Booxffice-June.04.1955
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. . inown<br />
'JNE 4,<br />
.or* of Pro,<br />
nictuM yncucA^<br />
[^KIDDI ELAND<br />
DRIVE-IN PLAYGROUNDS ore featured in The MODERN THEATRE section this issue .<br />
Shown here nere<br />
is one of two play aroas at the Starlite Drive-In Theatre, Chicago, operated by Stanford Kohlberg. This<br />
is the Kiddieland, at which a five-cent fee is charged for rides. The other area has free play equipment.<br />
Story in The MODERN THEATRE.<br />
TM<br />
MEM<br />
TMiAmi<br />
SECTION,<br />
tmottar o< the Pjii OH.c<br />
Makly by '<br />
Kor^toi City,<br />
per y»or:<br />
^^v EXECUTIVE EDITIOr<br />
B It S4ctlon
!<br />
AFTER<br />
"BLACKBOARD JUNGL<br />
ANOTHER BOX-OFFld<br />
HOTFOOT<br />
A hitherto forbidden subject, M-G-M has dared to dramatize<br />
the revealing best-seller, "THE COBWEB." It<br />
will blast the nation just as "Blackboard Jungle" did.<br />
The secrets of the psychiatrist's couch are bared in the<br />
strange mansion on the hill whose occupants are caught<br />
in<br />
the Cobweb of human emotions.
\L<br />
This is the Strange Mansion on the Hilt.<br />
A GREAT SUBJECT FOR PUBLICITY!<br />
A complete condensation of the best -selling novel in Woman's Home<br />
Companion, out June 23rd. A natural for publicity. AND WATCH<br />
FOR THE DARING, OUTSPOKEN TRAILER, A TICKET-SELLER.<br />
'Om confided in him Once you have loved... Behind the dignity, a w/olf A neglected wife finds trouble The despot of the Mansion<br />
KHARD LAUREN CHARLES GLORIA LILLIAN<br />
[MARK BACALL BOYER GRAHAME GISH<br />
M-G-M<br />
CI N EMASCOPE - COLOR<br />
..,„,.... JOHN KERR .. SUSAN STRASBERG<br />
OSCAR LEVANT-TOMMY RETTIG-w„.„ JOHN PAXTON<br />
Additional Dialogue by WILLIAM GIBSON • Fromihe Novel by WILLIAM GIBSON * Photographed in EASTMAN COLOR<br />
Directed<br />
.^VINCENTE MINNELLI-..-...JOHN HOUSEMAN<br />
(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)
!<br />
AFTER<br />
"BLACKBOARD JUNGU<br />
ANOTHER BOX-OFFIck<br />
HOTFOOT<br />
A hitherto forbidden subject, M-G-M has dared to dramatize<br />
the revealing best-seller, "THE COBWEB." It<br />
will blast the nation just as "Blackboard Jungle" did.<br />
The secrets of the psychiatrist's couch are bared in the<br />
strange mansion on the hill whose occupants are caught<br />
in<br />
the Cobweb of human emotions.<br />
k
I<br />
This is the Strange Mansion on the Hill.<br />
A GREAT SUBJECT FOR PUBLICITY!<br />
A complete condensation of the best -selling novel in Woman's Home<br />
Companion, out June 23rd. A natural for publicity. AND WATCH<br />
FOR THE DARING, OUTSPOKEN TRAILER, A TICKET- SELLER.<br />
'om confided in him Once you have loved... Behind the dignity, a wolf A neglected wife finds trouble The despot of the Mansion<br />
KHARD LAUREN CHARLES GLORIA LILLIAN<br />
MARK BACALL BOYER GRAHAME GISH<br />
M-G-M „<br />
CINEMASCOPE -COLOR<br />
..,_.,„, JOHN KERR .. SUSAN STRASBERG<br />
..OSCAR LEVANT-TOMMY RETTIG -..-...JOHN PAXTON<br />
Additional Dialogue by WILLIAM GIBSON • From the Novel by WILLIAM GIBSON . Photographed in EASTMAN COLOR<br />
.^^.^VINCENTE MINNELLI-P......JOHN HOUSEMAN<br />
\l<br />
(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)
AFTER<br />
"BLACKBOARD JUNGU<br />
ANOTHER BOX-OFFICp<br />
HOTFOOT ! '<br />
A hitherto forbidden subject, M-G-M has dared to dramatize<br />
the revealing best-seller, "THE COBWEB." It<br />
will blast the nation just as "Blackboard Jungle" did.<br />
The secrets of the psychiatrist's couch are bared in the<br />
strange mansion on the hill whose occupants are caught<br />
in<br />
the Cobweb of human emotions.<br />
i
This is the Strange Mansion on the Hill.<br />
A GREAT SUBJECT FOR<br />
PUBLICITY!<br />
A complete condensation of the best -selling novel in Woman's Home<br />
Companion, out June 23rd. A natural for publicity. AND WATCH<br />
FOR THE DARING, OUTSPOKEN TRAILER, A TICKET-SELLER.<br />
nrttnenconfidedinhim Once you have loved... Behind the dignity, a v^olf A neglected wifefindstrouble The despot of the Mansion<br />
ICHARD LAUREN CHARLES GLORIA LILLIAN<br />
IDMARK BACALL BOYER GRAHAME GISH<br />
M-G-M „<br />
CINEMASCOPE - COLOR<br />
,.,.„..,. JOHN KERR .. SUSAN STRASBERG<br />
~uouni\ OSCAR LEVANT-TOMMY LLvn^ii lui.i.... RETTIG<br />
.».. . ..u .„„..,., JOHN PAXTON<br />
Additional Dialogue by WILLIAM GIBSON • From the Novel by WILLIAM GIBSON * Photographed in EASTMAN COLOR<br />
.,..«-., VI NCENTE IV1INNELLI-P.....J0HN Produced by HOUSEMAN<br />
(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)
Mister Wilkerson w^ 1<br />
^<br />
,-:rj'<br />
'*-«<br />
* ^'-<br />
NEXT ATTRACTION<br />
RADIO CITY MUSIC HALL<br />
(REPRINTED IN ITS ENTIRETY FROM THE<br />
HOLLYWOOD REPORTER; MAY 19)<br />
• IT'S OUR GUESS, after listening to a mi-e^<br />
view audience howl for the better part oftwc<br />
hours, that the Warners-Leland Haywardiroduction<br />
of "Mister Roberts" will<br />
of the top grosses of this I"<br />
and any other year.<br />
Recently in this column<br />
I<br />
'<br />
hang upine<br />
f<br />
we offered an opinion that 1,<br />
our major and minor pro- i<br />
ducers were muffing big<br />
potential ticket sales through their refusal:|or<br />
inability)<br />
to come up with pictures that wild<br />
give audiences the big laughs they yearnd to<br />
enjoy through viewing motion pictures. A/e<br />
suggested the early foundation of this Ijsiness<br />
was accomplished through the exhibion<br />
of pictures that made the ticket<br />
buyers mtrry,<br />
gave them laughs, sent them home in hcJpy<br />
moods. Further, that our theatre patrons do<br />
not want to add to their worries through v3Wing<br />
pictures that burden them with additional<br />
mental griefs.<br />
jf<br />
^^ We hardly had the sheet out of this t'oe-<br />
/<br />
writer when a sneak showing of "Miter<br />
Roberts" at the Pontages answered our proer.<br />
We heard a jammed theatre rocked to its ary<br />
rafters with about the greatest continLJUS
::<br />
Too—<br />
;<br />
: fanning<br />
•<br />
ntch<br />
ts an editorial about<br />
Iluahter<br />
ANY theatre has ever had. Not only<br />
i "Mister Roberts" packed with good, sock<br />
uhWy laughs, it's an exceptionally Pine piece<br />
li Film entertainment that will pack every<br />
leatre in the land that's fortunate enough to<br />
: }jt its play.<br />
'•We didn't see the play — also produced<br />
'Ci(/<br />
Lelond Hayward — but our preview com-<br />
Ifjnion had seen it and told us the picture is just<br />
~||p^ 1 1 00% better than the stage<br />
M I showthat ran forthree years<br />
ii<br />
Hi^l<br />
in<br />
New York and reaped a<br />
boxoflRce harvest not only<br />
there but throughout its long<br />
road engagement.<br />
it's our guess that other big production<br />
''fritfits, once they see this picture, listen to the<br />
(idience reaction and then view the reports<br />
i ( its big cash take, will shift their thinking,<br />
itteh a lot of the heavy material now on their<br />
boards and reach for material that<br />
'vll<br />
produce fun and laughter and be able to<br />
theirown boxoflRce barometer rise. True,<br />
^<br />
tniu^ji^i<br />
On Sunday June 19th<br />
iullivan's "Toast of the<br />
'nV for the first time in its<br />
jven years on TV, will be<br />
ted entirely to a motion<br />
r<br />
(iy of them can't pick up a "Mister Roberts"<br />
iafost search, butthey can change theirsights<br />
who greater accent on comedy and find them-<br />
: Ives in a better picture business, winning back<br />
\ picture.<br />
The picture is<br />
MISTER ROBERTS<br />
ind over 50 million<br />
c<br />
ot of the audience they have lost and bring-<br />
1^ a lot of new faces to theatre ticket windows.<br />
"Mister Roberts" will be a sock attraction<br />
I<br />
people will be<br />
watching!<br />
fsrywhere.<br />
Thanks, Mister Warner! Thanks,<br />
^ster<br />
Hayward!
20th Cenfory-Fox presents BETTY GRABLE<br />
• SHEREE NORTH BOI<br />
•<br />
CUMMINGS CHARLES COBURN TOMMY NOONAN • in HOWiFO B<br />
•<br />
VERY, VERY POPULAR with Orson Bean Fred Clark<br />
• Produced, tectei<br />
and Screen Play by NUNNALLY JOHNSON** . COLOR by DEIXE
: Elsie<br />
' '<br />
No.<br />
: Fred<br />
I<br />
.<br />
.Monoging<br />
^^^^ y?2o&on T^cctwie /ftdiUt^<br />
IKATIONAL FILM WEEKLY<br />
1, jied in Nine Sectional Editions<br />
EN<br />
SHLY EN<br />
n-Chiel and Publisher<br />
D M. MER5EREAU Associote<br />
ubiishcr & General Manoger<br />
M JERAULD Editor<br />
iN COHEN. .Executive Editor<br />
.<br />
iHLYEN. Editor<br />
PEAR Western Editor<br />
HATCHER. .Equipment Editor<br />
SCHLOZMAN . Business Mgr.<br />
shed Every Saturday by<br />
OCIATED PUBLICATIONS<br />
on Ottices: 825 Van Brunt Blvd..<br />
IIS 24. Mo. Nathan Cohen, E.>;ecu-<br />
or: Jessf Shiyen, Managing Edlils<br />
Schlozman. Business Manager:<br />
irthcr. Editor The Modern Theatre<br />
Telephone CHestnut T777.<br />
(tfflces:45 Itockefeller Plaza. New<br />
N, V. Donald M. Mersereau.<br />
Publisher & General Manager:<br />
Jerauld. Editor: Hal Sloane.<br />
Promotlon-Showmandlser Section;<br />
Stocker. Equipment Advertising.<br />
COIumbus 5-63T0.<br />
)tfico: Editorial—920 No.<br />
Michl-<br />
,<br />
Chicago 11. 111.. Frances B.<br />
itphooe superior 7-3972. Adver-<br />
15 East Waclier Drive. Chicago 1.<br />
In( Hutchison and E. E. Yeck.<br />
t .\Ndover 3-3042.<br />
OKIcb: Editorial and Film Adver-<br />
404 HolLvnood Blvd.. Hollywood<br />
I. Ivi Tele<br />
Dllyvood 5-1186. Equipment and<br />
Advertising—672 S. Lafayette<br />
, t«s Angeles. Calif. Bob Wett-<br />
Mg«. Telephone Dunkirk 8-22S6.<br />
on Office: Al Goldsmith. 1365<br />
rrc-
,<br />
SAW<br />
',<br />
'<br />
.<br />
COMPO SUPPLYING EXHIBITORS]<br />
WITH AUDIENCE POLL BALLOTJ<br />
They Will Nominate Films<br />
And Players Which Public<br />
Will Vote on in November<br />
NEW YORK—The first official ballot<br />
for exhibitor nominations for the national<br />
Audience Awards poll to be conducted<br />
under Council of Motion Picture Organizations<br />
auspices is being supplied exhibitors,<br />
along with a highly attractive and meaty<br />
brochure outlining the plan. Two other<br />
ballots will follow.<br />
NOMINATING BALLOT ONLY<br />
The ballot Is a nominating ballot only and<br />
is not to be confused with the ballot which<br />
the public will use in the election to be held<br />
in theatre lobbies November 17-27. It covers<br />
pictures released during the period Oct. 1,<br />
1954-March 31, 1955. An envelope is inclosed<br />
for mailing to Pi-ice Waterhouse & Co.. 56<br />
Pine St., New York 5, N.Y., before July 11.<br />
Picture and player nominations are limited<br />
to ten each. No player can be nominated<br />
more than once. Players may be nominated<br />
for their work in a certain listed picture, as<br />
William Holden in connection with either "The<br />
Bridges at Toko-Ri" or "The Country Girl,"<br />
but there can be write-in nominations of both<br />
pictures and players. Nomination of a picture<br />
does not mean that the exhibitor must<br />
nominate any of the players In it.<br />
The ballot is divided into three parts—the<br />
best pictures, the best performances of male<br />
and female stars and the most promising<br />
young male and female personalities. In the<br />
following list, where there are asterisks after<br />
names, they indicate promising young personalities<br />
as distinct from stars, and where there<br />
are duplications of names for the same picture,<br />
it means the vote can go to the players<br />
either as stars or as young personalities. The<br />
list follows:<br />
ADVENTURES OF HAJJl BABA—John Derek, Elaine<br />
Stewart.<br />
THE AMERICANO—^Glenn Ford, Ursula Thiess, Abbe<br />
Lane*.<br />
ATHENA—Edmund Purdom, Vic Damone, Jane<br />
Powell, Debbie Reynolds, Virginia Gibson*.<br />
ABBOTT & COSTELLO MEET THE KEYSTONE KOPS<br />
— Bud Abbott, Lou Costello, Lynn Bori.<br />
THE BLACK WIDOW—Van Heflin, George Ratt,<br />
Ginger Rogers, Gene Tierney, Virginia Leith*.<br />
THE BRIDGES AT TOKO-RI—William Holden,<br />
Fredric March, Mickey Rooney, Grace Kelly.<br />
THE BAREFOOT CONTESSA—Humphrey Bogart,<br />
Avo Gardner, Rossano Brazzi*, Mori Aldon".<br />
THE BLACK KNIGHT—Alan Lodd, Patricio Medina.<br />
BIG COMBO—Cornel Wilde, Richard Conte, Jean<br />
Wallace.<br />
BATTLE CRY—Van Heflin, Aldo Ray, Mono Freeman,<br />
Nancy Olson, Tab Hunter*, Dorothy Malone*.<br />
BRIGADOON—Gene Kelly, Van Johnson, Cyd<br />
Chonsse, Elaine Stewart, Dody Heath*.<br />
ADDITIONAL FILM ENTRIES<br />
BEAU BRUMMELL—Stewart Grainger, Peter Ustinof,<br />
Robert Morley, Elizabeth Taylor.<br />
BAD DAY AT BLACK ROCK—Spencer Tracy, Robert<br />
Ryon, John Ericson".<br />
THE BLACKBOARD JUNGLE—Glenn Ford.<br />
BLACK SHIELD OF FALWORTH—Tony Curtis, Janet<br />
Leigh, Barbara Rush*.<br />
BENGAL BRIGADE—Rock Hudson, Arlene Dahl.<br />
CARMEN JONES—Horry Belofonte, Dorothy Dandridge,<br />
Harry Belofonte*, Dorothy Dondridge*.<br />
COUNTRY GIRL— Bing Crosby, William Holden,<br />
Grace Kelly.<br />
CREST OF THE WAVE—Gene Kelly, Jeff Richards*<br />
CAPTAIN LIGHTFOOT—Rock Hudson, Barbara<br />
Rush, Jeff Morrow*, Barboro Rush*.<br />
If Poll Succeeds, Rhodeii<br />
Sees a Business 'Boom'<br />
HOLLYWOOD--for the trade as a whole will result if the<br />
"terrific" business boom<br />
national audience poll<br />
to be conducted this<br />
fall under the auspices<br />
of COMPO succeeds in<br />
launching five or six<br />
new film personalities,<br />
Elmer C. Rhoden,<br />
president of National<br />
Theatres and chairman<br />
of COMPO's audience<br />
awards committee,<br />
declared here<br />
Wednesday (1).<br />
Speaking at an informal<br />
luncheon for<br />
Elmer C. Rhoden<br />
studio advertising-publicity chiefs, Rhoden<br />
opined that the poll some day will become<br />
one of the most important and powerful influences<br />
in getting people out to see more<br />
movies. It is, he added, "something that<br />
should have been put into practice many,<br />
many years ago, but because of the lack of<br />
coordinated effort and unity within our industry,<br />
this important job was left undone."<br />
As host at the luncheon session, Rhoden<br />
called upon the studio advertising and publicity<br />
executives to help in creating selling campaigns,<br />
particularly trailers on new personal-<br />
DESIREE—Marlon Brando, Michael Rennie, Jean<br />
Simmons, Merle Oberon, Charlotte Austin*.<br />
THE DETECTIVE—Alec Guinness, Joan Greenwood.<br />
DRUM BEAT—Alan Lodd, Audrey Dolton, Robert<br />
Keith*, Marisa Povon*.<br />
DEEP IN MY HEART—Jose Ferrer, Wolter Pidgeon,<br />
Merle Oberon, Helen Traubel, Doe Avedon*.<br />
DAWN AT SOCORRO— Rory Calhoun, Piper Laurie.<br />
DESTRY—Audie Murphy, Mari Blanchard.<br />
FOUR GUNS TO THE BORDER— Rory Calhoun,<br />
Colleen Miller, George Nader*, Colleen Miller*.<br />
FAR COUNTRY—James Stewart, Ruth Roman.<br />
GREEN FIRE—Stewart Granger, Paul Douglas, Grace<br />
Kelly.<br />
Ballot<br />
Distribution<br />
Through National Screen<br />
NEW YORK—The first COMPO ballot<br />
lists 72 pictures featuring 184 stars and<br />
is being distributed to 19.000 theatres by<br />
National Screen Service. The pictm'es<br />
were suggested for nomination by the<br />
sales managers of the distributing companies.<br />
All have the code seal, a mandatory<br />
provision in contest rules.<br />
Universal-International heads the list<br />
with 16. The other totals are: MGM, 13;<br />
20th Century-Fox, ten; Columbia, seven;<br />
Warner Bros., seven; Paramount, six;<br />
Allied Artists, five; RKO, four, and<br />
United Artists, four.<br />
ities, and said the exploitation for the pel ill<br />
get its springboard from Hollywood's d|hbeating<br />
staffs. He a.sked the assenled<br />
publicists to inform theatre operators ^e<br />
intensively about new screen talent iid<br />
supply more information to columnists,<br />
As concerns the showing of<br />
j^<br />
trailers fcd<br />
other studio-sponsored programs, thelrr<br />
executive said he had been assured by jping<br />
theatre organizations that they Bll<br />
"enthusiastically cooperate." 1<br />
Between 50 and 60 million people wJ'Ik<br />
given an opportunity to participate inttie<br />
poll, Rhoden declared, and by so doingfell<br />
"give to our producers in Hollywood Kt<br />
valuable information and serve as a guimo<br />
what our patrons like and support." *<br />
Additionally, more people will go to 4»re *re<br />
movies to help them decide how to cast<br />
ballots, Rhoden predicted, adding:<br />
"This will be the voice of the people.!<br />
Among those on hand were John C. p|n,<br />
representing Allied Ai-tists; David A. LiiOn.<br />
Universal-International; Teet Carle, I»-<br />
mount; Card Walker, Disney; Frank Vitbeck<br />
and Eddie Lawrence, MOM; Al Hortts,<br />
Columbia; Bill Hendricks, Warners; :;fte<br />
Wales, Ass'n of Motion Pictm-e Produas;<br />
Marty Weiser, tor Lippert and Pilmakers md<br />
Nat Dyches, 20th Century-Pox.<br />
HANSEL AND GRETEL—Kinemins (electronatly<br />
animated dolls).<br />
THE HUMAN JUNGLE—Gory Merrill, Jon Stei,^.<br />
HIT THE DECK—Tony Martin, Wolter Pit3Wi,<br />
Vic Damone, Jane Powell, Debbie Reynolds, Ann tiler.<br />
JUPITER'S DARLING—Howard Keel, Cirfle<br />
Sanders, Gower Champion, Esther Williams, litQe<br />
Champion.<br />
LITTLE KIDNAPPERS—Jon Whiteley*, V=enl<br />
Winter*.<br />
LONG GRAY LINE—Tyrone Power, Maureen OlSto,<br />
Bob Francis*, Bill Leslie*, Phil Carey*, Betsy PoW*.<br />
LAST TIME I PARIS—Van Johnson, M^'<br />
Pidgeon, Elizabeth Taylor, Donna Reed, Roger M'li*,<br />
Sandy Desher*.<br />
LAND OF FURY—Jack Hawkins, Glynis Johns.: J<br />
BOB MATH IAS STORY—Bob Mothias, .ilbo<br />
Mothias, Bob Mafhios*, Melbo Mothias*.<br />
MANY RIVERS TO CROSS— Robert Taylor, :tor<br />
McLoglen, Eleanor Parker, Russ Tomblyn.<br />
NEW YORK CONFIDENTIAL— Broderick Cra\ar
; [leriods<br />
,<br />
'<br />
I<br />
A<br />
I<br />
YOUNG<br />
I<br />
he<br />
I<br />
so THIS IS PARIS—Tony Curtis, Gloria DeHoven,<br />
Myrna Honsen*.<br />
SIX BRIDGES TO CROSS—Tony Curlib, JuIk-<br />
Adams, George Nader*.<br />
SMOKE SIGNAL—Dana Andrews, Piper Laurie, Rex<br />
?eoson*.<br />
THERE'S NO BUSINESS LIKE SHOW BUSINESS—<br />
JDon Dailey, Donald O'Connor, Johnny Ray, Ethel<br />
Iv^ermon, Marilyn Monroe, Mitzi Goynor.<br />
THREE RING CIRCUS—Deon Mortin, Jerry Lewis.<br />
TARZAN'S HIDDEN JUNGLE—Gordon Scotf.<br />
THREE HOURS TO KILL—Dana Andrews, Donna<br />
•^eed.<br />
TONIGHT'S THE NIGHT—David Niven, Barry Fitzjwold,<br />
Yvonne De Carlo.<br />
I<br />
TRACK OF THE CAT—Robert Mitchum, Teresa<br />
/Vright, Tab Hunter*.<br />
UNTAMED—Tyrone Power, Susan Hayward, Richard<br />
•gon', Rita Moreno*.<br />
UNDERWATER!— Gilbert Roland, Richard Egan, Jane<br />
?ussell, Lori Nelson*.<br />
VERA CRUZ—Gary Cooper, Burt Lancaster, Santa<br />
v^ontiel".<br />
THE VIOLENT MEN—Glenn Ford, Barbara Ston-<br />
«yck, Brian Keith*, Dianne Foster*, Moy Wynn*.<br />
WHITE FEATHER— Robert Wagner, Debra Paget,<br />
./irflinio Leith*.<br />
WOMAN'S WORLD—Clitton Webb, Fred Mac^<br />
/urroy, Cornel Wilde, Van Heflin, June Allyson,<br />
.Quren Bacali, Arlene Dohl.<br />
WHITE CHRISTMAS— Bing Crosby, Danny Koye,<br />
iosennary Clooney, Vera-Elien.<br />
WOMEN'S PRISON—Howard Dutf, Ida Lupino, Cleo<br />
v\oore".<br />
WEST OF ZANZIBAR—Anthony Steel, Sheila Sim.<br />
AT HEART—Frank Sinatra, Doris Doy, Gig<br />
('oung", Dorothy Malone*.<br />
YELLOW MOUNTAIN— Lex Barker, Mala Powers.<br />
rO PICK TOP TEN FILMS<br />
The ten pictures receiving the most nomilating<br />
votes from exhibitors will be con-<br />
;idered as having been nominated in the<br />
j'irst period of nominations covering releases<br />
rom Oct. 1, 1954, to March 31, 1955, and<br />
jVill be listed on the ballot to be marked by<br />
public in the public election. The same<br />
ipplles to the male and female stars and to<br />
iromising young male and female personiJities.<br />
In each of the second and third nominating<br />
the five pictures, the stars and the<br />
;iew personalities receiving the most exhibitor<br />
-lominating votes will be considered nomiiiated<br />
and their names listed on the ballot<br />
,0 be marked by the public during public<br />
otlng.<br />
Closing date for the second period will be<br />
,iugust 15 and for the third and final period<br />
)ctober 15. Ballots for distribution to the<br />
ublic will be available to exhibitors through<br />
lational Screen Service or some other agency,<br />
'articipating theatres may arrange for<br />
ublication of ballots in local newspapers as<br />
lection promotion, but all ballots to be<br />
liglble must be cast in ballot boxes set up<br />
,1 theatre lobbies.<br />
An appropriate national function for the<br />
.estowal of the awards will be arranged after<br />
:ie balloting, probably on December 5, 6 or 7.<br />
'. will be held in Hollywood and broadcast<br />
ationally on television and radio.<br />
CCESSORIES AVAILABLE<br />
Accessories to be available to exhibitors<br />
ill include a 12-page pressbook and two<br />
'ailers, one to be used in advance and the<br />
.her during the balloting period; one 40x60<br />
r>ster announcing the balloting in advance<br />
Id another listing the pictures and pei-sonities,<br />
printed ballots for distribution to paons<br />
and stickers to be pasted on ballot boxes.<br />
le pressbook will be free. There will be a<br />
iminal charge for the other items.<br />
The COMPO brochme lists the personnel<br />
the national committee, previously pubhed,<br />
and statements by Elmer C. Rhoden.<br />
tional chaij-man; Leonard H. Goldenson,<br />
'bert J. O'Donnell, Samuel Rosen, Sol A.<br />
hwartz, Joheph R. Vogel, Frank H. Ricket-<br />
1 jr., Ralph W. Russell, Wilbur Snaper,<br />
m Pinanski. Al Lichtman. Harry Brandt,<br />
lanuel Frisch, E. D. Martin. Ruben Shor.<br />
Martin Illness Delaying<br />
Talks With Distribution<br />
NEW YORK—Attempt.s by the joint Theatre<br />
Owners of America-National Allied committee<br />
on trade practices to continue meetings<br />
with distribution during the week have<br />
been postponed because of the illness of E. D.<br />
Martin, TOA president.<br />
Martin was taken ill at his Columbus, Ga.,<br />
home following the previous week's conference<br />
with 20th Century-Fox. TOA headquarters<br />
said he was considered essential to<br />
further negotiations with distribution, and<br />
that no attempts would be made to Initiate<br />
Senate Votes $4,484,000<br />
For Overseas Films<br />
WASHINGTON—The overseas film program<br />
of the U. S. Information Agency was<br />
voted the full $4,484,000 the administration<br />
asked for fiscal 1956, by the Senate on Tuesday<br />
(31). The House had voted only $3,000,000<br />
for this activity, about the same as the<br />
$3,087,000 actually available during the current<br />
fiscal year.<br />
Standard Anamorphic<br />
Prints Recommended<br />
PARIS—The International Union of Exhibitors<br />
has elected Italo Gemini president.<br />
He is an Italian theatre circuit<br />
operator and heads the Italian exhibitor<br />
association. The lUE is made up of exhibitor<br />
associations in 13 countries. Its<br />
convention here voted to campaign for<br />
standard prints from anamorphic films.<br />
It is organizing a television division with<br />
the aid of the Belgian unit.<br />
Messages were received from Julius<br />
Gordon of National Allied and Walter<br />
Reade jr. of Theatre Owners of America<br />
expressing an interest in future gatherings.<br />
The lUE will meet next in Rome<br />
late in September.<br />
Berger Still Relying<br />
On Congress Action<br />
MINNEAPOLIS—Ben Berger. chairman<br />
of the Allied States emergency defense committee,<br />
returned from the conference in New<br />
York and meeting with Spyros Skouras, 20th-<br />
Fox president, still feeling that the only way<br />
that relief can be forthcoming for small<br />
them until he recovered. It quoted his physician<br />
as saying his recovery might take a regulation of film rentals.<br />
exhibitors is through federal government<br />
week.<br />
Berger said nothing specific came out of<br />
Allied members of the committee were the meeting with Skouras, and he said he has<br />
notified. They had planned to be here Monday<br />
(30).<br />
other film company presidents will produce<br />
little hope that similar get-togethers with<br />
The committee had planned to seek meetings<br />
with Paramount and Warner Bros, dur-<br />
"I don't expect voluntary relief from any<br />
"the desired results."<br />
ing the week. They had said these two companies<br />
had been selected as the "toughest." tend, as I've contended all along, that we<br />
of the companies," said Berger. "I still con-<br />
It is still hoped that the meeting wibh Paramount,<br />
if it materializes, will be attended relief."<br />
must go to Congress to obtain film rental<br />
by Barney Balaban, Paramount president. Berger pointed out it's too late to introduce<br />
Who would represent Warner Bros, was uncertain.<br />
Harry M. Warner, president, is on Ti-ade Commission regulation of film rentals<br />
Abram F. Myers' bill calling for Federal<br />
the coast.<br />
in this session of Congress but the bill will<br />
Martin picked up a virus here and on his go into the hopper with Allied States' backing<br />
and, perhaps, too, with Theatre Owners<br />
return to Columbus visited his physician who<br />
gave him penicillin injections and told him of America support during the next session.<br />
to go to bed and rest. His condition, however,<br />
was not considered in any way serious. bill will "wise up" the nation on the extent<br />
The anticipated public hearings on the<br />
Besides Martin, the TOA contingent consists<br />
of Alfred Starr, Walter Reade jr. and lizing industry earnings and how the small<br />
to which "the film companies are monopo-<br />
Myron Blank. Allied is represented by Rube exhibitors are being hurt," according to<br />
Shor, president; Ben Marcus, Ben Berger and Berger.<br />
Jack Kirsch.<br />
He emphasized Skouras was courteous and<br />
cordial, but "nice words aren't enough—we<br />
need tangible action—and no definite commitments<br />
were received from Skouras."<br />
Spain Complicates Pact<br />
Negotiations With U. S.<br />
NEW YORK—The Spanish government has<br />
complicated negotiations for a new trade pact<br />
with the U. S. industry by insisting that<br />
American companies distribute Spanish pictures<br />
in return for a generous allotment of<br />
import permits.<br />
The board of the Motion Picture Export<br />
Ass'n received the news Tuesday (31) from<br />
G. Griffith Johnson, vice-president, who was<br />
in Madrid working on the pact. He said he<br />
would continue to oppose the move. It was<br />
thought here that it might be simply a<br />
bargaining device.<br />
Johnson was scheduled to leave Madrid at<br />
the weekend for talks with the West German<br />
government and film industry at Bonn and<br />
Frankfort where a ticket tax to aid production<br />
is being considered. He may return to<br />
Madrid.<br />
MPEA Awaits Remittance<br />
NEW YORK—The Motion Pictirre<br />
Export<br />
Ass'n is awaiting a remittance of $3,500,000<br />
from Italy in line with its recent approval by<br />
the Italian government. There have been a<br />
number of compensation deals arranged by<br />
the MPEA which released film earnings i:i<br />
Italy, but no official remittances for a year.<br />
June 4, 1955 9<br />
XOFFICE : :
SAW<br />
n<br />
I<br />
COMPO SUPPLYING EXHIBITORS<br />
WITH AUDIENCE POLL BALLOTS<br />
They Will Nominate Films<br />
And Players Which Public<br />
Will Vote on in November<br />
NEW YORK—The first official ballot<br />
for exhibitor nominations for the national<br />
Audience Awards poll to be conducted<br />
under Council of Motion Picture Organizations<br />
auspices is being supplied exhibitors,<br />
along with a highly attractive and meaty<br />
brochure outlining the plan. Two other<br />
ballots will follow.<br />
NOMINATING BALLOT ONLY<br />
The ballot is a nominating ballot only and<br />
is not to be confused with the ballot which<br />
the public will use in the election to be held<br />
in theatre lobbies November 17-27. It covers<br />
pictures released during the period Oct. 1,<br />
1954-March 31, 1955. An envelope is inclosed<br />
for mailing to Pi-ice Waterhouse & Co., 56<br />
Pine St., New York 5, N.Y., before July 11.<br />
Picture and player nominations are limited<br />
to ten each. No player can be nominated<br />
more than once. Players may be nominated<br />
for theii- work in a certain listed picture, as<br />
William Holden in connection with either "The<br />
Bridges at Toko-Ri" or "The Country Gii'l,"<br />
but there can be write-in nominations of both<br />
pictures and players. Nomination of a picture<br />
does not mean that the exhibitor must<br />
nominate any of the players In it.<br />
The ballot is divided into three parts— the<br />
best pictures, the best performances of male<br />
and female stars and the most promising<br />
young male and female personalities. In the<br />
following list, where there are asterisks after<br />
names, they indicate promising young personalities<br />
as distinct from stars, and where there<br />
are duplications of names for the same picture,<br />
it means the vote can go to the players<br />
either as stars or as young personalities. The<br />
list follows:<br />
ADVENTURES OF HAJJI BABA—John Derek, Elaine<br />
Stewart.<br />
THE AMERICANO—Glenn Ford, Ursula Thiess, Abbe<br />
Lone*.<br />
ATHENA—Edmund Purdom, Vic Damone, Jane<br />
Powell, Debbie Reynolds, Virginia Gibson*.<br />
ABBOTT & COSTELLO MEET THE KEYSTONE K0P5<br />
—Bud Abbott, Lou Costello, Lynn Ban.<br />
THE BLACK WIDOW—Van Heflin, George Raft,<br />
Ginger Rogers, Gene Tierney, Virginia Leith*.<br />
THE BRIDGES AT TOKO-RI—Williom Holden,<br />
Fredric March, Mickey Rooney, Grace Kelly.<br />
THE BAREFOOT CONTESSA—Humphrey Bogart,<br />
Avo Gardner, Rossano Brazzi*, Mori Aldon*.<br />
THE BLACK KNIGHT—Alan Ladd, Patricia Medina.<br />
BIG COMBO—Cornel Wilde, Richard Conte, Jean<br />
Wallace.<br />
BATTLE CRY—Van Heflm, Aldo Roy, Mono Freeman,<br />
Nancy Olson, Tab Hunter*, Dorothy Malone*.<br />
BRIGADOON—^Gene Kelly, Van Johnson, Cyd<br />
Charisse, Elaine Stewart, Dody Heath*.<br />
ADDITIONAL FILM ENTRIES<br />
BEAU BRUMMELL—Stewart Grainger, Peter Ustinot,<br />
Robert Morley, Elizabeth Taylor.<br />
BAD DAY AT BLACK ROCK—Spencer Tracy, Robert<br />
Ryan, John Ericson*.<br />
THE BLACKBOARD JUNGLE—Glenn Ford.<br />
BLACK SHIELD OF FALWORTH—^Tony Curtis, Janet<br />
Leigh, Barbara Rush*.<br />
BENGAL BRIGADE—Rock Hudson, Arlene Dahl.<br />
CARMEN JONES—Horry Belafonte, Dorothy Dondridge,<br />
Horry Belafonte*, Dorothy Dondridge*.<br />
COUNTRY GIRL—Bmg Crosby, William Holden,<br />
Grace Kelly.<br />
CREST OF THE WAVE—Gene Kelly, Jeff Richards*.<br />
CAPTAIN LIGHTFOOT—Rock Hudson, Barbara<br />
Rush, Jeff Morrow*, Borboro Rush".<br />
If Poll Succeeds, Rhoderi<br />
Sees a Business 'Boom<br />
HOLLYWOOD—A "terrific"<br />
business boom<br />
for the trade as a whole will result if the<br />
national audience poll<br />
to be conducted this<br />
fall under the auspices<br />
of COMPO succeeds in<br />
launching five or six<br />
new film personalities,<br />
Elmer C. Rhoden,<br />
president of National<br />
Theatres and chairman<br />
of COMPO's audience<br />
awards committee,<br />
declared here<br />
Wednesday (1).<br />
Elmer C. Rhoden Speaking at an informal<br />
luncheon for<br />
studio advertising-publicity chiefs, Rhoden<br />
opined that the poll some day will become<br />
one of the most important and powerful influences<br />
in getting people out to see more<br />
movies. It is, he added, "something that<br />
should have been put into practice many,<br />
many years ago, but because of the lack of<br />
coordinated effort and unity within our industry,<br />
this important job was left undone."<br />
As host at the luncheon session, Rhoden<br />
called upon the studio advertising and publicity<br />
executives to help in creating selling campaigns,<br />
particularly trailers on new personal-<br />
DESIREE—Marlon Brando, Michael Rennie, Jeon<br />
Simmons, Merle Oberon, Charlotte Austin*.<br />
THE DETECTIVE—Alec Guinness, Joan Greenwood.<br />
DRUM BEAT—Alan Ladd, Audrey Dalton, Robert<br />
Keith*, Mansa Pavan*.<br />
DEEP IN MY HEART— Jose Ferrer, Walter Pidgeon,<br />
Merle Oberon, Helen Traubel, Doe Avedon*.<br />
DAWN AT SOCORRO—Rory Calhoun, Piper Laurie.<br />
DESTRY—Audie Murphy, Mori Blanchard.<br />
FOUR GUNS TO THE BORDER— Rory Calhoun,<br />
Colleen Miller, George Nader*, Colleen Miller*.<br />
FAR COUNTRY—James Stewart, Ruth Roman,<br />
GREEN FIRE—Stewart Granger, Poul Douglas, Grace<br />
Kelly.<br />
Ballot<br />
Distribution<br />
Through National Screen<br />
NEW YORK—The first COMPO ballot<br />
lists 72 pictures featm'ing 184 stars and<br />
is being distributed to 19,000 theatres by<br />
National Screen Service. The pictm-es<br />
were suggested for nomination by the<br />
sales managers of the distributing companies.<br />
All have the code seal, a mandatory<br />
provision in contest rules.<br />
Universal-International heads the list<br />
with 16. The other totals are: MGM, 13;<br />
20th Centui-y-Fox, ten; Columbia, seven;<br />
Warner Bros., seven; Pai-amount. six:<br />
Allied Artists, five; RKO, four, and<br />
United Ai'tists, four.<br />
ities, and said the exploitation for the poll wj<br />
get its springboard from Hollywood's drunj<br />
beating staffs. He asked the assembli<br />
publicists to inform theatre operators moj<br />
intensively about new screen talent ai<br />
supply more information to columnists. !<br />
As concerns the showing of trailers aij<br />
other studio-sponsored programs, the N<br />
executive said he had been assured by leal<br />
ing theatre organizations that they w,<br />
"enthusiastically cooperate."<br />
Between 50 and 60 million<br />
j<br />
people will '<br />
given an opportunity to participate in tj<br />
poll, Rhoden declared, and by so doing fi<br />
"give to our producers in Hollywood mrt<br />
valuable information and serve as a guide »,<br />
what our patrons like and support."<br />
Additionally, more people will go to m(f<br />
movies to help them decide how to cast tht<br />
ballots, Rhoden predicted, adding: ;<br />
"This will be the voice of the people."<br />
j<br />
Among those on hand were John C. Pllil,<br />
representing Allied Artists; David A. Lipf,,<br />
Universal-International; Teet Carle, Pa^<br />
mount: Card Walker, Disney; Frank Wl:!-<br />
beck and Eddie Lawrence, MOM; Al Horwi,<br />
Columbia; Bill Hendricks, Warners; Dlb<br />
Wales, Ass'n of Motion Picture Produce<br />
Marty Weiser, for Lippert and Filmakers; E/i<br />
Nat Dyches, 20th Century-Fox.<br />
HANSEL AND GRETEL—Kinemins (electronic|il<br />
animated dolls).<br />
THE HUMAN JUNGLE—Gory Merrill, Jan Sterlii]<br />
HIT THE DECK—Tony Martin, Wolter PidgJi,<br />
Vic Damone, Jane Powell, Debbie Reynolds, Ann Mir.<br />
JUPITER'S DARLING—Howard Keel, Ge(«(<br />
Gower Champion, Esther Williams, Mi
p<br />
. WOMAN'S<br />
i<br />
1<br />
RING<br />
—<br />
; June<br />
-<br />
j) THIS IS PARIS—^Tony Curtis, Gloria DeHoven,<br />
mliQ Hansen*.<br />
X BRIDGES TO CROSS—Tony Curtis, Julie<br />
^cns, George Noder*.<br />
AOKE SIGNAL—Dana Andrews, Piper Laurie, Rex<br />
Uon*.<br />
JFOFS NO BUSINESS LIKE SHOW BUSINESS—<br />
Lv, Donald O'Connor, Johnny Roy, Ethel<br />
Vlarilyn Monroe, Mitzi Goynor.<br />
CIRCUS—Dean Martin, Jerry Lewis.<br />
'VRZAN'S HIDDEN JUNGLE—Gordon Scotf.<br />
IREE HOURS TO KILL— Dana Andrews, Donno<br />
Ri-i<br />
5NIGHT'S THE NIGHT—David Nr Borry Fitzijjid,<br />
Yvonne De Carlo.<br />
,!ACK OF THE CAT—Robert Mitchum, Tereso<br />
Wiiht, Tab Hunter*.<br />
NTAMED—Tyrone Power, Susan Hoyword, Richard<br />
Eci', Rito Moreno*.<br />
^IDERWATER!—Gilbert Roland, Richard Egon, Jane<br />
Riell, Lori Nelson".<br />
:RA CRUZ Gary Cooper, Burt Lancaster, Santo<br />
W'ielV<br />
HE VIOLENT MEN—Glenn Ford, Barbara Sfonv»',.,<br />
Brian Keith*, Dionne Foster*, May Wynn*.<br />
HITE FEATHER— Robert Wagner, Debro Paget,<br />
Viinio Leith*.<br />
WORLD—Clifton Webb, Fred Moc-<br />
Cornel Wilde, Van Heflin, June AllysonJ,<br />
M'"oy,<br />
Loen Bocall, Arlene Dohl.<br />
HITE CHRISTMAS— Bing Crosby, Danny Koye,<br />
R) mory Clooney, Vera-Ellen.<br />
OMEN'S PRISON—^Howard Duff, Ida Lupmo, Cleo<br />
Mre*.<br />
a lies to the male and female stars and to<br />
p nising young male and female person<br />
aiies.<br />
til<br />
|i each of the second and third nominating<br />
piods the five pictures, the stars and the<br />
personalities receiving the most exhibitor<br />
n^iinating votes will be considered nomiri'3d<br />
and their names listed on the ballot<br />
t(be marked by the public during public<br />
v;ng.<br />
losing date for the second period will be<br />
^ust 15 and for the third and final period<br />
Cober 15. Ballots for distribution to the<br />
p lie will be available to exhibitors through<br />
N ional Screen Service or some other agency.<br />
F'ticipating theatres may arrange for<br />
pilication of ballots in local newspapers as<br />
eUion promotion, but all ballots to be<br />
eMble must be cast in ballot boxes set up<br />
lobbies.<br />
i'..heatre<br />
n appropriate national function for the<br />
b owal of the awards will be arranged after<br />
tl balloting, probably on December 5, 6 or 7.<br />
I'viU be held in Hollywood and broadcast<br />
n onally on television and radio.<br />
A ESSORIES AVAILABLE<br />
ccessories to be available to exhibitors<br />
«'<br />
include a 12-page pressbook and two<br />
tl lers, one to be used in advance and the<br />
r during the balloting period; one 40x60<br />
P' e;- announcing the balloting in advance<br />
'I<br />
.mother listing the pictures and personal<br />
es, printed ballots for distribution to pa-<br />
J s and stickers to be pasted on ballot boxes.<br />
T pressbook will be free. There will be a<br />
" inal charge for the other items.<br />
le COMPO brochure lists the personnel<br />
ul he national committee, previously public<br />
^d, and statements by Elmer C. Rhoden,<br />
nional chaii-man; Leonard H. Goldenson.<br />
Rert J. O'Donnell, Samuel Rosen, Sol A.<br />
Si vartz, Joheph R. 'Vogel. Frank H. Ricketsc<br />
jr., Ralph W. Russell. Wilbur Snaper,<br />
Si Pinanski, Al Lichtman, Harry Brandt,<br />
El nuel Frisch, E. D. Martin. Ruben Shor.<br />
Martin Illness Delaying<br />
Talks With Distribution<br />
NEW YORK—Attempts by the joint Theatre<br />
Owners of America-National Allied committee<br />
on trade practices to continue meetings<br />
with distribution during the week have<br />
been postponed because of the illne.ss of E. D.<br />
Martin, TOA president.<br />
Martin was taken ill at his Columbus, Ga.,<br />
home following the previous week's conference<br />
with 20th Century-Fox. TOA headquarters<br />
said he was considered essential to<br />
further negotiations with distribution, and<br />
that no attempts would be made to hiitiate<br />
them until he recovered. It quoted his physician<br />
as saying his recovery might take a<br />
week.<br />
Allied members of the committee were<br />
notified. They had planned to be here Monday<br />
(30).<br />
The committee had planned to seek meetings<br />
with Paramount and Warner Bros, during<br />
the week. They had said these two companies<br />
had been selected as the "toughest."<br />
It is still hoped that the meeting wit*i Paramount,<br />
if it materializes, will be attended<br />
by Barney Balaban, Paramount president.<br />
Who would represent Warner Bros, was uncertain.<br />
Harry M. Warner, president, is on<br />
the coast.<br />
Martin picked up a virus here and on his<br />
return to Columbus visited his physician who<br />
gave him penicillin Injections and told him<br />
to go to bed and rest. His condition, however,<br />
was not considered in any way serious.<br />
Besides Martin, the TOA contingent consists<br />
of Alfred Starr, Walter Reade jr. and<br />
Myron Blank. Allied is represented by Rube<br />
Shor, president; Ben Marcus, Ben Berger and<br />
Jack Kirsch.<br />
Senate Votes $4,484,000<br />
For Overseas Films<br />
WASHINGTON—The overseas film program<br />
of the U. S. Information Agency was<br />
voted the full $4,484,000 the administration<br />
asked for fiscal 1956, by the Senate on Tuesday<br />
(31). The House had voted only $3,000,000<br />
for this activity, about the same as the<br />
$3,087,000 actually available during the current<br />
fiscal year.<br />
Standard Anamorphic<br />
Prints Recommended<br />
PARIS—The International Union of Exhibitors<br />
has elected Italo Gemini president.<br />
He is an Italian theatre circuit<br />
operator and heads the Italian exhibitor<br />
association. The lUE is made up of exhibitor<br />
associations in 13 countries. Its<br />
convention here voted to campaign for<br />
standard prints from anamorphic films.<br />
It is organizing a television division with<br />
the aid of the Belgian unit.<br />
Messages were received from Juhus<br />
Gordon of National Allied and Walter<br />
Reade jr. of Theatre Owners of America<br />
expressing an interest in future gatherings.<br />
The lUE will meet next in Rome<br />
late in September.<br />
Berger Still Relying<br />
On Congress Action<br />
MINNEAPOLIS—Ben Berger, chairman<br />
of the Allied States emergency defense committee,<br />
returned from the conference in New<br />
York and meeting with Spyros Skouras, 20th-<br />
Fox president, still feehng that the only way<br />
that relief can be forthcoming for small<br />
exhibitors is through federal government<br />
regulation of film rentals.<br />
Berger said nothing specific came out of<br />
the meeting with Skouras, and he said he has<br />
little hope that similar get-togethers with<br />
other film company presidents will produce<br />
"the desired results."<br />
"I don't expect voluntary relief from any<br />
of the companies," said Berger. "I still contend,<br />
as I've contended all along, that we<br />
must go to Congress to obtain film rental<br />
relief."<br />
Berger pointed out it's too late to introduce<br />
Abram P. Myers' bill calling for Federal<br />
T:-ade Commission regulation of film rentals<br />
in this session of Congress but the bill will<br />
go into the hopper with Allied States' backing<br />
and, perhaps, too. with Theatre Owners<br />
of America support during the next session.<br />
The anticipated public hearings on the<br />
bill will "wise up" the nation on the extent<br />
to which "the film companies are monopolizing<br />
industry earnings and how the small<br />
exhibitors are being hurt," according to<br />
Berger.<br />
He emphasized Skouras was courteous and<br />
cordial, but "nice words aren't enough—we<br />
need tangible action—and no definite commitments<br />
were received from Skouras."<br />
Spain Complicates Pact<br />
Negotiations With U. S.<br />
NEW YORK—The Spanish government has<br />
complicated negotiations for a new trade pact<br />
with the U. S. industry by insisting that<br />
American companies distribute Spanish pictures<br />
in return for a generous allotment of<br />
import permits.<br />
The board of the Motion Picture Export<br />
Ass'n received the news Tuesday (31) from<br />
G. Griffith Johnson, vice-president, who was<br />
in Madrid working on the pact. He said he<br />
would continue to oppose the move. It was<br />
thought here that it might be simply a<br />
bargaining device.<br />
Johnson was scheduled to leave Madrid at<br />
the weekend for talks with the West German<br />
government and film industry at Bonn and<br />
Frankfort where a ticket tax to aid production<br />
is being considered. He may return to<br />
Madrid.<br />
MPEA Awaits Remittance<br />
NEW YORK—The Motion Picture<br />
Export<br />
Ass'n is awaiting a remittance of $3,500,000<br />
from Italy in line with its recent approval by<br />
the Italian government. There have been a<br />
number of compensation deals arranged by<br />
the MPEA which released film earnings in<br />
Italy, but no official remittances for a year.<br />
B( OFFICE :<br />
4, 1955 9
20i. LIGHTS UP<br />
NEW YORK<br />
WITH 6<br />
FIRST-RUN<br />
HITS ON<br />
BROADWAY!
m<br />
MAUREEN O'HARA- ANTHONY QUINN<br />
A CINEMaScOP^ Picture<br />
An Edward t Alperson Presentation Released by 20tli CenturyFo*<br />
ASTOR<br />
(rN<br />
starring<br />
MARILYN MONROE<br />
and TOM EWELL<br />
A CINEMaScoPE Picture<br />
COLOR by DE LUXE<br />
" 's a pleasure to do
-<br />
Ists Corp. vice-presi-<br />
dent in charge of domestic<br />
operations, died<br />
Thursday (2). He had<br />
been taken critically ill<br />
a few days before while<br />
in the apartment of<br />
Joseph M. Schenck and<br />
was taken to St. Luke's<br />
Hospital. He had been<br />
in ill health about a<br />
j<br />
PuUc ^e^nU<br />
Reports 50-60% TV Shows<br />
Being Produced on Films<br />
T. Gentry Veal of Eastman Kodak says<br />
proportion is increasing as 20tli Century-Fox<br />
television subsidiary prepares to use old<br />
Western avenue studio for this purpose.<br />
*<br />
COMPO Luncheon Planned<br />
As Interest in Poll Jumps<br />
Elmer Rhoden to make trip to New York<br />
Thursday (9) for discussion of exhibitor reactions<br />
following mailing of ballots; other<br />
regional meetings to follow.<br />
•<br />
Shift in Personnel of FCC<br />
May Delay Toll TV Ruling<br />
Frieda Hennock departure, mass of problems<br />
to be studied, plus investigating moves<br />
expected in Senate are expected to set back<br />
? a decision until next year; filing deadline<br />
* is Thursday (9).<br />
•<br />
Two More 'Davy Crockett' Suits<br />
Are Filed in Baltimore<br />
Clothing manufacturers claiming trademark<br />
rights take court action against two mail<br />
order houses and file answer to halt Walt<br />
Disney suit against them, as merchandising<br />
eai-nings of almost $4,000,000 are foreseen.<br />
•<br />
U. S. Court Grants Second<br />
Loew Plea for Drive-In<br />
Judge Goddard approves acquisition of<br />
Jacksonville spot; other defendants in antitrust<br />
case who had been awaiting decision see<br />
possibility of expansion into open-air field;<br />
court had been slow to act in two previous<br />
cases.<br />
•<br />
Norton Tune Is Elected<br />
Tennessee TOA Head<br />
Succeeds Stacy Wilhite; other officers: W.<br />
Russell Holder, vice-president; Aubrey<br />
Crouch, secretary-treasurer; Alfred Starr and<br />
Kermit Stengel,<br />
directors.<br />
•<br />
New Universal Exchange<br />
Under Way in Memphis<br />
New home, to cost $100,000, expected to be<br />
completed in September; location is on northwest<br />
corner of Huling and St. Martin streets;<br />
Richard C. Setteen is manager.<br />
•<br />
Amusement Tax Receipts<br />
Increase in Kentucky<br />
Total for July-April totaled $1,377,321, as<br />
compared with $1,273,587 in the previous year;<br />
receipts in April were $90,794, against $88,-<br />
108 in April 1954.<br />
•<br />
Only 33 Films Produced<br />
In Mexico During '55<br />
Of that amount eight were made by Americans,<br />
according to the National Actors Union;<br />
only 500 of its 3,500 members were employed<br />
in pictures thus far this year.<br />
12<br />
MGM Plans to Produce<br />
13 Films in Two Months<br />
HOLLYWOOD — With the scheduled<br />
launching of eight more features between<br />
now and the end of July to supplement five<br />
already before the<br />
cameras, MGM will<br />
reach a five-year production<br />
peak within<br />
the next seven weeks,<br />
studio head Dore<br />
Schary disclosed. To<br />
meet the demands,<br />
work has begun on a<br />
construction program<br />
which will expand the<br />
facilities of numerous<br />
departments in some<br />
cases to more than<br />
Dore Schary double their present<br />
capacities.<br />
Schary said he expected the accelerated<br />
pace "to continue without interruption<br />
through the remainder of the year."<br />
SPENCER TRACY IN OPENER<br />
Launching the new program is a location<br />
trek to the Colorado Rockies for "Tribute to<br />
a Bad Man," starring Spencer Ti-acy, being<br />
produced and directed respectively by Sam<br />
Zimbalist and Robert Wise. It wiU be followed<br />
immediately by a location junket to<br />
South Dakota for "The Last Hunt." toplining<br />
Robert Taylor, Stewart Granger and Lloyd<br />
Nolan, which Richard Brooks will meg.<br />
Slated to start this month and next are<br />
"I'll Cry Tomorrow," autobiography of Lillian<br />
Roth, starring Susan Hayward, to be produced<br />
by Lawrence Weingarten and piloted<br />
by Daniel Mann; "The Tender Trap," romantic<br />
comedy with Debbie Reynolds, Frank<br />
Sinatra and David Wayne, also a Weingarten<br />
production, which Charles Walters<br />
will direct; "Gaby," starring Leslie Caron,<br />
produced by Edwin H. Knopf, megged by<br />
Curtis Bernhardt; "Weekend at Las Vegas,"<br />
a Joe Pasternak production, starring Cyd<br />
Charisse; "Fearful Decision," suspense drama<br />
which Nicholas Nayfack will produce; "The<br />
Rack," starring Gleian Ford, which Arthur<br />
M. Loew jr. is to produce.<br />
Additionally, Zanra Productions—headed by<br />
Desi Arnaz and Lucille Ball—will gun "Forever<br />
Darling," for MGM release, with Arnaz,<br />
Miss Ball and James Mason in the leads and<br />
Alexander HaU directing.<br />
ON THE SOUND STAGES<br />
Pi'esently on the sound stages are "Diane,"<br />
starring Lana Turner; "Kismet," with Howard<br />
Keel and Ann Blyth; "Forbidden Planet,"<br />
toplining Walter Pidgeon and Anne Francis;<br />
and two being filmed abroad, "Bhowani<br />
Junction," starring Ava Gardner and Stewart<br />
Granger, and "Quentin Durward," with Robert<br />
Taylor.<br />
All of the pictures now being lensed and<br />
five of the eight set to start are in Cinema<br />
Scope and color, the exceptions being "The<br />
Rack," "I'll Cry Tomorrow" and "Fearful Decision."<br />
Schary declared the augmented schedule<br />
will result in the highest employment index<br />
in more than five years at the studio.<br />
MGM to Double Output<br />
Of Cartoon Department<br />
HOLLYWOOD—Concurrent with its'<br />
projected upsurge in feature film production,<br />
MGM is doubling the output and<br />
personnel of its cartoon department and<br />
henceforth will turn out 18 pen-and-inkl.<br />
subjects annually, all in CinemaScopd<br />
'<br />
and Technicolor.<br />
Hal Ehas, associated for 18 years witW<br />
the production and distribution of MGM]<br />
short subjects, has been upped to man-j<br />
ager of the cartoon division, headed by!<br />
Fred Quimby, who is leaving on an ex-t<br />
tended vacation.<br />
j<br />
At the same time Joseph Barbera and<br />
William Hanna, writer-director team om<br />
the "Tom and Jerry" series, were pro-]<br />
moted to fuU producer status and will!<br />
supervise all of the 18 planned cartoons!<br />
Nine will be in the "Tom and Jerry')<br />
group, six will star "Droopy" and the bal-]<br />
ance will be adapted from published<br />
works.<br />
Harry Buckley. Veteran<br />
;<br />
In UA Operation, Dies<br />
NEW YORK—Harry Douglas Buckley, ;<br />
vice-president and a director of United AJ<br />
ists Theatre Circuit and former United A;<br />
year.<br />
Funeral services will<br />
be held Monday (6) at<br />
Donelly Funeral Home,<br />
St. Louis, his native city.<br />
Harry D. Buckle;<br />
He ___ leaves his wij.<br />
Florence. There were no children.<br />
j<br />
Buckley entered the theatre business w<br />
the age of 21 by becoming manager of ife<br />
Gan-ick Theatre, later the Columbia,<br />
Louis. Later he was UA branch manager jJ<br />
Kansas City and Los Angeles manager, f<br />
became business manager for Mary PickfW<br />
and Douglas Fairbanks, then a UA hon|office<br />
executive. He left UA when the adm<br />
istration of the late Paul V. McNutt tcC<br />
over in 1951. He was one of the origiil<br />
and one of the largest stockholders in Unifl<br />
Artists Theatre Circuit.<br />
Frank J. Downey<br />
DETROIT—Frank J. Downey, who n<br />
manager of the Detroit MGM exchange<br />
31 years, died May 28 in Los Angeles, wh<br />
he moved following his retirement last Sitember<br />
1. During his years as dean of loJ<br />
exchange executives, he came to be knop<br />
as Detroit's "Mr. Motion Picture Businesij<br />
BOXOFFICE June 4, 196!
,<br />
linn,<br />
'•<br />
I<br />
iring<br />
: Cinemascope<br />
i<br />
m.se<br />
I'<br />
I<br />
i)th-Fox Schedules 13<br />
luring June-October<br />
|( .>fEW YORK—Twentieth Century-Fox will<br />
*<br />
I.ce 13 features, 12 of them in Cinemascope<br />
[i color, in national release between June<br />
d October 1955. The total for the year 1955<br />
|r Lexpected to total 28.<br />
fune releases are headed by Charles K.<br />
';dman's "The Seven Year Itch," recently<br />
meed from the originally scheduled 1956<br />
date, which stars Marilyn Monroe<br />
, d Tom Ewell. Also in June are "Soldier of<br />
litune," starring Clark Gable and Susan<br />
jyward, and "The Magnificent Matador,"<br />
jrring Maureen O'Hara and Anthony<br />
an Edward L. Alperson production.<br />
. three are in Cinemascope and color.<br />
(uly releases will be: "House of Bamboo."<br />
., ! rring Robert Stack, Robert Ryan and<br />
, firley Yamaguchi; "How to Be Very, Very<br />
fpular," starring Betty Grable, Sheree North<br />
1 Robert Cummings, and the first Cinemape<br />
featurette, "The Living Swamp." "A<br />
in the Balance," a Panoramic Pi-oduction,<br />
rring Ricardo Montalban, Anne Bancroft<br />
J Lee Marvin, is the only black-and-white<br />
iture in the group of 13.<br />
[\ugust releases will be headed by "The<br />
gin Queen," starring Bette Davis, Richard<br />
dd, Joan Collins and Jay Robinson, and<br />
;ft Hand of God," starring Humphrey<br />
.gart and Gene Tierney, both in Cinema-<br />
JDpe and color by DeLuxe. September re-<br />
~ fses will be: "Love Is a Many-Splendored<br />
'<br />
ing," starring William Holden, Jennifer<br />
. ;es and Gloria Grahame, and "The Tall<br />
n," starring Clark Gable, Jane Russell and<br />
y Madison, both in Cinemascope and color<br />
DeLuxe.<br />
:<br />
rne October releases will be: "Seven Cities<br />
Gold," starring Richard Egan, Michael<br />
nnie, Rita Moreno and Cameron Mitchell,<br />
k ii "The Girl in the Red Velvet Swing,"<br />
* Ray MiUand and Joan Collins, both<br />
and color by DeLuxe. Only<br />
last named is still in production, all the<br />
;<br />
lers have been completed.<br />
'E Seeking Bank Loans<br />
5 Finance Production<br />
WW YORK—Italian Films Export has ap-<br />
;d to a number of American banks for<br />
ns totaling $500,000, which it will pass on<br />
producers of top pictures. Seymour Poe,<br />
'cutive vice-president, said IFE would have<br />
finance producers if it is to compete with<br />
er distributors, and that the producers<br />
'd not necessarily be Italian. He will visit<br />
me soon to meet with the IFE board and<br />
ise a program which IFE hopes will be<br />
ractive to independent producers.<br />
Jndlinger Making Survey<br />
There's a FORTUNE in ]2<br />
boxoffices iiaii "THi<br />
ROXY
m<br />
I<br />
mrER. as the nation's<br />
ING"OF 'EM ALL!<br />
JVAtl<br />
//<br />
THEATRES<br />
LOS ANGELES<br />
INDIANA<br />
INDIANAPOLIS<br />
RIALTO<br />
LOUISVILLE<br />
SENATE<br />
HARRISBURG, PA.<br />
FOX<br />
POLI<br />
POLI<br />
V5C0NSIN<br />
POLI<br />
DETROIT<br />
NEW HAVEN<br />
HARTFORD<br />
MILWAUKEE<br />
BRIDGEPORT, CONN.<br />
FULTON<br />
ASTOR<br />
WEST COAST<br />
LINCOLN<br />
ALABAMA<br />
PITTSBURGH<br />
READING<br />
LONG BEACH, CAL.<br />
SPRINGFIELD, ILL.<br />
BIRMINGHAM<br />
POLI<br />
POLI<br />
WARNER<br />
GILLIOZ<br />
BROAD<br />
GRAND<br />
SPRINGFIELD, MASS.<br />
WORCESTER<br />
ATLANTIC CITY<br />
SPRINGFIELD, MO.<br />
COLUMBUS<br />
TOPEKA<br />
CAPITOL<br />
FOX<br />
NEW<br />
STATE<br />
CALIFORNIA<br />
GRANADA<br />
FLINT<br />
SAN FRANCISCO<br />
BALTIMORE<br />
NEW BEDFORD, MASS.<br />
SAN DIEGO<br />
DULUTH<br />
VICTORY<br />
EVANSVILLE<br />
PALACE<br />
CINCINNATI<br />
»J<br />
20th century- fox presents<br />
CLARK<br />
GABLE<br />
SUSAN<br />
HAYWARD<br />
SOLDfER.<br />
FomuNE<br />
From the Novel by Ernest K. Gann<br />
C|NemaS<<br />
COLOR by DELUXE<br />
Picture
I<br />
St. Louis Diocesan Paper<br />
Takes Wallop at Movies<br />
ST. LOUIS—In a two-column, first-page<br />
article headed "Movie Survey Shows 50-50<br />
Chances for Viewing Decent Film," the St.<br />
Louis Register, official publication of the<br />
St. Louis archdiocese of the Catholic Church,<br />
has come up with the most critical blast<br />
against the motion picture industry since "The<br />
French Line" controversy of February 1954.<br />
The paper, with a circulation in excess of<br />
100,000, is mailed to every Catholic home in<br />
the archdiocese which covers not only St.<br />
Louis and St. Louis County but a substantial<br />
portion of the eastern part of Missouri.<br />
TEXT OF ARTICLE<br />
The text of the article as it appeared in<br />
the Catholic paper follows:<br />
"Catholics in the St. Louis area had a<br />
50-50 chance of seeing a decent show last<br />
weekend at the 'big theatres' or at one of the<br />
drive-ins.<br />
"A survey of films being shown at local<br />
movie houses indicated that only three of<br />
the seven major theatres in the city offered<br />
a program that met Catholic Legion of Decency<br />
standards in its entirety.<br />
"The drive-ins did slightly worse, offering<br />
only three morally approved programs out<br />
of eight.<br />
"In each category of the survey, one theatre<br />
offered a program whose rating could not<br />
be immediately determined.<br />
"Of 61 current St. Louis films checked<br />
against Legion of Decency lists, 37 were classified<br />
as 'unobjectionable,' while 24 were rated<br />
as 'objectionable in part.' Only 18 of the 61<br />
were considered proper fare for children, according<br />
to the Legion's lists.<br />
"It was found that many of the theatres<br />
were coupling pictures classified A or A-1<br />
(unobjectionable for adults) with pictures<br />
that had been disapproved because of partial<br />
deviations from moral standards.<br />
"According to Legion of Decency ratings,<br />
such a combination of films should not be<br />
patronized.<br />
ON THE INCREASE<br />
"The local survey was taken following<br />
charges by the executive secretary of the National<br />
Legion of Decency that 'morally offensive<br />
material' is on the increase in the movies.<br />
" 'Variety,' a magazine of the entertainment<br />
business, recently reported that a trend toward<br />
a 'broader, more liberal. Production<br />
Code' was growing.<br />
"This report has been substantiated by recent<br />
columns of William Mooring, the nationally<br />
syndicated movie columnist of the<br />
'St. Louis Register.'<br />
"Warnings like these have increased the<br />
Censorship of Newsreels<br />
Ends in Maryland<br />
Baltimore — Newsreel censorship in<br />
Maryland ended Wednesday (1) by action<br />
of the state legrislature, which also provided<br />
that decisions in censorship controversies<br />
in the Baltimore city court may<br />
now be taken to the court of appeals.<br />
A Catholic Weekly Cautions<br />
Legion on Film Evaluations<br />
New York—The role of the Legion of<br />
Decency and film censorship are the subject<br />
of an editorial in the current issue<br />
of the Commonweal, weekly magazine<br />
edited by Catholic laymen which sometimes<br />
presents independent views. Catholics<br />
are represented as "defenders of moral<br />
values" and liberals as "protectors of<br />
freedom and creativity."<br />
The publication argues that the use of<br />
pressure is "one of freedom's indispensable<br />
weapons," and that liberals in opposing<br />
it "trap themselves in denying the legitimacy<br />
of pressure at all."<br />
"In a free society," it says, "the answer<br />
to pressure we don't like is not to denounce<br />
its use or its right to exist . . .<br />
but to organize counter-pressure."<br />
It continues:<br />
"The Legion of Decency . . . operates on<br />
the principle of making only moral evaluations<br />
of movies, leaving to others all<br />
consideration of their artistic aspects.<br />
This sounds fine; the trouble is, it cannot<br />
be done . . . Everything depends on the<br />
totality of the work. To abstract the<br />
theme or the conclusion from this totality<br />
and praise or blame it for itself is to<br />
praise or blame nothing.<br />
"Yet this is what the Legion of Decency<br />
is too often betrayed into doing by its<br />
single-minded attention to morals without<br />
art. It is fitting and proper, certainly,<br />
that the church concern itself with pubUc<br />
morals. It is necessary that such an organization<br />
as the Legion of Decency<br />
exist."<br />
necessity of providing full and adequate information<br />
about current films, members of<br />
the Legion of Decency said this week.<br />
"The St. Louis Circle of the International<br />
Federation of Catholic Alumnae has been<br />
working with four local high schools to post<br />
weekly listings of neighborhood and downtown<br />
movie offerings in 140 churches and 26<br />
high schools of the area.<br />
"Some parishes of the archdiocese indicate<br />
the Legion rating for each of the films playing<br />
at neighborhood theatres in the weekly<br />
parish bulletin.<br />
"Legion members pointed out to the 'St.<br />
Louis Register' that Istings should be clipped<br />
frequently and saved, so that revivals of certain<br />
films can be checked when they appear<br />
in local theatres.<br />
"The upswing in the number of immoral<br />
films led the St. Louis Chapter of the Legion<br />
of Decency to make the following recommendations<br />
recently:<br />
"1. Consult your church or bulletin board<br />
for the rating of current shows.<br />
"2. Attend only A-1 or A-2 movies and remain<br />
away from all others.<br />
"3. Refrain from patronizing places of<br />
amusement that show condemned movies as a<br />
matter of policy."<br />
Ohio House Approves<br />
New Censorship Bill<br />
COLUMBUS—The Ohio House of Repr6<br />
sentatives has passed and referred to tb<br />
Senate House Bill 29, backed by Gov. Fran<br />
Lausche's administration, which would re<br />
store prior censorship of films in Ohio. Vol<br />
on the measure was 105 to 10.<br />
Earlier, the House approved by a vote (<br />
124 to 3 the Chester-McGovern bill (No. 7i;<br />
providing penalties for exhibiting "obscenf<br />
films to children under 18 and selling "ol<br />
scene" comic books to minors. This measui<br />
too has gone to the Senate.<br />
Leading the debate for the prior censorsh<br />
measure was Rep. Andrew W. Putka, Demi<br />
crat, Cleveland, one of the authors of tl<br />
bill.<br />
"We have a constitutional, as well as mon<br />
right to stop this evil of obscene and obje<br />
tionable movies at the source," Putka said,<br />
Rep. Gilbert Bettman, Republican, Cincij<br />
nati, in opposing the bill, attacked it as u;<br />
constitutional and a violation of the cons'<br />
tutional right of free expression. He said o:<br />
three states now have censorship and that<br />
problem should be handled by the crimir]<br />
laws through punishment for showing<br />
jectionable films rather than attempting<br />
"unconstitutional approach of prior restrain!<br />
Rep. Roy H. Longenecker, Republicij<br />
Pemberville, likened some films to "garbi<br />
fed to little pigs." He said the legislature t|<br />
years ago passed a bill requiring farmers<br />
boil garbage before feeding it to pigs,<br />
that garbage is not as offensive as the rotti<br />
putrid stuff that is presented in some movlf<br />
he said. "It is worse than any garbage<br />
to the little pigs."<br />
Before passing the bill, the House, with<br />
a record vote, defeated an amendment<br />
H. B. 29 which would have required the »<br />
sorship only of films shown to those under<br />
Detroit Circuit Is Using<br />
Trading Stamps Plan<br />
DETROIT—Theatres at long last h<br />
joined supermarkets, gas stations and otj<br />
retail outlets here in offering their patrj<br />
trading stamps. The Sterling-A&W<br />
tres circuit of 12 houses, owned by Artl<br />
Weisberg, is introducing trading stamps to'<br />
adult patrons, at the premium rate of<br />
stamps for each admission. None is gift<br />
for children. Adult admissions vary fronwl<br />
to 60 cents.<br />
Sterling is cooperating with other ItU<br />
retail firms in introducmg the Gold HI<br />
Stamps, which is probably the best publiciid<br />
trading stamp deal currently in the Det<br />
area. It was introduced locally a few wi<br />
ago, with one supermarket chain, one 1(1<br />
gas station chain, and so on, franchisedj<br />
use the stamps.<br />
Weisberg secured exclusive rights to<br />
cooperative plan for theatres in the Det|ll<br />
area, and Ls sharing it with two indepem<br />
houses—Alfred Ackerman's East Side<br />
the Farnum in Hamtramck, operated by<br />
Schlussel family.<br />
"It is very satisfactory," Weisberg s<br />
predicting, "I believe it will work into a<br />
thing."<br />
An entire attraction board at each the<br />
is devoted to promotion of the plan, featu<br />
a blowup of the Gold Bell which is no<br />
familiar sign in all promotion for the p<br />
j<br />
p.<br />
16 BOXOFFICE June 4,
m<br />
'<br />
Grace<br />
—<br />
Somen's Clubs Award<br />
Rations to Films<br />
!" ADELPHIA — Four awards and a<br />
uere given for outstanding films and<br />
lit tlie convention of the General<br />
in of Women's Clubs at the Belleit<br />
ford Hotel May 27. Mrs. Charlotte<br />
3: itli i.s chairman of the motion picture<br />
ii<br />
;ion,<br />
siiecial award for spiritual values was<br />
11 t.i "The Robe" (20th-Fox>, now in the<br />
ie<br />
!i<br />
lid year of its showing, because it "made<br />
iti; an impact on audiences throughout the<br />
Died States that it is still considered by<br />
nlibers of the Federation to have portrayed<br />
tptual values more powerfully than any<br />
)t r film released in 1954-55."<br />
le award of the year for spiritual values<br />
vet to Dr. James K. Friedrich-Selected<br />
ptiiire.'i Corp. for "Day of Triumph." The<br />
.'<br />
Aas made on vote of members.<br />
ward of the year for individual<br />
i: .bility was given to "The Bridges at<br />
Ti i-Ri" for the characterization of indllual<br />
responsibility as the highest virtue<br />
th individual can render to society.<br />
lie conservation award of the year went<br />
to Valt Disney True-Life series from the<br />
Cc-ervation of Natural Resources Departm'f<br />
and the Motion Picture Division for<br />
•T' Living Desert" and "The Vanishing<br />
Pt^rie."<br />
'j-ee citations were given as follows: To<br />
Ja.is Dean for his stellar performance in<br />
th' portrayal of the youth Caleb Trask in<br />
W lers "East of Eden" and for his presentathe<br />
need for good inter-family reips.<br />
Lriiest Borgnine as character actor of<br />
th|'ear for his versatile presentation of such<br />
dlVse characters as Marty in "Marty," to<br />
C6f Ti-imble in "Bad Day at Black Rock,"<br />
anas Stadt in "Violent Saturday."<br />
Kelly for her distinguished perfoi<br />
ances during 1954 in "Dial M for Murde<br />
"Rear Window," "Green Fire," "Country<br />
Gi ' and "The Bridges at Toko-Ri."<br />
Fk Theatres Creditors<br />
Ae Awarded $100,000<br />
iiW YORK—Judge Lawrence E. Walsh in<br />
Feral District Court has awarded $100,000<br />
&(. the All Continent Corp. of New York to<br />
cr itors of the old Pox Theatres Corp. after<br />
agement by Fox trustees and Robert Aron-<br />
«t( . attorney for the creditors.<br />
le Fox circuit went into bankruptcy early<br />
lii;ne 1930s. Since then Aronstein has recored<br />
$2,000,000 for its creditors. He<br />
Dijaged a reversal of the 1937 decision of<br />
thlate Judge Martin T. Manton awarding<br />
tb Academy of Music to Skouras Theatres<br />
fo^$155,000. Later, the theatre was leased<br />
he circuit for 14 years at an annual<br />
il of $175,000. More actions pend.<br />
Hyward Busy Arranging<br />
F r Two Productions<br />
;w YORK — Leland Hayward, producer,<br />
tr ed here Monday (30) from Paris where<br />
.^impleted arrangements for location sites<br />
»(^ and in Spain for filming "The Spirit<br />
t t. Louis," starring James Stewart. He<br />
*)y air two days later to see Ernest Hemliy<br />
in Cuba on filming "The Old Man<br />
;: >}the Sea," starring Spencer Tracy. While<br />
i<br />
i he met with Warner Bros, officials.<br />
THROUGH<br />
his adamant refusal to Why. then, this sudden attack on the<br />
acquiesce to the recent pressure of instrument and the manner in which it is<br />
self-ordained censorship groups, Eric being applied to contemporary product?<br />
Johnston has added cubits to his stature To those familiar with the back-scenes<br />
as president of the Motion Picture Ass'n of machinations of individuals and groups<br />
America. At the same time, his fortitudinous<br />
position has accorded new meaning ment to further their own prestige and/or<br />
which would use the self- regulatory docu-<br />
and prestige to the industry's Pi-oduction profits, the answer is all too obvious.<br />
Code, the administration of which is an The foremost reason for initiating and<br />
integral portion of Johnston's organization.<br />
maintaining the code was to discourage and<br />
render unnecessary censorship of movies<br />
The MPAA chieftain made known his by federal, state and local governments.<br />
forthright stand at a press conference How markedly successful it has been in<br />
called on his behalf during his recent and attaining this goal is a matter of record.<br />
brief trip to Hollywood. At that parley he And while the PCA has been expensively<br />
left no doubt as to his determination that supported to serve as a bulwark against<br />
no such mentoring organizations operating widespread heckling, diversified and often<br />
outside the film trade will exert any influence<br />
contradictory censure, the exhibition<br />
whatsoever upon the personnel, poli-<br />
branch of the trade has expended addi-<br />
cies and modus operandi of the PGA tional vast sums and influence for the<br />
which, he declared, is "doing an excellent same purpose.<br />
job" and, possessing a "sensitive ear to pub-<br />
To discount all of that money and effort<br />
by knuckling under to one pressure group<br />
would not only be foolhardy but would be<br />
loudly inviting comparable busybody meddling<br />
by countless additional organizations<br />
of similar ilk; to say nothing of the abovementioned<br />
official policing which currently<br />
and fortunately is at an all-time low.<br />
lic opinion," welcomes constructive criticism<br />
but has no intention of becoming involved<br />
in controversy.<br />
His remarks were, indirectly, a reference<br />
to charges made some days earlier in New<br />
York by the Catholic Legion of Decency<br />
that "morally offensive" material in film<br />
fare is on the increase.<br />
It should hardly be necessary to remind<br />
that the code was formulated approximately<br />
23 years ago and purportedly incorporated<br />
the best thoughts of many industry<br />
and allied factions. And let it not be forgotten<br />
that persons who are today's champions<br />
of the CLOD were noteworthily active<br />
among those segments. As Johnston<br />
pointed out, administration of the credo<br />
has varied not one iota under the stewardship<br />
of Geoffrey Shurlock from that which<br />
obtained during the tenure of Joseph<br />
Breen, Shurlock's predecessor. In this connection,<br />
the MPAA president expressed unwavering<br />
confidence in the PGA administrator,<br />
praised him liberally for his achievements<br />
and noted that such esteem for<br />
Shurlock was shared by every major studio<br />
head.<br />
R. A. Mack Nominated<br />
To Succeed Hennock<br />
WASHINGTON—President Eisenhower on<br />
Friday (27) nominated Richard A. Mack of<br />
Coral Gables, Fla., to succeed Frieda B. Hennock<br />
on the Federal Communications Commission.<br />
Mack, a Democrat, is now second vicepresident<br />
of the National Ass'n of Railroad<br />
and Utilities Commissioners. The nomination<br />
is for the seven-year term beginning next<br />
July 1. Frieda B. Hennock, first and only<br />
woman commissioner to date, has been noted<br />
for her many and vigorous dissents from<br />
majority opinions.<br />
The nomination is subject to Senate confirmation.<br />
During recent weeks, scattered bookings<br />
on at least two features which were<br />
granted PCA seals were cancelled because<br />
the CLOD had given them "C" ratings.<br />
The pictures are Lippert's "They Were So<br />
Young" and RKO Radio's "Son of Sinbad."<br />
The showmen who are responsible for these<br />
cancellations are guilty of a disservice to<br />
their own long-pull best interests, as well<br />
as to those of the industry as a whole.<br />
The MPAA's self-censorship manifesto is<br />
their instrument, and so long as it is generally<br />
recognized—within and without the<br />
movie business—as the accepted yardstick<br />
by which the wholesomeness of screen fare<br />
is to be adjudged, exhibitors who permit<br />
their evaluation of film decency to include<br />
unofficial, often-bigoted blue-pencilling are<br />
inviting similar revenue-jeopardizing action<br />
from other quarters.<br />
Actors Re-Elect Vincent<br />
NEW YORK—Walter Vincent has been reelected<br />
president of the Actors Fund of<br />
America, a post he has held since 1941. Others<br />
elected are: Gilbert Miller, first vice-president;<br />
Katherine Cornell, second vice-president;<br />
Vinton Freedly, treasurer, and Warren<br />
P. Munsell, secretary and general manager.<br />
Skiatron Goes on Exchange<br />
NEW YORK—Skiatron Electronics and<br />
Televisio.a Corp. (ticker symbol SKI) is now<br />
being traded on the American Stock Exchange.<br />
Re, Re & Co. is acting as specialists<br />
on this issue.<br />
OFFICE June 4, 1955<br />
17
-<br />
MAMMOTH SERIAL THRILLS!<br />
MIGHTY JUNGLE ACTION<br />
VIOLENCE... INTRIGUE<br />
OF THE WORLD'S<br />
LAST FRONTIER-<br />
JOHN HART AS CAPTAIN AFRI<br />
RICK VALLIN- BEN WELDEN<br />
JUNE HOW]<br />
USE COLUMBIA'S HOT CAMPAIGN
AFRICA'S WONDER-WORL<br />
BOOST<br />
YOUR<br />
MATINEE<br />
BUSINESS<br />
WITH THIS<br />
story and Screen Play by<br />
GEORGE H. PLYMPTON<br />
Q^<br />
^<br />
Produced<br />
by<br />
SAM KATZMAN<br />
Directed<br />
by<br />
SPENCER G.<br />
A COLUMBIA<br />
SUPER-SERIAL<br />
BENNET<br />
LL<br />
THE SCREEN'S HOTTEST SERIAL!
