Spanning the tracklist of the original album, the fresh, exciting, and utterly surprising reinterpretations create new content for longtime Talking Heads fans and introduce a new generation to the magic of the music. The brilliant selection of artists recontextualizes STOP MAKING SENSE in popular music and culture, with a focus on generational and stylistic breadth.

RSD Essential 060 - Earth A.D./Wolfs Blood is the last album released by American horror punk band Misfits to feature founding member and lead vocalist, Glenn Danzig. Danzig released it on his Plan 9 label in December 1983, two months after he played his last concert with the band. It was noticeably harder and faster than their previous releases, showing more of a hardcore punk sound. Since its release it has often been referred to as simply "Earth A.D." amongst fans. Originally released as a 9 song LP, it was later issued with the three tracks of the Die, Die My Darling EP incorporated into the track listing: "Die, Die My Darling", "Mommy, Can I Go Out and Kill Tonight?" and "We Bite". Glenn Danzig has said that the tracks "Bloodfeast" and "Death Comes Ripping" were originally intended for Samhain's first release but were added to what would be the Misfits' final record in a last-ditch effort to save the band. 

RSD Essential 061 - 50th Anniversary Pressing - Big Star, considered to be among the founders of power pop, has been cited as an influence by many of the major alternative bands of the ’80s and ’90s, and continues to be a powerful presence in today’s musical landscape. Radio City is the second album from Big Star. Released in 1974, Radio City includes “September Gurls” and “Back of a Car” which remain some of the most famous Big Star songs. The legacy of Radio City has far exceeded the original commercial letdowns of the album, which is now considered to be a milestone in the history of rock by critics and musicians alike. Both Radio City and #1 Record made it onto Rolling Stone‘s 500 “Greatest Albums of All Time” lists, while tracks from each album (“Thirteen” and “September Gurls”) are also among the magazine’s 500 “Greatest Songs of All Time".

RSD Essential 062 - AVAILABLE FOR THE FIRST TIME ON VINYL! - All the Brenton Wood classics, all in one album! Featuring hits like “The Oogum Boogum Song,” “Gimme Little Sign,” “Baby You Got It,” and many more, the quintessential compilation Brenton Wood’s 18 Best was initially released 1992 and serves as a showcase of Wood’s smooth, sure-handed delivery that cemented his place as one of the finest soul singers of his generation. This pressing marks the album’s vinyl debut.

RSD Essential 063 - “Czartificial Intelligence” debuted at #1 on Billboard’s Top New Artist Albums chart when it was released in November and was the #2 most-added at Hip-Hop That also makes it the #1 debut on the chart. The wins keep coming as the record also debuted on the genreless Top 200 chart, coming in the top half of all records and a top 10 debut for the week! The third full week of airplay for the LP saw 3s all around as it earned a third week on the Hip-Hop chart and another top 3 appearance! Over at NACC top 200, the record cracked into the Top 50, 40+ spots up to a new peak and one of the top 10 greatest gainers for the week! The album peaked at the NACC 200 in Week 4, just outside the Top 40! That week it also hit a peak at Earshot, topping that chart at #1! The album earned 5 weeks at #1 NACC Hip-Hop, the record so far for the 2024 NACC Hip-Hop Chart!
CZARFACE debuted with their self-titled album in 2013 though 7L, Esoteric and Inspectah Deck first worked together on the 12" single “Speaking Real Words” in 1999. The three continued to stay in touch, periodically working together and, in 2013, Esoteric approached Deck about a possible full-length project centered around a superhero character called
“CZARFACE."
What they thought would be a one-off mixtape-type project has now seen multiple albums featuring collaborations with the likes of MF Doom, Ghostface Killah, Roc Marciano, Conway the Machine, Mayhem Lauren, Method Man, Action Bronson, Vinnie Paz, Frankie Pulitzer, GZA and more. 

Indie Exclusive - Coalmine Records digs into their storied discography to unveil their ten-year anniversary reissue of Highway Robbery, the collaborative concept album from Detroit’s heavyweight emcee Guilty Simpson and Philly beat smith Small Professor. Weighing in at 11 tracks, the project places the listener in a seemingly post-apocalyptic Detroit where the mentality is feast or famine. Highway Robbery plays as one long narrative of Guilty’s day-to-day survival in Detroit’s concrete jungle, all set to the tone of Small Professor’s foreboding, percussion heavy production. Featuring guest appearances from Detroit’s Boldy James, A.G. (of D.I.T.C.), Elucid and Castle, the album is further highlighted with the meticulous turntablism of both Statik Selektah and DJ Revolution. This reissue also boasts the Zilla Rocca remix of “Go” which features Audible Doctor on the cuts. A decade removed from its original release, Highway Robbery remains a gratifying listen and strong addition to anyone’s hiphop record collection with its high-level lyricism, avant-garde production value and overall creativity.

