work as it is a practical how-to guide. Illustrated with Wolf’s own photography, the monograph o ers tips on how to transform interiors with ease and integrity, one of the main takeaways being how to develop projects with an understanding of how the purpose of a space can change over time. But the book also takes a personal angle as it uncovers Wolf’s own Manhattan loft. A must-read for design lovers. rizzoliusa.com

COLLABORATION

MITCHELL GOLD + BOB WILLIAMS X RAFAEL DE CÁRDENAS

Powerhouse designer Rafael de Cárdenas is lending his expertise to American-crafted furnishings in a new 19-piece collection with Mitchell Gold + Bob Williams. Spanning sculptural chairs, plush sofas and expansive bed frames, the line demonstrates the brand’s commitment to comfort, sustainability and localized production.

“The Mitchell Gold + Bob Williams factory is a place where American craftsmanship has a home,” Cárdenas says. “Together we made the collection my childhood dreams were made of and ensured that it would be accessible for every taste.” Aligned with the designer’s wider inspiration and defined by a careful blending of classical articulation and contemporary refinement, the collection inspiration from film and other cultural reference points. Both distinct and adaptable, the pieces are available in a variety of finishes and in the brand’s extensive gamut of over 500 textiles, while the di erent tables and settees are rendered in sensuous and soft curves but anchored in sophisticated, structural armatures.

of classical articulation and refinement, the collection draws from film and other cultural reference Both distinct and the are available in a of finishes and in the

are sensuous curves anchored in armatures.

rafaeldecardenas.com; mgbwhome.com

PERMANENT COLLECTION

ABNER HENRY X THE MET

Elements from works by Degas, Klimt, Manet, Renoir, Seurat, van Gogh and Velázquez were translated into seven new interpretative designs. This venture allowed Abner Henry to demonstrate its prowess and outstanding craft in a fresh light.

OPEN HOUSE

Collectors and avid museumgoers now have a chance to celebrate their favorite artists in a new, unexpected way: The Metropolitan Museum of Art has teamed up with furniture manufacturer Abner Henry to conceive a line inspired by some of the institution’s most iconic paintings.

JENNIFER MANNERS AND LLADRÓ

Setting up shop in the New York Design Center, London-based rug company Jennifer Manners is bringing its deeply textured wares to the city. Taking over a 2,300-square-foot space on the complex’s ninth floor, the showroom’s one-sided arches gently loom over vignettes displaying the brand’s patterns and colorways (below). The intimate showroom features warm olive-green, aquamarine, cloud-blue, plaster and linen backdrops against which shoppers can interact with Jennifer Manners’ full range of commercial and consumer rugs. British studio Julian Chichester was tasked with designing an environment that is light and airy—an ambience completed with iconic midcentury furnishings, vintage-inspired Italian chandeliers and silk pillows handmade in Uzbekistan. jennifermanners.co.uk

Translating the pointillism of Seurat in oak blocks treated using centuries-old techniques (near left), meticulously bending solid metals to distill the essence of van Gogh’s sunflowers or channeling the ethereal quality of a Klimt portrait into a bar cabinet (far left) is no small feat. The line was developed by Abner Henry founder Ernest Hershberger and called on skilled craftspeople to achieve nuanced articulations that go beyond the traditional limitations of their respective trades. The stunning pieces, which also include consoles and a standing polished-brass mirror, are available through Abner Henry. abnerhenry.com; metmuseum.org

Commemorating its 70 th anniversary, Spanish ceramics manufacturer Lladró has opened a dazzling concept store (above) in the Meatpacking district. Lladró is perhaps most famous for its carefully crafted porcelain figurines—everything from neoclassical ballerinas to futuristic characters by Paul Smith, Rolito and Gary Baseman. The storefront’s various vitrines, integrated display shelves and stepped plinths help visitors experience the different facets of the brand’s history. Valencia-based studio Carmen Baselga Taller de Proyectos worked closely with Lladró to develop a space that champions its craft prowess and implementation of new technology: True to the brand’s mission to push the potential of porcelain to new heights, video screens and 4D sound recordings provide additional storytelling alongside the boutique’s displays. lladro.com

MEET THE MAKER

ALEXANDRA CLIMENT

New York-based Alexandra Climent centers her furniture and sculpture making on the use of endangered tropical hardwoods she sources in Central and South America. Championing the primordial beauty of these materials, her finely crafted tables, vessels and music stands are at once straightforward and playful. Luxe learns more. alexandracliment.com

Tell us a bit about your process. The jungle’s naturally felled hardwoods are in a very raw state when extracted. Milling them is difficult and, at times, dangerous. But these are some of the most rare, beautiful and durable woods in the world, many of which are never used for design purposes or even seen outside the rainforest. After I get them in working condition, I start the long process of shaping them into various objects. I never use dyes or stains because their original colors—often ranging from orange to pink to purple—are mesmerizing on their own.

How do you develop your designs? My concepts formulate around ideas of the rainforest, sculpted shells from the oceans surrounding the jungle, but also waves and river bends. I love the notion of utility within my pieces—of function and purpose. The idea from the beginning was always that this material was permanent, useful, made to last. Sit in the piece, play music from it, have conversations around it

What are you working on now? I recently founded the Endangered Rainforest Rescue nonprofit, a project dedicated to reforesting endangered tree species in the Darién Gap in Panama—one of the most biodiverse areas in the world.

WHOLE HOME INTERIOR DESIGN. CONCEPT TO IMPLEMENTATION. RENOVATIONS AND NEW BUILD. CONSTRUCTION PROJECT MANAGEMENT. KITCHEN & BATH DESIGN. CUSTOM MILLWORK.

RADAR

Go global with tabletop treasures from far-flung locales, artisans to watch from around the world and the last textile mill of its kind.

Visual Feast

IN HER SUMPTUOUS NEW BOOK, DECORATOR AND PHOTOJOURNALIST STEPHANIE STOKES MAKES THE CASE FOR SOUVENIRS.

I am a self-confessed tabletop junkie and consummate hostess. On my travels through 86 countries, I have assembled a collection of things that have caught my eye so long as they’re useful for entertaining. These “toys for my table” are for special occasions, special friends or simply because it’s Saturday, and why not have a party.

In the words of Carl Jung, “The creation of something new is not accomplished by the intellect, but by the play instinct acting from inner necessity. The creative mind plays with the objects it loves.” And I love each of my treasures. My parties usually start with a verbal table tour instead of grace. I describe how the dishes are from Bali, the wine coasters are from Istanbul’s Grand Bazaar, the tagine salt cellars are from Marrakesh, and so on.

Many of my favorite pieces come from Japan: contemporary sake cups, sonorous Bizen bowls and Oribe kitchenware, all of which are versatile. In France, I fell for Aptware pottery, simple cotton tablecloths from Provence’s outdoor markets and gray porcelain partridges from Nîmes. While exploring Budapest’s antiques district, I couldn’t resist traditional bright-red flowered plates and cross-stitched tablecloths. When I use them at home in New York City, they evoke the folk art quality of Hungarian craft in the same way the pink Fortuny tablecloth I bought in Venice recalls light reflecting off the city’s brick walls, turning its canals the soft-edged pink of Paolo Veronese’s murals.

My book, The World at Your Table, is a call to action. When something inspires you, whether across the globe or at a local consignment store, buy it. Then, set the table with your finds to transport guests into a magical atmosphere. rizzoliusa.com

Imagination Unbound

LUXE CHATS WITH CREATIVES FROM AROUND THE GLOBE WHO ARE BREATHING NEW LIFE INTO TRADITIONAL CRAFT.

PRODUCED BY KATHRYN GIVEN

Klove Studio

Prateek Jain and Gautam Seth, co-founders of New Delhi’s Klove Studio, are upending the way modern lighting is produced in India with their larger than life pieces. While the dynamic duo are experimenting with size, scale and materials, their designs continue to pay homage to the artistic customs and practices that surround them at home.

