Eubie Blake Jazz Lyricist, Composer, Pianist


Composer and performer Eubie Blake had been playing piano in Baltimore bars and saloons when he began to experiment with ragtime, a jazz style featuring syncopated melodies. At the age of just 16, Blake composed his first rag, “The Charleston Rag.”

Blake met singer Noble Sissle in 1915, and the pair formed a vaudeville act called The Dixie Duo. Breaking away from an accepted but racist tradition of the time, they performed not in blackface but in tuxedos. (Previously, Black performers used exaggerated make-up to make their faces appear darker.) Blake and Sissle’s first song, “It’s All Your Fault,” performed by Sophie Tucker, became an overnight hit. It also kicked off a long and fruitful songwriting partnership.

In 1921, composer Blake and lyricist Sissle joined writers Flournoy Miller and Aubrey L. Lyles to create Shuffle Along, Broadway’s first all-Black musical comedy. Cast members included Josephine Baker, Florence Mills, and Paul Robeson; all three would go on to stardom. Shuffle Along also launched many of Blake’s most enduring songs, among them “Love Will Find a Way” and “I’m Just Wild about Harry.”

A black-and-white image of jazz lyricist, composer, and pianist Eubie Blake.
The Music of
Eubie Blake


[click a title below to play]

  • “The Charleston Rag”
  • “It’s All Your Fault”
  • “Love Will Find a Way”
  • “I’m Just Wild About Harry”

Building on the success of Shuffle Along, Blake and Sissle created two more hit musicals, Elsie and Chocolate Dandies. Working independently, Blake composed tunes for Swing It, the series of Blackbirds musical revues, and the self-titled tribute Eubie!

Success came his way, but he never tired of advancing the careers of other African American musicians. Blake performed benefit concerts on behalf of the NAACP and the Urban League, as well as numerous Black youth groups and schools.

In 1948, presidential candidate Harry Truman adopted “I’m Just Wild about Harry” as his official campaign song. When Truman won the election, Blake was summoned to Washington, D.C., to work on a new arrangement for his inauguration—only to be replaced at the last minute by a white singer.

A logo banner that says “Drop Me Off in Harlem” in white font on top of a transparent image of the Cotton Club. The Cotton Club image is obscured by a soft mixture of green, yellow, and pink.

I n t e r s e c t i o n s

A cropped black-and-white image of Black cast members of the 1921 musical, Shuffle Along. Featured are four women posed together wearing 1920s fashionable hats, short hair, and outfits.

He composed music for the famous production of Shuffle Along.

A black-and-white photo of dancer, singer, and actress Florence Mills.

Blake launched the career of Florence Mills when he cast her in Shuffle Along.

A black-and-white side profile photo of scholar, novelist, essayist, and editor W. E. B. Du Bois.

He played at benefits held by the NAACP, of which W. E. B. Du Bois was a founding member.

A black-and-white photo of dancer Bill Robinson.

Dancer Bill Robinson appeared on screen with Blake’s orchestra.

A black-and-white photo of actress Evelyn Preer.

Actress Evelyn Preer appeared in Chocolate Dandies.

A black-and-white photo of musician Duke Ellington.

Duke Ellington recorded many Blake compositions, including “That Lindy Hop.”

harlem-line.jpg


Video Bio

Video Bio

Related Resources

Media Billie Holiday + Strange Fruit

Billie Holiday had a hit record with the song “Strange Fruit” in the 1930s, bringing light to the horror of lynching in the American South.

  • Music
  • Jazz & Blues
  • African-American History
  • Women in the Arts

Media Jason Moran: In the Studio

Learn the basics of jazz music and how the art form works. Along with his band, Jason Moran shows you how jazz is more like skateboarding and football than you would think, as well as plays original and classic jazz standards.

  • Music
  • Jazz & Blues
  • Backstage

Media Jazz in DC

From Fairmont Street to U Street, from the Howard Theater to the Bohemian Caverns, take a tour through jazz history with Billy Taylor and Frank Wess, who lead listeners through their hometown’s music scene in this seven-part audio series.

  • History
  • Jazz & Blues
  • United States

Media Swing! Swing! Swing!

This series, hosted by Connaitre Miller of Howard University, explores why Swing was the most popular dance music in America and how it is still alive today in dance halls, clubs and movies

  • Music
  • Jazz & Blues
  • Popular Music
Kennedy Center Education Digital Learning

Eric Friedman 
Director, Digital Learning

Kenny Neal 
Manager, Digital Education Resources

Tiffany A. Bryant 
Manager, Operations and Audience Engagement

Joanna McKee 
Program Coordinator, Digital Learning

JoDee Scissors 
Content Specialist, Digital Learning

Connect with us!

spacer-24px.pngyoutube.png    facebook.png    twitter.png    instagram.png    email.png

Generous support for educational programs at the Kennedy Center is provided by the U.S. Department of Education. The content of these programs may have been developed under a grant from the U.S. Department of Education but does not necessarily represent the policy of the U.S. Department of Education. You should not assume endorsement by the federal government.

Gifts and grants to educational programs at the Kennedy Center are provided by A. James & Alice B. Clark Foundation; Annenberg Foundation; the Andrew W. Mellon Foundation; Bank of America; Bender Foundation, Inc.; Carter and Melissa Cafritz Trust; Carnegie Corporation of New York; DC Commission on the Arts and Humanities; Estée Lauder; Exelon; Flocabulary; Harman Family Foundation; The Hearst Foundations; the Herb Alpert Foundation; the Howard and Geraldine Polinger Family Foundation; William R. Kenan, Jr. Charitable Trust; the Kimsey Endowment; The King-White Family Foundation and Dr. J. Douglas White; Laird Norton Family Foundation; Little Kids Rock; Lois and Richard England Family Foundation; Dr. Gary Mather and Ms. Christina Co Mather; Dr. Gerald and Paula McNichols Foundation; The Morningstar Foundation;

The Morris and Gwendolyn Cafritz Foundation; Music Theatre International; Myra and Leura Younker Endowment Fund; the National Endowment for the Arts; Newman’s Own Foundation; Nordstrom; Park Foundation, Inc.; Paul M. Angell Family Foundation; The Irene Pollin Audience Development and Community Engagement Initiatives; Prince Charitable Trusts; Soundtrap; The Harold and Mimi Steinberg Charitable Trust; Rosemary Kennedy Education Fund; The Embassy of the United Arab Emirates; UnitedHealth Group; The Victory Foundation; The Volgenau Foundation; Volkswagen Group of America; Dennis & Phyllis Washington; and Wells Fargo. Additional support is provided by the National Committee for the Performing Arts.

Social perspectives and language used to describe diverse cultures, identities, experiences, and historical context or significance may have changed since this resource was produced. Kennedy Center Education is committed to reviewing and updating our content to address these changes. If you have specific feedback, recommendations, or concerns, please contact us at [email protected].