Indie Exclusive - From 2006-2010 Shane Bunting aka Madchild was on a kamikaze run with the drug oxycontin that pushed him to the brink of oblivion. Hitting rock bottom, his addiction spiraled out of control and destroyed everything the successful emcee had worked so hard to build with is platinum selling hip-hop group Swollen Members. The fancy cars, lavish houses and rock star luxuries were all gone, as his addiction had consumed over 3 million dollars worth of assets and finances in just over four years. Clean from drugs for the first time in his adult life, Madchild removed himself from temptation by walking away from his previous social life and bunkered down in his home studio secluded from the outside world. For the next 10 months, Madchild feverishly wrote and recorded his first ever solo album, 2012's Dope Sick.

Indie Exclusive - Emerging from the late 1960s underground music scene, Clark-Hutchinson's collaborative masterpiece "A=MH" broke new ground in psychedelic rock. Guitarist Mick Hutchinson and drummer Andy Clark's fusion of blues, rock, and Eastern influences created a captivating sonic journey. The Underground Impresarios label brings this limited edition LP reissue on heavyweight red and black splatter effect vinyl.

Original Soundtrack for A24’s I SAW THE TV GLOW, featuring 16 original songs by an all-star ensemble, including Caroline Polachek, Florist and Jay Som. Also featuring a vinyl-only exclusive bonus track, “Tonight Tonight” by Snail Mail. Pressed on violet vinyl.

Releasing COPE, Manchester Orchestra stated it was an "unapologetically heavy rock record".  Ten years later, the legacy holds up as the band's loudest, fastest, & most pounding album of their career. To celebrate the 10th Anniversary of this seminal album COPE, Manchester Orchestra took the stage for one night only at East Atlanta’s tiny but beloved rock venue The Earl to perform a blistering set, performing the record from start to finish. Immortalized on this special 10th anniversary tribute.

 5 years on from 2nd record Young Enough, Charly Bliss are back with new album Forever, produced by Jake Luppen & Caleb Wright (Hippo Campus), they say it "celebrates the big love between the four of us & the life we’ve fought for & built together. The lyrics are head over heels, overflowing with romantic love, friend love, crushes & the hurricanes of feeling that accompany all the massive shifts of growing up. We fell back in love with making music through this record, & you can hear it."

Indie Exclusive - Lee Mendelson Film Productions (LMFP) is thrilled to announce the release - from recently rediscovered tapes - the complete Vince Guaraldi soundtrack to "It Was a Short Summer, Charlie Brown," the timeless 6th animated Peanuts® special, from writer and creator Charles Schulz, director Bill Melendez and producers Melendez and Lee Mendelson. Originally the special aired on September 27, 1969 on CBS-TV.

The album includes the original recordings that comprise the cues from the Special across twenty-six tracks, plus another 6 alternative tracks that have never been released or heard before.

Guaraldi lovingly created the soundtrack for the summer camp adventure where Charlie Brown and his gang face off against the girl’s camp lead by Peppermint Patty. The large jazz combo album also includes the best rendition of Guaraldi classic, "Love Will Come (Nova Bossa)" as well as the first use of additional percussion in Victor Feldman.

The recording features Guaraldi (piano), Monty Budwig (double bass), Jack Sperling (drums), Conti and Pete Candoli (trumpet), Frank Rosolino (trombone), Victor Feldman (percussion), Herb Ellis (guitar), Willian Hood and Peter Christlieb (woodwind), and John Scott Trotter as the orchestra leader. The soundtrack was produced by Sean and Jason Mendelson and restored and re-mastered by Vinson Hudson.

The album comes with liner notes that give a track-by-track analysis by Derrick Bang (author of "Vince Guaraldi at the Piano") and notes from Sean and Jason Mendelson, sons of Peanuts® producer Lee Mendelson. The album packaging also includes images from the special and images of historical documents from the found tapes.

Indie Exclusive - AVAILABLE FOR THE FIRST TIME ON VINYL! -  It Takes A Thief is the 2010 compilation from the Electronic duo, Thievery Corporation. The album is a collection of tracks specially selected by Rob Garza and Eric Hilton for longtime fans and for music lovers who have heard of Thievery Corporation but may have never listened to the band. It Takes a Thief features 'Lebanese Blonde,' the beautiful track used on the Grammy award-winning Garden State Soundtrack, as well as 'Sound the Alarm', the funk-infused track that has become a
staple opening track for the band's live shows. Now released on vinyl for the first time – this exclusive RSD Essentials variant is available on coke bottle green vinyl.

Indie Exclusive - Pickin’ On Green Day is a collection of some of the biggest and best-loved songs from the legendary East Bay punks reinterpreted through the framework of classic bluegrass instrumentation and vocal stylings. Three groups from the Pickin’ On roster – The Sidekicks, Honeywagon and Cornbread Red – provide different shades of bluegrass to Green Day’s singular songwriting. Each track showcases what one always suspects listening to the great pop-punks – that underneath the distortion and attitude are classic, enduring hooks that transcend style.