A Retouched Photograph of the Original Niclielodeon<br />
50 YEARS AGO .<br />
I<br />
life of the motion picture might have bei#<br />
In the first nine years of theatrical fil)<br />
production there had been but two fu|<br />
classified as "boxoffice" attractions, •-•^<br />
produced by the Edison Co. In 1901 i<br />
"Funeral of President McKinley." Its<br />
was short, but its drawing power tremend(<br />
Then in 1903 came the first of the "W(<br />
erns," the famous "Great Train RobI<br />
still considered the fii-st film based on a<br />
In the motion picture Hall of Fame,<br />
names of Harry Davis and John P. F<br />
should be inscribed at the top. Through<br />
showmanship and courage the Nickelodi<br />
was born and with its birth came the nucU<br />
for the founding of the present motion pict;<br />
theatres and production of films for tr<br />
maintenance.<br />
Prom the circus world to operators<br />
dime museum in their home town of Pil<br />
burgh was the first venture of these<br />
showmen. Soon thereafter several the*<br />
large and small, were under their direct:i<br />
The Grand Theatre on busy Fifth Ave:e<br />
became the local showplace of the iast griing<br />
Keith vaudeville circuit With the adv,.t<br />
of motion pictures in 189G, the Family T-^<br />
atre, a converted storeroom, offered a bill-'<br />
fare consisting of variety acts not of su<br />
'<br />
cient class to meet the Keith standard,<br />
tion pictures and illustrated songs at<br />
cents admission.<br />
Films as released were purchased oul<br />
used but a few times and then shelved<br />
books once read. Fortified by this large<br />
serve, screen material for their coming<br />
enterprise was assured.<br />
The basement of the Grand Theatre !-<br />
came the source of added revenue through le<br />
construction of an arcade. Reached b«<br />
. . THE FIRST MOVIE THEATRi<br />
An Historical Vignette on the Founding of the Nickelodeon by One Who Was Th«<br />
By ALEXANDER PARKE<br />
As told to Robert F. KUngensmith<br />
The story of the founding of the Nickelodeon<br />
in Pittsburgh half a century ago is the<br />
story of two astute American showmen who,<br />
as they say, "just stumbled into a good idea<br />
and followed it through."<br />
Harry Davis was associated with his<br />
brother-in-law, John P. Harris, in a number<br />
of Pittsburgh amusement enterprises. They<br />
were Pittsburgh boys who joined a circus in<br />
early life and then came home and opened<br />
a dime museum. This was the gaslight era<br />
when theatres were operated by conservative<br />
men.<br />
The vaudeville fever had become a national<br />
epidemic. Theatres clear across the nation<br />
had adopted the Keith style and manner in<br />
stage presentations. And now, in 1905, it was<br />
their screens that provided the source of<br />
revenue for the limited production units<br />
headed by the Edison Manufacturing Co.<br />
The demand wa-s for short subjects only,<br />
spliced together to provide the length of<br />
running time required to meet the entire program<br />
schedule. This restriction enabled oiJy<br />
a meager diet for the infant movie and retarded<br />
its growth.<br />
At the moment there were no signs ahead<br />
to forecast more abundant or longer film<br />
subjects, and the industry as a whole was<br />
20<br />
in a rather lethargic condition. Had it continued,<br />
it is ha:-d to predict what the future<br />
PITTSBURGH—T?ie stoTV of the Nickelodeon,<br />
world's first all moving picture<br />
theatre opened here 50 years ago, was<br />
told to R. F. KUngensmith, Boxoffice<br />
field representative, several years ago<br />
by the late Alexander Parke, who said,<br />
To have been present at the planting<br />
of the acorn; to have aided in its<br />
nurture, and then survive to behold it<br />
as a sturdy oak, was my gift from<br />
God." This is its first publication.<br />
Parke assisted greatly in popularizing<br />
nwtion pictures, after being a touring<br />
lecturer with lantern slides. He<br />
was one of the first to introduce moving<br />
pictures as a -new world" replacement<br />
for colored slides. In July 1902,<br />
three years before the birth of the first<br />
five-cent theatre devoted exclusively<br />
to pictures, Parke operated a Biograph<br />
tent show in the Homewood district of<br />
Pittsburgh, showiiig films from France<br />
and Italy. He started with Sigmund<br />
Lubin in Philadelphia as speiler in<br />
front of Lubin's Electric Theatre on<br />
the midway at the National Export<br />
Exposition there in the summer of 1899.<br />
Ua<br />
amp from the sidewalk, pedestrians £(Sj<br />
it a convenient walk-through tc Dian<br />
street in the rear. From early mornmg<br />
late at night a steady stream of traffic ps^<br />
through. Among the installations weij<br />
flower stand at the entrance, a barber<br />
lunch stand, several pool and billiard taes,<br />
and scattered here and there numcus<br />
Kinetoscope penny-in-the-slot machines ;M<br />
showed miniature movies of less than a m;ut<br />
duration. Over in a corner there was a im<br />
that provided space for about 35 persoi »<br />
stand and look at a human freak seat^-oi.<br />
an elevated platform. The admission. ;v.<br />
cents. „<br />
Without any dii-ect statement from H-i'<br />
and Davis, ever having been made d^M<br />
their lifetime, due to theii- natural relucncc<br />
to discuss the matter, it can only be assuej<br />
their Nickelodeon idea was conceived ailresult<br />
of the daily observance of nickel!-'<br />
dimes being changed to pennies to be drc?<br />
into the movie peep show machines, anif<br />
willingness of people to pay a nickel to :|<<br />
up as they gazed at a freak. In folUl<br />
through on their idea, it is safe to sayC<br />
anticipated no further extension of its<br />
f<br />
beyond the scene of introduction.<br />
,<br />
Around the corner from the Grand<br />
vacant stores at 433-35 Smithfield St. f<br />
undergoing alteration. A canvas coveif<br />
the work from view. At eight o'clock o:(<br />
morning of June 19, 1905. in about the \<br />
BOXOFFICE<br />
:<br />
: June 4J
I<br />
: June<br />
—<br />
Their Confidence in Movies Built the Nickelodeon<br />
a mill, a tiller of the soil, and of other<br />
trades galore. They were the gallant pioneers<br />
atop the bandwagon; with hope in ever heart.<br />
Some fell off and others jumped on. Some<br />
joined the production line.<br />
The speed of action, as new theatres appeared,<br />
created a strong demand for films.<br />
Then the wheels of a new and more confident<br />
industry began to turn. Their cameras chcked.<br />
Skilled artists stepped in. New ideas came.<br />
From practice came perfection. More and<br />
more as time moved on. From it all, as growing<br />
tree, came the beauty and grandeur visible<br />
today.<br />
So ends the first chapter in the life of<br />
God's great gift for the betterment of all<br />
mankind—the motion picture. As a potential<br />
messenger of peace and ambassador of goodwill,<br />
may the power of Edison's great illusion<br />
contribute much in the creation of love and<br />
mutual understanding among al! the peoples<br />
of the world.<br />
HARRY DAVIS<br />
wtiout<br />
-njiner as the unveiling of a monument<br />
ceremony, the canvas cover was retried<br />
and the first continuous showing, fivec*<br />
admission motion picture theatre opened<br />
h' business.<br />
ere marked the time and place of the acu<br />
entry of entertainment motion pictures<br />
ii' permanently established field of individuJ<br />
theatre operation.<br />
'ii this eventful morning, a passing parade<br />
oivorkers and shoppers paused and gazed<br />
Ii* wonderment at the scene before them.<br />
'' -Teething new has come to town. What<br />
.<br />
be? What does that name up there<br />
What is a Nickelodeon? I never<br />
1.<br />
h rd<br />
of that name before."<br />
HD THE ALADDIN TOUCH<br />
1 frontal appearance this ne'.v entertain-<br />
spot reflected an Aladdin touch—a page<br />
ir It<br />
fill Arabian Nights, a golden door to fairy-<br />
1. ! with a face tinted and toned in color<br />
: :le^ of harmonious beauty neither gaudy<br />
n bold. Just soft pastels, and so pleasing to<br />
tl' eye, and studded with clusters of incan-<br />
"(ij:ent lights glittering like diamonds in the<br />
nf-ning sun. This myriad of lights, then<br />
-slico, then burlap, and all touched with an<br />
a'st's brush had created this scene of<br />
ir sistible allure. In the rear between the<br />
ei ance and exit doors is a ticket booth enci<br />
led with lights around the top. "Showir"<br />
Continuously" is lettered on the front.<br />
Aard in a frame — rested on an easel reads<br />
"lowing Today 'Baffled Burglar' and 'Poor<br />
''a Honest'" (two subjects on one reeU.<br />
Orhead through an opening in the wall<br />
Si'ie the phonographic strains of the hit<br />
ti js of the day. Across the top of the front<br />
ft a \\all to wall a sign in metal letters with<br />
I' t lights signifies the theatre name<br />
N:kELODEON. At 431, next door, is a<br />
P ny Arcade. It displays two signs in front<br />
-Admission Free" and "Automatic Vaude-<br />
"<br />
V '<br />
Thus we have before us the movies<br />
he past and of the futui'e, in keen competi<br />
.n.<br />
lie converted store rooms provided space<br />
f< 96 old red plush-covered opera chairs.<br />
L !r the seating arrangement was changed<br />
t( iccommodate 200 chairs and a standing<br />
n n space in the rear. In an entire day's<br />
0' ation 8 a.m. to 11 p.m., fully 1,000 patrons<br />
JOHN P. HARRIS<br />
would stand. Successful from the opening<br />
hour, the daily average attendance was 7,000.<br />
It is a matter of official record as taken from<br />
the books still intact that as many as 10,000<br />
eople paid admission in a single day. Continuous<br />
shows at 15-minute intervals made<br />
this possible.<br />
When the time arrived to decide on a theatre<br />
name, Davis suggested "Bijou Dream"<br />
while Hanis preferred "Family." Then<br />
Eugene L. Connelly of the publicity staff<br />
suggested the words "nickel" and "odeon"<br />
be combined. Nickel to represent five cents<br />
and Odeon being the Greek word for theatre.<br />
No other theatre, of the thousands to follow,<br />
adopted this word as the theatre name. However,<br />
a rose is a rose and a Nickelodeon is a<br />
Nickelodeon.<br />
The day-to-day popularity of their Pittsburgh<br />
innovation convinced the founders it<br />
was not built upon the sands. Following the<br />
B. F. Keith technique at vaudeville's introduction,<br />
they too expressed confidence in the<br />
longevity of their creation. Before fall came<br />
similar theatres in storerooms opened in<br />
Philadelphia, Cincinnati, Detroit, and in towns<br />
immediately adjacent to Pittsburgh, exhibiting<br />
films which had been purchased in their<br />
circus and museum days. All were given the<br />
master's touch in frontal appearance. This<br />
sign of permanency so displayed was a very<br />
important factor in gaining immediate confidence.<br />
SERVED AS A MODEL<br />
These first theatres served as working<br />
models in their respective areas. For a time,<br />
watchful waiting was followed by the anxious<br />
onlookers. Free from vaudeville theatre suppression,<br />
because of the policy of short subjects<br />
only, the entertainment motion picture<br />
was now in a world of its own. The door of<br />
opportunity was wide open. A new bonanza<br />
had come. Free enterprise and American<br />
initiative went into action, and clear across<br />
the nation the search went on for vacant<br />
stores.<br />
However, venture capital viewed this craze<br />
as of short duration. At the start, it became<br />
a poor man's gamble. The vanguard in the<br />
cavalcade were men of limited financial<br />
means—keepers of small stores, of shoe-shine<br />
parlors, or dairy-lunch rooms, or a worker in<br />
TOA Pamphlet Promotes<br />
Convention Attendance<br />
NEW YORK—Theatre Owners of America<br />
has prepared a pamphlet inviting exhibitor<br />
reservations for its 1955 convention October<br />
6-9 at the Biltmore Hotel, Los Angeles. It<br />
is headed: "This Is Your Call to Action,"<br />
and asks for exhibitor support, counsel,<br />
energy, experience and wisdom through attendance.<br />
Morton G. Thalhimer of Richmond, Va.,<br />
is quoted as saying that "our aim is fair<br />
dealings between exhibitors, distributors and<br />
producers. It is the only sure road to success<br />
for our industry."<br />
The pamphlet notes that TOA policy will<br />
be set at the convention, that distribution<br />
as well as exhibition will be heard, that there<br />
will be a small theatre owners' clinic and a<br />
large tradeshow. and that there will be many<br />
opportunities for recreation.<br />
It concludes with: "Make yourself heard at<br />
TOA convention time."<br />
Decca Earnings Rise 28%<br />
For First 1955 Quarter<br />
NETW YORK—Decca, Inc., consolidated net<br />
earnings for the quarter ended March 31<br />
totaled $816,339, equal to 50 cents a share on<br />
1,602,501 shares of capital stock outstanding.<br />
The figure includes its share of the undistributed<br />
earnings of Universal Pictures, its<br />
subsidiary, and was up 28 per cent over 1954<br />
earnings for the same period.<br />
Decca owned 718.585 shares of Universal<br />
at the end of the 1955 period, representing<br />
71 per cent of the outstanding stock.<br />
Name Kaye 'Screen Father'<br />
NEW YORK—Danny Kaye has been named<br />
"Screen Father of the Year" by the National<br />
Father's Day Committee. His starring roles<br />
in "Assignment Children" and the coming<br />
"The Court Jester," Paramount pictures, figured<br />
in the award.<br />
Australia Sees 'Foys'<br />
NEW YORK—"The Seven Little Foys,"<br />
Paramount VistaVision picture, opened at<br />
the Prince Edward Theatre. Sydney, Australia,<br />
Wednesday ili with Bob Hope, the star,<br />
making a personal appearance. It was a<br />
benefit for the Australia Cerebral Palsy FMnd.<br />
B :OFFICE :<br />
4, 1955 21
TH£ SHOW CASe<br />
the W«*V SMJ*' ^,en•^<br />
By ^-ifi^^«?.^»vg.<br />
Tints'<br />
Or)eraW>'^ -,(.6<br />
^»9 \<br />
THE HOUSTON PRESS<br />
Movie Star Kim Novak<br />
And Hoc Goof Ba
1 ««<br />
h(.-ffiitfiiiJkiii!i«![i]iki4rnii:4i<br />
bia has a B.O. combo thafs a natural!<br />
eservices everywhere<br />
rr?d the story<br />
^$t^\<br />
• sensational \^<br />
nNlovak stunt that<br />
\ci<br />
national headline<br />
m for 5 AGAINST THE HOUSEI<br />
*0v!iS<br />
j„i,istthe<br />
to B«*<br />
,ole«e be.s v--" 9 ^^<br />
A PARTIAL LISTING OF THE TOP PERSONALITIES<br />
V\^HO PARTICIPATED IN THE PROMOTION INCLUDE:<br />
BOB BATTLE -Nashville Banner<br />
ROBERT STAPP- Rocky Mountain News<br />
B)CK- National Radio<br />
01 IE -National TV<br />
JIKI— Washington Daily News<br />
J IrOCKARD- Houston Chronicle<br />
I^IIS— Dallas Times-Herald<br />
BUCK HERZOG- Milwaukee Sentinel<br />
NORMAN NADEL- Columbia Citizen<br />
ARNOLD MARKS -Portland Oregon Journal<br />
BETTY CRAIG -Denver Post<br />
EDITH LINDEMAN- Richmond Times-Dispatch<br />
ANN MARSTERS- Chicago American<br />
PAUL HOCHULI- Houston Press<br />
JACK GORDON -Fort Worth Press<br />
ALLEN WIDEM- Hartford Times<br />
KASPAR MONOHAN- Pittsburgh Press<br />
JOHN ROSENFIELD- Dallas News<br />
WARNER TWYFORD- Norfolk Virginian-Pilot<br />
EMERY WISTER- Charlotte News<br />
IRVING KUPCINET- Chicago Sun-Times<br />
RIA<br />
VAK<br />
and introducing<br />
MOORE WILLIAM CONRAD KERWIN MATHEW&<br />
Screen Play by STIRLING SILLIPHANT. WILLIAM BOWERS and JOHN BARNWELL • Based upon the Good HouseKeepmg Magazine story by lACK FINNEY «<br />
Produced by STIRLING SILLIPHANT and JOHN BARNWELL • Directed by PHIL KARLSON
—<br />
]<br />
i<br />
-<br />
Can't Exist on 'Relief When<br />
Merited' Policy,<br />
He Says<br />
Judge Uvick, Former Michigan Allied Head, Offers<br />
A Two-Point Program to Help Save Small Theatres<br />
-<br />
By H. F. REVES<br />
jmm^mama^<br />
DETROIT — A simple but comprehensive<br />
two-point program to convert the "boxoffice<br />
battle line" into a profit line was proposed<br />
by Judge Joseph P. Uvick. owner of the<br />
Burton Theatre at Flint, Mich., and past<br />
president of Allied Theatres of Michigan.<br />
CITES LICHTMAN FIGURES<br />
Starting with statistics recently presented<br />
by Al Lichtman that 85 to 90 per cent of<br />
the earnings on "first class motion pictures"<br />
come from 4,500 theatres and big drive-ins<br />
and "the balance from double that number,"<br />
Uvick developed the two phases of what<br />
may be termed "the Uvick Plan":<br />
1. "Producers get completely out of the<br />
direct or indirect control or participation<br />
in boxoffice receipts"—as far as the approximately<br />
10,000 smaller theatres which earn<br />
the 15 per cent of total revenue are concerned.<br />
"It's time for producers to recognize that<br />
the courts have pushed them away some<br />
distance and that the legislative arm of the<br />
government is likely to give them another<br />
shove," Uvick argues, "for producers cannot<br />
justify forcing themselves in as uninvited<br />
partners on any other than arbitrary<br />
dictatorial we-have-the-power basis. The<br />
hangover carnival policy of 'you must get<br />
all you can today for he won't be here tomorrow'<br />
is not applicable to permanently<br />
established reliable businessmen that exhibitors<br />
now generally are.<br />
"By one great fell swoop producers should<br />
eliminate all 'must or else' percentage demands<br />
on the 10,000 little fellows. They would<br />
thereby remove the most nauseating stench<br />
and trouble-maker in our industry. They<br />
would eliminate the major portion of checking<br />
expended on the very minor part of<br />
revenue obtained, to say nothing of other<br />
connected abuses that would disappear.<br />
SALES POLICY REVERSAL<br />
2. "After having elminated the 'must'-percentage-or-no-product<br />
policy on the theatres<br />
in question, the producers should reverse<br />
their thinking completely on their sales<br />
policy. Do what other manufacturers are<br />
usually compelled to do: seek the lowest<br />
figure you can sell for instead of how much<br />
more can I get and how?"<br />
Developing the reasoning back of his plan,<br />
Uvick said, "The fight for the boxoffice<br />
dollar has always existed and will continue<br />
to exist. Of that we can be certain, for the<br />
producer of pictures must have a fair share,<br />
and so must the exhibitor as the very lifegiving<br />
substance for the existence of both.<br />
Our industry as a whole may be likened<br />
to a body—and its heart is the boxoffice. The<br />
dollars that roll in are the life-giving oxygen.<br />
"To date the constant battle for the division<br />
of that dollar has been without a<br />
referee. We have had schemes, plans, gimmicks,<br />
local and national policies, and .some<br />
JUDGE JOSEPH P. UVICK<br />
'skullduggery' made evident by the results<br />
of many lawsuits on the side of both production<br />
and exhibition.<br />
"To point to just two general classes of<br />
lawsuits:<br />
"1. On behalf of exhibitors and for the<br />
benefit of the public as a whole to get production<br />
out of direct control and ownership<br />
of the boxoffice—which spelled divorcement.<br />
"2. By producers for want of honest accounting<br />
on percentage engagements. The<br />
root of all past and present discord is control<br />
of boxoffice at its source. At what distance<br />
must production be kept away from<br />
direct or indirect control of this oxygen<br />
the boxoffice dollar?<br />
"Our courts have told producers to get<br />
out of exhibition and that they shall not<br />
dictate admission prices. Producers were<br />
thereby, in fact to some extent, 'regulated'<br />
away from boxoffice, the heart of the industry,<br />
but has it resulted in the exhibitor's<br />
ability to retain more or less of the admissions<br />
he now receives?<br />
REGULATION NOT THE ANSWER<br />
"The very existence of 'The Emergency<br />
Defense Committee' of Allied and the expressed<br />
views of TOA leadership indicate the<br />
exhibitors' contention that producers can<br />
and do still exercise some form of strangulation."<br />
Government regulation is not the answer,<br />
Uvick believes, and will bring in evils which<br />
can perhaps be only partly foreseen at this<br />
time.<br />
"As a last resort we are therefore about to<br />
invite the government to regulate our actions<br />
and agi'eements because there Is no<br />
other place to go.<br />
"Arbitration hopes seem to have died<br />
aborning.<br />
"Roundtable conferences at the sumn,<br />
we are told, are to be avoided because "tn;<br />
practices and sales policies' should not ?<br />
the subject for discussion with competitc<br />
"No other means, method or alternat;<br />
is even suggested. Mr. Lichtman's suggest i<br />
that arbitration might be invoked on accou s<br />
paying $50 or less is the only flicker of lijt<br />
in the deep dungeon of secretive, not-toopenly-discussed<br />
trade practices."<br />
Taking the Lichtman suggestion on artration<br />
and developing into a wider soe<br />
which becomes point one of the "Uvick Pla"<br />
the judge first excoriated the industry spokmen<br />
who have looked toward regulation:<br />
"One is almost forced to conclude that p.<br />
ducer leadership is conspiring to coni;l<br />
governmental intervention.<br />
WARNS OF BUREAUCRACY<br />
"Both producers and exhibitors will le<br />
the day when each will face governmeni<br />
bureaucracy with volumes of records pertEiing<br />
to their business, present, past and i-<br />
ture,<br />
including trade practices and sales picies,<br />
if you please—just to obtain considfition<br />
of something that a duly-authorized I'al<br />
distribution manager could adjust right m<br />
the spot, if taken out of strait jacket liitations.<br />
"What can be done, and how and whyto<br />
keep the industry free of direct governnnt<br />
regulation? Once in, we can rest assiad<br />
there will be no way out. We can expec.to<br />
be eventually saddled with an additional li'er<br />
of tax to defray the cost of such regulatio<br />
"Producers must admit that, if there a<br />
remedy, it is theirs to provide, to avoid U:le<br />
Sam's medicine, most of which the produrs<br />
will have to swallow. We must also anit<br />
that any remedy we can suggest must apiar<br />
to be financially sound or be consided<br />
'<br />
worthless.<br />
"If producer leadership could be liivinced<br />
that providing some remedy is no" in<br />
their power, and in theirs only, and is'pt<br />
to be more profitable than the alternati —<br />
to stay put and let exhibitors go hang, ten<br />
if both hang together—then and only ^n<br />
can remedial measures obtain immediate jisideration.<br />
Referring to the Lichtman statistics, Dick<br />
said that "The lowly 15 per cent earnerby<br />
9.000 theatres commands capable leadeiiip<br />
to seek an appropriate remedy. Lichtnrn's<br />
statement that 'It behooves all distribiirs<br />
to take care of the little fellow and (cp<br />
him in business,' implies fairness and c lability—and<br />
that he has given that ver 15<br />
per cent factor serious consideration.,No<br />
one on behalf of producer or distributcj as<br />
yet has offered any specific remedy."<br />
]<br />
FLAT RENTALS FOR 85 PER CENT<br />
Uvick's arguments sum up to:<br />
A. Flat rental terms for approximate) 85<br />
per cent of theatres, excluding the li?er<br />
houses.<br />
B. Reversal of industry thinking in pring<br />
for the other houses, to seek profit om<br />
minimum price, or terms, rather than iiximum.<br />
Both aspects of the plan are inseparjle,<br />
Uvick believes, in making their adoptii a<br />
wise choice for producers themselves, an he<br />
cites five reasons:<br />
1. The immediate result would be thatexhibitor<br />
leaders would also reverse their leld<br />
and help put out the fire generated tdet<br />
them. It certainly would improve inditry<br />
business relations.<br />
2. Pi-oducers' total risk or loss, if any, m*<br />
24 BOXOFFICE :: June 4 956
:<br />
Producers<br />
. tiugh<br />
'<br />
: June<br />
1<br />
nq be more than some part, perhaps a<br />
percentage, of the 15 per cent factor—<br />
srill<br />
gH<br />
eventually this may produce a profit as<br />
H'<br />
of film must admit that the<br />
pjlucers of customers are their exhibitors,<br />
s(Jo speak, and any loss in their number is<br />
so'e<br />
loss, however small, to themselves.<br />
Producers should realize that the present<br />
bigger, 4!) primarily transient, centrallylo<br />
ted theatres, mainly in larger cities with<br />
admissions, are not the theatres that<br />
hlier<br />
gi, birth to theatregoing habits. The smaller<br />
tens and neighborhood subsequent run thesis<br />
are generally for the first-timers and<br />
reilar customers, who later, now and then,<br />
borne the customers for the former class<br />
oi heatre.<br />
N5D THE SMALLER ACCOUNTS<br />
'.bus the planting ground is not in the<br />
Ifj'e,<br />
expensive fii'st runs, but out among the<br />
li'e fellows. Can producers afford to let<br />
tii field dry up to even le-ss than 15 per cent?<br />
t.ck asks.<br />
Suppose the little fellow does actually<br />
his product at half or less of what he<br />
bi<br />
eld pay if gouged a little? If that goes<br />
for any length of time, there will be two<br />
tiatres where there was just one before,<br />
lit is what has happened, and will happen<br />
a in and again. Does part of 15 per cent<br />
];;ify perpetuating a taint or revolt of the<br />
njority of exhibitors?<br />
•rhe time has come to bring about many<br />
Drms in our industry, but I have sug-<br />
Rted only tw'o," Uvick concluded.<br />
I also believe and hope that government<br />
r Idling is not to be the answer, even though<br />
i|inay appear necessary for lack of any<br />
oer alternative. If we cannot sit at a<br />
c ference table for the reasons given, may<br />
? not ask what law or reason there is for<br />
rjsing to remedy a situation that is adr<br />
tedly bad and getting no better?<br />
The remedy cannot be 'We will grant<br />
r ef when merited' as stated by Mr. Balaban,<br />
i dying one-at-a-time charitable consideram.<br />
The segment of the industry that is<br />
s: is the seeding ground as a whole. It<br />
cinot be cured by such consideration even<br />
charitable."<br />
(hesapeake Stockholders<br />
'.)<br />
See Demonstration<br />
lEW YORK—Stockholders of Chesapeake<br />
Hustries have been invited to attend a<br />
cnonstration of color film and exhibits by<br />
Msidiaries June 15 at the Trans-Lux Theat.<br />
The film will be "The Magnificent Mata-<br />
(" 20th Century-Fox CinemaScope proction<br />
with prints made by Pathe Laborat<br />
ies, a subsidiary.<br />
'Tie company continues to seek to add to<br />
i number of subsidiaries, now totaling nine,<br />
i ording to a letter mailed stockholders by<br />
rlliam C. MacMillen jr., president.<br />
IKO Theatres Retiring<br />
J<br />
13,976 Common Shares<br />
JEW YORK—RKO Theatres has retu-ed<br />
•'<br />
.976 shares of its authorized and unissued<br />
inmon stock, according to a report to the<br />
Purities and Exchange Commission. The<br />
'ion leaves 3,330,936 shares outstanding.<br />
' e stock rose a full point on the New York<br />
''Ck Exchange in the five business day.s<br />
lowing the decision of the board to retire<br />
'<br />
shares.<br />
Walter Reade Builds First<br />
Drive-In Theatre on Roof<br />
^iSlii^%tSlk'Wnc atnr<br />
Drive-in for 1,000 cars being built over roof of parking area in new shopping<br />
center at Dover, N. J.<br />
NEW YORK—Construction has been started<br />
at Dover, N. J., on a drive-in on a roof. It is<br />
believed to be the fu-st of its kind.<br />
The roof will be over the parking lot on a<br />
new shopping center and will have space for<br />
about 1,000 cars, according to Walter Reade<br />
jr., who has leased the area.<br />
Unlike most shopping centers, this one<br />
New Hilux Lens Created<br />
For Smaller Theatre<br />
NEW YORK—Projection Optics this week<br />
announced production of the new Hilux 264<br />
anamorphic lens, its fourth new item within<br />
the last year. Early in 1954, the company<br />
introduced Hilux f/1.8. In the summer of<br />
1954, it was the Hilux-Val, and in the spring<br />
of 1955 the Super Hilux series.<br />
The newest addition to the family is for<br />
the little neighborhood theatre, a fixed anamorphic<br />
lens which sells for S395 a pair.<br />
The Hilux 264 has the same optical features<br />
as the Hilux-Val. except that it is fixed and<br />
usable only with a 2 25 '32-inch or smaller<br />
projection lens. The mounting portion has<br />
been designed to fit into any standard 2 25 32<br />
projector mount, and will clear all accessories<br />
on the face of some projectors, the company<br />
announced. It will thread directly on the<br />
prime lens, and will never require support<br />
brackets or extension tubes.<br />
Projection Optics announced that approximately<br />
6,000 theatres are now equipped<br />
with its products.<br />
will be on the main street of Dover, a residential<br />
community located about 30 miles<br />
west of New York. The main street forms part<br />
of a main east-west highway with a growing<br />
population of commuters as well as a surrounding<br />
area peopled by many summer visitors.<br />
It is only a few minutes ride from Lake<br />
Hopatcong.<br />
The ."hopping center was conceived and is<br />
being built by Milton L. Ehrlich, Inc., 300<br />
Fourth Ave., New York City. The center<br />
will be one of the largest in North Jersey and<br />
will have branches of a number of nationally<br />
known stores. The architects are Kruger<br />
& Fana of Newark.<br />
A fully-equipped modern restaurant will be<br />
built in the center of the upper deck to serve<br />
shoppers during the day time and drive-in<br />
patroas at night. The same building also<br />
will house the projection booths for the theatre.<br />
The screen will be more than 100 feet<br />
wide and capable of showing CinemaScope or<br />
other types of wide.screen projection. At<br />
one end of the upper deck there will be a<br />
children's play area with slides, .swings,<br />
merry-go-rounds and other play equipment.<br />
These will be near the base of the screen.<br />
Reade plans installation of all the latest<br />
projection, sound and in-car speaker equipment.<br />
He also will put in in-car heaters for<br />
year-round operation.<br />
Conventional theatres have been built in<br />
connection with a number of shopping centers,<br />
but so far as Reade has been able to<br />
find out this is the first one to be on a<br />
second-story level. The theory is that if<br />
the patrons come to the shopping centers by<br />
car they will want to view their picture<br />
shows from their cars. It will be ready by the<br />
yearend.<br />
Reade's outfit is becoming one of the largest<br />
independent circuits in the east. He built his<br />
first drive-in at Woodbridge. N. J., in 1946.<br />
He now cpeates a total of eight drive-ins and<br />
has acquired property for a twin drive-in at<br />
Totowa, N. J. The circuit also has 30 conventional<br />
theatres in New Jersey and New<br />
York.<br />
Youngstein Plans Coast<br />
Survey of Production<br />
NEW YORK—Max E. Youngstein, vicepresident<br />
of United Ai-tists, will spend the<br />
summer in Hollywood checking on independent<br />
production, leaving here the end of the<br />
month with his family and returning to the<br />
home office in September.<br />
He returned from Hollywood Tuesday (31<br />
where he conducted a preliminary survey of<br />
production and met with Robert F. Blumofe,<br />
vice-president in charge of UA coast activities;<br />
Leon J. Roth, publicity coordinator, and<br />
independents producing films for UA release.<br />
Grainger Quits U. S. Post<br />
To Return to Law Firm<br />
NEW YORK—Edmund C. Grainger jr. has<br />
resigned as special assistant to the U. S. attorney<br />
general to rejoin the law firm of O'Brien.<br />
DriscoU & Raftery as tax counsel. He was in<br />
the government position two years. He is the<br />
son of Republic's circuit sales manager. His<br />
uncle. James R. Grainger, is RKO president.<br />
1 XOFFICE :<br />
4, 1955 25
THE CURTAIN'S RISING ON<br />
Paramount's Biggest Promotion<br />
BOB HOPE NATIONWIDE TOUR - in-person<br />
appearances to meet the press and public . . . and<br />
to skyrocket interest in the picture everywhere!<br />
Bob's itinerary includes strategically selected<br />
cities from coast to coast— all of them important<br />
population hubs from which saturation publicity<br />
will reach to all local areas.<br />
TIE-UPS GALORE — get all the details in the Paramount pressbook.<br />
Country-blanketing TV plugs from Bulova Watches—11,GOG drug and<br />
candy store displays and Saturday Evening Post page ads from<br />
Page & Shaw— point of sales displays from Sonic Capri Radio-<br />
Phonographs are typical of this great merchandising!<br />
(3o4i/ I>ij7^i4^i6^^
. . right<br />
VISTAVISIOK<br />
MOTION PICTURE f HIGH-FIDELITY<br />
^0^^^M<br />
puts you right in the heart<br />
ocven<br />
m^ ^m of the family . in<br />
^^^ ^^^<br />
^ ^ ^^^!^F ^^^^^^ "W^k. the middle of the fun!<br />
//<br />
Little Toys<br />
FULL COLOR NATIONAL ADS AND<br />
TERRIFIC TV-RADIO COVERAGE-Life,<br />
Saturday Evening Post, Wonnan's Honne<br />
Companion, American Weekly color<br />
pages— plus page ads in Seventeen and<br />
11 fan magazines to grand total of 125<br />
million readers. Top air shows to millions<br />
more via rating-leaders like Ed Sullivan's<br />
Toast of the Town, Edward R. Murrow's<br />
"Person to<br />
Person," Lux Video Theatre,<br />
General Foods NBC program, Arthur<br />
Godfrey, Dave Garroway, "Home" and<br />
many, many more.<br />
-ALL ADDING UP TO AN ALL-OUT UPROAR<br />
OF PRESELLING THAT STARTS NO>V,<br />
REACHES A PEAK IN JULY<br />
AND CONTINUES ALL SUMMER LONG...<br />
]vriL33r viXMJE<br />
GEORGE TOBIAS<br />
•<br />
Produced by<br />
ANGELA CLARKE<br />
Directed by<br />
•<br />
JACK ROSE MELVILLE SHAVELSON*<br />
Written for the Screen by<br />
MELVILLE SHAVELSON «d JACK ROSE
: June<br />
H<br />
j<br />
James Perkins Named<br />
To Para. Inl'l Post<br />
NEW YORK—James E. Perkins has been<br />
elected executive vice-president of Paramount<br />
International Films, according to a statement<br />
Wednesday (1)<br />
~^jjr~ by George Weltner.<br />
^^^^^"N Paramount worldwide<br />
sales head. Perkins<br />
^P^<br />
B<br />
^<br />
has been chairman and<br />
--,^9fc A managing director of<br />
4 y _ the international unit<br />
in the United King-<br />
''.'•f'l^<br />
"~"<br />
dom, with offices in<br />
,, ,^» London. He will head-<br />
^^^- r quarter in New York.<br />
^^^ ^<br />
I<br />
Perkins has been<br />
WHHk tm. I with Paramount 30<br />
years, joining it in 1925<br />
James E. Perkins<br />
as sales representative.<br />
He became manager in China in 1933, general<br />
manager for Japan, China and the<br />
Philippines in 1935, managing director of<br />
the Orient in 1941 and division manager for<br />
the Far East. Australasia and South Africa in<br />
1944. He took over the United Kingdom post<br />
in 1946.<br />
'Seven Year Itch' Given<br />
Opening in New York<br />
NEW YORK — Marilyn Monroe's "The<br />
Seven Year Itch" was given an elaborate premiere<br />
at Loew's State Wednesday (1) with<br />
the usual lights and celebrities, including<br />
Miss Mom'oe. The regular engagement started<br />
Friday morning.<br />
The 3,500-seat house was filled to capacity.<br />
CBS-TV film footage screened at the opening<br />
was screened on the late evening news<br />
programs and will go on again Sunday in<br />
Eric Severeid's "American Week" TV show.<br />
Movietone News and the metropolitan newspaper<br />
photographers covered the arrival of<br />
guests.<br />
Among the stars present were Lillian Roth,<br />
Eddie Fisher, Henry Fonda, Tyrone Power,<br />
Rita Gam. Shelley Winters, Basil Rathbone,<br />
Luba Malina, Sid Caesar, Nannette Fabray,<br />
Jackie Gleason, Milton Berle, Tex and Jinx<br />
McCrary, Arlene Francis and Raymond<br />
Massey.<br />
Double Theatre Standards<br />
Predicted by E. S. Gregg<br />
BANGKOK—Two technical standards for<br />
exhibition, including one for de luxe houses<br />
and a second for other theatres were predicted<br />
Tuesday 131) by E. S. Gregg, president<br />
of Westrex Corp., as the company concluded<br />
its first Far Eastern convention here.<br />
Gregg is of the opinion that the trend in<br />
exhibition indicates that the newest developments<br />
in projection and sound reproduction<br />
will be utilized by the larger theatres,<br />
enabling experimentation to continue. Use of<br />
the latest methods is consistent with the<br />
other superior benefits of de luxe theatre operation,<br />
he said.<br />
Decca to Pay 17 y2 Cents<br />
NEW YORK—Directors of Decca Records,<br />
Inc., have voted a quarterly dividend of 17 V4<br />
cents on the capital stock, payable June 30<br />
to stockholders of record June 16.<br />
HEINEMAN IN SPAIN—WiUiam J.<br />
Heineman, center. United Artists vicepresident<br />
in cliarge of distribution, talks<br />
witli stars Fredric March, riglit, and<br />
Ricliard Burton during location filming<br />
near Madrid of Robert Bossen's "Alexander<br />
tlie Great," multi-million-dollar<br />
UA Cinemascope epic. The spectacular<br />
dramatization of the life of the legendary<br />
Greek general is being produced and directed<br />
by Rossen from his own screenplay.<br />
Montreal Churches Present<br />
Censored 'Martin Luther'<br />
MONTREAL—Tlie Martin Luther film,<br />
which was banned 17 months ago by the<br />
Quebec Board of Cinema Censors, has been<br />
shown to capacity audiences in 11 Protestant<br />
churches in this area.<br />
The film was shown as part of a service of<br />
worship. Invitational cards reading: "You<br />
are invited to a church showing of the outstanding<br />
religious film 'Martin Luther,' " were<br />
distributed by over 100 churches. The picture<br />
was not advertised commercially, but clergymen<br />
extended invitations from their pulpits.<br />
Of the 11 churches, five were United Church<br />
of Canada, two were Lutheran, two P>resbyterian.<br />
one Baptist and one Anglican.<br />
After the censor ban Protestant churches<br />
protested and individuals sent numerous letters<br />
to Canadian newspapers.<br />
Hyman, Markley Head<br />
UCP Theatre Collection<br />
NEW YORK—Edward L. Hyman and Sidney<br />
M. Markley. vice-presidents of American<br />
Broadcasting-Paramount Theatres. Inc., have<br />
been named co-chairmen of the theatre collections<br />
committee of the United Cerebral<br />
Palsy Campaign, states Leonard H. Goldenson,<br />
board chairman of UCP.<br />
The goal is $10,000,000. The star of the 1955<br />
UCP trailer, "The Greatest of These," is<br />
Danny Thomas. It is now being distributed<br />
to theatres by National Screen Service. Herman<br />
Robbins, NSC president, is chairman of<br />
the distribution committee.<br />
David Gould to Handle<br />
Egyptian-Made Feature<br />
NEW YORK—David Gould, head of David<br />
Gould Pictures, overseas distributors specializing<br />
in the Far East areas, has taken over<br />
world representation, except for Europe,<br />
the Near East and Africa, of "Hamido,"<br />
starring Farid Chawky and an all-Egyptian<br />
cast. Chawky also produced the picture,<br />
which was directed by Niazi Moustapha under<br />
the Dollar Company of Egypt banner.<br />
Value of Audience Poll<br />
Detailed by COMPO<br />
NEW YORK— All exhibitors are urged t<br />
take part in the Audience Awards pool in<br />
statement written by Wilbur Snaper, Sar<br />
Pinanski and Al Lichtman, co-chairmen c<br />
the Council of Motion Picture Organization<br />
and contained in a new COMPO brochui<br />
describing the poll. The statement reads:<br />
"Aside from its enormous public relatioi<br />
benefits for our industry, the Audienc<br />
Awards, in our view, will mean heightent<br />
public interest in pictures and a defini<br />
enhancement of the boxoffice value of sever<br />
pictures.<br />
"Coming at the beginning of the Christm;<br />
holiday season, the announcement of tl<br />
awards will make it possible to re-relea<br />
.several of these pictures, thus providii<br />
powerful attractions for our theatres at<br />
time when new product is normally in she<br />
supply.<br />
"We, the members of the governing cor<br />
mittee of COMPO, first approved the pi:<br />
for an annual Audience Awards election<br />
April 1954. Worked out by a devoted groi<br />
of theatre advertising executives, the proji,<br />
has been approved by the principal exhibitas.sociations<br />
and by a large number of t'<br />
top exhibitors of the country.<br />
"We are all fortunate that Elmer .<br />
Rhoden, president of National Theatres, Is<br />
consented to be chairman of the campaii<br />
that will put this plan into effect. Enthuastic<br />
over the possibilities of this plan. 1-.<br />
Rhoden is making an enormous sacrifice p<br />
lead this campaign, so we ask that evy<br />
exhibitor support him. He is working for U<br />
of us. We are confident that he will dta<br />
magnificent job."<br />
United German Film Has<br />
Pictures for U. S.<br />
NEW YORK—"The revived German f(n<br />
industry has made tremendous strides," ;-<br />
cording to Munio Podhorzer, president^f<br />
United German Film Enterprises, which r,)-<br />
resents many of the leading German p-<br />
ducers and exporters in the U. S. UGFKs<br />
now negotiating for a group of imporlj<br />
German films, many of them in color<br />
all of them with English titles, for sho7<br />
in the U. S., particularly in the art houj<br />
Among these pictures are: "White Hs<br />
Inn," in color, based on the &ic ChfJl<br />
operetta, starring Johanna Matz and Rud
'<br />
have<br />
'<br />
•<br />
c<br />
.<br />
ti<br />
,<br />
isrest<br />
! think<br />
'<br />
p<br />
:<br />
lETTERS<br />
(lers Four Business-Building Ideas<br />
l BOXOFFICE:<br />
read in the Exhibitor Has His Say<br />
(i)artment of BOXOFFICE the complaints<br />
qmany exhibitors about poor boxoffice recpts.<br />
Below are four suggestions which may<br />
j|p these exhibitors increase their intake.<br />
1 1. Use the colorful ads in BOXOFFICE.<br />
put them out and spot them throughout<br />
jOur lobby.<br />
2. Use the free transcription records<br />
iffered. More people are influenced by<br />
learing than by trying to read a long ad-<br />
(•ertisement in the front display case.<br />
3. If the pressbook covers are in color<br />
jsuch as for RKO's "Underwater!") clip<br />
hem out and put them on display.<br />
' 4. Use advertisements which are offered<br />
'ree by the companies (such as 24-sheets)<br />
ind spread them in the lobby.<br />
that if these simple rules are fol-<br />
L/ed, your theatre will look better and be<br />
Sown better.<br />
JAMES BRESCOLL<br />
It Pressbook Co.,<br />
Byall Ave.,<br />
J'<br />
I'wling Green, Ohio.<br />
'inks, Mr. Parham<br />
BOXOFFICE<br />
am not much of a hand at writing this<br />
lie of letter, but just thought I would pass<br />
IS along to you for the good it might do.<br />
jiXOFFICE is the only trade journal that<br />
< subscribe to. However, I see others occa-<br />
,'nally, and I think BOXOFFICE has more<br />
i ormation for the exhibitor who wants m-<br />
1 mation about the exhibition end of our<br />
lilness, as well as distribution, past, presli<br />
«, and future. Keep up the good work.<br />
(-Owner, Manager<br />
]e Par-Co Co.<br />
Irrest City, Ark.<br />
JOSEPH W. PARHAM<br />
Superscope Bonus Offered<br />
With Lens Purchase<br />
HOLLYWOOI>—In a novel merchandising<br />
plan to introduce the projection system to<br />
those of the nation's theatres that are not as<br />
yet equipped therewith, Joseph Tushinsky,<br />
president of Superscope, disclosed that effective<br />
Monday (6) any showman who purchases<br />
a pair of Superscope lenses at the established<br />
price of $395 per pair will receive a bonus of<br />
$100 to be applied on the rental of any picture<br />
filmed in the anamorphic widescreen process.<br />
The exhibitor, upon placing his order for<br />
the lenses, will receive from Superscope by<br />
return mail a validated certificate into which<br />
is to be inserted the name of the Superscope<br />
film that has been rented and the date of<br />
the booking. Upon receipt of such information<br />
Superscope will send its check for $100<br />
to the theatreman to apply toward payment<br />
of<br />
the rental, Tushinksy declared.<br />
Cuj-rently available in the process are<br />
United Artists' "Vera Cruz" and three RKO<br />
Radio releases, "Underwater!" "Son of Sinbad"<br />
and "Escape to Burma." Upcoming are<br />
a number of others, including RKO Radio's<br />
"Jet Pilot," Allied Artists' "Body Snatchers"<br />
and Filmakers' "Battle Hell."<br />
Now an Umbrella for Car<br />
Parked in a Drive-In<br />
NEW YORK— Sightmaster Corp. of New<br />
Rochelle, N. Y., is marketing an "umbrella"<br />
for an automobile. It was developed at the<br />
insistence of Arthur Steel, a director, who<br />
owns drive-in theatres, and makes unnecessary<br />
during a rain of running the motor to<br />
operate the windshield wipers.<br />
The umbrella, called the rain-visor, is<br />
made of durable vinyl plastic 48 inches long<br />
and 18 inches wide. It can be stored in the<br />
car trunk and attached over the windshield<br />
by means of suction cups and straps with<br />
clamps. The effect is that of an awning.<br />
CALENDAR °! EVENTS<br />
JUNE<br />
Iiutzky Made Permanent<br />
;ltec Northeast Head<br />
fEW YORK—Ralph Kautzky, who wa--;<br />
fnporarily stepped up from northeastern<br />
^mch manager of Altec Service Corp. in<br />
Otober 1954, following the naming of C. S,<br />
f.-kins to the post of operating manager.<br />
«> been made permanent division manager<br />
Altec's northeastern division with headtirters<br />
in New York, according to Perkins.<br />
lautzky is a veteran employe of Altec and<br />
i predecessor, Electrical Research Products,<br />
I:., and has served in various capacities, intding<br />
field engineer, field supervisor and<br />
' nch manager.<br />
re;»:henck Resigns Top Post<br />
^^ith Magna Theatre Corp.<br />
;.- iIEW YORK—Joseph M. Schenck has re-<br />
&Md as board chairman of Magna Theatre<br />
n<br />
'<br />
'i^oUt^dMMd ^efrint<br />
By<br />
IVAN SPEAR<br />
On\y 25 Productions Start in June;<br />
MGM. U'l Top With Four Each<br />
statistics accumulated during a tally of<br />
filmmaking plans among both major and independent<br />
producers indicate that the lensing<br />
pace hereabouts during June will be at the<br />
lowest ebb so far registered in 1955—a dubious<br />
distinction, at best, since the year to date<br />
hasn't been characterized by anything resembling<br />
a production boom.<br />
Subject to possible last-minute changes,<br />
the outlook for the current period reveals a<br />
total of 25 starting features. This is two less<br />
that the aggregate recorded at the beginning<br />
of May.<br />
Sharing top honors as the town's busiest<br />
studios are MGM and Universal-International,<br />
each with four vehicles going onto<br />
the sound stages. Columbia, 20th Century-<br />
Fox and United Artists follow with three<br />
each; Allied Artists and RKO Radio will<br />
respectively account for a pair, and the balance<br />
will be supplied by Paramount, Republic,<br />
Warners and an independent.<br />
Here is the projected lineup:<br />
ALLIED ARTISTS<br />
"Operation Uranium." In the 40th in their<br />
series of comedies the Bowery Boys become<br />
involved in a current national craze, prospecting<br />
for uranium. Stars Leo Gorcey, Huntz<br />
Hall. Producer, Ben Schwalb. Director,<br />
Edward Bernds.<br />
"Son of Slade." A sequel to last season's<br />
"Jack Slade," this title-roles John Ericson<br />
as a stalwart citizen who wipes out an outlaw<br />
gang. Also stars Mari Blanchard, Neville<br />
Brand. Producer, Lindsley Parsons. Director,<br />
Harold Schuster.<br />
COLUMBIA<br />
"Battle Stations." The story of the U. S. S.<br />
Franklin, the aircraft carrier which was<br />
bombed off the coast of Japan in 1945 after<br />
heroic service during World War II. Stars<br />
Philip Carey. Producer, Bryan Foy. Director,<br />
Lewis Seller.<br />
"Inside Detroit." A reign of gangland terror<br />
and violence is wiped out when the mob<br />
leader is killed in a gun battle with the law.<br />
Stars Dennis O'Keefe, Pat O'Brien. Producer,<br />
Sam Katzman. Director, Fred F. Sears.<br />
"Perils of the Wilderness." A serial about<br />
life and adventure on the frontier. Stars not<br />
set. Producer, Sam Katzman. Director,<br />
Spencer Bennet.<br />
INDEPENDENT<br />
"Apache Woman." A redskins-vs-whites<br />
outdoor actioner, this will be lensed in Pathe<br />
color and is slated for distribution by American<br />
Releasing Corp. Stars not set. Producerdirector,<br />
Roger Corman.<br />
METRO-GOLDWYN-MAYER<br />
"Forever, Darling." A bride and groom<br />
embarking on their honeymoon find they are<br />
being escorted by a guardian angel who helps<br />
them iron out the stormy .spots in their<br />
marital career. Stars Lucille Ball. Desi Arnaz,<br />
James Mason. Producer, Desi Arnaz (Zanra<br />
Productions). Director, Alexander Hall. In<br />
Cinemascope and color.<br />
"I'll Cry Tomorrow." The biography of<br />
Lillian Roth, singer-entertainer who made a<br />
show business comeback after successfully<br />
combating alcoholism. Stars Susan Hayward,<br />
Richard Conte, Eddie Albert. Producer,<br />
Lawrence Weingarten. Director, Daniel<br />
Mann.<br />
"The Tender Trap." A playboy bachelor<br />
who has made a career of avoiding marriage<br />
is finally snagged by a determined girl who<br />
wants him as a husband. Stars Frank<br />
Sinatra, Debby Reynolds, David Wayne. Pi'oducer,<br />
Lawrence Weingarten. Director,<br />
Charles Walters. In Cinemascope and Eastman<br />
Color.<br />
"Tribute to a Bad Man." This is the story<br />
of one of the last of the great western horsebreeders<br />
in Wyoming, who specialized in raising<br />
fast steeds for express stagecoaches in<br />
the 1870's. Stars Spencer Ti'acy, Irene Papas,<br />
Stephen McNally. Producer, Sam Zimbalist.<br />
Director, Robert Wise. In Cinemascope and<br />
Eastman Color.<br />
PARAMOUNT<br />
"Too Late. My Love." This suspense drama,<br />
in VistaVision, concerns a wicked woman, a<br />
jewel theft and murder. Stars Carol Ohmart,<br />
Tom Tryon, Jody Lawrence. Producer-dli-ector,<br />
Michael Curtiz.<br />
RKO RADIO<br />
"Glory." A comedy-drama about horseracing,<br />
this will be filmed on location at the<br />
site of the Kentucky Derby in Louisville and<br />
at the Calumet breeding farms in Tennessee.<br />
Stars not set. Producer-director, David<br />
Butler. In Superscope and Technicolor.<br />
"Texas Lady." This adventure-romance,<br />
localed in Texas and Louisiana in the 1870s,<br />
is the story of a hard-as-nails gambler and<br />
a crusading feminine newspaper editor. Stars<br />
Claudette Colbert, Barry Sullivan, Ray Collins.<br />
Producer, Nat Holt (Holt-Rosen Pro-<br />
'Patterns/ Noted Teleplay,<br />
To Be Filmed for UA<br />
Another TV-to-movies transaction has<br />
been consummated with the disclosure<br />
that "Patterns," one of the year's mosttalked-about<br />
television programs, is to be<br />
transformed into a theatrical motion picture<br />
for United Artists release.<br />
Van Heflin has been signed to star in<br />
the property, which Michael Myerberg<br />
and Jed Harris will produce in New York.<br />
Rod Serling, who wrote the teleplay, will<br />
supply the script, and Fielder Cook, director<br />
of the video show, will pilot the feature<br />
project. In "Patterns" Heflin portrays<br />
a young executive who is embroiled<br />
in a hectic struggle for power in a huge<br />
industrial empire.<br />
ductions). Director, Tim Whelan. In Sup(<br />
scope and Technicolor.<br />
REPUBLIC<br />
"Come Next Spring." An Arkansas farn:<br />
leaves his wife and children and, returni<br />
after an absence of several years, is i<br />
generated by the faith and love of one of t<br />
children, a mute. Stars Steve Cochran, Ai<br />
Sheridan, Sherry Jackson. Director, R. «<br />
Springsteen. In Trucolor. 1<br />
20th CENTURY-FOX<br />
"The Girl in the Red Velvet Swing." Her!<br />
in is related the turn-of-the-century scant;<br />
that swept the nation when Stanford Wh<br />
was slain by Harry K. Thaw as the climax I<br />
a romantic triangle involving Evelyn Nesba<br />
Stars Joan Collins, Ray Milland, Far<br />
Granger. Producer, Charles Brackett,<br />
rector, Richard Fleischer. In CinemaSci<br />
and color.<br />
"Good Morning, Miss Dove." A romai<br />
drama based on Frances Gray Patton's no<br />
about a small-town school teacher. St ><br />
Jennifer Jones. Producer,<br />
j<br />
Samuel G. Eni .<br />
^<br />
Director, Henry Koster. In Cinemascope a 1 .ijj<br />
color.<br />
"The View From Pompey's Head." Fr i<br />
the novel by Hamilton Basso, this deals w i.ij<br />
an editor who returns to his home irj.j<br />
small southern community after a career ft;^<br />
the big city. Stars Richard Egan, Di|a<br />
Wynter. Producer-director, Philip Dunne<br />
Cinemascope and color.<br />
UNITED ARTISTS<br />
"A Kiss Before Dying." A scheming colig^i<br />
boy murders his fiancee when his plans irq<br />
marrying into a wealthy family are udt,i<br />
Stars Robert Wagner, Joanne Woodwa, ui<br />
Jeffrey Hunter. Producers, Robert Jas,<br />
Robert L. Goldstein (Crown Production<br />
D rector, Gerd Oswald. In CinemaScope Id<br />
color.<br />
"News Is Made at Night." Based pn<br />
Charles Einstein's novel, this is a dramwl<br />
newspaper life in Chicago. Stars Dana i-<br />
drews, Rhonda Fleming, Ida Lupino. Inducer,<br />
Bert E. Friedlob. Director, Fritz L;.g.<br />
"Top Gun." An action-drama of the ely<br />
west. Stars Sterling Hayden. Produr,<br />
Edward Small. Director, Ray Nazarro.<br />
UNIVERSAL-INTERNATIONAL<br />
"Backlash." A man scours the southwesm<br />
frontier in the 1870s for the renegade }io<br />
betrayed his father and four others tO;he<br />
Indians. Stars Richard Widmark, Dcna<br />
Reed. Producer, Aaron Rosenberg. Dire or,<br />
John Sturges. In Technicolor.<br />
"The Girl in the Cage." A rookie p-ce<br />
officer is assigned as an undercover maito<br />
break up a gang of teen-age car thlJes.<br />
Stars William Campbell, Kathleen Cse,<br />
Keenan Wynn. Producer, Howard Pine, director,<br />
Abner Biberman.<br />
"Tarantula." This science-fiction dib»<br />
concerns a medical researchist who isfexperimenting<br />
with a powerful synthetic -iutrient<br />
and who develops a king-sized taintula<br />
that terrorizes civilization. Stars 'hn<br />
Agar, Mara Corday, Leo G. Carroll. ProdfOr,<br />
William Alland. Director, Jack Arnolcj<br />
"World in My Corner." A boxer, falliii Ui<br />
love with a wealthy girl, offers to thr'.' a<br />
championship fight to gain the money vich<br />
he thinks he must have so that shewill<br />
marry him. However, he changes his lifld.<br />
wins the title and the girl. Stars j'dlf<br />
Murphy, Barbara Rush. Jeff Morrow. T"-<br />
• Continued on page 34)<br />
30 BOXOFFICE June 'IS'
Hut just TWO will do...<br />
MILLION WORDS<br />
!>%y5t^<br />
V<br />
PRIVATE<br />
WAR of<br />
MAJOR<br />
BENSON<br />
TECHNICOL-OR<br />
PRINT BV<br />
hv l/i<br />
rSAL<br />
Take your family or your sweetheart to the<br />
SPECIAL SCREENING your U-l EXCHANGE<br />
is arranging in your Territory!