What was the vision for your latest collection? Our Totems Over Time series celebrates an older way of living and, specifically, how civilizations have left their mark on society with references to ancient symbols and motifs. We wanted to achieve a harmonious balance between geometry and symmetry with bright totems devoted to abundance, vision, beauty and protection. Talk to us about the materials. These nearly 10-foot-tall pieces incorporate metal and handblown glass, a centuries-old technique that supports local artisans in India. We believe in slow design, conscious craftsmanship and dreaming up fantastical ideas that take shape by working with dedicated makers. Where do you find inspiration? From different cultures around the world, but especially in New Delhi where there is such a rich craft legacy. Good design makes life better on every level. klovestudio.com

Hamza Kadiri

Casablanca-based master woodworker Hamza Kadiri hails from a long line of makers who share a deep reverence for their materials, and he is no exception. Each piece of wood sourced for his new sculptural furniture collection was chosen for its singularity, essence and inherent beauty. Kadiri’s expertise of rare, precious varietals of wood honors natural grains and unique patterns for a one-of-a-kind result.

When did you begin working with wood? I’ll never forget the moment I entered my uncle’s workshop at the age of seven. He was one of the most respected woodworkers in the Medina of Fez. I still remember the smell, the dry air and watching each artisans’ slow movements. It was love at fir st sight. Tell us about your latest collection. As an artist, I listen to the wood—sometimes for months at a stretch. The unique forms of a plank and veins in the wood give o a particular emotion. These inspire me with original ideas, although some may be a little crazy. My six new pieces—side tables, credenzas, a bench and an armoire— are a testament to this, including the Royal Ebony credenza (shown). What’s next? Adding exciting new lighting designs to my collection with Les Ateliers Courbet. ateliercourbet.com

LagunaB

The iconic Venetian glassware company founded by the late Marie Brandolini is heralding in a second chapter under the leadership of her son, Marcantonio Brandolini d’Adda. As ceo and creative director, his vision includes investing in projects that support a range of initiatives, like the design community at large, the environment and the city of Venice.

community at large, the environment and the city of Venice.

How are you di at from Paris to was a way of her

Today, we are releasing more limited-edition pieces but still honoring her vision. is also top of mind for us with a new production that allows for more energy e cient in addition to a longstanding with Green Future to o set our emissions.

with the Pilchuck Glass School in to establish Autonoma, an international artist program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. recently introduced Vital, which aims to enhance the natural capital of the Venetian Without this our company and

How are you thinking di erently at LagunaB? When my mother moved from Paris to Venice, glassmaking was a way of expressing her creativity. Today, we are releasing more limited-edition pieces but still honoring her vision. Sustainability is also top of mind for us with a new high-energy production facility that allows for more energy e cient manufacturing, in addition to a longstanding partnership w ith Green Future Project to o set our CO2 emissions. What about the next generation? We have teamed up with the Pilchuck Glass School in Washington to establish Autonoma, an international glass artist exchange program in Murano. Face-to-face interaction is also important to me, so we have a multifunctional brick and mortar space in the works. Anything else? Alongside We Are Venice, we recently introduced Vital, which aims to enhance the natural capital of the Venetian Lagoon. Without this important waterway, our company and city would not exist. lagunab.com

Toast

Established in a Wales farmhouse more than 25 years ago, the clothing company Toast has grown its o ering to include exquisite homewares produced by artisans, weavers and mills around the world. Despite its evolution, the brand’s values remain steadfast: champion a slower pace and more thoughtful way of life. CEO Suzie de Rohan Willner elaborates on the brand’s mission.

What makers do you work with? We search around the world for artisans who demonstrate specialist skills and techniques. Our hope is to provide a platform for their work to be celebrated and their story to be told in an authentic way. We want to help preserve traditional techniques that otherwise may be in danger of dying out, like this glazed terra-cotta waterpot handmade in Bristol (shown) that is based on a 16th century design. Why does craft have an enduring appeal? There is a growing audience who wants a more emotional connection to the objects in their home and to the person behind their creation. An increased awareness of our environment and a rejection of “mass” has meant we are choosing to buy less and selecting long lasting and meaningful objects. The recently launched Toast Renewed provides an iteration of this idea. It’s a unique collection of creatively repaired, one-of-a-kind pieces that have been given a new lease on life, increasing their longevity and progressing our circular approach to reducing waste. Where do you find inspiration? In stillness. It’s abou t being with people and things that bring joy and make you slow down. us.toa.st

Ecru

Founded by three childhood friends raised in Kuwait, lifestyle brand Ecru draws upon the ethos and cultures of Arab and Indian hospitality for inspiration. With a dazzling shopfront in Jaipur, Ecru collaborates with craftspeople in India, Syria, Lebanon and Sri Lanka who specialize in textiles, woodworking, glass, ceramics and metalwork. Creative Director Nur Kaouji discusses the company’s roots.

How did Ecru start? Growing up (with co-founders

Noor Al-Sabah and Hussah Al Tamimi) in Kuwait, we were surrounded by expats, particularly Arab and South Asian families. We were raised with an emphasis on the importance of hospitality and tradition, including sharing meals with loved ones. Our desire to carry on these rituals led us to launch Ecru, a br and that comprises beautiful handmade objects that elevate these interactions. Talk to us about your homewares. What excites us is the incredible legacy of craft around the world. We get to work with artists who keep traditions like block printing and metalwork alive. At Ecru, we are always looking to expand our artisan directory and I’m constantly on the hunt for inspiring people. How can design make a positive impact on our lives? Life has a way of throwing things at you, sometimes turning things upside down. One of our greatest salvages is nature and through nature, design. ecruonline.in

Sanayi313

Brothers Enis and Amir Karavil helm the interdisciplinary design brand Sanayi313 in Istanbul, where they have their hands in a number of exciting initiatives: a retail store, design studio, canteen, bi-annual magazine, atelier for unique projects and a newly launched furniture line that promotes their mantra, “move forward to the future with respect to the past.”

Why is it important to champion craft today? I prefer working with local craftsmen because what they create is always unique, and in the era of non-stop production this is a di erentiator. That human touch is essential because it gives a soul and special language to the work. Talk to us about your new furniture pieces. The Oblong Collection consists of so lid

maple burl and burned oak wood designs defi ned by massive, bulky forms and rounded corners, which echoes our “maximalist expressions in minimalist details” approach. Comprising stools, consoles, low co ee tables, side tables, and a dining table, the collection is made by hand in Istanbul, adhering to the city’s artisanal traditions where woodworking dates back thousands of years. It must be inspiring to be surrounded by so much history. Turkey’s location is at the crossroads of East and West, the vast lands once dominated by the Ottomans and home to many di erent civilizations with a rich legacy of craft since ancient times. These age-old traditions and techniques are still being practiced and lauded in many areas, but I believe new ideas come from studying the past. The solutions are there, you just need to reinvent them to create something inspiring. sanayi313.com

Jomo Tariku

Jomo Tariku, African culture has

for and the contemporary of American craft.

For Virginia-based, Ethiopian American industrial designer Jomo Tariku, African culture has always played a role in what he creates. As an advocate for change, Tariku co-founded BADG (Black Artists and Designers Guild) and continues to help move the needle forward for global design and the contemporary interpretation of American craft. The trailblazing talent’s work has even landed in major institutions including the Metropolitan Museum of Art.

Where did you learn to love design? Our home in Ethiopia was fi lled with beautiful objects. My dad was an avid collector of interesting pieces from Africa and around the world. During summer break, I would sketch these objects not knowing it would eventually lead to a career in design. How do African traditions play into your work? I did my undergraduate thesis on creating a modern line of African furniture and I have never wavered from that even though it has not been easy. Design is supposed to be a global language but until recently you would be hard pressed to fi nd a contemporary African design by a Black designer. I am always referencing my heritage. Even the inspiration for my Nyala chair (shown) are the horns of shy, an elusive mountain antelope from the Bale Mountains in Ethiopia. jomofurniture.com

The Last Craft

AT THE LE CRIN WORKSHOP IN THE FRENCH COUNTRYSIDE, MÉTAPHORES IS KEEPING THE SACRED ART OF HANDWEAVING HORSEHAIR ALIVE.

It seems as if a heartbeat courses through the Le Crin workshop in Challes, a village in Northwestern France. The rhythmic whooshing sound filling the space comes from the movement of looms that have been weaving horsehair into lustrous fabrics since 1814. Although this is the last outfit of its kind, the pulse isn’t slowing.