Indie Exclusive - The Jazz Rewind label is back with another first edition recording by two American jazz giants, Sonny Stitt and Red Holloway. This saxophone duo regularly performed and recorded together since 1967. Sonny Stitt sadly passed away in 1982. This Cobden’s Place set from Manchester UK, 4 March 1981 is previously unreleased on any format. They perform alongside other jazz musicians including Vinny Parker (Piano), Pete Glennon (Bass) and Ron Parry (Drums). Enjoy this first edition LP on heavyweight orange colored vinyl.

Indie Exclusive - The Jazz Rewind label brings this rare concert recording to vinyl for the first time. Part of the Las Vegas Union series of live recordings from 1963. Personnel here includes Gerry Mulligan (Baritone Saxophone), Bob Brookmeyer (Trombone), Gus Johnson (drums) and Bill Crow (bass). The musical partnership of Gerry Mulligan and Bob Brookmeyer was quite special. In 1963, Mulligan was well on his way to becoming the best known baritone-saxophonist of all time while Brookmeyer was arguably the finest valve trombonist in jazz history. Both had complementary styles, witty ideas, very fluent technique and easily identifiable sounds. Enjoy this first edition LP on heavyweight blue colored vinyl.

For seasoned Australian alternative stalwarts Atlas Genius, their third album – and first in nine
years – End of the Tunnel on the Orchard comes after a trying time that included leaving Warner
Records and then their adopted base of Los Angeles for home just before the pandemic shut
down the world. Whether that’s a light or an oncoming train in their path, the band’s lead
vocalist/guitarist/writer and founding member Keith Jeffery is looking ahead, not over his
shoulder, on 11 songs which reflect that turmoil and growth, both personal and universal, over
the past several years.
“We’re happy enough just to get this album out, above everything else,” admits Keith, with the
band in “musical purgatory” due to another aborted label deal. “We have no expectations this
time.”
The previously released “Elegant Strangers” is a melodic ode to the drug-fueled L.A. faux
schmooze culture, “dressed for the morning sun/Mirrors and razors,” already charting at
SiriusXM’s Alt Nation. The opening disco-inflected track, “Falling So Hard,” offers a longing
song for a lover “oceans apart.” It’s a theme explored as well on “Nobody Loves Like You,” with
Keith’s falsetto and funky guitar solo underlining a tale of missing someone “half the world
away,” a dance-rock track that combines the club floor and the furthest reaches of the arena. The
epic orchestral intro to the geo-political tract “Don’t Let Love be a Stranger,” “Can’t Be Alone
Tonight” and “On a Wave,” inspired by Keith’s passion for surfing, sport an anthemic melodic
drive with whisper-to-a-scream dynamics.
“It’s not really about the water, though I used to love to surf,” says Keith about “On a Wave,”
“It’s like riding that emotional roller coaster, trying to maintain your balance despite all of life’s
ups and downs.”
“Romans” examines a dysfunctional relationship Jeffery experienced while in L.A. “We were
seemingly under control, like Romans, but we were really just bullshitting and using one
another,” explains Keith, a Pisces and admitted “hopeless” romantic. “Animals” and “Do Me
This Way” offer thumping, funky odes to unbridled, passionate lust.
“’Animals’ is just about the chemistry between people,” observed Keith. “The coy games that
couples play, the dance of courtship which results in marriage and kids or is simply a one-night
stand. ‘Do Me This Way’ is about indulging in all the wrong shit in L.A., when you should be
focusing on what you need to be doing.”
“All for nothing, all for show/If all else fails, at least we rode,” “On a Wave”
Atlas Genius started out in Victor Harbor, a tiny town an hour south of Adelaide on the coast of
southern Australia in 2011 with Keith and his brothers Michael on drums and Steve on bass and
keys along with keyboardist Darren Sell, working out of a home studio they built with funds
from playing at local bars. Signed worldwide to Warner Records, Atlas Genius released a three-

song EP and two full-length albums. The debut, When It Was Now, dropped in 2013, producing
the SiriusXM Alt Nation hit, “Trojans,” the album peaking at #3 on the Billboard Alternative
chart (where it remained for over 52 straight weeks), and #34 on the Billboard 200, with a
second single, “If So,” hitting #8 on the Billboard Alternative Songs chart. Inanimate Objects
came out two years later, with the first single, “Molecules,” going Top 10 on Billboard’s
Alternative Airplay chart, where it spent 22 weeks before the band was unceremoniously
dropped.
“We have to remind people that we’re still here,” acknowledges Keith. “I feel very positive about
things now. You have to go through a really shit period to appreciate what you’ve got. We’re
ready to put the past behind us, to emerge from the ‘End of the Tunnel’ into the sunlight. We’re
excited to start playing these new songs for people. It’s about time.
“This is by far our strongest album from front to back, mainly because we had the time to get it
right. These 11 songs are the best from the more than hundred I’ve written over that time. I’m
just very happy with how it turned out.”