BOXOFFICE BAROMETEI<br />
This chart records the performance of current attractions in the opening week of their first runs in<br />
the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new runs<br />
are reported, ratings are added and averages revised. Computation is in terms of percentage in<br />
relotion to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />
the figures show the gross rating above or below that mark.<br />
Annapolis Story, An (AA)<br />
Bedevilled (MGM) 100 75 100 75 85 120<br />
I,<br />
v^ Big Combo, The (AA) 100 130 80 70 150 50 100 80 110 60 65 100 80 91<br />
Big Tip Off, The (AA)<br />
Blackboard Jungle, The (MGM) 400 200 280 130 115 170 210 275 130 300 300 200 220 195 300 200 190<br />
Black Tuesday (UA) 120 140 200 85 85 125 105<br />
Cell 2455. Death Row (Col)<br />
Challenge the Wild (UA)
'<br />
General Traffic Manager Douglas Dawson of Norton Company tcilb<br />
''How Norton makes the sparks fly!"<br />
"When a plant's grinding operations break down, their pro-<br />
"How.-' With on-the-ball engineering and Air Express! pounds a day by Air Express, as we do !<br />
duction lines may grind to a halt, too. iJ V have to make the<br />
sparks fly! says Doug Dawson.<br />
"<br />
"The abrasive that can meet specifications — and gets there<br />
To us. Air Express is like a full warehouse in every community;<br />
we can deliver anywhere in the U.S. in a few hours.<br />
"Yet, we actually save money when we use Air Express<br />
instead of other air carriers. A typical 25-lb. shipment from<br />
first<br />
— gets the order.<br />
"We win those races time after time from our one big<br />
Worcester to Chicago, for example, costs S8.85. That's S3. 55<br />
cheaper than any other direct air service!<br />
plant in Worcester, Mass.<br />
—<br />
"Those savings add up when you ship as much as 1,000<br />
C^KUL. A.IIR<br />
EiCPr^ESS<br />
aipfess<br />
GETS TMEI^E Pir^ST ri,i US. ScheUiiled Airlines<br />
of r^^\IL.W^KV E^XPPtESS .AGC'IVCV<br />
rXOFFICE :<br />
: June 4, 1955<br />
33
1<br />
. . Fred<br />
. . Borrowed<br />
:<br />
June<br />
!<br />
Hollywood Report<br />
I Continued from page 30<br />
ducer, Aaron Rosenberg. Director, Jesse<br />
Hibbs.<br />
WARNER BROS.<br />
"Tlie Court-Martial of Billy Mitchell." In<br />
Cinemascope and WarnerColor, this deals<br />
with the chmactic events in the career of<br />
Gen. William Mitchell, regarded as the<br />
"father" of the U. S. air force and a determined<br />
proponent of air power. Stars Gary<br />
Cooper. Producer, Milton Sperling (United<br />
States Pictures). Director. Otto Preminger.<br />
U-I. WB and Republic<br />
Week's Story Buyers<br />
Buying 'em more or less in wholesale lots,<br />
two at a time, Universal-International picked<br />
up the screen rights to a pair of literary<br />
properties. Added to the studio's stockpile<br />
were "Teach Me How to Cry," a psychological<br />
melodrama by Patricia Joudry, and "Outlaw's<br />
Code," a—yep, you guessed it—western,<br />
penned by Evan Evans. "Cry" has been<br />
assigned to Ross Hunter to produce; the<br />
galloper, however, has not as yet been turned<br />
over to one of the studio's filmmakers for<br />
handling . . . Also in the sagebrusher category<br />
is an acquisition by Warners, which purchased<br />
"The Burning Hills," a new novel by<br />
Louis L'Amour. The tome will be the first<br />
chore at the Burbank film foundry for Richard<br />
Whorf, recently inked as a producer. A<br />
story of ranching in the early days of the<br />
southwest, it was penned by the author of<br />
"Hondo," last season's Wayne-Fellows production<br />
for Warner release which served as<br />
a starring vehicle for John Wayne . . Picked<br />
up by Republic was "Back of Beyond," an<br />
original screenplay by Thames Williamson,<br />
which has been assigned to William J.<br />
O'Sullivan to produce.<br />
Kirk Douglas to Tour U. S.<br />
To Promote 'Ulysses'<br />
Short notes from the sound stages: As a<br />
part of the advance promotion being cooked<br />
up for "Ulysses," the Ponti-De Laurentiis<br />
production to be distributed by Paramount,<br />
title-roler Kirk Douglas will undertake a<br />
nationwide key-city tour in addition to the<br />
prospective barnstorming swing of his co-star,<br />
Silvana Mangano. Douglas, currently starring<br />
in his first independent vehicle, "The<br />
Indian Fighter," for United Artists, probably<br />
won't be hitting the road until fall, however,<br />
since he's slated to trek to Europe in July<br />
to star as Vincent Van Gogh in MGM's "Lust<br />
for Life" . . . Because of the pressure of his<br />
responsibilities as general director of music<br />
at MGM, Johnny Green is retiring for the<br />
time being as first vice-president of the Academy<br />
of Motion Picture Arts and Sciences, a<br />
post he has held for the past three years.<br />
Green is the second top Academy officer to<br />
announce his withdrawal from executive activity,<br />
president Charles Brackett having recently<br />
disclosed he will not consider being<br />
nominated again for the berth.<br />
Jennifer Jones to Portray<br />
Teacher in Fox Film<br />
When the sound-stage classroom pupil<br />
assembled for 20th Century-Fox's "Gooi<br />
Morning, Miss Dove," bring apples for th<br />
teacher, recipient thereof will be Jennife<br />
Jones, just inked by the studio for the stella<br />
role in the projected film version of th<br />
novel by Frances Gray Patton . . . Charactf<br />
comedienne Thelma Ritter joins Debora<br />
Kerr and William Holden in Paramount<br />
July starter, variously known—and you taki<br />
your choice—as "The Magnificent Bastards<br />
"The Magnificent Devils" and "A Bree<br />
Apart" .<br />
Clark and Josephine Hutcl<br />
inson, onetime Warner contract players, r(<br />
turn to the studio for top parts in "Mirac<br />
in the Rain." starring Jane Wyman and Va<br />
Johnson . from 20th Centur;<br />
Fox, Dale Robertson will have the starrii<br />
spot in "Jagade," a Technicolor western whi(<br />
Universal-International will place before t<br />
cameras in July.<br />
Steve Sekely to Republic<br />
As Producer-Director<br />
Bringing to six the number of product;<br />
dii-ectors now under contract. Republic inW<br />
Steve Sekely to a term pact in those cap£^<br />
ities. Sekely's most recent credit was ti<br />
piloting job on an Italian-made feature, "l*<br />
Simiers," starring Ruth Roman.<br />
He joins Frank Lloyd. John H. Auer, ,i<br />
Kane, Franklin Adreon and Edward Lud'J<br />
as Republic filmmakers.<br />
COLUMBIA PICTURES ANNOUNCES THAT PRINTS OF THE FOLLOWING<br />
PICTURES ARE NOW AVAILABLE IN<br />
OUR EXCHANGES FOR SCREENINt j<br />
DENNIS O'KEEFEABBE LANE<br />
wi.h PAUL STEWART • XAVIER CUGAT And His Orchestra<br />
Screen Play by JOSEPH HOFFMAN • Directed by FRED F. SEARS • A CLOVER PRODUCTION<br />
@3II1HIEC]<br />
starring<br />
KENNETH TOBEY- FAITH DOMERGUE<br />
will,<br />
nnUAl n PIIDTIC<br />
UUUHLU uUlf I \0 Technical Eltects Created by RAY HARRYHAUSEN<br />
:""'"'"»»> (^EO'^'^E worthing VATESandHAl SMITH<br />
Executive Producer SAM KATZMAN • Produced by CHARLES H. SCHNEER Directed by ROBERT GORDON<br />
^<br />
WITH THE<br />
Atom brain<br />
Stonr and Screen Pliy by I lb, EDWARD LUHN<br />
34 BOXOFFICE<br />
:<br />
4
;<br />
increase<br />
,<br />
'<br />
; June<br />
[PEA Negoiiations Attend Preview of 'Major Benson'<br />
fith Spain Halted<br />
i>4EW YORK—The Motion Picture Export<br />
Js'n through G. Griffith Jolin.son. vicei-^idtiU.<br />
late in the week .suspended pact<br />
with Spain because of added de-<br />
.iered utterly unreasonable.<br />
-ii.ii.i .i.ikL'd for a dra.stic cut in dubbing<br />
Hints from 100 to 80. Its government would<br />
dubbing prices a.s follow.^:<br />
hek-and-white films, 600.000 pesetas to<br />
j).000: color, 700,000 to 1,000,000 and special<br />
tjcess films, not covered before, 1,300,000.<br />
rile government there al.so tried to tie-in<br />
tnbution in Spain. It demanded that the<br />
•<br />
provide for one permit for distribution<br />
a Spanish film along with each five pert^<br />
lor foreign films.<br />
The seven MPEA member companies with<br />
fices there were asked additionally to<br />
:ndle the distribution of eight Spanish films<br />
North America.<br />
After suspending negotiations, Johnson left<br />
adrid for western Germany. The next move<br />
11 be up to Spain.<br />
clot As a Stranger' Set<br />
!or Capitol June 29<br />
NEW YORK—"Not As a Stranger," Stanley<br />
earner's production for United Artists rei>e,<br />
will open at the Capitol Theatre, dayid<br />
date with the benefit opening at the<br />
arJey Warner Theatre, Beverly Hills, Calif,<br />
•oceeds from the latter opening will go to<br />
|e new Los Angeles Mt. Sinai hospital.<br />
IThe simultaneous openings will be carried<br />
li TV by the 76 stations of the National<br />
(•oadcasting Co. network, via Steve Allen's<br />
I'onight" program from the lobby of the<br />
;st coast house.<br />
jlartoon on Ticket Tax<br />
NEW KENSINGTON, PA.—School board<br />
;
—<br />
—<br />
—<br />
—<br />
—<br />
—<br />
.<br />
n<br />
.<br />
love Me and 'Davy Crocketf Both<br />
Smash in Big Holiday Weekend<br />
NEW YORK—The three-day Memorial Day<br />
weekend brought in crowds of out-of-town<br />
visitors, to take the place of the hordes of<br />
New Yorkers that left the city, and the Broadw^ay<br />
first runs benefited with business ranging<br />
to "terrific" at Radio City Music Hall to<br />
"quite good" at some of the holdovers.<br />
"Love Me or Leave Me," which got rave<br />
reviews, gave the Radio City Mus.c Hall its<br />
(Average Is 100)<br />
Astor The Mogniticent Matador (20th-Fox) ....125<br />
Baronet Hiroshimo (Continental), 2nd wk 110<br />
Capitol The Prodigal (MGM), 3rd wk 110<br />
Criterion—The For Horizons (Para), 2nd wk 115<br />
Arts To Paris With Love (Continental),<br />
9th 115<br />
Globe Dovy Crockett, King of the Wild Frontier<br />
(Buena Vista)<br />
I 75<br />
. , . . 1<br />
Gu.ld- -Gote of Hell (Harrison), 24th wk<br />
larnegie Green Magic (IFE), 2nd wk.<br />
Loew's State The Blackboard Jungle (MGM),<br />
11th<br />
Maytoir Violent Saturday i20th-Fox), 3rd wk. ..105<br />
Normandie The Adventures of Sodie (20th-Fox)<br />
2nd wk 115<br />
Palace Conquest of Space (Para), plus vaudeville 120<br />
r'aromount strategic Air Command (Paro),<br />
6th wk 125<br />
90<br />
Pans The Great Adventure (de Rochemont)<br />
Plaza Wuthering Heights (Goldwyn), reissue<br />
3rd wk no<br />
Radio City Music Hall Love Me or Leave Me<br />
(MGM), plus stage show 175<br />
Roxy Soldier of Fortune (20th-Fox) 165<br />
Surton Morty (UA), 7th wk 1 90<br />
frans-Lux 52nd Doctor in the House (Rep),<br />
15th wk 115<br />
Victoria Strange Lady in Town (WB), 2nd wk. ..110<br />
Warner Cinerama Holiday (SW), 16th wk. of<br />
two-a-day<br />
Wor.d One Summer of Hoppiness (Times), moveover,<br />
135<br />
10th wk<br />
105<br />
'Melody' Scores 165<br />
In Buffalo Bow<br />
BUFFALO-"Interrupted Melody" turned<br />
in a good week, following an especially big<br />
advance ad, radio and TV campaign. "Strategic<br />
Air Command" continued to do business<br />
in its second week, the holiday influx of<br />
biggest Memorial Day weekend in the history<br />
of the huge house and business for the<br />
week was "marvelous" for this time of year,<br />
according to the theatre treasurer. The Sunday<br />
night rain even helped to drive strollers<br />
into the theatre and the nearby Roxy Theatre,<br />
with "Soldier of Fortune," also got some<br />
of the overflow. Business for this Clark Gable<br />
picture was strong, as it was at the Globe,<br />
where "Davy Crockett, King of the Wild<br />
Frontier," attracted the youngsters, as well<br />
as their parents, for the best gross in many<br />
weeks.<br />
"The Magnificent Matador" was very good<br />
in its opening week at the Astor and "Conquest<br />
of Space" also drew the younger element<br />
to give the Palace Theatre its best bus-<br />
j<br />
visitors helping not only this but other first<br />
iness in several weeks.<br />
run theatres. "The<br />
.summer, for<br />
Sea Chase"<br />
the benefit of Salute to<br />
gave the<br />
Franc<br />
Among the holdovers, "Strategic Air Command"<br />
at the Paramount had a sixth week<br />
Center one of its best weeks in recent months<br />
according to Robert W. Dowling, chairman '<br />
and it looks like a second week is in the<br />
the board of the American National Theat<br />
bag.<br />
which equalled the fifth stanza but "The<br />
"Three for the Show" at the Lafayette and<br />
and Academy, and Ai'thur B. Krim, preside:<br />
Prodigal," in its third week "Shotgun" at<br />
at the<br />
the Century of<br />
were<br />
Capitol;<br />
both<br />
United Artists, which is distributing tl,<br />
better<br />
film.<br />
"Violent Saturday," in its third week<br />
than normal.<br />
The "Summertime" opening will coi^<br />
at the<br />
cide with the June 20 opening in Paris<br />
Mayfair, and "The Far Horizons," in its second<br />
week at the Criterion, were good but Century Shotgun (AA) 110 will open<br />
Buffalo Interrupted Melody (MGM) 165<br />
Center The Sea Chase (WB) 1 40 "Oklahoma!" the stage production, whi<br />
down from preceding weeks.<br />
Cinema<br />
the Salute to France program ai<br />
Animal Farm (DCA) 105<br />
Lafayette Three for the Show (Col) 115 bring American players, music and ballet<br />
In the art house field, excellent reviews for Poromount Strategic Air Command (Para),<br />
"The Great Adventure"<br />
2nd<br />
at the Paris gave the<br />
wk<br />
the French capital.<br />
150<br />
theatre a bigger first week than the recent<br />
"Wages of Fear" at that house and each Holiday Is Outdoor Time<br />
Martin and Lewis Party<br />
successive day was higher than the previous And Grosses Suffer<br />
day's business. And "Marty" kept up its terrific<br />
pace in its seventh week at the Sutton, holiday proved more of a detriment than a NEW YORK—Paramount will stage BALTIMORE—The Memorial Day weekend Scheduled in Catskills<br />
|<br />
with long waiting lines outside the small help to the first run boxoffices. Apparently, three-day press-radio-television preview pai|<br />
house nightly. Also continuing strong was pleasure seekers left the city and those who for "You're Never Too Young," the DeJ<br />
"Gate of Hell," which had a 24th week which remamed nearby at least sought amusement<br />
was higher than the 23rd at the tiny Guild parks for recreation—and certainly not the<br />
Martin-Jerry Lewis company, at Brown's HJ<br />
tel. Loch Sheldrake, N. Y., June 10-12.<br />
Theatre; "To Paris With Love," which had theatres. As a result, grosses are not at their The doings will head off with the presef<br />
a big ninth week at the Fine Arts; "Hiroshima,"<br />
usual holiday level.<br />
tation of the picture Friday, June 10. Boji<br />
in its second week at the Baronet Century The Blackboard Jungle (MGM), 4th wk. 125 of the comedians will be there. All the equif<br />
Theatre, and "Adventures of Sadie," good in Film Centre— Doctor in the House (Rank), 3rd wk. 100 ment needed to present it in the horizont,<br />
Hippodrome The Prodigal (MGM) 1 40<br />
its second week at the Normandie.<br />
Keiths Strategic Air Commond (Pora) 125 double-frame VistaVision apparatus, will i<br />
Little<br />
Heights (Goldwyn), wk. . . 80<br />
Maytair<br />
set<br />
Passage<br />
up at the hotel.<br />
;Rep) 90<br />
Day, the first week in June saw only two New—Daddy Long Legs i20th-Fox), 4th wk 90<br />
new Broadway films, "The Seven Year Itch"<br />
Playhouse—To Poris With Love (Cont), 4th wk. . . 85<br />
Stanley The Sea Chase (WB) 110<br />
at Loew's State June 3 and another from Town Violent Saturday (20th-Fox) 90<br />
After the six openings just before Memorial<br />
Wuthering<br />
Sonto Fe<br />
2nd<br />
20th-Pox, "Angela," at the Palace.<br />
The Cinema One Summer of Happiness (Times). . 90<br />
'SAC Sensational<br />
In Steel City<br />
PITTSBURGH—"Strategic Air Command"<br />
was out in front by a wide margin, turning<br />
in the best gross here in six months.<br />
Fulton—Abbott and Costello Meet the Mummy<br />
(U-l); The Looters (U-l) 40<br />
Harris That Lody (20th-Fox) 40<br />
Penn—Strategic Air Command (Para) 225<br />
Stanley Jump into Hell (WB); Mambo (Para). . . 50<br />
To Hold 'Cobweb' Premiere<br />
PITTSBURGH — Commemorating the<br />
golden anniversary of the nickelodeon, the<br />
John P. Harris Theatre here will stage the<br />
world premiere of "The Cobweb" the evening<br />
of June 15.<br />
Paramount's "The Ki.ss-Off" has been retitled<br />
"Too Late, My Love."<br />
Many Prizes Are Donated<br />
For NY Golf Tournament<br />
NEW YORK—Prizes have been donated fo:<br />
the foui'th annual film industry golf tourna^<br />
ment sponsored by Cinema Lodge of B'na<br />
B'r.th and to be held Thursday (9) at thi<br />
Vernon Hills Country Club, Tuckahoe, N. Y,<br />
William J. German, Inc., has donated thosi<br />
for the foursome winners and National Screei<br />
Service those for the foursome runnerup a<br />
in the three previous tournaments, accordin;<br />
to Martin Levine, chairman.<br />
Other donors include Artcraf t-Straus, Don<br />
ahue & Coe, Monroe Greenthal, John ^<br />
O'Connor, Gillians & Rubin, Raytone Screet<br />
Max A. Cohen, American Seating Co., Mov.e<br />
lab Film Laboratory, Coca-Cola, ABC Vend<br />
ing Corp., Ted Ebenstein, Neumade Product<br />
National Theatre Supply, Film Daily, Michai<br />
Levy and George Hornstein.<br />
Benefit Opening Planned<br />
For 'Summertime' by UA<br />
NEW YORK—"Summertime," the Ilya L(<br />
pert picture produced in Italy in Technicolo<br />
starring Katharine Hepburn and Rossai<br />
Brazzi, will open at the Astor Theatre Jui<br />
20, the day before the official opening<br />
i<br />
Nichols in New MGM Posi<br />
NEW YORK—George Nichols, for the pif<br />
six years a member of the MGM studio puf<br />
licity department, has been named speci<br />
representative of Howard Dietz, vice-presidet<br />
in charge of promotion, to build up intenp<br />
in three forthcoming MGM pictures: "Son:^<br />
bady Up There Likes Me," "Something I<br />
Value" and "The Last Hunt," all based t<br />
best-selling books.<br />
Many Allied Reservations<br />
NEW YORK—Allied Theatre Owners f<br />
New Jersey is receiving a record number i<br />
reservations for its annual convention JH<br />
21-23 at the Concord, Kiamesha Lake, N. '<br />
Besides business sessions there will be gi<br />
swimming, all-star shows and special f-<br />
tertainment for the ladies. A cocktail pa)'<br />
will precede the banquet to be held at t?<br />
close of the convention.<br />
36 BOXOFFICE :: June 4,1 5 j!jj
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June 4, 1955 37<br />
'XOFFICE : :
. . Richard<br />
. . Robert<br />
. . Mrs.<br />
. . James<br />
. . Paul<br />
. . W.<br />
. . Peter<br />
. . Steve<br />
. . Frank<br />
. . Lester<br />
.<br />
BROADWAY<br />
Opyros P. Skouras, president of 20th-Fox, is father cf a daughter, Diane Beth, born to<br />
is back in New York following a one-week Mrs. Wachtel May 3 . . . Mrs. Charlotte<br />
trip to Mexico to meet local film industry Schiff. daughter of Mam-ice Grad, Columbia<br />
representatives. Murray Silverstone. president<br />
of 20th-Fox International, planed to a boy, Richard Barry, at Bethseda Naval Hos-<br />
short subjects sales manager, gave birth to<br />
London for a series of meetings on the Continent.<br />
He will return in mid-June .<br />
pital, Maryland, May 26 . . . Linda Salzberger<br />
C. of Paramount's foreign publicity department,<br />
Gehring, 20th-Fox executive assistant general returned from a European vacation.<br />
sales manager, left for Hollywood for studio<br />
conferences with Al Lichtman. currently on Dona'.d A. Henderson, 20th Century-Fox<br />
the west coast . . . James R. Velde, western<br />
vice-president and treasurer, left for London<br />
P. Horner. president<br />
division manager of United Artists, left for<br />
.<br />
Milwaukee and Chicago to confer with branch of Union Film Distributing Co., left<br />
executives and circuit heads on UA summer on the United States for a six-week tour<br />
of Europe Broidy, Allied Artists<br />
.<br />
releases.<br />
president, returned to the coast following<br />
home office conferences with Edward Morey,<br />
vice-president, and Morey R. Goldstein, sales<br />
head.<br />
Albert A. List, chairman of RKO Theatres,<br />
sailed for Europe on the Queen Elizabeth with<br />
Mrs. List to visit Fi-ance, Belgium, Holland,<br />
Denmark and Germany .<br />
Petrillo,<br />
president of the American Federation of<br />
Musicians and vice-president of AFL, and<br />
Elia Kazan, director of "East of Eden" for<br />
Warner Bros, and the stage hit, "Cat on a<br />
Hot Tin Roof," and Lillian Hellman, Broadway<br />
playwright, returned from Europe on the<br />
He de France . Graham, Paramount<br />
manager for Argentina, Uruguay and Paraguay,<br />
returned from Buenos Aires with Mrs.<br />
Graham . . . E. Z. Walters, Altec Service<br />
Corp. controller, has returned to New York<br />
from an extended European trip and will<br />
leave for Los Angeles shortly.<br />
.<br />
Carroll L. Puciato, president of Carroll Pictures,<br />
left for a five-week torn- of exchanges<br />
and to confer with various Holljrwood producers<br />
. Fi'ohlich, publicity director<br />
of Ascap, and Mrs. Frohlich planed to<br />
England and the Continent N.<br />
Lazarus jr., Columbia vice-president of advertising<br />
and publicity, and Ray MuiTay, acting<br />
exploitation manager, left for Hollywood . . .<br />
Betsy Blair, one of the stars of "Marty" for<br />
United Artists release, returned from Cannes,<br />
where the film won the grand prize at the<br />
International Film Festival . . Mrs. James<br />
.<br />
Stewart, wife of the star of "Strategic Air<br />
Command," returned from Europe and left for<br />
Michel Ray. 11-year-old star<br />
the coast . . .<br />
of King Bros. "The Boy and the Bull," returned<br />
to England on the Liberte.<br />
Francis M. Winikus, national director of<br />
advertising, publicity and exploitation for<br />
United Artists, flew to Washington Friday<br />
( 3 1 for meetings with U. S. Navy Department<br />
public relations personnel on the promotion<br />
campaign for "Run Silent, Run Deep," the<br />
novel which UA bought for the screen . . .<br />
Morgan Hudgins of MGM's studio publicity<br />
department, returned from Europe and<br />
headed back to the coast . . . Arthur Silverstone,<br />
20th-Fox assistant general sales manager,<br />
is on a business trip to Canada . . . Irving<br />
Rapper, who recently completed directing<br />
"The Boy and the Bull" for RKO in Mexico,<br />
is in New York for home office conferences.<br />
Max E. Youngstein, vice-president of<br />
United Artists, returned from the coast after<br />
a ten-day stay to confer with Robert F.<br />
Blumofe, vice-pre.sident in charge of west<br />
coast operations, and Leon J. Roth, west coast<br />
publicity coordinator . Albert Leonard,<br />
wife of the 20th-Fox manager at Caraca.s,<br />
Venezuela, gave birth to a boy, David Samuel,<br />
at Polyclinic Hospital, New York . . . Adam<br />
Wachtel, office manager of Sargoy & Stein,<br />
special counsel for motion picture distributors,<br />
Jeff Livingston, Universal eastern advertising<br />
manager, left for Chicago to set<br />
TV saturation advertising campaigns on<br />
"This Island Earth," which will open in<br />
900 situations coast-to-coast June 15 . . .<br />
Mori Krushen. exploitation manager for<br />
United Artists, went to Montreal to confer<br />
with field representatives and Canadian<br />
circuit heads King of the<br />
.<br />
King Bros., who completed "The Boy and<br />
the Bull" for RKO release, got in from<br />
Hollywood for home office talks with<br />
RKO executives Lothar Wolff, producer<br />
. . .<br />
for Louis de Rochemont Associates, has returned<br />
from 20 months in Indonesia, where he<br />
headed a team of motion picture specialists<br />
assisting the government in expanding its<br />
film activities.<br />
.<br />
Charles C. Moskowitz, MGM vice-president<br />
and treasurer, got back from a Miami vacation<br />
Gladys Markert, assistant to<br />
. . . Fred Lynch, head of publicity for the<br />
Radio City Music Hall, will return<br />
from her vacation May . .<br />
Arthur<br />
31 .<br />
Pincus of Loew's International publicity department,<br />
left for the coast to confer with<br />
Howard Strickling and his staff . .<br />
Esther<br />
.<br />
Williams, MGM star, and her husband, Ben<br />
Gage, retm-ned from atteading the Cannes<br />
Film Festival and went to Atlanta before<br />
returning to the coast Grady,<br />
member of the Paramount publicity department,<br />
was married May 22 to Brooke Dennis,<br />
member of the Barbizon School of Modeling,<br />
at the Park Avenue Community Church.<br />
UCP Benefit for Toys'<br />
NEW YORK—Paramount will open "The<br />
Seven Little Foys," starring Bob Hope as<br />
Eddie Foy, at the Criterion Theatre in June<br />
for the benefit of United Cerebral Palsy. The<br />
picture will follow the current paramount<br />
film, "Tlie Far Horizons." Hope, who is national<br />
chairman of UCP, is in Australia,<br />
where he attended the opening of the picture<br />
at the Prince Edward Theatre, Sydney, June 1.<br />
UJA Men Honor Ben Gross<br />
NEW YORK—Ben Gro.ss of Gross Distributors<br />
was honored by more than 250 men in<br />
the radio and television industries at a dinner<br />
at the Hotel Pierre Wednesday (25). This was<br />
the culmination of the annual United Jewish<br />
Appeal, which raised $200,000 this year in<br />
this division of the amusement industries.<br />
Bulk of U-I Expenditures<br />
Go Into Production: Daff<br />
BARCELONA—Out of every dollar spent bj<br />
Universal-International, 73 cents goes int(<br />
film production, Alfred E. Daff, executive<br />
director, told the final session here of thi<br />
1955 Eiu-opean sales conference conducted ii<br />
association with Universal-Internationa<br />
Films, its foreign subsidiary. Daff is presi<br />
dent of the international unit.<br />
Daff said further that U-I is the only com<br />
w<br />
pany making its films with its own peopl<br />
and its own money, and that was a reasoi<br />
why its business throughout the world ha<br />
continued to increase. He said there wer<br />
no plans for European production but tha<br />
European personalities will be used in thei<br />
features.<br />
Edward Muhl, studio production head, wi'<br />
visit Europe at the end of June to discus<br />
film properties with personalities there.<br />
Fifty-three delegates representing 16 con<br />
tinental offices besides representatives froi<br />
the Far East and Latin America attende<br />
the week-long sessions. Milton R. Rackmi<br />
U-I president; Americo Aboaf. U-I foreig<br />
general manager and international vice-pres<br />
dent, and Fortunat Baronat, foreign put<br />
licity director, also attended from the hon<br />
office.<br />
N. Y. Ready to Entertain<br />
Secretaries of Congress<br />
NEW YORK—Members of the Congre<br />
sional Secretaries Club were entertained 1<br />
the Metropolitan Motion Picture Theatr<br />
Ass'n when they arrived here Friday (3) f<br />
a three-day visit. The Capitol, Paramour<br />
Radio City Music Hall and Roxy theatr<br />
are host to them, according to Emani;<br />
Frisch, MMPTA president. One hundred ai<br />
sixty are here. They have been invit<br />
to headquarters at the offices of the Coum<br />
of Motion Picture Organizations.<br />
Frisch noted that the secretaries, head<br />
by Marie E. Warme, secretary to Rep. Mill<br />
of Nebraska, have always been "cheerfu<br />
i<br />
cooperative with people in our industry."<br />
Cahill Denies Mentioning<br />
U. S. Antitrust Report<br />
NEW YORK—John T. Cahill, general cousel<br />
of Radio Corp. of America, has denlj<br />
that the antitrust report of the U. S. attorr'<br />
general was cited by him in a Chicago coi;<br />
case a year before it was published. T-<br />
statement was reportedly made by Thou;<br />
C. McConnell, a Chicago attorney, beforei<br />
House judiciary subcommittee in an antitnt<br />
suit filed by Zenith against RCA.<br />
Cahill said the report to which he hi<br />
referred was that of the American Bar Asi<br />
committee on practice and procedure. He Is<br />
written Congressman Emanuel Celler, chaman<br />
of the subcommittee, to that effect<br />
Pine-Thomas-Shane Film<br />
NEW YORK—"The Big Caper," a novel i<br />
Lionel White, has been purchased by 'e<br />
newly named Pine-Thomas-Shane Proditions<br />
to launch the company's program I<br />
pictures for United Artists release. Jars<br />
Poe has been signed to write the screenpV<br />
and filming is scheduled to begin Augusts<br />
at the Samuel Goldwyn Studios in Holly^vol,<br />
where the new company will open its offi,s<br />
June 6.<br />
!<br />
I<br />
38<br />
BOXOFFICE :: June 4, l^ ^
I want<br />
Your help can mean the difference between<br />
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Cancer plays no favorites. It strikes<br />
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and weak. It lays its black finger on 1 out<br />
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It<br />
will be conquered. // you help.<br />
The American Cancer Society— through<br />
a legion of doctors, technicians, scientists,<br />
volunteers— wages endless war on our most<br />
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75,000 men, women and children win their<br />
own personal victory in the fight back to<br />
health.<br />
But too many are lost. Too many seek<br />
care too late. To fight this healing war<br />
takes money — money for education, research,<br />
drugs, equipment.<br />
Will you help conquer Cancer? By a<br />
check — to help others. By an annual<br />
checkup — to help yourself. What you give<br />
today may mean the difference between<br />
"Yes" and "No" for yourself— or someone<br />
dear to you — in the days to come.<br />
American<br />
Cancer Society<br />
GENTLEMEN;<br />
to help conquer Cancer.<br />
n Please send me free Information about Cancer.<br />
D Enclosed is my contribution of $ to the<br />
Cancer Crusade.<br />
Clty_<br />
_State_<br />
(MAIL TO: CANCER, CO your town's Postmaster)<br />
B COFFICE : : June 4, 1955 39
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:<br />
June<br />
"<br />
ALBANY<br />
The Paramount, dark for a year, has been<br />
relighted by Jules Perlmutter, who leased<br />
the Clinton avenue neighborhood theatre<br />
from Neil Hellman. Projectionists Local 324<br />
picketed it on the reopening May 29 and<br />
planned to continue doing so unless and<br />
until union operators were hu'ed. The union<br />
is said to have offered Perlmutter the same<br />
deal as the Eagle here, but he declined<br />
on the ground patronage would not warrant<br />
payment of the scale ... A widescreen and<br />
Cinemascope have been installed. The Paramount<br />
was a weekend, fall-to-spring operation<br />
in its final term of management by<br />
the Hellman organization. Perlmutter has<br />
operated indoor theatres in nearby Schenectady<br />
and Watervliet. He now has the Fort<br />
George Drive-In, Lake George, and the Lake<br />
Theatre in that village; the Cobleskill Drive-<br />
In at Richmondville, and a four-waller in<br />
Chestertown.<br />
William J. Jarvis, chief projectionist at the<br />
Troy in Troy and a boothman for more than<br />
35 years, died after a long illness. A member<br />
of Local 285, Jarvis traveled with D. W. Griffith's<br />
"Hearts of the World" and had been<br />
operator at the American and at Proctor's<br />
in Troy before coming chief projectionist at<br />
the Troy years ago. The requiem mass was<br />
celebrated at the St. Jean the Baptiste<br />
Church . . Claude E. Watkins, chief projectionist<br />
.<br />
at the Strand, and wife will go to<br />
Syracuse University June 6 to attend the<br />
graduation of their daughter Nancy. Johnny<br />
Gardner, owner of the Turnpike Drive-In,<br />
Westmere, and wife also will attend. Gardner<br />
worked with Watkins in the Strand booth for<br />
some time; later was a partner with him in<br />
the Sunset Drive-In, Burlington, and the<br />
Twin-Cities Drive-In, near Barre, Vt.<br />
Announcing plans for a closed-circuit telephone<br />
conference on behalf of the Will Rogers<br />
Memorial Hospital one-day collection drive,<br />
Joan Pratt, telephone operator in U-I, will<br />
be married to Richard Winkowski at Sacred<br />
Heart Church here June 11 . . . Johnny<br />
Capano will bow out June 10 as a U-I booker<br />
to rejoin Upstate Theatres, of Albany, in the<br />
same capacity. Capano also owns the State<br />
in Troy . . . Irving Sochim, U-I short subject<br />
manager, huddled with branch manager Norman<br />
Weitman on the promotion of newsreels<br />
and other briefies. Peter Dana, U-I eastern<br />
division manager, and Joseph Gins, district<br />
manager, were due here Tuesday, en route to<br />
the Schine circuit offices in Gloversville.<br />
"Everybody in show business, radio and<br />
television included, would certainly become<br />
Variety members if they attended a 'Variety<br />
International convention and heard the inspiring<br />
stories of aid to crippled, ill, retarded,<br />
unfortunate, worthy children from England<br />
to Mexico, and across the United States and<br />
Canada." The speaker was Jack Goldberg,<br />
MGM manager, who had returned from a<br />
three-week trip to California, during which<br />
he served as a delegate from Tent 9. Louis W.<br />
Schine of the Schine cii'cuit also was a<br />
delegate. Goldberg, assistant chief barker of<br />
the Albany unit, said that he and Schine were<br />
tremendously impressed with what they saw<br />
and heard.<br />
John Gardner is the first theatre owner<br />
hereabouts to install an automatic telephoneanswering<br />
service ... Mr. and Mrs. Paul<br />
Jacobson left Albany over the weekend for<br />
New York, where he has become associated<br />
with the NBC television department. A sonin-law<br />
of Simon H. Fabian, president of<br />
Fabian Theatres and of Stanley Warner<br />
Theatre Corp., Jacobson came here about<br />
three years ago to assume duties as treasurer<br />
and assistant to the president of Van Curler<br />
Broadcasting Co., operating WTRI-TV.<br />
WTRI was forced to suspend operations last<br />
February when the Columbia network affiliation<br />
was transferred suddenly to WROW, in<br />
which the Lowel Thomas interests had purchased<br />
control. WTRI is now contesting<br />
approval of the latter transaction before the<br />
FCC. Testimony showed Van Curler sustained<br />
heavy losses, about $487,000, according to one<br />
witness.<br />
Fabian's Palace presented Ai'mour & Co.<br />
gifts, including canned meat and soap, to the<br />
first 100 women at the premiere matinee of<br />
"The Pi-odigal." Manager Bill With worked<br />
with the concern on promotions which are a<br />
part of the national campaign for the picture.<br />
A Dodge car, one of the top prizes, was<br />
displayed in the theatre lobby. Fu'st prize<br />
nationally is a new ranch-type home or $25,-<br />
000 in cash to name Ballerina Taina Elg, who<br />
makes her first screen appearance in "The<br />
Prodigal." Some 151 additional prizes are<br />
awarded every week for six weeks. Winners<br />
at the Warner exchange the morning of<br />
will be notified by mail approximately June 18.<br />
June 7, distributor chah-man Ray Smith said<br />
that exhibitors and branch managers have<br />
been invited to hear addresses by national<br />
chairman S. H. Fabian and others. Later, a TV Now Helps Horse Fans<br />
meeting for film salesmen will be held, to<br />
See Finishes on Screen<br />
parcel out the exhibitors whom each will<br />
NEW YORK—Television has now invaded<br />
approach. Theatre owners and lessees will be<br />
the trotting track at Westbury, Long Island,<br />
asked to sign pledges on the audience collection<br />
. . . Sylvan Leff advertised that in keep-<br />
so the fans can see the finish. It doesn't go<br />
on the air outside the track; it simply helps<br />
ing with his policy of giving Black River<br />
those thousands of fans who stand around<br />
Drive-In, Watertown, patrons "the best," he<br />
not far from the betting windows to see<br />
had installed new projection equipment.<br />
what's going on.<br />
The idea was originated by Irving Gray,<br />
manager of Milton Berle, who is a television<br />
executive. The apparatus is called<br />
Finiscope. A closed TV circuit throws a picture<br />
on a 20-foot square screen.<br />
It might be a good idea for drive-in patrons<br />
who get caught in the concession stand<br />
when the picture resumes after an intermission.<br />
Brandt to Handle 'Hanged'<br />
NEW YORK—Leon L. Brandt Associates<br />
has been signed to handle the promotion and<br />
supervise the distribution of "Rebellion of the<br />
Hanged," produced by Jose Kohn in Mexico,<br />
for the U.S. and Canada. Directed by Alfredo<br />
B. Crevenna, the picture stars Pedro Armendariz<br />
and introduces Ariadna, sister of Linda<br />
Christian, to the American screen.<br />
INCORPORATIONS<br />
—ALBANY—<br />
Amerlons Corp.; Motion picture and lens bl<br />
ness at 625 Modison Ave. in New York; 100 shoi<br />
no par value; John Shelton and Frances Moldoi<br />
625 Madison Ave.<br />
Kewpies: Motion picture business in Kings Coui<br />
Address is: c/o J. L. Kollus, 111 East 21st<br />
Brooklyn. Other incorporators are Mrs. J. L. Kal<br />
1 1 1 East 2 1 St St., and Mrs. Roy E. Abraham, 334 V^<br />
87th.<br />
Sam Shain Publications: 200 shares, no par vo<br />
Sam Shain, Elsie Shain, Ben Nelson, 15 East 40th<br />
New York.<br />
French Cinema Center: $5,000, $100 par value.<br />
imily Drive-In Theatre Cii :uit Corp.: To carry<br />
ive-in theatre business in iVestbury, L. I. (P<br />
153); 200 shores, no pc<br />
Mencor Associates; Motion picture and theatre t<br />
ness; 100 shares, no par; Antonio Mendez, JosepI<br />
Cordero, Laura Mendez, 623 Seventh Ave.<br />
Columbia Pictures Corp. recorded certificates s<br />
ing a decrease in capital stock from 1,063<br />
shares at no par value, to 1,060,065 at no par vn<br />
a change from 1,060,065 shores at no par to l,t<br />
000 shores at $5 par each, and 60,065 shares o<br />
par; an increase in $5-par shares from 1,000,00<br />
2,000,000, no-par total remaining at 60,065<br />
Marilyn Monroe Productions: Formed to conduc;<br />
enter-tainment, theatrical productions, publishing<br />
photographic business in New York; 200 shore<br />
par value.<br />
Etereo Theatre Corp.; To conduct businesi<br />
East 1 38th St. in New York; 200 shares, no par v<br />
Wells Closed Circuit Network, Inc., has bee<br />
served as a corporate name in New York, a letl<br />
this effect having been filed with the Secretai<br />
State.<br />
Flanders Drive-In Theotre Corp has been fc<br />
to conduct business at Bay Shore, Suffolk Co<br />
$40,000, $100 por value; Joseph M. ond Morris S<br />
Walter F. J. Higgins, 233 West 49th St., New<br />
Leppert International Enterprises Corp.: To Co<br />
a motion picture business in New York; 200 st<br />
no par; George M. Leppert, Waidorf Astoria I:<br />
and Maurice K. Cheyette, 55 Liberty St.<br />
Bert E. Friedlob Productions: 345 Madison i<br />
New York; 200 shares, no par.<br />
;<br />
Eval, Inc.: To conduct an entertainment bull<br />
Buffalo, with William P. Rosenow, onetime<br />
in<br />
mount salesman here and now an exhibitor i.<br />
Lake City area, os an incorporator. Alma Rosp<br />
also of 70 Jewett Holmwood Rr., Orchard ParkJI<br />
Charles W. Schohl, of 756 Ellicott Squore if<br />
Buffalo, are the other incorporators. Capital<br />
IS 200 shares, no par value.<br />
Stanley Warner Research Corp., formed in<br />
wore, filed a certificate that its New York<br />
office is at 1585 Broadway in New York Cit<br />
Stewart McDonald, vice-president, signed the p<br />
ak Films Corp.: Stillman & Stillman, 4<br />
CK Enterprises, c/a Continental EnterprisesC<br />
Madison Ave.: Film distribution business in New!<br />
Cintel, Inc.: Motion picture ond broadcastintjl<br />
ness; Morgulies & Heit, 400 Madison Ave.<br />
Dean Picturi iidore Miller, 1501 Broodw'<br />
Altec Field Men on VV<br />
NEW YORK—C. S. Perkins, operating AI<br />
ager of Altec Service Corp., has as.'iM<br />
company field engineers from variou. J<br />
visions to accord technical sound supersll<br />
to the installation of VistaVision horint<br />
projectors in certain areas, includini<br />
Saenger Theatre, New Orleans: the C?it<br />
Theatre, Wa.shington, and the CriteriorNi<br />
York City.<br />
'<br />
42<br />
BOXOFFICE<br />
;<br />
19
V<br />
: June<br />
36th<br />
ANNIVERSARY CONVENTION<br />
of<br />
the<br />
ALLIED<br />
THEATRE OWNERS<br />
OF NEW JERSEY,<br />
q\ the fabulous<br />
CONCORD<br />
KIAMESHA LAKE, NEW YORK<br />
on<br />
INC<br />
TUESDAY-WEDNESDAY-THURSDAY<br />
JUNE 21-22-23, 1955<br />
For further information and to make reservations, contact:<br />
ALLIED THEATRE OWNERS OF NEW JERSEY, INC.<br />
34 West 44th Street LAckawanna 4-2530 New York, N.Y.<br />
BC OFFICE :<br />
4, 1955 E 42-A
. . . Stanley<br />
. . Steve<br />
. . Irvin<br />
a<br />
: June<br />
:<br />
i<br />
BUFFALO<br />
F. Lux, Elmart Theatres president and city<br />
council head, of a plaque to Lawrence D.<br />
Bell, president of Bell Aii"craft Corp., accepted<br />
in a stage ceremony by Leson Faneuf,<br />
general manager. Air Force personnel paraded<br />
to the theatre on opening night, with<br />
a number of local drum corps and the Bell<br />
Aircraft mixed chorus in the line of march.<br />
Niagara Employes Star<br />
In Color Safety Film<br />
BUFFALO—Some 1,200 municipal employes<br />
of Niagara Falls are the stars in a 15-minute<br />
color safety motion picture being filmed by<br />
Ulysses S. Grant, safety director of the<br />
Cataract City. With a 16mm camera bought<br />
by the city especially for the pur-pose. Grant<br />
is "shooting" city workers, electricians, streets<br />
and parks department men, office workers<br />
and others as they go about their daily tasks.<br />
The film will show the city workers doing<br />
their jobs in as safe a manner as possible.<br />
A sound track with commentary by Ed<br />
Tucholka of Buffalo's WEBR will be added<br />
later.<br />
The completed film will be used to train<br />
new employes and copies may be loaned to<br />
other municipalities for safety training of<br />
their employes. Grant declares the film will<br />
be the first of its kind in the world.<br />
"We're already planning a second film as<br />
soon as we finish this one," he said. "Starring<br />
in a motion picture will make our people<br />
especially safety conscious. They know you<br />
can't model for others without being tops<br />
yourself."<br />
Bob Hope and B&L Chief<br />
Exchange Signed Deals<br />
ROCHESTER—In addition to the Oscar he<br />
lugged back from Hollywood recently, Carl<br />
Hallauer, Bausch & Lomb president, brought<br />
TXrilliam Lambert has been appointed assistant<br />
manager at the Eckel Theatre in<br />
Syracuse, according to Manager Paul Johnson<br />
. Perozzi, MGM field representa-<br />
"contract" with Bob Hope. And Hope, in<br />
with him something equally interesting—<br />
tive in the Buffalo and Albany territories, turn, has a "contract" with the Bausch &<br />
was in Syracuse aiding Loew's State in the Lomb head.<br />
promotion of "The Prodigal" . Weber, Seems that while Hallauer was in Hollywood<br />
to accept the Oscar for B&L's devel-<br />
manager of the Rialto Theatre in Lockport,<br />
has put on some splendid exploitation campaigns<br />
opment of the lenses for use in Cinema-<br />
George H. Mackenna, Scope, he went to Romanoff's restaurant<br />
recently . . .<br />
Basil Theatres general manager, and Constantine<br />
where the movie folk were partying on Oscar<br />
J. Basil, president, are back in Buf-<br />
night. He got to talking with Hope.<br />
falo from a tour of West Coast studios.<br />
With the U. S. Open golf tournament<br />
Crystal Beach opened for its 57th season<br />
scheduled for Oak Hill Country Club here<br />
in 1956,<br />
and Earl Hubbard, who<br />
and because Hope and Bing Crosby<br />
has been handling<br />
publicity and advertising for Cinerama at the<br />
are notable golf enthusiasts, Hallauer invited<br />
Teck, is also doing the same for the Beach them to Kodak Town for the open. What's<br />
Weber, former<br />
more, said Hallauer, he would gladly be their<br />
local exhibitor,<br />
is back here for the summer with his wife.<br />
host while they were in Rochester.<br />
"Fine," said Hope. Then he reached into<br />
Weber again will manage the Port Erie race<br />
his<br />
track across the border In Canada . . . Harry<br />
pocket for a pen and proceeded to write<br />
vigorously and at some length on a piece of<br />
Fellerman, head of the U-I special sales<br />
division, was in for conferences with Jerry<br />
paper. "Here," he finally said, handing the<br />
Weschler, local manager, and during his stay<br />
paper to Hallauer. "Sign this."<br />
in town had lunch with Arthur Krolick, UPT "What is it?" asked Hallauer.<br />
district manager.<br />
"Well, I just like to get this sort of thing—<br />
about picking up tab—in writing," Hope<br />
Highlights of the premiere activities of joshed. "You know there are a lot of guys<br />
"Strategic Air Command" at the Pai-amount who come up with an offer like this, but<br />
Theatre here included presentation by Elmer when you get to their town you discover no<br />
one ever heard of 'em and you're on your<br />
own."<br />
Latin America Discussed<br />
NEW YORK—Maurice Silverstein, Latin-<br />
American director of Loew's International,<br />
discussed problems in that area at a luncheon<br />
meeting Wednesday (25) at the Harvard Club<br />
of the International Film Relations Committee<br />
of the Motion Picture Export Ass'n. Dave<br />
Blum, LI publicity director and chairman,<br />
presided.<br />
Hallauer, with a grin, wasted no time in<br />
affixing his signature to the paper. Then he<br />
pulled a scrap of paper from his own pocket<br />
and likewise began writing. He handed the<br />
finished product to Hope.<br />
"Bob, it's your turn," said Hallauer. "Here's<br />
my end of the deal . . . That you and Bmg<br />
will appear at a function I shall whip up,<br />
and sing one song and do one routine . .<br />
Sign<br />
.<br />
here."<br />
Hope, no man to back water, signed with<br />
a floui-ish. Hallauer is hanging on to that<br />
"contract."<br />
United Air Lines Reduces<br />
Its Rates on Film, Etc.<br />
CHICAGO—Rate reductions of from 46 to<br />
58 per cent on film and 23 other major commodities<br />
flown from Allentown-Bethlehem-<br />
Easton and Philadelphia to the New York<br />
area have been placed in effect by United Air<br />
Lines. Air freight rates from Allentown-<br />
Bethlehem-Easton have been cut to $2.57 per<br />
100 pounds; from Philadelphia to $2 per 100<br />
pounds.<br />
United operates three daily passengercargo<br />
flights from the tri-cities and 12 from<br />
Philadelphia to the New York area plus one<br />
all-cargo trip from the Quaker City.<br />
Syracuse Will See Fight<br />
On TV as Well as Live<br />
SYRACUSE—Closed-circuit television will<br />
bring the DeMarco-Basilio fight here Friday<br />
CIO) at the 9,000-seat New York State Pair<br />
Coliseum through an arrangement with Theatre<br />
Network Television. There will be no<br />
competition with attendance at the actual<br />
fight at the Syracuse War Memorial, also<br />
seating 9,000, because it has been sold out,<br />
but home T'V will be blacked out here.<br />
The closed-cii-cuit show will be seen on<br />
two special 20x25-foot screens set back to<br />
back. Tickets will be priced at $3.50 each.<br />
SYRACUSE<br />
Col Sorkin, manager of Keiths, won the $lor ^'"<br />
savings bond as first prize in the "Con<br />
quest of Space" exploitation contest con<br />
ducted by Paramount. William W. Howar<br />
of RKO Theatres noted that Sorkin's cam<br />
paign was outstanding . . . Ronald M. Der*<br />
. . Schir.<br />
nison. assistant at Keiths, resigned. He W£:<br />
replaced by Donald McKinnon .<br />
managers met here Thursday. Present wei<br />
Louis W. Schine, Donald Schine, Seymoi<br />
Morris and Bernie Diamond of the hoir<br />
office in Gloversville.<br />
Sam Oilman, manager of Loew's State, ri<br />
ported several changes in personnel. Re:<br />
Rabakuk of Boston, who was in Syracuse f(<br />
a year and a half, has been transferred ba<<br />
there to the State. Bob Randall has bef<br />
transferred from Boston here as second a<br />
sistant to Oilman. Stella Cerio has replace<br />
Stella Garvey as head candy girl at Loen<br />
State. Carol Davis replaced Dora Schlict<br />
;,<br />
evening cashier.<br />
Sol Sorkin of RKO Keiths has an extra b<br />
grin the days he receives maU from Puer<br />
Rico where his son-in-law, Lt. Mel Besdi<br />
and daughter, Phyllis, are stationed . . . TJ<br />
Kallet and DeWitt drive-ins both have n(<br />
widescreens this season for CinemaSco<br />
films . . . Harry Unterfort. zone manager<br />
Schine, and wife will be in Forest Hills, L.<br />
June 12 for the wedding of Miss Marcia Sai<br />
to Joseph Lampe. Lampe is the son of<br />
and Mrs. Gus Lampe of Los Angeles. Lam<br />
was former city manager here.<br />
52 Buffalo Area Airers<br />
All Get Widescreens<br />
BTJFFALO— It looks like that by mid-Ju<br />
every drive-in iri this area will be equipf<br />
to present attractions via CinemaSeo<br />
Vista'Vision, Superscope or whatever technic<br />
Hollywood has to offer. From $25,000<br />
$75,000 has been spent for new equipmei,<br />
for remodeling and for ground improveme:<br />
this spring alone.<br />
Buffalo had the first drive-in theatre<br />
New York state, the Buffalo in Harlem re<br />
which was opened back in 1942, with hoi<br />
carrying the sound. Next in line was 1i<br />
Skyway Niagara, on the Niagara Falls bou;<br />
vard. It was followed by the Star in Bl<br />
dell, the Lakeshore and the Delaware. 1<br />
Broadway, the Sheridan, the Aero and<br />
Park were opened in 1950.<br />
In this distribution zone—the territory fr<br />
Syracuse west—there are 52 drive-ins,<br />
withm 25 miles of Lafayette Square Jj*^<br />
Of the 52, 27 are booked by Cooperative Tl<br />
atres. Myron Gross, manager, sets 62 p<br />
grams every week, every one with dou<br />
features.<br />
Several drive-ins have regular church ^^<br />
vices. The Skyway Niagara, for example,<br />
been utilized for community services far s<br />
eral years. In fact Bill Brett, manager,<br />
augurated the idea.<br />
One other service, about which mo\<br />
goers probably know little: drive-in owr<br />
advise the Aii-craft Owners & Pilots AiO<br />
of their exact latitude and longitude, lnt«--<br />
gence included in aerial navigation chas.<br />
Not that the pilots see the pictures from -fi<br />
skies, but they do see the big screens t'i<br />
so can check positions.<br />
42-B<br />
BOXOFFICE<br />
:<br />
4, 1'5
.<br />
j<br />
Richard<br />
:<br />
Washington<br />
I<br />
: Jack<br />
. . Joseph<br />
. . George<br />
. . Ben<br />
. . Raymond<br />
. . Frank<br />
. . Bert<br />
. . . Mr.<br />
. . John<br />
. . Lewis<br />
. .<br />
Maureen<br />
EALTIMORE<br />
Line Up Promotion Session<br />
For Virginia Convention<br />
RICHMOND—Hal Lyon, Fianklin exhibitor<br />
irths put on a big show for its opening<br />
and general chairman of the Virginia Motion<br />
Strategic Air Command." The pro-<br />
Picture Theatre A.ss'n convention, has named<br />
M/luded a band of music, a parade. Jerome Gordon, Palace Theatre, Newport<br />
-lus and a cocktail party preceding<br />
News, as head of the committee for the<br />
\itie.s, for Air Force top brass at the<br />
special promotion-publicity session scheduled<br />
ill Belvedere. Natt W. Hodgdon. manfor<br />
June 16.<br />
Fi'uchtman Theatres was host.<br />
A panel of leading Virginia promotionminded<br />
exhibitors will lead the discussion.<br />
Talmage Colley, publicist for Keiths<br />
New, arranged most of the promotion. There will be exhibits and achievement reports.<br />
Schnapf, manager of Loew's Century,<br />
William Wyatt of Charleston. W. Va.,<br />
vi-n<br />
will be one of the speakers.<br />
! -li down to Ocean City on his day off . . .<br />
s.dney. city manager for Loew's,<br />
Speakers at each of the business sessions<br />
is<br />
will<br />
:;iing his father Jack sr., in from Los<br />
be: Horace Adams, president of ITO of<br />
They attended the Preakness<br />
Ohio, and Robert<br />
at<br />
W. Coyne, COMPO special<br />
counsel. Fishman of Warner<br />
Wednesday; E. D. Martin, TOA president.<br />
Bros.<br />
^ in town for the Preakness.<br />
Thursday: Jack Beresin. past chief<br />
barker of Variety International, chief banquet<br />
oi^e Daransoll, manager of the Crest,<br />
speaker, Thursday.<br />
on business . . . Fred<br />
iitrger, jr., formerly part owner of<br />
IS now associated with a local adver-<br />
PHILADELPHIA<br />
,it;ency . . . Mike Siegle is the newly<br />
Baltimore and Washington represe<br />
.il-iinted<br />
ative for Kay Films of Atlanta .<br />
T ouis J. Goffman, Tent 13 chief barker, appeared<br />
i.i nthal, head of the Lord Baltimore Thea-<br />
on the Steve Allison radio show<br />
- been reappointed chairman of the help promote "Johnny Night" . . The<br />
to .<br />
State board of examiners of motion Variety Club auxiliary held its annual fashion<br />
lid<br />
Jack Whittle, owner<br />
show and cocktail party in the clubrooms<br />
operators . . .<br />
wenue, spent the Memorial Day week- recently. Fashions by Emily were modeled<br />
Clyde McD. Young, by the Variety Conover Girls. Bobby Cohen<br />
aiiager of the Variety Club, visited at Port emceed the event Blum, former<br />
St[:;laire, where he is building a new home. exhibitor and landlord of some theatre properties,<br />
bought the three-story Mallas Building<br />
rman Perkins is the new manager at the<br />
at the southeast corner of 10th and<br />
Pt'.psco. He formerly was with the Alpha<br />
Market streets for a reported $325,000 . . .<br />
Dizon, manager of the Town,<br />
John Nirenburg. who was with Stanley<br />
is jcationing his in with family Wisconsin<br />
Warner for 25 years and was the former<br />
. ..Bernard Terry, Stanley projectionist, has<br />
manager of the Strand Theatre, is now manager<br />
re rned from two weeks' vacation . . . Roland<br />
of the Arcadia.<br />
T; :;ersly, also of the Stanley's projection<br />
St:', was confined to his home with a virus Barney Cohen, manager of the SW Logan,<br />
Howard McCall has returned to was in the hospital for an emergency operation<br />
. Wolf, Rivoli manager,<br />
atick . . .<br />
di| at the Little Theatre after a siege with<br />
tbflu . Vreechsen, RKO manager, was injured when he fell on the theatre's<br />
»•» over from Washington . Kaplan,<br />
Piper Laurie was in town to help<br />
roof . . .<br />
CC' mbia's manager in Washington, came promote "Ain't Misbehavin' "... Clare Rosenthal<br />
a new clerk at Warner Bros. is ov to make several business calls.<br />
. . .<br />
Louis Bache, 67, manager some time ago<br />
L. Harrison, general manager. Southern<br />
of the First National here and uncle of MGM<br />
Miyland Theatres, having relocated his<br />
salesman Ben Bache, died at his home.<br />
of' e, is now at the Park Theatre, Lexington<br />
The mother of William Porter, Allied Artists<br />
P^: . . . Phil Isaacs, Paramount's manager<br />
Inj/ashington, was here to attend the open-<br />
John Colder is now<br />
Iniof "Strategic Air Command" . . . Miss auditor,<br />
associated<br />
died<br />
with his<br />
. .<br />
brother Sam in Golder<br />
Cc'ln Hamburger, manager of the Film Construction Co. They are doing the Ti-ans-<br />
Wre, is sporting an elaborate, new blackai^<br />
The daughter of<br />
Lux remodeling job . . .<br />
white convertible.<br />
independent distributor Jack Weiss, Dorothea,<br />
was married to Herbert Weiss, a textile<br />
worker . . . Theatres that have shuttered<br />
C.arlotte Firm Acquires<br />
recently include the Ritz in Coplay. the Andrea<br />
in Catawissa, Ritz in Treverton and<br />
Dive-In Near Roanoke<br />
the York in York . Leighton, manager<br />
of the Grand in Lancaster, was on sick<br />
3ANOKE, VA.—Craver Theatre Co. of<br />
Clrlotte, owned by S. W. Craver, J. F.<br />
W;te, F. H. Beddingfield and T. A. Little,<br />
leave.<br />
hf pui'chased the Lee Hi Drive-In, located<br />
or ne Lee highway between here and Salem, AFL Documentary Picture<br />
ar has closed it for repairs. The repairs<br />
Will Feature Petrillo<br />
wi cost about $40,000 and include a new<br />
be tfice, new lighting, a new 75xlOO-foot NEW YORK—The executive board of the<br />
sc m, a cafeteria-style snack bar, Cinema- American Federation of Musicians has voted<br />
Sc le, VistaVision, new sound systems and to have a documentary film made and to<br />
Si 'rscope projection equipment. John Garst have James C. Petrillo, president, appear in<br />
It as himself. The matter of a script and<br />
engaging a technical staff Is being considered.<br />
rnard Miles, English actor, writer, dirt'<br />
ir and producer, will make his film bow<br />
in aramount's "The Man Who Knew Too<br />
The film, which will run about 30 minutes,<br />
probably will enter production early In the<br />
summer. It will feature all types of music<br />
played by members of the union, and also<br />
present a history of the union and Its leader.<br />
WASHINGTON<br />
'The newly organized WOMPI met in the<br />
Variety clubrooms and elected the following<br />
officers: Lucille Traband, United Artists,<br />
president; Ora Donoghue. Jack Fruchtman<br />
Theatres, first vice-president; Sara S.<br />
Young, 20th-Fox, .second vice-president; Florence<br />
Garden, Allied Artists, recording secretary;<br />
Mary Louise Perry, Bernheimer Theatres,<br />
corresponding secretary; Agnes Turner,<br />
RKO, treasurer. President Traband appointed<br />
the following nominating committee to bring<br />
in nominations for seven directors: Sara S.<br />
Young. Hazel McCarthy and Ernestine Bandel.<br />
The next meeting will be a luncheon in<br />
the Paramount recreation room June 14.<br />
Willard Levy, 15-year-old son of Mr. and<br />
Mrs. Harold Levy, Allied Ai'tists, died after<br />
a long illness in Georgetown hospital . . . Bill<br />
Ewing. formerly with the Warner Theatres<br />
publicity department, is now selling hardware<br />
supplies for Snyder & Co. in Arlington, Va.<br />
and Mrs. Harley Davidson. Independent<br />
Theatres Service, spent a busy week attending<br />
the graduation exercises of their sons.<br />
Duane graduated from Emory and Henry college.<br />
Abingdon, Va., May 29 and Harley jr.<br />
graduated from the Medical School of Virginia,<br />
Richmond. May 31. Industry representatives<br />
who attended the graduation of<br />
Harley jr. included Glenn Norris, Ira Sichelman,<br />
John O'Leary, Phil Isaacs, Sam Wheeler,<br />
Harold Saltz and Jack Fruchtman.<br />
Glenn Norris, 20th-Fox eastern sales manager,<br />
was a Washington visitor . . . Mrs. Jack<br />
Sichelman, mother of Manager Ira Sichelman,<br />
spent the weekend visiting relatives in<br />
Washington .<br />
and John jr.,<br />
daughter and son of Mr. and Mi-s. John<br />
O'Leary. danced before 2.000 invited guests at<br />
the Pan American Union June 4. Heading the<br />
list of guests were Pi-esident and Mrs. Eisenhower<br />
Sichelman, son of Manager<br />
.<br />
Ira Sichelman, who plays left field with the<br />
Lewisdale Boys' club won his first game on<br />
Monday.<br />
MGM booker Henry Ajello spent the holiday<br />
weekend in Boston . . . Barker Art Jacobson.<br />
Tent 11, has gone back into Sibley<br />
hospital for treatment . . Columbia tiooker<br />
.<br />
. . . Head<br />
Walter Donahue is vacationing<br />
booker Elmer Moore spent the weekend in<br />
Ocean City. Md.. looking for an apartment.<br />
RKO cashier Agnes Turner went to Warrenton,<br />
Va., Wednesday night to install officers<br />
for 1955-56 of the Warrenton Soroptimist<br />
club . . . Louanne Wimer is the new<br />
clerk in the cashier's department at 20th-Fox<br />
O'Leary's secretai'y Leona Weedon<br />
is back after a siege of pneumonia . . . Shipper<br />
Cornelius Scott is spending his vacation<br />
motoring across country.<br />
.. ._
. . . The<br />
. . . Alden<br />
. . The<br />
. . Zay<br />
. . . The<br />
. . Milt<br />
. .<br />
. . Dusk<br />
. . Perry<br />
1<br />
PITTSBURGH<br />
jyjr. and Mrs. Samuel Rubinstein of this city<br />
have announced the engagement of their<br />
daughter Diana and Arthur Stern of Associated<br />
Drive-In Theatres, a son of Mr. and<br />
Mrs. Norbert Stern. A fall wedding is planned<br />
. . . Bill Graner, Allied Ai-tists booker, is observing<br />
his 40th year in the industry here<br />
Hi-Lander Theatre, New Castle,<br />
staged a benefit show for Neshannock Township's<br />
Little Big League, assisting the fund<br />
for purchase of baseball uniforms and other<br />
Early bird prices<br />
necessary equipment . . .<br />
of 50 cents are in effect Tuesday and Wednesday<br />
from 7:30 to 8:30 p.m., at the Family<br />
Drive-In, New Kensington, operated this<br />
season by owner Nat Farber.<br />