Inside, artisans sit at the looms creating textiles. Wearing earplugs to muffle the sound, their focus is total as their hands thread hairs one by one into a shuttle with seeming superhuman rapidity, turning out roughly eight feet of fabric per loom each day. After the raw material arrives from Mongolia, it undergoes a series of meticulous steps including brushing, dying and pressing. The job calls for fast-moving minds as well as dexterous fingers, since

counting and tracking the number and color of strands is essential to creating such complex patterns.

The result is a product with glossy texture and depth— qualities Le Crin executives say attracts designers worldwide. “Horsehair is as soft as silk, but extremely resistant, showing little wear after decades of use,” explains workshop manager Nicolas Pioger.

Métaphores, the fabric company producing Le Crin under Hermès’ textile division, sees new horizons for this traditional craft. “We are working with designers to create modern furniture and accessories—anything is possible,” Pioger notes. “What doesn’t change is the expertise and unique savoir faire that goes into producing the material.” metaphores.com

Make space for me time.

Page-turners are even better when read in inspired corners filled with natural light. At Marvin, we help make space for moments like these with thoughtfully designed windows and doors. Each is custom crafted with an eye toward beauty and performance for all of life’s chapters.

Explore the many ways we can help make space for what matters most to you.

marvin.com

NOTABLES

EDITION MODERN

SCENIC LANDSCAPING

Handcrafted in Los Edition Modern pays to pure materials and meticulous execution with a new collection of fixtures made of genuine alabaster and brass.

Handcrafted in Los Angeles, Edition pays homage to pure materials and execution with a new collection of lighting fixtures made of genuine alabaster editionmodern.com

DORIS LESLIE BLAU

This midcentury Swedish flat-weave wool rug by Judith Johansson—with initials JJ woven at one corner—measures 7'5" x 9'9" and is in excellent original condition. The main field features stylized geometric designs in blue, green, pink, purple, beige and taupe. Priced at $23,000. dorisleslieblau.com

FERGUSON BATH, KITCHEN & LIGHTING GALLERY

Whether one is renovating an outdated bathroom or building a dream kitchen, Ferguson Bath, Kitchen & Lighting Gallery o ers the widest selection of products from today’s most recognized brands. build.com/ferguson

With over 47 years of award-winning projects, Scenic Landscaping is the premier landscape design-build firm in the New York/New Jersey area providing residential and commercial gardens, custom pools, outdoor living spaces and complete property transformations. sceniclandscaping.com

ENHANCING LIVES THROUGH DESIGN

OMICRON KITCHEN

KITCHENS BATHS CLOSETS INTERIOR DOORS

FLAGSHIP STORES

LOS ANGELES 310.657.5497 . NEW YORK 212.980.6026

MIAMI 786.662.3850 . HOLLYWOOD, FL 954.923.9860

Chic Design Group COSTA MESA, CA 949.723.9433

EBL NAPLES, FL 239.431.5003 . Lambton Galleries TORONTO Coming Soon

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MandiCasa.com | a LUXITALY Group Inc. brand

Live Brilliantly and Cool!

The fresh trend toward brass and white complements the elegance in every space, inside and out. Designs by Fanimation encompass this trend, fusing beauty and functionality— giving homeowners the style and technology they crave. Since 1924, Capitol Lighting has helped homeowners, interior designers and custom home builders set the tone for every space. With unsurpassed service, unparalleled selection and our best price guarantee, you can always trust us to put you in your best light.

Upcoming 2023 Events

Market Wednesday

April 5

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May 8–10

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July 10-13

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July 11–17

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January 16–22

AmericasMart is

AmericasMart is open year round for you to restock inventory or source for a design project conveniently between Markets.

• Access across gift, seasonal, fashion, home décor, and outdoor furnishings with bridges connecting Buildings 1, 2 and 3

• Complimentary self-parking in our Building 2 Parking Deck connected to campus and complimentary valet parking at Hotel Indigo, Monday–Friday

• Dedicated designer services available onsite to help you navigate the floors and easily discover product

• Signature events and continuing education courses offered throughout the year

For open showrooms and event calendar, visit AmericasMart.com/OYR

@AmericasMartATL | #AtlMkt

Come Explore HOME DÉCOR With Us

Experience the summer’s biggest in-person buying opportunity. Connect with hundreds of home décor resources and discover our new casual/outdoor furnishings collection.

Showrooms: July 11–17, 2023

Temporaries: July 12–16, 2023

Learn More and Pre-Register at AtlantaMarket.com/Decor

@AmericasMartATL | #AtlMkt

Walls

MARKET

Luxe explores innovative rug makers, unique floral designs and the next wave of Latin American creatives.

Completely Floored

FOUR AU COURANT BRANDS CHAMPION AN ARTISANAL APPROACH TO MODERN-DAY RUG MAKING.

LIVING HISTORY RHYME STUDIO

“The driving force was to tell a story of authentic Irish craftsmanship with an international, contemporary twist,” shares Claire McGovern of her studio. For the New Yorker by way of Dublin, the spark that led to her foray into the rug industry was hiding in plain sight: wool—a material indelibly linked with her home country—was a dying trade, accounting for just two percent of fibers sold or traded in the synthetics-dominated market. “Wool is extraordinary. It’s nature’s miracle fiber,” McGovern says. “Here is a material t hat you can bring into your home and it will literally purify the air and last you a lifetime.” With heritage and sustainability as founding principles, Rhyme Studio was born. Today, the atelier collaborates with historic Irish mills

to process native wool before it’s tufted by hand at their farmhouse workshop near Avoca in Wicklow. Ireland’s rich cultural tapestry imbues the brand in motif as well as material, with most designs offering modern riffs on tradition. Om, a collection defined by linear patterns, was inspired by a 1,600-year-old tree alphabet found on standing stones in the countryside. Works from the Báinín line feature pure Galway wool bedecked with motifs that evoke the stitching of an Aran sweater. And in M odernity, a series of minimalist geometrics in primary colors pays tribute to artist Kazimir Malevich and prolific Irish designer Eileen Gray. “I’ve always bemoaned the idea that a rug must be beige,” McGovern says. “Art should not be limited to any one media.” rhymestudio.com

HEIRLOOM QUALITY VERDI

Tomás Vera grew up idolizing his father Carlos Vera Dieppa, who wore his hair long, rode a motorcycle, enjoyed recreational aerobatics and didn’t start a traditional nineto-five until the age of 42 when inspiration struck to create a Japanese tatami-style mat from fibers found in his native Colombia. In time, the designs progressed to include latex backing, a leather border and later, pigments, patterns and ribbon-thin strands of metal. “It was the first rug of its kind and a revolutionary concept at the time,” shares Vera, who moved home to launch Verdi, a new business built upon his father’s vision after his passing. Verdi now employs an in-house team of 75 in addition to 30 families who harvest their marquee material, fique: a soft yet resilient vegetable fiber from

the Andean region. “We have a huge natural fiber catalogue because of the Amazon,” Vera says. “We’re always discovering new materials and exploring how to weave them for a contemporary ambiance.” Recent experiments at the Bogotá headquarters have seen Colombian fibers like plantain, cumare and worm silk woven with copper, stainless steel and silver-plated metals to mesmeric effect. “We consider our rugs to be art in their uniqueness and in the way they reflect light,” he adds. That the fastexpanding studio’s moniker pays homage to Vera Dieppa’s nickname underscores the next generation’s commitment to celebrating cultural and familial le gacies alike. “Verdi is not a brand, it is a story,” Vera says. “And this is just the beginning.” intl.verdi.com.co

CULTURE OF CRAFT STARK

No rug brand has its tentacles so deeply spread, linking master craftspeople all over the world with top designers and consumers alike. From artisans in Nepal trained in Tibetan knots to weavers in India working on looms, rug seekers have access to products made by mills specializing in authentic techniques unique to their region. “We have a handful of key vendors who each have their own flavor and aesthetic,” says Stephanie Muller, Stark’s vice president of product development and strategy. “They’re artists in their own right.” Not married to one look, Stark rather does it all: from their material inventory (silk, sisal, wool, and a new proprietary performance fiber, among others) to techniques both hand-crafted and mac hine-woven, to endless styles, like striking geometrics, painterly pastels, stripes, animal prints and traditional motifs.

