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Category: Classics

For more than 20 years, RM Sotheby’s has been the official auction house of The Amelia’s predecessor, The Amelia Island Concours d’Elegance. A name change and the retirement of long-term event organizer Bill Warner have not changed that, and once again the venerable (since 1793, far predating anything you’d recognize as an automobile) company is on hand at the Ritz-Carlton, Amelia Island, with 94 cars representing the mixture of motorsports and classics that characterize Amelia.

In previewing this week’s offerings, Senior Editor Matt Litwin and I have taken note not only of the significant and possibly high-yielding cars on offer, but those that appeal to us on a personal level. Over the last two days, we’ve analyzed our preferred lots from Bonhams and Gooding. Now, it’s time to take a look at RM’s offerings and make note of a rather unusual situation—Matt and I both picked the same car.

Rather than fight over it, we’ll just show you that one and the eight others that we would happily have taken home. You, the reader, can decide if our taste is good, bad, or indifferent.

Dave and Matt’s Joint Pick:

A red 1932 Buick Series 50 Phaeton with black fenders and a tan interior on grass in a white tent.

1932 Buick Series 50 Sports Phaeton

Dave’s view: Perhaps this should come as no surprise. After all, Matt’s a long-time Buick aficionado and I have a real weakness for moderately sized phaetons and touring cars of the ’20s and ’30s. Naturally, then, this ’32 Buick with a Holden-built phaeton body (originally a RHD car from Australia) spoke to the both of us. To me, it’s possibly the best GM car you could buy that year. It’s not much bigger than a ’32 Ford, better built than a ’32 Chevy, and boasts one of the early iterations of Buick’s excellent straight-eight. It is, naturally, as handsome as can be (GM’s real value in the era was its styling, thanks to Harley Earl), and sports some technically interesting touches like remote-control adjustable shock absorbers: Sports Phaeton, indeed! For me, this one rivals many bigger and more expensive cars in its appeal.

Matt’s view: Interestingly, not only did we pick the same car, we did so for essentially the same reasons. An old friend once owned a McLaughlin Buick - of Canada - from the 1923 model year, which took me on a path into a deeper realm of appreciation for the more unique Buicks through the Thirties. After all, wouldn't you rather own a Buick?

Dave’s Picks:

A maroon 1931 Bentley 8-Litre Special on grass against a white tent.

1931 Bentley 8-Litre Special

Just before W.O. Bentley lost control of the company he’d founded (and it wound up in the hands of competitor Rolls-Royce), he released the enormous 8-litre cars. While Woolf Barnato and Bentley Boy friends made the W.O.-era cars synonymous with supercharging, the founder himself believed that displacement was the better route to performance and the 487-cu.in., SOHC six-cylinder in the 8 Litre reflected that. Unfortunately, the cars were also incredibly expensive and came out just in time for the worst of the Great Depression. From 1930 to ’32, just 100 were produced. This one was doubly neat because not long after it was built, it received the sporty coachwork you see here atop a shortened chassis. The resulting beast is an amazing period performance machine, right down to the vented brakes and lightened front axle. I found that the history, backstory, and its sheer presence made it a car I’ll think about for many years to come.

Matt’s response: Few in my circle of car enthusiasts know that I'm an early Bentley enthusiast. The make was introduced to me in somewhat greater detail by Ian Fleming's reprinted novels I collected and read in my formative years, which in turn sent me scurrying to find one to view in person. It took years - they weren't exactly common in my southern Connecticut hometown - and by then I found myself gravitating to the 4-1/2-Litre "Blower" Bentleys.

A black 1933 Ford roadster with red wheels and whitewall tires on grass in a white tent.

1933 Ford Model 40 Roadster

Roadsters are undoubtedly the most coveted early Ford body. The lightest, most elemental body for most of production, the roadster style is the perfect complement to Ford’s jaunty V-8 engine. The two overlapped for just five years, however, and demand has long outstripped supply thanks to the ravenous appetite for early Fords of both racing and hot rodding. It’s rare, then, to see a completely stock V-8 Ford roadster like this, and that’s the appeal to me, as so many have been modified in questionable taste. Model year 1933 has its plusses and minuses: With its curved grille and hood louvers, it’s a bit fancier than the near-identical-looking 1934s; but 1934 also saw the introduction of the two-barrel carburetor, slightly improving responsiveness despite an unchanged peak horsepower rating of 75. One-barrel or not, there was nothing to dislike about this one.

Matt’s response: I agree with Dave's comments pertaining to the relatively rare appearance of a completely stock V-8 Ford roadster, which made me pause on my stroll through one of the preview tents. Though as I looked over the Ford's cowl, it was game over when I saw the 1932 Buick discussed above.

A green 1913 Stutz Bearcat speedster with red undercarriage on grass in a white tent.

1913 Stutz Series B Bearcat

Even people who think every pre-1933 car is a Ford Model T at least recognize the names Mercer Raceabout and Stutz Bearcat, nearly a century since either has been available new. They have been collectible seemingly forever and certainly since the old-car hobby got its start in the 1930s. Thus, it’s rare to see one at all and rarer still to see one for sale. It was a real treat to see this Bearcat, then, bask in its aura of quiet confidence, and ogle all the details (look at those green-shaded MacBeth headlamp lenses!). The real treat, though, would be in the driving and I’m awfully sad I didn’t have the $350,000 to $450,000 for which it’s expected to sell.

Matt’s response: I've been fortunate enough to see a few genuine Stutz Bearcats in my lifetime, and each seemed to have a special aura enveloping what was essentially a street-legal racer, long before the term was coined. Oddly, though - and despite my attraction to anything with ties to motorsports - I would likely pass on the opportunity to add one to my garage (if I had the capital to do so). That's not to say I don't appreciate the legend; it's a simple matter of having a deeper preference for other makes of this epoch.