About 35 outdoor theatres in the area<br />
have a tiein with Pepsi-Cola whereby one<br />
coupon per auto reduces admission price<br />
40 cents on Monday, Tuesday and Wednesday<br />
evenings . Altoona city amusement<br />
tax receipts for April totaled only $1,988.52<br />
Phelps, Waterford outdoor theatre<br />
owner and Ei-ie County Democratic chairman,<br />
is calling a meeting to ask for a vote<br />
of confidence to continue as party leader<br />
. . . Thieves took $20. a $300 camera and a<br />
$200 pair of field glasses from an auto owned<br />
by Millard Green of the Guild Theatre in<br />
Squu-rel Hill while it was parked at his home<br />
on Beacon Street.<br />
Mr. and Mrs. Hyman M. Wheeler announce<br />
the engagement of their daughter Jacquelyn<br />
to Mai-vin Stein, son of Mr. and Mrs. Philip<br />
Stein of this city. The Screen Guild salesman<br />
says that his daughter plans a September<br />
wedding . . . Walt Disney's "Davy<br />
Crockett," which area Allied exhibitors in<br />
convention resolved not to exhibit, will open<br />
here within a few weeks at the SW Stanley<br />
Theatre. Meanwhile, the AUied office says<br />
that members may use the picture "at their<br />
discretion"<br />
. . . Sigel school of dancing at<br />
Altoona presented a tabloid revue on stage at<br />
the State Theatre there, and the Jean<br />
Bartsch dance show at New Castle was featured<br />
there . . . The Ladies Theatrical Club<br />
hosted the June 3 family night at the Variety<br />
Club in the Cathedral.<br />
George "Gabby" Hayes will appear in person<br />
June 12 at Kennywood Park<br />
and Martha Shulgold of<br />
. . .<br />
Crown Film<br />
Max<br />
were<br />
very pleased with a six-week engagement of<br />
"The Green Scarf" at the Guild Theatre here<br />
... In fifteen weeks at the Warner Theatre<br />
here "Cinerama Holiday" played to more<br />
than 150,000 admissions and continues on<br />
the increase . . Joe Rost, Warner Bros, office<br />
.<br />
manager, handed us a bag of Carnotite<br />
Uranium. It is an exploitation tieup for the<br />
two-reel "Uranium Fever," which goes into<br />
release soon . Bass, former manager<br />
of the Family Drive-In, New Kensington,<br />
is now an auto salesman in Miami.<br />
The Classic Car Club members will meet<br />
SAM FINEBERG<br />
TOM McCLEARY<br />
JIM ALEXANDER<br />
84 Van Broom Street<br />
PITTSBURGH 19, PA.<br />
Phone Express 1-0777<br />
Movies Are Better Than Eier How's Your EqulpmcntT<br />
in its annual four-state rally Sunday (12)<br />
at the Blue Dell Drive-In on Route 30 here.<br />
Ernest Stern of Associated Drive-In Theatres<br />
for a number of years has sported one<br />
or more automobiles of the classic and aged<br />
classification. Old cars are his hobby and<br />
he is a member of the club . . . The Fulton<br />
Theatre, a Shea unit, is to have a new and<br />
modern marquee to replace the old one which<br />
has hung there for more than 50 years. The<br />
marquee was erected in 1904 for the Gayety<br />
Theatre. The theatre name Fulton will be<br />
five feet high lighted letters facing the Allegheny<br />
River and the northside.<br />
A posthumous award of 'Wharang with gold<br />
star, issued by Son Won 111, minister of national<br />
defense. Republic of Korea, was presented<br />
on Memorial Day to Filmrow projectionist<br />
Francis Thomas and Mrs. Thomas,<br />
parents of Marine Pfc. Francis Robert Thomas,<br />
The school board of<br />
action in Korea<br />
Mount Pleasant<br />
. . .<br />
township<br />
has enacted a 10 per cent admission tax,<br />
which Bernard H. Buchheit, owner and manager<br />
of the Rustic Drive-In, states is arbitrary<br />
Mrs. James Laux, wife of the<br />
. . . manager of the Hollywood Theatre, Dormont,<br />
is recuperating from an operation in Homestead<br />
Hospital . Broudy, until recently<br />
a UA salesman, now is selling Buicks here.<br />
Warner Bros pictures will be tradescreened<br />
at the RKO exchange screening room, the<br />
fh-st showing to be "Sea Chase" at 1:30 p.m.,<br />
June 8. MGM has resumed screenings of<br />
standard and Cinemascope pictures at the<br />
exchange's little theatre. This setup is grand.<br />
Other companies are expected to resume<br />
screenings. Until recently CS pictures were<br />
screened at the nearby Mercy Hospital, but<br />
now Filmrow has several good screening<br />
rooms, equipped for the various processes.<br />
Paramount screens its W films in its projection<br />
department.<br />
Paul Bronder reports that his recently acquired<br />
Shiloh will be closed for a week to<br />
ten days for complete renovation, including<br />
painting, decorating, installation of a new<br />
marquee, carpeting, renovated and rebuilt<br />
seating, widescreen and anamorphic lenses.<br />
Restrooms, now in the basement, will be relocated<br />
on the auditorium floor and an attractive<br />
lobby featm-e will be a flower garden<br />
with a waterfall. A city exhibitor for a dozen<br />
years, Bronder has not exercised an option<br />
to pick up the lease on the Glade Theatre,<br />
which has been dark for about four years .<br />
Marvin, son of Mrs. Eve Friedman Elman,<br />
RKO secretary, has been elected vice-president<br />
of the Rodef Shalom Temple Alumni<br />
Ass'n.<br />
Alex Manos and his wife returned here<br />
after a vacation in California . . . Leroy Mc-<br />
Connell, Stanley Theatre projectionist, is recuperating<br />
at his home in Bridgeville after<br />
undergoing an operation in Mercy Hospital<br />
base of the large screen tower<br />
building at the Tri-State Drive-In near<br />
Slovan, which will be ready for opening<br />
within a few weeks, will be finished as a<br />
half dozen motel rooms, according to owners<br />
Tony and Don Mungello, Burgettstown exhibitors.<br />
A widescreen has been installed at the<br />
Gamble Theatre, Seward, which operates four<br />
nights weekly. L. I. Myers, manager and projectionist<br />
at this theatre, will serve as Tuesday<br />
night projectionist at the completely ri<br />
newed Super 422 Drive-In near Indiana<br />
Nate Lazier of Berlo Vending Co. and Mi<br />
Lazier are home after vacationing in Cal<br />
fornia. The ABC candyman reports that Pe<br />
Alderman, formerly of Filmrow here, ;<br />
novelty jewelry in Los Angeles is in got<br />
health, as is Sam Fleishman, former exhibit<br />
here who is in the shoe business there, I<br />
reports that former local exhibitor Mori<br />
Tauber is fine and that another former loc<br />
exhibitor Al Glazer is connected wi<br />
photography for the Ozzie and Harriet Nels<<br />
TV film show.<br />
The Super 422 Drive-In near Indiana, P<br />
which was acquired by the Manos circu<br />
was practically rebuilt and enlarged for t<br />
inaugural of the season Wednesday night C<br />
with John Coussoulis as manager. A doul<br />
bill program was offered at no admission J<br />
the opening night. Until taken over by t<br />
Manos organization, the outdoor theatre h<br />
been operated by the Serrao Bros., who ha<br />
theatres in New Kensington, Arnold a<br />
Ford City. Super 422 has a new 85 foot wi(<br />
screen and all equipments and fixtures i<br />
new.<br />
A number of drive-ins featured firewoi<br />
Memorial Day night. Included were loi<br />
ozoners Mt. Lebanon, Odin, Ranalli's, Boi<br />
19. Wexford Starlite. Cuppies, Ficks a<br />
Carrolltown to dawn shows w^<br />
presented at the Lakeside, Conneaut Lai<br />
Sunset, Waterford, and the Limestone ni<br />
Bradford, with free coffee and donuts ser<br />
Theodore Grance. outdr<br />
to patrons . . .<br />
circuit exhibitor, leased the Huntingdon, 1„<br />
drive-in to Wally Anderson, Mount JewJ<br />
circuit exhibitor . . . Bob Hope is schedui<br />
to come here next month for the opening!<br />
"Seven Little Foys" . Kinnear, owr<br />
of the Hill Top Drive-In neaj- Monongah'i,<br />
is busy constructing a new home there.<br />
1<br />
Filed in local federal district court iiK<br />
$450,000 antitrust suit by members of «<br />
Panagotacos family of Johnstown agaiit<br />
seven film distributors and Stanley Warir<br />
Theatres. The late George Panagotacos j-,<br />
tered the industry nearly fifty years ago :i<br />
following his death in 1938. his widow cy<br />
tinued operation of the Park Theatre tl<br />
with assistance of her daughter Alyce<br />
sons Plato and Orestes. The Park Thei]<br />
has been out of business about four ye]<br />
The suit claims that the defendants<br />
pressed competition in Johnstown.<br />
The antitrust case of the Eastwood ThSiji<br />
here against film distributors and WaiB<br />
theatres, on file<br />
in local federal district en<br />
for a number of years and due for heai|j<br />
June 6, again has been postponed<br />
Theodore Grance, Everett exhibitor<br />
drive-in cii-cuit operator, was in New<br />
to see his daughter-in-law Mi's. Henry Grd<br />
and her two children take of on a flighj<br />
France for visits with her parents,<br />
husband, a New York engineer, forn<br />
managed the Kenmawr Drive-In here.<br />
New Portage, Pa., Drive-I<br />
PORTAGE, PA.—Grand opening was<br />
last weekend in the new Bar-Ann Driv<br />
Theatre, occupying 11 acres of Spring<br />
Portage township. Owner of the<br />
capacity RCA equipped outdoor theatl<br />
George Wasko. operator of the indoor<br />
and Rex Theatres and an auto equipi^<br />
store here.<br />
42-D BOXOFFICE June 4,
: June<br />
i<br />
n<br />
^<br />
Stvnea frt<br />
THE ETERNAL SEA<br />
—^ HAYDEN • SMITH • JAGGER<br />
A RCPUfiLlC I<br />
airplane models, insignia identification<br />
boards, photos of ships in action, air shots<br />
etc., will all attract attention.<br />
A special set of four stills featuring aii<br />
photographs is available at National Screer<br />
while sound effect recording of a jet plant<br />
taking off may be ordered from a vender<br />
Included with another set of six stills froir^<br />
NSS are two art drawings, designed foiT<br />
blowups and still No. 1976-s23, a composit(<br />
of picture scenes and drawing of a je<br />
plane leaving a carrier, perfect for selectee<br />
placement around town.<br />
FLAGS ON MARQUEE<br />
Signal flags draped from the marque^<br />
and overhead wires can be used to brighte:<br />
the front. Cutouts of planes or five-and<br />
dime models can be suspended from unde<br />
the marquee.<br />
The field representatives of the compan<br />
manufacturing aircraft carrier and ji<br />
plane kits are listed in the pressbook an<br />
will cooperate with theatres in their rt<br />
The above centerpiece display still. No. 1976-s23, with simple, dignified credits, should be spotted in<br />
all possible locations. Enlargements of the plane con be colored and hung over the lobby entrance.<br />
PROMOTED<br />
THE ETERNAL SEA<br />
VIA U.S. NAVY COOPERATION<br />
Naval Units in All Areas Will Assist Campaigns,<br />
Model Kits Available<br />
The Navy will provide the stimuli for<br />
nationwide promotion of Republic's "The<br />
Eternal Sea," with special emphasis placed<br />
on local campaigns.<br />
Naval aviation is an added factor in the<br />
promotion of the film starring Sterling<br />
Hayden, Alexis Smith and Dean Jagger.<br />
How effective a job the Navy can do in<br />
publicizing and exploiting a playdate was<br />
demonstrated at the world premiere of the<br />
film in Pi-ovidence, R. I. Similar cooperation<br />
is assured in other situations, proportionate<br />
in scale. The manufacturer of aircraft<br />
carrier and jet plane model kits is<br />
also tieing in with the promotion on the<br />
picture while radio and TV air show accessories<br />
are available on loan.<br />
The Navy has sent a directive to all naval<br />
units highly recommending "The Eternal<br />
Sea" and suggesting they cooperate with<br />
theatres when requested to participate in<br />
promoting the film via civic celebrations,<br />
equipment displays, bands, parades, etc.<br />
The assistants at di-strict headquarters,<br />
listed in the pressbook, will furnish full<br />
information on arranging local contacts.<br />
Addresses of Naval Air Reserve contacts,<br />
Navy air stations and Navy recruiting stations<br />
also are listed and one or more of<br />
these offices should be alerted as soon as<br />
playdates are set. These Navy contacts<br />
have special A-board posters, plugging the<br />
Navy and the picture, and window cards<br />
with similar art and copy, will be<br />
furnished upon request. It is important the<br />
contact be made early and regardless of<br />
how distant the Navy office is located.<br />
The story of "The Eternal Sea" relates<br />
the experience of Admiral John M. Hoskins<br />
who is still on duty with the Navy. A salute<br />
to the admiral might be staged on opening<br />
night with the governor, mayor, local dignitaries<br />
and naval officers in attendance.<br />
If possible have the mayor issue a proclamation<br />
for the event, a navy band play<br />
under the marquee, with naval veterans<br />
present, interview ex-Navy aviators on TV<br />
or radio, ask all merchants to cooperate<br />
with window displays saluting the Navy, invite<br />
all Navy wives to the premiere and if<br />
there's a Sea Scout group in town, they<br />
can be asked to parade to the theatre.<br />
Local book stores can display all works<br />
dealing with the Navy and the sea. Displays<br />
can be set up in the schools and<br />
prizes offered for drawing, letter-writing<br />
or model-making contests. The youngsters<br />
can show their plane and naval craft<br />
models in a foyer display case.<br />
The several Navy contacts will be the<br />
source for equipment displays in addition<br />
to posters and recruiting station A-boards.<br />
Models of aircraft carriers, battle ships,<br />
etc., old Navy uniforms, jet engine and<br />
spective territories. Sales outlets for th.:<br />
company's product have been asked to c(<br />
operate in local promotions and stills<br />
posters should be furnished chain and d<br />
partment stores selUng the items. Tl<br />
manufacturer's salesmen have photos<br />
the completed models for displays and<br />
lobby contest may be set up with youthf.<br />
builders assembling kits for ticket pri;<br />
The actual kits may be sent to radio-li<br />
commentators with appropriate pictu,<br />
copy.<br />
Spot announcement radio<br />
'<br />
recordings<br />
various lengths are available on loan frc!<br />
Republic branch offices and suitable co^<br />
for live broadcast may be had upon requfi<br />
from Republic's Exploitation Dept., Ill<br />
Broadway, New York. The Repub^<br />
branches also have a set of TV trailers<br />
two one-minute and two 20-second sji<br />
announcements.<br />
A NAVY NIGHT SALUTE<br />
A Navy Night Salute can be set up Wi<br />
the TV and radio station, a local na'<br />
hero to appear on television and descrg<br />
his experiences while the disk jockeys ci:<br />
play music of the Navy and songs featiK<br />
ing the word "sea" or a sailing theme.<br />
contest can be worked with listeners iderr<br />
tying the titles of the songs for free pi<br />
tui'e tickets. A ship model club can sl^<br />
their handicraft on another TV progr^.<br />
Use a tape recorder for interviewing Nijjr<br />
pilots and personnel living in or near tcfl<br />
and use it on a DJ show with pictie<br />
credits. Play the jet airplane recordingis<br />
an introduction for spot announcements^<br />
air shows. Have the recruiting offir<br />
swear in new enlistees on a TV show<br />
Columbia is preparing commercial rsj<br />
transcriptions and a special teaser tr<br />
"<br />
for "The Night Holds Terror.<br />
CONTROL TRAFFIC . . . AVOID CONFUSION WI<br />
DIT-MCO PATENTED RAMPLIGHTS<br />
ismminmm<br />
COMPACT . . . ATTRACTIVE . . . ECONOMIf<br />
DRIVE-IN THEATRE MFG. CO. T.n*"'c"' T<br />
1:.<br />
a<br />
!jil<br />
— 168 — BOXOFFICE Showmandiser :<br />
4, 'MJ
'<br />
. . people<br />
'<br />
,<br />
IHE<br />
POSTCARD BECOMES AN INDUSTRY SALESMAN<br />
[red Mail Campaign is Aimed at Selling Movie Theatre to Hometown Merchants<br />
Vliiit is probably the industry's first<br />
pimcd direct mail campaign, to reach<br />
1, Imn citizens and merchants at the<br />
grass-roots level, in<br />
an effort to boost<br />
boxoffice receipts as<br />
well as to sell the<br />
motion picture theatre<br />
as a community<br />
institution, was<br />
launched last week.<br />
It is a promotion<br />
of United Film Ser-<br />
V i c e. Inc.. with<br />
h e adquarters<br />
in Kansas City. Mo.,<br />
but the thinking of<br />
some of the country's<br />
top exhibitors<br />
and promotion men<br />
has gone into the<br />
planning and production<br />
of the campaign<br />
— and while<br />
Hardy Hendrcn jr.<br />
UPS has prepared<br />
Jack Hillyer (I.) of<br />
the material and is<br />
[lei Film Service.<br />
assisting in the<br />
sical job of getting it under way, howf<br />
the firm is not identified in any of<br />
ti<br />
mailings.<br />
'iIES<br />
OF COLOR POSTCARDS<br />
'he campaign consists of a series of<br />
1 basic, and three optional jumbo color<br />
p tcards to be mailed on alternate weeks<br />
oil- a period of about 26 to 30 weeks. Each<br />
cc'ies a separate message from the exhitor<br />
to his hometown merchants and<br />
leiing citizens, providing space for the<br />
lifirint of the manager's name and his<br />
tfatre. In the event competing theatres<br />
d'ire to undertake the campaign in a<br />
Operative deal, this arrangement can be<br />
ntle.<br />
opies of a booklet containing reprotions<br />
of the 16 cards, plus information<br />
ut the campaign, were sent to several<br />
Musand exhibitors last week. In an ac-<br />
Cdpanying letter. 'W. Hardy Hendren jr..<br />
Priident of United Film Service, said:<br />
[^mong the poorest moviegoers of any<br />
t^n or city are the proprietors of the<br />
Idling businesses. Most of them are so<br />
^' pped up in their own problems that they<br />
o'-look the importance of your theatre<br />
ttthem. They forget that your theatre<br />
Pis people out of their homes and on to<br />
tlj streets past their store windows lead-<br />
^ to your theatre. They forget that<br />
yu- theatre pulls people into your town<br />
fi 1 rural areas who have<br />
to spend. They forget that the bet-<br />
'lur attendance, the better it is for<br />
'• !<br />
businesses.<br />
They not only need to be told, but to<br />
I<br />
ibk:onstantly reminded of just how much<br />
y|r show means to them."<br />
t jendren remarked that he had often<br />
JNi told by exhibitors that an important<br />
Be OFFICE Showmandiser :: June 4, 1955<br />
factor in the success of their theatre is<br />
their relationship with the businessmen<br />
of the community. There is a strong instinct<br />
to "follow the leader." he .said, and<br />
if the business leaders of a community<br />
speak well of a theatre, its operation, personnel<br />
and patronize the shows, many<br />
others in the community will follow their<br />
example.<br />
The direct mail campaign is aimed to<br />
develop this community climate—to make<br />
businessmen aware of the existence of<br />
their hometown movie house.<br />
It was a request by an Argos. Ind.. exhibitor.<br />
Ken Law, that United Film Service<br />
help him create a series of mailings to<br />
businessmen which led the company to<br />
undertake the present campaign. Jack Hillyer.<br />
vice-president and director of advertising,<br />
was handed the job of putting the<br />
package together, and Mike Simons, exhibitor<br />
relations director of MGM, was the<br />
chief source of ideas for the cards. Senn<br />
Lawler. division manager of National Theatres<br />
and Marc Wolff, head of the Y&'W<br />
circuit, along with Simons actively guided<br />
the preparation of copy. Then the cards<br />
and copy were submitted to scores of experienced<br />
exhibitors for constructive criticism.<br />
The cards are devoted to such subjects as<br />
"My Business is Good for Your Business,"<br />
which EKJints out how the moviehouse<br />
reaches out into the community and the<br />
countryside to draw customers for the<br />
merchant's store; "Keep a Light in Your<br />
Store Window." which advises the merchant<br />
to keep his displays illuminated at<br />
night because movie patrons do a lot of<br />
their window shopping to and from the<br />
show; "Safe and Happy," a message on<br />
how the movie theatre looks after the<br />
"kids of this community": and "If My<br />
Theatre Disappeared," which stresses the<br />
fact that traffic past the merchant's place<br />
of business would diminish considerably,<br />
if the theatre went out of business.<br />
DISCUSS PRODUCT EXCELLENCE<br />
Other cards talk about the excellence<br />
of current pictures, the happiness created<br />
by good movies, and how pictures create<br />
a desire to buy a great variety of products<br />
sold in the hometown stores. One of the<br />
cards is a jumbo pass for two, and if an<br />
exhibitor so desires, an additional card<br />
of this type may be used in the campaign.<br />
Since this promotion would benefit the<br />
theatre industry generally. United wanted<br />
to make it available to all theatre owners.<br />
Hendren said. But since United is bearing<br />
all of the cost, including the printing of<br />
the cards, for economic reasons the company<br />
decided to limit the use to only<br />
theatres with which it is doing business,<br />
and the campaign is offered accordingly.<br />
Wliile the campaign is offered on a free<br />
basis to all such theatres, it is. of course,<br />
offered f.o.b. Kansas City. The cost to the<br />
— 169 —<br />
This is your<br />
Leading- Citizen Campaign<br />
designed to<br />
Increase your<br />
t>ox office gross.<br />
UhiteJ Film S^'Vice. Ina ,<br />
By way of introduction. United Film<br />
.Service, Inc., has sent a set of reproductions<br />
of its jumbo postcards to several<br />
thousand exhibitors. Shown here is the<br />
special cover design for the set of 16<br />
cards. This is the only one which goes<br />
only to theatremen. All others have been<br />
designed to contain a special message<br />
from the exhibitor to a hometown "leading<br />
citizen."<br />
exhibitor who washes to handle the addressing,<br />
imprinting, stamping and mailing<br />
of the cards himself, involves only a small<br />
packaging charge and the parcel post<br />
cost for shipping the campaign to him.<br />
If he wishes to do none of the work. United<br />
(Continued on page 5)<br />
WCSMSl<br />
WU%<br />
/<br />
n
. . . had<br />
PURPLE PLAIN' PROMOTIONAL GIMMICKS<br />
RANGE FROM EASEL CARDS TO ELEPHANTS<br />
Five-ton elephant trumpets "The Purple Plain" engagement at the Fox Wilshire in Beverly Hills as he<br />
plods Los Angeles street with pretty rider. Right photo, off-season Santo delights youngsters in stroll<br />
heralding the opening at the Fox in Detroit.<br />
A varied roster of contests, TV-radio<br />
coverage and live-wire street bally Is focusing<br />
attention on "The Purple Plain" around<br />
the country.<br />
Manager Joe Archuletta of the Paramount<br />
Theatre in Denver kicked off his<br />
campaign with a coloring contest. Using<br />
the pressbook outline drawing mat, he ran<br />
off 10,000 contest forms, which were dis-<br />
HAVE<br />
YOU<br />
COLUMBIA<br />
HAS<br />
tributed on the street, at the theatre and<br />
at four drive-ins operated by the same<br />
management. Top entrants were awarded<br />
passes.<br />
The E>enver public library and its 12<br />
branches cooperated by passing out 7,500<br />
bookmarks imprinted with playdate and<br />
credits. The library also spotlighted "The<br />
Purple Plain" with displays of the H. E.<br />
Bates best-seller, on which the film is<br />
based, and posters carrying scene stills. A<br />
radio contest
prsonal Contact<br />
ri<br />
Paper Pays<br />
10 value of personal contact with the<br />
.1 and publisher of the local newspaper<br />
;. ,\('n rrcently by Elmer N. DeWitt.<br />
I<br />
half-page co-op od feoturing the film title<br />
f the initio! letters of the individual ads.<br />
manager for Mailers Defiance. Ohio,<br />
IS. The newspaper, the Crescent<br />
.., .,. heretofore had been reluctant to<br />
gi stories on motion pictures and had<br />
dc; so, DeWitt said, probably no more<br />
thi a half dozen times in the last ten<br />
y«s.<br />
eWitt, however, contacted the editor<br />
publisher of the paper and gained two<br />
ail<br />
nS stories for his engagement of "West<br />
oianzibar" at the Strand.<br />
V working with the manager and progin<br />
director of the local radio station,<br />
Di/'itt obtained a contest, using quiz questijs<br />
on the picture. Other local merchants<br />
JcJed in the contest by giving merchandi;<br />
prizes. The contest was held for one<br />
W;S, with the station using the picture<br />
thne as the contest theme. On the final<br />
di the winner was brought to the station<br />
fca personal interview on the program.<br />
Oiy cost to the theatre was one pass good<br />
t^ a month at either of the downtown<br />
thfitres.<br />
eWitt promoted a half-page co-op ad<br />
w;i other merchants, also at no cost to<br />
tl-j theatre. DeWitt got the superintendent<br />
o^jhools to advise all fifth and sixth grade<br />
sd )oI teachers of the playdate and to ask<br />
tin to tell the students of the value of<br />
th picture educationally.<br />
local drug store cooperated with a<br />
S[';ial sundae, called a Zanzibar Sundae,<br />
af Swift & Co., who ran a full-page ad<br />
oihe anniversary of the store, gave a porti[<br />
of the ad to the sundae. A 24-sheet<br />
w hung on the plate glass front of the<br />
tritre above the marquee, but the day<br />
it';as put up a bad storm struck and it<br />
»' blown down. DeWitt distributed 3,000<br />
htilds at both theatres, on automobiles<br />
through his mailing list, and he posted<br />
ai<br />
K window cards. He used the 24-sheet, a<br />
OJ -sheet and other paper in the theatre<br />
lo ly, and mounted a three-sheet board on<br />
tl| back of the theatre pickup truck.<br />
jor "The Long Gray Line," DeWitt<br />
wi ked with the army recruiting service<br />
a> the national guard. Ai-my equipn:<br />
It was parked in front of the theatre<br />
a in the lobby during the entire playd<br />
! of the picture.<br />
What's Exploitable in the Magazines<br />
One of the most extensive color layouts<br />
ever accorded a motion picture by Life was<br />
given to 20th-Fox's "Daddy Long Legs" in<br />
the May 23 issue. The cover and a fivepage<br />
spread shows Fred Astaire and Leslie<br />
Caron, stars of the film, in two lavish<br />
musical sequences which the magazine<br />
terms "stupendous."<br />
A full-page, four-color layout on<br />
Howard Hughes' ''Son of Sinbad" ni<br />
the May 23 issue of Life introduced<br />
RKO's national color ad campaign on<br />
the film. Full-page, four-color ads for<br />
the picture also are set for the June 4<br />
issue of Look and the June 10 issue of<br />
Collier's. Total circulation for the<br />
three publications is 13.315,191.<br />
Screen Stories in its June issue selected<br />
two RKO reissues, "The Informer" and "I<br />
Remember Mama," for a picture layout,<br />
entitled "Four of the Greatest Movies Ever<br />
Made!"<br />
Kim Novak rated a full-color front<br />
cover and a page and a half story in<br />
the May 31 issue of Look, highlighting<br />
her rapid rise to stardom and plugging<br />
her latest film. "Five Against the<br />
House." for Columbia. Four pictures of<br />
Miss Novak illustrate the story.<br />
A one and one-half page illustrated<br />
review is devoted to Stanley Kramer-<br />
THE POSTCARD CAMPAIGN<br />
(Continued from page 3)<br />
has arranged with a mailing company in<br />
Kansas City to handle it all for him for<br />
less money than he can handle it himself.<br />
AVAILABLE AT LOW COST<br />
For example, the exhibitor who prefers<br />
to have cards imprinted, addressed and<br />
stamped for him, so that his only work<br />
will consist of taking the cards to his<br />
hometown postoffice can get a 15-card, 30-<br />
week campaign for $28.80 plus $2.50 to<br />
cover the cost of packaging and prepaying<br />
parcel post charges from Kansas City.<br />
First con^ments from exhibitors have<br />
already been received by Hendren and his<br />
associates. Ken Winkelmeyer of the Casino<br />
Theatre, Boonville, Mo., declared the<br />
cards cover "everything I have tried to get<br />
over to my public and merchants as an independent<br />
operator. I can see the merchants'<br />
faces now as they read and digest<br />
these thoughts and finally realize how<br />
much we stand for as a business." His<br />
sentiments are echoed in other letters<br />
received from theatremen who have seen<br />
the campaign cards.<br />
Buys 'Toward Unknown'<br />
Beirne Lay jr.'s story about U. S. Air<br />
Force experimental planes, "Toward the<br />
Unknown," has been bought and will be<br />
produced by Mervyn LeRoy for Warner<br />
Bros.<br />
B COFFICE Showmandiser : : June 4, 1955 — 171 —<br />
United Artists' "Not As a Stranger" in<br />
the May 31 issue of Look. The review<br />
terms the picture "a microscopic, controversial<br />
study of the public virtues<br />
and hidden flaws of the medical profession."<br />
The July i.ssue of Movie Pi-evue will name<br />
Kerwin Mathews as Guy of the Month.<br />
Mathews makes his screen debut in Columbia's<br />
"Five Against the House."<br />
MGM's "Love Me or Leave Me" has<br />
been chosen picture of the month in<br />
the June issue of Redbook by feature<br />
editor Florence Somers. Miss Somers<br />
terms James Cagney's performance in<br />
the role of Marty Snyder as one of the<br />
best of the season. She praised the<br />
performance of Doris Day as Ruth<br />
Etting and of Cameron Mitchell as<br />
Johnny, but says it is Cagney who<br />
comes close to stealing the show. "He's<br />
cocky, brutal and, at all times, believable<br />
and fascinating."<br />
Debbie Reynolds answers a series of<br />
questions about her romance with singer<br />
Eddie Fisher in the June issue of Woman's<br />
Home Companion. The questions were<br />
posed by the magazine's panel of teenage<br />
girls from all over the country. Introduction<br />
to the article mentions MGM's "Hit<br />
the Deck," in which she stars. The article<br />
is titled: "Debbie Tells the Girls: 'I've<br />
Never Been in Love Before.' "
li<br />
From Here^ There<br />
OfFrHtfRONTMttS<br />
SUSAN<br />
^<br />
HAYWARD i<br />
Taking a cue from the recent Susan Hayword sleepin<br />
pill incident, Jack H. Harris, head of Philadelphii<br />
Exploitation Productions, come up with this tim(<br />
shocker style display for "Smash-Up."<br />
These novelty automobiles certainly caused a stir as they drove around London, England,<br />
in a stunt promoted by Manager Jock Palmer to plug his premiere of "Prize of Gold" at<br />
the Odeon Leicester Square. The premiere was staged to aid the Royal London Society for the<br />
Blind.<br />
Manager Tom McMahon of the Sutton Theatre in tyj<br />
York devised this provocative lobby display for ^|<br />
world premiere engagement of "Morty."<br />
The Japanese flavor of Jim Gorman's<br />
promotion for his playdate of "Gate<br />
of Hell" at the Loop Theatre in Chicago<br />
included even this ricksha street ballyhoo.<br />
Opening night he hod several<br />
Japanese girls in native costumes dance<br />
on the street in front of the theatre.<br />
For his "20,000 Leagues Under the Sea"<br />
playdate. Manager Jeff Hardin of the<br />
Wallace Theatre at Levellond, Tex., designed<br />
this eye-catching lobby display,<br />
which included a revolving octopus and<br />
suspended mobile fish. Sea shells, not<br />
shown, also were included.<br />
This attractive window on "Hit the Deck" wos plan<br />
by Eddie Meade, Shea's Buffalo advertising dirc(f,<br />
in a local music store.<br />
Internes, a model and a hospital bed<br />
were the ingredients of this novel<br />
street ballyhoo staged by Maury<br />
Schworz of the Bridge Theatre, San<br />
Francisco, for "Doctor in the House."<br />
Ronald Baumberg had this attention-getting wall display ot the Metropolitan<br />
Theotre, Boston, in the outer lobby for four weeks in advance of "Strategic<br />
Air Command," drawing attention to its wider screen for the new horizontal<br />
VistaVision. The reproduction of the full proscenium helped stress the new<br />
screen width.<br />
Indian fronts have always pr6'<br />
popular.<br />
Here's a particularly effe"<br />
one, arranged by Manager t^^<br />
Sklucki ot the Broadway CapitCj<br />
Detroit for "Chief Crazy Horse." I<br />
1<br />
— 172 — BOXOFTICE Showmandiser :: June 4, 55 j|
I phone<br />
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more<br />
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the<br />
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Just off the press!<br />
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• • • •<br />
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June<br />
'<br />
BREAD WAR BRINGS GRAVY TO THEATRE<br />
IN FORM OF SPONSORED KID SHOWS<br />
Manager Bob Jackson Finds Action-Minded<br />
Youngsters Go for Group Singing<br />
A local bread war brought a certain<br />
amount of gravy to the Jefferson Theatre<br />
In Fort Wayne, Ind., with the sponsorship<br />
of a special Saturday morning kiddies<br />
matinee by the Perfection Biscuit Co.<br />
When the Continental Baking Co. came<br />
to town a month ago with Wonder Bread<br />
and enticed the younger consumer class<br />
with carousel rides and free balloons. Perfection,<br />
long established here with the Sunbeam<br />
brand, countered with the sponsorship<br />
of the matinees at the Jefferson.<br />
Though admittance to the performances is<br />
by simple presentation of a Sunbeam wrapper,<br />
the Jefferson doesn't rely on receipts<br />
from its label accumulations, since Perfection<br />
pays for the matinees by a flat<br />
rate.<br />
At the halfway mark of the eight "Sunbeam<br />
shows" contracted for by Perfection,<br />
Robert L. Jackson, Jefferson manager, said<br />
that thanks to the bread war, "Kiddies who<br />
haven't known anything but TV the past<br />
three or fom- years have gone back to the<br />
movies." Pi-esenting a feature and three<br />
color cartoons, the shows have been drawing<br />
700 to 800 wrapper-depositing payees a<br />
week, which Jackson feels is a good attendance<br />
by children in the spring months.<br />
At the start of the series, Jackson<br />
mingled a little stage action with the<br />
screen entertainment but isn't doing so now.<br />
The stage bits consisted of old stage games<br />
known to every exhibitor, like having the<br />
boys try on dresses. Though the action was<br />
brisk, the live entertainment was given<br />
up because "the kiddies grew restless, unless<br />
there was group participation," Jackson<br />
observed. The new TV-bred generation<br />
is action-minded as none others have ever<br />
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HIGH QUALITY AT LOW COST<br />
Displays promoting Sunbeam bread and bakery-sponsored<br />
kid shows in lobby of the Jefferson Theotre.<br />
been, the Jefferson manager reports.<br />
On the other hand, Jackson has noted<br />
one facet in the new-generation audience<br />
that won't exhaust producer and exhibitor<br />
resources to satisfy: "These kiddies like to<br />
sing." Jackson wonders if the children's<br />
penchant for group singing doesn't offer<br />
an interesting and almost untapped potential<br />
in the child matinee field.<br />
To avoid a clustering of youngsters on<br />
the outside on Sunbeam matinee Saturdays<br />
which might faze adult patronage of the<br />
regular runs, Jackson limits the special to<br />
two hours and has the show over and the<br />
house empty by lunchtime.<br />
In addition, an $80 bicycle will be given<br />
away at the final show.<br />
Bantam Tieup on 'Affair'<br />
Mickey Rose, manager of the Michigan<br />
in Detroit, used the Bantam Book edition<br />
of Graham Greene's best-seller to hypo<br />
"The End of the Affair." Rose and the<br />
Cuitis Circulation Co., distributor of Bantam<br />
Books, fui-nished posters to 100 Cunningham<br />
drugstores covering Wayne<br />
County. Curtis also placed insert cards in<br />
3,000 Bantam Books and sent bulletins to<br />
all dealers handling the book.<br />
Album Gift on 'Show'<br />
Five days in advance of "Three for the<br />
Show" at the Orpheum in New Orleans,<br />
Manager Asa Booksh distributed 3,000<br />
blanks in the theatre lobby for patrons to<br />
address. Ten names were drawn and the<br />
winners were given a Mercui-y album of<br />
the songs from the picture. The drawing<br />
was broadcast from the lobby by station<br />
WNOE from a mobile unit. The stunt was<br />
publicized for five days by the radio.<br />
— 174 —<br />
Prizes for Windows<br />
Cost Theatre $12<br />
For 'Cry' Displays<br />
The offer of prizes for window dispU;,<br />
on the book and the pictui-e, "Battle Cr;<br />
brought top publicity to the Canadian pi<br />
miere of the film at the Orpheum in Vi<br />
couver, B. C, for Manager Ivan Acker;<br />
In a tieup with the Curtis Distributj<br />
Co. on the Bantam book, Ackery i-<br />
nounced prizes for the best window c-<br />
plays. Cunningham drug store executis<br />
liked the idea so much they chipped in i<br />
the prizes as an inducement for their miagers.<br />
Consequently, "Battle Ci-y " had<br />
5<br />
,<br />
full window displays for a total cost to e<br />
theatre of $12. Other news dealers eo<br />
gave good window space.<br />
Local newspapers cooperated, the Prp<br />
ince running a co-op page with a full b,.<br />
ner head. The Province also carried sto<br />
on Jonas Applegarth, who appears in t<br />
pictui-e, and gave a story on the Orpheuf<br />
new stereophonic soimd. The Sun raji<br />
four-column story on Applegarth aniii<br />
story on the stereosound. Two front-p?<br />
stories and cuts were used by the N^l<br />
Herald, and a review and scene piclb<br />
were used by the Chinese Times.<br />
Applegarth, in town before the open^<br />
was interviewed on local radio stations )t<br />
TV and appeared at city hall with Mip<br />
Hume.<br />
Yellow taxis carried bumper strips,<br />
stair risers were used in the theatreii<br />
24-sheet was pasted to the floor belli<br />
the theatre boxoffice. Two weeks ind<br />
vance, the back of the candy bar<br />
decorated with a mural, using the (a<br />
book idea to play up the Canadian je<br />
miere.<br />
Applegarth was interviewed on the e-<br />
atre stage on Fi-iday and Saturday ben<br />
opening.<br />
Plan Mother's Day Show<br />
As An Annual Event<br />
Lloyd W. Palmer, manager of ii<br />
Colonial Theatre at Port Arthur, Ont.,!f<br />
such tremendous success with his tj:<br />
annual News Chronicle Carrier «<br />
Mothers Day show that he now is c(jl<br />
dent that the event will be repeated («<br />
year.<br />
"It does a wonderful public relajii<br />
job," PaUner said, "and all concernecki<br />
very happy with this type show."<br />
The newspaper tieup this year ntfa<br />
Palmer a three-column, front-page fow<br />
and a photo spread across the top of Ui<br />
three. As one of the features of the -ow<br />
a drawing was held for boxes of I'fs,<br />
which were given to winning mothei<br />
'Tight Spot' at Crossings<br />
For "Tight Spot," Bill Zeilor, mai«< i.,<br />
of the J. P. Harris Theatre, Pittsb«l ti;<br />
arranged with the city traffic departbl<br />
to display small signs at the main plS 's<br />
trian crosswalks which read, "Cross'iU<br />
i<br />
are 'Tight Spots'—Cross Cautiously."<br />
BOXOFFICE Showmandiser<br />
:<br />
^<br />
4.9S k
j<br />
ith<br />
. ill)<br />
I nous<br />
MEWS AND VIEWS THE PRODUCTION CENTER<br />
iHoUvwood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Spear. Western Manager/<br />
Sreen Extras Guild<br />
Seks New Benefits<br />
ilI.YWOOD—Health and welfare bene-<br />
'.~tv extra playera will be one of the<br />
Extras Guild's principal collective<br />
;;ng demands this year, it was dis-<br />
>.., a at the organization's annual member-<br />
Stt meeting.<br />
h incumbent officers were reelected at the<br />
:., including President Richard H. Gorsaid<br />
the SEG, in its upcoming<br />
>!ions with filmmakers, will seek inm<br />
daily and weekly wage minimums<br />
improvements in working con-<br />
;!tained in office along with Gordon were<br />
Fuklyn Parnum. George Barton and Tex<br />
Biius, vice-presidents; Kenner Kemp, reeding<br />
secretary, and Jeffrey Sayre, treasJr.<br />
Named to three-year terms on the<br />
bo d of directoi-s were Mary Benoit, Heinle<br />
C
Blurbers<br />
STUDIO PERSONNELITIES<br />
Universal-International<br />
Jack Diamond set GEORGE LAIT os his assistant<br />
publicity director, effective Monday (13). Lait, until<br />
recently studio blurb chief at Columbia, has for the<br />
last several weeks been on a special tub-thumping<br />
assignment at Paramount.<br />
Briefies<br />
Universal-International<br />
George Auld and his All Stars headline a U-l<br />
lusical featurette which has gone before the<br />
Dmeros with Will Cowan producing and directing.<br />
Cleffers<br />
Allied Artists<br />
Warner Bros.<br />
PAUL FRANCIS WEBSTER is writing the lyrics for<br />
"Sincerely Yours," the melody of which was composed<br />
by Liberace for the letter's starring picture<br />
title.<br />
with the same<br />
Loanouts<br />
Metro-Goldwyn-Mayer<br />
Borrowed from U-l, RAY DANTON will have one<br />
of the leads with Susan Hayward, Richard Conte<br />
and Eddie Albert in "I'll Cry Tomorrow." Daniel<br />
Mann directs the Lawrence Weingarten production.<br />
Meggers<br />
Columbia<br />
Warwick Productions booked JOHN GILLING,<br />
British director, to pilot "The Gamma People," o Paul<br />
Douglas starrer to be lensed abroad.<br />
Options<br />
Allied Artists<br />
Producer Lindsley Parsons set JOHN ERICSON,<br />
MARI BLANCHARD and NEVILLE BRAND for the<br />
leads in "Son of Slode," which Harold Schuster will<br />
DRIVE-IN THEATRES<br />
You Can Get l^ette^<br />
SPECIAL TRAILERS<br />
and ^a^en, from<br />
MOTION PICTURE SERVICE CO.<br />
IZ5 HYDE ST. SAN FRANCISCO (Z) , CALIF.<br />
direct. CASEY ADAMS, JON 5HEP0DD, HOWARD<br />
PETRIE, RAYMOND BAILEY, MICHAEL ROSS, ALAN<br />
WELLS and JOHN DENNIS drew top supporting roles.<br />
Independent<br />
NICOLE MAUREY, French actress, wos handed the<br />
femme lead opposite Wendell Corey, Mickey Rooney<br />
and Don Taylor m "Battle Hell," which Hal t.<br />
Chester is producing for Filmokers. Lewis R. Foster<br />
directs.<br />
Metro-Goldwyn-Mayer<br />
Zanra Productions, formed by Desi Arnoz and<br />
Lucille Boll to film "Forever, Darling," inked JAMES<br />
MASON to star with Arnoz ond Miss Ball in the<br />
romantic Hall will<br />
LOUIS CALHERN will portray Lucille Ball's father.<br />
comedy, which Alexander meg.<br />
Republic<br />
Moppet SHERRY JACKSON was inked to portray<br />
the daughter of Steve Cochran and Ann Sheridan in<br />
"Come Next Spring," romantic drama in Trucolor,<br />
being directed by R. G. Springsteen.<br />
20th Century-Fox<br />
SIDNEY BLACKMER joins Dona Wynter, Richard<br />
Egan and Morjorie Rombeau in the topline cast of<br />
"The View From Pompey's Head," which Philip Dunne<br />
will produce and direct.<br />
Added to the cast of "The Girl in the Red Velvet<br />
Swing" were GLENDA FARRELL and PHILIP REED.<br />
Starring Joan Collins, Roy Milland and Farley Granger,<br />
the Charles Brockett production has Richard Fleischer<br />
OS director.<br />
The title role in "Good Morning, Miss Dove," story<br />
of a school teacher, goes to JENNIFER JONES.<br />
Henry Koster will direct for Producer Samuel G. Engel.<br />
United Artists<br />
Inked for a top role in "A Kiss Before Dying"<br />
was VIRIGINIA LEITH. Set for a key role in the<br />
Crown Productions film was MARY ASTOR. Starring<br />
Robert Wagner, Joanne Woodward and Jeffrey Hunter,<br />
the suspense drama will be megged by Gerd<br />
Oswald for Producers Robert L. Jacks and Robert<br />
Goldstein.<br />
Universal-International<br />
CHICO VEJAR, well-known boxer, was signed to<br />
make his film debut in "World in My Corner," starring<br />
Audie Murphy, Barbara Rush, Jeff Morrow and<br />
John Mclntire. It is now before the cameras with<br />
Jesse Hibbs directing for Aaron Rosenberg. Howard<br />
ST JOHN joined the cost.<br />
TIM HOVEY, 9-year-old youngster who made his<br />
film debut in "The Private War of Major Benson,"<br />
has been signed to a multiple-picture contract.<br />
RORY CALHOUN will star in "Back Trail," Technicolor<br />
western which Albert Zugsmith will produce.<br />
Drawing featured roles in "The Girl in the Cage"<br />
were MAMIE VAN DOREN and KEENAN WYNN.<br />
JOHN AGAR, MARA CORDAY and LEO G. CAR-<br />
ROLL will have the top roles in "Tarantula," a<br />
science-fiction drama to be megged by Jack Arnold<br />
tor Producer William Allond.<br />
Warner Bros.<br />
FRED CLARK was booked for a role in "Miracle in<br />
the Rain" starring Jane Wyman and Van Johnson.<br />
Rudolph Mate is directing and Frank P. Rosenberg<br />
producing. Stage-TV actress MARIAN HOLMES was<br />
cost in the film.<br />
Mexican film player ELSA CARDENAS was added<br />
the cast of "Giant," film version of the Edna<br />
to<br />
Ferber novel, being produced and directed by George<br />
Stevens. The topliners ore Elizabeth Taylor, rI<br />
Hudson, James Dean and Jane Withers.<br />
WALTER BRENNAN has been signed by bJ<br />
Productions to star in William A. Wellman's "*<br />
My Lady," which is scheduled to start in AuilL<br />
The film dramatization of the James Street n|<br />
'<br />
stars Phil Harris.<br />
Set as Liberace's leading ladies in "Sincty<br />
Yours" were JOANNE DRU and DOROTHY MALc'<br />
The musical drama, a Henry Blonke productiori<br />
being directed by Gordon Douglas.<br />
Scripters<br />
Columbia<br />
Assigned to do the screen treatment of<br />
Gold Cadillac," stoge play by Howard Teich<br />
Solid<br />
George and S. Koufmon, was BLAKE EDWA<br />
Starring Holliday, Judy the comedy will be prod'<br />
by Fred Kohlmar.<br />
Metro-Goldwyn-Mayer<br />
FAY and MICHAEL KANIN ore<br />
penning "Opp<br />
Sex," a romantic comedy localed Reno,<br />
starring vehicle for Esther Williams,<br />
duced by Joe Pasternak.<br />
Story Buys<br />
Independent<br />
Olympic Productior headed by Sam Wiesei<br />
acquired "The Quick nd the Dead," a screei<br />
by Fran! Grube? " based on the latter's novel<br />
Republic<br />
Acquired and handed to William J. 0'Sulliv<<br />
produce was "Back of Beyond," on original scree<br />
by Thames Williamson.<br />
Universal- International<br />
Film rights were secured to "Teach Me How to<br />
a psychological drama by Patricio Joudry, and<br />
low's Code," a western novel by Evan Evans,<br />
has been assigned to Ross Hunter to produce.<br />
Technically<br />
Allied Artists<br />
GLENN COOK was set as production manog.<br />
"Son of Slode." The crew includes WILLIAM<br />
NER cinematogropher; PHIL RAND and J<br />
DALY, assistant directors, and WARREN DOUi<br />
dialog director.<br />
Independent<br />
Mike Todd inked VERTES, European artist, t<br />
sign the sets ond costumes for "Around the '<br />
in 80 Days."<br />
RKO Radio<br />
Crew assignments for "Texas Lady" include D<br />
ZIMMER, assistant director; MAT HOLT Jr., prodi<br />
supervisor, ond RAY RENNAHAN, cameraman.;<br />
20th Century-Fox<br />
Costumes for "The Girl in the Red Velvet<br />
are being designed by CHARLES LE MAIRE.<br />
United Artists<br />
"News Is Made at Night," the Bert E. Frf<br />
is production, being photographed by En<br />
LASZLO.<br />
Warner Bros.<br />
EDWARD CARRERE has been set as art d|<br />
for the Liberace starring picture, "Sincerely<br />
BLAIR CUTTING, Broadway drama coo<br />
actor, has been assigned to serve as a test dil<br />
players signed f<br />
HANDY SUBSCRIPTION<br />
Title<br />
Changes
m<br />
; Harry<br />
ill Producers, Writers<br />
l^ Christopher Awards<br />
(fW YORK—Twenty-five producers, writ-<br />
5 directors and a composer in the film.<br />
/'Jadio and songwriting fields were named<br />
il-ipients of Christopher Awards for "out-<br />
»5ing contributions" during the six-month<br />
>f\i ended March 31. according to Father<br />
In's Keller, founder of the Christophers.<br />
1,! iiophers is an organization that emiimher<br />
standards of education, gov-<br />
„.:... labor relations. literature and enteral<br />
lent.<br />
l! film awards, in the form of bronze<br />
le^llions. went to: Robert Arthur, John<br />
or and Edward Hope, producer, director<br />
[ic'.vriter. re.spectively. of Columbia's "The<br />
01 Gray Line": to Louis DeRochemont.<br />
Benedick and Philippe de Lacey. di-<br />
Olrt<br />
- - iuid Otis Carney and Louis Dent<br />
jr., writers, for the Stanley Warire.<br />
"Cinerama Holiday," and to Wilai<br />
.St^lwyn, Francis D. Lyon and Richard<br />
ohs. producer, director and writer, for the<br />
11 .\rtists release, "Tlie Bob Mathias<br />
ilevision series also received bronze<br />
» uiuiis. They were: Walt Disney's "Dislejind"<br />
shows of "Davy Crockett," produced<br />
y lilliam Walsh, directed by Norman Foser<br />
id written by Thomas Blackburn; "Lesn<br />
Citizenship" of the "Father Knows<br />
for Eugene B. Rodney, producer;<br />
.series,<br />
im D. Russell, director, and Roswell<br />
s, writer; "Something About Love," of<br />
oretta Young series, to Tom Lewis, pro-<br />
Keller, director, and Marian<br />
ipson, WTiter, and to "Producers' Showversion<br />
of "Peter Pan," to Fred Coe,<br />
icer; Clark Jones, director, and Sumner<br />
'<br />
Elliott, writer.<br />
Pcadise in LA Denied<br />
Piketing Injunction<br />
IS ANGELES—A preliminary injunction<br />
»iiit by the Paradise Theatre to restrain<br />
lA'.E Local 150 from picketing the Westiheer<br />
district showcase has been denied<br />
)y|iperior court. The theatre, owned by<br />
U^ Schreiber, had petitioned for such inur<br />
ion as the outgrowth of a dispute with<br />
he oothmen's union. The court, in handing<br />
lot its decision against the Paradise, took<br />
lo^of the fact that the picketing took the<br />
on of the distribution of handbills outlining<br />
JOl ISO's point of view in the argument.<br />
']e local contends the Paradise locked<br />
iul:wo of its projectionists and hired a<br />
lociman from an independent union. It<br />
: lis charges the theatre's management has<br />
tied to consider the union's request for<br />
ornued hiring of two lATSE projectionists.<br />
Ch Paradise, on the other hand, maintains<br />
1 1 5 repeatedly requested the union to agree<br />
e use of only one booth operator as an<br />
ec )my measiu-e, contending the theatre has<br />
«( losing money for the past several years.<br />
Urting on 'Serenade'<br />
1 ILLYWOOD—That an early start is<br />
da led by Warner Bros, on the Mario Lanza<br />
ta T, "Serenade," was indicated with the<br />
i? ig of Anthony Mann to direct and<br />
'i( lias Brodsky to pen the musical score<br />
film version of James M. Cain's novel.<br />
5r le<br />
'8! 1 will begin prerecording for the fUm<br />
l^n two weeks and cameras are slated to<br />
Ija July with Henry Blanke producing.<br />
LEGION TRIBUTE — An American<br />
Legion resolution lauding the memory of<br />
the late Charles P. Skouras was presented<br />
at the recent annual .Americanism dinner<br />
co-spon.sored by Allied Post 302 and Fox<br />
West Coast, honoring 250 outstanding<br />
ROTC cadets in the Los Angeles high<br />
school area. Shown here (from left) are<br />
the Rev Thomas Grice, past national<br />
Legion chaplain, who received the post's<br />
Americanism award; Charles P. Skouras<br />
jr., who accepted the resolution honoring<br />
his father, who for many years spearheaded<br />
the patriotic event; William V.<br />
O'Connor, CaUfornia's deputy attorney<br />
general; municipal Judge Roger Alton<br />
Pfaff, Post 302 commander, and Edwin F.<br />
Zabel, FWC general manager.<br />
Technicolor Director<br />
To Receive PhD Degree<br />
HOLLYWOOD—For his achievement in<br />
the field of science. Dr. Maurice Nelles, director<br />
of research and diversification for Technicolor,<br />
will be awarded a doctor of science<br />
degree Monday (6) toy the University of<br />
South Dakota. Such a degree is handed out<br />
by the university once every five years.<br />
A graduate of that school, Nelles was active<br />
in the fields of chemistry, petroleum, cement,<br />
aircraft and marine engineering before being<br />
named to a directorship in the Technicolor<br />
organization in 1954.<br />
Columbia Lists 'Reprisal'<br />
As First Madison Starrer<br />
HOLLYWOOD—"Reprisal," a picturization<br />
of the novel by Arthur Gordon, will be Guy<br />
Madison's first film under his recently-inked<br />
six-picture pact with Columbia. Scheduled<br />
for an early start, the CinemaScope-Technicolor<br />
entry" will be directed by Phil Karlson.<br />
Madison and his associate Helen Ainsworth<br />
will work in collaboration with producers<br />
Arthur Gardner and Jules Levy on the film,<br />
the story of an Indian who passes as a white<br />
man in Oklahoma during frontier days.<br />
Rylander Leaves Columbia<br />
To Head NBC Exploitation<br />
NEW YORK—Al Rylander has resigned as<br />
exploitation director of Columbia Pictures to<br />
take the same position, a new post, with the<br />
National Broadcasting Co., effective June 6.<br />
He will have a headquarters and field staff<br />
to promote the NBC television programs, and<br />
his division will be associated with the press<br />
division under Sydney H. Eiges, vice-president.<br />
Rylander has directed exploitation for Columbia<br />
for two years. He joined the company<br />
in 1941 as supervisor of special publicity.<br />
Martin-Lewis Film<br />
In 3-Day Preview<br />
HOLLYWOOD—Dean Martin and Jerry<br />
Lewis will be honored at a three-day pre.ssradio-TV<br />
preview of their late.-^t Paramount<br />
comedy. "You're Never Too Young," beginning<br />
Friday at Brown's Hotel, Loch<br />
Sheldrake, New York. East and West Coast<br />
columnists, critics, radio-television personalities<br />
and disk jockeys will be on hand.<br />
The Technicolor-VistaVision comedy, produced<br />
by Paul Jones and megged by Norman<br />
Taurog, will be given a preview showing at<br />
Brown.s Martin and Lewis Playhouse, where<br />
Lewis made his first professional appearance.<br />
St. Louis will play tribute to a native<br />
daughter and the RKO release in which she<br />
stars when Virginia Mayo's new film, "Pearl<br />
of the South Pacific," is world-premiered<br />
there June 28 at the Fox Theatre. The<br />
Technicolor-Superscope drama was produced<br />
by Benedict Bogeaus.<br />
Miss Mayo will be accompanied on her trek<br />
to St. Louis by her husband. Michael O'Shea,<br />
and by Perry Lieber. national publicity-exploitation<br />
director for RKO. A round of<br />
festivities will include a testimonial luncheon<br />
to be given by the city's women's and men's<br />
advertising clubs.<br />
Milland Signs Three-Way<br />
Contract With Republic<br />
HOLLYWOOD—Following completion of<br />
"The Hostage," in which he both starred and<br />
made his directorial debut, Ray Milland has<br />
been inked by Republic to a nonexclusive<br />
ticket calling for him to produce, direct and<br />
star in three features and meg a fourth during<br />
the next four years.<br />
Milland, currently at 20th-Fox to star with<br />
Joan Collins and Farley Granger in "The Girl<br />
m the Red Velvet Swing," will return thereafter<br />
to Republic to do "LLsbon." an adventure<br />
drama based on an original by Martin Rackin.<br />
as his first three-way assignment under the<br />
new deal.<br />
AA Directors to Meet<br />
HOLLYWOOD—A meeting of the board of<br />
directors of Allied Artists will be held Tuesday<br />
(7) at the studio, it was announced by<br />
President Steve Broidy.<br />
SPEARHEADS<br />
appears this week<br />
on page 17.<br />
WE CAN SELL YOUR THEATRE<br />
SUBURBAN<br />
HOMES CO.<br />
THEATRE SALES DIVISION<br />
CALL- IRV BOWRON -wR/rf<br />
Ph. PR. 4-3275 KE ^"*<br />
274S-S.E. »2ni Portlond 46. Of*.<br />
P lli)rFICE : : June<br />
4, 1955<br />
45
— — —<br />
—<br />
—<br />
——<br />
—<br />
—<br />
———<br />
—<br />
——<br />
. . Marvin<br />
. . Robert<br />
. . Florence<br />
°<br />
GoodMemorial Day Weekend Business<br />
Helps Boost Los Angeles Grosses<br />
LOS ANGELES — Heavy Memorial Day<br />
weekend trade boosted a number of first<br />
run attractions to high grosses. Among newcomers,<br />
strongest was "The Sea Chase" at<br />
175 per cent, but two holdovers — "The Glass<br />
Slipper" with 210 in its third stanza and<br />
"Daddy Long Legs" at 190 in its fourth—were<br />
the town's top draws.<br />
(Average Is 100)<br />
Chinese Daddy Long Legs (20th-Fox), _4th<br />
Downtown Pari<br />
Egyptian The Seo Chose<br />
unt,<br />
(WB<br />
El Rey—The Heort of the Mofter (Ass'd Artists);<br />
An Inspector Colls 'Ass'd Artists), 2nd wk 50<br />
Fine Arts—The Gloss Slipper (MGM), 3rd wk 210<br />
Four Stor Doctor in the House (Rep), 10th wk. . 70<br />
Fox Wilshire The Prodigal (MGM), 4th wk 65<br />
Hillstreet, Warners Wiltern, Fox Tight Spot<br />
(Col) 110<br />
Hollywood Paramount, Warners Downtown Davy<br />
Crockett (UA); The Iroquois Trail (UA), reissues, 90<br />
Los Angeles, Hollywood, Uptown, Loyola Soldier<br />
of Fortune (20th-Fox) 160<br />
Orpheum, Vogue The For Horizons (Para) 120<br />
Pontages, State Village The Biockboord Jungle<br />
(MGM), 3rd wk 1 60<br />
-KEY CITY FOR SALE-<br />
ONE OF TOP TEN INDEPENDENT CONTROLLED<br />
SITUATIONS IN EAST ROCKIES AREA. Quality Drive-in<br />
jrlus all indoor houses. Remarkably short payout at<br />
$160,000, Financially qualified prospects given exceptional<br />
co-operation including tax reports. $55,000 handles.<br />
SELLING PRIVATELY. Give finances, show business<br />
experience first letter. Boxoffice. 5899.<br />
S
: June<br />
. . . Charles<br />
. . Tom<br />
^pril Film Dividends<br />
][)p Previous Year<br />
i'ASHIKGTON—Dividends publicly de-<br />
;ljed by film induxtry corporations during<br />
1955 rose far over payments during the<br />
'\)'\\<br />
sae month last year, largely because of the<br />
K'ition of a new company to the list, accord-<br />
In to the Depai-tment of Commerce on<br />
iVinesday (25).<br />
hesapeake Industries, which also manuf;,<br />
uri's such product-s a.s steel frames, now<br />
h; biin classed in the film industry because<br />
It<br />
ocisses film for such companies as United<br />
A st>. Universal and Warner-Pathe News.<br />
T firm paid three separate dividends in<br />
A il. $64,000, $57,000 and $912,000. The comp;<br />
y made no dividend payment in April 1954.<br />
jtal payment-s in the month were $2,313,-<br />
iii c.Mupared to $1,241,000 in April 1954.<br />
industry payments during the first four<br />
1'<br />
il<br />
ith.s n reached $9,456,000, compared with<br />
$(170,000 in the same period last year.<br />
ipril payments aside from Chesapeake were<br />
D riot Theatres, $15,000; Loew's Boston<br />
Taties, $23,000 and an extra of $16,000;<br />
R'ublic Pictures, $100,000, and American<br />
BJadcasting-Paramount Theatres, $1,126,000.<br />
A! were the same as last year, except for<br />
Boston Theatres which made an<br />
il two payments in May 1954.<br />
Pione Device Publicizes<br />
'^iterrupted' in Denver<br />
-ENVER—Frank Jenkins, MOM publicity<br />
nil, and William Hastings, manager of the<br />
OJheum, made history when they contracted<br />
fjthe use of Phonetel for a week to pubhcize<br />
"i;errupted Melody."<br />
is reported that more than 10,000 calls<br />
we made to the two machines in the week.<br />
T' device carried a drum with a message<br />
alut the film. The phone numbers, which<br />
w be used from time to time for different<br />
e^ts, were made known by thousands of<br />
sill slips handed out around town, and<br />
sijU teaser ads in the dailies. The device<br />
Wn a 24-hour basis with calls being counted<br />
bUhe machine itself. The message runs<br />
ajut a minute and can be changed whenev<br />
necessary. Carl Mock is handling the<br />
6 ce in Denver.<br />
'kternal Sea'Arrives byAir<br />
Ft Portland Opening<br />
DRTLAND—Jack Partin, manager of the<br />
Icl Republic exchange, pulled the stops In<br />
h promotion of "The Eternal Sea," which<br />
01 led at the Liberty Theatre during Armed<br />
Fi;es week. Knowing the Oregon National<br />
G' ,rd would be more than willing to win extra<br />
p
WAN<br />
To help book your fir<br />
NO IFS! NO ANDS! NO BUTS!<br />
HERE'S HOW!<br />
The moment you puchase a pair of Tushinsky Superscope Anamorphic Projection<br />
Lenses at the regular, established price of $395 (the lowest price in<br />
the field today) and send us a notification of your first Superscope booking,<br />
you will<br />
receive, by direct return mail, our check for one hundred dollars!<br />
All sales F.O.B. Los Angeles. Enclose $100 for each pair of Superscope<br />
lenses ordered — the balance C.O.D. Specify shipping instructions.<br />
Railway<br />
Express or Air Freight.<br />
HERE'S WHY!<br />
The cold, hard, cash-in-the-box-office facts speak for themselves! Only BIG<br />
pictures, BIG in scope and BIG in size, are the ones that are rolling up the<br />
BIG grosses today! Do you want a cut of the pie? A BIG cut? Then, think<br />
BIG, play it BIG, get the lenses that will do the BIG job for you!