“It’s always exciting to see their new technical developments and creativity,” Muller says. While the third-generation family-run operation recently marked 85 years in business, their commitment to artisanship remains at its core. Take the rug shown here: a recent collaboration with German company Rug Star is inspired by desert and urban landscapes and crafted in India using hand-knotted techniques. Think of them like a great connector—a connector of craftsman to consumer, a connector of inspiration to trends, and a connector of the past to the present. starkcarpet.com

AMERICANA ETHOS MERIDA RUGS

In the mid-19 th century, Fall River, Massachusetts, was the Silicon Valley of America’s textile manufacturing industry. Fastforward through decades of shifting global economies, and few active mills remain today. But one self-described counterculture company decided to put down roots in the storied area as some of the last big mills were shuttering. “We’re not going to survive in the United States unless we’re doing something extraordinary,” admits Merida Rugs CEO Catherine Connolly. That something extraordinary, for starters, is that each of the company’s rugs is made of all-natural materials sans chemicals. Another revolutionary idea? Empower local craftsmen by creating a workplace where weavers find joy and pride in their craft. Merida R ugs HQ is part production lab and part innovation hub, where skills are honed and techniques tested. The goal is to create an environment where weavers push the bounds of their creativity in hopes it carries through to the finished product. Leading the charge is artistic director Sylvie Johnson who approaches design with the curiosity of an art student (she has been known to study out-of-print books on pigments to find fresh hues). The brand releases one new collection a year, each marking a new chapter in the Merida Rugs’ story. Their latest collection, Arte Povera, is inspired by the Postwar 1960s Italian arts movement, the story of which is as rich as the rugs themselves. “They have presence,” says Connolly. “The rugs contribute to the conversation in a sophisticated way.” meridastudio.com

Boulder, CO | $15,000,000

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Hampton’s farmhouse-inspired architectural jewel with 261+ ft direct Intracoastal.

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Austin, TX | Price upon request

This luxurious estate merges modern art with contemporary architecture on +1.2 acre lot.

Moreland Properties

Eric Moreland — +1 512 480 0844

Search PASK on luxuryportfolio.com

Redding, CT | $8,500,000

Sun-filled 6-bedroom home with pool, tennis, and luxury apartment. Close to town amenities and train.

William Raveis Real Estate, Mortgage & Insurance

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Lake Toxaway, NC | $3,750,000

Luxury mountain home with panoramic views, European design, and modern amenities.

Silver Creek Real Estate Group

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Search CIKX on luxuryportfolio.com

©2023 Luxury Portfolio International.® Offering is subject to errors, omissions, change of price, or withdrawal without notice. All information has been supplied by third parties and should not be relied on as accurate or complete. Equal Opportunity Employer and pledged to the letter and spirit of Equal Housing Opportunities.

FANCY FLEURS

Unrestricted the bounds of a vase, three oral

Unrestricted by the bounds of a vase, three oral designers conceive artful compositions.

WRITTEN AND PRODUCED SARAH SHELTON

Sweet Spot

Name: Anastasia Kolesnichenko @vaasialis.

Home base: Cyprus. Origin story: I always wanted to work with flowers and objects. I practiced everyday and posted to Instagram. Overtime, I got my first orders. Style notes: Dreamy, fun and playful. Known for: Creating something new and turning flowers into my own unique species. Ethos: Flowers are emotions. They are alive, agile and have the ability to be reborn. Pick a favorite: Poppies. In the works: A commission for a jewelry brand.

A commission for a brand.

Natural Progression

ID: Aiste Kuchta @aikufloral. Coordinates: Global nomad. Approach: Floral arranging inspired by the seasons. Something to reconsider: Dying flowers are beautiful; imperfect blooms are unique. Tip to try: Let flowers move in their natural direction. Memorable experience: Foraging for icicles and arranging them alongside flowers. Manifesting: The film industry is something I’d be happy to be a part of! In the works: Events and floral subscriptions. Remember to…Enjoy the process.

Romantic Revival

Moniker: Natasja Sadi @cakeatelieramsterdam.

Sadi @cakeatelieramsterdam. and

HQ: Amsterdam. Specialty: Arranging and photographing real flowers with sugar flowers in the Dutch still life tradition. Modus operandi: Romantic, lavish and classic with a twist—more is more. Currently inspired by: The Vermeer Exhibition in Amsterdam. I’m obsessed with his use of light. Rule to break: Let go of color charts. When it is created by nature, it’s always complementary. Proud moment: Writing my new book A Sweet Floral Life

DISCOVERIES

CHRISTOPHER PEACOCK

VISUAL COMFORT & CO.

The Cristol small double sconce by Aerin is shown here in hand-rubbed antique brass with white glass. Priced at $579. visualcomfort.com

COSENTINO USA

Cosentino’s newest collaboration with designer and architect Daniel Germani decodes three timeless Italian stones: Vicenza, Travertine and Ceppo di Gré. The collection recasts them into versatile Dekton surfaces for today—indoors or out. cosentino.com

Christopher Peacock introduces The Hudson Collection. A clean aesthetic with special details, hardware and material selections, this more modern style is perfect for an urban apartment or a large contemporary, suburban home. Custom colors and hardware finishes available. peacockhome.com

STARK

The Koa ivory rug features lush texture matched with performance. Made of 100percent STARK performance acrylic, this beautiful rug can withstand any lifestyle. Braided soumak weaving combines with high-pile shag for coziness and character alike. starkcarpet.com

PAUL FERRANTE ERRANTE

Paul Ferrante introduces a polished uces a twist on an old classic. With copper c. With copper banding, the timeless Eternity meless chandelier is elevated to a new height. to a new Item 2099-C, it can be customized. be customized. Price available upon request. e upon request. paulferrante.com ulferrante.com

WEATHEREND ESTATE FURNITURE

As durable as it is beautiful, the Westport swivel chair by Weatherend is constructed for the outdoors and finished with Weatherend’s Yacht finish. Generouslyproportioned and topped with plush cushions for extra comfort, it is available in any color or natural woods.

weatherend.com

LEGNO BASTONE WIDE PLANK FLOORING

St. Moritz-G1 is a handcrafted, select-grade finish from the European Elegance collection. This is more than just a product; it is a passion that becomes “custom-designed furniture for your floor.”

legnobastone.com

BOKARA RUG

This rug showcases a contemporary pattern of blue, ivory and black tones. Hand-knotted from the highest quality wool and silk, it provides an elegant foundation for any space. bokara.com

Sacred Storytelling

AT THE RENOVATED HISPANIC SOCIETY MUSEUM & LIBRARY, LATIN AMERICAN MAKERS SHOWCASE WORKS HONORING THEIR HERITAGES AND INSPIRATIONS.

PRODUCED BY KATHRYN GIVEN AND SARAH SHELTON

HALLOWED HALLS

Founded in 1904, the Hispanic Society Museum & Library has emerged from a yearslong renovation at the hands of Selldorf Architects. The storied institution houses an extensive collection of art and artifacts from Spanish- and Portuguese-speaking countries. The museum aims to amplify and uplift Hispanic heritage and creativity, including Latin American artists forging their own multicultural identities.

