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The Moonstone: Introduction by Catherine Peters (Everyman's Library Classics Series) Hardcover – December 15, 1992

4.2 4.2 out of 5 stars 8,129 ratings

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The Moonstone is a stunning yellow diamond the size of a bird's egg that glows like the harvest moon and harbors a flaw in its brilliant depths.  Inherited by the beautiful young Englishwoman Rachel Verinder, it is also a sacred talisman to the Hindu priests who hope to bring it back to their holy city in India, from which it was looted long ago.  The diamond's disappearance sets in motion an intricately plotted mystery.  Wilkie Collins gives the reader all the necessary pieces to the puzzle, but they are so cleverly disguised that his surprise ending takes the breath away. 
   
The elements that make up
The Moonstone—a purloined jewel that carries a mysterious curse, an indefatigable British police sergeant, a drama of theft and murder in a spacious country house—have been repeated, in varying guises, throughout much of the avalanche of detective fiction that followed Collins's immensely popular 1868 novel.  But none of those books has surpassed the richness and suspense of the storytelling of The Moonstone, the first detective novel and the continuing standard of its genre.

Introduction by Catherine Peters

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Editorial Reviews

Review

"The first and greatest of English detective novels."
--T. S. Eliot

From the Inside Flap

Introduction by Catherine Peters

Product details

  • ASIN ‏ : ‎ 0679417222
  • Publisher ‏ : ‎ Everyman's Library; FIfth Edition (December 15, 1992)
  • Language ‏ : ‎ English
  • Hardcover ‏ : ‎ 528 pages
  • ISBN-10 ‏ : ‎ 9780679417224
  • ISBN-13 ‏ : ‎ 978-0679417224
  • Lexile measure ‏ : ‎ 710L
  • Item Weight ‏ : ‎ 1.25 pounds
  • Dimensions ‏ : ‎ 5.19 x 1.25 x 8.3 inches
  • Customer Reviews:
    4.2 4.2 out of 5 stars 8,129 ratings

About the author

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Wilkie Collins
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William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist, playwright, and short story writer. His best-known works are The Woman in White (1859), No Name (1862), Armadale (1866), and The Moonstone (1868), considered the first modern English detective novel.

Born into the family of painter William Collins in London, he lived with his family in Italy and France as a child and learned French and Italian. He worked as a clerk for a tea merchant. After his first novel Antonina was published in 1850, he met Charles Dickens, who became a close friend, mentor and collaborator. Some of Collins' works were first published in Dickens' journals All the Year Round and Household Words and the two collaborated on dramatic and fictional works.

Collins published his best known works in the 1860s, achieved financial stability and an international reputation. During this time he began suffering from gout took opium for pain and developed an addiction. During the 1870s and '80s the quality of his writing declined along with his health.

Collins was critical of the institution of marriage and never married; he split his time between Caroline Graves except for a 2 year separation, and his common law wife Martha Rudd with whom he had 3 children.

Bio from Wikipedia, the free encyclopedia. Photo by Elliott & Fry [Public domain], via Wikimedia Commons.

Customer reviews

4.2 out of 5 stars
4.2 out of 5
8,129 global ratings
LOVED this absorbing, intelligent mystery !
5 Stars
LOVED this absorbing, intelligent mystery !
Excellent entertainment for the mature, intelligent reader. A compelling mystery set on 19th century England, this book is chock full of twists, romance & good old-fashioned detecting Sherlock Holmes style. O thoroughly enjoyed the afternoon spent immersed on this book, & am eagerly looking forward to reading this author's other novels.
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Top reviews from the United States

Reviewed in the United States on June 13, 2014
Before there was Sherlock Holmes or Hercule Poirot, there was a tale of drugs, suicide, a stolen Indian diamond and a reported curse.

Specifically, there was "The Moonstone," a long and twisting Victorian tale that is considered the first mystery novel in the English language. Wilkie Collins's writing can be a bit dense at times (well, it IS a Victorian story) but it also has a cast of quirky characters in a very colorful story, and an unusually forward-thinking approach to class. How many other novels of this type have the BUTLER as the narrator?