1<br />
Edmund<br />
' Benedict<br />
j<br />
Benedict<br />
I want<br />
wish<br />
recommend<br />
.<br />
i<br />
GIVE YOU, nr. EXHIBIWR<br />
)0 CASH ON WE LINE i<br />
iperscope production!<br />
^iwhaf some of the thousands of SUPERSCOPE users are saying:<br />
ady bought 2 pairs of these<br />
we are using them with your<br />
you to know that I am<br />
d with them."<br />
ecommendation of Mr. Martin<br />
Theatres, Philadelphia, I wish<br />
ooir of your lenses."<br />
e pair of your Superscope Varine<br />
Orphic Lenses and like them<br />
'We put the most beautiful picture on our<br />
screen last night and I to tell you that<br />
your lenses are far superior to any we<br />
have used."<br />
—ED JOSEPH THEATRES<br />
'Results unbelievable."<br />
—H. W. LOEFFLER<br />
Central Stales Theatr,<br />
"We gave the new lenses a tryout last night<br />
and found the results very satisfactory. In<br />
fact my operator considers the new lens<br />
superior to other types."<br />
—O. J. GAUDE<br />
Mogic Theatre, Port Allen,<br />
la.<br />
'We are very well pleased with the results<br />
obtained and are hereby ordering 2 more<br />
pair of these Tushinsky Anamorphic<br />
Lenses."<br />
—NEIGHBORHOOD GROUP OF MOTION<br />
PICTURE THEATRES<br />
Richrriond, Va.<br />
"The Superscope Lenses are doing a job<br />
and everyone I them to is<br />
very pleased."<br />
— ALBERT M. PICKUS<br />
Stratford Ttieotre, Stratford, Conn.<br />
"We installed your lenses in four of our<br />
theatres and thought I would write you this<br />
letter of unsolicited praise."<br />
— R. D. GOLDBERG ENTERPRISES<br />
Omatio, Nebraska<br />
ce some of the SUPERSCOPE pictures that will help pay for your lenses:<br />
tO{l\DIO PICTURES, INC.<br />
Howard Hughes'<br />
"UNDERWATER"<br />
Howard Hughes'<br />
SON OF SINBAD"<br />
Howard Hughes'<br />
"JET PILOT"<br />
Edmund Grainger's<br />
iRi.SURE OF PANCHO VILLA'<br />
Grainger's<br />
iA DAY IN THE MORNING"<br />
Bogeaus'<br />
"iCAPE<br />
TO BURMA"<br />
Benedict Bogeaus'<br />
J<br />
•il3F THE SOUTH PACIFIC"<br />
Bogeous'<br />
TJNESSEE'S<br />
PARTNER"<br />
Benedict Bogeaus'<br />
'LOVE'S LOVELY COUNTERFEIT'<br />
Sam Wiesenlhal's & Gene Tevlin's<br />
"BENGAZI"<br />
Sam Wiesenthal's & Gene Tevlin's<br />
"HIGH DESTINY"<br />
Nat<br />
Holt's<br />
"TEXAS LADY"<br />
Nat<br />
Holt's<br />
"TRUMPETS OF COMPANY K"<br />
David<br />
Butler's<br />
"GLORY"<br />
From: UNITED ARTISTS PICTURES CORP.<br />
"VERA CRUZ"<br />
"DESERT SANDS"<br />
From: ALLIED ARTISTS PICTURES COMPANY<br />
Walter Wanger's<br />
"BODY SNATCHERS"<br />
From: MARK STEVENS PRODUCTIONS, INC.<br />
From: FILMAKERS<br />
"TIME TABLE"<br />
"BATTLE<br />
HELL"<br />
Si/P£/?SCOPE<br />
780 NORTH GOWER STREET, HOLLYWOOD 28, CALIFORNIA
. . Hospitalized<br />
. . Joining<br />
. . Celebrating<br />
. . . Ethel<br />
. . Gen<br />
. . The<br />
. . Ray<br />
. . The<br />
. . Jack<br />
. .<br />
. .<br />
AWARD TO AMPEX—A certificate of<br />
outstanding achievement in industrial<br />
accident prevention was presented last<br />
week to Ampex Corp., Redwood City,<br />
Calif., manufacturer of magnetic tape recording,<br />
by the Argonaut Insurance<br />
Group of San Francisco. In the photo are<br />
George I. Long, left, Ampex president,<br />
receiving the award from James Dalziel<br />
of Powers and Dalziel, insurance brokers<br />
for the Argonaut Insurance Group. The<br />
award was made for a record of one million<br />
man hours of labor in 1954 without<br />
lost time from accidents due to industrial<br />
causes.<br />
LOS ANGELES<br />
.<br />
Cervices were held for Prank Downey, 70, who<br />
died of a heart attack. MGM manager in<br />
Detroit for 30 years, he had been living here<br />
since his retirement last year . . . Eddie Deir<br />
has leased the Lyric Theatre in Monrovia<br />
from Simon Lazarus the sales<br />
staff at Paramount was Ai-nold Shartin,<br />
transferred from the company's branch in<br />
Minneapolis.<br />
Claude Ford and associates, currently operating<br />
the Los Feliz Drive-In, have scheduled<br />
a July 1 opening for their new 400-car Bishop<br />
Drive-In near Bishop . their-<br />
16th anniversary are Dick McKay, Pacific<br />
Drive-ins booker and advertising manager,<br />
and Mrs. McKay . with a<br />
heart attack is Genevieve Henderson, RKO<br />
cashier.<br />
Early-bird vacationers include Mike Newman,<br />
Columbia exploiteer, sojourning at<br />
Twenty-Nine Palms, and Iris Ross, PBX<br />
operator at MGM, who headed for San Diego,<br />
Back on the<br />
Tijuana and way points . . .<br />
job after a New York holiday is Ed Urschel,<br />
MGM officer manager.<br />
Booking-buying visitors included George<br />
Ingham, Town and Sierra theatres, San<br />
Fernando; Mr. and Mrs. Henry Ostrin, American<br />
Theatre, Newhall, and Tom Muchmore<br />
of the Plaza, Arroyo and Canoga. The<br />
Canoga's name is being changed to the Park<br />
and the showcase is being given an in-andout<br />
remodeling.<br />
400 SEAT THEATRE<br />
Only theatre in small town. Rich irrigated farm<br />
district. Modern masonry (1946), two bedroom<br />
bidg.<br />
apt. CrnemaScoped. Priced at a fraction of original<br />
cost, only $25,000, incl. bIdg. $10,000 down. Others.<br />
Write for list.<br />
THEATRE<br />
EXCHANGE CO.<br />
5724 S. E. Monroe St., Portlond 22, Oregon<br />
260 Kearny St., Son Francisco 8, California<br />
SAN FRANCISCO<br />
.<br />
plans for a new theatre in Sonora were announced<br />
by Robert N. Patton, manager<br />
of the Uptown Theatre there. The 750-seat<br />
house is to be built on property adjoining<br />
The new manager of the<br />
the postoffice . . ,<br />
Kings Drive-In near Hanford is George E.<br />
Petersen who had operated the Geneva<br />
Drive-In here . . William Blair, manager<br />
of the Crescent City Theatre, is honeymooning<br />
in Las Vegas with his bride, the former<br />
Marlene Bowen.<br />
. . . Publicist<br />
.<br />
.<br />
.<br />
Fred W. Curtice, manager of the Tower<br />
Theatre, Roseville. said that the theatre,<br />
which was damaged by fire March 17 with<br />
the loss of $80,000, will reopen June 15. It<br />
was necessary to rebuild the entire balcony,<br />
replace the screen and sound equipment and<br />
redecorate . Memorial weekend found<br />
filmrow nearly void of personnel<br />
Lew Maren remained in town to work<br />
on the opening of "Creature With the Atom<br />
Brain" and "It Came From Beneath the<br />
Sea" Sutton, Republic, spent the<br />
weekend with her husband in Reno . . . Dore<br />
Schary, MGM, was in town to help celebrate<br />
his<br />
. .<br />
daughter's<br />
S. J. Gardner,<br />
birthday<br />
MGM<br />
down<br />
resident<br />
at Stanfard<br />
manager,<br />
spent the holiday weekend at Richardson<br />
Springs Haberland and his wife<br />
went to Los Angeles for the weekend.<br />
Rudy Buchanan was in from Stateside and<br />
happily reports that his baby, who was rushed<br />
with a police escort to the hospital here, is<br />
Jack Hillman, exhibitor<br />
getting along fine . . .<br />
from Morgan Hill, died following a<br />
Emil Palermo, Star Theatre,<br />
lengthy illness . . .<br />
Stockton, was a visitor to the Row .<br />
Also in from out of town were Gordon Shirley,<br />
Victory Theatre, Hanford and Barney<br />
Gurnette, Crystal Theatre, Salinas.<br />
.<br />
Hannah Oppie, Westland Theatres, is<br />
home recuperating from a recent Ulness .<br />
. .<br />
Phil Weinstien, Columbia salesman, is still<br />
out ill and looks forward to retirement . . .<br />
Bill Lanning, Columbia's San Joaquin salesman,<br />
is anxiously awaiting the delivery of his<br />
Torey Roberts, Sacramento<br />
new car . . .<br />
salesman for Columbia, is spinning around<br />
the territory in his new company Ford<br />
Inez Brodie, Columbia secretary, picked up<br />
a new car in Detroit on her way back home<br />
Tramasure, Columbia northwest<br />
secretary, is vacationing.<br />
The Suisun Theatre in Suisun, has been<br />
taken over by George B. Campbell from<br />
William Hayden . Town Theatre, San<br />
Jose, has been taken over from Barney Gurnette<br />
by Mason Shaw, owner of the Saratoga<br />
Theatre at Saratoga. Shaw intends to<br />
equip the Town with Cinemascope . . . Corrine<br />
Wies, MGM, went to Eugene to visit her<br />
Al Adolph, Republic salesman, is<br />
folks . . .<br />
back in town following a swing through the<br />
territory.<br />
.<br />
Lester Blumberg, PrincipalTheatres, was in<br />
from Los Angeles to confer with Stan Lefcourt<br />
Rev Niffen, 20th-Fox assistant<br />
. . . district manager, was in town . . . Herman<br />
Wobber, 20th-Fox district manager, went to<br />
Honolulu for a vacation Erickson,<br />
20th-Fox manager, plans to visit Honolulu<br />
for a vacation.<br />
Variety Tent 32 is in the process of making<br />
plans to kick off the biggest Heart Fund<br />
drive of Us history in mid-August. Al Grub-<br />
/'•.-<br />
HOnOlULU<br />
IC»<br />
ALOHA—Ezra Stern, Los Angeles film<br />
attorney and chief barker of Variety Tent<br />
25 of Southern California is shown here<br />
with Mrs. Stern upon their arrival in<br />
Honolulu for a two-week vacation. They<br />
are the guests of Kroger Babb of Hall-j<br />
mark Productions. Stern was official host]|<br />
at the recent Variety Clubs Internationali<br />
convention, held in Los Angeles.<br />
. . . Rot9<br />
stick is chairman of the drive<br />
Harvey, Westland Theatres, donated a pd<br />
petual bowling trophy to the Tent 32 . . Bel<br />
.<br />
nie Kranze, UA general sales manager, a]<br />
Jim Velde, western division manager,<br />
in town for the Marciano fight. The t'l<br />
played host to a group of exhibitors for tij<br />
fight . . . Hugh Owen, Paramount executlli<br />
was in town to confer with Manager JaJJ<br />
Stevensen.<br />
Returns to Say Goodbye;<br />
Does $2,000 Damage<br />
PROSSER, WASH.—Damage estimated J<br />
$2,000 was done to the Princess Thea<br />
when a car driven by Carl Marley sr., fatj<br />
of the theatre manager, crashed into<br />
lobby.<br />
Driver Marley told officers he had parW<br />
vertically in front of the theatre and li<br />
gone in to talk to his son Acil. When he -<br />
turned he said he accidentally stepped .t<br />
the accelerator which sent the car hurtlg<br />
into the theatre front. Only minor dame<br />
was done to the car.<br />
Snyder & Adams Now Or?<br />
NEWPORT, WASH.—Darrell Snyder<br />
purchased the interest of his partner Roll<br />
Adams in the firm of Snyder & Ad8i<br />
which operates the local Rex Theatre d<br />
the Roxy at Priest River. Snyder who is ><br />
sumitig all obligations of the partnentp<br />
reported that Adams had moved to Lewisn,<br />
Ida., where he has taken a position \Ji<br />
Potlatch Forests.<br />
Charles D. Sheedy Dies<br />
DENVER—Charles D. Sheedy, 55, city ni-j<br />
'.<br />
ager for Fox Inter-Mountain Theatres at<br />
tngs, Mont., died at his home there receiM<br />
A graduate of Georgetown University, Shif<br />
had been with Fox Inter-Mountain The£j<br />
the past 23 years, and had managed the^<br />
in Trinidad, Colo.; Walsenbui-g, Colo.;<br />
Cruces, N. M.; Cheyenne, Wyo., and Billi<br />
He is survived by his wife and two sisir<br />
'^<br />
50 BOXOFFICE June 4,
'<br />
• .jecause<br />
—<br />
—<br />
—<br />
I wk<br />
I<br />
: June<br />
—<br />
IAC Draws 300 to End<br />
lansas City Slump<br />
ANSAS CITY— Grosses took a sensational<br />
cl|ib last week. Top honors went to "Strac<br />
Air Command," reporting a brilliant<br />
per cent. "The Blackboard Jungle" took<br />
Ml ond spot with an excellent 225. Other<br />
ly high grosses were reported by "The<br />
i^e" and an art house dual of "Song<br />
I, and" with "The Beachcomber." The<br />
nr of the first run scene held to<br />
including two long run art house<br />
Averoge Is 100)<br />
The Game of Love (Times), 6th wk 100<br />
The Glass Slipper (MGM), 8th wk 115<br />
The Purple Plain (UA), The Steel Coje<br />
85<br />
The Se Cha (WB), Quest for the Lost<br />
kO),<br />
Upto<br />
ay ond Granada Daddy<br />
ng Legs (20th-Fox) 115<br />
Po mount Strategic Air Commond (Para) 300<br />
R —The Blackboard Jungle (MGM) 225<br />
The Wild One (Col), Vivo Zopota!<br />
- :\), return engagements 100<br />
Song of the Land (UA); The Beachcomber<br />
170<br />
'jjigle' Keeps the Lead<br />
Vlh 2G0 in Chicago<br />
'hicagO—"Run for Cover" at the<br />
C -ago. "Strange Lady in Town" at the<br />
r cd Artists, and "The Marauders" paii-ed<br />
w I Bedevilled" at the Grand were well<br />
reived as newcomers over the Memorial<br />
EJ weekend. Holdovei-s benefiting from<br />
h('-1ay movie traffic were "The Blackboard<br />
in a fourth week at the Woods.<br />
It" billed with "Mad at the World"<br />
md week at the Roosevelt and "Stra-<br />
\:i Command" in the fourth week at<br />
..-ate Lake Theatre. "An Annapolis<br />
y" in its second week at McVickers The-<br />
S:<br />
at]<br />
maintained grosses of the previous week.<br />
. . . .<br />
Cd;gie Gote of Hell (Harrison-Davidson) 190<br />
Ch;igo—Run for Cover (Para), plus stoge revue. .245<br />
C,r no— Island Rescue (U-l), reissue 170<br />
Eiti Polcco—This Is Cinerama (Cineramaj,<br />
185<br />
The Country Girl (Para) 200<br />
The Marauders (MGM); Bedevilled (MGM) 220<br />
Comille MGM), reissue, 4th wk 1 85<br />
:•-'- -An Annapolis Story (AA); Seven Angry<br />
n AA), 2nd wk 200<br />
Mombo (Para), 3rd wk 205<br />
Mijoe<br />
On tol— Daddy Long Legs (20th-Fox), 3rd wk. . . 1 90<br />
RoTvelf Croshout (Filmakers); Mod ot the<br />
lirld (Filmakers), 2nd wk 220<br />
Lake Strategic Air Command (Para),<br />
Stj<br />
235<br />
-Animol<br />
1 90<br />
Su Farm 'Dist. Corp. of Americo)<br />
rtists- Stronge Lady in Town (WB) 195<br />
The Blockboord Jungle (MGM), 4th wk.. .260<br />
:, house— Green Mogic (IFE), 2nd wk...l90<br />
:<br />
J- The Wench ;SR), Forbidden Games<br />
.<br />
GETS GIBRALTAR FILMS—Sam<br />
Nathanson, standing, president of Gibraltar<br />
Motion Picture Distributors, Inc.,<br />
Hollywood, looks on wliile Harry Gaffney,<br />
head of Dixie Enterprises in Kansas City,<br />
signs a contract to handle Gibraltar's<br />
lineup of six productions in the Kansas<br />
City area. Three features have been completed.<br />
They are "Life at Stake," starring<br />
Angela Lansbury; "Fury in Paradise,"<br />
Eastman Color, all-star cast, and "Strange<br />
Love," Andrea King. "Wetbacks," starring<br />
Lloyd Bridges and Agnes Gates, is<br />
now in production. Hank McCune is producer<br />
and director. Two more productions<br />
are to be made before the yearend.<br />
N. W. Huston Purchases<br />
Columbus, Kas., Drive-In<br />
In<br />
COLUMBUS, KAS.—The Cherokee Drivehas<br />
been bought by N. W. Huston, owner<br />
of the Liberty Theatre, from the Stein Theatres,<br />
Inc., of Parsons. Huston took over<br />
its operation on May 15. He also operates<br />
the Maywood at Galena. Celeste Richardson<br />
will be the general manager of both the<br />
Liberty and Cherokee. Secretary to Huston<br />
for many years, she started managing the<br />
Liberty in August of last year.<br />
The Cherokee was built by the Stein Theatres,<br />
Inc., during the summer of 1952. and<br />
has been operated by the company since that<br />
time. It still operates the Twilight Drive-In<br />
at Baxter Springs and the Parsons Drive-In<br />
Workshop Panelists<br />
Chosen for St. Louis<br />
NEW YORK— Exhibitor panel members<br />
have been named for the 21st MGM ticketselling<br />
work.shop to be held Monday
m<br />
Special Purchase<br />
CARRY-OUT-TRAYS<br />
Regular<br />
$15.95<br />
•
'<br />
-In<br />
li<br />
I<br />
.md<br />
Kimbriel,<br />
1 liave<br />
1<br />
urate<br />
I lit<br />
I<br />
: Oklahoma<br />
1 1 ion,<br />
: development<br />
: June<br />
. . . Burglars<br />
. . Dina<br />
. . About<br />
. . The<br />
. . Mr.<br />
. . Ruth<br />
. . The<br />
tonsburg.<br />
isited with Ole Ohlson, former Uni-<br />
.;ilesman. who has a restaurant in<br />
and called on Tom Edwards at<br />
Dorothy Stampfel, Consolidated secis<br />
being replaced by Helen Rowland.<br />
1 left June 3 because of the illness<br />
mother.<br />
chliins Theatre Supply has in.stalled a<br />
r.i HjIux widescreen at the Oswego Theatre<br />
«euo. Kas.. new Panatar 300 anamorphic<br />
;i;<br />
Kollmorgen widescreen and prime<br />
Strong 1-KW lamps and rectifiers,<br />
,„ wiibons and many other items. The<br />
thl.tre is operated by the Kotsis brothers<br />
Jri and Nick.<br />
„<br />
.<br />
.<br />
l^MHl^i Theatre Supply has furnished new<br />
rectifiers for Consolidated's 81<br />
and 54 Drive-In at Wichita. Screen<br />
been widened to 100 feet and<br />
at 135 amps, which is a new<br />
giving tlie brightest<br />
of any lamp . . Mr. and Mrs. Eldon<br />
City, owners of Missouri<br />
Supply and Oklahoma Theatre Supseveral<br />
days here conferring with<br />
Missoui'i manager.<br />
rs, June Medcalf visited Filmrow here<br />
relntly and broke the news that she is<br />
leiling Kansas City June 24 and will sail<br />
JH 1 for Europe. After thi-ee days in Londcf<br />
she will fly to Frankfurt, Germany, for<br />
ar!'xtended visit with her son, Capt. Jack<br />
Mjcalf of the Air Force, and his family.<br />
M Medcalf is well known in film circles,<br />
hang started in 1915 with Universal at 12th<br />
ari McGee. For nearly 20 years she was<br />
se«'tary of KMTA and after that secretary<br />
to!;. R. Biechele. In 1948 she went home<br />
tojare for her mother, after whose death<br />
shivvorked for the Red Ci'oss, where she has<br />
renined until giving it<br />
up to take this trip.<br />
Fur Attend Workshop<br />
JBUQUE, IOWA—Exhibitors N. Y. Yianni;<br />
Wallace Shaffer, M. J. DewBrittain and<br />
R. ,. Davis were guests at a recent MGM<br />
Ti et Selling Workshop in Des Moines.<br />
WE Will DO<br />
THE<br />
JOB<br />
EMTIRE<br />
FOR YOU<br />
. „ drWe-ln<br />
theot-e or<br />
erect o new<br />
„,„u P.on.o ^_^^^^^^^^^<br />
our^P^^^^^^^_^^„,<br />
„n.en,p. '<br />
you money.<br />
pRE EOUIPMENT CO.<br />
^Cliiifry St. Toledo 4, Ohio<br />
Monte Jones Buys LC<br />
BEVIER. MO.—Monte Jones has bought<br />
the LC Theatre from Mr. and Mrs. F. A.<br />
Tucker and taken over its operation. The<br />
Tuckers, who had improved and remodeled<br />
the theatre, are moving to Clarence where<br />
they will be employed. Jones stated the show's<br />
policies will remain the same, courteous service<br />
and quality shows.<br />
thewTre equipment<br />
442 N. ILLINOIS ST., INDIANAPOLIS, INO.<br />
"Everything for the Theatre"<br />
53<br />
JO )FFICE :<br />
4, 1955
Dr Pepper<br />
Will Make VOU Smile,<br />
She's happy with its flavor!<br />
So delightfully different . . . preferred by millions!<br />
Because Dr. Pepper is the friendly<br />
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You'll find this popular drink is a real profit<br />
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FOR COMPLETE DETAILS WRITE DR. PEPPER COMPANY, FOUNTAIN DIVISION, DALLAS, TEXAS<br />
54 BOXOFFICE :: June 4. 55 ^
film<br />
. . "The<br />
CHICAGO<br />
tp Hyde Park Theatre, located at Lake<br />
and 53rd, premiered "Dirty Hands"<br />
Ilk<br />
William Hollander, head of Balaban &<br />
;i ::blie;ty and promotion, and his wife<br />
New York for the confirmation of<br />
inddaughter, Gail Flor.'^heim . . . Ser-<br />
1 e held on the 26th for George Bee,<br />
111 r of lATSE Local 110.<br />
Ill i.eWnsohn left for Minneapolis, where<br />
I- hi ,-upervising jobs which Chicago Used<br />
CI ir Mart is doing for Minnesota Amuset<br />
Co.<br />
. . . Bell & Howell will add a $435.-<br />
building to its plant in Lincolnwood. The<br />
tstory structure, to be located north of<br />
present facilities at 7100 McCormick. will<br />
1<br />
se an expanded customer service departt<br />
and provide more space for .storage and<br />
ping.<br />
iriety Club of Illinois board of dii-ectors<br />
hold a meeting June 10 at Pi-itzel's reslant<br />
. . . Spector's, Filmrow's official resant,<br />
had three plate glass windows brokiuring<br />
the city's big windstorm last week.<br />
ring Mack recommends that theatre man-<br />
's striving for bigger business slant con-<br />
^on sales pitches to smallfry. In reminding<br />
lagers that there is strong buying power<br />
^ng children. Mack says, "school vacas<br />
mean an increase in smallfry audits<br />
and an increase in concessions profits<br />
le kids are given the sales pitch in their<br />
lingo."<br />
. Joseph Warren, Chicago Theatre electran,<br />
is father of a baby girl, the Warrens<br />
fi|<br />
child.<br />
iarner Wolff of Filmack's production dep\<br />
ment returned from a business trip to<br />
C';innati . . . Harry Goldman won the Ford<br />
SJ liner convertible, top prize resulting from<br />
lY, Variety Club charity fund giveaway last<br />
Snrday night.<br />
newly organized committee to head up<br />
pi IS for the Richard J. Finnegan Memorial<br />
cc prises top men in the theatre industry.<br />
L:ed on the committee for the LaRabida<br />
sa tarium, for which Finnegan was chairmi<br />
of the board of trustees, are John Balabf<br />
Dave Wallerstein, WDliam Hollander,<br />
Ji : Kirsch, Johnny Jones, Irving Mack,<br />
T 1 Flannery, Nat Nathanson, Mannie<br />
Eirling and Edwin Silverman. First meet-<br />
Iri of the committee was held in Variety<br />
Cj headquarters Friday (3).<br />
Griever has been appointed by M&R<br />
T atres to book pictures for the new Bel-<br />
A, Theatre being constructed at 31st and<br />
C TO. Official opening is set for July 1.<br />
G;ver also handles the bookings for the<br />
B'set and Double drive-ins. other outdoor<br />
tt^itre properties owned by M&R.<br />
1<br />
Showcase Theatre in suburban Evans-<br />
lie<br />
I which operated as a legitimate theatre<br />
!' the last couple of years, is reopening<br />
house July 1. It will be called the<br />
a-<br />
on Theatre. Ben and Julius Kaplan<br />
-owners. In the earlier days, it was<br />
- as the Stadium. Si Griever will<br />
r. tile bookings.<br />
-I managers of the midwestern sales divisi<br />
convened here for a sales meeting<br />
through two days. Foster Blake, western<br />
sales manager, presided over sessions attended<br />
by Roy Miller. Indianapolis; Pat Halloran.<br />
Milwaukee; Lou Berman, Chicago; Sam<br />
OOiry, Minneapolis.<br />
IFE's "Too Young for Love" will have its<br />
American premiere at the Ziegfeld June 24.<br />
Tom Dowd, manager, is preparing the advertismg<br />
and publicity for the film . . . Abe<br />
Teitel, head of A. Teitel Film Co. and owner<br />
of the World Playhouse, is enjoying a visit<br />
from his grandson Richard and a daughterin-law,<br />
wife of Dr. Bernard Teitel. Dr. Teitel<br />
had to forego the trip since he could not leave<br />
his Los Angeles practice at this time.<br />
Bell Howell Co. appointed<br />
Jim O'Riley, Kling Films director, married<br />
Cecilia Fox at Holy Name Cathedi-al Saturday<br />
&<br />
i28) . . . George L. Oakley as manager of its professional<br />
engineer divLsion and Everett F. Wagner<br />
as manager of its optical division,<br />
"Love Me or Leave Me" opens July 8 at<br />
McVickers Theatre, where Ruth Etting,<br />
around whom the story was built, had an early<br />
start In her career . Big Combo" had<br />
a simultaneous break into 38 neighborhood<br />
theatres Friday i20) ... Norman Pyle, MGM<br />
publicist, was on a week's vacation, trying<br />
out the various golf courses around the city.<br />
CANDY - POPCORN<br />
- SEASONING -<br />
for Theatres and Drive-Ins<br />
Distributors of<br />
LORRAINE CARBONS<br />
MISSION<br />
ORANGE<br />
Send for Price List<br />
Freight Prepaid on $100.00 or More<br />
KAYLINE CANDY CO.<br />
1220 S. Michigan Avenue Chicago 5, III.<br />
THROl'GH THE LOOKING GLASS—<br />
Bruce Trinz, manager of the Clark Theatre<br />
in Chicago and originator of the theare's<br />
popular film festivals, was continuously<br />
being hailed as Russell Nype,<br />
who in turn was often mistaken for Trinz,<br />
The bespectacled pair finally got together<br />
backstage at "The Tender Trap," in<br />
which Nype is starring at the Harris<br />
Theatre.<br />
> a screen game,<br />
HOLLYWOOD takes top<br />
honors. As a box-office attraction,<br />
It is without equal. It has<br />
seen a favorite with theatre goers for<br />
over 15 years. Write today for complete details.<br />
Be sure to give seating or cor capacity.<br />
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831 SaulhWaboih Av*nu« • Chicago 5, llllnolt<br />
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Abbott Points a Sure-fire Woy with —<br />
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For Drive-ins and Indoor Theatres<br />
/I/da, Another Special^ . Push<br />
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on how YOUR Theatre . . . indoor or drive-ln . . .<br />
can be easily and economically converted to exhibit<br />
the popular, new wide screen pictures NOW grossing<br />
big volume EVERYWHERE.<br />
With the help of nationally-known RCA theatre<br />
engineers, Abbott Theatre Equipment mokes recommendations<br />
at no cost to you for a COMPLETE<br />
PACKAGE to fit your theatre ond your budget.<br />
RCA Stereophonic Equipment is ovoilahje In everything<br />
from single trock magnetic sound for drlve-ln<br />
Abbott Theatre Equipment Co. Inc.<br />
Back Chairs<br />
theatres (at only $1,536) to 1, 3 ond 4 track sound<br />
systems for indoor theatres (ot $2,040 and up).<br />
RCA Projection Equipment, Sound Systems and<br />
superior Dyno-Lite Wide Screens ore giving complete<br />
sotisfoction in hundreds of prosperous fheotrej<br />
throughout America and the Chkogo area. Let<br />
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many satisfied users.<br />
Everything in Theatre<br />
Bqulpment and Supplies<br />
1311 South Wabash Ave. Chicago, Illinois<br />
B :OFFICE ;<br />
: June 4, 1955 55
'<br />
Doctor<br />
'<br />
'<br />
SELBYS^ SCREEN TOWERS<br />
SELBY INDUSTRIES, INC.<br />
1350 Ghent Hills Rd. Akron AKron 13. IJ, Ohio Ul<br />
Montroie (through Medina, Ohio) 6-7211<br />
ULTRAPHONE SOUND USERS!<br />
rts tor sound heads available for i<br />
models. Write tor price list.<br />
See Your Dealer or Write<br />
Direct to Manufacturer<br />
PROJECTION SERVICE & SUPPLY CO.<br />
Ill N. nth St. Minneapolis 3, Minn.<br />
Ben H. Crocker, Exhibitor<br />
At Ulysses, Kas., Is Dead<br />
ULYSSES, KAS.—Ben H. Crocker, 67,<br />
died<br />
Monday (23i. He moved to Ulysses from<br />
Tribune in 1936, and he and his son Charles<br />
ran the Grant Theatre until they built the<br />
Crocker Theatre and the Ulysses Drive-In<br />
after World War II. Because of ill health,<br />
the deceased has not been active in the operation<br />
of the theatres in the last .several years.<br />
His wife, son and four daughters survive<br />
him.<br />
Character Roles in Texas Lady'<br />
Character parts in RKO's "Texas Lady" will<br />
be played by John Litel, Ray Collins and Celia<br />
Lovesky.<br />
TO ALL THEATRE OWNERS<br />
who screen<br />
for<br />
United Film Service, Inc.<br />
// you have not received this envelope . . .<br />
Disney Starts TV Series<br />
At Kansas City TWA<br />
KANSAS CITY—The first<br />
film in Disnej<br />
television series, "When I Grow Up," will i<br />
made here. Eight Disney officials arrivi<br />
Wednesday (25) followed by 24 technicia.<br />
and 3,000 pounds of photographic and soui<br />
equipment. The location here will be tl<br />
Trans World Airlines facilities which will<br />
featured.<br />
Gordon McLean, unit manager and assi;<br />
ant producer, was among the early arrivi<br />
as were Charles Haas, director; StirUng Sil<br />
phant, writer of the series; Ted Schlitz, scri<br />
supervisor: Ed Coleman, head camerama<br />
Jim Potevin, chief electrician; Gary Lai<br />
brecht, chief grip, and Jim Woolwine, loc<br />
tion auditor.<br />
According to McLean, the film features'<br />
boy and a girl wanting to be an air Hi<br />
pilot and an air line hostess. Two ch'.i<br />
•<br />
actors from Hollywood and Alvy Moore,<br />
older actor, will play the leads. The rest<br />
the cast will consist of regular TWA employ;<br />
He said the film would show a pilot and<br />
,<br />
air hostess going through training and soii<br />
of their regular duties.<br />
Filming started June 1 and the series is :<br />
the new program for Disneyland call<br />
"Mickey Mouse Presents." Three weeks is tV<br />
alloted time for making the film.<br />
Fort Wayne Finally Gets<br />
Its Own Art Theatre<br />
FORT WAYNE—The doors of the Lit<br />
Cinema, the first local art theatre,<br />
opened recently with the English fi<br />
in the House." The theatre whj<br />
will operate continuously from 12:45 pi<br />
daily, was formerly the Capital Theatre, tti<br />
was completely remodeled and redecorafli<br />
for the new policy. It is being operated<br />
Quimby Theatres, under Mr. and Mrs. Fri<br />
J. Benedict.<br />
A gleaming, modernistic black and wlp,<br />
front, a foyer with dark green walls, and<br />
informal setting created by antique furnitte<br />
from the home of the Benedicts are featuji<br />
at the theatre. In a short talk before<br />
opening, welcoming patrons, Benedict sil,<br />
"Some people think art films are an exh<br />
tion of oil paintings." Citing the difficij:<br />
encountered in explaining what "art fill'<br />
are, he said he had decided that they<br />
films aimed at a particular group of pers(<br />
whereas the average film must be made<br />
appeal to all ages and groups.<br />
!<br />
It<br />
. . . please let us know at once!<br />
contains the "Leading Citizen" direct mail promotion<br />
which was created to build business for you,<br />
and will be supplied to you FREE. (See News Article<br />
in Promotion Section in this issue.)<br />
UNITED FILM SERVICE, INC.<br />
2449 Charlotte Street<br />
56<br />
Kansas City 8, Missouri<br />
Switches to Savings Time<br />
BRIDGEPORT, ILL.—The Allison Drive^<br />
between here and Vincennes, Ind.. reoei<br />
switched its program schedules to dayli<br />
savings time because of the large patron<br />
from Indiana that use the fast time. W<br />
shows continue to start at dusk, but the nia<br />
feature is shown first instead of after js<br />
intermission. Lester Lucas manages W<br />
drive-in.<br />
Buys Canton, Mo., Theatr!<br />
CANTON, MO.—The 500-seat Canton IB<br />
atre has been sold by William CoUinsof<br />
DeSoto to Lawrence J. Walter of Scih<br />
Dakota. Walter will also take over the lil<br />
of R. L. Adkins, who has been operating M<br />
theatre since last September.<br />
BOXOFFICE June 4, 51
. . Old<br />
. . Colcsseum<br />
liusual Coincidence<br />
I Life of Skoreys<br />
ICansas City—That long arm of coincidice<br />
reached pretty far with Vern<br />
Sjrey, now 20th-Fox sales manager here,<br />
gjl his brother Matt. The coincidence<br />
rurred years ago, 'way back in 1928.<br />
I It is a little more than a year younger<br />
t in Vern and in 1928 was a salesman<br />
f Universal out of the Denver office.<br />
Vn was a salesman for 20th -Fox out of<br />
tJ; 20th-Fox exchange at Calgary, Alta.,<br />
Onada.<br />
i)n a visit together that summer, Vern<br />
r'ates, the brothers made a $20 bet (half<br />
II fun) that the one who became a<br />
linch manager first would win the<br />
i.ney. Early in October of that same<br />
jiir, Vern received a wire from Matt<br />
\ich read: "Canceling bet. Have been<br />
i|-.de branch manager of Universal at<br />
^tte, Mont., effective October 22."<br />
jVow comes the coincidence, for Vern<br />
to wire back: "No need to can-<br />
Table<br />
bet. I become branch manager for<br />
l,x at Calgary October 22."<br />
llthough Matt had been responsible for<br />
'irn getting into the film business (he<br />
M studied dentistry). Matt left the injstry<br />
in 1931 when he was Universal<br />
Unch manager at Omaha. He is now a<br />
Ickard dealer in Denver.<br />
ST.<br />
LOUIS<br />
Jui Leventhal, partner of Charley Goldman<br />
[n the operation of several theatres here,<br />
reined from a trip to Mexico and the West<br />
C(^t. He was accompanied by his brother<br />
Ja' now in the finance business. While in<br />
Catornia they were the guests of Eddie<br />
As}is, district manager at Los Angeles for<br />
Pilakers and owner of several drive-ins.<br />
^x Midwest had an all-day business confeiice<br />
at the Sheraton Theatre here. In<br />
atudance from Kansas City were Richard<br />
mesident; Senn Lawler. general man-<br />
-iiarles F. Shafer, vice-president and<br />
" urer: Frank Banford, head of the conceons<br />
department, and Ralph Adams, buyer<br />
an booker. Managers of theatres in Bellevil<br />
Benton, Centralia, Christopher, Du-<br />
.<br />
with sales personnel. Attending were F. J.<br />
"Mike" Lee, district manager; Bud Edele,<br />
local manager and salesmen Eddie Stevens,<br />
J. R. Pierce, Tony Beninati, Tony Tedesco<br />
and Harold Kimniell Loge 19<br />
has named Robert C. Lightfoot of Allied Artists,<br />
national second vice-president, and<br />
President Wayne Stephenson of Paramount<br />
to be delegates to the national convention in<br />
Los Angeles this fall. Named alternate was<br />
Amos Leonard of Warner Bros.<br />
Gene Beckham, National Screen salesman,<br />
is back on the job. He still has his thumb<br />
bandaged, but is feeling fine . . Sandra<br />
.<br />
Craven, U-I contract clerk, will be married<br />
Sunday (5) to Ben Herkowitz at University<br />
The fence at the 67 Drive-In near<br />
City . . .<br />
Jacksonville, 111., was leveled by a recent<br />
tornado. Fortunately the tower, concessions<br />
building and other major units escaped<br />
damage . friends along Filmrow were<br />
grieved to learn of the recent death in Hardin<br />
of Sig Holloway, who operated the old Apple<br />
Blossom Theatre there for a number of<br />
years. He later sold it to George Varble.<br />
Holloway in recent years had operated a<br />
Ford agency. He is survived by his wife, two<br />
sons, two daughters and several grandchildren<br />
. . . M. L. Simons of MGM is in to<br />
make final plans for the Monday (6) Workshop<br />
at the Chase Hotel.<br />
.<br />
M. A. Levy, Minneapolis, 20th-Fox district<br />
manager, was a visitor . . Exhibitors<br />
seen along Filmrow included Bernie Palmer,<br />
Columbia Amusement Co., Paducah; Mr. and<br />
Mrs. Wayne Smith, Egyptian Drive-In, Herrin;<br />
Marvin Proffer and J. H. Yaeger, Jackson;<br />
Howard Bates, Cape Girardeau; E. L.<br />
Staup. ParLs; Albert Smith and Mrs. Alpha<br />
Hisey, Nashville; Earl Vandiver, Kennett;<br />
Robert Ellery, Gem City Drive-In, Quincy;<br />
Paul Horn, Jerseyville; Clyde Metcalfe, Edwardsville;<br />
and Lawrence J. Walter, new<br />
owner, and Robert Adkins, former owner.<br />
Canton Theatre, Canton.<br />
George Phillips, Realart co-owner, was in<br />
Chicago for a Lippert business conference<br />
. . . Edward, James and Dave Arthur of<br />
Panchon & Marco were visited recently by<br />
their sisters, Mrs. Jerome Doyle, New York;<br />
Mrs. Edward Hunt, Long Beach, Calif., and<br />
Mrs. George King and Mrs. Fi'ank Treanor,<br />
Santa Ana. Calif.<br />
Second Cinerama Debut<br />
To Aid Children's Camp<br />
CHICAGO—The women's board of the<br />
Peacock Camp for Crippled Children again<br />
will .sponsor a Cinerama benefit opening.<br />
Almo.st two years ago the board spon.sored the<br />
opening of "This Is Cinerama" at Eitel's<br />
Palace here. The second benefit premiere<br />
will be June 15 of "Cinerama Holiday." The<br />
entire proceeds will go to the camp. Mrs.<br />
Henry M. Henrik.sen. board president, at a<br />
planning luncheon held in the Bismarck Hotel,<br />
said plans were completed for a "Dutch<br />
Treat" dinner in the Bismarck's Walnut room<br />
and Swiss Chalet before the premiere at the<br />
Palace and tor a champagne supper party for<br />
patrons following the premiere.<br />
Otto K. Eitel is president of the Bismarck<br />
Hotel Co. and owner of the Palace.<br />
WIDE SCREEN and<br />
CINEMASCOPE<br />
Equipment of All<br />
Kinds<br />
MID -WEST THEATRE<br />
SUPPLY CO.,<br />
1638 Central Parkway<br />
INC.<br />
CINCINNATI 10, OHIO<br />
Qi|n, Jacksonville, Marion, Mount Vernon,<br />
Spjigfield, West Frankfort and Cape Gir-'<br />
Wjau, were on hand, as were John Mein-<br />
Wl district manager, and Russell Mortensoi<br />
district booker.<br />
.mes Velde, United Artists western division<br />
n^iger, was in and presided at conferences<br />
i~<br />
VO SYRUP CO,<br />
u NEW home!<br />
Visit our new factory<br />
and showrooms.<br />
1804-06 S. JEFFERSON<br />
ST. LOUIS 4, MO.<br />
Same Phone<br />
Numbers PR 2-4615<br />
bme Good Concession Service<br />
. and handy to Film Row, too.<br />
More CS Installations<br />
ST. LOUIS—Recent CinemaScope installations<br />
include the Town Hall Theatre, Hardin,<br />
operated by Earl Vaughn; the Rodgers circuit's<br />
Criterion Theatre, Poplar Bluff, and<br />
the Rodger Theatre, Carbondale; Clarence<br />
Kaimann's, O'Fallon, Baden, Salisbury and<br />
Plaza theatres, all in St. Louis; The Pauline<br />
Theatre, owned by Arthur Kalbfeld, and the<br />
Bremen Theatre, operated by William Kaimann.<br />
The Bloomer circuit is installing<br />
C'Scope facilities at its Starlight Drive-In,<br />
Alton, and have made these purchases<br />
through National Theatre Supply; Simplex<br />
X-L Aquair mechanisms, a 200-300 Hertner<br />
generator and Super Panatar anamorphic<br />
lenses for the Skyview Drive-In, Belleville,<br />
and new Ultra Panatar anamorphic lenses for<br />
both the Starlight at Alton and the Centralia<br />
at Centralia.<br />
Sumner, DL, House Shuttered<br />
SUMNER. ILL.—The Idaho Theatre, 300-<br />
seater, has been closed.<br />
Whatever You Need-<br />
We Can Supply It.<br />
v^ftft^nJv^^ftl4fvvvvv^v^vvvvvv^v^H^^<br />
EVERYTHING FOR THE THEATRE<br />
St.<br />
Louis Theatre Supply Company<br />
Arch Hosier<br />
3310 Olive Street, St. Louis 3, Mo.<br />
Telephone JE 3-7974, JE 3-7975<br />
"SELECT" FOUNTAIN SYRUPS<br />
DRINK DISPENSERS<br />
Select Drink Inc.<br />
4210 W. Florlssont Ave.<br />
St. Louis, IS, Mo.<br />
Phone<br />
Evergreen S-5935<br />
: June<br />
'<br />
I<br />
\.<br />
Jablonow-Komm Planning<br />
Airer in East St. Louis<br />
ST. LOUIS—Louis Jablonow, general manager<br />
of Jablonow-Komm Theatres, reports<br />
plans for the construction of a 700-car drivein<br />
in East St. Louis to cost upwards of<br />
$250,000.<br />
Jablonow also said that the circuit's $400,-<br />
000 Holiday Drive-In at Overland might have<br />
its grand opening June 4 or 5, provided that<br />
last-minute steps can be completed by that<br />
time. The recent strike of building material<br />
dealers workers held up this drive-in along<br />
with some $80 million of other construction<br />
in this area.<br />
The general contract for the new East St.<br />
Louis airer has been awarded to J. J. Altman<br />
& Co., while National Theatre Supply will<br />
PROVEN APPEAL<br />
PROVEN QUALITY<br />
furnish and install the Simplex sound and<br />
projection equipment. Simplex in-a-car<br />
speakers and posts and also in-a-car heaters<br />
to provide for year-around operation. The<br />
concession will operate on the cafeteria plan.<br />
Bill Hutchinson at Baltis<br />
KANSAS CITY—Bill Hutchinson has taken<br />
over the Baltis Theatre from Henry Sager<br />
and Cecil Mindle. The Baltis is at 3206 Indiana.<br />
Joe Passentino owns the building.<br />
Leases Dark Theatre, Reopens<br />
PALCO, KAS.—Fred Palmberg has leased<br />
the Palco Theatre from Melvin Eichmanand<br />
plans reopening. The theatre has been closed<br />
since March.<br />
TRACTORIDE<br />
^^ Hiller<br />
a<br />
T<br />
SCHENECTADY—The Union-Star edito| 'J<br />
Union-Star Commends<br />
Kansas Censor Repeal<br />
ialized that the action of Gov. Fred Hall |<br />
Jll'<br />
signing a bill which abolishes, after 38 yea .0<br />
the Kansas Board of Review, a motion pi ...jj<br />
tura censorship group, left only New Yo ,'jjji<br />
and four other states with such organiz: j.<br />
tions.<br />
,<br />
f<br />
The editorial quoted Governor Hall's mer j-iv*<br />
orandum of approval, "Every believer ';jt^<br />
freedom of expression will rejoice that Kai'lt *<br />
sas has repealed its ancient censorship laaK'<br />
It is to be hoped the lead of Kansas will V<br />
followed by her sister states that still hafl<br />
anachronistic censorship statutes on thfi^j'<br />
books."<br />
"One wonders," continued the editor, "if N'<br />
York. Pennsylvania, Ohio, Maryland andV,<br />
ginia citizens need statutory protection<br />
their tastes in motion pictures more thj<br />
the other 43 states. Or if Kansas will be<br />
worse after June 30 when the present «<br />
sorship law expires.<br />
"Movies have been steadily improving, e\i<br />
without censorship, in 42 states. Pul><br />
opinion, not legal sui-veillance, accomplisll<br />
it. Only an occasional picture was bann,<br />
and that sometimes raised a fury, as wj<br />
'The Moon Is Blue.'<br />
"It is that same public opinion, not la"<br />
that will be most effective in suppressing (<br />
eliminating bad comic books—which aret<br />
comic in any sense. Law cannot substit<br />
for legal conviction. That is why legal ci^<br />
sorship becomes 'anachronistic,' as conseri<br />
five Kansas has decided."<br />
Virgil Harbison Buys<br />
Paramount at Rockport<br />
ROCKPORT, MO.—Virgil Harbison<br />
pm'chased the Paramount Theatre which<br />
has been leasing for some time. Harbii<br />
also operates the Tarkio Theatre at Taxki(<br />
Dissolving Corporation<br />
GREENFIELD, ILL.—At a recent meet^<br />
of the stockholders of the Lyric Theatre, e<br />
directors were instructed to dissolve the C;<br />
poration and sell the theatre building i<br />
contents as quickly as possible. The thes«<br />
has been closed since April 13. Earl Daw<br />
is president of the corporation, while Prs<br />
Greer had been managing the theatre<br />
Mrs. Cray R. Bell Closes<br />
BLUE MOUND, ILL.—The Pix TheaJl<br />
owned by Mrs. Cray R. Bell, closed Suni<br />
H<br />
AVAILABLE IMMEDIATELY<br />
• Low Cost • Low Insurance Rates<br />
HILLER ENGINEERING CORPORATION<br />
219 State Street Los Altos, California<br />
Phone WHitecliff 8-3216<br />
1 29) for an indefinite period. The house 1<br />
been operating on a part-time basis for<br />
past month.<br />
Closes to Improve<br />
ST. CHARLES. MO.—The Ritz Thea<br />
owned by Variety Pictures, headed by C<br />
Lessing, closed to make a number of ><br />
provements, necessary repairs and red0-<br />
rating.<br />
Fair Theatre Is Reopenin<br />
FAIRFAX. MO.—The Pair Theatre, wl.Jl<br />
has been closed the past winter, has bill<br />
reopened by D. A. Prazier.<br />
Jessamyn West and Robert Wyler will<br />
laborate on the final shooting script of 4^<br />
"Friendly Persuasion."<br />
!(1<br />
58<br />
BOXOFTICE<br />
:<br />
4, M
;<br />
piic<br />
. :ji\e-in,<br />
, Three<br />
' r.<br />
I<br />
: June<br />
!ea Chase' Goes at 135<br />
]) Lead in Memphis<br />
EMPHIS—Three of the five fir.st runs did<br />
5, (1 than average business. The Warner set<br />
with "The Sea Chase" at 135 per<br />
Universal Consfructing New Home<br />
At Memphis at Cost of $100,000<br />
ii<br />
(Average Is 100)<br />
for fhe Show (Col) 90<br />
V,<br />
J, The Prodigal IMGM), 2nd wk 110<br />
- Torion the Ape Man (MGM); Torzan<br />
copes MGM) 75<br />
lid— Hell's Islond (Poro) 110<br />
ler—The<br />
f<br />
Seo Chose (WB) 135<br />
Giorge Hoover Gets<br />
C ive-In Approval<br />
lAMI—George C. Hoover has been<br />
'.,1 a county permit to build a drive-in<br />
nn Golden Glades road between 33rd<br />
ii avenues.<br />
former dLstrict manager for Florir<br />
Theatres here, secured the site over<br />
ctions of representatives of the huge<br />
Ciil City housing development, Col. Nathan<br />
BRood, builder, and the diocese of St.<br />
.\ upline. The diocese plans to build a<br />
ir school of higher learning just south<br />
iroposed drive-in, according to attor-<br />
:\de Atkins, and the congestion of<br />
the theatre would be an annoyance<br />
ling students, it was said.<br />
ommissioners, who previously had<br />
an application for a larger site for<br />
said that some recreational fac;<br />
y i.'^ needed in the area because of its<br />
n d growth and that they would rather see<br />
a:"ive-in there than a juke joint.<br />
granting Hoover the permit, the commiion<br />
I<br />
stipulated that construction must<br />
stjt within 60 days and that the theatre<br />
jstl be completed in nine months.<br />
'le permit also provides that the site<br />
Wenced iii and that it be extensively landscied<br />
so it will be hidden from residential<br />
detlopments.<br />
Dover, international chief barker of Van':<br />
Clubs and president of the children's<br />
hoital here, estimates his investment will<br />
bfibout $250,000.<br />
Nnnes New Airer Manager<br />
RLANDO. FLA.—The new Colonial Drive-<br />
It vill be managed by Allen F. Horton, who<br />
hi managed the Orlando Drive-In for the<br />
la six years. The airer is modern in every<br />
r^ect, including Cinemascope. A playgijind<br />
for the children is planned for the<br />
m- future, and Horton says he will turn<br />
tnozoner over to a church for Sunday morn-<br />
Irj<br />
services.<br />
V yside to Martin Circuit<br />
smAMA CITY, FLA.—The Wayside Drivelit<br />
las been sold by John Christo sr. and jr.<br />
tiihe Martin Theatres. This leaves one indfndent<br />
theatre, the Bud Davis Drive-In,<br />
01 ating in Bay County. Martin now owns<br />
tl Ritz, Bay, Panama, Isle-of-View, Gulf<br />
^^lside and Beach theatres. Gene dinger,<br />
fo lerly of Port St. Joe, will serve as city<br />
ni' ager.<br />
^Mescreen at Milton, Fla.<br />
ILTON, FLA.—A seamless widescreen has<br />
b( installed in the Milton Theatre. Hay-<br />
'^' i Hanna is manager.<br />
The architect's drawing above is of the new exchange being built in Memphis by<br />
Universal at a cost of $100,000. Construction has already begun on the modern building<br />
which will be finished in stucco with terra cotta brick around the glass and aluminum<br />
entrance. Present plans call for the building to be in use by this falL<br />
MEMPHIS—Construction of a new home<br />
for the Universal film exchange in Memphis<br />
has been started and is expected to be completed<br />
in September. The new $100,000 building<br />
is on the northwest corner of Ruling and<br />
St. Martin Streets, just behind the site of<br />
the present exchange.<br />
The new film exchange building will be of<br />
modern design, departing in several respects<br />
from the usual Filmrow facilities, according<br />
to Manager Richard C. Setteen.<br />
All-acetate film will be used in the new<br />
exchange and there will be no need for the<br />
frequent fire di-ills and the thick-walled<br />
storage vaults, specially constructed to collapse<br />
inwardly which were required for the<br />
highly explosive nitrate film formerly used.<br />
All film companies are gradually getting rid<br />
of nitrate film and U-I has had none in its<br />
Memphis exchange for nearly a year, Setteen<br />
said.<br />
The attractive new building will have an<br />
entrance on Huling, featuring decorative<br />
planters and a striking modern canopy at<br />
the lobby and office corridor.<br />
Arranged across the front will be three<br />
salesmen's offices, four bookers stalls, manager's<br />
office and secretarial space. A spacious<br />
lounge will be equipped with a refrigerator,<br />
kitchen sink and range for the convenience<br />
of employes. Off the main film room will<br />
be an examining room.<br />
Separate from the office section will be<br />
Arkansas ITO Session<br />
In '56 at Hot Springs<br />
Little Rock—J. S. Carbery, president of<br />
the Independent Theatre Owners of Arkansas,<br />
said that It had been decided<br />
definitely to hold the 1956 convention<br />
outside of Little Rock for the first time<br />
in 16 years.<br />
Hot Springs has been named as the convention<br />
site although details as to exact<br />
dates and location have yet to be decided<br />
on. Preferred date would be the week<br />
following the closing of the racing season<br />
there.<br />
a receiving and shipping room. A .shipping<br />
dock with a roll-away door will be screened<br />
from the street by a brick wall. Off-street<br />
parking for employes will be provided in<br />
at lot at the rear of the buOding.<br />
A new photographic system for processing<br />
sales records will eliminate considerable hand<br />
posting. Storage and equipment rooms will be<br />
contained in a penthouse on the rear of the<br />
building.<br />
L. W. Davidson & Associates, architects and<br />
industrial engineers of Los Angeles, designed<br />
the building. S. S. Jacobs of Jacksonville is<br />
the general contractor.<br />
The new building will be completely air<br />
conditioned. It will be the ninth in the system.<br />
New exchanges have been built in Dallas<br />
and Atlanta and another is under construction<br />
in Houston.<br />
Suit Over Lighting<br />
BARTOW, FLA.—Too much lighting on the<br />
premises of an adjacent restaurant resulted<br />
in the filing of an injunction suit against<br />
Marshall Gore by the corporation operating<br />
the Silver Moon Drive-In. The petitioner was<br />
granted a temporary restraining order banning<br />
the use of a string of high power light<br />
bulbs in front of the restaurant. It also forbids<br />
Gore from operating any additional lights<br />
until a hearing is held and the court decides<br />
whetlier a permanent injunction is to be<br />
Equipped With C'Scope<br />
MULBERRY, FLA.—The Fran-Lin<br />
In is now equipped with Cinemascope.<br />
issued. According to Henry P. Trawick jr.,<br />
attorney for the plaintiff, this is apparently<br />
the third suit of its kind in the United States.<br />
A Pinellas County airer won a similar action,<br />
as has another outdoor theatre in Massachusetts.<br />
Drive-<br />
Stars in True-Life Adventures<br />
Clifton Webb will star in 20th-Fox's "The<br />
Man Who Never Was," World War II drama<br />
based on the true-life adventures of Ewen<br />
Montague.<br />
BC OFFICE :<br />
4, 1955 SF. 59
Cathy<br />
. . Exhibitors<br />
. . Mrs.<br />
.<br />
i<br />
Extension of Minimum<br />
Wage Law to Wait<br />
From Eastern Edition<br />
WASHINGTON—The House Labor Committee<br />
will not at the present time consider<br />
extension of the minimum wage law to cover<br />
employes in retail and service establishments,<br />
including employes of interstate theatre<br />
chains, according to a Committee announcement<br />
on Tuesday (24).<br />
The administration first proposed such extension<br />
of coverage and then withdrew the<br />
proposal, explaining that it had only meant<br />
to suggest a Congressional study of the wisdom<br />
of extension. Spokesmen for theatres<br />
which would have been affected were distui'bed<br />
by the proposal.<br />
SERVICE<br />
and<br />
COURTESY<br />
For oyer 20 years<br />
OUR WATCH WORD<br />
»CENTURY rD'l^oi.VD' STRONG uTps<br />
CONCESSION EQUIPMENT AND SUPPLIES<br />
STANDARD THEATRE SUPPLY CO.<br />
CHARLOTTE<br />
. . .<br />
The Waylyn Theatre of Charlotte, S. C,<br />
opened May 27 with James W. Cox as<br />
manager. The house is served by Queen City<br />
Booking Agency . . . Mi-s. C. E. Wister,<br />
mother-in-law of Mi's. V. Wister, Screen<br />
Guild employe, is a patient in Mercy Hospital<br />
.. .<br />
Sykes, daughter of H. M.<br />
Sykes jr., operator of Queen City Booking<br />
Dave<br />
Agency, is ill at Mercy Hospital<br />
Williams, salesman for IFE Releasing Corp.,<br />
has been ill with a slight heart condition.<br />
He is improved now.<br />
The Brightleaf Drive-In of Mount Airy has<br />
reopened with E. L. Davis and E. R. Forrest<br />
as owners . . . C. A. Dandelake, president of<br />
the North and South Carolina Theatres<br />
Ass'n, is leaving for Hollywood on business . .<br />
Mi-s. Blanche Carr, cashier at MGM, is vacationing<br />
in Florida . Lillian Nolen<br />
missed the WOMPI banquet because of the<br />
serious illness of her father.<br />
Mrs. Sam Garber, owner of the Williston<br />
Theatre, Williston, S. C, was in town booking<br />
and buying. She had her arm in a sling due<br />
to a sprained wrist sustained in a fall. Her<br />
daughter accompanied her to Charlotte . . .<br />
Lloyd Todd jr., Stewart-Everett Enterprises,<br />
was made an officer in the American Legion<br />
Club at Morris field recently.<br />
T<br />
Hope: Jack Prye, booker, Stewart-Everett:<br />
J. K. Whitley, Towel Theatre, Karmapolis;<br />
B. B. Martin, Colonial, Leaksvilie; Joe Accardi.<br />
Skyline Drive-In, Morgantown; C. A<br />
Dandelake, Colonial, Majestic and Tar, Tarboro;<br />
Bill Talbert, Atlast and Piedmont Promotions:<br />
Doc Theimer, Piedmont Promotions;<br />
Johnny Wood, Carolina Booking Agency<br />
H. B. Meiselman, Meiselman Theatres; W<br />
Patrick, Rock Hill Drive-In, Rock Hill, S. C.<br />
Watt Parker, Gloria, Broadway, Myrtliu<br />
Beach, S. C, and Morris Nuger, Grand!<br />
Charlotte.<br />
Scott Lett, Screen Guild manager, has r&<br />
turned here after being out in the territor;<br />
plugging his feature, "Kentucky Rival"<br />
Gordon Bradley, Paramount district man<br />
ager who headquarters in Atlanta, was in towi<br />
visiting with local manager Al Duren. The<br />
motored to Concord for a sneak preview . .<br />
Rumor has it that Bob Hop>e is slated f«<br />
personal appearance here soon.<br />
Film and TV Stars Crowd<br />
Memphis During Week<br />
MEMPHIS—This city hosted several mc<br />
tion picture and TV stars during the week.i<br />
Maxine Cooper, feminine star of the late.-<br />
Mickey Spillane killer-thriller, and Elys'<br />
Novey, who will be the star in the next on<br />
were in town plugging "Kiss Me Deadly<br />
opening this week at Loew's Palace.<br />
IS YOUR BOXOFFICE SICK . .. ?<br />
. . .WE CAN MAKE IT WELL/<br />
CONTACT<br />
ATLAS PROMOTIONS & ADV. CO.<br />
Charlone, N. C. Phone FR-62245— FR-60564<br />
Cinemascope n<br />
Tom Fleming, owner of the Sylvia in York,<br />
S. C, was in Little's hardware store here<br />
browsing ai'ound among lawn and farm implements<br />
.<br />
on Pilmrow included<br />
Gary Caudell, Wallace: W. G. Fussell, Wonet,<br />
Bladenboro: R. D. McGowan, Jayce, Spring<br />
^^i^ze
(has. Coburn Crusades<br />
igainst Income Taxes<br />
,;AVANNAH. GA.— Film star Charles Cot-n,<br />
Savannah born and raised, returned<br />
1 lie for a visit with his sister. Coburn reeved<br />
his start in show business at the<br />
.^,,ii:i!;ih Theatre, now operated by Fred<br />
\ 1- Starting as program boy he worked up<br />
I<br />
niaiKieer at the age of 18 and it was then<br />
lit he turned to the legitimate acting field.<br />
I'er going to motion pictures.<br />
,ipeaking at a Rotary Club luncheon as a<br />
riresentative of the Organization to Repeal<br />
Iileral Income Taxes. Inc.. the veteran actor<br />
.td the income tax law. originally billed as a<br />
••|ak-the-rich" measure now soaks everybody<br />
I nercifuUy. As late as 1932, he pointed out,<br />
t lioad of a household was given a $2,500<br />
iniption, plus a $1,000 exemption for each<br />
cpendent. as against today's rate of a flat<br />
to for each taxpayer and each dependent.<br />
That's absurd—it costs the federal governrjnt<br />
$1,200 a year to keep a man in the<br />
Biitentiary." Coburn said.<br />
le concluded his talk by predicting good<br />
tiness for the motion picture industry<br />
bught about by the advent of Cinemascope.<br />
I! expressed the opinion that TV would tend<br />
tj type an actor much more than acting<br />
bore the motion picture cameras.<br />
|in interested club member was Andy Sull|m,<br />
city manager of the Highway 80. Circle<br />
ii Victory drive-ins. He had the managers<br />
ijm each as his guests. Coburn was intjduced<br />
by Hudson Edwards, who was with<br />
tl Dixie Drive-In group but is now in the<br />
cjdoor advertising business.<br />
? All Can See 'Peter'<br />
jT. PETERSBURG—Walter Tiemer, mana(r<br />
of the Florida Theatre, has been offeril<br />
free admission to any person unable to<br />
C' a ticket to see "A Man Called Peter." He<br />
\(it a step further, and when a bedfast inv,\(i<br />
was distressed because she could not<br />
8 to the theatre. Tremer made arrangerlnts<br />
with a local ambulance service to bring<br />
t' woman in. Incidentally, 150 free tickets<br />
V e distributed.<br />
fASHVILLE—"Battle Cry" was the feaed<br />
attraction as the Bel-Air Drive-In held<br />
formal opening of its new Cinemascope<br />
;en.<br />
THE RISHT ROAD TO<br />
SECURITV'S THROUGH...<br />
PAYROLL SAVINGS'*<br />
Buy U.S. Savings Bonds<br />
REGULARLY<br />
Charlotte<br />
Charter and Installs<br />
CHARLOTTE — The newly chartered<br />
Women of the Motion Picture Industry chapter<br />
here, seventh in the nation, held its installation<br />
ceremony recently in the newly<br />
Scott Lett, Screen Guild manager in<br />
Charlotte who was toastmaster at the<br />
WOMPI installation dinner, is shown<br />
above presenting the club's charter to<br />
Mrs. Myrtle Parker, president.<br />
decorated Chelsea room of the Charlotte<br />
Hotel, with Scott Lett, manager for Screen<br />
Guild, as master of ceremonies.<br />
Highlight of the installation was the presentation<br />
of the charter for the local club to<br />
Mrs. Myrtle Parker, president, by Lett. Congratulatory<br />
telegrams from the other six<br />
WOMPI clubs. Dallas. Atlanta, New Orleans,<br />
Memphis. Jacksonville and Toronto, Canada,<br />
were read, as were telegrams from national<br />
officers: Betty Rary, president; Johnny<br />
Barnes, national extension committee member;<br />
Laura Kenney. national secretary, and<br />
Frankie English, chairman of insignia, emblem<br />
and stationery.<br />
Among men guests honored at the installation<br />
dinner were Gene Dyer. Kermit High.<br />
W. M. Primm. Carl Patterson, office manager,<br />
Columbia; R. D. Williamson, branch<br />
manager. Columbia; J. E. Holston. 20th-Fox<br />
manager; Olin Mock. 20th-Poy. office manager;<br />
Dick Huffman; Jack Reville. MGM<br />
manager; J. King; F. Norman; R. M. Simril,<br />
NSS; R. M. Young; Weber Howell, Paramount<br />
office manager; A. B. Craver, Consolidated<br />
Theatres; J. H. Dillon. Republic manager;<br />
E. G. Stelling. Stelling & Gossett Theatres<br />
and president of Stewart-Everett Enterprises;<br />
Charles Ti-exler, treasurer and controller of<br />
Stewart -Everett; R. C. Saunders, Theatre<br />
Booking Agency; C. A. Dandelake, president,<br />
North and South Carolina TOA; W. Ayers;<br />
J. Greenleaf, U-I manager; A. Solar, WB<br />
office manager; R. L. Smart, Wilby-Klncey<br />
Theatres, and J. C. Tipton, Wil-Kin Theatre<br />
Supply.<br />
Preceding the dinner, Dandelake hosted a<br />
cocktail hour. Entertainment for the cocktail<br />
hour and the dimier was provided by<br />
Ziggy Hurwitz and his orchestra, and a feature<br />
of the entertainment was the Gay<br />
Nineties Quintet composed of Mrs. T. D.<br />
Newell, R. E. Wilson, Charles M. Stone, Mrs.<br />
R. E. Wilson and Mi-s. R. Edwards.<br />
Lett congratulated the club on the success<br />
it has already met on its project for the<br />
women of the county home and also in the<br />
fund-raising giveaway of a chair and a percolator.<br />
WOMPI Unit Receives<br />
Officers<br />
He said he hoped the club would meet with<br />
just as much success on the second project,<br />
which IS making smocks for the girLs of<br />
Crittendon home. He urged each member of<br />
the WOMPI to continue working for the .success<br />
of the organization by attending each<br />
meeting and by giving willingly of time on<br />
each project.<br />
As for the women's part in the motion picture<br />
industry, Lett lauded the film inspectors,<br />
cashiers, bookkeepers, bookers, theatre<br />
and availability clerks, contract clerks and<br />
the secretaries, without whom, he said, the<br />
industry could not operate.<br />
The Charlotte chapter then was termed<br />
"officially in business" when Lett presented<br />
the charter to Mrs. Parker. Other officers<br />
installed were Gladys Hawkins, first vicepresident;<br />
Rosaline Hutton, second vicepresident;<br />
Mildred Warren, treasurer; Mildred<br />
Hoover, recording secretary; Margaret<br />
Baker, corresponding secretary, and Hazel<br />
Miller, chaplain. Board of directors also includes<br />
Rebecca Miller. Pauline Griffith. Lillian<br />
Nolen and Viola Wister.<br />
The banquet weus attended by about 100<br />
persons. After the installation of officers.<br />
Mrs. Parker thanked Lett and the planning<br />
committee consisting of Pauline Griffith.<br />
Gladys Hawkins, Margaret Baker. Katherine<br />
Lomax and Mrs. V. Wister.<br />
Door prizes were awarded and were won<br />
by Ruby Bradley, percolator; Carl Patterson,<br />
sun lamp; Rose Mcllroy, box of candy; J. H.<br />
Dillon, four theatre passes, and Mae Phillips,<br />
a chair.<br />
Renovate at<br />
Bearden<br />
BEARDON, ARK.— L. Brazil jr., owner of<br />
the New Theatre hero, has installed a larger<br />
cooling system, new carpet, new widescreen.<br />
new lenses and reflectors in addition to refmishing<br />
the theatre lobby.<br />
Alger Managers Shift<br />
URBANA, ILL.—Manager Richard A. Welling<br />
has been transferred from the LaSalle<br />
Theatre at LaSalle to the Princess here by<br />
Alger Theatres, with Manager Irvin Chapman<br />
going from the Princess to the LaSalle.