The two out-of-print solo acoustic albums from Melvins frontman, King Buzzo, packaged together in a 2LP gatefold vinyl. Includes an expanded 12pg booklet and bonus flexi-disc.

Madrid's Hinds, back to their formative line-up of best friends Carlotta Cosials & Ana Perrote, return with a sonically adventurous & career-defining 4th album. Recorded with producer Pete Robertson (Beabadoobee) & Grammy-nominated engineer Tom Roach in rural France, VIVA HINDS features the singles "Coffee", "Boom Boom Back" with a guest verse from Beck & the band's close friend Grian Chatten of Fontaines D.C. singing on the simmering post-punk inspired stand-out track “Stranger.”

FALLING IN REVERSE makes anthems that provoke and inspire. Unnervingly ahead of the pack and yet always decisively right on time, their mix of bombastic declarations and intimate confessions connect with diverse crowds worldwide.

Popular Monster, is their first full-length album in over seven years; an eleven song masterpiece, featuring five tracks that are bonafide smash hits, (three certified gold and one certified 2x platinum). Not ones to rest on their laurels, the six new tracks are incredible, and feature unexpected collaborations with some of the music industry hottest hitters.

With hit songs like “Popular Monster” topping the rock radio charts and earning them their first 2x platinum single, the band’s momentum only grows stronger, and their live performances are big reason why. From playing top festivals, to arena opening stints for Avenged Sevenfold, and Disturbed, to co-headlining with legends like Papa Roach, and now selling out headline shows in arenas across the country!

This album package will include a 24-page, 4 color booklet with lyrics and imagery from their YouTube Trending music videos, sized for the formats CD and LP.

The Original Motion Picture Soundtrack for Ghost's debut feature film includes the first single "Absolution."

All vinyl configurations include an official movie poster + 16-page photo book

A truly one-of-a-kind artist, Kaitlin Butts has a deep affinity for country music’s more theatrical side: the extravagant storytelling, dazzling showmanship, songs embedded with both unbridled emotion and quick-fire humor. After discovering her passion for performing as a little girl, the Tulsa native later brought her boundless energy and radiant voice to her own unapologetic yet soulful songwriting. When it came time to create her third album, the Nashville-based musician leaned into her lifelong love of musical theater and dreamed up a modern-day reimagining of the soundtrack to her all-time favorite musical, Rodgers and Hammerstein’s Oklahoma! The result: a high-concept but candidly autobiographical LP called Roadrunner!, whose 17 powerhouse songs show the full force and extraordinary depth of Butts’ artistry for the very first time.

Produced by Oran Thornton (Brent Cobb, Logan Brill), Roadrunner! marks a major tonal shift from Butts’ 2022 sophomore LP what else can she do, a character-driven exploration of complex matters like addiction, domestic violence, and generational trauma. “With the last album I wanted to write about the struggles I’d seen people go through or experienced myself, so a lot of the songs had a sadness or darkness to them,” she says. “I feel like Roadrunner! is much closer to what I’m like onstage, where there’s real emotion and truth but also humor and a tendency to poke fun. It’s all those different versions of me at once.” 

Written and produced by Songwriter’s Hall Of Famer Linda Perry, Crooked Boy features four brand-new tracks from Ringo Starr with his trademark vocals and legendary drumming.

Boulevards, also known as Jamil Rashad, returns with Carolina Funk: Barn Burner On Tobacco Road. Teaming up with funk producer Sergio Rios (Orgone, Say she she, Neal Francis). Taking notes from rare funk records and blaxploitation,  Carolina Funk: Barn Burner on Tobacco Road is a raw, muddy, infectious, live testament to the funk. With infectious hooks, syncopated basslines, tight drums and classic horns that bring a punchy and soulful element to the funk.