A maroon 1934 Packard Twelve with whitewall tires on chrome wheels, sitting on grass in a white tent.

1934 Packard Twelve Custom Individual Sport Phaeton in the style of LeBaron

Coachbuilding never died, it just scaled way back. Thus, if you have a chassis plus the talent (or the financial wherewithal to commission the talent), you too can have whatever custom body you would have ordered from the likes of Brewster, Dietrich, or any other of the legendary names of the Full Classic era. Numerous dowdy, damaged, or decayed vintage bodies have been replaced over the years with handcrafted replicas that are indistinguishable from the originals. This 1934 Packard Twelve is one of those, wearing an exactingly recreated LeBaron “Custom Individual Sport Phaeton” body drafted and commissioned by one-time owner Joseph Albanese. Mr. Albanese chose well, I’d say, and the result is one of the most beautiful Twelves I’ve ever seen.

Matt’s response: One hand is all you need to count how many domestic luxury car makers had the number "12" at the end of the "Number of cylinders" entry in a model's owner manual. Cadillac; Marmon; Packard - they all rate high in my mind just for the pure feat of engineering it took to make the powerplant all come together when eight-cylinder engines were honing in on a new level of performance prowess. Throw in a long, elegant body like this LeBaron - recreated or not - and more often than not my reaction is "WOW!"

Matt’s Picks:

1966 Austin-Healey 3000 Mk III BJ8

If there's one British make I'd buy in the blink of an eye that didn't wear an Aston Martin emblem, it would be one of these "Big Healeys." A 3000 anything is fine, and until this week, my ideal color combination wasn't BRG with a black cockpit - you buy these for the boulevard, after all - but silver over black. Whelp, that changed in a flash. Where do I sign?

Dave’s response: I’m an unabashed fan of British Racing Green, the original color of this Healey and perhaps a cliché at this point on ’60s sports cars, but I must admit that the 2019 change to Golden Beige Metallic and red Ambla vinyl resulted in a visually striking car. It’s shocking that there are so few miles on it and that’s something I’d want to change in a hurry. Donald Healey would want it that way, I’m sure.

1948 Packard Eight Station Sedan

I’m a glutton for punishment, and my fiancé would likely agree. While she's all on board for my future car ownership consisting of a long-overdue "fun car" (meaning something sporty with a folding soft top), I can't help but stop and ponder the possibilities every time I see a station wagon. I suppose it may be that way for anyone who experienced a road trip in the back of of a wagon; the joy of being a 2x4's length away from parents, one of whom was trying to concentrate on traffic while us wee ones were goofing around, which usually unleashed a brief, colorful rant (aka major driving distraction--I get it now, Dad!). My taste in wagons is simple: station wagon. The more unique, the better, and Packard's infrequently seen blend of of wagon-to-sedan build completely won me over.

Dave’s response: Station wagons speak to me—probably because I grew up in the minivan era and quickly figured out what we were losing. Unusual variations on the theme can work well or poorly. Packard’s take, turning its pregnant-elephant sedan into a wagonish vehicle, was one of the winners, in my book. I think the Station Sedan is an improvement over its non-woodie stablemate and I’ve always admired them. This was a great car that only made Matt’s list over mine because I had already insisted on sharing the ’32 Buick.

1968 Iso Grifo GL Series I

My first Iso Grifo drive was across the living room floor, made possible by the 1:64 scale die-cast likeness by Matchbox I received as a gift. It was my first race car (a deTomaso Pantera, also by Matchbox, joined the racing fleet within months). It didn't look like Richard Petty's Dodge, but that was okay by me, as I was racing across some imagined street circuit in a far off land. It was only much later that I learned of the Iso's combination of Italian styling and American muscle that made the Grifo a grand tourer the discerning enthusiast truly enjoyed. Oh, how I would love to add a few thousand miles to this odometer... next week. Taking the long way home.

Dave’s response: This is an incredibly good-looking machine. Once again, it’s Italian styling at its very best before it went nuts with the wedges and angles later on. Better yet, it’s motivated by one of my favorite engine and transmission combinations: a 350-hp L79 327-cu.in. Chevrolet V-8 backed by a four-speed manual transmission. This is truly the best of both worlds and I’d be happy to own it.

1964 Shelby 289 Cobra

Dad. I blame Dad. Hearing stories about his fascination and appreciation for Ford performance cars, the 427 Cobra he once considered buying, and the 1968 Shelby G.T. 500 he eventually did purchase, had my wheels spinning. Together, we witnessed the Cobra Club's stop at Lime Rock Park one summer; I swear the ground shook as a pack of big-block serpents powered away from the diving turn. The power-to-weight ratio is insane, by all accounts. But as one may have guessed by now, my driving ambitions have persuaded me to pass by a 427 and roll with a more manageable 289 Cobra, like this one. Or, one of the few early 260 models, but since that wasn't an option here at the RM Sotheby's sale, I'll gladly warm this 289 up and drive it onto the block - if they need a volunteer. Hey, it's a start.

Dave’s response: The 427 cars, with their fender flares and legendary Ford big-block powerplants, seem to get all the glory, but to me it’s the 289 cars that are the real legends. Maybe blame my father for telling me about the Cobra that came to town one day and ate all the muscle cars’ lunch. The AC Ace roadster and the lightweight Ford small-block were a match made in heaven—light, lithe, and frighteningly quick. While any 289 car would be good, and honestly my preference would lean toward a yellow one, this Bright Blue car with its red interior was undeniably beautiful too.

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