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62 BOXOFFICE :: June 4,95*,
'<br />
Leland;<br />
•<br />
: the<br />
i<br />
. . Closed<br />
; June<br />
. . R.<br />
.<br />
.<br />
; 'TV<br />
. .<br />
C pcial<br />
EM PHIS<br />
theatre parties were given by Man-<br />
Cecil Vogel of Loew's Palace, Manroll<br />
Bea-sley of the Strand and Man-<br />
!Min Davis of the Malco for winning<br />
Cynthia Milk Fund tag day.<br />
who collected the largest amounts<br />
Is<br />
y for the Press-Scimitar's all-year<br />
Hi ilk fund were entertained free at<br />
iires for about a year, the<br />
.<br />
liiscue, Ai-k., has been remodeled and<br />
by T. R. Pemberton, owner.<br />
iirdon Hutchins. Corning, Ark., has purched<br />
the 64 Drive-In at Russellville, Ark.,<br />
IV I HiMiley Smith, Pocahontas . . . Arkansas<br />
:s visiting Filmrow included Orris<br />
Capitol and Majestic, Paragould: Mr.<br />
i: .Mrs. J. T. Hitt, Plaza. Bentonville: J. D.<br />
SI Jherd jr.. Rex. DuValls Bluff; Winfred<br />
G ner. Piggott and Motor Drive-In, Piggott;<br />
H ley Smith, Imperial, Pocahontas; Tom<br />
F( i. Fiird, Rector, and K. H. Kinney, Hays,<br />
"111 .Mississippi came Mrs. J. C. Noble,<br />
B. F. Jackson. Delta, Rule-<br />
L' N. Eudy, Houston, Houston; Mrs.<br />
Davis, Globe, Shaw, and J. Roland<br />
Aims, Rebel Drive-In, Oxford B.<br />
G|ch jr.. Ritz, Selmer; Amelia Ellis, Mason.<br />
Mon; Robert Lax, Skyvue Drive-In, Paris,<br />
aij Louise Mask. Luez, Bolivar, were visitors<br />
fr'i West Tennessee points.<br />
;nd Mrs. George Davis, owners, will<br />
I heir new Joy Theatre at Cleveland,<br />
m;. very soon. The Joy has been renv'eled<br />
with new chairs and air conditionin<br />
.<br />
It was formerly known as the Regent R 3. Cox, Eureka, Batesville, Miss., was tn<br />
toi.<br />
SrrecTION—R. L. Bostick, southern<br />
mi
•<br />
'<br />
f<br />
HART<br />
BEATS<br />
. By HARRY HART .<br />
Tames "Jim" Hart, booker at Columbia Pictures,<br />
is running for mayor at Union City, ply and the new drapes and curtains which<br />
carpeting installed by Wil-Kin Theatre Sup-<br />
Ga.<br />
make the theatre extra attractive. It has one<br />
The 85 Drive-In at Fayetteville, Ga., managed<br />
by O. E. Kilgo, has installed Cinema- freshment stand is located in the center of<br />
of the nicest lobbies of any theatre. The re-<br />
Scope. The installation was by Capitol City the entrance foyer with an automatic drink<br />
Supply.<br />
machine which sells Coca-Cola on the side.<br />
At the Sky Way Drive-In at Oxford, Ala., In the popcorn and candy stand they have an<br />
I found that Manager C. H. Watkins and his Orange Crush machine. The entire setup is<br />
wife had gone to Hot Springs, Ark., for their very attractive but not obtrusive to the patron.<br />
vacation and Mr. and Mrs. John Fryar are<br />
managing the situation in their absence.<br />
At the Calhoun Theatre in Anniston, manager<br />
H. T. Stafford who has completed over 20<br />
At the Ritz Theatre in Anniston, Ala.,<br />
years with Wilby Kincey Service Co.. was<br />
Thomas G. Coleman showed me the beautiful<br />
holding down everythmg and training a<br />
mighty attractive young man by the name<br />
of Clyde Goss to be assistant manager. John<br />
Brown, projectionist at the Noble Theatre,<br />
came in to say hello and then Noah Willis,<br />
projectionist at the Calhoun who has been<br />
projecting films since 1912, came in and told<br />
me he had been operating machines in Anniston<br />
since 1916.<br />
mlithmm<br />
I learned that former manager<br />
of the Noble, William Timmy, has been transferred<br />
to the Rialto in Augusta, Ga. Arvis<br />
Holland is now managing the Noble.<br />
In discussing the business of exhibition,<br />
Stafford said that lack of parking is hurting<br />
all uptown houses, but he has a deal on that<br />
will help at night. It will permit people to<br />
park Bear the theatre.<br />
At the Bama Drive-In Theatre, Anniston,<br />
Ala., James Aaron and Oscar Bagley, who<br />
own and operate the attractive airer which<br />
Got the Blues<br />
boasts a screen measuring 116x69 feet, pointed<br />
out that the airer has above-average width<br />
;n the Night?<br />
between cars at the speakers and the ramps<br />
are also wider than average. In discussing<br />
the business situation both stated that an<br />
ness . • •<br />
, „ 1 et us estimote<br />
above average picture did business and belowaverage<br />
films did nothing.<br />
^""^<br />
"'^''V : .o'.r,<br />
your wo.n.<br />
on repairing or rev j^„g<br />
.„con,for.ab,eseo,-A';'.,^^^_,„„.„<br />
H. W. Fulwider, owner of the Midway Drive-<br />
,he iob-ot >*'•;"<br />
D Signs andlll|iil|<br />
n Sound Equknin<br />
Television<br />
D Theatre FrI<br />
n Vending Ed<br />
Postage-paid reply cards for your further<br />
(J**,<br />
in obtaining information are provided in ThiM^<br />
THEATRE Section, published with the fir i<br />
each month.<br />
Ki<br />
I<br />
64<br />
BOXOFFICE<br />
;<br />
; June 4,9S
, . . I'lver<br />
: June<br />
. . Gene<br />
Phone:<br />
. . The<br />
Cdls $500 Color TV Set<br />
N(Key to Mass Market<br />
; YORK—A belief that a color tele-<br />
selling for $500 is the key to the<br />
na: market for color was called erroneous<br />
By r. W. R. G. Baker, vice-president and<br />
;en al manager of the General Electric<br />
Hs division, in a speech before the<br />
ub here.<br />
id his argument on two reasons. The<br />
~ that the mass market is not one<br />
but has levels of price classes, each<br />
if luih can be penetrated only by cer-<br />
[Aii price levels. The second was that the<br />
prli levels are not fixed but flexible, because<br />
18 le color market penetrates into lower in-<br />
Xin groups, the premium that buyers will<br />
[)a>'or color will decrease each year to an<br />
ultiate differential of about 25 per cent.<br />
y predicted that sales in volumes of more<br />
tha 500,000 color sets a year will not be<br />
pea ed until 1957.<br />
R(zing Boom Era House<br />
f<br />
PETERSBURG—The old Plaza Theatre<br />
buiing, put up in the boom era by the late<br />
Of 4e S. Gandy, is being demolished. Walter<br />
FST city manager, said that the<br />
. will be completely torn down.<br />
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ATLANTA<br />
M t Wolton St.<br />
i<br />
Atlanta, Ga. i<br />
T L<br />
A N T A<br />
r^ p. Jordan, veteran of 35 years on nimrow,<br />
has resigned as salesman with United<br />
Artist-s. Ed Hayes will take his place in the<br />
Tennessee territory. Bob Tarwatt-r. UA office<br />
ATLANTA WOMPI OFFICERS—Mrs.<br />
Stella Poulnot of the Republic exchange,<br />
seated on the right, was elected president<br />
of the Atlanta chapter of WOMPI at the<br />
group's recent election-luncheon meeting<br />
at the Variety Club quarters. Other new<br />
officers include, standing from left to<br />
right: Miss Edith Bryant of National<br />
Screen Service, treasurer; Mrs. Ernestine<br />
Carter of Paramount, second vice-president;<br />
Miss Doris Honea of Bucna Vista,<br />
recording secretary. Seated next to Mrs.<br />
Poulnot is Mrs. Evelyn Snow of Wil-Kin<br />
Theatre Supply, who was elected first<br />
vice-president.<br />
manager, is making a tour of the area with<br />
him . Garden has moved up from<br />
U-I's shipping department to booker. He<br />
replaced Dan Thomas who resigned. Garden<br />
has been with U-I for two years.<br />
Miss Jean Mann, office manager's secretary<br />
at U-I, believes in making her plans in<br />
advance. She will attend the WOMPI convention<br />
in New Orleans in September, but<br />
she already is "lining up" places she wants<br />
to visit during her stay . . . The Roxy Theatre<br />
has scheduled "Killers All" for the third<br />
time within three years, Ted Toddy of Toddy<br />
Pictures, says. The film has played most of<br />
the circuits and independent theatres in the<br />
South and now is playing return dates.<br />
Walter McDonald and Betty Rary of UA<br />
are enjoying their vacations. McDonald is<br />
District<br />
visiting in Asheville, N. C, and Miss Rary is<br />
"just staying home" . . . Manager<br />
James V. Frew of U-I is on the go again. He<br />
checked in from a hui-ried trip to Charlotte<br />
over the weekend and immediately took off<br />
for Cincinnati where he will huddle with the<br />
branch there. A trip to Memphis will follow.<br />
All films shown so fax in the Southeastern<br />
Movie Festival have topped the national average<br />
for the same pictures, according to J. H.<br />
Harrison, official of the Wilby circuit. Most<br />
of the pictures were shown in satiuration bookings<br />
throughout the three-state area of<br />
Georgia, Alabama and Florida.<br />
Seen on Filmrow: Jay Solomon, Independent<br />
Theatres, Chattanooga; L. J. Duncan, Al-<br />
Dun Amusements, West Point, Ga.; C. H.<br />
Simpson, State Tlieatre, Chattanooga; R. M.<br />
Kennedy, Kennedy Theatres, Birmingham;<br />
Doc Pincher, Fincher Theatres, Chatsworth.<br />
Ga.; G. O. Anderson, Rltz Theatre, Cullman,<br />
Ala.; H. R. Bramlett, Rainbow Drlve-In,<br />
Gadsden, Ala.; J. H. Thompson, Martln-<br />
Thomp.son Theatres, Haskinsville, Gka.; Pete<br />
Brice, Pal Amusement Co., Vidalla, Ga.;<br />
Rufus DavLs, Dothan, Ala.; Cecil D. Crummoy,<br />
Rochelle, Ga.; Preston Henn, Henn Theatres,<br />
Murphy, N. C; A. C. Gortatowsky,<br />
Albany, Ga.; C. L. Patrick, Martin Theatres,<br />
Columbus; Gene Skinner, Dixie Drlve-In<br />
Theatres, Atlanta.<br />
The Atlanta Variety Club and the Atlanta<br />
Journal-Constitution, co-sponsors of the Old<br />
Newsboys Day drive for cerebral paLsy, report<br />
$76,500 was netted in the recent campaign.<br />
Rain kept sales down, somewhat. But, the<br />
figure is a big increase over 1954's $66,000.<br />
J. E. Jones is oijening a new drive-in at<br />
Blue Ridge, Ga., on Friday (10). He has<br />
named it the Swan Drive-In . Ritz<br />
Theatre at Sylacauga, Ala., a Martin theatre,<br />
has been closed permanently . . . Mrs. Barbara<br />
Benson, secretary to Bill Kelly of U-I, Is<br />
expecting a baby.<br />
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DIXIE<br />
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I<br />
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j<br />
PRINTERS OF THEATRE PROGRAMS<br />
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!C DFFICE ;<br />
4, 1955<br />
65
. . Producer<br />
. .<br />
. . . Members<br />
. . Roy<br />
:<br />
June<br />
«<br />
MIAMI<br />
n HolJywood camera crew has been in town<br />
shooting activities at Variety Children's<br />
Hospital. The film is to be included<br />
in a 90-minute Technicolor feature, "Heart<br />
of Showbusiness." The $150,000 film, produced<br />
and directed by Ralph Staub of Columbia,<br />
is a documentary of worldwide projects<br />
sponsored by Variety International.<br />
In addition to sequences made at the local<br />
hospital. Staub and his crew filmed Miami<br />
street scenes and a meeting of the local tent's<br />
board of directors. Shooting began in Oklahoma<br />
City and is to show Variety Club<br />
work with children in U. S. and foreign cities.<br />
Narration will be dubbed in later by Hollywood<br />
stars. Release date is set for November.<br />
The picture is a sequel to "The Variety Girl,"<br />
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a musical that told the story of the origin of<br />
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Caplan's Roosevelt Theatre has booked<br />
"The Informer" for a revival showing in<br />
June . William Perlberg was a<br />
guest at the Joe Schenck home here .<br />
Nicholas Schenck and Mike Todd held a<br />
number of meetings here, concerned with<br />
possible MGM release of Todd's American<br />
Optical 65mm production of "Around the<br />
World in 80 Days." using the Mexican star,<br />
Cantinflas, as star.<br />
Walter Klements arranged a preview of the<br />
German film, "Angelika," for a Friday night.<br />
Patrons were asked to voice their opinions<br />
or to turn in cards with written comments.<br />
Klements is very happy about the run of<br />
"To Paris With Love." He's had packed houses<br />
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lent business with its first run Savoy Thes;.. .J<br />
tre on Bay Street. Four other houses HMM<br />
also operated by the circuit in Nassau. nii<br />
JACKSONVILLE t<br />
"The Studio Theatre, Florida State Theatri<br />
swank screening room on the seven<br />
floor of the Florida Theatre Bldg., has be<br />
converted to Cinemascope under the directi<br />
of FST's Mark DuPree and Maurice Shaab<br />
Wil-Kin Theatre Supply. All Florida tra<br />
screenings are now being held in the Stud<br />
with the exception of Warner screenii<br />
which take place at the St. John Theatre.<br />
The city's largest downtown fire in ma<br />
years gutted a major clothing store, but itw<br />
so completely controlled by firemen that t<br />
next-door Arcade Theatre, managed by<br />
Hildreth, was not damaged at all ... T<br />
long-dark Fairfax Theatre at Popular Po.<br />
will soon be reopened as a legitimate thear =i'<br />
for plays produced by the newly forrot<br />
Theatre GuUd. according to Paul Geisenhj<br />
guild director.<br />
Leon D. Netter, FST president who reti<br />
July 1, and Mrs. Netter left on a busini<br />
and pleasure trip to New York . . . Louis<br />
Finske, FST president-designate, retun<br />
from a week in the field downstate .<br />
Distributor men in from Atlanta were Byi<br />
Adams, United Ai'tists, and W. M. "Snal<br />
Richardson, Capitol Releasing Corp., «<br />
called at booking offices . . . S. O. Jenki^<br />
Sunset Drive-In, Brunswick, Ga., was h'<br />
after a visit to Hot Springs.<br />
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JACKSONVILLE<br />
Conferring with Dick Johnson and ,<br />
Thrift, both Carl Floyd bookers, was li<br />
Daugherty, Floyd general manager frj<br />
Haines City . . . Calling on local friends 'i<br />
George Stonaris, owner of the Dreka TJ<br />
atre, Deland . Smith, candy and pf<br />
corn supplier, left to spend two weeks at<br />
Tampa branch while Manager Billy Knijt<br />
left for a vacation in the middlewest . . )X<br />
town for the ceremonial opening of "Stratfjl<br />
Ail- Command" at the Florida Theatre ^<br />
Leonard Allen, southeastern publicist 1<br />
Paramount.<br />
Here to attend a FST executive confere<br />
at the home office were district supervi^<br />
Harry Botwick of Miami, James L. CartnTiit<br />
of Daytona Beach and Prank Bell, Tara<br />
of the MGM branch office<br />
planning a picnic for June 10 . . . Jaij<br />
Claxton presided at the monthly luncheo;<br />
the WOMPI held at the Roosevelt Hotf<br />
Airer to George S. Owen<br />
OPP. ALA.— George S. Owen, who receiiy<br />
purchased the DLxieland Drive-In here. >*<br />
bought the Midway Drive-In from Rolrl<br />
and Malcolm Senn.<br />
66 BOXOFFICE<br />
:<br />
4, 55 J
I<br />
.1 Deason<br />
I<br />
eded<br />
Ely Jones Leaving<br />
Iiterstaie Post<br />
\LLAS—Ray Jones, Interstate Theatres<br />
,1 hdoker, has resigned, effective July 1,<br />
I ines will begin operation of the TV<br />
Joe Jackson, left, has been promoted to<br />
;ad booker for Interstate Theatres, suc-<br />
! (eding Ray Jones, center, who has re-<br />
:ned to open his own business, TV<br />
iithern Booking Service. A. D. Deason,<br />
rmerly assistant city manager in Houiin<br />
for Interstate (on the right I has<br />
len transferred to the booking office in<br />
illas. taking over Jackson's former<br />
Sc hern Booking Service, located at 604<br />
,M|)a Theatre Bldg.<br />
'lies, a World War II veteran who has<br />
'"Md booker for ten years and in Interlooking<br />
department for 20 years, will<br />
by Joe Jackson. Jackson has<br />
Mi Hiking for the circuit's large city<br />
n theatres for four years. Before that,<br />
assistant city manager in Dallas,<br />
mg operation of the suburban the-<br />
• .M<br />
will take over Jackson's<br />
position. Deason has been with Interlur<br />
27 years, starting as an usher and<br />
gr uating to city manager in small towns.<br />
Fcithe last 13 years he has directed suburban<br />
thl tre operation in Houston in the capacity<br />
oflssistant city manager.<br />
l;ad bookers for the Texas Consolidated<br />
grip of theatres in the Interstate circuit,<br />
Hjard Baskin and Vean Gregg, will continue<br />
Inheir present capacities.<br />
announcing Jones' resignation, R. J.<br />
0',>nnell, general manager, said: "Ray Jones<br />
ii'lanning to establish a booking office to<br />
television stations with available motion<br />
sej?<br />
pifire product. While this is an innovation<br />
tajie TV field, I feel that if anyone can make<br />
aiccess of it, then Ray Jones is that man.<br />
ke of Interstate are sorry to lose the<br />
selices of an employe so valuable and expemced<br />
as Ray, but, at the same time, we<br />
fe confident that the booking office will<br />
cOjinue to function efficiently and effp'vely<br />
with Joe Jackson and A. D. Deason."<br />
iie.s explained that his services as film<br />
01 r will be offered to television stations<br />
ai vhere. "At present, film buying is being<br />
. . Roland<br />
. . Variety<br />
. . Eddie<br />
. . Sam<br />
. .<br />
. .<br />
: June<br />
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Purdue 32, 121/2 Plastic Bags per cwt.<br />
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OKLAHOMA CH^<br />
•The Morris Loewenstelns of the city and the<br />
Herman Hunts of Cincinnati were greeted<br />
aboard ship in Hawaii by .some friends who<br />
took the press boat to the Lurline to give the<br />
viiting quartet a royal welcome They received<br />
leis from the Royal American Hotel.<br />
Tha greeters were Ezra Stern, Variety chief<br />
barker in Los Angeles; Sam and Harry<br />
Switow, Louisville, Ky., circuit owners, and<br />
"Chappie" Chapman, assistant general manager<br />
of the Royal Amusement Co. of Hawaii.<br />
"It was wonderful," wrote Morris, who sent<br />
along a picture of the quartet, wearing the<br />
leis, which appeared in the Honolulu Advertiser.<br />
Morris wrote the quartet had visited<br />
Ernie Pyle's grave, toured Pearl Harbor,<br />
flown to some islands and had found Hawaii<br />
"a beautiful country." They were to sail for<br />
home June 2 and to arrive here June 7.<br />
Variety Tent 22 contributed $500 to the<br />
Blackwell tornado victims. The check was<br />
tent to the Oklahoma Publishing Co. as a gift<br />
to aid the Blackwell refugees . Brunk<br />
is no longer with Buena Vista. He was released<br />
by Dough Desch of Dallas, because the<br />
work will be handled from the Dallas Row,<br />
according to Brunk. Sam was with the company<br />
six months. He was with United Film<br />
for about six months prior to joining Buena<br />
Vista. Previously, he was with Paramount.<br />
Hired to service Texas three weeks and Oklahoma<br />
one week out of the month, according<br />
to Brunk, is Sede Miller, Paramount's assistant<br />
manager in Dallas. Miller, with Paramount<br />
about 20 years, will be in Oklahoma<br />
only one week out of each month as Buena<br />
Vista representative.<br />
HOUSTON<br />
pirst exclusive drive-in showing of the<br />
.<br />
Marciano-Cockell fight film was at<br />
Hempstead Drive-In followed by an exclusive<br />
at Irvington Drive-In Tent 34<br />
held its third annual Boys Club birthday<br />
party recently at the Boys Club. A barbecue<br />
was served to barkers and their wives after<br />
which new members were inducted into the<br />
club. Variety's membership drive at the halfway<br />
mark has brought in 54 new members .<br />
D'ck Kennedy, Variety manager, has been<br />
Barker Bill Hall is all<br />
sick with a cold . . .<br />
smiles over his feminine bowling team which<br />
won the city championship for sponsor<br />
Downey Bros.<br />
Visitors at Columbia exchange to see Chief<br />
John Winberry were Mrs. Henry Lazarus of<br />
the Lazarus ch-cuit in New Orleans, and<br />
Maurice Josephs, also of Lazarus cii'cuit .<br />
Bill Rau, booker for Alamo Statewide Theatres,<br />
was due in from San Antonio.<br />
.<br />
The Winberry's new Memorial Drive-In is<br />
due to be finished in July . Addison,<br />
United Artists representative, was in for conferences<br />
with Manager Homer McCallum at<br />
Loew's on new pictures . . . A. D. Deason,<br />
assistant to Al Lever at Interstate Theatres<br />
in Houston, is being transferred to the Dallas<br />
office where he will replace Ray Jones as<br />
booker C. Conner is the new<br />
student assistant at Loew's. Conner has just<br />
finished four years service in the Air Force<br />
and completed his tour of duty at Ellington<br />
Field. He was in charge of theatres while in<br />
the Air Force. He is married and now lives<br />
in Houston.<br />
; a screen game,<br />
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302 S. Horwaad RI-6134 Dalloi, Te<br />
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ANNOUNCEMENT OF GREAT IMPORT-<br />
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•<br />
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PIC •<br />
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Sells for 25c; costs you 15c plus postoge.<br />
Pic saved my business last summer, it will|<br />
save yours too.<br />
ORDER EARLY—Write or Wire<br />
WM. SHIELL<br />
Marrero Drive-in Theatre<br />
Marrero, La. Fillmore 1-2515 Box 68|<br />
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4, 1955 69
. . Leonard<br />
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. . The<br />
. .<br />
. . Mable<br />
, . Betty<br />
—<br />
:<br />
June<br />
SAN ANTONIO<br />
. . .<br />
TVyranuel Womble, owner of LaFeria and<br />
Donna theatres, was a recent visitor to<br />
the Mexican exchanges . Capitan at<br />
Pharr has been opened by Miguel Benitez<br />
of Weslaco . Limon. Azteca Films<br />
The<br />
inspector, returned from vacation<br />
Benitez circuit of Weslaco has taken over the<br />
lease on the Tropic at Elsa . . . The Zaragoza<br />
in Taft reopened following a recent fire.<br />
Manager Bob Lucchese of the National<br />
billed a Cuban stage show which did good<br />
business on a week's run . Charninsky<br />
YOU Cnn'T BERT<br />
FILNACK<br />
SPECIPL<br />
TBPiLEns<br />
SATISFACTION<br />
^BB<br />
Make Us Prove Itl<br />
has installed Cinemascope at his Prince<br />
Theatre . new snack bar at the<br />
Alamo Drive-In had a gala opening. There<br />
were free drinks and souvenirs for the<br />
children, courtesy of the management.<br />
.<br />
The Aztec has started a temporary policy<br />
of having two feature films twice a week.<br />
"Five Guns West" and "Mad at the World"<br />
inaugurated the change-over. New change<br />
days are now Thursdays and Sundays<br />
The H:-Park and Ti'ail Drive-ins had the<br />
first exclusive showing of the Rocky Marciano-Don<br />
Cockell championship fight films.<br />
Business hit a new high for the special showings.<br />
They were also shown at the Fredericksburg<br />
Drive-In here.<br />
Eddie Edwards, head booker at Clasa-<br />
Mohme, writes in to say that his company<br />
is releasing a new series of westerns known<br />
as the "Adventureros." In the fall, another<br />
series based on the story of Pancho Villa<br />
will be released . . Visitors to the exchanges<br />
.<br />
were Humberto Gonzalez, the American,<br />
Bishop; Manuel Soils, Rancho Drive-In,<br />
Alice; Mrs. E. R. Ruenes, the Ruenes, San<br />
Benito, and her daughter, Mrs. Philip Brady,<br />
who manages the theatre.<br />
DALLAS<br />
XX7iIton Wayne Spruce, 60, retired MGI<br />
office manager, died last week in a Dall;<br />
hospital after a long illness. Spruce retire<br />
last year after 30 years with the film coir<br />
pany. He was born in Troup, Tex. He was<br />
member of the Variety Club. His wife, tY<br />
former Lillian Francis of Huntsville, teachi<br />
in the Hillcrest high school. Other survivo!<br />
include three daughters, Mrs. George S. M(<br />
Ghee and Emily Spruce, both of Dallas, ar<br />
Mrs. William McQueen of Garden Grov<br />
Calif., and a brother, W. Clark Spruce.<br />
Chillicothe, has installed a widescreen ar<br />
Cinemascope . Guinan, RKO, pres<br />
dent of the Pilot Club, spent the Decorati(<br />
Day weekend entertaining national office i.i<br />
of the club . . . Mrs. Ha Sample and JoyJ<br />
Symes of the UA cashier department wej<br />
on vacations King, Edna Mulll]|<br />
and J. D. Moore will leave on their vacJ<br />
tions June 6 . . . Frankie Weatherford, secrj<br />
tary at Republic, left on a vacation.<br />
^ll'"^IIJI"»<br />
BUFFALO<br />
3409 Oak Lawn, Room 107<br />
Send Us Your Next Order.<br />
fffrwffli'i'ji<br />
SAN DIEGO, TEX.—The Regis Theatre is<br />
being redecorated and new ceiling and widescreen<br />
are being installed.<br />
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Opportunity of lifetime. Private sale. Boxoffice, 5S9<br />
Fastest Switch In Soft Drink History<br />
63% more theatres now vending Pepsi than one year ago.<br />
And here's why Pepsi is the right choice for your theatre.<br />
MORE DRINKS PER GALLON<br />
MORE PROFIT PER DRINK<br />
Pepsi profit tops all nationally advertised and nationally<br />
available cola syrup lines. Pepsi's syrup price is<br />
the lowest of any nationally advertised cola<br />
far<br />
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cola.<br />
PEPSI IS AMERICA'S FASTEST<br />
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Write for full details. We'll be around to discuss<br />
this important subject with you.<br />
Sterling Sales<br />
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Theatre Equipment Supplies & Service<br />
Phone PR-3191 • 2019 Jackson Street Dallas, Texas<br />
70<br />
BOXOFFICE<br />
:<br />
4,«
—<br />
, 10<br />
: June<br />
Funk Thomas Replaces<br />
R y Copeland at Allied<br />
AnSAS city—Frank Thomas has been<br />
na ed successor to Ray M. Copeland, Allied<br />
Ar ts branch manager the last three years,<br />
Thomas<br />
Ray Copeland<br />
wfie retirement has just been announced.<br />
Tl Tias has been a member of the sales depament<br />
for five years, coming over from<br />
Ps.mount. He started in the ad-sales depa'ment<br />
at Paramount; in the late '20s,<br />
to Des Moines to take charge of the<br />
- department and then was transsalesman.<br />
He came back in that<br />
ra,city to the Kansas City Paramount office,<br />
th: went to Allied Artists. He has a wife<br />
an a son.<br />
iipeland retired once before after 25 years<br />
vi Paramount, and once was manager.<br />
Hfame out of retirement to head the Allied<br />
Aiists branch but insists now he is really<br />
reed and going to make it stick. His indiry<br />
friends are invited to call on him at<br />
hi home and hold down a second rockingcYt.<br />
'lIC Continues to Lead<br />
Ii Minneapolis Stay<br />
INNEAPOLIS—Top among the fresh entr<br />
here was "The Sea Chase." Bringing up<br />
threar were "The Purple Plain" and "Kiss<br />
M Deadly." It was the fifth and second<br />
wcs. respectively, for "Blackboard Jungle"<br />
"Strategic Air Command." both of which<br />
ai<br />
bt- cut a wide boxoffice swath.<br />
(Average Is 100)<br />
Gcer The Blackboord Jungle (MGM), 5th wk. 140<br />
Ly —Kiss Me Deadly (UA) 90<br />
Or sum—The Purple Plain (UA) 90<br />
Pa-Smoke Signal (U-l); Killers from Space<br />
„
. . . Joe<br />
J<br />
MINNEAPOLIS<br />
II mold Shartin, Paramount booking office<br />
manager, has been transferred to Los<br />
Angeles and promoted to salesman. Succeeding<br />
him here is Joe Rosen, who was promoted<br />
from head booker to booking office manager<br />
Loefler. Republic manager, has set<br />
"Eternal Sea" for day and date showings at<br />
two Twin Cities' top Minnesota Amusement<br />
Co. houses, the State and St. Paul Riviera.<br />
Irving Marks, Allied Artists manager here,<br />
has set "Annapolis Stor.v" for the RKO-Pan<br />
July 1 and "Seven Angry Men" for the Lyric<br />
July 13.<br />
Bob Mantzke, son of P^ank Mantzke. independent<br />
film distributor and buying-booking<br />
group head, and director of the world famous<br />
Choralaires singing group, has won a new<br />
honor in his field. He directed another chorus<br />
that won first place in the Minneapolis<br />
Aquatennial contest and is now eligible to<br />
compete at the Chicago Musical Festival. It<br />
was the Prudential Life Insurance Co. chorus,<br />
assembled and trained by young Mantzke.<br />
Congratulations to Ev Seibel, Minnesota<br />
Amusement Co. advertising-publicity head,<br />
who.se daughter Nancy, was ju.st married . . .<br />
Minnesota Amusement Co. neighborhood theatres<br />
staged Memorial Day Disneyrama<br />
matinees comprising 15 cartoons together<br />
with one True-Life Adventure short and one<br />
TO ALL THEATRE OWNERS<br />
who screen<br />
for<br />
United Film Service, Inc.<br />
If you have not received this envelope . . .<br />
novelty subject. There was a single shoW'«i({<br />
2 p.m. and admission was 25 cents for ir<br />
youngsters. The show was specially adv'<br />
tised.<br />
Suburban World, neighborhood fine al<br />
theatre, gets the British "Three Cases]<br />
Murder" for its first Twin Cities showing<br />
.<br />
20th-Pox exploiteer Chick Evens was hjj<br />
to work on the campaign for "Soldier<br />
Fortune" which follows "The Blackboil<br />
Jungle" into the Gopher here. In its<br />
week "Jungle" still was going great gil<br />
Minneapolis Morning Tribune sent sll<br />
writer Earl Wingard to Rapid City, S,<br />
to interview Richard Brooks who will diit<br />
MGM's new picture, "The Last Hunt,<br />
a $1,400,000 budget, out of there. BroolikiK<br />
former marine sergeant who also direc]<br />
"The Blackboard Jungle," headed an M'<br />
team in Rapid City to select locales for e<br />
filming. He told Wingard that he belies<br />
film companies are swinging more and n-e<br />
to the idea of shooting pictures in the<br />
involved in the story. In another year o:<br />
he thinks about half of the films will!<br />
made in Hollywood and half on<br />
I<br />
loca<br />
Brooks, his staff and the picture cast .iT<br />
return to the Rapid City headquarters shdy<br />
before June 30 when the actual filming sti<br />
A civic celebration is planned for the daj<br />
While in Minneapolis for the celebratioq<br />
the first anniversary here of "Cineraii<br />
Lowell Thomas, one of the company's big^<br />
as well as a famed radio and TV persona .y,~<br />
heard the Minneapolis Apollo club, lie<br />
chorus, sing and was so impressed than<br />
has started negotiating to have it appeai<br />
the third of the Cinerama productions, "S^<br />
Wonders of the World." !<br />
The British production of<br />
1<br />
"Romeo f<br />
Juliet," current J. Arthur Rank release haj<br />
its first Twin Cities run at the local neighfl<br />
hood fine arts Campus, was not only reviije<br />
by Bob Murphy, regular Minneapolis Hi<br />
Ti-ibune critic-editor, but also by Johijl<br />
Sherman, Star drama editor-critic. vB<br />
lavished superlatives on it. Among c^0<br />
things, Sherman declared "Shakespearefal<br />
rarely wooed the eye and stirred the feelB<br />
as he does in this picture." Sherman sai i<br />
probably ranks as one of the dozen "fi<br />
beautiful films ever made" and he decja<br />
he "was bewitched by its color, its brip<br />
evocation of Renaissance Italy, and, apvl<br />
all, its moving story of young love, all ajM<br />
dreams and idealism."<br />
It<br />
please let us know at once!<br />
contains the "Leading Citizen" direct mail promotion<br />
which was created to build business for you,<br />
and will be supplied to you FREE. (See News Article<br />
in Promotion Section in this issue.)<br />
UNITED FILM<br />
2449 Charlotte Street<br />
72<br />
SERVICE. INC.<br />
Kansas City 8, Missouri<br />
Sells to Fred Osterhage<br />
NORA SPRINGS. IOWA—Fred<br />
Osten9<br />
of Mason City has purchased the Fox M<br />
atre here from Mrs. Earl Stanton. A fd<br />
resident of Nora Springs, Osterhage anjl<br />
wife moved to Mason City in 1953 and hdl<br />
formerly employed by Montgomery \i<br />
Mr. and Mrs. Stanton came to Nora Sri<br />
in 1948, when they purchased the th|<br />
Following Stanton's death last October,!<br />
Stanton continued to operate the house f<br />
February of this year, when it was<br />
The new owner plans to open the th^'<br />
immediately.<br />
Ellsworth House Shutter<br />
ELLSWORTH, MINN.—This town's «<br />
theatre, the Mark, has shuttered. OwneiSeOj<br />
Sieve says the rea.son was poor business<br />
BOXOFFICE June 419
.<br />
rch<br />
! Biblical<br />
I' .•<br />
motion<br />
.<br />
elected<br />
Ivo Fine Bible Films<br />
\'eak at Twin Cities<br />
IINNEAPOLIS — Failure of the local<br />
ci<br />
clement to rally support for two repictures,<br />
"Day of Triumph" and<br />
ii lung From Heaven." has some indusinbers<br />
here shaking their heads and<br />
I told you so."<br />
pointed out that here again is the<br />
,, ;,ioiy. Religio\is groups rail against "un-<br />
ualjlc" pictures and put pre.ssure on Holly-<br />
' 111 produce ones on a higher moral<br />
Vet when such films come along they<br />
at the boxoffice. "Day of Triuph"<br />
and "Reaching From Heaven." did<br />
pir busine.ss at the local RKO-Pan and<br />
I eum. although they are highly meritorip<br />
Biblical pictures."<br />
hi rr were advance showings to which all<br />
;int clergymen were invited. Many acilie<br />
invitations and promised to recii:<br />
ml them from their pulpits and other-<br />
\\i.- and agreed to help in the distribution<br />
o'.-educed price tickets. Yet each fared pooriMt<br />
the boxoffice.<br />
D.iy of Triumph" was produced by a<br />
•. iirr Minnesota clergyman and tells part<br />
Oithe story of Jesus Christ,<br />
'rank Mantzke. "Reaching From Heaven"<br />
d ributor. says that in the smaller towns<br />
t ! picture has done very well.<br />
1) FCC Survey Post<br />
.'ILLIAMSBURG. IOWA—W. J. Newcomb.<br />
and operator of the Burg Theatre<br />
;,is been appointed to make a talent<br />
> > c,v by the American Number One Thea|?<br />
Authority to ascertain the availability<br />
0';alent in this area and transmit the findii;<br />
to the FCC and civic bodies. This is in<br />
lil' with a national survey which is being<br />
c|ducted on the theory that in each comninity<br />
and surrounding territories there may<br />
b sufficient talent that television productjis<br />
should be staged in local theatres inslid<br />
of limiting them to New York and<br />
H lywood.<br />
ly Pinky Lee Shows<br />
IINNEAPOLIS — "Pinky Lee's Theatre<br />
F ty." a special morning performance for<br />
t) youngsters designed to capitalize on the<br />
p ularity of Lee's children's .shows on tele-<br />
Vion, was featured Saturday at the Minn<br />
polls and St. Paul RKO Orpheum theat;;.<br />
Admission was 50 cents for adults and<br />
2|:ent.s for the small fry. The program also<br />
Cisisted of 12 cartoons, an old film and Roy<br />
Fjiers feature. Despite extra advertising and<br />
e loitation. the "parties" didn't do too well.<br />
Iwa House Closed<br />
ASHUA. lO'WA—The Nashua Theatre,<br />
w ch has been in operation for many years,<br />
H closed and will not reopen again. The<br />
Cu'les City theatre has purchased the seats<br />
. . Swelda<br />
. . Don<br />
'-<br />
. . Mr.<br />
Special Purchase<br />
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COCOANUT OIL<br />
25c<br />
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Buena Vista Criticized<br />
By Rocky Mt. Allied<br />
From Western Edition<br />
DENVER—The board of directors of the<br />
AUied Rocky Mountain Independent Theatres<br />
met recently to elect James Peterson of<br />
Littleton, Colo., as president for the coming<br />
year and passed a resolution severely condemning<br />
the sales policies of the Buena<br />
Vista Film Distributing Co., Walt Disney's<br />
film outlet.<br />
The resolution concerning Buena Vista protested<br />
'.'<br />
u<br />
I<br />
JFFICE<br />
. ii.iiing<br />
'<br />
will<br />
1 matches<br />
. . The<br />
. .<br />
/iriely of Cleveland<br />
!(ts Fund Program<br />
'"'INLAND—The Viincty Club at :i<br />
in the Theatrical Grill unfolded a<br />
l; fund-raising plan for the support<br />
irebral Palsy School to take the<br />
jiinual or semiannual fund-raising<br />
Bon Voyage for Circuit Executive<br />
Iverthorne, chief barker, told memiie<br />
club and representatives of the<br />
u the plan works and to what extent<br />
il can benefit if enough time and<br />
put forth.<br />
im is patterned after one that has<br />
-I successfully in Memphis. In every<br />
;;! spot in the area such as cigar and<br />
'lunters. super markets, restaurants,<br />
uton of 50 paper book matches is<br />
..thin easy reach of the customer.<br />
uii also contains a box for voluntary<br />
:ons to the school. The matclies are<br />
the average person receiving change<br />
i-h register will drop a coin into the<br />
ion receptacle. Merchants are<br />
ui cooperate, because it relieves them<br />
:iig free matches with cigaret pur-<br />
.irtons will be serviced entirely by<br />
;s. Areas will be divided into disi:very<br />
district supervisor will be in<br />
1 a given number of volunteers.<br />
lunteers, it is anticipated that at<br />
be needed, will see that a full<br />
is maintained in each<br />
iment and will also collect the con-<br />
- which will be turned over to the<br />
1. who will turn them over to the<br />
Club.<br />
.Shenker of Berlo Vending Co. and<br />
CTreenberger. manager of the Hippoi<br />
neatre. were named co-chairmen of<br />
committee.<br />
y^ short film showing the handling and<br />
trelaient of cerebral palsy children at the<br />
-'-<br />
' .\ as shown. The film was directed and<br />
iiJhed by Jack Lewis. RKO salesman,<br />
a combat photographer during World<br />
II<br />
m<br />
Professional<br />
RESEAT OR RENOVATE<br />
work on Seat<br />
Renovation — factory trained<br />
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in Baked Enamel— like<br />
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^ Nly 1200 plywood chairs<br />
650 full upholstered chairs<br />
^ 1500 squab seot, pad back<br />
HEYWOODWAKEFIELD SEATING<br />
20356 GRAND RIVER<br />
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KENWOOD 3-8740<br />
e New<br />
LOCAL NEWSREELS<br />
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JEWELL<br />
PRODUCTIONS<br />
I McKerchey Bldg.. Detroit 1, Mich., WOodwvd 5-6299<br />
CLEVELAND—The office personnel of<br />
M. B. Horwitz, head of the Washington<br />
circuit, staged a surprise bon voyage party<br />
for him and his travel companion George<br />
Stone, prior to their leaving for a trip to<br />
Europe and Israel. They are, left to right:<br />
Edward Weiss, manager of the State in<br />
Cuyahoga Falls: Mrs. Henrietta Kinkel,<br />
Falls, Cuyahoga Falls: George Stone: Nat<br />
LOUISVILLE<br />
n report of state revenue compiled by the<br />
department of finance and the department<br />
of revenue, amusement tax revenue for<br />
April 1955 was $90,794.27 as compared to $88,-<br />
108.47 for April 1954. Tax revenue for July<br />
through April on .amusements 1954-1955 was<br />
$1,377,321.02 as compared to $1,273,587.46 for<br />
July through April 1953-54 .<br />
Bard<br />
Theatre, a subsequent run neighborhood<br />
house here, was sold at auction for $70,000.<br />
The theatre was sold to settle the estate of<br />
Chris Thodis, operator for many years of a<br />
restaurant at Third and Liberty. The sale<br />
will cover bequests of $61,557 left by Thodis.<br />
The building was bought by Oscar K. Fine<br />
of Evansville, Ind., who now operates the<br />
theatre.<br />
E. L. Ornstein, national director of the<br />
newly formed Allied Theatre Owners of Kentucky,<br />
w'as in New York recently to attend<br />
the National Allied board meeting ... An<br />
all out membership drive has been started by<br />
the Kentucky Allied . . . R. H. Robertson of<br />
the Majestic Theatre. Springfield, has been<br />
admitted to the Veterans Hospital here .<br />
James Howe of the Richland Theatre. Carrollton,<br />
has been admitted to the Good<br />
Samaritan Hospital. Cincinnati.<br />
Eight Airers in Toledo<br />
TOLEDO—The opening last week of the<br />
Starlite Drive-In by John Dempsey brings to<br />
eight the number of ozoners in the Toledo<br />
area. In addition to the Starlite, they are<br />
the Parkside and the Telegraph, also owned<br />
by Dempsey; the Jesse James, operated by<br />
Jack Armstrong; the Miracle Mile, operated<br />
by Al Boudouris and associates; tiie Maumee,<br />
a Paul Wintner theatre; Toledo, owned by the<br />
Ohio Drive-In Theatre Corp., and the Woodville<br />
at nearby Millbury. run by Charles De-<br />
Weese and Milo DeHaven.<br />
Freiberger. Plaza in Cleveland; Elsie Loeb,<br />
BOXOFFICE correspondent; Horwitz, his<br />
wife and daughter Mrs. Selma Leavitt; Eva<br />
Urdanf, secretary; Mrs. Harry Horwitz<br />
and Sanford Leavitt, assistant to M. B.<br />
In the rear are Lewis Horwitz, son and<br />
business associate: Hilbert Horwitz, manager<br />
Haltnorth Theatre: Gil Byron, Astor<br />
Theatre, and Birdie Miller, a daughter.<br />
Weisberg Acquires<br />
Broder's Interest<br />
DETROIT—Paul Broder. head of Realart<br />
Pictures, nas sold out his interest in the<br />
Sterling Theatres to Arthur Weisberg, who<br />
becomes sole owner of a dozen local theatres<br />
operating under both the Sterling and A&W<br />
Theatres titles. Broder is now active in the<br />
construction industry here.<br />
The circuit has closed the Carlton and<br />
moved its headquarters downtown to the<br />
Times Square Theatre. Houses remaining in<br />
the Sterlmg-A&W properties are the Alger,<br />
Crystal, East Detroit, Esquire, Grand, Parkside,<br />
Regent, Rex, Roseville. Senate, Seville<br />
and Times Square. These include the theatres<br />
owned by Jack Broder, a brother of Paul who<br />
now heads his own production company in<br />
Hollywood, which were known as the Van<br />
Houdt circuit.<br />
Sterling has also closed two other theatres;<br />
the Cinema, downtown first run art house,<br />
and the suburban West End.<br />
Installs Widescreen<br />
ABERDEEN. MD.—A widescreen for Cinemascope<br />
and Superscope has been installed<br />
at the Riverside Drive-In, according to Manager<br />
H. M. Walker jr.<br />
YDU CART BERT<br />
FILMACK<br />
BPBC.B^'i<br />
TB niLEi<br />
2aS2 sum<br />
SATISFACTION<br />
A^!I.V.'J.',M'M!I<br />
Make Us Prove Itl<br />
Send Us Your Next Order.<br />
WWITI<br />
ME 75
. . Hyman<br />
. . Stuart<br />
. .<br />
. . The<br />
: June<br />
.1<br />
i<br />
'<br />
DETROIT<br />
Tack Hebcrt, booker for Paramount, left for<br />
.<br />
a vacation in Florida, escaping our rainy<br />
season . Gordon, former owner of<br />
the Shore.s Theatre in St. Clair Shores, who<br />
is now semiretired, was in Chicago vacationing<br />
with his grandchildren L.<br />
Gorelick, who recently took over the Apollo<br />
Theatre, is also registering title to Concessions<br />
by Gorelick and the S. L. Gorelick Enterprises,<br />
both firms with headquarters at the Apollo.<br />
OVTSTANDING CRAFTSMANSHIP SHIP AND INCINecniNG<br />
INCINecniNO<br />
L
'<br />
'<br />
!<br />
;<br />
visit<br />
. . Ten<br />
. . Sam<br />
. . Loew's<br />
: June<br />
. . Mrs.<br />
— —<br />
—<br />
C LEVELAND<br />
frin Pollard of Imperial Pictures has<br />
II an apartment . . .<br />
riiimht his wife here from Detroit to<br />
Sam Barck,<br />
iiwner of the Market Square Theatre<br />
iitil recently part owner with his<br />
Maurice in the Park Auto Drive-In<br />
,!ice, is back in the business. He has<br />
iver the Lincoln Theatre in Lisbon.<br />
ii-seat house, formerly operated by<br />
I, .1^1 A. Rogers, has been closed several<br />
booking merger will take place on Satur-<br />
Tii when Anne Walker. Columbia<br />
becomes the bride of Virgil Jones,<br />
lui booker . Galant, Columbia<br />
fin division sales manager, combined<br />
rit.ss with pleasure and attended the gala<br />
il.ii dinner staged for Marshall Fine of<br />
ed Theatres, who was married May 29<br />
..:..cia Krow of McKeesport, Pa. Followthe<br />
wedding at the Oakwood Country<br />
), the couple left for a European wedding<br />
irry Rice, Columbia publicity represent-<br />
> back in town for several weeks to set<br />
paigns on "A Pi-ize of Gold" and "The<br />
the Affair" . . . Returned travelers<br />
the Nat Earaches of NSS and the<br />
The<br />
links of the Palace Theatre<br />
.jl former Paramount booker Lou Van<br />
flilen graduates this month from Shaker<br />
Hi;hts High School.<br />
iLirles Mack, one of the last of the small<br />
_ 1 '4,000 pop.) exhibitors to join the proce<br />
on, contracted with NTS branch manager<br />
piik Masel to install a widescreen, Cinema-<br />
& le lenses and other equipment in his<br />
St'nd Theatre at Sebring.<br />
iilton Wehmeyer, manager of Smith &<br />
B
II<br />
Arcade and Astor Dark;<br />
Long in Detroit 'A' List<br />
DETROIT—Closing of two of Detroit's<br />
cluster of "A" theatres, both dating back a<br />
third of a century or more, was announced by<br />
the operators—the Arcade, operated by Louis<br />
Spann jr., and the Astor, operated by Mitchell<br />
Victor. The latter house has been continuously<br />
under Victor's management since it<br />
was opened in 1922.<br />
Detroit exhibitors for many years made a<br />
fetish of finding shows names beginning in<br />
A, to secure early position in newspaper and<br />
other advertising. Future plans for both the<br />
Arcade and Astor remain unknown.<br />
Stephen McNally has been signed for a toplining<br />
part in MGM's "Jeremy Rodock."<br />
Jobil Co. Moves<br />
DETROIT—The Jobil Pr-oducts Co., manufacturer<br />
of a new type of quick-acting baby<br />
bottle warmer, designed as a special customer<br />
convenience for outdoor theatres, has moved<br />
their headquarters, formerly on Gratiot<br />
avenue, to 19 Clifford St. The firm is also<br />
preparing to bring a number of other new<br />
products on the market, 'William Berger,<br />
manager, said.<br />
B. M. Taylor Appointed<br />
LOUISVILLE—Brutus M. Taylor has been<br />
named sales engineer with Hadden Theatre<br />
Supply Co. here. Taylor has been active in<br />
the sales and service of projection equipment<br />
for the last 11 yeai-s. He will serve<br />
the Kentucky-Indiana territory.<br />
TO ALL THEATRE OWNERS<br />
who screen<br />
for<br />
United Film Service, Inc.<br />
// you have not received this envelope . . .<br />
Partner of Butterfield<br />
Leases Holland Airer<br />
;<br />
DETROIT— Henry Carley. partner with th<br />
Butterfield circuit in the three theatres a'<br />
Holland, Mich., is taking over the Starligh<br />
Drive-In there, formerly leased to Jack Loek<br />
Enterprises of Grand Rapids by Loew's Drive<br />
In Theatre. Inc., of which Louis Goldberi<br />
Detroit exhibitor, is president.<br />
Carley is embarking on an extended re<br />
modeling program, including enlargement c<br />
the screen and an addition to the concessio<br />
building.<br />
This move by a veteran Butterfield partm<br />
into the outdoor field is considered signiflcai;<br />
in view of the fact that this major Michiga'<br />
circuit has hitherto stayed strictly in coi<br />
ventional theatre operation, despite a pn<br />
gram for construction of approximately<br />
outdoor shows reported several years ai<br />
Joseph Denniston, another Butterfii<br />
partner, recently announced plans for a ne<br />
drive-in to be built at Mom'oe.<br />
Harlan Theatre Begins<br />
$30,000 Remodeling<br />
HARLAN, KY.—Tl-ie New Harlan Theal<br />
began a $30,000 remodeling program recent<br />
according to Bill 'Wright, spokesman for t<br />
majority stockholders. Major changes vn<br />
installation of a new 35-foot screen a<br />
Cinemascope equipment. A new concessiC(<br />
stand was built in the place formerly occ)<br />
pied by Price's newsstand, north of the tlrl<br />
atre lobby. It opens into the lobby and a^l<br />
I<br />
is accessible to the street. The interior of if\<br />
theatre was redecodated and all seats refij<br />
bished.<br />
Mrs. Martha 'Warren, manager of the thj<br />
tre for several years, is continuing in<br />
capacity. Price Coomer has been leasing<br />
theatre from the local owners and Wright 8^<br />
his father of Whitesburg, Ky.<br />
. . . please let us know at once!<br />
Cleveland Cinema Club<br />
Elects Mrs. E. P. Swisher<br />
;<br />
CLEVELAND—The Cleveland Cinema 01^,,<br />
whose recent 39th anniversary e.'^tablishest<br />
as the oldest club of its kind in the coun',:<br />
has elected the following officers for the cQ-i<br />
ing year: president, Mi-s. E. P. Swisher; ftfc<br />
vice-president, Mrs. A. A. Kaiser; second W<br />
president, Mi-s. R. C. Strong; recording secj<br />
tary, Mi'S. E. J. Carey; corresponding se({<br />
tary. Mrs. Marjorie Lawrence; treasurer,<br />
trude Robertson; chaplain, Mrs. A. C,<br />
Christ. Installation of new officers will<br />
held 'Wednesday il5i in the Higbee lou;<br />
The outgoing president, Mrs. Marie Jackfi<br />
served two years.<br />
It<br />
contains the "Leading Citizen" direct mail promotion<br />
which 'was created to build business for 'you,<br />
and will be supplied to you FREE. (See News Article<br />
in Promotion Section in this issue.)<br />
UNITED FILM SERVICE, INC.<br />
2449 Charlotte Street<br />
Kansas City 8, Missouri<br />
Gen. LeMay Helps 'SAC<br />
COLUMBUS—Gen. Curtis E.<br />
LeMay, cjeil^<br />
of the U. 8. Strategic Air Force, gave, inl-J«i<br />
feet, a preview of "Strategic Air Commsfl'<br />
in an address before the engineers confenj<br />
at Ohio State University. LeMay, a gradjte<br />
of Ohio State and South High School I<br />
told of the vital role of the air arm in fu<br />
LeMay was a member of the Si<br />
conflicts.<br />
High class of '24, in which Fred Oestreit<br />
publicity manager of Loew's Ohio, also<br />
a member. The Ohio will show the fei<br />
soon.<br />
78<br />
BOXOFFICE :: June 4,1
'<br />
i<br />
'.s<br />
I lieatres.<br />
. . Alec<br />
S I<br />
Adorno Jr. Opens<br />
}/[ddletown Airer<br />
IjDDLETOWN. CONN.—The $200,000. 850-<br />
cai^iddletown Drive-In on Route 9 here has<br />
bed opened by Sal Adorno jr. The night<br />
bele the official opening Adorno held a<br />
pri jening party, hosting area Kiwanis Club<br />
mc bers at a buffet dinner and screening of<br />
"Sunge Lady in Town." State and city offlc<br />
s participated in ribbon-cutting ceremr<br />
es the following night. May 25, with<br />
Af •.Annapolis Story" serving as the initial<br />
inn.<br />
iinv drive-in is not associated with<br />
of which Adorno jr. formerly<br />
;^tant general manager. His father<br />
,,1 of that three-theatre operation.<br />
',e May 24 party was marked by an infer'<br />
al ceremony held in the modernistic con-<br />
••»' in' building, with Kiwanis executive T.<br />
Shugrue and others extending good<br />
usages.<br />
been the Adorno family," said Shugrue.<br />
"tlj: has been in the forefront of extending<br />
f.i. ijps for civic functions and the like in<br />
",vn, and Kiwanis wishes to extend<br />
i.^hes to this latest entertainment<br />
pri'Ct."<br />
Jllowing the buffet dinner, the guests<br />
toi'd the 15-acre tract. Features of the<br />
nel open-airer include a .screen measuring<br />
120 eet wide, an asphalt driving and parking<br />
urface and an eight-car-wide exit to permi;uick<br />
north and south highway flow.<br />
-'diaper den," in which mothers may tend<br />
th( youngsters, is located in the concesslo<br />
building. A large terrace adjoining the<br />
bu- ing provides snack table facilities.<br />
'ade figures at the preopening party incK'd<br />
Milt LeRoy, Blue Hills Drive-In TheatiiCorp.,<br />
Hartford: Ralph Mauro, National<br />
IT tre Supply: W. E. Gilson, Altec Service<br />
Co ., and Allen M. Widem, amusement editoiHIartford<br />
Times.<br />
li Saves Furnishings<br />
)m Closed Theatres<br />
W HAVEN—Much of the projection<br />
)ment, seats<br />
and other furnishings from<br />
houses sold by Loew's Poli-New England<br />
tres in recent months will be used for rements<br />
in the circuit.<br />
and equipment from the Elm Street<br />
Its<br />
tre in Worcester, the Lyric in Bridgeand<br />
the Bijou here are generally In<br />
class condition. Some imits were immely<br />
moved to other theatres for replace-<br />
-s. The remainder of the contents taken<br />
the three sold theatres has gone into<br />
ge,<br />
for use as required,<br />
e theatres had a total capacity of 5,891,<br />
2,297 seat-s in the Elm Street, 2,165 in<br />
:.yric and 1,429 in the Bijou. Workmen<br />
ompleting the removal of theatre propfrom<br />
the Elm Street, sold a few weeks<br />
The Lyric and Bijou have been vacated<br />
e chain,<br />
three houses were sold under the condecree<br />
in the federal antitrust action<br />
^t Loew's.<br />
N« Play Area at Groton Airer<br />
IJITFORD— The Groton Drive-In has<br />
"> lied a new playground. Horseshoe courts<br />
»ri<br />
nother new attraction.<br />
DANNY KAVE HONORED—Joe Harring:ton,<br />
president of the Boston Press<br />
Club and city editor of the New England<br />
Post, is seen presenting: Danny Kaye<br />
with a citation for his performance in<br />
"Knock on Wood." The award was made<br />
by the critics during Kaye's trip around<br />
the world for United Nations, which trip<br />
resulted in his "Assignment Children."<br />
NEW HAVEN<br />
T oew's Globe, Bridgeport, has been closed for<br />
the summer. The dowTitown house, which<br />
does not have air conditioning, has been<br />
showing reissues with moderate success.<br />
Manager Al Domian will serve as relief manager<br />
in the circuit during hot weather<br />
months . Schimel, U-I manager, arranged<br />
a showing of "The Shrike" in the<br />
20th-Fox screening room for I. J. Hoffman<br />
of the Connecticut Theatre circuit and a<br />
nimiber of other exhibitors . . All Filmrow<br />
.<br />
managers attended the opening of the new<br />
Adorno Middletown Drive-In.<br />
Abe Bernstein, UA publicity man from New<br />
York, was in town to work on "Kiss Me<br />
Deadly" at Loew's College . . . The SW<br />
Roger Sherman is the latest theatre to employ<br />
an automatic telephone answering device,<br />
giving picture titles, stars, starting times and<br />
prices . . . Arthur Loew, president of Loew's<br />
International, wa-s in New Haven to attend<br />
the state tennis tournament . . . Elmer Hirth,<br />
Connecticut booker-buyer for Stanley Warner,<br />
leaving for a similar post at the Philadelphia<br />
office, was honored at a farewell luncheon<br />
given by Filmrow exchange managers, bookers<br />
and salesmen at Kaysey's, with 40 attending.<br />
Alec Schimel was chairman, Hirth was<br />
presented with a two-suit traveling bag.<br />
Ed Hinchey, play date manager for Warner<br />
Bros, in New York, also attended.<br />
Hartford Star Reopens<br />
HARTFORD — Community Amusement<br />
Corp. has reopened the 1,800-seat Star on a<br />
subsequent nm policy. Initial reopening bill<br />
consisted of U-I's "Flesh and Fury" and<br />
RKO's "Africa Adventure."<br />
Joins Time Remembered' Cast<br />
Raymond Greenleaf, character actor, ha.s<br />
been set for a role in U-I's "A Time Remembered,"<br />
starring Rock Hudson and Cornell<br />
Borchers,<br />
O'Donnell Will Emcee<br />
Great Heart Dinner<br />
BOSTON—Plans are nearing completion<br />
for the Variety Club of New England's 1955<br />
Great Heart banquet when Rudolph F. King.<br />
Massachusetts registrar of motor vehicles,<br />
will receive the award. The affair will be<br />
held June 20 in the Imperial ballroom of the<br />
Hotel Statler. Robert J. O'Donnell, general<br />
manager for Interstate Theatres of Texas.<br />
will be toastmaster. Dr. Sidney Farber will<br />
present the award to King, who is also treasurer<br />
of the Children's Cancer Research Foundation.<br />
Walter A. Brown, chief barker of the Variety<br />
Club, said that dignitaries from the<br />
judicial, automobile and insurance world will<br />
be in attendance. J. Edgar Hoover is expected<br />
to attend. Ted Williams and the entire roster<br />
of the Boston Red Sox also will be present.<br />
In accepting the role of toastmaster, O'Donnell<br />
said, "I have always had a sincere admiration<br />
for the showmen of New England<br />
for what they have accomplished in helping<br />
children afflicted with cancer. I consider<br />
it a privilege to be asked to take part in the<br />
Great Heart Award banquet."<br />
A capacity turnout has been assured for<br />
the banquet. Recent acceptances have been<br />
received from George Hoover. John Rowley.<br />
Edward Emanuel. George Eby and Jack<br />
Beresin.<br />
Judge John Pappas. president of the Suffolk<br />
Downs Racing Ass'n. again played host<br />
to the Variety Club at the Paddock Club on<br />
June 2 at a cocktail party and luncheon. He<br />
gave each person a free daily double ticket.<br />
A breakdown of individual theatre returns<br />
on the New England Jimmy fund drive<br />
of 1954 has been sent to each theatre throughout<br />
the area by Chairman Theodore Fleisher.<br />
Before the tabulations are formalized, the<br />
Variety Club will appreciate it if a notification<br />
be sent to the club should a theatre<br />
be omitted or listed incorrectly so that the<br />
corrections may be made en the revised<br />
edition. Theodore Fleisher again joins Bill<br />
Koster in extending his appreciation to every<br />
individual in the industry for his wonderful<br />
cooperation in the 1954 Jimmy fund drive.<br />
Major Louis Osborne has informed the club<br />
that the proceeds from a dance to be held<br />
in observance of Armed Forces Day will be<br />
turned over to the Variety Jimmy fund drive<br />
for 1955.<br />
Five Managers Win Cash<br />
In Stanley Warner Drive<br />
NEW HAVEN—Cash prizes have been given<br />
five SW managers in the New England zone<br />
for promotion efforts in the first month of the<br />
Stanley Warner Spring Festival. Irving Hillman,<br />
manager of the Roger Sherman here,<br />
took the top prize.<br />
Other winners were Mrs. O. Fearing, Avon,<br />
Utica, N. Y.. second, and Steve Barbett, Warner,<br />
Lawrence, Mass.: Bill McGrath, State,<br />
Manchester, and Joe Miklos, Embassy, New<br />
Britain, tied for third.<br />
Honorable mentions were given Bob<br />
Howell. Port, Newburyport, Ma.ss.; Joe Borenstein.<br />
Strand. New Britain; Harry Barrett,<br />
Capitol, Willimantic: Murray Howard, Warner,<br />
Worcester, and Harry Corlew, Commodore<br />
Hull, Derby,<br />
»0 3FFICE June 4, 1955<br />
NE<br />
79
. . Mrs.<br />
. . Edward<br />
'<br />
BOSTON<br />
ere<br />
.<br />
"The engagement has been announced of<br />
Elizabeth Stoddard to Paul Sutton jr. of<br />
Marblehead. Mass. She is the daughter of<br />
Chester Stoddard, a district manager for<br />
New England Theatres Jeanne<br />
Cullen Good is engaged to Frederick Tuton<br />
jr. She is the widow of John Good, Paramount<br />
booker here who later went to Buffalo<br />
as salesman for the same company. While in<br />
Buffalo, he contracted polio and died. The<br />
couple had a son John jr., now 8 years old.<br />
.<br />
Walt Disney's new production, "Davy<br />
Crockett, King of the Wild Frontier," is<br />
booked into the Keith Memorial for June 22<br />
through Buena Vista here S.<br />
Canter, treasurer of American Theatres<br />
Corp. who was hospitalized due to a kidney<br />
ailment, is now at home. After several tests,<br />
the doctors have decided against operating.<br />
He is expected back in his office in another<br />
Mr. and Mrs. Harry Zeitz,<br />
week or so . . .<br />
New Bedford exhibitors, celebrated their 35th<br />
... A welcome<br />
wedding anniversary May 30<br />
visitor to the district was John J. Scully,<br />
former district manager for Universal.<br />
EdVard Lider, Nathan Yamins, Carl Gold-<br />
IMAGE & SOUND SERVICE CORP.<br />
"The Best Value In Sound Service"<br />
Hancock 6-7984 445 Statler Building<br />
Boston, Mossachubetts<br />
man, Leslie Bendslev and Melvin Safner took<br />
in the Allied States board meeting in New<br />
York May 23-25. In his new position as<br />
executive secretary of Independent Exhibitors,<br />
Inc., of New England, Goldman attended<br />
his first Allied board meeting, cai-rying<br />
the new leather brief case, which was<br />
presented to him as a farewell gift from the<br />
staff of Affiliated Theatres, when he resigned<br />
last month to take over the post at<br />
lENE.<br />
The city council has adopted a resolution<br />
which would have all theatres in the city<br />
establish bundle-checking desks, and would<br />
reserve a "favorably located section in each<br />
theatre for the exclusive use of female patrons<br />
during and for some time after shopping<br />
hours." When asked the reason for the<br />
propo.sed female segregation, the sponsor,<br />
Councilman William J. Foley jr., replied:<br />
"Women will get the idea." He said his suggestion<br />
was among those designed "to make<br />
Boston more attractive as a place to seek<br />
entertainment."<br />
The Bowdoin Square Theatre, built in 1875,<br />
has closed and will be razed. The site will<br />
become a parking lot. Built originally for a<br />
stock company, the theatre had various<br />
policies of vaudeville, stage shows and films<br />
until 1930 when it went on a picture policy,<br />
playing 30 days after downtown Boston. In<br />
1937, the theatre property was purchased by<br />
Ben Williams, who operated it as a second<br />
run. When it converts to a parking lot,<br />
Williams will continue to manage the business.<br />
In the ScoUay Square area where thpi''"<br />
Bowdoin Square was a familiar landmarl'<br />
two other theatres have recently fallen pre<br />
to the demolition trend The old Howart<br />
famous burlesque house, which also playe<br />
films, has been torn down, while the Olympi<br />
is awaiting results of city legislation befor<br />
it will be razed.<br />
At the 19th annual election of officers<br />
the Cinema Club of Boston, consisting<br />
bookers and office managers, the followir|<br />
were elected to serve for one year; president<br />
William J. Cuddy, RKO; John Glaze:<br />
Western Massachusetts Theatre, fir.st via'<br />
president: Phil Berler, E. M. Loew Theatrr<br />
second vice-president: Max Berlone, Units'<br />
Artists, treasurer; C. F. McGerigle, RKi<br />
secretary. The executive committee is con!<br />
posed of William Romanoff, New Englari,<br />
~<br />
Theatres: William Cuddy, RKO; Richa:<br />
Owens, E. M. Loew Theatres; Charles Wilso<br />
Allied Artists: Harry Smith, RKO; NateObe<br />
man, MGM, and C. F. McGerigle, RKO.<br />
Roy Heffner of Goodwill Award and Har<br />
Germaine of Price Pi-emium have moved<br />
new quarters at 42 Winchester St. where th!<br />
are sharing offices. They formerly had spal<br />
in the offices of Independent Exhibitors<br />
New England . . . Still on crutches after I<br />
recent accident, Lloyd Clark, president<br />
j<br />
Middlesex Amusement Co., comes into tj<br />
district on rare occasions, driven into town *<br />
his partner Winthrop Kiiox jr. . . . Teil<br />
Turner of General Teleradio was in town a|<br />
huddled with Joseph Levine of Embas<br />
Pictures on forthcoming product.<br />
{<br />
George Roberts, treasurer of the Rifkin ct<br />
cuit, has been elected to represent the Gra)<br />
'^<br />
KEENE ADVERTISING SPECIALTIES<br />
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• NOVELTIES FOR DRIVE-INS<br />
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TO CHOOSE FROM<br />
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MYER I. RUHENBERG<br />
• Theatre Premiums of all Types<br />
• Factory Representative for Dinnerware<br />
• Come in and see the NEWEST and<br />
HOTTEST premium deal.<br />
HU 2-7257<br />
DRIVE-IN<br />
OWNERS<br />
Reduce Your Overhead<br />
And Improve Your Bookings<br />
For Next Season<br />
Contact<br />
JOSEPH G. COHEN<br />
HU 2-7257<br />
80<br />
BOXOFFICE<br />
;<br />
; June 4, SS^ ^
w<br />
'<br />
w<br />
1 June<br />
: June<br />
. . Herman<br />
-<br />
. .<br />
. . Two<br />
district I at the International trien-<br />
M-ntion in 1956 which will be held<br />
Attends 'One Shot' Ross Testimonial<br />
hn Dervin of Stratford Pictures was in<br />
1 for a few days on a selling trip, greet<br />
his friends on Filmrow and promising to<br />
on June 20 to take in the Great Heart<br />
rd banquet sponsored by the Variety Club<br />
.<br />
•Jew England Rifkin has<br />
to the west coast with Mrs. Rifkin to<br />
in the Allied Artists board meeting and<br />
ittend the wedding of Eleanor Broidy,<br />
!hter of AA's Pre.sident Steve Broidy .<br />
Marjorie Carter, mail girl at New<br />
and Theatres, has resigned. Mary Mack<br />
ambridge replaced her.<br />
iminations announced by the bureau of<br />
lay entertainment under the Massaetts<br />
department of public safety included:<br />
.„'ela." parts 1 to 9 . . .<br />
Deletion.s— cut<br />
|n scene showing Angela's breast exposed<br />
lart 9 (20th-Foxi: "Doctor in the House,"<br />
1 to 10 . . . Deletions: eliminate the word<br />
*'' in part 3. Eliminate dialogue "Sister<br />
!jue nearly had a baby" in part 5. Eliminword<br />
"hell" in part 6 (Republic), "Kiss<br />
Deadly." parts to 11 . . Deletions: El-<br />
1 .<br />
Ur ate dialogue "Let him go to hell" in part 10.<br />
hn J. Scully jr. has been appointed dis-<br />
Miager for E. M. Loew Theatres. re-<br />
Nick Lavidor w^ho is now general<br />
of the University Theatre, Cam-<br />
:Scully, who is associated with E. M.<br />
... the operation of the West End Driveli,<br />
.llentown. Pa., is moving his wife and two<br />
chiren to this area where he will oversee<br />
h E. M. Loew circuit. On June 18. the<br />
..^ reopening the Welles Beach. Me.,<br />
bowling alley and arcade. On Cape<br />
Casino Theatre in Falmouth will re-<br />
12. Two more drive-ins for<br />
;;.iut are under construction for late<br />
ie.jii openings, the Candlelight in Bridgepq.<br />
Conn., and the Hallendale in Florida,<br />
bo engineered and designed by Richard<br />
Ri n.<br />
Nw Haven Businessmen<br />
Vjw Garage in Film<br />
j:rw HAVEN—Twenty business leaders<br />
lef their offices this week to see "Five<br />
the House" at Loew's College. The<br />
of the trip was educational, even<br />
.. _.i businessmen also found the Columbia<br />
dr la<br />
cr.tertaining.<br />
e delegation, made up of downtown reta<br />
rs concerned about the city's parking<br />
pi' lem, caught the film to wat
—<br />
—<br />
—<br />
—<br />
—<br />
. . Dean<br />
. .<br />
Some<br />
. . The<br />
.<br />
If<br />
'<br />
'Doctor' Scores 300<br />
In Boston Opening<br />
BOSTON—A week of unseasonably hot<br />
weather dropped grosses substantially, with<br />
two new pictures, "Strategic Air Command"<br />
and "Doctor in the House," standing up under<br />
the pressure. Both films were backed by<br />
strong campaigns.<br />
(Average Is 100)<br />
. . . 1<br />
Astor—Wuthering Heights (Federal), 2nd wk.,... 85<br />
Beacon To Paris With Love (Continental),<br />
Hill<br />
5lh wk<br />
^^<br />
Boston—This Is Cineroma (SW), 73rd wk 80<br />
Exeter Street Doctor in the House (Rep) 300<br />
Kenmore—Aido (IFE), 7th wk<br />
u . , ^°<br />
Memorial— Thot Lady (20th-Fox); Devil Girl From<br />
|0<br />
50<br />
, Mors (Sporton)<br />
Metropolitan Strategic Air Command (Para)<br />
.<br />
Paramount and Fenway Hell's Island (Pora);<br />
Timberjock (Rep) 75<br />
Pilgnm Five Agoinst the House (Col); Deod<br />
Reckoning (Reissue)<br />
: ...\ ^^<br />
Orpheum The End of the Affair (Col); Bedevilled<br />
(MGM) 75<br />
state-Treasure of Ruby Hills (AA) 65<br />
'Captain Lightfoot," With 150<br />
Sets Pace in Providence<br />
PROVIDENCE—Aided and abetted by first<br />
exclusive films of the Marciano-Cockell<br />
world's heavyweight championship fight,<br />
"Captain Lightfoot" rang up 150 in what<br />
was more or less a dull week in Providence.<br />
"Doctor in the House" was closest to the<br />
leader, with 110. Exceptionally fine weather<br />
and several competitive events apparently cut<br />
down expected attendance.<br />
Albee—Jump Info Hell (WB) 90<br />
Avon Doctor in the House (Rep) 110<br />
Loews—The Purple Plain (UA) 100<br />
Moiestic Captain Lightfoot (U-l) 1 50<br />
Strand An Annapolis Story (AA) 95<br />
'Marty' Rates 200<br />
In New Haven<br />
NEW HAVEN—"Marty" was held for two<br />
extra days at the SW Roger Sherman, and<br />
the gross for the nine-day run was 200 per<br />
cent. "Daddy Long Legs" had a fair second<br />
week.<br />
College Daddy Legs (20th-Fox); Long Challenge<br />
the Wild (UA), 2nd wk 110<br />
Paramount Hell's Island (Para); Timberjock<br />
(Rep) 60<br />
Poll Thot Lady (20th-Fox): Battle Toxi lUA), ... 75<br />
Roger Shermon—Marty (UA); The Block Pirotes<br />
(LP), nine days 200<br />
'Command' Connecticut Bow<br />
Grosses 250 in Hartford<br />
HARTFORD—"Daddy Long Legs," was in<br />
it.s second week at the Palace.<br />
Allyn— Strategic Air Command (Para) 250<br />
Art—The Gome of Love (Times) 90<br />
E. M. Loew—A Prize of Gold (Col); The Petfy<br />
Girl (Coll reissue 110<br />
Poll Soldier of Fortune (20th-Fox) 135<br />
Palace Daddy Long Legs (20th-Fox); The Good<br />
Die Young (UA), 2nd d. t. wk 95<br />
Strand—The Seo Chase (WB) 1 25<br />
Ralph Mauro a Visitor<br />
HARTFORD—Ralph Mauro of National<br />
Theatre Supply was a local visitor.<br />
Edward Bernds will direct AA's "Operation<br />
Uranium," 40th in the Bowery Boys series<br />
starring Leo Gorcey and Huntz Hall.<br />
KINNER'S GLASS CLEANER<br />
Used by more theatres than<br />
for<br />
GLASS and<br />
any other cleoner<br />
CHROME<br />
Sold by Notional Theatre Supply<br />
KINNER PRODUCTS COMPANY ""^^omo<br />
""^<br />
Helicopter Flies Print of<br />
'Commanci' to Hartford<br />
HARTFORD—A helicopter brought the<br />
Allyn Theatre's print of "Strategic Air Command"<br />
from New York to launch opening<br />
day activities for the VistaVision drama's<br />
Connecticut debut.<br />
Ray McNamara, theatre manager, arranged<br />
distribution of jet photos by Air Force recruiting<br />
personnel in the lobby throughout<br />
the day. Air police were stationed in the<br />
lobby, and WAFs seved as usherettes.<br />
Huge military beams lighted up the street,<br />
and balloons containing passes were set off<br />
by McNamara and Harry Browning, New<br />
England Theatres district manager, just<br />
prior to the last evening performance. The<br />
Air Force provided sound trucks in the streets.<br />
An added promotion touch was planting<br />
by McNamara of a news photo showing his<br />
6-year-old son Paul looking over a lobby display<br />
of model planes.<br />
PROVIDENCE<br />
'The first Rhode Island showing of "Doctor<br />
in the House" was held at the Avon Cinema<br />
.<br />
Martin and Jerry Lewis and<br />
their Hollywood Review played a one-night<br />
stand at the Auditorium . 1,500 persons<br />
paid $3.50 each to see the Marciano-<br />
Cockell world's heavyweight championship<br />
fight on closed-circuit TV at Loew's State . . .<br />
Once again, the Metropolitan reopened, offering<br />
second run films, with a special Sunday<br />
stage show, featuring local radio station<br />
talent.<br />
As school closing nears, many of the openair<br />
theatres are presenting special Friday<br />
night features appealing to youngsters. The<br />
Route 44 Drive-In presents a half-hour of<br />
added color cartoons; the Bay State gives<br />
free lollipops, in addition to a special Kartoon<br />
Karnival, while other drive-ins are using<br />
bicycle giveaways and other gimmicks to<br />
entice parents to bring a car full of kiddies.<br />
. . . E. M. Loew's Drive-In at<br />
The Majestic cashed in on the Marciano-<br />
Cockell fight, presenting films of the bout<br />
three days after it took place . . The<br />
.<br />
Quonset Drive-In is now admitting all children<br />
under 12 without charge . . . Adventure<br />
seemed to be the catch-phrase at downtown<br />
first runs, and two ads, side-by-side, that of<br />
the Majestic, heralding "Captain Lightfoot,"<br />
and Loew's State, announcing "Purple Plain,"<br />
were both headed "Adventure" in screaming<br />
bold type<br />
the Providence-Pawtucket city line presented<br />
the Gionti Trio at a special Saturday night<br />
stage show.<br />
All nearby amusement parks are running<br />
full tilt Saturdays and Sundays, with plans<br />
under way for full-week operation starting on<br />
Memorial day . . . Many downtown first runs<br />
will experience slightly accelerated activity<br />
during the next few weeks when graduating<br />
classes from secondary and high schools hold<br />
informal theatre parties. While there are not<br />
so many of these affairs as in the past, a<br />
sizable number still hold to the old tradition<br />
of attending the movies, then going to informal<br />
dinners and dancing parties . . . Surrounding<br />
summer stock houses are lining up<br />
Hollywood screen celebrities to guest star<br />
on the straw hat circuit which opens in<br />
mid-June.<br />
HARTFORD<br />
jwraurice Shulman of the Shulman Theatre<br />
has completed installation of a wide<br />
screen, measuring 34x18 feet, at the Rlvoli<br />
Surface area provides a screening ratio o<br />
1.85 to 1. Shulman is advertising the nev<br />
unit as a Picturerama screen<br />
Amadeo, general manager. Pike Theatr<br />
Corp., got some impressive newspaper break<br />
with initial area drive-in booking of a doubl,«<br />
VistaVision bill, consisting of "Run for CoveriJ<br />
and "Three-Ring Circus," at the Pike DriveJ<br />
In, Newington. 1<br />
Mr. and Mrs. Joe Dolgin (he's film buyer'"<br />
booker for the Pine Drive-In, Waterburj<br />
continue their interest in stage activity. La;<br />
weekend Mrs. Dolgin, a veteran little theati<br />
performer-director, staged a Yiddish produt<br />
tion at the Hartford Jewish Communit<br />
Center, with Joe handling the business mar<br />
ager's duties.<br />
Ed O'Neill of Associated Management Cord<br />
booked in a first run attraction, AA's "bJ<br />
Combo," into the Bridge Drive-In, Grotoi<br />
normally a New London subsequent locatlol<br />
Downtown Hartford, like its counterparjl<br />
across the country, is plagued by parkiijj<br />
shortage, and the slightest move in directiJ<br />
of alleviating the headache is hailed on i,]<br />
sides locally. Latest action was opening oil<br />
six-level steel and aluminum facility, t<br />
Eastern Seaboard's first pigeonhole parki,<br />
garage, near the E. M. Loew's and Allyn th^<br />
atres. George E. Landers, Hartford divisi,.<br />
manager, E. M. Loew's Theatres, and Rji<br />
McNamara, Allyn manager, promptly placj]<br />
congratulatory ads, along with area<br />
chants, hailing the venture.<br />
Doug Amos, Hartford district mana<br />
Lockwood & Gordon Theatres, has announct^<br />
appointment of Donald McPhee as assists,<br />
manager at the Danbury Drive-In<br />
extensive remodeling program is planned t<br />
the State, downtown Hartford vaudevilli<br />
film house, closed for the summer .<br />
Totman, Stanley 'Warner Theatres, reports ><br />
stallation of an air conditioning plant at<br />
first run Strand, New Britain . ill<br />
Harrises of the State are planning a v^<br />
to Louisville to welcome their first graij-J<br />
child . . . Joe Giobbi, Crown, says air cij<br />
ditioning installation is now complete.<br />
George Smith. Colonial manager, has<br />
turned to the theatre, following illness ...<br />
Sperie Perakos, general manager, Peras<br />
Theatre Associates, New Britain, came ino<br />
confer with Tom Grace, Eastwood, ii<br />
Vince Capuano, Elm, 'West Hartford<br />
.<br />
Teresa Locatelli, East Hartford Family Dri-<br />
In manager, discovered a couple with a gu:-r<br />
in their car just before regular show tfim<br />
the other evening, and invited the twooilj<br />
croon a few lullabies over the public add:is^-<br />
.system. The stunt worked so .'tmoothly tit<br />
Miss Locatelli said she plans to build a sr 11<br />
platform in front of the screen and in<<br />
other talented patrons to perform.<br />
Mrs. Kate Treske of the Lenox is hc,e,<br />
following a vacation trek to Los Angeles Id il<br />
environs.<br />
'Daughter Iris' for 20th-Fox<br />
Jerome 'Weidman's novel, "Your Daug!<br />
Iris," has been purchased for 20th-Fox<br />
duction.<br />
82<br />
BOXOFFICE :: June 4.
