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2010, Music and Migration
Music and Migration is a special issue in two book like volumes (in English (278 pp) and in Portuguese (298pp)) with 12 scientific articles by ethnomusicologists, music historians, sociologists and political scientists from different schools, on subjects related with music and migration from all over the world (Dan Lundberg on Kurdish, Turkish, Irish, and former Yugoslavian groups – Macedonians, Montenegrins, Serbs, Croatians, … in Stockohlm; John Baily on Afghans in Australia, Dieter Christensen on Kurds in Berlin; Mark Naison on Jazz and social urbanization in the Bronx, in New York; Martiniello and Lafleur on Latin music on the Presidential elections of 2008 in the US, among others on the music of other populations such as Indo-Pakistani Bollywood consumers in Spain, Cape-Verdean and Goan music producers and consumers in Portugal, Portuguese Fado musicians in the US, …). Besides the 12 articles it contains also 18 opinion and research notes by musicians, teachers, researchers, students, music managers and interested listeners on subjects related with the topic. A substantial introduction includes theoretical considerations connecting these with earlier ethnomusicology writings on music and migration (namely those on the volume edited by Baily and Collyer, among others) and presents the volume in which music deals with basic citizenship and migration rights and specificities, unmasking boundaries, nurturing participation, pacifying emotions and acknowledging its power to inflame them, challenging categories and definitely renewing references in the current global era.
Musicological Annual
Music, Migration and Minorities: Perspectives and ReflectionsThe article offers a brief presentation of the main streams of ethnomusicological research on music, migration and minorities while reflecting on their theoretical and methodological frameworks. It pays particular attention to the intersection with other ethnomusicological sub-fields and its role in challenging the methodological nationalism and Western-centric views.
2020 •
The current sense of crisis in the study of migration and music calls out for a broader contextualization. The study of migrant culture sat comfortably for a while with a structural-functionalist culture concept emphasizing boundedness and stasis, figured as transitional, adaptive, evidence of modernization or Westernization. An orientation toward hybridity in the 1980s began to shake some of these certainties, even if it kept others (the normative framework of the nation-state) in place. This article argues that work on refugees and diasporas at around the same time departed from them more radically. The current moment is one in which the final vestiges of language about migrant culture as adaptive have been swept away and in which the populist evocation of a migrant crisis at our gates has posed unsettling challenges. This article explores the tensions in the current literature between an emphasis on migrant creativity and survival, mobility and motility, and identity and citizens...
Voted as “Outstanding Academic Title 2010” by Choice Magazine Reviews in CAML Review/Revue de l’ACBM, Choice Magazine, Music & Letters, Notes, and Yearbook for Traditional Music
2019 •
There are different types of migration, however, new concepts and redefinitions of certain concepts are needed, because of the alternating reasons of migration as well as various imagining of the places and spaces in concrete and virtual terms. This paper coins 'interhomelands migration' as a type of migration through addressing how the concept homeland is constructed by the affects and who is the constructing migrant type. The data obtained from the fieldwork executed with those who identify themselves as Bosniaks especially in Istanbul and nearby cities since 2004 and with the Turkish speaking people living in Bulgaria between 2013 and 2015 is assessed by means of analyses of both the discourses and various musical elements. In these examples, the affect of homeland is constituted by religion, flag, blood, land, especially fighting for the sake of this land, vague and non-objective nationalist concepts, shared historical background and cultural such as musical values in addition to born and grown lands. Interhomelands migrant type experiences the affects containing contrasts all together such as feeling alike, feeling strange, feeling the belonging. These affects cause to uncover the similarities on the one hand and on the contrary to underline the dissimilarities on the other hand. KEYWORDS Migration Homeland Sociology of Affects Music This paper is the extended version of the presentation submitted in the 3 rd International Music and Dance Studies Symposium
Muzikološki zbornik / Musicolog Annual
Music, Migration and Minorities: Perspectives and Reflections / Glasba, migracije in manjšine: perspektive in refleksije2019 •
The article offers a brief presentation of the main streams of ethnomusicological research on music, migration and minorities while reflecting on their theoretical and methodological frameworks. It pays particular attention to the intersection with other ethnomusicological sub-fields and its role in challenging the methodological nationalism and Western-centric views.
HAL (Le Centre pour la Communication Scientifique Directe)
The Migrants Music Manifesto [MMM] project: an integrative musical approach in a cultural Europe under construction2022 •
European Journal of Cultural Studies
Mapping the music of migration: Emergent themes and challenges2023 •
This article adds to existing scholarship on music and migration by presenting and reflecting on the work undertaken in the project 'Mapping the Music of Migration' (2019-2021, www.mamumi.eu), which comprised partners from seven European countries and focused on storytelling about music and its potential to enable intercultural exchange and counter negative stereotypes. The key activities of the project involved the collection of migrants' 'Song Stories'-personal stories about music-which were made publicly available through an interactive app. The article outlines the background and findings of the project and presents critical reflections on the various circumstances that shaped our process and results. The main objective is to give readers an insight into the key challenges and outcomes of the project, thereby calling attention to a range of themes and tensions that are of relevance to future studies of music and migration.
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