Nestled under an ornate terra-cotta archway in the Main Court, Juliana Lima Vasconcellos’ eucalyptus wood Giraffe chairs flaunt their angular silhouettes. The Brazilian architect and designer cites her home country’s rich cultural mix— specifically African and Portuguese colonial influences—as sources of inspiration. hispanicsociety.org, theinvisiblecollection.com

GEOLOGICAL GEMS

José Miguel Schnaider considers himself part designer and part explorer of the mineral world. As the founder of Mexico City’s Sten Studio, he leans into local lapidary traditions when conceiving his designs. “I am proud to be Mexican and Latino, but I do not necessarily need to follow a specific aesthetic,” Schnaider remarks. Rather, he offers

fresh interpretations of cultural heritage. His VSII.I and VSV.III stools—placed on a stairway adorned with 3rd-century Roman mosaics from Spain—are composed of dark lava stone and red travertine and blue calcite, respectively, acting as a visual metaphor for volcanos and a tribute to Mexico’s volcanic belt region. stenstudio.com

STITCHED TOGETHER

Rhode Island School of Design alumna Alexis Tingey spent her childhood summers in Mexico where she learned embroidery from her grandmother. Tingey’s Don’t Remind Me hammock—showcased in front of Spanish artist Joaquín Sorolla’s Vision of Spain (1912-1919) in the Sorolla Gallery—speaks to the physicality of memory. The hand-welded

patinated steel base supports a hand-pleated linen fabric collage depicting “personal items intended to be forgotten.” Tingey, whose first studio collection launches this year, is eager to see more women of Latin American origin represented in design to usher in rich storytelling, new ideas and unheard voices. alexistingeydesign.com

ORGANIC STATE

Since founding Studio Galeón in 2017, Lula Galeano has watched the design landscape evolve to include more awareness around non-Eurocentric craft. A multidisciplinary designer who splits time between New York, London and her home country of Argentina, Galeano frequently collaborates with skilled artisans to enhance the beauty of natural materials used in her work. For Lampara 1 and Lampara 2, shown

here, Galeano joined forces with millworker Christopher Gatton to achieve the lamps’ perfectly unrefined shape. The bases are remnants of stone boulders sourced from Mexico which retain their jagged forms, save for polished edges. Each one-of-a-kind piece is outfitted with sleek brass hardware and a smooth blown glass opal bulb. studiogaleon.com

We understand the importance of a statement. Our extensive collection of marble, quartzite, granite, soapstone, and quartz are sourced through our trusted partners across the globe. Every material’s path to your project ensures more than a statement piece – it’s an entire story in itself.

BOTANICAL BEAUTY

Artist Lufti Janania’s childhood growing up on a rural bioreserve between the mountains and rainforests in Honduras continues to inform his eye today. Working out of a Brooklyn studio, he creates fantastical objects, sculptures and installations from botanicals and flora. His latest collection, a series of mirrors fitted on custom wood frames draped in woven

palm fiber, like the Tela, seen here, features hand-sewn, delicately pleated curled rosettes. Janania counts Latin America’s indigenous heritage and colonial history—specifically in Honduras where Mayan ruins and Baroque architecture meet—as additional sources of inspiration, taking in the visual romance and ornate decoration to inform his work. rosalila.co

CURVY CHARACTER

“I adapt and take from wherever I go,” explains artist Giovanni Valdeavellano of where he pulls inspiration. For the New York–based talent, and founder of Studio Poa, that includes fashion street style, his childhood in Guatemala and the ways in which information is readily shared and consumed. The Santiago Chair 1 and Santiago Chair 2, shown here,

are made of solid ash, stained and then finished in hard wax oil. The design explores how a seat can make one feel transformed into a different character—like how a king feels on a throne or a defendant feels in a courtroom. This particular pair are shaped like guitars, intended to make the sitter feel like a rockstar. lovehouseny.com

KRYSTA RODRIGUEZ

Actress, Stage & Screen

Founder, Curated by Krysta Rodriguez

DRESS IN: TAMBOURINE TRAPS

1. OCEAN AVENUE | EAST HAMPTON VILLAGE

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MASTERY OF THE CRAFT

150 YEARS OF INNOVATION, EXPERTISE, AND SERVICE

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is

Morano Group Landscapes + Hardscapes is a family owned and operated premier, full service exterior company based in Mamaroneck, NY with a office in West Palm Beach, FL. We offer superior products and services such as design, development, maintenance, masonry, interior plantscapes, organic tree and shrub care, mature tree installation, holiday decor, pot and container plantings, poolside landscapes and more for commercial and residential properties.

ELEVATE YOUR EXTERIOR

WHERE LUXURY DESIGN DEFIES EXPECTATIONS

LIVING

From Texas to the East Coast, revel in welcoming kitchens and baths that channel a sought-after joie de vivre spirit.

Worldly Appeal

BEHOLD KITCHENS AND BATHS WHERE OLD-WORLD ELEGANCE IS ON FULL DISPLAY.

For a Georgian-style home in Maryland,

CHARM CITY

WINSOME INTERIOR DESIGN

The homeowners of this Churchville, Maryland, residence couldn’t resist its Georgian-style architecture, but the dated 1980s kitchen was in need of a refresh. They called on Arianna Pannoni and Kasey Bedford of Baltimore-based firm Winsome Interior Design to reimagine the space. The result is strikingly elegant and in harmony with the structure’s traditional bones.

What were the project mandates?

Our clients wanted the kitchen to feel lived in, cozy and historic. They are casual people, but they also like a bit of formality.

Tell us about the major design elements. We kept the existing brick range niche but limewashed it and added more grout to give an ol der appearance. The cabinets are a simple, elevated shaker style that has been around for hundreds of years. We designed the island to look like a piece of furniture since kitchen islands weren’t a thing back in the day, and we also incorporated hand-distressed ceiling beams. The open shelving acts as a display area for the client’s collection of vintage china.

What other details lend to the charming feel? Hanging wood and copper pots adds warmth, while a new milk-glass fixture exudes a vintage ambiance. We also used finishes that will only get more beautiful with time: the unlacquered brass will develop a patina and the marble will gain character as it stains.

In keeping with the revamped kitchen, Pannoni and Bedford also turned their attention to the home’s mudroom and powder room, replacing dated elements to highlight the abode’s historic feel. “We wanted to have some fun in these spaces and bring out the drama,” Bedford says. They enveloped the mudroom—

including the walls, trim and ceiling—in a deep oxblood shade from Farrow & Ball and carried it through to the adjacent powder room trim. Meanwhile, a whimsical wallpaper from Osborne & Little featuring birds and lush foliage enhance the striking red tone. “The vintage-inspired console sink harkens back to

Georgian style, the classic floret penny tile is also a nod to old-world design, and the antiqued brass touches tie to the kitchen finishes,” Pannoni notes. “Our client allowed us the creativity to think outside the box,” Bedford adds. “Every space is dramatic in its own way.” winsomeinteriordesign.com

TILE TALK

A CROP OF NEW COLLECTIONS MELDS AGE-OLD STYLE WITH MODERN-DAY FUNCTION.

FLUTES OF FANCY

Part Art Deco and part 1970s Milanese glam, the Lapidary collection from clé incorporates three di erent styles: rough-cut mosaics, smooth-cut ovals and sculpted curves (shown). Perfect for wall treatments, these concave and convex designs come in two sizes and a variety of stones, including travertine, Carrara, Calacatta and Verde marbles. cletile.com

IN BLOOM

House of Hackney teamed up with British tile manufacturer Craven Dunnill Jackfield to introduce a line of handmade ceramic tiles that evoke Victorian-era drama. The collection features 19 th -century reproductions of two Jacobeaninspired fl orals—in both monochromatic relief and vivid screen-printed versions—as well as an a rray of solid-colored square and brick tiles in addition to flat and raised dados. houseo ackney.com

GOING WITH THE GRAIN

The Helene porcelain tile collection from Ann Sacks—o ered in three oak-inspired shades and both three-inch-wide planks and 24-inch-square parquetry forms—can be used everywhere from floors and fireplace surrounds to walls and backsplashes (and even outdoors in certain climates). Better yet, this revival style synonymous with European allure is made of 40 percent recycled material. annsacks.com

ENGLISH LE SSON

MAESTRI STUDIO | GALLERY

When Dallas clients tapped local firm Maestri Studio | Gallery to rework the kitchen in their Tudor-style home, the design team kept the structure’s existing architecture top of mind. “The residence was built during the 1970s to look older than it is,” notes architect Eddie Maestri. “It’s inspired by old English estates, and there were already some nice details including arches, moldings and leaded-glass windows.” In addition to relocating the space from the back of the house to the front, Maestri’s team also added a dining nook that separates the main kitchen from a pantry and storage area. “The nook serves as a statement at that end of the room,” continues Maestri, whose team designed a custom banquette with a dramatic arch that mimics the nearby doorways. “We wanted to play up the original architecture and make the space feel cohesive. It’s like it has always been there.” maestristudio.com

TRENDS IN BUILDING, DESIGN + RENOVATION

It takes a special expertise and vision to understand the wants, needs and desires of today’s homeowners and their families, and then make them reality. Whether it’s a “from-the-ground-up” custom build, a blank-slate renovation or the simple redesign of a space or environment in an existing home, the keys to success are the talented architects, interior designers, builders, artisans, craftspeople and innovators who bring beauty, form and function to the work they do and projects they inspire. Luxe Interiors + Design is pleased to unveil Trends in Building, Design + Renovation, a unique special section that introduces the most gifted minds and creative spirits in design, construction and renewal to those looking to reinvigorate their homes, elevate their daily lives and enhance their lifestyles.