I<br />
Rea,<br />
. I'lrig<br />
. dising<br />
: berman,<br />
I<br />
of<br />
; June<br />
il Canadian Premiere<br />
Mirks Para. Meeting<br />
i\TO— PaiKiiiouiU's Canadian .sales<br />
handi.sing conference at the King<br />
Hotel on May 26, 27 and 28 proved<br />
using occasion for branch managers<br />
men from across the country. The<br />
Ls marked by the introduction of<br />
il VistaVision with the Canadian<br />
of "Strategic Air Command" at the<br />
Theatre, where the delegates had<br />
irlunity of viewing it on the Dolargest<br />
screen.<br />
::in General Manager Gordon Lightsided<br />
at the convention after his<br />
.<br />
--turn from Paramount parley in<br />
111. He was flanked by a retinue of<br />
: 1 ice executives from New York in-<br />
George Weltner, Jerry Pickman,<br />
Morgan and Robert J. Rubin who<br />
optimism.<br />
I' engagement of the VV attraction,<br />
Russ McKibbin of the Famous<br />
:lagship here pushed an extensive<br />
campaign to serve as an<br />
tor the Paramount conference dele-<br />
.\n outside feature was an RCAF<br />
headed by the 60-piece 180th Air<br />
md. which drew a throng as the<br />
were inspected in front of the Imjv<br />
:.^<br />
Wing Commander Fowler<br />
Gobeil.<br />
Coniander of<br />
the Toronto district.<br />
,e two-score delegates to the regional conlei<br />
ice included Toronto head office. Gor-<br />
.<br />
histone. W. J. O'Neill, Win Barron;<br />
branch, Al Iscove, Ted Dowbiggin.<br />
Ambrose Theurer; Montreal,<br />
Murphy, Tom Dowbiggin, R. GoudiMlliam<br />
Young; Saint John, P. J. Hoi,a<br />
R. A. Thome; Winnipeg, Sylvestre Gunn,<br />
N. impson. A. Glass; Calgary, W. O. Kelly,<br />
W. L. Gibson, and Vancouver,<br />
J.<br />
Rl It Lightstone and Mickey Stevenson.<br />
'Backboard' Is Reported<br />
V thdrawn — by Request<br />
"jiRONTO "The Blackboard Jungle" has<br />
bef withdrawn from circulation in Ontario<br />
per.sonal request of Provincial Pre-<br />
-slie M. Frost, according to reports<br />
here.<br />
fe film had been protested by Alderman<br />
Wi am Dennison of Toronto city council and<br />
omen's group here on the ground that<br />
.lie was undesirable. Later, the board<br />
Lition took up the protest and the<br />
lustees voted to lodge a complaint<br />
the picture and advertising with the<br />
censor board. That body considered<br />
;i and refused to ban it. Now, it is<br />
ii that the Ontario premier asked for<br />
wr irawal of the picture and secured it.<br />
rz to Pay 371/2 Cents<br />
'iiRONTO— Secretary Angus MacCunn of<br />
Fii JU.S Players Canadian has announced<br />
mpany directors have declared a<br />
37'i> cents per share on the<br />
i> nun stock for the second quarter of 1955,<br />
pable June 29 to shareholders of record<br />
Ju! 3. The amount is the same as the<br />
di* end for the fu-st quarter. '<br />
Pe alia House Gets W<br />
1 TROLIA, ONT.—The VistaVision process<br />
ha been installed at the Iroquois Theatre<br />
he<br />
Salute to Joe Huber of Winnipeg 20th-Fox<br />
\n:^-<br />
-—<br />
I<br />
Among those at the head table at the Joe Huber testimonial dinner honoring his<br />
34 years of association with the motion picture industry were, left to right, Bob<br />
C'ringan. 20th-Fox manager at Calgary; Phil Geller. fcrmfr J \KO manager and<br />
Huber's replacement; Peter Myers. 20th-Fox general sjles manager; Huber, standing<br />
and thanking his many friends; Harry Gray, manager of the Lyceum Theatre and<br />
chairman of the dinner; Richard iMiles, Western Theatres general manager, and<br />
Haskell Masters, Warner Bros, general sales manager.<br />
WINNIPEG—The testimonial dinner for Joe<br />
Huber, manager of the local 20th-Fox exchange,<br />
upon his retirement from the motion<br />
picture industry after 34 years was marked<br />
by tears, laughter, reminiscence and the best<br />
wishes for the "sunset years of his life."<br />
More than 75 persons from all categories of<br />
the film industry convened Thursday (26) at<br />
the Marlborough Hotel to salute the veteran<br />
exchange manager.<br />
The chairmanship of the dinner was<br />
handled by Lyceum Manager Harry Gray.<br />
The head table included; A. E. McLean,<br />
Rainy River; J. Lundholme, Swift Current;<br />
Popcorn Sales in Canada<br />
Hit $25,000,000 in 1954<br />
TORONTO—Sydney Spiegel, chaij'man of<br />
the Canadian branch of the International<br />
Popcorn Ass'n, has pointed out that retail<br />
sales of popcorn in Canada reached an estimated<br />
$25,000,000 last year.<br />
Spiegel, who is general manager of Super<br />
Pufft Popcorn, said that, with the exception<br />
of a small quantity grown in Ontario, practically<br />
all popping corn is imported from the<br />
United States. He estimated that 18,000,000<br />
pounds of corn was bought from the U. S. in<br />
1954.<br />
The largest customers in Canada, Spiegel<br />
pointed out, are theatres and concession proprietors,<br />
who account for 70 per cent of total<br />
retail sales. The balance is divided among<br />
household purchasers and stores handling<br />
prepared popcorn.<br />
'Big Day' in Second Stanza<br />
TORONTO—The Fi-ench comedy. "The Big<br />
Day," held the attention of patrons at the<br />
International Cinema for a second week.<br />
Foreign-language fans had the choice of<br />
"Madonna delle Rose" at the Studio and<br />
"Canzoni di Mezzo Secolo" at the Pylon.<br />
P. Geller, new manager of 20th-Pox; C.<br />
Ki'upp, Alliance manager; R. Cringan, 20th-<br />
Fox manager at Calgary; J. Ferguson, Famous<br />
Players executive; P. Myers, 20th-Fox general<br />
sales manager; S. R. Miles, Western<br />
Theatres general manager and president of<br />
the MMPEA; H. Masters, Warner Bros, general<br />
sales manager; H. Hurvvitz, general manager<br />
of Odeon-Morton Theatres; J. D.<br />
McKenzie of Estevan, president of the Saskatchewan<br />
Exhibitors Ass'n; J. M. Rice.<br />
president of the supply house bearing his<br />
name; R. Besler, Park; N. Rothstein. president<br />
of Rothstein Theatres, and W. Johanneson.<br />
Pine Falls.<br />
Among some of the out-of-town personalities<br />
who were present at the affair were;<br />
Ernie Kendall, Morden; A. Bercovich, Regina;<br />
Sam Karby, Regina; Phil Bodnof, Regina;<br />
Max Shnier, Portage La Prairie; Stan<br />
Atkinson, General Films, Regina; Dr. Kowbell,<br />
Melville; C. L. MacGregor, Gladstone;<br />
Bill Welykholowa, Kamsack; Jack Roher,<br />
president, Peerless Films, and Joe Bermack,<br />
sales manager Peerless Films.<br />
Abe Feinstein read letters and wires from<br />
the great number of w'ell-wishers who were<br />
absent but contributed to Huber's gift.<br />
November 1 Is Date<br />
For Pioneer Av/ard<br />
TORONTO—Fui'ther arrangements have<br />
been made for next fall's convention program<br />
of the Motion Picture Industry Council and<br />
the National Committee of Moving Picture<br />
Exhibitors Ass'ns of Canada.<br />
The Canadian Motion Picture Distributors<br />
Ass'n w'ill entertain the conventioneers at a<br />
luncheon November 1 in the King Edward<br />
hotel. Coca-Cola will be host at a luncheon<br />
November 2 in the same hotel.<br />
The annual awards banquet of the<br />
Canadian Picture Pioneers has been definitely<br />
set for November 1 at the Royal York hotel,<br />
where the Canadian Pioneer of the Year will<br />
be honored. Last year the top award went to<br />
Jack Arthur of Toronto.<br />
Clowns Plug 'Circus'<br />
TRURO, N. S.— Gerry Tipper, manager of<br />
the Spencer Theatres here, arranged to have<br />
several clowns appear on the streets recently<br />
to plug "Three Ring Cii'cus," in advance of<br />
its billing at the Royal Theatre.<br />
BC DFFICE ;<br />
4, 1955 K &3
. . John<br />
. . Jack<br />
. . George<br />
. . Under<br />
'<br />
OTTAW A<br />
f^ttawa is to have a new film producing<br />
company, with Fred C. Leavens, president<br />
of Fredell Theatres, operating the Elmdale,<br />
Glebe and Towne here, joining forces<br />
with Ukrainian-born Nicholas Phillipowich<br />
Kaii'ez in the organization of a firm to specialize<br />
in biographical films about U. S. and<br />
Canadian personalities. Kairez spent some<br />
time in a German slave-labor camp during<br />
the last war and has been in North America<br />
since 1947.<br />
Mayor Charlotte Whitton of Ottawa said<br />
that a recent decision to raise the municipal<br />
license fees for theatres and drive-ins will be<br />
given further study by the Ottawa board of<br />
control . . . T. Ray Tubman, Famous Players<br />
district manager and manager of the local<br />
Capitol, was bereaved by the death of his<br />
brother W. Reed Tubman, 65, who retired<br />
last November following 18 years service with<br />
the city department of planning and public<br />
works. Born in Chicago, he had resided in<br />
Ottawa since childhood.<br />
Mrs. Gordon Adatnson, wife of the executive<br />
director of the Canadian Film Institute,<br />
Ottawa, and mother of three sons, is one<br />
of the year's diploma graduates of Carleton<br />
College ... A large group of Parliamentarians,<br />
including members of the special committee<br />
on broadcasting, enjoyed a junket to Montreal<br />
to visit the TV studios of the Canadian<br />
Broadcasting Corp. for a first-hand view of<br />
behind-the-scenes operations for television<br />
by the government agency.<br />
TELL YOUR PATRON$<br />
ALWAYS / ABOUT IT WITH A<br />
ALWAYS\^UUL^U<br />
^'''^^<br />
TRAILER<br />
467 SPADINA AVE. TORONTO, ONT.<br />
'Exclusive Canadian Distributor For Fllmock"<br />
TOA of Quebec Holds<br />
Quebec City Session<br />
QUEBEC CITY—The Theatre Owners Ass'n<br />
of Quebec met here Thursday (2) to discuss<br />
operational problems. Joseph Strauss, owner<br />
of the Empire Theatre. Montreal, and president<br />
of the association presided.<br />
The meeting was attended by a delegation<br />
of Montreal and district theatre owners, and<br />
it gave Quebec City district independents a<br />
chance to present their problems to the Montreal<br />
people.<br />
Strauss said that further discussions were<br />
held with the Quebec owners on the question<br />
of approaching the provincial authorities<br />
concerning attendance by juveniles.<br />
TOA executives also announced that the<br />
association recently incorporated the TOA<br />
Service Co., with Mel Lodge as manager. The<br />
service company operates as a buying and<br />
booking service for the independents.<br />
The meeting here was held in the Kerhulu<br />
restaurant and was a full one-day session.<br />
J. J. Fitzgibbons to Move<br />
To Home in California<br />
TORONTO—J. J. Fitzgibbons, president of<br />
Famous Players Canadian, and his wife have<br />
purchased a home at Arcadia, Calif., near<br />
Pasadena.<br />
Fitzgibbons said the move did not mean<br />
any change in his business affiliations, adding<br />
that he would become a "continental commuter,"<br />
although he would have an office<br />
in the Paramount Studio, Hollywood.<br />
"As much as anything," he said, "the<br />
change is intended to give Mrs. Fitzgibbons<br />
and me a chance to soak up a little more<br />
sun." There will be no change in the board<br />
of Famous Players or affiliated companies.<br />
For his work in international relations, Carl<br />
Schaeter. head of Warners' international press<br />
department, was inducted as a Chevalier of<br />
the French Legion of Honor.<br />
MONTREAL<br />
i<br />
"C Bode, owner of the Melody Theatre whici iP<br />
was recently opened on Milton Stret<br />
spent a few days on business in Toront<br />
Bode's theatre is under the supervision<br />
Nicolas Lacovitch and Paul Berzi, a cous<br />
of the owner, is the manager. Else Putz<br />
cashier. The 800-seat house will featu<br />
foreign films.<br />
Jack Bernstein, sales manager for Alii<br />
Artists of Canada, and Manny Manson, hei<br />
otfice International Film Distributors, visit<br />
. . E<br />
their respective Montreal offices to conf<br />
with Jo Oupcher, district manager .<br />
Cormier, sales representative for IFD, is<br />
a business trip to the Gaspe peninsula<br />
,<br />
Gilles Morin. IFD 16mm division, is travel!<br />
through Quebec province and the Maritii<br />
provinces . Levitt, sales representati<br />
for Columbia, toured Ottawa and district.<br />
Montreal premiere of the Marciano-Cock<br />
fight took place at the Princess . . . "Birth<br />
a Nation," D. W. Griffith's 40-year-old clas<br />
released through Peerless Films, v<br />
scheduled to be shown only three days I<br />
after a period of six days it is contiiiui<br />
on the bill.<br />
Leo Choquette of the Choquette circ; -i-r:<br />
will present Foto-Nite at his Bellerive Tljltlj<br />
atre, Valleyfield. Que. . Manna'^<br />
son of W. H. Mannard who is secreta> ;,<br />
treasurer of UACL, graduated from Mod ::<br />
University with a BS in Geology, with f;<br />
class honors . Roher, president I _<br />
Peerless Films, has left on a business '"<br />
tripf)<br />
Winnipeg. On his way back Roher will so ;[<br />
'.<br />
off at the company's Toronto office .<br />
Bertrand Frank, sales representative for I-<br />
pire-Universal, reported his trip throii<br />
Gaspe Peninsula was a success.<br />
Montreal's Beautification Week queen j<br />
chosen from the stage of Odeon's Champli<br />
Theatre. The young lady chosen was is<br />
Jacqueline Chantelois . the ausps<br />
of the Roman Catholic Cinema Centri*<br />
symposium was held under presidency itit;<br />
Father J. M. Poitevin. Several hundred d^|g|<br />
gates participated in the general discusilS.,<br />
J. M. RICE & COv Ltd.<br />
202 Canada Bldg.<br />
Telephone 93-5486<br />
Winnipeg, Manitoba<br />
10029 Jasper Ave.<br />
Telephone 28502<br />
Edmonton, Alberta<br />
35mm and 16mm Motion Picture and Sound Equipment<br />
EXPERT REPAIR DEPARTMENT<br />
Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />
Equipment and 3-D Equipment.<br />
Screens<br />
Arc Lamps<br />
Rectifiers<br />
Check This List and See Us Soon:<br />
Radio Tubes and<br />
Tungar Bulbs<br />
Theatre Chairs<br />
Carbons Q Lenses<br />
D Generators g Lamps Q Tickets<br />
Electrical Supplies Batteries<br />
during the symposium. Subject under 'icussion<br />
was entitled "Is Cinema an Op«<br />
or a Spiritual Uplift?"<br />
Hamilton's Fifth Ozoner,<br />
The Scenic, Is Opened<br />
HAMILTON, ONT.—The second drive-i:o<br />
open within a month was the Scenic on le<br />
Green Mountain road. This gives HamiiB<br />
a total of five ozoners of which two are uts<br />
of Famous Players Canadian.<br />
The Scenic is a project of A. Rosentg,<br />
who has operated drive-ins in other partsl<br />
Ontario in recent years. Feature for «<br />
opening was "King of the Khyber Rifles"<br />
there were free drinks for everyone atteni<br />
Each of the first 100 women also receivi'<br />
ballpoint pen.<br />
The theatre is equipped for CinemaS*<br />
and the Simplex projection and sound eqP*<br />
ment was supplied and installed by Gar a'<br />
Theatre Supply Co., Toronto.<br />
Cobourg, Ont., Airer Robbed<br />
COBOURG. ONT.—Safecrackers robbeche<br />
Midway Drive-In here of $1,900 recently, lis<br />
was the second robbery at the theatre, wcli<br />
is a unit of Allen's Premier Theatres. Ah'S'<br />
also has the roofed Park here.<br />
84 BOXOFFICE :<br />
: June 4
1<br />
Ai-ch<br />
; holiday<br />
. . . The<br />
. .<br />
. . Frank<br />
(ommand' 2nd Week<br />
Srong in Toronto<br />
it iNTU— strategic Air Command" ill<br />
...n continued strong in its second<br />
,, ii the Imperial, while "Daddy Long<br />
emained for a second week at Shea's.<br />
(Average Is 100)<br />
iton University—The Man Who Loved Redbds'<br />
(British) no<br />
Sd The Divided Heorf (JARO) 105<br />
rial— Strategic Air Command (Paro), 2nd wk..l30<br />
's The Prodigal MGM), 2nd wk 105<br />
Un—The Country Girl (Para), 3rd wk 100<br />
r>—A Priie ot Gold (Col) 105<br />
Daddy Long Legs (20th-Fox) 2nd wk...llO<br />
i—From Here to Eternity (Col), 2nd run 90<br />
Gate ot Hell (Harrison-Davidson) 110<br />
n—The Mon from Bitter Ridge (U-l) 105<br />
I'ckboard' Leads<br />
Vdcouver Grosses<br />
'.TOUVER—Business remaiiied sluggish<br />
;li plenty of outdoor competition. The<br />
also did not help. "The<br />
lid Jungle" led the town by a wide<br />
The fight pictures helped the Para-<br />
.1 better than average week. "A Man<br />
I'l'ter" in its fifth downtown week was<br />
East ot Eden WB), 2nd wk Average<br />
Three Hours to Kill (Col) Averoge<br />
The Blackboard Jungle (MGM) .. Excellent<br />
Stranger on Horseback (UA);<br />
rc.ono-Cockell Fight (UA) Good<br />
A Man Called Peter (20th-Fox),<br />
t wk Fair<br />
End of the Affair (Col) Fair<br />
Ugetsu (IFD) Moderate<br />
Ma and Pa Kettle at Woikiki (U-l) .. Average<br />
Ctnada Musical Society<br />
Hlds Executive Confab<br />
)RONTO—An executive meeting of the<br />
M ical Protective Society of Canada was<br />
"/ednesday (1) at the King Edward<br />
',1th President S. G. Simpson, presid-<br />
111 lu i^et the lowdown on the recent hear-<br />
In; in Ottawa of the Royal Commission on<br />
Ci .'rights and Trademarks, headed by<br />
Ji ice J. L. Ilsley.<br />
one of its sessions in Ottawa. W. S.<br />
Lc general manager of the Composers.<br />
Anors and Publishers Ass'n of Canada, told<br />
tK commission that the Musical Pi'otective<br />
Kety had "never been known to promote<br />
orlncourage the development of Canadian<br />
mic."<br />
supporters the<br />
le of the principal of<br />
was the Canadian Ass'n of Radio and<br />
soi'ty<br />
Tt vision Broadcasters, Low asserted, after<br />
ki .<br />
th a.ssociation had argued that it was difficii<br />
to know who would be claiming performin<br />
1 ight fees because radio stations never<br />
who owned the copyright. Low de-<br />
^ I d that CAPAC had registered 300,000<br />
itions with the copyright office in<br />
H. Jolley represents the motion<br />
theatres in the Musical Protective<br />
of which he is vice-president.<br />
Petitcodiac House<br />
S 11<br />
rriTCODIAC, N. B.—The Corner Theatre<br />
hcibeen sold, and Lloyd Pollock, who owned<br />
Jt, as taken over what has been known as<br />
th Burlington Hotel.<br />
VANCOUVER<br />
'Dob Lightstone, Paramount manager, and<br />
Mike Stevenson, office manager, returned<br />
from Toronto where they attended a regional<br />
sales convention . . . Piojectionists Local 348<br />
is including a pension plan in its new contract<br />
with the circuits. The present agreement expires<br />
Mac Smee resigned as<br />
August 31 . . . assistant manager at the Orpheum and is<br />
moving to Edmonton, .succeeded by Warick<br />
Johnson, former Odeon manager . . . Donna<br />
Peterson, formerly at the Orpheum, is now<br />
cashier at the International Cinema . . .<br />
Orville Burrell, veteran projectionist, has<br />
been appointed production manager at Ti-ans-<br />
Canada Films, according to Wally Hamilton,<br />
president.<br />
Paul Garden, FPCC district booker for Alberta,<br />
lost his father, who died in Calgary .<br />
Don Hanna of the Orpheum floor staff resigned<br />
to be a lifeguard at a local beach<br />
for the summer . . . Haskell Masters, Warner<br />
Bros, Canadian general manager, hosted local<br />
executives and managers at a luncheon on his<br />
The Green Acres Drive-In<br />
recent visit . . .<br />
near Lethbrldge, Alta., installed 'Vista'Vision<br />
mother of Bob Phaser, manager of<br />
the Odeon in 'West Vancouver, died at North<br />
Vancouver Hospital.<br />
Len Keene of the Hastings and Ed Newton<br />
of the Vogue ai'e acting as relief managers<br />
for Odeon over the summer vacations . . .<br />
Joe Garfin, former Calgary manager for<br />
Empire-Universal, was promoted to the<br />
Toronto branch in the same capacity , .<br />
.<br />
FPC will build a new theatre in the North<br />
For professional answers "H<br />
to hundreds of DRIVE-IN )<br />
problems you need this ... J<br />
. . Fi-ed Steffin, owner of the<br />
John Cummings,<br />
Hill section of Calgary . . .<br />
former projectionist at the Rex in Regina,<br />
died in Winnipeg. He was 41 and was the<br />
brother-in-law of Jack Watson, who operates<br />
the Grand and Rex at Regina in partnership<br />
with FPC .<br />
Century, Bonnyville, Alta., will build a theatre<br />
in the interior town of Penticton, B. C. It<br />
will be in opposition to the FPC Capitol.<br />
Hugh Vassos will build a 700-seat theatre at<br />
Melville, Sask., to 'oe called the Paragon. It<br />
will be competition to the Prince.ss and Roxy.<br />
which have a combined seating capacity of<br />
1.020 . . . The east side Rex installed Vista-<br />
Vision . . . Jim Davie, RKO manager, helps<br />
promote the Greater Vancouver Operatic<br />
Society in his spare time . . . Eai'I Hill, former<br />
city band leader who led his own bands at<br />
the Orpheum and Strand theatres, died here<br />
in his 67th year.<br />
Kenneth Winkles of London, England, joint<br />
assistant managing director of JARO, was<br />
in on his first visit to the Pacific division. He<br />
was accompaned by C. R. B. Salmon of<br />
Toronto, vice-president of Odeon Theatres,<br />
and Gerry Sutherland, British Columbia district<br />
manager . Gow, FPCC division<br />
manager, reports that suburban business<br />
in its Vancouver houses is far off, and<br />
that it has closed its 763-seat Capitol in<br />
Kamloops, which leaves the railroad town<br />
with one theatre, the Paramount, a 1,000-<br />
seater which opened this year.<br />
The new title of 20th-Fox's "Raleigh and<br />
the Virgin Queen" is "The Virgin Queen."<br />
features<br />
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.<br />
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T eatre Was Needed<br />
HKUSP, B. C—For the past five years<br />
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BOXOFFICE<br />
(In Cwada add 26c. .Forei^ add 50c) 825 Van Brunt Blvd. Kansos City 24, Mo.<br />
June 4, 1955 85<br />
BC DFFICE : :
. .<br />
. . The<br />
. . Manitoba<br />
. . Bob<br />
. . . James<br />
.<br />
TORONTO<br />
pjcnry L. Nathanson, president of MGM<br />
Canada, was host Thursday i2) for<br />
formal opening of the company's new offi<br />
building, designed by Kaplan & Spracl<br />
and located at Victoria a:id Gould streets<br />
Variety Tent 28 met Monday night (30)<br />
hear reports on the recent George FormI<br />
six-night benefit tour in aid of Variety Vi<br />
lage school, through which $13,500 was<br />
for the heart fund. The barker:; also<br />
cussed plans for the annual Variety benel<br />
baseball game some four weeks hence<br />
Back after a six-week tour of Europe dli<br />
ing which he attended the Cannes Film<br />
:<br />
CANADl \Ns M riM) AUiM Mil: I INC— Amiin;; the record 401 exhibitors attending<br />
the recent MOM ticket selling workshop in Alinneapolis were these from Canada.<br />
Top photo, left to right: Hymie Schwartz, Rothstein circuit; Harold A. Bishop, supervisor,<br />
Famous Players, Winnipeg; Misho Triller, Dominion Theatre, Winnipeg; Robert<br />
U. Hurwitz, Starland, Fox Bijou and Regent, Winnipeg; Richard S. Miles, general<br />
manager, Western Theatres, Winnipeg, and Abe G. Levy, branch manager, Winnipeg.<br />
Bottom: Marcus Trester, Winnipeg exchange; Eddie Newman, Metropolitan, Winnipeg;<br />
Harry Prygrocki, Kings and Classic theatres, Winnipeg; Lou Miles, Grand, Winnipeg;<br />
Dave Carr, Oak, Winnipeg, and Lyric, Minnedosa, Man.; Fred Polenske, Fort and<br />
Royal, Fort Frances, Ont., and Levy.<br />
WINNIPEG<br />
pill and Fred Welykholowa of the Capitol<br />
and Elite, Kamsack, Sask., have purchased<br />
the Sunset Drive-In from Charlie Krupp and<br />
hi.s associates. The Sunset is located just<br />
outside of Kamsack and possibly will reopen<br />
June 9 or 10. The new owners are making<br />
plans to increase concession business .<br />
President of Peerless Films, Jack Roher is<br />
being accompanied by Sales Manager Joe<br />
Bermack on a trip west. Roher said that<br />
"Birth of a Nation" is doing phenomenal<br />
business in Montreal. Roher headquarters in<br />
the Montreal office, while Bermack heads the<br />
Toronto office and manages all western sales.<br />
The annual motion picture industry picnic<br />
will be held this year July 24 at the Maple<br />
Grove beach. Proceeds from program advertising<br />
usually go to the benevolent fund of<br />
the Canadian Picture Pioneers. Highlights<br />
I<br />
I<br />
^<br />
THEATRE<br />
FOR SALE<br />
YES! 8,500 LATE MODEL<br />
USED OR RECONDITIONED<br />
Also new British-Luxury Chairs available<br />
CHAIRS<br />
Spring edge steel bottom seat custiions ond<br />
tully<br />
uptiolstered bocks—spring back types also.<br />
Carpeting, asphalt, rubber. Vinyl tiles and<br />
linoleum<br />
WE ARE FACTORY AGENTS-<br />
AT BARGAIN PRICES<br />
"LA SALLE"<br />
RECREATIONS, Ltd.<br />
Tlieatre Cliairs, Carpet, Linoleum and Tile Division.<br />
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MARINE 5034-5428<br />
of the event are the baseball game and the<br />
Ernie Diamond<br />
bathing beauty contest . . .<br />
has revived an old technique in getting patrons<br />
into the Rialto in an effort to revive<br />
his receipts. From seven to nine in the evening,<br />
Diamond walks along the Portage avenue<br />
sidewalk in front of his house and greets<br />
passersby, passes the time of day with them<br />
and suggests they go in and see the program.<br />
Diamond says, "you would be surprised at the<br />
large number of couples eventually finding<br />
their way to the boxoffice and entering the<br />
theatre—this casual 'soliciting' really pays<br />
off." For his engagement of International's<br />
"Children of Love," Diamond employed<br />
sandwich board walkers to traverse the<br />
heavily populated shoppers sidewalks between<br />
Eaton's and the Bay.<br />
Paramount Manager Syl Gunn, salesman<br />
Norman Simpson and office manager Alf<br />
Glass journeyed to Toronto for the amiual<br />
Paramount sales meeting . exhibitors<br />
intending to be present at the annual<br />
general meeting of the Manitoba Motion<br />
Picture Exhibitors Ass'n on Monday il3i<br />
and wishing hotel reservations are asked to<br />
communicate with Secretary Ken Beach, who<br />
will gladly make the arrangements for them.<br />
Letters to Beach should be addressed, care<br />
of Western Theatres, 300 New Hargrave Bldg.,<br />
Winnipeg.<br />
Max Shnier gave free Davy Crockett hats<br />
to all kiddies attending one Friday evening<br />
at the Circus Drive-In . Hurwitz<br />
didn't sell any children's tickets during his<br />
engagement of "Anna" and "Bitter Rice" at<br />
the Fox . Northmain Drive-In, besides<br />
a cash giveaway of $1,000 every Tuesday<br />
and Thursday, also gives away a 52-<br />
piece silverware set every Wednesday, and<br />
has a guessing contest involving the number<br />
of days a flagpole sitter will stay up there.<br />
Romantic Lead in 'One Night'<br />
The romantic male lead opposite June<br />
Allyson in Colutnbia's "It Happened 0:ie<br />
Night" has been assigned to Jack Lemmon,<br />
tival, Richard Newman ha.s resumed his I<br />
Beat column in the London, Ont., Free<br />
R. Nairn, head office advert!<br />
manager for Famous Players, has been bu<br />
with the special campaign for the introdu<br />
tion of VistaVi.^ion with "Strategic Air Co<br />
m-and" at the Toronto Imperial. The<br />
paign included display advertising in a nu<br />
ber of key daily newspapers in cities<br />
Ontario.<br />
Manager W. J. Burke of the Brantfl<br />
Capitol staged a stirring treasure hunt<br />
the engagement of "Long John Silve<br />
through the distribution of keys at stores<br />
cooperatirig merchants who donated pris<br />
which went to those who had the right opent:<br />
at the lobby display . . . J. D. McCuUoc<br />
owner of the Iroquois, Petrolia, and ps<br />
president of the Motion Picture Theatii<br />
Ass'n of Ontario, has urged small-town e<br />
hibitors to make use of the ticket-selU,<br />
plan for gift occasions. He pointed out th<br />
one school teacher bought 35 tickets as<br />
treat for her pupils yearly.<br />
George Cuthbert, general manager of Ge<br />
eral Theatre Supply Co., Toronto, is getti;<br />
a hand for the perfect VistaVision instal!<br />
tion in the Toronto Imperial, where the n<br />
image measures 1,377 square feet compai<br />
with 810 square feet for the previous screi<br />
The new dimensions are 54x28 feet<br />
Allward & Gouinlock, Toronto architet<br />
have completed blueprints for the 1,200-si<br />
unit, which Odeon will build in the Don M<br />
area here.<br />
David Ongley, an officer of Canadian P<br />
ture Pioneers for some years, was elec'<br />
president of the Dominion Drama Festival<br />
its Regina meeting.<br />
. . . Maul<br />
Manager W. C. Tyers of the Toro<br />
Hyland, who is leading the Odeon 1955 mi<br />
agers showmanship competition, receiveti<br />
delegation from the Margaret Eaton chap<br />
Imperial Order Daughters of the Empire,<br />
presentation of a painting of Queen Elizab<br />
to be hung in the theatre<br />
Weldon, manager of the 400 Drive-Xn,<br />
happy with the installation of a Cini<br />
Scope screen, the first for a Toronto 01<br />
• Everything for the theatr\<br />
EXPERT REPAIR!<br />
for All Makes of Projector<br />
We Sell and Service<br />
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SHARPS THEATRE SUPPLIES,Lfl<br />
Phones: 2-4076<br />
change Bldg.<br />
nd 2-7266<br />
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86 BOXOFFICE
'"...ciL^K. • cauuime^ • C«HC£44i9HA, • 47tu*itUuL*ice.<br />
JUNE 4. 1955<br />
SECTION Of BOXOFFICE<br />
The children's playground<br />
is an accepted<br />
and necessary part of<br />
drive-in theatre operation,<br />
serving to entertain<br />
the youngsters and get<br />
the family out early for<br />
the show .<br />
. . which<br />
helps the concessions<br />
business. This is one<br />
of two playgrounds at<br />
Hugh Bruen's new Sundown<br />
Drive-In Theatre,<br />
Whittier, Calif. This<br />
one in front of the<br />
screen tower is fenced<br />
in from the ramp area,<br />
and the other one is<br />
located directly behind<br />
the snack bar.<br />
Both playgrounds<br />
are equipped<br />
with swings, slides and<br />
merry - go - rounds, and<br />
comfortable benches for<br />
parents. The 1 ,000 -car<br />
Sundown was built at a<br />
cost of $460,000, including<br />
equipment.<br />
featuring
50,000,000 times a day . . .<br />
IT'S A MATTER OF<br />
Coca-Cola is the most asked-for<br />
soft drink at service stations!*<br />
1 . When motorists pause to refresh<br />
2 . These same people look for their<br />
and refill, they prefer Coke — by more<br />
favorite beverage in theatres, too.<br />
than 2V2 to 1 over the next three<br />
soft drinks combined.<br />
;: b IP r^ b £ \r\<br />
SELL<br />
em<br />
for extra<br />
profit<br />
Of theatres handling<br />
beverages,<br />
3. When yon feature Coca-Cola,<br />
you profit from America's preference.<br />
more than 3 out of 4 sell<br />
Coke!<br />
•1954 surveys by Alfred Politz Research, Inc.
7<br />
%j,Md<br />
&<br />
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that's both efficient and economical . . . the<br />
latest, advanced RCA Dyn-Arcs for the maximum<br />
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feet wide.<br />
RCA Wide-Arcs and Dyn-Arcs give more light per<br />
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With a large, high-speed reflector, RCA Projection<br />
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BC OFFICE : : June 4, 1955
YOUR NEXT PROJECTORS TO<br />
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Motiograph projectors have a reputation of lasting practically forever.<br />
Hundreds of the popular Model f*, produced over 30 years ago, are still in use<br />
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New improved models have been introduced regularly for nigh onto 60 years, but Motio*<br />
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whether you buy projectors, sound systems, in-car speakers, arc lamps, motor-generators, or rectifiers,<br />
it pays to look to the oldest manufacturer of theatre equipment for your requirements.<br />
Your Motiograph dealer will arrange a demonstration and explain a liberal financing plan.<br />
The MODERN THEATRE SECION
,<br />
.<br />
Eost<br />
J N E 4, 19 5 5<br />
o n t n t<br />
Give Them Variety Frances Clow 8<br />
The Separate Kiddyland a Draw for Drive-In /. L. Thatcher 12<br />
Go After Today's Kids Jack D. Braunagel 14<br />
New Kiddie Rides on the Market 17<br />
All Rides Are Free in This Kiddyland David F. Barrett 18<br />
Miniature Train Exact Copy of Real One 22<br />
An Expert Tells How to Avoid Trouble With Septic Tanks<br />
in Drive-Ins George M. Petersen 24<br />
Beauty Treatment for Boston Art House Frances Harding 32<br />
Pizza— Hot Food Item With High Profit Angle Philip L. Lowe 37<br />
Cafeteria Operation Gives Timid Patron<br />
Equal Opportunity Brian Coyne 43<br />
Quit Worrying About Ice Deliveries 46<br />
Theatre Maintenance Questions and Answers Dave E. Smalley 50<br />
Step-by-Step Servicing of Sound Systems „ Wesley Trout 52<br />
DEPARTMENTS:<br />
Refreshment Service 37 New Equipment and<br />
Projection and Sound 52 Developments 63<br />
Readers' Service Bureau 59 About People and Product 66<br />
Advertising Index 60 Literature 68<br />
ON THE COVER<br />
The spacious, well-laid out playground in front of the screen<br />
tower in Hugh Bruen's neio Sundown Theatre. Whittier, Calif., is a<br />
model installation. The area is fenced in and provided with benches<br />
parents.<br />
tor<br />
IHE kiddyland in the drive-in<br />
tj-ieatre has proved a natural nucleus<br />
(or the growth of the outdoor recreation<br />
center offering multiple amusements for<br />
both children and adults. As exhibitors<br />
found the kiddyland prospering and<br />
proving a drawing card for the theatre<br />
operation, they have added, sometimes<br />
one crt a time, sometimes several at a<br />
time, new elements such as golf driving<br />
ranges, miniature golf, swimming<br />
pools, roller skating rinks, archery<br />
courses, ping pong setups, zoos, etc.<br />
People are drawn to such amusement<br />
centers because of the opportunity<br />
to enjoy many recreational pleassures<br />
in one location, which invariably<br />
provides ample parking facilities. Another<br />
factor cited for the success of<br />
such play centers is the desire for active<br />
participation in amusement activities,<br />
which has greatly increased, and<br />
which may be satisfied in the one-stop,<br />
multi-unit spots.<br />
In this issue there is an article about<br />
a multiple amusement center in Chicago<br />
which started with a drive-in theatre<br />
kiddyland and gradually has extended<br />
its operations to cover a wide<br />
field of adult amusements. It has<br />
proved most successful as an adjunct<br />
to the theatre as well as profitable in<br />
itself. Of particular interest to other<br />
exhibitors is the fact that this theatre's<br />
experience proves that it is not essential<br />
to start out with a full-fledged operation<br />
requiring a big investment.<br />
With regard to kiddylands alone, two<br />
other articles should be pointed out:<br />
one which discusses the value of a free<br />
kiddyland within' the confines of the<br />
drive-in theatre, and the other which<br />
stresses the reciprocal advantages of<br />
a separate, commercial kiddyland operated<br />
in conjunction with the theatre.<br />
L. THATCHER. Managing Editor<br />
I<br />
The MODERN THEATRE Section of BOXOFFICE is included m the first issue of eacn montti<br />
Editorial or general business corresoondence should be addressed to Associated Publicotions,<br />
825 Van Brunt Blvd.. Konsas City 24, Mo. Eastern ReDresentative: A. J. Stocker, 9 Rockefeller<br />
Plazo, New York 20, N. Y.; Central Representatives: Ewing Hutchison and E. E. Yeck, 35<br />
Wacker Drive, Chicago ' III.; Western Representative: Bob Wettstein, 672 South<br />
Lafayette Pork Place, Los Angeles 5, Colif<br />
ill
a ^ ai ai *ii nfi xt.®j.«i k i ^^m.<br />
Giue<br />
Them<br />
UflRIETV<br />
Miniature Goli Driving Range^ Skating Rii<br />
Chicago drive-in offers<br />
resort efitertaitiment to<br />
patrons at minimum<br />
cost^ near their homes<br />
Gayety seems to be in the very air in this picture of<br />
In Theatre. The course now consists of 18 holes<br />
summer the course will be increased to 36 holes. The price to fc; charged for the enlarged course has nc<br />
yet been determined. The course has proved a real attraction to patrons.<br />
by<br />
FRANCES CLOW<br />
W HEN MANY of the outdoor theatres<br />
in the Chicagoland area went in for<br />
patron - pulling attractions, the Starlite<br />
Drive-In, located at 6500 West 95th<br />
Street, drew up plans for what is developing<br />
into one of the biggest programs in the<br />
realm of outdoor theatre operation.<br />
Under the direction of Stanford Kohlberg,<br />
owner of the Starlite, a children's<br />
playground represented the initial start.<br />
This project, living up to its name of<br />
"Kiddie Land," is still in the process of<br />
being glorified as an amusement center for<br />
the younger set. A program of improvements<br />
and additions is almost constantly<br />
in progress.<br />
EXPAND ADULT ACTIVITIES<br />
The expansion of "extracurricular interests"<br />
for adults, also considered a major<br />
feature of what the Starlite wants to offer<br />
patrons, is nearly complete. Kohlberg said<br />
they have made a substantial inroad as far<br />
as their amusement program is concerned,<br />
but from time to time they put new ideas to<br />
work. He added that by taking their time<br />
about lining up the attractions, they are<br />
accomplishing their aims and at the same<br />
time operation at no time has to be suspended.<br />
Ever since Kohlberg took over the management<br />
of the Starlite and subsequently<br />
ownership, he has put a big share of effort<br />
into building an amusement arena for<br />
children. Equipped with a wide variety of<br />
The Starlite golf driving range, the first entertainment feature furnished for adult patrons, is<br />
in front of the theatre and adjacent to a refreshment concession. The theatre's owner believes that ml i<br />
people come to the theatre because of the driving range. Pails of golf balls sell for 50 cents to'<br />
dollar. Owner Kohlberg believes the range brings many new patrons to the theatre.<br />
entertainment features, Kiddie Land is<br />
fenced off right in the center of the Starlite<br />
lot. The central placement, Kohlberg<br />
explained, has a prime advantage for adult<br />
patrons who visit the drive-in for a relaxing<br />
evening and yet can keep an eye<br />
on their children with a minimum of effort.<br />
According to Kohlberg, this objective<br />
has been satisfactorily accomplished.<br />
At the same time they had to consider<br />
the disadvantages of a centrally located<br />
playground, such as noises from mechaical<br />
rides and accompanying music. Ko:-<br />
berg stated drawbacks of this nature hiJ<br />
been quite simply solved. The playgroul<br />
is thrown wide open two and a half ho'S<br />
before the show starts. Then, once ''<br />
movie begins. Kiddie Land is closed, sJ<br />
reopened only during the first 30-minC<br />
Intermission period.<br />
Those passing by the Starlite Drivetal<br />
gain the Impression that the theatre Wj<br />
8 The MODERN THEATRE SECTIB
s;back Riding. Arcade and Kiddyland-AII in One Drive-ln Layout<br />
r<br />
i- past winter an ice skating rink was installed at the Starlite<br />
Theatre, and regular theatre patrons as well as skating fans<br />
ayfjfnude extensive use of the facilities. The theatre stays open<br />
hro hout the winter season.<br />
Th's photo shows the roadside location of the driving range and the driving range<br />
lefreshment stand at the right which serves highway patrons as well as theatre and<br />
d-ivinj range customers. The range is open every day in the week, from 10 a.m. to<br />
12 p m. Mondays through Fridays and from 7 a.m. to /2 p.m. Saturdays and Sundays.<br />
^hercade is a new attraction for the 1955 season at the Starlite. As<br />
he gn says the coin-in-the-slot machines offer plenty of entertainner<br />
for both young and old. It has proved to be very popular with<br />
lati of the drive-in theatre.<br />
s<br />
The principal kiddyland at the Starlite is fenced in the center of the theatre, and<br />
is equipped with merry-go-round, swings, slides, etc. The photo above shows a 1955<br />
extension of the kiddyland. A merry-go-round and a ferris wheel have been added for<br />
pint-sized patrons. Rides are five cents.<br />
with a good old fashioned carnival<br />
riiere's plenty there to keep kids<br />
ro, five to fifteen years of age enterall<br />
d. An electrically operated merry-gooul,<br />
hobby horse rides, two power-con-<br />
W) d miracle whirls and giant elephant<br />
Uc make up the permanent equipment,<br />
ill which was supplied by Miracle Whirl<br />
5al;<br />
Co.<br />
^w last year were the bucking bunny<br />
inciirplane rides. These unique playtime<br />
tinucks, installed under lease by the<br />
naifacturer, the Carousel Amusement<br />
•Cure mounted to fences, and operated<br />
>y:otors which are installed behind the<br />
en<br />
,<br />
thus keeping riders entirely free<br />
ro; any possible harm which might result<br />
ro contact with mechanical apparatus.<br />
^ double precaution, attendants are al-<br />
^fa;<br />
on hand to help guide the children.<br />
Wt.dants are particularly careful about<br />
falling and scheduling riders on the<br />
Staite's four popular ponies.<br />
t.hlberg stated the Starlite management<br />
held some serious debates as to whether<br />
they should make a nominal charge for<br />
any and all rides. Ti-ial answered this<br />
question. To avoid the confusion of monopoly,<br />
particularly over the weekends,<br />
when between 800 and a thousand children<br />
simultaneously seem to be clamoring for<br />
rides, a charge of five cents per ride is<br />
made except for the bucking bunnies, which<br />
bring 10 cents.<br />
The Starlite golf driving range was<br />
started more or less as an experiment last<br />
year. Its popularity gained so rapidly that<br />
this year they arranged to add such features<br />
as a batting range, outdoor ping pong<br />
and a 36-hole miniature golf course. As is<br />
the case with Kiddie Land, the attractions<br />
for grownups are handily located, in this<br />
case directly in front of the theatre proper.<br />
According to Kohlberg, they have every<br />
reason to believe that more people actually<br />
came to see the Starlite's movie attractions<br />
because of the driving range, despite the<br />
fact that pails of golf balls cost from 50<br />
cents to a dollar. So far this season the<br />
miniature golf course consists of 18 holes,<br />
and a fee of 50 cents is charged for this<br />
sport. How much they will charge for playing<br />
the full course when it is completed late<br />
this summer, is still a matter of discussion.<br />
Kohlberg said it is possible a charge of<br />
from 25 to 50 cents will be made for ping<br />
pong, although this project is still undergoing<br />
some changes.<br />
This past winter an ice skating rink was<br />
installed. The Starlite management decided<br />
last year to operate throughout the<br />
winter, and with the aid of an unusually<br />
good winter, they found this operation<br />
profitable. Even so, if the weather is too<br />
bad for showing a movie, regular patrons<br />
and skating enthusiasts seemed glad to<br />
avail themselves of this diversion.<br />
Kohlberg stated they aim to furnish all<br />
the conveniences of a resort. They feel they<br />
are supplying facilities which will give<br />
Starlite habitants the pleasures of a week-<br />
Continued on following page<br />
JOjffice :: June 4, 1955
GIVE THEM VARIETY<br />
Continued from preceding page<br />
end vacation, without going too far from<br />
home and at a minimum cost.<br />
Newest innovations are an arcade and<br />
facilities for horseback riders and motorcyclists.<br />
There's a special section for motorcycles<br />
and a rack for horses. Free hay is<br />
provided for the horses. Admission for<br />
horses is free, but the rider needs a 50-<br />
cent ticket. The Starlite has its own refreshment<br />
concessions, but when the owners<br />
discovered people were bringing lunches<br />
from home, they started installing barbecue<br />
ovens and 200 picnic tables.<br />
A LANDSCAPING PROGRAM<br />
"We are always thinking of our patrons."<br />
Kohlberg declared. "Not only are we providing<br />
plenty for old and young alike to<br />
do," he added, "but we are beautifying the<br />
Starlite grounds for their pleasure." To<br />
bear this out, at least in part, they have<br />
begun landscaping to the extent of 250<br />
poplar trees and 80 bushes. A fence, seven<br />
feet high, which surrounds the entire area<br />
on which the Starlite is located, furnishes<br />
both class and privacy. Kohlberg mentioned<br />
that they have something of an advantage<br />
as far as landscaping is concerned . . . Starlite<br />
Drive-In, Inc. owns 87 acres of land<br />
adjoining the drive-in property, and therefore<br />
they have access to shrubbery and the<br />
able caretakers. As a matter of fact, all<br />
the planning and work done is undertaken<br />
by Starlite forces. Only the electrical work<br />
was done by outside forces.<br />
The daylight saving time observed in the<br />
Chicagoland area presented a problem,<br />
Kohlberg said. To combat this they have<br />
such added attractions as vaudeville acts<br />
and jitterbug contests. Between June first<br />
and perhaps mid-September, five vaudeville<br />
acts are presented on the heavy nights,<br />
such as Friday, Saturday, Sunday and<br />
Wednesdays. The jitterbug contests, filling<br />
in the daylight time on the remaining<br />
nights, require special orchestra music, also<br />
supplied by Starlite. This entertainment,<br />
Kohlberg said, brings in a sizeable number<br />
of people as early as 7:00 P.M., which is<br />
an hour and a half before the movie starts.<br />
INSTALLED<br />
WIDESCREEN<br />
Last October, a 135-foot Cinemascope<br />
screen was installed.<br />
Kohlberg said there has been considerable<br />
speculation as to whether or not the<br />
policy of varied entertainment at the Starlite<br />
pays. He said this can best be answered<br />
by the fact that they increased<br />
admission from $1.00 to $1.25. This new<br />
price, he added, even went into effect before<br />
the new Cinemascope screen was put<br />
in. Right now, the Starlite can accommodate<br />
2.000 cars; next they will provide for<br />
900 additional cars.<br />
Policy and concession announcements by<br />
tape recording free the manager to circulate<br />
among the patrons at intermission.<br />
A corner view of Starlite Drive-in's kiddyland presents a good view of the electrically controlled met<br />
go-round immediately back of one of the giant slides. Also shown, to the left, are airplane ride chairs, a<br />
in the foreground is a power controlled Miracle Whirl.<br />
Strange looking little animals which appear to be clinging to the fence at the Starlite Drive-In I 'j<br />
what is called a "Bucking Bunny" ride to youngsters visiting the outdoor theatre. The bucking fcuni<br />
were installed under lease by the Carousel Amusenent Co.<br />
Play Facilities a Profitable Enterprin<br />
The commercial value of kiddylands and<br />
amusement centers is pointed up by the<br />
startling investment of $9,000,000 in Disneyland,<br />
the 160-acre installation now<br />
nearing completion in Anaheim, Calif. It<br />
will, in addition to having a kiddyland,<br />
have a world's fair and a museum, thus<br />
extending its interest to adults.<br />
American manufacturing companies,<br />
aware of a powerful advertising medium,<br />
will add to the investment another $8,000,-<br />
000 for j>ermanent exhibits. Di-sney expects<br />
an attendance of 5,000,000.<br />
Management of shopping centers has<br />
also realized the money value of amusement<br />
centers, and most of the shopping<br />
centers being designed today incorporate<br />
this feature. Allied Stores, a national department<br />
store chain, is planning amusement<br />
centers in all seven of its new shopping<br />
centers. It already has three. In te<br />
of the new centers there will be a kidjland,<br />
an ice rink and a 500-seat auditorin.<br />
A miniature golf course is contemplate<<br />
Even downtown city merchants, havg<br />
witnessed the success of the shopping ftter<br />
playground as a means of building i
ip<br />
I<br />
!<br />
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I The Miracle Star-Gazer is a terrific traffic-builder for<br />
cnmercial playgrounds or amusement parks. Not too large,<br />
n too small . . . the Miracle Star-Gazer is just the right<br />
si; for children of all ages! The motor operates the ride<br />
yih power to spore through a Dodge reduction gear which<br />
i; sealed in oil. A safety factor in this reduction gear<br />
p'vents the ride from ever moving backwards. The Miracle<br />
S r-Gozer also features a safety brake and safety-lock<br />
Sits. The frame is painted black and white in our popul(<br />
candy stripe design which contrasts beautifully with<br />
tl bright pink seats. The Miracle Star-Gazer is so new,<br />
Si.unusual and so appealing, it will pay<br />
^ 1 O A A<br />
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I W w W<br />
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PONY RIDE<br />
• The Miracle Pony Ride is the ideal merry-go-round for<br />
any commercial playground. Two experienced men can easily<br />
set it up or take it down in less than an hour's time. The<br />
heaviest single piece weighs only 140 lbs. and the entire unit<br />
can be loaded on a small truck. No greasing or motor<br />
maintenance; all-steel framework and platform require<br />
little or no upkeep. Colorful cast-iron or fibreglass<br />
ponies outlast wooden models by years and always look<br />
more attractive. The Miracle Pony Ride is a tested trafficbuilder<br />
that provides safe, popular entertainment<br />
for youngsters of all ages.<br />
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Nome ..<br />
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City<br />
B( OFFICE :<br />
: June 4, 1955 II
I<br />
This Kiddie Karnival is located about 300 yards from the Belt Drive-ln Theatre, St. Joseph, Mo., and is operated by a subsidiary of the Durv/ood<br />
circuit, owner of the theatre. It offers pony rides, a Fargo Express coach ride, train ride, merry-go-round and other motorized rides. Every child<br />
attending the theatre is given two free tickets for kiddyland rides, and this creates a reciprocal advantage.<br />
THE SEPARATE KIDDYLAND A DRAW FOR DRIVE-<br />
Bofh Children and Adults Attracted by Carnival-Type Rides<br />
And Theatre and Playland Profit Mutually by Proximity<br />
By I.<br />
L THATCHER<br />
I BELIEVE I'LL HOLD MY KID," sayS<br />
Dad with a sheepish grin, fooling no one<br />
but himself, as he takes a seat in the<br />
miniature train beside the youngster.<br />
Ed Gardiner, manager of the Kiddie<br />
Karnival adjoining the Belt Drive-In Theatre,<br />
St. Joseph, Mo., has heard that remark<br />
innumerable times, and not only<br />
from Dad, but from other adult members<br />
of the family, including grandparents.<br />
KIDDYLAND BRINGS PEOPLE OUT<br />
"We have as many adults as children<br />
on the train and the merry-go-round,"<br />
Gardiner said. "There's no doubt that<br />
a kiddyland has a big appeal for both.<br />
The kiddyland brings many people out who<br />
are not regular patrons of the drive-in but<br />
once there they finish off the evening in<br />
the theatre. Others who are regular patrons<br />
come out an hour before showtime<br />
to enjoy the rides. A kiddyland is a big<br />
investment, but it brings people out to the<br />
theatre location, and the combination is<br />
mutually advantageous."<br />
Every child attending the drive-in theatre<br />
is given two free tickets for kiddyland<br />
rides, and this brings patrons of the theatre<br />
over to the play area.<br />
"People follow the crowd," Gardiner<br />
commented, "so the kiddyland thus benefits<br />
from the theatre trade."<br />
The Kiddie Karnival is located 300 yards<br />
from the Belt Drive-In which is also managed<br />
by Gardiner.<br />
Kiddie Karnival presents a dazzling sight<br />
at night with an all-electric, double-faced,<br />
50-foot sign mounted on top of the concessions<br />
building. This sign, using 400 lights,<br />
was made by St. Joseph employes of the<br />
Durwood circuit, owner of the properties,<br />
during the winter.<br />
The fairyland spectacle is enhanced by<br />
festoon lighting, hung from a centerpole to<br />
poles at the four corners. The poles are<br />
galvanized iron, set in concrete and insulated,<br />
the center one being 36 feet out of<br />
the ground. Five hundred, ten-watt, insidefrosted<br />
lamp bulbs are used.<br />
Organ music is amplified all over th<br />
park to add to the carnival spirit.<br />
The merry-go-round is first in popularit<br />
at the Kiddie Karnival, with the minis;<br />
ture train and the pony rides sharing sec<br />
ond honors. The train, consisting of thrf<br />
large coaches, each seating 12 persons, hi<br />
a precision gasoline motor and cost aboi<br />
$10,000 complete with track. Every pn<br />
caution is taken for the safety of tl<br />
children and the man who runs the train r<br />
instructed to stop the train if a child stani^<br />
up in a coach and bring the youngster i<br />
to the seat behind him. The train is n,<br />
at a moderate 20 miles an hour.<br />
LEASE OUT PONY RIDES<br />
'i'^k<br />
The first season Gardiner operated tl^.fl65(|i<br />
pony rides the theatre had six ponies \'ljj(<br />
its own, but the job of caring for them w (i^jj^^<br />
too much, so now he leases out the poi- (ij^<br />
concession. The ponies are enclosed in! , f.^^<br />
chain link fence, four feet high to prevei s:.^<br />
children from patting them while they b< i\<br />
in their stalls, and the pony trail is 6' (.<br />
-'«Pr(<br />
12<br />
Tho MODERN THEATHE SECTKf
.<br />
I<br />
lilies<br />
.. (Hiimsters<br />
, man<br />
; 1 I ponies<br />
and<br />
located<br />
i<br />
u<br />
; vp<br />
i<br />
he<br />
1 .iffic<br />
1 each<br />
I i The<br />
i III a white fence all the way around.<br />
are ten cents, and there are<br />
vdiivu on the pony rides; they walk<br />
1-0 id with the kids if desired.<br />
I ;i vpar a new pony ring was laid out<br />
he road from the kiddyland, where<br />
trot the big children<br />
;c id for 20 cents.<br />
Till' is also the Fargo Express drawn<br />
iirown stallion with white tail and<br />
lud decked out in a $170 harness.<br />
can ride in the coach, and<br />
ride shotgun. There actually is a<br />
the coach. On the back of the<br />
lie theatre program is advertised.<br />
u<br />
I<br />
the mechanical rides are kept spic<br />
111, and there is a maintenance man<br />
IS nr the kiddyland. Gardiner thinks it<br />
1 ii;i|5ortant that the manager oversee<br />
'<br />
•:' iiitenance so that everything is<br />
111 tip-top shape.<br />
IS also a man to park cars and<br />
at all times.<br />
EMPLOYS ONLY FATHERS<br />
riiner employs only married men with<br />
Mtions. It is a requirement that<br />
ive a good job and kids of their<br />
men are uniformed in white,<br />
their shoes shined and be clean<br />
nan. There are eight operators for the<br />
id' with a foreman on the lot at all<br />
im .<br />
a swing man to spell them one<br />
man has a night off. This<br />
is the assistant foreman.<br />
/.long the rides is the Sky Fighter, elecric<br />
ly controlled, with eight planes each<br />
-- 1^ two. The guns sputter realistically<br />
iinds of the children. There is also<br />
wheel, its six cages entii'ely built<br />
tank for the boat ride is<br />
complete water change every two<br />
nd bluing is added to increase its<br />
eness. There is also a Kiddy Cart<br />
.L. or the smallest youngsters.<br />
r les are sold, six for 50 cents, with the<br />
xcition of the pony rides, to which the<br />
'B( us Ticket" does not apply.<br />
and the concessions building, and there are<br />
also 12x20-foot concrete patios with white<br />
tables and .seating for about 18 to a patio.<br />
Altogether there is seating for about 300.<br />
The patios are furnished with canvas sun-<br />
.••hades which may be tilted to follow the<br />
sun. They are operated by nylon cord.<br />
Fine chat is used to surface the kiddyland<br />
grounds.<br />
The Kiddie Karnival opens at 6:30 p.m.<br />
week days, and 3; 30 on Saturdays, Sundays<br />
and holidays, running until about 10:15.<br />
When preparing to open for the season,<br />
Gardiner brings in two high-priced precision<br />
mechanics to put the ride equipment<br />
together. "There must be 10,000 pieces,"<br />
he said, "but we got it up in exactly one<br />
week."<br />
OPERATED BY A SUBSIDIARY<br />
The Kiddie Karnival is operated by the<br />
Crystal Amusement Co., a Durwood subsidiary,<br />
making it a completely separate<br />
operation from the Belt Drive-In Theatre<br />
and requiring two sets of weekly reports.<br />
Last year, in its second year of operation<br />
of the Kiddie Karnival and the Belt<br />
Drive-In, the Durwood circuit made extensive<br />
improvements at the theatre. A new<br />
direct road, highly illuminated, was built<br />
to the front of the theatre and a new<br />
name sign was built for the white fence.<br />
Letters four feet wide, six feet high, of<br />
^4-inch Masonite were given three coats<br />
of green paint. Each letter is wired separately.<br />
Clare Woods, general manager for<br />
Durwood in the St. Joseph area, is mighty<br />
proud of that sign, because it was entirely<br />
built by Durwood personnel at a cost of<br />
less than $600. "We saved at least 70 per<br />
cent." Woods said. "A sign man estimated<br />
he would attempt to build one for $2,500<br />
and would probably lose his shirt." A<br />
similar sign was built for the Skylark<br />
Drive-In Theatre, another Durwood property<br />
in St. Joseph.<br />
The parking lot at the Belt was leveled,<br />
as 30 or 40 cars would be unable to get out<br />
of the former ditches, and was covered with<br />
a self-sealing chat. Speaker posts, which<br />
had been dark and were frequently run<br />
into by patrons, are now all white with<br />
aluminum speakers.<br />
The concessions was remodeled from a<br />
straight counter to a cafeteria and it is<br />
possible to run 1,500 people through a night<br />
without delay. Speakers were torn out in<br />
order to build an illuminated walkway to<br />
the concessions, and a red light on top of<br />
the concessions building extends 20 feet<br />
into the air and spins. It is all counterbalanced<br />
and can be rai.sed with two fingers<br />
at intermission time. A patio in front of<br />
the concessions seats 125 persons.<br />
There is a playground for children in<br />
front of the tower with chair swings, pony<br />
riJes, teeter-totters, slides and big swings.<br />
A ramp man watches the grounds continuously<br />
and when the show starts, asks<br />
the kids to go sit in the cars.<br />
WILL BOOK FREE ACTS<br />
"We have decided to book in big free acts<br />
this season," Gardiner said, "as we are of<br />
the opinion that mothers and fathers will<br />
enjoy this extra entertainment as much<br />
as the kiddies."<br />
An all-neon mural is featui'ed on the<br />
highway side of the Belt screen tower, with<br />
a Pony Express barn, fence and galloping<br />
pony all outlined in colored light.<br />
The Belt Drive-In Theatre and the Kiddie<br />
Karnival were built five years ago by<br />
C. H. Martin jr., from whom the Durwood<br />
circuit bought the properties in 1963.<br />
The most recent improvement at the<br />
theatre was the installation of a Cinemascope<br />
screen 36x72 feet. It was constructed<br />
of Ti'ansite and covered with Seidlitz white<br />
screen paint.<br />
CREDITS: Concessions equipment: Connelly grill.<br />
Star popcorn warmer • Ferris wheel: S. A. Roller<br />
Works • Mechanical rides: Allan Herschell • Patio<br />
awnings: Shade-O-Llne • Train: Miniature Train Co.<br />
EVERY FISH WINS A PRIZE<br />
/ Popular attraction is "Ye Old Fishin'<br />
'or<br />
' near the kiddyland concesiw<br />
stand. A galvanized stock tank,<br />
x3 feet, is filled with plastic fish, four<br />
long, in different colors. Each has<br />
m its nose and a number on the<br />
lot m. Poles and lines and hooks are furilsl'd<br />
for ten cents. The lucky fishermen<br />
>re tit their catches to the man at the<br />
:oi> ssions stand where the prizes are dis-<br />
>la:d. Every fish wins a prize, varying<br />
tof Pandas in thj-ee sizes, horses, to sun-<br />
Iry.ttle prizes, the least of which would<br />
OS' nore than ten cents in a store.<br />
1 i 12x20-foot concession stand is eneff<br />
by the attendants from the side. The<br />
roi moves out to open it up to the parol<br />
Ride tickets are sold at the stand<br />
'hi is operated by the concessions man-<br />
I<br />
iSeiand a girl helper, plus the cashier.<br />
jr??, Coca-Cola and orange bottled<br />
Iriis are sold, as well as hot dogs, candy<br />
ind Kjpcom.<br />
C lirs<br />
are provided all around the rides<br />
Among extensive improvements at the Belt Drive-In Theatre was the construction of a new direct road<br />
to the front of the theatre and the installation of first-class illumination system. The name sign on<br />
a<br />
the fence was built by Durwood employes at a saving of at least 70 per cent. Letters are four feet<br />
wide, six feet high, and each one is individually wired.<br />
'0> FFICE : : June 4, 1955 13
'<br />
"<br />
4<br />
Better grade playground equipment<br />
should be purchased, as it will receive abusive<br />
and heavy treatment. Wherever possible<br />
we think that a separate playgrounc<br />
of lighter and cheaper equipment should bi<br />
set up with a sign stating that this portioi<br />
of the playground is for children under '<br />
years only. This saves the worry of parent,<br />
of their smaller children getting run ove<br />
by the bigger ones.<br />
The more dangerous the equipment th<br />
better the children seem to like it. Merry<br />
go-rounds and climbers seem to be th<br />
most popular in our playgrounds, and hav<br />
to be constantly watched to see that chil<br />
dren are not injured. Little children sU<br />
like to play in sandboxes, and they are<br />
much used item that is often overlooke<br />
in playgrounds in drive-ins. The cost (<br />
them is nominal.<br />
MECHANICAL RIDES<br />
Children turned out in droves for the annual Easter egg hunt at the Dixie Gardens Drive-ln Theatre,<br />
Covington, Ky. This year it was co-sponsored by the Kentucky Times Star and all boys and girls under<br />
12 were invited. All they needed to compete was a coupon from the newspaper. Major prizes included<br />
a complete spring outfit, fully equipped bicycle and puppies. Many other prizes, such as candy<br />
eggs and theatre passes, were given. This is only one of many special events staged by Manager James<br />
Day to foster goodwill and increase patronage. Popular features of the Dixie Gardens are the completely<br />
equipped picnic grounds and the small lake stocked with blue gills. Poles are provided for both children<br />
and adults.<br />
GO AFTER<br />
TODAY'S KIDS<br />
Mechanical Rides, Playgrounds, Zoos, Special Events<br />
Sell the Kids and They Will Sell Their Parents<br />
By JACK D. BRAUNAGEL*<br />
/\ FEW YEARS BACK in his keynotc address<br />
at the Theatre Owners of America<br />
convention, Elmer Rhoden stated that more<br />
children would come of theatre going age<br />
in the next five years than in any other<br />
time in the history of the country. It is up<br />
to us, the theatremen of America, to do<br />
all we can to educate these children to the<br />
fact that the motion picture theatre—drivein<br />
or indoor—should be the center of their<br />
entertainment and fun thoughts, rather<br />
than the living room and the TV set.<br />
FEWER KIDDY CLUBS<br />
Yet we see less kiddy clubs, less catering<br />
to the child trade today than in any time<br />
in our theatre experience. TV stations are<br />
using all the old theatre stunts—I>avy<br />
Crockett and Roy Rogers Clubs, Big Brother<br />
clubs, badges, membership cards, etc.<br />
We feel that the drive-in theatre has the<br />
greatest challenge offered and the greatest<br />
opportunity to get children talking about<br />
movies rather than TV than any other<br />
medium. The answer, give them what TV<br />
can't give them on a 21-inch screen, and<br />
give it to them cheerfully and willingly.<br />
Get them coming, sell them movies, and<br />
they will sell the parents who have to<br />
bring them out. Here are a few of the<br />
tricks that will help accomplish making<br />
movies the talk of the kids' circle.<br />
PLAYGROUNDS<br />
Kids have excess energy—and they've got<br />
to work it out, and they can't do it on the<br />
living room floor. Therefore, every drivein<br />
should feature slides, swings and teeter<br />
totters as a minimum. However, like everything<br />
else, it just can't be put in the playground<br />
area and be kept a secret. The<br />
drive-in manager must make it attractive,<br />
he must constantly sell it, even though it<br />
is a free feature.<br />
SHOULD SUPERVISE PLAYGROUND<br />
The playground should also be supervised,<br />
especially before the show starts, to guard<br />
against injury and to prevent bigger children<br />
from chasing the smaller ones away<br />
from playing.<br />
Nationally, kiddylands exclusively, wlti^<br />
kiddy rides have been very spotty. Marihave<br />
gone broke. However, we have beeijj<br />
able to purchase used auto rides, ferrjj<br />
wheels and other mechanical rides froli<br />
bankrupt kiddylands, and they have provd<br />
a great attraction in the drive-ins.<br />
RIDES ONLY WITH TICKETS<br />
,<br />
. ;<br />
Rides are given only before the shoiAi<br />
and only with a ticket. Children<br />
'<br />
and pal<br />
ents must be made to realize they a<br />
really getting something extra in the<br />
rides. As a result, we give rides only wi<br />
tickets which are distributed at the bo<br />
office, one ticket for each ride we have f I<br />
*<br />
each child in the car. A sign on the ri;<br />
states— "Rides FREE with tickets obtain;<br />
55<br />
at boxoffice—EXTRA RIDES 10 cei,<br />
each." This makes parents and childr<br />
realize that they are getting a 10-cent ri<br />
for free.<br />
Again, the manager must constantly s;<br />
the rides, must see that proper personil<br />
who like and treat children courteous' .,.<br />
are on duty when the rides are in opeiffflaJs<br />
tion. Men used on the ramp later can SiKm<br />
used before show time on the playgrou3iiiniE<br />
and for the rides. Pony rides are also g0(,iitiii|<br />
but are dangerous if the right-tempe)!<br />
ponies are not obtained.<br />
KIDDYLAND ZOOS<br />
-fats<br />
Again, selling the kids and having p-| fe<br />
sonnel interested in handling is the sent lit*<br />
of success. The smaller the tpwn, the betrd<br />
this attraction is. Larger cities have faifi £N<br />
zoos, but the smaller-town children hei<br />
often never seen a monkey or other a-<br />
mals you might be able to obtain.<br />
MONKEYS ARE SHOWOFFS<br />
Monkeys seem to be the best attract!^<br />
both for adults and kids, for with a :<br />
patience of the caretaker they can be<br />
^<br />
showmen. They love the crowds, and<br />
show off for them, and in many drivef<br />
there is hardly a time, even when the 1<br />
is on when the monkeys do not have pe^<br />
watching them.<br />
Other animals, easy to take care 8<br />
that are attractions are squirrels, rabU<br />
raccoons, unusual birds and deodorj il,<br />
skunks. Care of the zoo is of utmost<br />
portance. It must be kept spotlessly cHi<br />
14 The MODERN THEATRE SECW
, ff<br />
: June<br />
—<br />
—<br />
—<br />
—<br />
[iday or odors will do more harm than<br />
30 does good. It has been found that<br />
J<br />
asiest way to keep cages clean is to<br />
!<br />
J a metal drawer arrangement in the<br />
Km of the cage that can be slid out<br />
ii and taken away from the zoo area,<br />
with hot water and returned spotsi<br />
BJjd<br />
clean. Sawdust shavings in the bot-<br />
^Df this will also control odors. There<br />
n excuse for odors around a drive-in<br />
ijxcept lack of supervision by the man-<br />
I<br />
i<br />
Grand Island, Neb., where Wally<br />
has one of the finest drive-in zoos<br />
riave ever seen—the lumber company<br />
a stockade type fence all around it<br />
II<br />
Jhas a regular entrance, and no adults<br />
ft Emitted to the zoo unless accompanied<br />
y child. The child gets the free ticket<br />
t le boxoffice. Tell people they can't<br />
et 1 someplace, and it creates a desire<br />
hurry. Wally will tell you that there<br />
I<br />
:<br />
,u been many people who have come to<br />
ic ii ive-in without children who have<br />
jlited the kiddies to take them into the<br />
rrijd Island zoo.<br />
GREAT DRAWING POWER<br />
Tat drive-in and others with good zoo<br />
aCities and playground activities will<br />
lav about 60 per cent of their crowd for<br />
lievening in the theatre before the show<br />
ta:;, proving the drawing power of the<br />
ar<br />
IAJ;S<br />
attractions.<br />
AND ACTIVITIES<br />
V;iety is show business, and we must<br />
OiJaue to give variety in our theatres.<br />
n laying to kiddies this includes preho<br />
fun that creates excitement for the<br />
?ahers c adults) and the children. Among<br />
of the activities that have proved<br />
ligiy successful are balloon showers<br />
rtt" some small prize in each balloon<br />
Irojed from the screen tower. Plying<br />
aurs sailed off the snack bar with spec-<br />
II .izes on certain saucers. Kiddies field<br />
lay-a must at every club or company<br />
>ici;—and something everyone enjoys.<br />
SH! include sack races, potato races and<br />
hr -legged races, and with the number of<br />
nt nts you get it will take up lots of<br />
im and give lots of laughs and fun. Every<br />
Mir.it loves to see his children perform<br />
ak, advantage of his likes.<br />
ENTHUSIASM A 'MUST<br />
I .se.shoe pitching contests, and many<br />
other contests that TV addicts spend hours<br />
watching can be worked into your evening<br />
programs. You will find it takes time to<br />
get people over theii' bashfulness in taking<br />
part in these contests—but once they do,<br />
your chief worry is trying to keep them<br />
from being irked that they can't take part.<br />
It takes a big selling job and enthusiasm<br />
on the part of the manager to make these<br />
things work. How would the Bert Park's<br />
television program using all gags of this<br />
sort look without the enthusiasm of Parks,<br />
and the many others as well? That is the<br />
big secret of success in selling kids and<br />
adults in any theatre or drive-in—enthusiasm<br />
of the manager. 'Without it, there's<br />
no use wasting money in trying anything.<br />
SOMETHING FOR EVERYONE<br />
We are quoting the copy taken from a<br />
lull page ad, paid for by the merchants,<br />
promoted in two colors by Wally Kemp<br />
of Grand Island. There's so much sold in<br />
that ad, he's bound to have sold something<br />
that everyone who picks up the<br />
paper would like—and his turnaway business<br />
on his opening before the show started<br />
proved it.<br />
Fii'st, he had local names ^50j placed<br />
in small type in merchants ads and his<br />
own on the page. He offered 25 passes to<br />
adults whose names appeared in the ads<br />
they must go to merchant to obtain the<br />
free tickets; 25 free sno-cones to children<br />
whose names appeared on the page, given<br />
at drive-in on opening night. Then, free<br />
roses to each lady; free lollipops off the<br />
lollipop tree to the kiddies; free pony tractor<br />
rides to the kiddies; free pony wagon<br />
rides for the kiddies; free cigars to dad;<br />
fireworks opening night; free kiddyland<br />
zoo and monkeyland, plus a good show<br />
with the shorts also played up prominently.<br />
How could they afford to stay away?<br />
NEW WAYS OF SELLING<br />
Also—remember this—kids are out of the<br />
habit of reading movie ads in a newspaper—you<br />
have to get to them some other<br />
way. We recently staged a cartoon comedy<br />
carnival in an indoor theatre—selling it<br />
with handbills, distributed on the streets<br />
to children going home from school. Result—the<br />
biggest children's attendance in<br />
that theatre in one day than there had<br />
been in any week in a year.<br />
A local doctor in that town accidently<br />
^laiw^<br />
The children's<br />
zoo at the Grand Island, Neb., drivein<br />
theatre is one of the finest in the country. There<br />
is a stockade fence all around it, and no adults are<br />
admitted unless accompanied by a child. Free<br />
tickets are available to the children at the boxoffice.<br />
Farm animals, ducks, rabbits, white mice,<br />
racoons, sheep, pigs and monkeys are among the<br />
exhibits. The zoo is kept spotlessly clean by daily<br />
maintenance, and odors are eliminated by using<br />
sawdust shavings in the drawer-like bottoms of the<br />
cages.<br />
taught us an interesting lesson. We quote<br />
him:<br />
"You played me a dirty trick last Friday.<br />
You gave Junior (7 years oldi a handbill<br />