On sophomore album Love Out of Lemons, revered Nashville troubadour Bones Owens continues to evolve his cultured rock songwriting while capturing the energy of his renowned live shows. Released on July 12 by Black Ranch Records, Love Out of Lemons collects deeply grooving snapshots of carefree times and top-down drives with subtleties that linger long after the party’s over.
“This record sort of picks up where my debut full-length left off,” offered Owens from yet another hotel room on yet another tour. “Energetic rock very typical of my live show.” Raised on country, gospel, and bluesy classic rock in rural Missouri, Owens took up guitar at age 10 and within three years was writing his own songs. At 21, he landed a publishing deal and relocated to Nashville, where he was soon a sought-after session and touring guitarist for a diverse array of artists from Yelawolf and Mikky Ekko to Carrie Underwood and Bon Jovi. Owens also co-wrote most of Yelawolf’s Trial by Fire album. An old soul with a poet’s way with words, Owen’s early self-released solo EPs attracted the attention of Thirty Tigers (The White Buffalo, Smashing Pumpkins etc.), who released his eponymous debut album in 2021 and the more introspective, Americana-tinted Eighteen heeler EP two years later. Like Eighteen Wheeler, Love Out of Lemons was produced by Paul Moak at his Smoakstack studio in Nashville. But while the EP was something of an introspective departure for Owens, Love Out of Lemons is a blithe dive into his eclectic, nuanced rock and alt-roots sensibilities, from the genre-fluid grooves of heyday War to the lean bluesy influence of Creedence Clearwater Revival. “I wanted to do another record that was largely rock, but also for it to have more than one gear,” said Owens. Love Out of Lemons features co-writes with Henry Brill (Phantogram, Jack Garratt) on “Born
Again” and Austin Jenkins (Leon Bridges, White Denim) on “Higher Than I Wanna Be.” Drums throughout were played by Julian Dorio (The Whigs, Eagles of Death Metal), with all other instruments handled by Owens and producer Moak. The album’s intentions are clear from the first bars of the opening title track; an irresistibly head-bobbing, outdoorsy strut that explores relationships from which love will never bloom, no matter how hard one or both parties try. “I was thinking of Eric Burdon or War as kind of the starting point for that song,” Owens recalled. “Summer Skin” epitomizes Love Out of Lemons’ mellower sonic subplots, tapping into a
carefree era of Owen’s life largely spent riding motorcycles and hanging out with friends, drink in hand. With additional arrangement and instruments by L.A.-based singer- songwriter/producer Josh Ostrander (Mondo Cozmo, Eastern Conference Champions), its organic, breezy verses are punctuated with an epic cascade of a chorus rich in twinkling, sepia toned nostalgia. The tambourine-flecked AC/DC strut of “Get In On” is a neon washed, two-and-a-half-minute
dive bar anthem, its universally relatable refrain elevated with ecstatic organ and Owens’ soaring vocal. “I’ve waited all day long / To get it / To get it / To get it on,” implores its insistent, made-for-the-stage chorus. As well as his ongoing touring, Owens will be making a solo trek around the Midwest on his Harley Davidson to coincide with the release of Love Out of Lemons. “I’ll just have a guitar strapped on the back to do some intimate shows and radio spots,” he explained. “As well as checking in on friends and family along the way.” Originally planned for the previous November, the trip was postponed after Owens struck a deer on his motorcycle the day before he was due to leave. Tying-in with Love Out of Lemons standout “Goin’ Back Where I Came From,” the route will include Owens’ native Missouri, as
well as Harley Davidson’s Milwaukee headquarters. “I think it’s perfect that the record is coming out in the summer,” he concluded before heading out to the night’s soundcheck. “Because it very much feels like a sunny day, drivin’-down-the-road soundtrack to me.

The first live release from The Murlocs is a career-spanning 22 song set recorded at The Teragram Ballroom in Los Angeles. The show capped off a busy 2022 for the Melbourne-based band, which saw the release of their 6th album (Rapscallion) as well as a performance at Red Rocks (supporting King Gizzard, with whom the band share two members) and their biggest US headlining tour to date.  "Live at The Teragram Ballroom" features "Rolling On", "Noble Soldier" & more. Pressed on green splatter vinyl.

New 2024 pressing on ATO Records. Yellow and green vinyl with a red splatter. Young Blindness followed The Murlocs' 2014 debut LP "Loopholes", built upon a solid foundation of distorted licks and melodic intuition. The hearty compositions are emboldened by the distinct vocal tremolo of singer Ambrose Kenny-Smith. Lyrically, themes of young paranoia and self-doubt are viewed through a lens of experience, exploring the blurred meeting point with an air of blues-borne world-weariness.

The 8th full length studio album from RJD2! You may know him from the Mad Men theme. Or "Deadringer". Or those commercials and shows and movies and such. You may not even know the name, but you surely know the tunes. Well into his third decade in the game, RJD2 refuses to let his foot off the gas with quality albums. Ever so funky, mysterious, and quirkily soulful, "Visions Out Of Limelight" continues his tradition of making records free your mind, and you know what will follow. Featuring vocals from the legendary Jamie Lidell, long time collaborator Jordan Brown, and even one song by the man himself, this album is sure to satisfy longtime fans and those new to the party alike.

Songs in A&E is a beautiful, chilling record and it was very nearly the last thing J Spaceman would ever release. In 2005, with the writing and recording well underway, Spaceman was rushed to the Royal London Infirmary with double pneumonia. The sleeve of this reissue is a photograph taken as he lay in what his close friends and family feared at the time was his deathbed. “We thought he’d gone,” recalled band mate John Coxon at the time. The album is collection of graceful, country-influenced songs that muse on familiar themes of love, death, hope and hopelessness. The country element was informed by a small black 1928 Gibson acoustic he’d bought in Cincinnati while the band toured the Amazing Grace record. Spaceman called it “The Devil”. J Spaceman: “Mostly, when you buy a guitar, like most things, you don't really have any idea of whether it's good or not. And this shop had about eight of the same models for comparison, but this one was in a cage, to keep people away from it, like they knew it was kind of special. And it's beautiful. It just sings. And it kind of came with those songs, which is obviously a sort of romantic notion, but it really felt like it did. I'd never written on a guitar until this point and it seemed to come with all of this information.”