After ten years in continental Europe, Franklin Blake returns to England to bring his cousin Rachel Verinder her eighteenth birthday present: a massive diamond called the Moonstone. It was left to her by her vile uncle, possibly as a malicious act -- three Hindu priests are lurking nearby, hoping to reclaim the sacred gem stolen from them long ago. Everyone except Rachel really wants the diamond split up, so it will no longer be a danger.

At the same time, Rachel is being wooed by two men -- the somewhat irresponsible young Franklin, and the prosperous but less attractive Godfrey Ablewhite. And a timid, deformed young maid named Rosanna has fallen desperately in love with Franklin (though he's completely oblivious to this).

Then after a dinner party, the Moonstone vanishes, leaving a smudge on a newly-painted door as the only clue. It seems that only someone in the house could have stolen it. But it doesn't turn up in any police sweeps, the priests have alibis, and Rachel flatly refuses to let Sergeant Cuff investigate further. She also refuses to speak to Franklin again. And after several months, Franklin learns of some new clues that could reveal who stole the Moonstone. With the now-retired Cuff and a disgraced doctor's assistant helping him, he sets out to unravel the mystery once and for all.

"The Moonstone" contains a lot of the tropes that later detective novels would use -- reenactment of the crime, red herrings, the culprit being the least likely suspect, and an English country house where you wouldn't expect a theft to take place. It even has TWO detectives -- a quirky police sergeant with plenty of brains, and a gentleman who is bright but kind of inexperienced.

Collins' prose can be a bit bloated at times, but he keeps it moving fast with lots of romantic drama and a hefty dose of humor (the insufferably pious Miss Clack: "Oh, be morally tidy. Let your faith be as your stockings, and your stockings as your faith"). He also switches between different perspectives throughout the book -- part is from the butler Mr. Betteridge, part is from Miss Clack, part is from Franklin Blake himself, and there are little snatches of text from various other people.

And it's quirky. Very quirky. At times it feels like the Victorian equivalent of a Wes Anderson movie, between Betteridge's fanboy preoccupation with Robinson Crusoe (which he uses for EVERYTHING) or Cuff's love of roses (which you wouldn't immediately associate with an elite police detective).

But there is a serious side to Collins' writing as well. Yes, "The Moonstone" has some uncomfortably sexist or racist moments, but he was never afraid to take a jab at the foibles of his own society -- hypocritical piety, stainable reputations or then-legal drug addiction. He also takes an unusually compassionate approach to the servant class in the character of Rosanna Spearman -- though she is plain, deformed and has a checkered history, Collins never mocks her or her hopeless love of Franklin.

He also provides us with a wide range of characters -- from wild young men to stately ladies, from a genial butler to the mysterious priests who are the likeliest suspects... but didn't actually do it. Rachel's melodrama can be a bit irritating at times (why didn't she confront Franklin?), but Franklin grows into a more responsible, thoughtful young man over the story, and he's balanced out nicely by the age and experience of the quirky Cuff and Betteridge.

"The Moonstone" is still a delightful read -- a powerful and sometimes tragic mystery, tempered with quirky humor and a likable cast of characters. While a bit overlong at times, it's still an outstanding little whodunnit.
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Reviewed in the United States on November 4, 2019
(Review for AmazonClassics and Dream Classics editions)

Marilyn Manson has written, and I agree, that "occasionally, something will happen that will change your opinion of someone irrevocably, that will shatter the ideal you've built up..." This story, this very important novel of the policial genre, suffers from the length with which the characters narrate their own participation in the main event. It can be expressed in the formula e=mc2, where E is the tiredness of my energy, equal to the product of the mass of words they write, multiplied by the velocity of light squared. Gabriel Betteredge is a lovable butler, loyal and tolerant, but insists so much about Robinson Crusoe and the defects of his deceased wife that almost turns into a bully; Miss Clack is a cute woman that care about religion, but the extension of her chapters make her look as an egotistical fanatic. They are the most notorious examples, but I'd say it applies for almost all protagonists. In the same way the extraordinary Moonstone has a small flaw in its core I think this unnecessary length a small flaw in the core of a very interesting story.