TRENDS IN BUILDING, DESIGN + RENOVATION | GREATER NEW YORK

CANCOS TILE AND STONE

631.736.0770 | cancos.com | cancostile

Quality, selection, expertise and innovation bring great design to life. With their vast inventory of premium tile and stone surfaces, unparalleled service, custom design and fabrication abilities, in-house delivery and competitive pricing, Cancos Tile and Stone has been the natural first choice for those building a new home or undertaking an improvement project since 1953. “At each of our twelve showrooms, customer satisfaction is our top priority,” says vice president, Bill McAuliffe. “While our state-ofthe-art fabrication and distribution facility ensures that our customers get the exact products, designs and materials they need. Over the past seven decades, our team has worked with thousands of homeowners, architects, designers, developers and contractors, and has proudly taken part in a number of important building, renovation and restoration projects across New York and New Jersey.”

THE NOW REPORT

Bill McAuliffe shares his insights into today’s hottest design trends.

• Opening up: When it comes to new builds or blank-slate renovations, an open floor plan is one of today’s most popular trends because of the spacious feel and natural flow it provides.

• Split decision: Another popular trend is splitlevel design, which provides interesting, fluid

spaces within the home, while creating an eyecatching aesthetic from the outside looking in.

• Big advantage: A current “must-have” in many homes is large-scale tile. It creates a striking and luxurious look and comes in a wide variety of shapes, sizes and designs that fit any aesthetic.

Above Available in four shades and a multitude of sizes, Colorado wood-look porcelain tile brings a modern twist to nature. Designed for residential or commercial projects, it is suitable for both floors and walls (Almond shown).

Top left Thanks to its small 4-inch-by-4-inch size, the Coastal porcelain collection provides multiple color options (Linen shown) and decorative mixes, allowing it to achieve impressive, harmonious results. Top right Alpine is a wood-inspired porcelain tile from the mountain region of Northern Italy that offers both warm and cool tones. Its sleek, yet classic footprint is ideal for commercial or residential projects (Perla 8 inches by 48 inches shown).

“For more than 60 years, we’ve specialized in customized surfacing solutions that exceed our clients’ wants and needs.”

CIUFFO CABINETRY

631.586.5976 | ciuffocabinetry.com | ciuffocabinetry

Enduring craftsmanship and superior quality are fundamental to achieving great design. A family-owned and operated millwork firm since 1907, Ciuffo Cabinetry combines those qualities with innovative ideals and a collaborative spirit to create award-winning custom cabinetry and millwork for their clientele. “While we offer all types of custom millwork, we are known first and foremost for our kitchens,” says owner Gary Ciuffo. “We pride ourselves on being able to craft any style kitchen or create any unique feature a client might ask for.” These asks include clever storage solutions concealed within cabinetry, electronically-controlled cabinetry in hard-to-reach spaces and applying cutting-edge technology, such as lift systems, so that TVs and appliances remain out of sight below the countertops until needed. Ciuffo adds, “If our clients can envision it, we can build it—no matter how elaborate or intricate.”

CABINET BRIEFS

• With new builds, what floor plans are trending right now? Although open floor plans are still popular, we are seeing more closed, formal spaces being blended with open-concept areas.

• How do you approach a blank slate? Before designing from scratch, we ask a lot of questions about the homeowner’s tastes and lifestyle. Knowing how they live, if they work from home, if they like to entertain, how often they cook helps inform the layout of the space, the size and number of cabinets and the types of appliances they’ll need.

• What are some smaller renovation projects that make a big impact? A walk-in pantry, mud room or butler’s pantry are small-scale projects that can make an immense impact on a home’s organization and flow.

• Describe a trend that has become a must-have. Voice-command systems have become a simple, but absolute must-have—especially in the kitchen because they can adjust lighting, look up recipes, connect with appliances, play music, and make calls, all hands-free.

“Our mission is to provide the highest quality millwork to our clients with superior design and unparalleled service.”

Truer Colors

A classic home on the coast of Connecticut gets dressed to thrill.

y any measure, the house was a knockout: a Colonial-inspired grande dame with Palladian windows and a cinematic perch over a glassy harbor with undulating meadows rolling in the distance. And yet, it didn’t quite fit designer Celerie Kemble’s clients. “It was very traditional New England, ” notes the owner of the tastefully furnished Southport, Connecticut, home that she raised her children in before deciding it was time for “a major rejuvenation” better suited to her style.

“We inherited amazing sight lines and views, but there were no cartwheels, no backbends, no disco moves,” Kemble recalls. A fix came swiftly after the first design meeting, which transpired in an unusual room. “She brought us into her closet and said, ‘You’re not going to get to know me walking through my house right now, but this should give you a good sense.’ ” Indeed, bold prints, bright embroidery and beaded details—all archival quality—filled the stacks. “Even her yoga pants were animal print!” designer Samantha Stephano adds. “The interiors did not match her personality.”

Another muse for the ensuing makeover came courtesy of the clients’ impressive art collection, which includes works by Calder, Léger and Lichtenstein, to name a few. Against this curation, anything standard issue wouldn’t do, and the challenge became hunting for unique design elements to “bring a special energy into the house,” designer Mindy Griffith shares. Walking through the residence now, the trio’s rarified finds go off like fireflies on a summer night, from the great room’s pair of custom rugs designed to look like antique Swedish flat weaves, to the zinc-top dining table chosen to patinate in the sea air, to the den’s coffered ceiling, whose recessed panels were given a russet wallpaper patterned like an antique quilt. Even the powder room off the entry received a heavy dose of wonder thanks to an inky-black holographic wallcovering depicting exotic flora and fauna from passion flowers to conch shells. “We wanted something that would pop and create a mood,” Griffith continues. “It’s

almost like we chose that wallpaper to contrast the formality of the architecture, which is essentially what we did throughout the house.”

The newly christened “morning room”—a client request that trades the former and seldom used dining room for a place to sip coffee and read while overlooking the water—provides another playful antidote. Sheathed in an emerald wallpaper with flitting birds and butterflies, the space is an instant mood booster. “The family has a very large German shepherd, and it looks like someone sent him out into a fictional meadow where he scared every bird and butterfly up into the air!” Kemble says. “We wanted that room to be happy and bright,” Stephano adds, noting that the ceiling was painted a warm pink hue to coordinate precisely with the tone of one of the butterflies’ wings. “We love the glow that it gives coupled with the reflection of the light off the harbor.” The whimsical mélange, Kemble adds, “is supposed to feel like a sunny day when you lay back in the grass and the sky spins over you.”

Daytime hues spill into the adjoining great room, where, tempered by crisp white walls, a rainbow of blues, greens, ochres and burgundies plays to vistas beyond the windows. “I originally had some trepidation about adding lots of color, having been taught that nothing should compete with the water,” the client admits. “But as time went on, I realized the views will always be a showstopper and that color would only enhance that experience.”

And nowhere is this truer than in the primary bedroom suite, where the sherbet tones of sunset inspired a soft palette of terra cotta, plum and raspberry. “She would regularly text us photos of the sun going down from her bedroom balcony, just for inspiration,” Stephano notes. With its peachy grass-cloth wallcovering and undulating, wave-shaped headboard, the space celebrates its coastal setting in wholly original fashion.

The result of all this design sorcery? A perfect match. “We love absolutely every detail,” the client says. “It is impossible to be grumpy surrounded by so much color and light.” That lack of grump factor came through loud and clear for Kemble and her team, too. In her own words, “This is a house where we all had fun.”

Opposite:

In the downstairs office, a Zoë Design quilt-patterned wallpaper was applied within ceiling coffers. Chic seating additions include an egg chair from Sarreid and Nuevo Living bench with an integrated drinks table. The Marc Phillips rug references the Evil Eye.