Zeal & Ardor isn’t just a band; it’s a living and breathing entity. Like any other sentient being, it consumes, evolves, and transforms from one season to the next. Its shape may change though its spirit remains the same. Founded and fronted by Manuel Gagneux, it has only sharpened its claws, lengthened its teeth, and steeled its nerves over the years, growing more undeniable and unpredictable in the process. After gathering tens of millions of streams and earning widespread critical acclaim, this beast proves as dynamic and dangerous as ever on its fourth full-length album, GREIF.

50th Anniversary edition of 1974 live recording at Abbey Road. Single 2LP black vinyl

The debut album by Passion Pit.  Manners is coming back to vinyl for its 15th Anniversary. Remastered for vinyl with full gatefold jacket that displays alternative artwork only previously available on the cd.

Celebrating its 50^th anniversary, Back Home Again was a multiplatinum #1 album for John Denver that includes the huge radio hits “Annie’s Song” and “Back Home Again,” along with fan favorites like “Thank God I’m A Country Boy” and “Sweet Surrender.” Available on black vinyl.

The long-awaited second album from NxWorries – the iconic duo of superstar vocalist Anderson .Paak and GRAMMY Award-winning beatmaker and producer Knxwledge.
8 years after their breakthrough debut Yes Lawd!, NxWorries return with Why Lawd? – a winning combination of Knx’s unmistakeable beats and .Paak’s instantly recognizable vocals.
This time, special guests are invited along for the ride. Featured artists include H.E.R., Snoop Dogg, Thundercat, Earl Sweatshirt, Rae Khalil and more.

South of Here, the fourth full-length studio release from Nathaniel Rateliff & The Night Sweats, reckons with a
lifetime of pain and trauma and transforms it into a stirring and soul-baring rumination on love, loss, hope and
resolve. Following Rateliff’s 2020 solo album, And It’s Still Alright, and The Night Sweats’ acclaimed 2021 release,
The Future, the new album blends both sides of his immense talent: emotionally potent, vivid storytelling and the
rugged, R&B revivalism that has powered the band to world-wide acclaim over the past decade. Iridescent Green
180g LP with die-cut O-card. Limited Edition. Indie Exclusive.

In 2016, Foals singer Yannis Philippakis was offered the opportunity of a lifetime: a two-day session with the great drummer Tony Allen. The pair quickly established an intuitive telepathy, and the music, germinated from jams and loops, and was complemented by a unique atmosphere of two cultures and creatives colliding. Joined by Tony’s regular collaborators Vincent Taeger (percussion, marimba), Vincent Taurelle (keys) and Ludovic Bruni (bass, guitar) that first meeting resulted in a handful of near complete songs, which were further developed during a couple subsequent sessions. But between scheduling issues and Covid restrictions, the recordings were not completed before Tony passed away in April 2020. Yannis felt a deep duty to complete the project, not only as a bittersweet way to honor and celebrate his old friend, but also because Tony had been so eager to share these songs with the world. The result is this five-track EP, Lagos Paris London, under the Yannis & The Yaw umbrella.

When the Amsterdam singer-songwriter Jana Mila (pronounced Yah-nuh MEE- lah) began writing a song called “Chameleon,” she thought she was writing about someone else—a friend who seemed to be changing her colors to please other people. “But the more I lived with the song, the more I felt like I was writing about myself,” she admits. “Doesn’t everybody try to reflect other people? Don’t I change my own colors in order to be accepted? Especially when you’re young, you can lose yourself in other people if you don’t know who you are.” That is the central idea behind her debut album, also titled Chameleon, which introduces Mila as an artist deeply committed to self-reckoning and self-possession. Our innate desire to belong and to be loved can lead to a kind of self-annihilation, making us strangers to ourselves. Writing songs is her means of finding and sustaining her identity.“The album is a conversation with myself, a way of getting to know myself better. There are little fears woven into every lyric, but there’s also advice to myself. I’m writing to find a part of myself that has some wisdom.” Musically, Mila is the best kind of chameleon. The album draws from a wild array of sources, entertaining new ideas on every song: dusty Laurel Canyon folk on “It’s True,” catchy Nashville country on “Let Me In,” driving ‘70s rock on “I Wasn’t Gonna.” She puts her stamp on every note, turning those fears into an album of remarkable confidence, eloquence, and power. Chameleon is a self-portrait rendered in vibrant detail.