The policial genre maybe is the worst genre to review because it doesn't admit spoilers, as the revelation of the mystery is the core of it. So I will limit to mention what is safe to mention. The book is about the loss of a big diamond hunted by three Indians that have sworn to their gods to watch it until return it to India. The circumstances of the mystery are explained with great detail and just some parts are insinuated but not totally hidden. Different protagonists tell their part of their story according to the chronology of the events. Among the parts I loved are:

* The burning, in middle of the story, of a paper in which is written the name of the responsible of the loss of the diamond. We are so close to know it but it turn to ashes. It is, somehow, diabolical.
* The intrusion of horror in the shape of a misshaped and wretched girl. There is a part where one of the protagonists almost feels her emerging from the sea water above the quicksands. A gloomy vision that is scarier than the idea of a cursed diamond.
* The contrast of the polite British etiquette and ceremonies of the epoch with the outburst of the characters when the tension of the loss make them explode in outbursts of drama.
* The twists, they are quite amazing, as in our modern TV series (the good ones, it is)

There are some aspects that maybe are a tad far fetched as the way the characters seem to get in love quite easily; or the high horses from which some characters lecture others. Also there seems to be an ideological subtext, the one I cannot put my finger on; but I'd say Wilkie Collins seems to favor eccentric characters (i.e. Betteredge, Mr. Blake, Dr. Jennings) above religious or traditional ones (Miss Clack, the first police investigator, and the three Brahmin a bit) I know it is a strategy to divert the attention from real suspects to innocent ones, but I feel there is also some social denounce. Anyway, far from that century and country the answer is meaningless and it doesn't deprive from the adventure to read this book. Maybe I could read it again, and that intention, in the policial genre that only survives one reading, is testament of how good it is.

About the edition I read the AmazonClassics edition, and I compared it to the Dream Classics edition I had got time before. The AmazonClassics edition is by far the more enjoyable one: you have a clean and modern typography, excellent formatting, and the way to highlight the subtleties (cursives in AmazonClassics and capitals in Dream Classics) is less distracting. The only negative, in the AmazonClassics edition, is the reference to kindle versions of books mentioned. I love that function but the butler, Gabriel Betteredge, mentions Robinson Crusoe a lot, so it appears advertised in the AmazonClassics a lot too, I am not sure if it is possible to deactivate that option but nevertheless, I felt like Daniel Defoe had paid Amazon to get publicity for his book xD Curiously the mention of the important Confessions of an English Opium-Eater doesn't trigger a link to any kindle version, what is a shame because it is a wonderful book if you love, as I do, the British 19th century literature. Those very minor nuisances aside the main advantage of the AmazonClassics edition is the presence of X-Ray, super valuable for policial genre in which you need to know who is who, so probably this is the best edition you can get.
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Top reviews from other countries

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Pierre Hughes
5.0 out of 5 stars Great red
Reviewed in Canada on May 5, 2022
Wonderful read.A great mystery novel with great characters such as Gabriel Betteridge with his "Robinson Crusoe and Ezra Jennings as well as the main characters.
Priyadarshni Palanikumar
5.0 out of 5 stars What a ride!
Reviewed in India on January 11, 2023
Mr Collins has outdone himself again in my eyes! I loved the race of the plot at the end after hating the narration of <spoiler>Miss Clack</spoiler>. The most simple of mysteries and yet the most unexpected twists and turns! Wow. I can't believe that this would be one of my favourites!
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maría
5.0 out of 5 stars Edición excelente
Reviewed in Spain on December 12, 2022
Excelente relación calidad-precio. El tamaño de la letra está perfecto teniendo en cuenta que es un libro con formato más pequeño que los de otras ediciones. Libro manejable y fuerte. Muy satisfecha con la compra.
Babi
5.0 out of 5 stars Tutto ok
Reviewed in Italy on August 19, 2022
Libro conforme, consegna perfetta.
DKD
1.0 out of 5 stars Very poor quality (the ebook not the content)
Reviewed in the Netherlands on August 3, 2021
The book is just a photocopy. Lines are missing, can't highlight passages because it's just a picture basically. Really low quality and not worth even 2,69. Very disappointing.
The story is great though, but I recommend finding a different version.