HAPPY ACCIDENTS

In Bushwick, an artist’s intuitive approach yields ceramic works of inimitable beauty.

While the geometric and floral inlay ceramic creations of Brooklyn-based artist Cody Hoyt all undoubtedly share his unique style, much of their design is, in a way, left up to chance. “There’s an incidental quality to them that you can’t force by hand,” he says.

As Hoyt has shifted his practice from the more ephemeral arts of drawing and printmaking to ceramics, he’s come to embrace the sense of chaos inherent to the medium, from blending two shades of clay together to create a marbled motif, to the surprise that awaits when he opens the kiln door. “As I’ve gotten older, I’ve learned to take more risks,” the artist explains. “There’s something really seductive about the reveal.”

His initial interest in printmaking was inspired by the DIY posters, T-shirts and record covers of the eclectic music scene in Boston, where he went to art school in the early 2000s. At the time, Hoyt was enamored with the iterative nature of the practice, which he believes taught him to be less attached to his work. He brought the same sensibility to ceramics when he took up the discipline as a hobby in his early 30s. Although the detour began as a way for him to relax, it soon became his main focus. “It took over and I was like, ‘I just want to do this,’ ” he recalls.

Today, the artist’s influences are as multifaceted as his work, from Japanese Nerikomi pottery to the hypnotic optical art of Josef Albers and Thomas Downing to the mother-of-pearl details you might spot on a guitar. As for his process, it is as much about precision as what’s out of his control. Almost all of his works begin as a slab of clay which Hoyt inlays (or rather “mashes”) with gestural forms. In other cases, he extrudes shapes and assembles them together before slicing cross sections with wire. The resulting thin tiles become the building blocks for a vessel or mosaic.

As Hoyt continues to hone his craft, his pieces are growing in creativity—and size. Take his new series of geometrically patterned stools for The Future Perfect, whose Manhattan gallery will host a solo show of the artist’s work this September. In each of his creations, however, he is careful not to coerce anything to fit his will. As Hoyt puts it: “I’m trying to figure out ways to coexist within the desires and inclinations of the material.”

COMEBACK KID

Taking notes from the past, a prewar apartment is reborn with youthful flair.

It’s tempting to see the past filtered through sepia tones, as newfangled fashions fade into sentimental relics. But not so in one young couple’s apartment situated within a landmarked 1923 Colonial Revival building on the Upper East Side. More than just nostalgic, the historic interior feels vital, reanimated with dynamic patterns, cheerful hues and all the conveniences a modern family might require.

“They wanted a decorative plan that would support the space’s traditional foundation, but with a fun and colorful point of view,” explains designer Emily Butler who, in collaboration with architect Michael Labbé, set about reinterpreting the home’s period sensibilities. The space itself has “so many of those finer details that we loved,” the wife shares, from its 9-foot-tall ceilings to the well-proportioned social areas designed for elegant entertaining. Time, however, had taken its toll, battering the beautiful herringbone floors and original wood moldings. And, functionally, “these apartments were designed with service spaces that aren’t used in the same way anymore,” notes Labbé, pointing to the formerly disjointed kitchen and bathrooms and to the lack of storage.

Efforts began with choreographing more gracious movement throughout: repositioning doorways, squaring out oddly angled rooms and installing integrated closets and built-ins. One now enters the home through a streamlined foyer that connects the kitchen, living and dining areas. And pruned of its jagged corners, the now-fluid kitchen layout makes room for a walk-in pantry, laundry area and built-in banquette. Labbé also cushioned the once-abrupt transition between public and private spaces with a vestibule reminiscent of the stately anterooms of prewar floor plans. “We wanted to bring back those classic gestures where we could—even in more compact spaces,” says the architect.

After the original floors were repaired and given a rich chocolate stain, and once the new, softly curving crown molding and base trim were added, Butler engulfed the rooms with striking wallpapers to lean into the apartment’s jewelbox characteristics. While her lively selections feel youthful and current, many in fact reference archival motifs, from the living room’s chinoiserie floral to the iconic Scalamandré zebra print in

the husband’s office. The same applies to Butler’s fabric selections, whose highlights include a ’40s Josef Frank Citrus Garden pattern that she used to dress the powder room window and a French Japonisme-inspired botanical from the ’30s which was judiciously splashed across the living room’s slipper chairs, throw pillows and sconce shades. “I love that these designs have been around for such a long time but still feel so fresh in this apartment,” Butler muses.

Seeing the past through new eyes continues in details large and small. For furnishings, the designer embraced classic upholstery like the living room’s English-style, tight-back sofa with kick-pleat skirting and its barrel chair with fringed trim. Window dressings in turn favor formality with pleated Roman shades and matching drapes and valances. Such traditional elements play well with “all the special antiques and family heirlooms throughout the apartment,” the husband notes, pointing to prized pieces like their secretary desk and linen press, which Butler deftly folded into the living and primary bedrooms respectively.

The home’s entirely new millwork program was similarly considered for historical accuracy. New doors are now adorned with crystal knob replicas that match the apartment’s previous hardware. And the freshly renovated kitchen touts crafted details that nod to the ’20s: black-and-white mosaic tile, custom cabinets with nickel hinges, and doors constructed “the way they would have been done back in the day,” Labbé notes. Cabinetry throughout the residence features the same inlaystyle door panels, from the living room shelves to office built-ins which slyly stash a secret drinks fridge. More intricate millwork also solved the powder room’s exposed maze of pipes, further disguised by a deep, high-gloss emerald paint job. “The clients loved expressive stones,” the designer adds. And so, characterful slabs were selected, as seen in the space’s swirling River jade sink and the kitchen’s gray-veined counters and backsplash.

Now fully roused from its stylistic slumber, the design has even won over the baby the couple welcomed just after construction wrapped. “He stares at the colors and patterns all day,” the wife laughs. “He’s always reaching out to grab the flowers from the wallpaper or the pillows.” The apartment, it appears, is already enrapturing the next generation.

Page Turner

In New Jersey, a designer pens a new tale for a family of Australian expats.

he most compelling books are irresistible, with story lines that dance back of mind all day until the hour you can curl up in your favorite chair and dive into the pages again. For designer Joan Enger, a great home is like an engrossing novel and the rooms within are chapters. “While each space is slightly different, they all work together to advance the story,” she explains.

Enger became the author of this Colonialinspired abode’s tale after it was purchased by an Australian couple looking to put down roots with their young family in Morristown, New Jersey— a place where they could realize their dream of experiencing all four seasons. The spacious home had a great floor plan and was surrounded by park-like gardens, but it needed a good rewrite to shine. “Even though the house was built in 2004, it has an old soul,” says Enger, who worked with architect Stephen Kowalski and general contractor Brinton Brosius to realize the new look. “The home was not to their tastes prior to the renovation. However, when I looked at things carefully, I saw this was more of an ‘update’ than a ‘change everything’ project.”

That meant editing every surface, finish and fixture to fit the sensibilities of the current owners, who appreciate good quality and timeless design. Having traveled extensively together, they’ve resided in everything from centuries-old dwellings to newly built, ultramodern apartments. For this home, they envisioned something luxurious yet livable. The design team focused on deleting any embellishments that didn’t fit the current narrative and giving new life to the existing elements that would support it. For example, the wainscoting remains in the entry and dining room, but wears a fresh coat of paint. The grand entry staircase retains its elegant newel posts and gently curving handrail, but boasts new, sleeker balusters. The great room now has heft and importance thanks to substantial molding which gives the space more architectural

weight. And the original rustic, wide-plank floors are refinished to a perfect honey hue. New furnishings needed to be sophisticated for entertaining, yet durable and relaxed for the children and dog (who, as part of the family, is allowed to sit everywhere). In order to walk the line between chic and comfortable, the designer looked to the classic nature of the architecture as well as the couple’s personal style for inspiration. “They lean toward warm, neutral colors,” Enger notes. Channeling that proclivity, most rooms have quiet backgrounds—think off-whites, oatmeals and sands—with delightful visual plot twists such as a blush-hued settee, moss-green armchairs and the occasional dose of deep blue in places like the living room sofa or kitchen island.