Imagine Dragons’ sixth studio album LOOM represents the pinnacle of their artistic journey of self-discovery and marks the best body of work they've ever made. LOOM, produced entirely by Imagine Dragons and their longtime collaborators Mattman and Robin, finds the perfect balance between the classic sounds that have made them superstars and the freshness that brought them joy in the studio. Featuring 9 brand new tracks including hit single “Eyes Closed”, LOOM signifies new beginnings on the horizon – the excitement for a new day, moments yet to come.

GEL return with a new 5-track EP, Persona, to make their Blue Grape Music debut. In just a few short years, GEL have grown to become one of the most exciting bands coming out of the world of aggressive music. The New Jersey-based five-piece make ultra-visceral hardcore with a healthy dose of punk DNA coupled with a live show that is unmatched in it’s energy and urgency.

The brand-new album by David Gilmour, ‘Luck and Strange’ was recorded over five months in Brighton and London and is Gilmour’s first album of new material in nine years. The record was produced by David and Charlie Andrew, best known for his work with ALT-J and Marika Hackman, with lyrics mostly written by Polly Samson, Gilmour’s co-writer for the past thirty years.

The album features eight new tracks along with a beautiful reworking of The Montgolfier Brothers’ ‘Between Two Points’, which sees Romany Gilmour, who performs backing vocals across the album, on vocals and harp.

Musicians contributing to the record include Guy Pratt & Tom Herbert on bass, Adam Betts, Steve Gadd and Steve DiStanislao on drums, Rob Gentry & Roger Eno on keyboards and the string and choral arrangements are by Will Gardner. The title track also features the late Pink Floyd keyboard player Richard Wright, recorded in 2007 during a ‘Barn Jam’ at David’s house.

The album’s cover image, photographed and designed by renowned artist Anton Corbijn, is inspired by lyrics written by Charlie Gilmour for the album’s final song ‘Scattered’.

1 x LP – translucent sea blue vinyl. Gatefold sleeve and booklet with photography and design by Anton Corbijn

Three time Grammy nominated Hiatus Kaiyote return with their eagerly anticipated new album Love Heart Cheat Code. The band have warmed up fans with standout single 'Everything's Beautiful' and what awaits is a masterfully crafted album from a band who are firing on all cylinders and totally in sync. LHCC is a mix of their classic neo-soul sound, fused with jazz, soul and rock - which is on full display on their cover of the Jefferson Airplane classic 'White Rabbit' and a fan favorite from their live shows, 'Cinnamon Temple'. The album also includes a feature from BMO from the cult classic animated series Adventure Time (Cartoon Network/Adult Swim). Throughout the campaign the band will build a bright and vibrant world for fans to dive into, with games, artifacts, mazes and all other matter of zaniness that one can expect from Hiatus Kaiyote. Just ahead of album release the band will be embarking on a 19 day US tour, which includes stops at Montreal and Toronto Jazz Fests and Electric Forest.

For singer/songwriter Jesse Daniel, country music is nothing short of a life force. Hailing from a rural mountain town on California’s Central Coast, the Austin-based artist first explored his innate passion for music by playing drums in punk bands, then drifted down a troubled path that included years of battling addiction and spending time in and out of jail and rehab. As he took his first steps toward getting clean, Daniel immersed himself in the pure joy of writing country songs, fully embracing the unbridled vitality of California country and bringing a lived-in honesty to his lyrical storytelling. Since releasing his 2018 self-titled debut on his own record label, he’s earned great esteem as a country traditionalist and built a wildly devoted international following—thanks in no small part to his freewheeling live show and tendency to tour nearly 200 days a year. Recently signed to Lightning Rod Records, Daniel now offers up his fourth studio album Countin’ The Miles: a high-powered body of work born from his ardent belief in preserving country’s legacy.

Russell County, Virginia-based 49 Winchester is following up their 2022 breakthrough hit, Fortune Favors The Bold with their latest album, Leavin’ This Holler. Since their last release in 2022 the band has mined success across the globe by playing multiple sold out tours in the US as well as a sold out run of arena concerts opening for Luke Combs across Europe. Crowds have celebrated and supported this band across the globe and the band’s hard workin ways continue to help build their devoted following.

Leavin’ This Holler is a soulful anthem of liberation and renewal. The album narrates a journey of breaking free from the chains of the past to pursue happiness and freedom. With a resolute spirit and a clean washed heart, 49 Winchester embraces change and sets out on a quest for new heights. Fortune has favored these bold boys and fueled by determination and the promise of a bright future, ‘Leavin’ this holler’ is a powerful ode to resilience and the pursuit of personal fulfillment.

The color green can represent many things. It can symbolize money, of course, but also weed. And envy. It implies newness, the rebirth of spring, but it can also evoke illness and infection. It’s an apt name for a band that is defined by its adaptability, by its knack for doing many different things all at once. On the Color Green’s second full-length—their first as a quartet—they ground their cosmic jams in earthy melodies, drawing from ‘60s SoCal folk-r0ck, ‘70s classic rock, ‘80s underground rock, ‘90s psychedelic dance-rock, and many other sources. In the two years the band has been touring, it has already shared stages with a range of groups that reflect both the sophistication and the wild malleability of their sound, including Fuzz, Kikagaku Moyo, Circles Around the Sun, and Young Guv. “When we play live, I don’t really know what’s going to happen,” says guitarist Noah Kohll. “You really have no idea what you’re going to get with this band, which keeps things fresh for us and maybe makes the live experience special.” Adds drummer Corey Rose, “One thing about this band that I really appreciate is that we can camouflage into any environment or any show. We can play with Hiss Golden Messenger and lean into that funky country vibe, or we can play with the Brian Jonestown Massacre and get evil. We all love a variety of music, so let’s not put ourselves in a box.” That wild, mercurial quality is reflected on Fool’s Parade, a meditation on loss, grief, confusion, frustration, and the clarity to which they all lead. Their songs are vehicles for self-explorations, not just a means of putting their feelings into lyrics and notes but molding them, night after night, into different shapes to get different insights. “I feel like that’s the endless spiritual journey of this band,” says Madden. “There’s always this thing that is mysterious, that you can never put your finger on. Music is a way to give yourself ground within the unknown. It’s a way to convene with something outside yourself, whether you call that the muse or God or the collective unconsciousness or whatever. Maybe that’s relatable to people because we live in a very noisy and confusing world. Everybody’s trying to find that ground.”

“There's a lot of existential stuff in these songs,” says Amos Lee. “If you really listen to what's in between the lines, there's a lot of grappling with your place in the world, grappling with loss.  There's a lot of grappling with the balance between bailing out the boat and rowing at the same time—the experience of writing music and playing songs while trying, as we all are right now, to make sense of a world that feels like it's changing really quickly.”  On his eleventh studio album, Transmissions, singer-songwriter Lee continues to expand his sonic range while sharpening his closely observed lyrics that squarely address death, aging, and love. The force behind such acclaimed albums as Mission Bell and Mountains of Sorrow, Rivers of Song, ever since his gold-selling 2005 debut Lee has been known for his association with a long list of collaborators and touring partners, from Paul Simon to Zac Brown Band. For the new project, he craved a return to an old-school style of recording, working with his longtime band in a studio in rural Marlboro, New York that was built by drummer Lee Falco and his dad out of reclaimed wood from an old church (“it’s exactly what you’d think a studio in upstate New York should be,” notes Lee). Playing live on the floor for long hours, in close quarters, they were able to capture the album’s twelve songs in less than a week. “I really wanted us to be all in the room, making music together, listening to each other and responding to each other,” says Lee. “In this age where you can do everything at home and fly it in, there’s something really beautiful about getting in a room and starting at the top, the drummer counting in the song and everybody just playing. I would call it vulnerability.”

Johnny Cash recorded an album’s worth of self-penned songs in 1993. Shortly thereafter, he released the American Recordings albums and re-established himself as one of the world’s greatest songwriters, introducing him to a new generation of fans. Songwriter’s unreleased 11 songs have been updated and produced by his son John Carter Cash and co-producer David Ferguson.

For over 20 years, The Decemberists have been one of the most original, daring, and thrilling American rock bands. Their distinctive brand of hyperliterate folk-rock set them apart from the start, releasing nine full-length albums that are unbound by genre and highly ambitious. Now the beloved indie band is back with their first new album in six years, As It Ever Was, So It Will Be Again - not only the longest Decemberists album to date (and their first intentional, proper double-LP) but also their most empathetic and accessible, its 13 songs like semaphores of mutual recognition for our fraught times and faint hope. The first dozen songs are punchy, pithy gems all, reflections on mortality and loneliness, longing and cynicism, expectation and unease. The band animates them brilliantly, pushing out and pulling in at the perfect moments. John Moen practically dances beneath the jangle of opener “Burial Ground,” breathing the life into this song about spiraling toward the end. From the irrepressible “Oh No!" and guileless tenderness and absolute surrender of “All I Want Is You,” to the romantic ghost story that shimmers behind pedal steel in spite of the specter in "Long White Veil," these 12 songs alone would constitute a dazzling Decemberists album, rich with woe and love, anxiety and honesty. But a keening little choir and arid electric guitar invoke “Joan in the Garden,” the band’s first full-on prog escapade since The Crane Wife. Though rooted in doubt, much like the album it ends, “Joan in the Garden” ultimately lands as a celebration of music’s ability to convey valence and ambiguity, to frame an endlessly complicated story in instantly compelling terms.

This, songwriter Colin Meloy will tell you proudly, is the best Decemberists albums and perhaps the ultimate realization of 22 years of work. In many ways, As It Ever Was, So It Will Be Again feels like an aptly titled renewal for The Decemberists. The first full-length release on YABB Records, the band’s own label, after a run of nearly two decades with Capitol. As they were once, here are the Decemberists again, now an independent band empowered by singing stories that sound instantly familiar and convey some bit of hard-won wisdom.