One of the most considered rooms during the remodel was said kitchen. “Given that family and entertaining are so important to them, this is the space we talked about the most in the planning of the home,” Enger comments. Kowalski had the bright idea of adding a long box bay window: At roughly 30 square feet, the feature allows for a large built-in banquette and trestle table, making it a comfortable front-row seat to enjoy the leafy landscape beyond. “Watching nature both inside and outside is something this couple loves to do,” Enger notes. “This is the spot where they sit in the morning and have a cup of coffee while they watch the sunrise.” (For day’s end, the team installed comfortable seating on the front porch, as that is where the owners wind down and view the sunset.)

The nearby music room—once a seldom used formal living space—is another spot that draws people together. Before, the family rarely entered the area, but with one of the sons growing serious about playing the piano, it’s become a hub of creativity and togetherness. “We added a built-in banquette around the perimeter, which allows guests to gather as he plays,” Enger adds.

As the dwelling’s latest chapter concludes, it brings the satisfaction of a happy ending. Per the husband, theirs is now “an amazing family home.” And, for the designer, this expression of gratitude is the perfect epilogue.

“Even though the house was built in 2004, it has an old soul.”

–JOAN ENGER

Work with ASID NY Metro

REASONS

We are some of North America’s most talented professional designers

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We enhance your quality of life

To learn more visit:

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GREATER NEW YORK |

DESIGN HAMPTONS

In everything from old magazines to literary classics, the Hamptons is enveloped in a reputation of inimitable appeal. An escape from the bustle of the nearby city, this collection of towns, villages and hamlets is a coveted corner of the world—and no longer for the summer season alone. Today, its stunning seaside vistas, thriving cultural landscape and, of course, breathtaking architecture and design are encouraging homeowners to spend more time in their Hamptons abodes. On the following pages, this special section offers a peek into the world and work of the region’s foremost design experts keep reading to discover how they are honoring the legacy of the Hamptons, while crafting homes to accommodate the lifestyles of today.

THERESA SEABAUGH INTERIORS

718.399.1603 | seabaughinteriors.com | theresanyc

There is a reason the Hamptons lifestyle has risen to veritable legend and lore. With the natural beauty of the beach, the elevated arts and culture that come from living so close to the Big Apple and thriving community of world-class eateries, the region possesses just about the best of everything. Interiors design included, if the work of Theresa Seabaugh is any indication. Known for her colorfully-elegant interiors and vibrant details, the designer and her team at Theresa Seabaugh Interiors are the Hamptons’ go-to for luxury residential design. “Painters and photographers have long been drawn to the Hamptons for the lighting and scenery,” Seabaugh says. “They call it magic. The Hamptons is magic, and we make magic for our clients.” Experienced in working with a multitude of styles, Seabaugh and team strive to key in on the design elements that will make each individual home “sing.”

HAMPTON HIGHLIGHTS

“My ideal Saturday here involves spending every moment outside,” Seabaugh shares. “Our supermutt, Daisy, pretty much sets our schedule. We load her into the Jeep and take off for breakfast and a long beach walk. Sag Harbor is one of my favorite places, and I love to lunch at Page at 63 Main. The afternoon is usually spent shopping in East Hampton. Once Daisy realizes they have treats, she’ll nose her way into every boutique. I’m a reader so I always pop into BookHampton. Dinner is generally casual— takeout from Dockside Bar & Grill or an alfresco meal with wine at home.”

TIPS FOR BEACH DWELLING

Seabaugh shares three bits of advice to make casual waterfront living easy.

• Choose textiles for your specific lifestyle (think children, pets, wine lovers). We specify for durability, longevity and sustainability.

• Build in more storage than you think you need for easy organization.

• Plan your home in zones, so that when you are coming for a quick weekend or traveling solo, you can run the heating or cooling only in the part of the home you need.

Top This vibrant living space offers cozy places to relax with hardworking family and pet-friendly fabrics.

UNLIMITED EARTH CARE

631.725.7551 | unlimitedearthcare.com | unlimitedearthcare

Embracing a property’s unique character and the wants and needs of the people who will live, work and play there is the key to creating a modern-day Eden. Since 1993, landscape designer Frederico Azevedo and his expert team at Unlimited Earth Care have been conceiving and constructing award-winning gardens that reflect the beauty and diversity of the Hamptons.

“Over the past 30 years, I’ve developed a holistic approach to design that takes its inspiration from the amazing array of farmland, coastline, fields and forests that is all around us, while remaining focused on each property’s situation and each client’s vision,” Azevedo says. “My designs respond to a wide variety of elements such as the style of the existing home and structures and the views I am trying to create. The two constants in my work are color and capturing the stunning light that illuminates every aspect of the Hamptons.”

DESIGN SOURCE

“Our headquarters at 2249 Scuttle Hole Road in Bridgehampton houses our Design Concept Store, where unique outdoor furniture, accessories for the modern garden and copies of my book, Bloom: The Luminous Gardens of Frederico Azevedo can be found, and our Garden Market, where we offer a curated selection of native and welladapted plants and flowers that I use in my designs,” Azevedo shares. “In addition, we invite everyone to join us when we celebrate our 30th anniversary at the Garden Market on June 24th. Cocktails, hors d’oeuvres and good music among the flowers will mark our three decades of creating beautiful, sustainable garden designs. Email info@unlimitedearthcare. com to subscribe to our illustrated weekly newsletter and stay updated.”

Top Opened in 2021, the Unlimited Earth Care Garden Market lives in a barn-inspired structure and carries a curated selection of native and well-adapted plants and flowers that feature in UEC gardens. Right Rich greens are pierced by animated pom pom alliums and spiked digitalis, creating a heightened experience of natural colors along this elegant, curved border. Far right Exceptional garden design is about creating views, and this grand property doesn’t disappoint with its vivid clusters of white blooms tempered by complementary golds and purples.

“We are proud to be celebrating 30 years of healthy, beautiful gardens and natural, sustainable design in the Hamptons.”

PORTFOLIO

CUSTOM CABINETRY MADE IN AMERICA

BILOTTA KITCHEN & HOME

Renowned for exquisite cabinetry, handcraftmanship, inspired design and unrivaled service, Bilotta is the most trusted partner for creating the most important rooms in any home. Visit one of their four showrooms in New York City, Westchester County and Greenwich, Connecticut, or call for an appointment.

bilotta.com | 866.245.6882

ZEN FAMILY ROOM

JERMAR DESIGNS

White beams and furnishings, a large-scale natural stone fireplace and elegant black windows infuse this soaring New Canaan family room with a serene, yet sculptural feel. To accommodate the active family of five and their much-loved dog, JerMar Designs used only performance fabrics.

jermardesigns.com | 203.253.0649

WEAVING TRADITION WITH INNOVATION

NASIRI CARPETS

NASIRI Carpets offers high-quality rugs woven from the finest materials, preserving a rich cultural heritage. With more than four decades of collective experience sourcing antique pieces and weaving new masterworks—including both traditional and modern designs with unmatched custom capabilities—NASIRI is a true creative leader in the design industry. nasiricarpets.com | 212.532.6777

LANDMARK PROPERTY DESIGN

CHARLES HILTON ARCHITECTS

Charles Hilton Architects specializes in the finestquality custom residential architecture, sustainable design and waterfront projects. The firm has earned a sterling reputation for producing traditionally-inspired residences, landscape features and architectural interiors that are beautiful, practical and fit harmoniously in their environments.

hiltonarchitects.com | 203.489.3800

DRIPPING DOTS COLLECTION

LILAC GALLERY

From Lilac Gallery, “Where Extraordinary Meets The Eye” comes Dripping Dots - London 2022 by Cindy Shaoul. Executed with oil paint and mixed media on canvas, this piece dazzles with elegance, while effortlessly inspiring any space. Measuring 24" x 24".

exceptional outdoor furnishings

Barlow Tyrie – Crafting exceptional outdoor furnishings since 1920. Premium collections in sustainable teak wood, brushed stainless steel, powder-coated aluminum, and hand-woven synthetic fiber. Recipient of twenty international design excellence awards.

Tel: 800 451 7467 Email: USsales@teak.com Visit: www.teak.com