on that cartoon comedy show and he<br />
brought it home and pestered me all day<br />
Fi-iday to take him—then again, Saturday.<br />
Finally, I could hold out no longer<br />
Saturday at 6 P. M. I took him to the<br />
show. At 8 I had to drag him out. If you<br />
hadn't passed out those D bills he<br />
wouldn't have known about it—now he<br />
wants to see the monkeys at the drive-in."<br />
"How long since he's been to a show?"<br />
we asked the Doc.<br />
"Oh, not since he was four years old,"<br />
he answered, "but he's probably going to<br />
give us trouble now, and will be dragging<br />
us out to the drive-in."<br />
There's an example—do you think that<br />
parent would have read the newspaper ad<br />
and told the child about it? Not on your<br />
life. He was going to keep it a secret.<br />
So, learn the lesson we did from an outsider—don't<br />
try to sell the parents to take<br />
the kids to the show sell the kids on taking<br />
the parents. Kids can be sold that<br />
movies are a new land of wonder to them<br />
get them in—then sell them as never before.<br />
Pony rides are featured<br />
at the Hi-Park<br />
Drive - In Theatre,<br />
San Antonio, Tex. At<br />
left some of the<br />
ponies having their<br />
oats, corn and hay.<br />
At right, one of the<br />
young patrons enjoys<br />
a pony cart ride.<br />
SOJ FFICE :<br />
4, 1955 IS
:<br />
.<br />
Over Half IPA Exhibit Booths Already Sold<br />
Spiro J. Papas<br />
The 1955 national<br />
convention of the International<br />
Popcorn<br />
Ass'n is getting off to<br />
a fast start. Over half<br />
of the 117 exhibition<br />
booths have been sold<br />
already and Bert<br />
Nathan, IPA president,<br />
has announced<br />
the appointment of<br />
Spiro J. Papas, head<br />
of the Automatic<br />
safety —<br />
PLUS STURDY SERVICE!<br />
Finest See-Saws you can buy — Recreation!<br />
All frames are made from standard weight<br />
hot dipped galvanized steel pipe, clamped<br />
together with certified malleable castings.<br />
Boards are select Old Growth Yellow Douglas<br />
Fir, free from defects. Two notched fulcrum<br />
castings allow adjustment for weight,<br />
yet chains will not allow boards to be lifted<br />
from the frame. Good for years of use<br />
under tough conditions!<br />
Vending Corp., Chicago, to be general<br />
convention chairman.<br />
IPA's convention and exhibition will be<br />
held in conjunction with National Allied<br />
Exhibitors, Theatre & Supply Manufacturers<br />
Ass'n and Theatre Equipment Dealers<br />
Ass'n. All four- organizations will convene<br />
at the Morrison Hotel, Chicago, on<br />
November 6, 7, 8 and 9.<br />
Heading the committee in charge of the<br />
exhibits will be Carl Siegel, executive of<br />
the Stanley Warner Management Corp.<br />
Assisting Siegel will be Nathan, IPA head<br />
PLAYGROUND<br />
EQUIPMENT<br />
and Theatre Popcorn Vending Corp. execi<br />
tive; Lee Koken, RKO Theatres; Lest,<br />
Grand, Confection Cabinet Corp.; Melv<br />
Berman, Tri-State Automatic Candy Cc<br />
Leo Beresin, Berlo Vending Co.; Joe Ke<br />
nell, ABC Vending Corp.; Nat Buchma<br />
Theatre Merchandising Corp., and Loy<br />
Haight, W. S. Butterfield Theatres.<br />
The following firms have reserved di<br />
play space for the November 6-9 event<br />
the Hotel Morrison in Chicago<br />
Apco, Inc.; Blevins Popcorn Co.; Bro!<br />
Quick Appliance Corp.; Buckingham D:-<br />
pensers; Coca-Cola Co.; Continental Cji<br />
Co.; Cretors Corp.; Diamond Crystal Si.<br />
Co.; Albert Dickinson Co.; Flavo-R;<br />
Foods;<br />
Henry Heide, Inc.; Hershey Chocols;<br />
Co.; Hollywood Servemaster; Walter I.<br />
Johnson Candy Co.; Manley, Inc.; Missji<br />
Dry Corp.; Mars, Inc.; Maryland Cup C<br />
Ben Newman Associates; Orange Crush C<br />
Pepsi-Cola Co.; Phenix Foods C<br />
Quaker City Chocolate & Conf. Co.; Ree<br />
Peanut Butter Cups; Rex Specialty Ig<br />
Corp.; Rowe Mfg. Co.; Savon Candy 0;<br />
Selmix, Inc.; C. F. Simonin's Sons; Stil<br />
Products Co.; Supurdisplay, Inc.; C. J. \n<br />
Houton & Zoon. Inc.; Tone Pi-oducts Co.<br />
The air conditioning load may be<br />
duced by: (1) Insulating or ventilatingiif<br />
roofs or attics, (2) Installation of actings<br />
or shades on sun exposed windows ir<br />
(3) Removal of heat-generating equment<br />
from conditioned area.<br />
Don't Oversell Space!<br />
* Every Drive-in Manager Shoii<br />
Know Hew Mony Cars Are Insid<br />
^iuU/ Twin" TRAFFIC<br />
at Boxoffice<br />
COUNTER<br />
Customers say, "Completely foolproof, oni;<br />
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Notliing Else to Buy<br />
tubes.<br />
Send<br />
rnXTked $99-50 fob foctV<br />
I<br />
d driveway — 10 days FREE tr<br />
I Orders yours today!<br />
width of Boxoffice Concrete Base<br />
Uhrichsvill<br />
K-HILL SIGNAL CO., INC. Chic<br />
One of the finest swing safety devices<br />
ever invented — the Belt Seat by Recreation.<br />
Heavy rubberized transmission belting with<br />
malleable end fittings. Very light weightonly<br />
two pounds — protects youngsters from<br />
injury.<br />
Look — it's the Recreation Combination, featuring<br />
a see-saw, slide, trapeze bar and<br />
rings, and two swings. The frame is made<br />
of hot galvanized pipe to resist weather and<br />
wear. A sound investment, with almost no<br />
maintenance required!<br />
• Write Today for Recreation's<br />
Free Playground Equipment Catalog!<br />
RECREATION<br />
EQUIPMENT CORP.<br />
DEPT. B-65 • 724 W. S»h St. • ANDERSON. IND.<br />
16<br />
* Airplane Ride<br />
•<br />
•Rocket Ride<br />
* Elephant Ride<br />
* Speed Boat Ride<br />
*Auto Ride<br />
Miniature Trains<br />
KING AMUSEMENT CO.<br />
Mt. Clemens, Mich.<br />
The MODERN THEATRE SECON
: June<br />
New Kiddie Rides on the Market<br />
'hii children's roller coaster manufactured by Allan Herschell Co., Inc., has three cars,<br />
foc/i seating four youngsters. Dips are thriling but not dangerous. Installation includes<br />
he track structure and starting station.<br />
The Yardbird, a hand-operated locomotive, will whip one or two<br />
kids around 40 feet of circular track. Made by Charles William<br />
Doepke Manufacturing Co.<br />
ven very young children can operate this single hand-lever drive control The Tinkertown Trolley seats eight children and allows two to stand in each<br />
'ractoride powered by T/2 h.p., two-cycle gasoline engine. Manufactured by vestibule, ft reduces 110-volt AC to a safe, low 12-volt DC and supplies it<br />
lilhr Engineering Corp. Operates on any surface. to rails similar to a toy train. Tinkertown Co. is the maker.<br />
'Jjl j/ie Star-Gazer, made by Miracle Equipment Co., This prairie schooner when hitched to a couple of The Baby Eli ferris wheel carries six seats, with<br />
II<br />
provided with a Dodge reduction gear which pre- ponies provides an authentic western ride for ten capacity of two to three kiddies per seat. Seats<br />
\'nts the ferris wheel from ever moving backwards. children. Made by Midget Circus Wagon Mfg. Co. have safety handle bars. Made by Eli Bridge Co.<br />
3X0F7ICE ;<br />
4, 1955 17
i<br />
The South Twin Drive-In Theatre, St. Louis County, recently held its grand This photo was taken on the formal opening occasion. The kiddyland s<br />
opening upon the completion of this large and well-equipped kiddyland. located between the last ramps of the two drive-in sections.<br />
ALL RIDES ARE FREE IN THIS KIDDYLAND<br />
Located Between Last Ramps of One Side of Twin Drive-In Theatre<br />
It<br />
Operates Even During Shows Without Interfering With Program<br />
By DAVID F. BARRETT<br />
Kesidents of eastern Missouri from<br />
St. Liouis to Perryville, 85 miles to the<br />
south, are still talking about the April<br />
29, 30 grand opening of the 1,050-car South<br />
Twin Drive-In Theatre at Lemay Ferry<br />
and Buckley roads, St. Louis County. It<br />
is a unit of the F^-ed Wehrenberg circuit.<br />
A spectacular advertising and exploitation<br />
campaign was arranged by Paul Krueger,<br />
president and co-general manager of<br />
the circuit, in connection with the completion<br />
and opening of the kiddyland, the<br />
occasion for the grand opening celebration.<br />
The campaign recalled to many oldtimers<br />
the days when the late Pi'ed Wehrenberg,<br />
founder of the circuit, was popularizing<br />
motion pictures in the early 1900s.<br />
18<br />
Wehrenberg, later to become a national<br />
leader among motion picture theatre<br />
owners, gave South St. Louis its first motion<br />
picture theatre and did much to<br />
establish the movies as the leading entertainment<br />
for the American people.<br />
Just prior to the gala grand opening<br />
Krueger spotted large-sized advertisements<br />
in the St. Louis daily newspapers and a<br />
St. Louis County weekly newspaper, which<br />
circulates in the general area of the city<br />
and county served by the South Twin.<br />
This copy styled the South Twin as "St.<br />
Louis' Newest and Finest Year Round<br />
Drive-In," adding "This Summer Paradise-<br />
Winter Wonderland Has Everything for the<br />
Pleasure and Entertainment of Kiddies and<br />
Adults."<br />
The text also called attention to the<br />
open e\'t<br />
"Fabulous Kiddyland," which is<br />
during the show, and the "Ultramodei<br />
Cafeteria," and "The Finest HoUywci^<br />
Productions, Presented on Oui- Giant W;«<br />
Glass Screen."<br />
The campaign also included five-miniti<br />
programs on television station KTVI,<br />
ultrahigh frequency station, and via i"a'_<br />
station WTL at 5 p.m. dui-ing the<br />
prior to the grand opening.<br />
Sixty 24-sheets were spotted in stratftfl<br />
locations in St. Louis and St. Louis CouM<br />
and advertising copy also was used on if<br />
backs of some 25 benches used by persilj<br />
waiting for motorbuses at key spots in m<br />
vicinity of the drive-in. Arrows poiniT<br />
"This Way to the South Twin Di-iveij<br />
Theatre."<br />
On the afternoon of April 29, commeafei<br />
The MODERN THEATRE SECT^
s:<br />
;<br />
\ [le<br />
::<br />
'<br />
An<br />
'<br />
On<br />
r<br />
il<br />
3& GRAND OPENING/<br />
FRIDAY & SATURDAY APRIL 29-30<br />
dree days before the grand opening this half-<br />
3ge advertiserrtent was published in doily and<br />
leefc/y newspapers. A similar one but announcing<br />
the Night— Tomorrow, Too!" appeared<br />
lonight's<br />
le next day. Radio and TV were also used to<br />
iblicize the opening.<br />
ig at 5 O'clock, about 50 balloons filled<br />
ith helium were released from the roof of<br />
16 drive-in's concession building and from<br />
;her locations in the vicinity of the theae.<br />
One of the balloons carried a notaon<br />
that the finder would receive a $25<br />
. S. savings bond if he contacted the<br />
^ehrenberg circuit within the prescribed<br />
me. The finders of the other balloons<br />
ere rewarded with passes to the drive-in.<br />
interesting angle of the flight of<br />
lese balloons is that a number of men<br />
3d boys armed with shotguns took their<br />
ations in the vicinity of the drive-in<br />
jjping to shoot down the balloon carrying<br />
order for the $25 bond. Their plans,<br />
)wever, went awry when Lester R. Kropp,<br />
i-general manager of the Wehrenberg<br />
rcuit, realizing what the hunters were<br />
eking, carried the big prize balloon to a<br />
iblic school building some distance from<br />
le drive-in before letting it fly.<br />
to the youngsters vLsiting the kiddyland.<br />
He was assisted by the son of Louis May,<br />
manager of the Jefferson Barracks housing<br />
project.<br />
The kiddyland is located between the<br />
last ramps of the drive-in, so that it can be<br />
operated during the shows without interfering<br />
with the program on either screen.<br />
It is supervised constantly, when in u.se, by<br />
two uniformed employes. Its equipment<br />
includes a miniature train, merry-goround,<br />
two single and one double slide,<br />
a Jungle Jim, a Tilt-A-Whirl, and a fire<br />
truck. This playground alone cost upwards<br />
of $12,000.<br />
The train was made by Miniature Train<br />
Co., and the mechanical rides by Miracle<br />
Whirl Sales, Inc. The fire truck was built<br />
by the theatre staff under the direction of<br />
Krueger. It is pulled by a jeep.<br />
There is no charge for any of the rides.<br />
TWO-LANE CAFETERIA<br />
The concessions building contains an<br />
up-to-the-minute, double-lane cafeteria<br />
layout that was designed, built and installed<br />
by the Rio Syrup Co. of St. Louis,<br />
headed by Stu Tomber. The two large<br />
counters are designed to handle capacity<br />
crowds with efficiency and dispatch. Patrons<br />
are handled quickly because everything<br />
served is prepared and ready for the<br />
customers when they enter the concession<br />
building. There is a cashier at the end<br />
of each counter.<br />
The concessions building area devoted to<br />
the concessions is about 90x60 feet. There<br />
are 12 employes in the concessions, two in<br />
the kitchen, two cashiers and eight girls<br />
at the cafeteria counters.<br />
The menu of the cafeteria includes a<br />
wide variety of drinks and food to<br />
satisfy<br />
patrons, including ice cream novelties at<br />
10 and 15 cents; hot dogs, 20 cents; hot<br />
tamales, 20 cents; small and large soft<br />
.-js^aa<br />
Ronnie, son of Mr. and Mrs. Paul Krueger and<br />
grandson of the late Fred Wehrenberg, founder<br />
of the Wehrenberg circuit, handed out suckers<br />
and balloons at the grand opening. A gay clown<br />
suit and the family's pet monkey on his shoulder<br />
delighted the youngsters attending.<br />
drinks, 10 and 25 cents; small and large<br />
coffee, 10 and 25 cents; popcorn, 10 cents;<br />
buttered popcorn, 25 cents; familysized<br />
popcorn, 25 cents; box of fish sticks<br />
and R-ench-fried potatoes, 50 cents; "Box-<br />
O'-Shrimp" with P^-ench fries and buttered<br />
roU, 75 cents; "Box-O'-Chicken" with<br />
French fries and buttered roll, 95 cents;<br />
shrimp roll, 30 cents; Toddy, 25 cents;<br />
hamburgers, 35 cents; separate order of<br />
French fries, 20 cents; doughnuts, 10 cents;<br />
chocolate, 15 and 25 cents; a quarterpound<br />
Baby Ruth bar, 15 cents, and a half-<br />
Continued on following page<br />
i<br />
' '<br />
i<br />
„|[ BALLOON TRAVELED 85 MILES<br />
the morning of May 2, Kenneth<br />
^rgman, a farmer residing near McBride,<br />
.'<br />
:'<br />
'me three miles south of Perry ville. Mo.,<br />
und the balloon when he entered a part<br />
k<br />
t the farm to get his corn ground ready<br />
r planting. It was the first time he had<br />
-.: arked that ground since last December.<br />
"What a wonderful surprise today when<br />
found your balloon," he wrote Paul<br />
f [rueger. His farm is 85 miles by air from<br />
p te South Twin.<br />
On both April 29 and 30 free souvenirs<br />
:: !re given to those attending the South<br />
vin. Ronnie Krueger, grandson of Fred<br />
; ehrenberg and son of Mr. and Mrs. Paul<br />
rf rueger, in a special clown costimie and<br />
th the family's pet monkey on his<br />
... oulder, passed out balloons and suckers<br />
A carload of happy firemen at the opening!<br />
by Paul Krueger, and is pulled by a jeep.<br />
This fire truck was built by the theatre staff, directed<br />
'XOFFICE :<br />
: June 4. 1965 19
. . Any<br />
{<br />
ALL RIDES ARE FREE IN KIDDYLAND<br />
Continued from preceding page<br />
pound Hershey bar, 35 cents. The concessions<br />
department also sells cigars and<br />
cigarets at popular prices.<br />
There is also a Sno-Cone bar in the<br />
kiddy land at which such cones sell for 10<br />
cents. There is a patio adjacent to the<br />
concessions building and the kiddyland at<br />
which patrons may sit at a table and enjoy<br />
their drinks and food. The kiddyland<br />
opens at 6 p.m. on Pi'idays, Saturdays and<br />
Sundays until the regular school terms<br />
close.<br />
It may be stated that the South Twin's<br />
concessions sales per drive-in patron is<br />
running far above the national average<br />
for outdoor theatres.<br />
EXTENSIVE CONCESSIONS EQUIPMENT<br />
The concession and kitchen equipment<br />
includes a walk-in cooler, three restaurant-size<br />
refrigerators, a double bank of<br />
deep-fat friers, one large grill and a 48-<br />
inch electric stove: and, of course, the two<br />
large cafeteria counters with a Manley<br />
popcorn machine, a Star popcorn warmer,<br />
lour Star hot dog warmers, two Brickingham<br />
orange dispensers and two Nelson<br />
self-service ice cream boxes.<br />
Charles Fleming, manager, and George<br />
Robinson, assistant manager, head the<br />
In this combination projection and concessions building at the South Twin, 90x60 feet is occupiedfy<br />
the concessions setup. Moonlight lamps top the building, and there are neon "Refreshment Bar" sirs<br />
above the roof. Note the handsome display cases built into the walls.<br />
South Twin's staff of 25 regular employes,<br />
which includes six uniformed ushers, two<br />
car hops, cashiers, ticket sellers, and the<br />
concessions help.<br />
A special attraction in the kiddyland is<br />
the bear in a cage. The playful young<br />
bear brought from northern Minnesota is<br />
a constant source of amusement for the<br />
youngsters. Children under 12 years -e<br />
admitted free to the South Twin when f-<br />
companied by their parents.<br />
There are two drive-in sections, eachof<br />
about 500-car capacity. One faces a gls;-<br />
faced screen that is 102 feet wide andiS<br />
feet high, while the other has a convitional<br />
outdoor screen 85 feet wide and'15<br />
THE FAMILY CROWDS AT YOUR DRIVE-ir<br />
WITH ® MINIATURE TRAINS!<br />
Attract New Customers and Bring Back Old CustomrJ<br />
Again and Again With Crowd Pleasing MT Miniature TraisP<br />
MX Miniature Trains bring all the realism, excitement and thrills of a BIG TRAIN to your Drivln.<br />
Immensely popular, they have been directly responsible tor boxoffice receipt increases W to<br />
33-1/3%, and concession receipt increases up to 50%. MT Miniature Trains appeal to the
I<br />
: June<br />
—<br />
—<br />
he two-lane, cafeteria style concessions layout in the South Twin offers almost everything from ice<br />
earn corns to chickenin-a-box with trimmings. Sales in this drive-in, one-half of which was opened<br />
s( foil, run far above the national average.<br />
et high with plywood surfacing. One<br />
'ction of the theatre is equipped with<br />
ii-car heaters to permit year around opertion.<br />
This section was opened for busi-<br />
'ess last November.<br />
The South Twin cost in excess of $450,-<br />
DO. It is equipped for the presentation of<br />
'U the latest types of motion pictures, such<br />
5 Cinemascope. VistaVision. Sup)erscope,<br />
,c.. with stereophonic sound.<br />
The plans of the drive-in provide parkig<br />
space adjacent to the concession-pro-<br />
•ction building for 200 automobiles. The<br />
)ads leading to the drive-in have been<br />
€j For Your Drive-ln Playground<br />
provided with parking facilities for another<br />
250 cars, to comply with a ruling by the<br />
Missouri State Highway Commission that<br />
drive-ins must provide such off the highway<br />
facilities, for those waiting to enter,<br />
equal to 25 per cent of the automobiles<br />
that use the in-car speakers of the drivein.<br />
There are two service roads leading<br />
off the Buckley road and two others running<br />
from U. S. No. 67.<br />
The projection equipment of the South<br />
Twin includes the latest Simplex X-L<br />
mechanisms, Excelite lamps. Hertner generators.<br />
Simplex speakers and posts.<br />
KIDDIE WINNERS BY ALLAN HERSCHELL<br />
• Kiddies can't resist galloping on these realistic Allan<br />
Herschell Hobby Horses and will bring Mom and Dad<br />
back to your drive-in time and again. Firm steel base.<br />
Original equipment Allan Herschell Merry- Go -Round<br />
horses of cast aluminum built to last a lifetime under<br />
rough public usage. Gaily decorated with good tough<br />
paint. Two sizes: large (at left) and small.<br />
ALLAN HERSCHELL COMPANY, INC.<br />
NORTH TONAWANDA, NEW YORK<br />
World's largesi manufacturers of Merrv-Go-Rounds and<br />
other rides for Kiddielands<br />
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'XOFFICE :<br />
4. 1955 21
'<br />
'<br />
'<br />
Miniature Train Exact Copy of Real One<br />
Seated at the control of the new train owned by the 66 Park-In Theatre. St. Louis, is Arthur K. Atkinson,<br />
president of the Wabash, while standing facing the camera is Paul Krueger, president and co-general<br />
manager of the Wehrenberg circuit. The head sticking up over the end of the power car is that of an<br />
assistant advertising and publicity manager for the Wabash. Others, left to right, progressing to rear<br />
of car are: Stu Tomber, president and general manager, Rio Syrup Co.; Charles Fleming, manager.<br />
South Twin Drive- In; Leo Brown, advertising and publicity manager for Wabash; personal chauffer for<br />
Atkinson; Herman Bamberger, 66 Park-In Theatre manager, and Lester Kropp, co-general manager Wehrenberg<br />
circuit and president Missouri-Illinois Theatre Owners.<br />
The popular miniature train of the 66<br />
Park-In Theatre, a unit of the Fred<br />
Wehrenberg circuit, was modeled after the<br />
famed "Blue Bird" train of the Wabash<br />
Railroad. It is shown in front of the<br />
Soldiers Memorial building in downtown<br />
St. Louis while en route to the drive-in<br />
theatre on U. S. No. 66 in the southwestern<br />
part of St. Louis County, Mo. The train<br />
i-uns on jumbo tires rather than wheels<br />
and track, as most miniature trains do, so<br />
it can be operated anywhere.<br />
The power car of the train is painted to<br />
duplicate the diesel of the "Blue Bird,"<br />
even to the number, 1,000, while the opei<br />
coach for passengers in the rear carrie!<br />
the same number as the popular observa'<br />
tion car of the train that makes dail<br />
round trips between St. Louis and Chicagc<br />
The miniature train was received by th<br />
Wehrenberg circuit in an unpainted condi<br />
tion. It was then taken by the Wabas<br />
Railroad to its shops in Decatur, 111., to fr<br />
painted with the same color scheme c<br />
blue and silver that is used on the Blu<br />
Bird. The flag on the front and %<br />
Wabash name on the sides follow t^^<br />
colors used on the train. The train wa<br />
then returned to St. Louis, where it wt<br />
picked up by Krueger.<br />
Krueger reports that the 66 Park-I<br />
train is in great demand for use in churc;<br />
and school picnic parades and other pu^<br />
lie events. It is available for such ui<br />
when it is not needed for shows at tn<br />
drive-in. On each occasion two men fam<br />
liar with tlie use of the train are sent aloi<br />
by the circuit to make certain there are \<br />
mishaps and to prevent abuse of the trai<br />
It attracted considerable attention as<br />
passed through the downtown section<br />
St. Louis and on other streets on its way<br />
the 66 Park-In Theatre.<br />
Werfheimer on International Trip<br />
Adolph Wertheimer, executive vice-pre.4<br />
dent of Radiant Manufacturing Corp., \<br />
currently on a five-week international saft<br />
trip that will include 15 countries in t)<br />
Middle East and Europe. While on t's<br />
trip, he will introduce several of Radians<br />
new lines in projection screens. 8mm a;l<br />
16mm anamorphic lenses for amateur pijectionists<br />
and the Ultra Panatar anamophic<br />
lens designed for commercial theate<br />
use. A highlight of his trip to date<br />
his participation in the InternatiorJ<br />
Photographic Biennial at Paris as an<br />
hibitor.<br />
DRIVE-INS!<br />
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CAN BOOST YOUR BOXOFFICE!<br />
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22<br />
The MODERN THEATRE SECTIN
k<br />
. . ESTIMATES<br />
; June<br />
. . . See-Saws ! . . . Slides I . . . Merry-Go-Rounds<br />
They're<br />
Dffer a New Optional Feature<br />
ipor Rotating Type Carbon Arcs<br />
A woter-cooled carbon-contact assembly is now<br />
jvailoble<br />
for Strong's orojection lamp.<br />
Strong Electric Corp. is now offering a<br />
lew water-cooled carbon-contact assembly<br />
IS an optional feature for the Super 135<br />
projection arc lamp or any of its other<br />
rotating type carbon arcs.<br />
The new development is the latest in a<br />
series of developments by Strong that in-<br />
:lude the adoption of 18-inch reflectors, a<br />
aiore durable positive carbon contact,<br />
forced ventilation of reflectors and reflector<br />
frames plus a removable holder for the<br />
heat filter.<br />
Many times dark screen and loss of<br />
'sound can be prevented if projection and<br />
sound equipment are given a regular inspection<br />
by the projectionist, at least once<br />
^a week. Cleaning of the equipment should<br />
be done every day.<br />
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30X0FFICE :<br />
4. 1955<br />
23
\<br />
i<br />
An Expert Tells<br />
With Septic Tanks in<br />
How to Avoid Trouble<br />
Drive-Ins<br />
Adequate Size and Proper Design are Vital<br />
By GEORGE M. PETERSEN*<br />
IVloDERN Theatre receives many inquiries<br />
regarding the operation and maintenance<br />
of sewage disposal systems for<br />
drive-in theatres and this article was written<br />
in an effort to clarify this problem.<br />
In a large number of instances the sewage<br />
disposal system was improperly designed;<br />
the septic tank has an insufficient<br />
capacity: no means are provided for removing<br />
the sludge that accumulates on the<br />
bottom of the tank: the pipe from the<br />
septic tank to the filter bed is of improper<br />
size or has an incorrect fall; the filter<br />
bed is not large enough, is not properly designed,<br />
and in all probability is not vented<br />
in any manner. Sewage disposal is a<br />
science, but far too many systems in drivein<br />
theatres are designed, or are installed,<br />
by persons lacking specific information on<br />
the subject.<br />
when disposing of sewage in locations<br />
where the water supply must be obtained<br />
from any type of underground well, to be<br />
absolutely certain that no seepage from<br />
the sewage system can possibly contaminate<br />
the well water.<br />
Generally speaking, raw or untreated<br />
sewage may not be discharged into any<br />
stream or other body of water in the U. S.<br />
except in isolated cases that are too few<br />
to mention. However, when the flow in a<br />
watercourse is many times greater than<br />
the sewage discharge or when the velocity<br />
of the flow is above normal the only<br />
treatment that may be required could be<br />
the installation of settling tanks to remo:<br />
all solid matter from the sewage. In tlj<br />
vast majority of cases, however, addition]<br />
treatment is necessary to prevent<br />
sance or excessive stream pollution<br />
Sewage is commonly divided into tv<br />
classes or types, "Sanitary" and "Storm<br />
Under the former heading we find tl<br />
waste from urinals and closets and it<br />
this sanitary sewage in which we are ii<br />
terested. The storm sewage is composii<br />
of waste from lavatories, slop sinks, show<br />
baths, floor drains, rainwater, etc., and th<br />
type of sewage should be by-passed aroui<br />
the septic tank.<br />
i<br />
In sewage disposal systems for larl<br />
communities some means of purification<br />
i<br />
used to remove the solid and suspends<br />
matter and to render the effluent so f I<br />
\<br />
innocuous as to be neither a source<br />
annoyance nor a danger to public healti<br />
Many such systems strain the liqui<br />
through a bed of charcoal or ashes whi(j<br />
permit the liquid to escape but retain Vi<br />
.solid matter to air-dry and/or be treat<br />
with chemicals. Other systems make u<br />
of .settling tanks in which the liquid ooz<br />
I<br />
JOB MUST BE DONE PROPERLY<br />
The genuine cause of most sewage disposal<br />
problems, in the opinion of the writer<br />
after 17 years experience with hundreds of<br />
drive-in theatre operations, lies in the<br />
fact that the majority of exhibitors simply<br />
refuse to permit the expenditure of a sufficient<br />
sum of money to install an adequate<br />
sewage disposal system. They seem to<br />
have the idea that such an investment,<br />
placed underground where it cannot be<br />
seen by the patrons, is a waste of good<br />
money and, therefore, the work should be<br />
completed as cheaply as possible regardless<br />
of results obtained. These same exhibitors<br />
are the ones who complain the loudest when<br />
their bargain i<br />
? i installations fail to operate<br />
properly.<br />
NOT THOROUGHLY INFORMED<br />
There are also many instances where the<br />
designer was not thoroughly informed on<br />
his subject and trusted to the local health<br />
authorities to check, detect his errors, and<br />
correct the plans. Either of the attitudes<br />
is inexcusable as a large percentage of<br />
our serious health problems could originate<br />
from the improper disposal of sewage.<br />
The most common errors in design<br />
are septic tanks of insufficient capacity,<br />
far too frequently no provision is made for<br />
the removal of the sludge, and in the majority<br />
of instances no vents are provided<br />
on the filter bed laterals.<br />
Exceptional caution must be exercised.<br />
•Mr. Petersen is an authority on dr<br />
design and operation and is author ot Dr<br />
Manual published by BOXOFFICE.<br />
24<br />
Diagram of construction of septic tank and filter bed<br />
The MODERN THEATRE SECTICJ
—<br />
A REPORT FROM THE FIELD<br />
How Other Exhibitors Are Handling Their Septic Tank Problems<br />
Portland,<br />
Ore.<br />
Al Porman. United Theatres, operatini;<br />
the Super 99, Sandy Boulevard and<br />
82nd Street Drive-In Theatres, reports<br />
they use two septic tanks for each 400-<br />
car or over theatre. They have no problems,<br />
and have found the tanks do not<br />
need cleaning before the first part of<br />
the fifth year. For cleaning they employ<br />
a specializing company.<br />
At the Family Drive-In Theatre, Jesse<br />
Jones said they use a filtering system<br />
which disposes of waste with overflow<br />
soing into a nearby creek. It was installed<br />
by Interstate Theatre Supply.<br />
TWO TANKS PER THEATRE<br />
Alt Adamson of the Adamson circuit<br />
operating drive-ins in Vancouver, Portland<br />
and elsewhere in the state, reports<br />
they use two or more septic tanks per<br />
theatre, and that the tanks are cleaned<br />
every three to five years by an outside<br />
company.<br />
Tom Moyer, Moyer Drive-In Theatres,<br />
said they had not yet run into any problems,<br />
but they use two septic tanks to<br />
a theatre. When required, the cleaning<br />
will be done by an outside company.<br />
Cleveland, Ohio<br />
"At best, septic tanks are no good, but<br />
if properly built they do not give any<br />
trouble," according to the head of the<br />
Ohio Drive-In Management Co., owners<br />
of a circuit of seven outdoor theatres in<br />
Ohio and Pennsylvania.<br />
Drive-ins located in cities where they<br />
have to adhere to a sanitation code and<br />
where there is a sewage disposal system<br />
have none of the sanitation problems<br />
that confront drive-ins located in areas<br />
where there is neither a sanitation code<br />
nor a sewage disposal .sy.stem.<br />
"Although the .septic tank is a necessary<br />
evil, it does not have to cause the<br />
owners too much trouble. To insure<br />
against odors it is necessary, however,<br />
that construction and drainage be properly<br />
and scientifically done. If the soil<br />
is sandy, drainage and .seepage will not<br />
work properly. In such a situation one<br />
should use a sump pump and draw a<br />
leach bed. A natural antiseptic procedure<br />
is to lay drain tile in the location of<br />
the tank and cover the tile with building<br />
sand. We use this method where there<br />
is no natural drainage," the executive<br />
said.<br />
Sanitation service is maintained at all<br />
of the Ohio Drive-In Management theatres.<br />
The septic tanks are cleaned regularly<br />
once or twice a year by a specialist,<br />
not by any of the theatre employes.<br />
PROBLEM BECOMES ACUTE<br />
All drive-in theatre owners in this<br />
area agree that sanitation problems increase<br />
with the greater number of patrons.<br />
"It isn't that new problems develop<br />
in this situation," the Ohio Drive-<br />
In Management executive concludes,<br />
"but only that the problem becomes<br />
more acute because of greater use of<br />
restroom facilities and the need for m.ore<br />
frequent inspection and more frequent<br />
cleaning."<br />
Septic tanks and sanitation problems<br />
do not confront operators of drive-ins<br />
located in areas where there is a sewage<br />
disposal system. In these situations,<br />
restroom facilities in drive-ins equal,<br />
and in some instances surpass the facilities<br />
of even de luxe indoor theatres. An<br />
example of this type of drive-in is the<br />
Miles Drive-In. Cleveland. It was built<br />
several years ago and enjoys city sanitation<br />
facilities. The Miles Drive-In<br />
restrooms have terrazzo floors. They<br />
have hot and cold running water, roll<br />
towels and liquid .soap. They also have<br />
low toilets for small children.<br />
Leroy Kendis of Associated Theatres,<br />
which owns seven drive-ins in its circuit<br />
of 32 theatres, has about the same report<br />
to make. "The only trouble we have<br />
with septic tanks is when they occasionally<br />
fill up. To prevent this it is necessary<br />
to drain into a leach bed. We clean<br />
our tanks once or twice a year. This<br />
service is rendered by an outside company.<br />
Quite understandably, the trouble<br />
increases with the size of the audience<br />
not necessarily by the size of the theatre<br />
because the septic drainage is built<br />
with the size of the theatre in mind.<br />
But when more than the average number<br />
of people use the restrooms within a<br />
break period, a special strain is placed<br />
on the system."<br />
"Build 'em large enough and there is<br />
no trouble with septic tanks," says Herbert<br />
Ochs, who as head of the Ochs<br />
Drive-In Management Co., operates<br />
about a dozen outdoor theatres in Canada<br />
and the United States. "Dig a large,<br />
dry well and an unusually large leaching<br />
bed," Ochs continues, "and do not<br />
use tile connections to the tank. Instead<br />
use cast iron pipe. Our experience<br />
has been that tile cracks from<br />
heavy trucks traveling the area.<br />
SIZE IS IMPORTANT<br />
"Wherever there is any trouble at all<br />
with septic tanks it is because the tank<br />
was not large enough to take care of<br />
capacity business. We use up to 2,000-<br />
gallon tank capacity in all of our driveins.<br />
The restrooms are used in concentrated<br />
periods—just before the show, at<br />
the intermissions—at the end of the<br />
Continued on following page<br />
er a weir at the end opposite the inlet,<br />
le<br />
solid matter sinks to the bottom as a<br />
idge and is then removed from time to<br />
ne and disposed of. The area required<br />
proper use of settling tanks, together<br />
th the odor while the solid matter is dry-<br />
; out, prohibits the use of these open<br />
nks within a considerable distance of<br />
pulated areas so that an adaption was<br />
veloped in what we term septic tanks,<br />
le patent on these tanks expired in 1916.<br />
Septic tanks are really sedimentation<br />
nks with the added feature that the<br />
idge is retained in the tank for long<br />
riods of time to undergo anaerobic detnposition.<br />
As a result of this action,<br />
s-lifted particles of sludge are raised to<br />
the surface of the liquid. These particles,<br />
while still in a partial state of decomposition,<br />
are often carried away with the effluent<br />
so that a filter bed, or a dry well,<br />
should be provided to further pui-ify the<br />
sewage. Such conditions are frequently<br />
caused by a sudden change in the velocity<br />
of flow through the tank so that it is<br />
advisable to provide a baffle to deflect the<br />
direct flow of the sewage. Such a baffle<br />
is shown in the illustration in the form of<br />
a T which deflects the incoming flow in a<br />
downward movement.<br />
These septic tanks may be purchased,<br />
or constructed, of many kinds of materials<br />
and in a wide range of sizes but the most<br />
satisfactory for our type of construction<br />
are those made of reinforced concrete and<br />
they should never have less than 500-gallon<br />
capacity. The type of the tank is important<br />
and adequate capacity is vital. The<br />
tank should be of sufficient size to detain<br />
the sewage for a period of from six to<br />
eight hours, plus additional capacity for<br />
storage of accumulated sludge. There is no<br />
economy in providing a tank with insufficient<br />
capacity and, it may be advisable to<br />
state right here, that the capacity of the<br />
tank is figured below the flow line only.<br />
If the capacity of the tank is not great<br />
enough three things can happen: the raw<br />
sewage wiU be forced into the pipe to the<br />
filter bed and probably stop the flow to<br />
Continued on page 28<br />
'XOFFICE :<br />
; June 4, 1955 25
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FIELD REPORT ON SEPTIC TANKS<br />
Continued from preceding pe<br />
show. So it is my belief that a minim':)<br />
1,500 to 2,000-gallon capacity is a necessy<br />
to avoid trouble.<br />
"We never have to clean out seic<br />
tanks," Ochs continues. "We put culte<br />
into the tank and flush it in. This destr s<br />
all bacteria. We also flush it out wh<br />
stale buns from our concession stand. 7e<br />
yeast in the buns provides culture that 8ls<br />
in the destruction of bacteria.<br />
"In the spring of each year, we flush le<br />
tanks with fresh pig liver cut up id<br />
flushed into the tank. It is not necess'y<br />
ever to clean a tank in which there isio<br />
bacteria to emit odors, provided the tik<br />
is large enough and the well is dry.<br />
"We prepare at all times for a maxiirm<br />
audience and figuring that every tcet<br />
flush consumes five gallons of wateia<br />
1,500 to 2,000-gallon tank is a 'must' inw<br />
proper operation of sanitation."<br />
St. Louis, Mo.<br />
Midwest Drive-In Theatres, contrced<br />
by the Phil Smith interests of Bo£)n,<br />
Mass., is taking steps to eliminate theise<br />
of septic tanks at their drive-in theatre in<br />
St. Louis County, Mo.<br />
At the Manchester Drive-In in the les<br />
Peres area the drive-in has made a innection<br />
with the sewer system in that !Ction<br />
operated by the Metropolitan Siiei<br />
District of St. Louis and St. Louis Coity,<br />
and the restrooms of the new concess»S<br />
building opened in March this yean<br />
connected with the permanent sewer i<br />
tem. The old concessions building<br />
IS on a lower level of the drive-in's 1i<br />
of land, still has its restrooms serveiij<br />
the septic tank installed back i<br />
when the drive-in was opened.<br />
At the circuit's Airway Drive-In Th(||<br />
in the Overland section a new sewer<br />
be constructed to connect it with the mijj<br />
politan sewer system. Bids are beinilj<br />
ceived from contractors on the drivejl<br />
new sewer line. When this connectiiiftis<br />
made the use of the present septic ttik<br />
for this 1.200-car drive-in will be ajndoned.<br />
Compared with a permanent sewer an-<br />
EVANS<br />
Continued on pc 2S<br />
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StnOXOFFICE :: June 4, 1955 27
EXPERT DISCUSSES SEPTIC TANKS<br />
Cont.nKec --on- page 25<br />
available on this subject from the TJ. S^<br />
Department of Agriculture and from Sk<br />
boards of health of most of the varimi!<br />
states.<br />
Kol/edKort/s" WILL<br />
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Retractile cords eliminate those<br />
occidental speaker losses in drive-ins<br />
caused by cars hooking into looping,<br />
drooping straight cords. KOILED<br />
KORDS are compact, retractile<br />
speaker cords that extend to six<br />
times their coiled length, then retract<br />
against the speaker standard to their<br />
r»eat spring-like shape that no car<br />
can hook.<br />
KOILED KORDS add to the wellequipped<br />
feeling that all good driveins<br />
strive for. They are so neat, so<br />
compact. KOILED KORDS are long<br />
lasting and the tough neoprene<br />
jocket withstands sunshine or storm,<br />
high or low temperatures without<br />
failing.<br />
Whenever you buy new speakers be<br />
sure to specify KOILED KORDS, but<br />
start now by replacing your straight<br />
cords as required with KOILED<br />
KORDS. See your theater equipment<br />
dealer.<br />
Kol/ec/Kpn/s<br />
BOX K,<br />
Hcmden, Connecticut<br />
Trod* Morti of Kcil«-! Kordt Int.<br />
lie filler bed encirely. or ii wiZ carry liie<br />
iOlic maner into the filter bed and stop its<br />
acnoa- or the outlei from the tank -win plus<br />
sritr the solids and cause the se-vraee to back<br />
up SLxa the fissures and floor of the restrooans.<br />
Either of these results is not only<br />
annoying but may be very cosily.<br />
LOCATION Of TANK<br />
The location of the septic tank should<br />
be such that the top of the tank should be<br />
not much more than one foot belov the<br />
grotaid level. A foot of earth, or slag, fill<br />
heliK cushion the impact on the top of<br />
the tank from passing vehicles but more<br />
than a foot of fin means difficulty in repairs<br />
that may be required. F-orthermore.<br />
a deeply placed septic r.ant- means a deep>er<br />
filter bed as the pipe from, the tank must<br />
be graded do^mvard to the filter bed. The<br />
concrete floor and vaUs of the tank must<br />
be designed to withstand earth and water<br />
pressure, •while the cover slab must be designed<br />
to sustain the weight of the beverage<br />
trucks and the road rollers that may work<br />
over and around it.<br />
The floor of the tank should be sloped<br />
so that the sludge, or sediment, drains to a<br />
lew point at which a four-inch gate valve<br />
:s located, outside the tank, so that the<br />
sludge may be drawn off from time to time<br />
as may be required—perhaps two or three<br />
times a season. This should be about all<br />
the "cleaning" that is required.<br />
The grade, or slope, of the overflow pipe<br />
from the septic tank to the filter bed<br />
should t)e sufficient to provide a self-cleaning<br />
velocity of at least two feet per second.<br />
This would require a TniniTnum grade of<br />
0.6 per cent or a 712-inch fall per 100<br />
lineal feet for a six-inch cast iron pipe.<br />
This pipe should be laid to an even grade<br />
with all of the bells thoroughly caulked and<br />
leaded to prevent any seepage in transit.<br />
Ttie pipe must be firmly bedded to prevent<br />
breakage.<br />
CONSTRUCTION OF FILTER BED<br />
The filter bed should be constructed<br />
about as shown in the illustration but the<br />
plan must be approved by the local board<br />
of health before the work is started. Due<br />
attention must be given to the vents located<br />
at the low end of each lateral. It is<br />
the omission of these vents which could<br />
cause the liquid to be air-locked so that the<br />
water backs up into the septic tank, which<br />
action causes it to back up into the fixtures<br />
and restrooms. The absence of these vents<br />
is also the cause of several explosions that<br />
have ripped filter beds in the past few years.<br />
The writer cannot express too emphatically<br />
the importance of this subject of<br />
adequate sewage disposal, and also the fact<br />
that it is far less costly to do the job correctly<br />
at the start than it is to continually<br />
repair, or patch up. the system. This subject<br />
can become a bit complicated but if<br />
the exhibitor will be guided bj- the points<br />
mentioned herein he will not go wrong.<br />
Also remember that there is plenty of data<br />
FIELD REPORT ON SEPTIC TANKS<br />
Continues ironi page 2l'<br />
necrion. the use of septic tanks for driveins<br />
in heavily populated areas such as tboa<br />
in St. Louis County is not satisfactory, lbs<br />
septic T.anirs must be cleaned out once 0:<br />
twice each season at a cost of from $15(;<br />
to S200. and in addition constant watEl<br />
must be maintained to see that the auzjli<<br />
ary facilities of the septic tank functian a<br />
the county health authorities insist. Ui<br />
clean-out work for the septic tanks ij<br />
done by an outside company specialian<br />
m that work.<br />
The Jabionow-Komm Theatres has fcm<br />
the use of septic tanks at their Motmd<br />
Drive-In between East St. Louis and Col<br />
lingyjllp m., opened in 1949. and the Bel;<br />
Air Drtve-In about three miles north t<br />
Granite City. m.. opened on Dec. 25. 19S<br />
s source of many headaches for the drive<br />
in managers. In addition to the necessit<br />
for a complete clean-out at least once<br />
year, the bacteria count must be checta<br />
constantly to see that the standards s<br />
by the pubUc health officials are met. 13<br />
possibilities of the sanitary facilities of tl<br />
restrooms "backing up'" when a septic tu<br />
is used are considerably greater than \rt»c<br />
there is a pennanent connection with s<br />
established adequate sewer system. 13<br />
circuit's new Holiday Drive-In now oef<br />
tng completion will be connected with<br />
permanent sewer system so there will be 1<br />
need for a septic tank.<br />
ELIMINATING SEPTIC TANKS<br />
The F^ed Wehrenberg Circuit, Inc., wWi<br />
operates three drive-ins and is a ixd)<br />
owner in a fourth in St. Louis County,<br />
is eliminating the use of septic tanks<br />
favor of connections with a permanef<br />
sanitary sewer system.<br />
At the North Drive-In in the nortbe<br />
part of the county, in which the circuit<br />
partner with Clarence Kaimann, there<br />
already a connection with a sanitary<br />
system that has permitted the eliminal<br />
of the septic tank. "Work of connecting<br />
66 Park-In Theatre in the southwestd<br />
part of the county with the sewer system<br />
Crestwood, Mo,, is now in progress a<br />
should be completed in a short time, t<br />
circuit also plans to connect its new Soi<br />
Twin Drive-In in the southeastern part<br />
the county with a sanitary sewer system<br />
an early date, the present facilities at t<br />
1,000-car plus theatre being just<br />
porary.<br />
These steps will leave only one drive<br />
of the circuit, Ronnie's Drive-In,<br />
1.200-car capacity, dependent entirely<br />
a septic tank for the disposal of sew!<br />
from its restrooms.<br />
Paul Krueger. president and co-b<<br />
Continued on pogtil<br />
28 The MODERN THEATRE SECTIl
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and comfort with DIT-MCO directional lights.<br />
Entrance and exit; lights out and on; ramp<br />
lights; center aisle lights; ramp end exit;<br />
roadway lights; moon light units; floodlights for<br />
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Add to the beauty of your drive-in with modern<br />
DIT-MCO lighting. Consult your engineers for recommendations.<br />
BUY DIT-MCO AND YOU BUY THE BEST.<br />
Write (ir Wire for Full Details, Prices im all items<br />
DRIVE-IN THEATRE MFG. CO. "dit-mm<br />
505 W. 9th StrEet, HArrison S007-S484, Kansas Citv, Mo.<br />
Don't Oversell Space!<br />
* Every Drive-In Manager Should<br />
Know How Many Cars Are Inside!<br />
!^*u/all "Twin" TRAFFIC COUNTER<br />
at Boxoffice<br />
Customers say, "Completely foolproof, and<br />
accurate in all respects."<br />
Nothing Else To Buy<br />
["ounVcTTn "lorded fob foctory<br />
I<br />
housing end driveway —10 d<br />
or is in the process of erecting more tin<br />
a half dozen towers, designed to withstJd<br />
the force of hurricanes and tornadoes.<br />
In Norfolk, Va.. Wilder Brothers, ^o<br />
operate the Wilder Drive-In chain, ><br />
stalled what is said to be one of the larist<br />
curved screen towers in the country in le IC<br />
new Wilder Di-ive-In Theatre. Its nri-,<br />
surements are 121 feet long and 52<br />
high.<br />
Other contracts are for installationiin<br />
a new 100-car Butterfield circuit drivin<br />
being built at Monroe, Mich.: the sw<br />
Midwest Drive-In at Battle Creek, M:n.,<br />
being constinicted by Phillips and ludouris.<br />
and a new twin drive-in at Media,<br />
N. Y., which Tony Raguco is building<br />
Harrisburg, Ohio, Associated Circuit's T4<br />
City Drive-In has replaced a wood tc'i<br />
that blew down in a heavy spring st(<br />
v,'ith a Selby durable tower.<br />
A Glamorized Junction<br />
Box<br />
f^<br />
A new look which combines functional qualitieyHh<br />
eye appeal has been achieved in the loudspkei<br />
junction boxes produced by the engineering prc'Cti<br />
division of RCA. Manager M. J. Yahr of 'A'i<br />
theatre and sound products division reports the (ne<br />
new Cirdiie boxes were designed to accommloU<br />
all models of RCA incar speakers. The d.oil<br />
aluminum junctions have built-in beacon ]mi<br />
behind plastic strips used to direct /ncii"?<br />
drivers and provide extra protection for the sfikei<br />
posts. A choice of red, green and white ligh ore<br />
available. Some of the other plus qualities irui^<br />
longer terminal units for simpler, quicker in:'llotion<br />
and contour design to aid the patron , rtmoval<br />
and replacement of the speakers.<br />
The MODERN THEATRE SEC ON<br />
M
Good entertainment, of course! Good entertainment, though, means more than<br />
just a good picture. It means qualify equipment that can show the picture at its<br />
best! That's why it's so important that your speal
. . pretty<br />
This is the view the patron of the remodeled Kertmore Theatre, Boston, sees as creates a suggestion of separation between the foyer and the luxuriously de<br />
he steps into the foyer. The smart planter with the widely spaced vertical rods rated lounge. The steps at the right lead to the manager's office.<br />
BEAUTY TREATMENT FOR BOSTON ART HOUSI<br />
Fire Damage Could Have Been Repaired but Owner Made If the Occasion<br />
For Completely Restyling Theatre, Creating Luxurious Showcase<br />
By FRANCES HARDING<br />
K. EPAiRs ONLY would have sufficed to<br />
put the Kenmore Theatre, Boston, back in<br />
business after it had suffered fire and<br />
water damage from a blaze started near the<br />
stage by a carelessly thrown cigaret last<br />
December 20. However, Louis Richmond,<br />
owner of the theatre and building, decided<br />
to do a complete remodeling job to give his<br />
art house patrons a truly de luxe showcase.<br />
The four walls remain and some<br />
of the structural sections, but otherwise<br />
the 35-year-old Kenmore is a "new" motion<br />
picture theatre.<br />
Proof of Richmond's good judgment<br />
came when the theatre reopened Easter<br />
Sunday to the advertised "Aida" and broke<br />
all house records in its first two weeks.<br />
They took in approximately $10,000 each<br />
week . good for a 700-seater. The<br />
film "Aida" was to have opened for the<br />
Christmas presentation when the fire<br />
occurred forcing the closing, and all during<br />
the remodeling the marquee kept patrons<br />
aware that the film would be shown<br />
at the reopening.<br />
32<br />
The Kenmore is interesting structurally<br />
in that it is built a little differently from<br />
most theatres because it is on a downgrade<br />
hill. Patrons, after entering the<br />
foyer, descend six steps from the street<br />
level to the auditorium.<br />
In the $65,000 remodeling the marquee<br />
was unchanged, but the theatre facade was<br />
rebricked with a glazed brick. The boxoffice,<br />
formerly a narrow enclosure of dark<br />
marble located in the center of the outer<br />
lobby, was moved to the right. It is attractively<br />
designed and centered in a sweeping<br />
curved wall composed of two huge bronze<br />
panels eight feet high, giving an effect that<br />
the entire area is the boxoffice.<br />
The new soffit of the outer lobby is<br />
plaster with inset downlights for illumination,<br />
and the floor is covered with rubber<br />
matting. Entrance doors to the foyer are<br />
at the left of the boxoffice.<br />
CREDITS: Air conditioning: Westinghouse •<br />
Architect: Wi'liam Riseman Associates, Inc. • Carpeting:<br />
Alexander Smith • Seating: International •<br />
ciates.<br />
The foyer has a white vinyl plastic<br />
floor, and as the patron steps into t|-S,<br />
small foyer he faces the attractive louijei<br />
which is an appealing spot for art lovffiil<br />
Canvases are by local artists and ie 'e<br />
changed every month or so. Cork was<br />
painted white, create an effective mount ir.<br />
the paintings which are illuminated lyj<br />
pendant spotlights. A fourth wall is draiidj<br />
in a figured charcoal gray material. Smtt,<br />
black and white fui-niture—settees, tabs,<br />
lamp—is arranged in conversation cornis,<br />
and the thick, light monotone carpet.ig<br />
extends from wall to wall.<br />
Separation of the lounge from the fo^r<br />
is only suggested by a handsome plaar<br />
with widely spaced vertical rods extend S<br />
Screen: Dyna-Lite • Stage draperies: Golden Assoif<br />
to the ceiling. "Live" flowers are arranid<br />
not only in the planter itself, but at variis<br />
heights on the rods, creating an ext.-<br />
ordinarily beautiful effect. For the Eas'r<br />
Sunday opening lilies were the motif of i?<br />
floral design.<br />
The manager's office is up a flight if<br />
six steps at the right of the lounge.<br />
The powder room was remodeled, wh<br />
walls paneled in mahogany. Modern fuii-<br />
The MODERN THEATRE SECTlN<br />
I
; June<br />
uie adds a bright note to the smart room.<br />
There is a candy case in the foyer.<br />
If the patron does not firsl visit th;'<br />
ounge but goes directly to the auditorium<br />
e turns left just inside the foyer entrance<br />
nd descends the few steps to that level.<br />
There is an illuminated standee rail.<br />
Within the auditorium the plaster ceilng,<br />
which was badly gutted by the fire,<br />
-.as been replaced by one of acoustical tile<br />
nto which downlight fixtures are recessed.<br />
Usles are carpeted in a figured pattern,<br />
ind the original seats have been completely<br />
epaired and reupholstered. A new screen<br />
nd new stage draperies replace those that<br />
.ere entirely destroyed by fire.<br />
The projection equipment was not damged<br />
by the fire as the flames were conined<br />
to the auditorium, so no replacements<br />
r repairs were needed in the booth.<br />
The Kenmore, which is managed by Al<br />
tonovan, is a downtown first run art house<br />
fith a drawing radius of 25 miles and<br />
000,000 persons.<br />
/lORE<br />
PICTURES ON FOLLOWING PAGE<br />
The white cork walls of the lounge provide a showplace for poirttings by local artists, and a fourth wall<br />
is draped in charcoal fabric. Wall-to-wall carpeting and imart, modern furniture help to create an atmosphere<br />
of charm and relaxation in the Kenmore's lounge.<br />
he old boxotfice was boxy and located in the center of the lobby. In the Two eight-foot-high bronze panels form a curved wall into which the boxoffice<br />
'.modeling it was moved to the right inner wall of the Kenmores lobby. The is centered. Colored, mosaic tile is used for the panels above and below the<br />
hite ceramic tile floor was replaced with rubber matting. ticket window. Lighting fixtures are recessed in the soffit.<br />
le marquee 0/ the Kenmore was unchanged in the sprucing up, but the front In this view the gleaming newness of the glazed brick facade and the attracts<br />
redone with glazed brick. The marquee was utilized while the theatre was five outer lobby with its sweeping curves are evident. Note the single, but very<br />
3sed to exploit the reopening picture. impressive, postercase.<br />
3X0FFICE :<br />
4, 1955 33
KENMORE THEATRE, BOSTON, MASS.<br />
Old and new v/ews of the foyer from the lourtge are<br />
shown at left and right. Observe how the planter<br />
with its live flowers not only creates a kind of<br />
separation but forms a backdrop for the loveseat,<br />
making a charming picture in what was before only<br />
empty space. The stairway in the center leads down<br />
six steps to the auditorium level. The carpeting of<br />
the lounge extends to meet the new white vinyl<br />
plastic tile floor of the foyer.<br />
x}><br />
As may be seen in the photograph below the cei/ii.<br />
0/ the auditorium was badly damaged by the fill<br />
and the entire proscenium area was burned. Ti<br />
fire started near the stage. In the picture at tj<br />
left, the Kenmore auditorium as it appears todc'<br />
with new acoustical tile ceiling and recessed ligl<br />
ing fixtures, new proscenium treatment, new ai:<br />
carpeting and completely repaired and reuphi<br />
stered seats.<br />
WILLIAMS SCREENS<br />
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ALL DOWNTOWN THEATRES IN<br />
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WILLIAMS ALL-PURPOSE SCREENS<br />
EXCEPT TWO NOW USE<br />
FIRST CHOICE EVERYWHERE<br />
WILLIAMS SCREEN CO. - 1674 SUMMIT LAKE BLVD. - AKRON, OHIO<br />
34 The MODERN THEATRE SECTI'N
4 ASHCRAFI<br />
MORE LICHT<br />
1 F 1.64—18 in. High Speed Precision Focus<br />
Bausch & Lomb Reflector. Collects and projects<br />
the maximum light. Perfect coordination<br />
with F 1.5-F 1.8 or F 1.7 High Speed<br />
Projection lenses.<br />
3 While the standard 1 1 mm carbon rs recommended<br />
at 118 to 130 amperes, the<br />
Cinex lamp can be operated with every<br />
size carbon from 9 mm to<br />
wide aperture applications.<br />
13.6 tor special<br />
S Complete circuit forced air injection into<br />
lamphouse through duct system ond complete<br />
forced exhaust permits use of higher<br />
arc currents— protects reflector<br />
and maintains<br />
low operating temperatures.<br />
2 High Powered — Low Angle — Super<br />
Brilliant-Mogneticolly Controlled Arc<br />
produces more light at source than can be<br />
obtained from conventional high angle,<br />
uncontrolled arcs.<br />
The Cinex lamp does not rely upon air<br />
cooling alone. An automatic— dependable<br />
water recirculotor maintains the carbon<br />
contacts at exactly the right temperature<br />
for optimum operation<br />
O Heavy duty—water cooled carbon contacts<br />
allow perfect high current conduction to<br />
rotating positive carbon. Contacts are<br />
maintained at low temperature at all times.<br />
MONEY CAN'T BUY THESE ASHCRAFT FEATURES IN ANY OTHER LAMP!<br />
U.S. Distribution through INDEPENDENT THEATRE SUPPLY DEALERS • Foreign: WESTREX CORPORATION • Canada: DOIMINION SOUND EQUIPMEIVITS, LTD.<br />
C. S. ASHCRAFT MANUFACTURING CO., INC.<br />
36-32 THIRTY-EIGHTH STREET, LONG ISLAND CITY 1, NEW YORK<br />
' IC0F7ICE : : June 4, 1955
wrr-'<br />
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> '4<br />
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Pepsi is today more popular than ever. This<br />
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Pepsi profit tops all nationally advertised arid nationally available<br />
cola syrup lines. Pepsi's syrup price is the lowest<br />
of any nationally advertised cola. Add extra profits from Pepsi's<br />
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In your own theatre operation,<br />
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Write today for full details.<br />
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36 The MODERN THEATRE SEC13N
I<br />
I<br />
I<br />
T)T '7 7 A ^ '~'°^ Food Item Which Has Been Winning Wide Favor<br />
iJL \^£^ JLj l\. With Drive-In Theatres Because of High Profit Angle<br />
ly<br />
PHILIP L LOWE*<br />
I HE AVERAGE clrive-in theatre in the<br />
[Northeast sells from 20 to 45 per cent of<br />
ts dollar volume in hot foods. The higher<br />
[he percentage, the higher the per-person<br />
i;ales. This is true because popcorn, drinks<br />
ind ice cream are fairly stable in their<br />
)er-person sales and are little affected by<br />
lot food sales.<br />
One hot food influences the sales of other<br />
lot foods, so if you are considering adding<br />
new hot food you can be reasonably sure<br />
hat the new food is going to take away<br />
ales from your existing hot food items,<br />
v'ortunately, you don't take away as much<br />
IS you add, and the net result is an inlease<br />
in per-person sales.<br />
With the above facts confirmed by exlerience,<br />
drive-in theatre owners in New<br />
England and the East, as well as concesionaires<br />
have looked with a jaundiced eye<br />
it adding new hot food items because they<br />
elt that the "trouble and expense" didn't<br />
eave enough additional net business to<br />
jay for them.<br />
EXCEPTION TO THE RULE<br />
However, we have found that pizza is<br />
in exception to the rule. Not the oldashioned<br />
15-cent or 25-cent piece of pizza<br />
eheated from a frozen precooked tray.<br />
lot the pizza to which was added a pre-<br />
>ared sauce and some grated cheese. But,<br />
ather. the 1955 style "family-size" pizza<br />
elling for 60 cents. It takes a moderate<br />
nvestment and amazingly little skill to<br />
nix and bake these happy money-makers.<br />
Irv Rosenblum of Savon Candy Co. of<br />
-aterson, N. J., perfected the family-size<br />
lizza<br />
for Mel Wintman, concessions direcor<br />
of Smith Management Co. for use in<br />
heir drive-ins throughout the Midwest,<br />
"he large pizzas are sold as far west as<br />
5t. Louis with surprising results. This<br />
lackaged deal includes proper equipment<br />
'hich simplifies the making and serving,<br />
nd prebaked crusts to vt-hich you add the<br />
iioper sauces, cheeses and spices.<br />
This hot food item really fits the bill,<br />
or it is a very high-imit sale and it yields<br />
Continued on next page<br />
Introduction of pizza at the Rockville Drive-ln in Washington, D. C. made the society page. This<br />
photograph of a family enjoying the delicacy was given a six-column play in the Washington Post.<br />
Charles Demma, manager of drive-in for the K-B Theatres circuit, invited the food editor of the<br />
paper to show her the newly installed ovens and how the pies are baked. She was so impressed,<br />
the society page spread followed. Helped business, too, says Demma.<br />
Pizza<br />
Equipment Calls<br />
For Outlay of About $580<br />
The drive-in theatre exhibitor who adds<br />
pizza pie to his concessions department<br />
will spend approximately $600 for equipment,<br />
an outlay which also includes shipment<br />
of equipment from the east.<br />
To go into business, this is what the<br />
concessions department will need:<br />
Quantity Item Cost<br />
1 Gas oven (32 pies) $225.00<br />
1 Work table with rack 225.00<br />
1 Cheese grinder 8.50<br />
2 16-inch linives, and<br />
1 9-inch knife - 6.00<br />
24 Metal trays at $1.65 39.60<br />
4 8'--qt. insert for table 22.00<br />
2 Stainless steel ladles 3.00<br />
2 Spreading spoons 2.00<br />
2 2-qt. stainless pots 7.50<br />
2 Paddles 5.50<br />
2 Pizza cutters - 2.50<br />
1 Oil can 3.25<br />
1 Set measuring spoons 25<br />
Estimated freight on oven and table 30.00<br />
$580.10<br />
To get into production, once he has installed<br />
his equipment, an exhibitor's first<br />
supplies will include the prepared crusts,<br />
which come packed 60 in a case, loaves of<br />
Mozzerella cheese, tomato sauce, grated<br />
Parmesan cheese, imported olive oil, and<br />
such seasoning as oregano, black pepper,<br />
red pepper and garlic. All of these are<br />
available in case lots.<br />
Prices fluctuate on the seasonings, but<br />
generally the crusts sell for about $5.50 for<br />
a case of 60, the Mozzerella cheese at 50<br />
cents a pound, the Parmesan cheese at<br />
85 cents a pound, the ohve oil at $3.80<br />
a gallon and the seasonings from 85 cents<br />
to $2.00 a pound.<br />
On such a basis, the cost breakdown per<br />
pie would be:<br />
1. Crust 0925<br />
2. Sauce, 2 oz. per pie 0275<br />
3. Oil, 1 gallon covers 600 pies 0065<br />
4. Mozzerella cheese, 1', oz 0435<br />
5. Grated cheese, 1 lb. per 100 pies.. .0085<br />
6. Wasted raw material, spoilage 0025<br />
$0.1800<br />
This cost is based on a pie crust 8 '2 to 9<br />
inches in diameter, with the baked item<br />
Continued on following page<br />
OXOFFICE :<br />
: June 4. 1955 37
j<br />
.:<br />
'<br />
•<br />
't<br />
n<br />
Shown here is the basic equipment needed for The first operation in preparing pizza. Over the Lost stop before the ovens: Atop the sauce go<<br />
pizza— the battery of electric ovens for the baking crust, a layer of Mozzerello cheese and a spread the grated cheese, a pinch of oregano, a squi<br />
and the worktoble and trays for storage of pies of sauce which is basically tomato, plus special of imported olive oil. Leftover unbaked pies ca<br />
before baking. The equipment is in the Meadow seasonings. A special ladle, supplying the exact be kept until the next day. They need only<br />
Glen Drive-ln, Medlord, Mass. amount, is used. touch of sauce and oil to freshen them up.<br />
PIZZA<br />
Continued from previous page<br />
a 70 per cent profit—as good as some, and<br />
considerably better than most hot foods.<br />
The experience of one drive-in theatre<br />
operator who has an unusually large variety<br />
of hot food items had been selling a<br />
25-cent square of preheated pizza. His hot<br />
food business was 40 per cent of his dollar<br />
volume. Of this 40 per cent, 6 per cent was<br />
the 25-cent pizza sales. His hot food costs<br />
were 39 per cent. He discarded the old,<br />
smaller pizza, added the new family-style<br />
pizza for 60 cents and here's the result:<br />
Hot food sales are 45 per cent of his dollar<br />
volume, of which pizza sales accounted for<br />
14 per cent of the 45 per cent—or more<br />
than double his former pizza percentage.<br />
Thus he added 5 per cent to his total hot<br />
food sales while increasing his pizza business<br />
8 per cent.
-<br />
Cafeteria Service Produces<br />
More Cents-Per-Person<br />
temperature and other factors—it's from 28<br />
to 50 cents. When warm weather arrives,<br />
the Mohawk's concession patronage will<br />
really boom. Ullman predicted.<br />
iOLD DRESSES UP UNIFORMS<br />
here's nothing like a little gold braid to brighten<br />
He outlook! Patrons, as well as the usherettes,<br />
ppreciate the uniform changes Manager Lester<br />
olack achieved by adding a touch of gold braid<br />
n the shoulders and gold binding around the<br />
ockets, sleeves, and down the skirt sides. These<br />
oung ladies show the "before and after" trfotment<br />
1 the lobby of Loew's Theatre in Rochester, N. Y<br />
Ice cream bars and the various "sides"<br />
re the most popular items among the ice<br />
'ream products sold by theatres.<br />
Over Old-Style Setup<br />
The cafeteria-type concession operation<br />
at the Mohawk Drive-In Theatre, Albany,<br />
N. Y., has already demonstrated its value<br />
to patrons and its profits to Fabian Theatres.<br />
This is the report of Irwin Ullman,<br />
supervisor of area drive-ins for the circuit.<br />
The new and expanded concession build<br />
ins, serviced and staffed by Berlo Vending<br />
Co. permits quicker handling of customers'<br />
needs at intermission, without loss<br />
of the per.sonal touch. The setup also increases<br />
purchases by four or five cents per<br />
per.son over the old-style operation, Ullman<br />
said.<br />
MORE OF THE INDIVIDUAL TOUCH<br />
He believes it provides "more, rather than<br />
less, of the individual touch," because the<br />
attendants do not have to make change.<br />
The latter is handled at the exit point,<br />
Ullman explained.<br />
The employe cost is a little higher week<br />
nights, but on Saturday and Sunday—the<br />
big evenings for business— it is about the<br />
same as before, Ullman added. Incidentally,<br />
he thinks cafeteria-operation is desirable<br />
and practical only in larger automobile<br />
theatres.<br />
The per-patron puixhase rate, Ullman<br />
stated, varies widely, with the season, the<br />
Open Display of Ice Cream<br />
Triples Sales in Theatres<br />
Vending ice cream is just as important<br />
in theatres as beverages, according to Carl<br />
Siegel, Stanley Warner Management Corp.<br />
Open display and self-service are important<br />
factors in moving this product, and Siegel<br />
has found that the theatres enjoy three<br />
times as great sales volume as when ice<br />
cream was kept behind the counter.<br />
In the Cinerama theatres where exceptionally<br />
luminous concession stands are<br />
maintained, ice cream is stored in refrigerators<br />
behind the counters until five minutes<br />
before the intermission when it is<br />
brought out and displayed on top of the<br />
counters along with pre-packaged orange<br />
drinks. For the most part, patrons help<br />
themselves, the attendants merely receiving<br />
the money.<br />
Siegel suggests that theatres offer novelty<br />
items not found too much on the<br />
outside. Eskimo Pies, Bon-Bons, sundae<br />
cups are all good.<br />
A novelty item which goes well for<br />
Van Myers of the Wometco circuit is ice<br />
cream eclairs.<br />
. .^<br />
FAMILY STYLE PIZZA<br />
Qjl^^t^^'^^^^ Sold at 60c to 65c .. . Coast -to -Coast<br />
Created by:<br />
SAVON FOOD COMPANY<br />
286 Pennsylvania Avenue Paterson, New Jersey<br />
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Q Golden Color<br />
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NO OTHER SEASONING AT ANY PRICE OFFERS AIL<br />
THE ADVANTAGES OF POPSIT PLUS. No wonder it's America's<br />
best selling popcorn oil— preferred by more theatres, carnivals<br />
and outdoor operators because it does the best job.<br />
Try Popsit Plus in your own refreshment stand . . .<br />
your<br />
local distributor will gladly give you a sample supply.<br />
^''* Dir.<br />
Rear view of the Star 55<br />
models trimmed with illuminated :d<br />
plastic are 25'/2x26x66y2 inches. Somqjf<br />
the many features of the unit are<br />
fluorescent lamp in the cabinet top,<br />
movable Plexiglas doors, recessed conol<br />
panel with rotary switches and a corrosiiresistant,<br />
stainless-steel corn pan with Bfforated<br />
corn screen. A special heating jstem<br />
assures that all of the corn willJe<br />
kept at the proper serving temperatre<br />
Accessories furnished with the Star 55<br />
elude corn cup, corn scoop, seasoning |s<br />
penser and cup.<br />
Liquid Popcorn Seasoning<br />
made by<br />
C.F.Simonin's Sons, Inc.<br />
PbUa. 34. Pa.<br />
Best Theatre Popcorn Town<br />
Superior, Wis., serviced by Minneaijlis<br />
film exchanges, has what it believes a<br />
new claim for distinction and fame, sue as<br />
are boasted by "good show towns."<br />
It claims to be "the best theatre popcrn<br />
town anywhere." ;<br />
Whereas the usual ratio in the Mii|eapolis<br />
area finds two bags of popcorn 'IdJ<br />
for every five theatre patrons, it runs f'Hil<br />
four to five in Superior, according t a-"<br />
survey.<br />
42 The MODERN THEATRE SECTl'N<br />
|
P"<br />
I<br />
#%<br />
I<br />
CAFETERIA OPERATION<br />
GIVES TIMID PATRON<br />
EQUAL OPPORTUNITY<br />
It<br />
Also Takes Drudgery Out of Work<br />
LEFT: Clara Bullard gets o lot of fun out of directing the concessions<br />
operation at the Ark-Vue Drive-ln Theatre, Arkansas City, Kos. The<br />
gentleman behind her is her husband. Gene Bullard, and the other man<br />
is K. R. Gent, manager of the theatre.<br />
iy<br />
BRIAN COYNE<br />
DRIVE-IN THEATRE is as good as its<br />
concession stand, and for that reason the<br />
Ark-Vue Drive-In. one-half mile north of<br />
Arkansas City. Kas., on U. S. 77 highway,<br />
operated by Mr. and Mrs. Gene Bullard,<br />
•ates tops among outdoor theatre enterjrises<br />
in Kansas.<br />
As much care and thought was put into<br />
:onstruction of the concession stand as in<br />
he theatre itself, because Clara Bullard.<br />
who manages the concessions as her own<br />
Special project, is convinced the concession<br />
litand is the hub of any drive-in operation.<br />
A cafeteria style of service is emphasized<br />
n the concession stand by Mrs. Bullard<br />
because it takes the drudgery out of the<br />
vork, it allows faster service and greater<br />
'olume, provides more customer satisfac-<br />
>ales<br />
Messages
CAFETERIA OPERATION FAVORED<br />
Continued from preceding page<br />
the concession cash register and outdoors<br />
on the flagstone patio.<br />
A condiment counter, containing relish,<br />
mustard, cream, sugar, napkins and<br />
spoons, is available on the other side of<br />
the chain which divides the concession<br />
area. This gets the customer away from<br />
the cafeteria service area, and also gives<br />
him the personal privilege of adding as<br />
much condiments as he likes to his sandwiches,<br />
hot dogs and coffee.<br />
SELF-SERVICE ICE CREAM<br />
As the customer nears the end of the<br />
cafeteria counter and the cash register,<br />
he is confronted with a self-service ice<br />
cream display where there is a choice of<br />
chicken sticks, bars, Eskimo Pies, ice cream<br />
cups and fudge bars, all to be lifted from<br />
the open freezer by the buyer. A Goober<br />
peanut warmer is visible behind the cash<br />
register for those who desire nuts.<br />
Next, and last, is a gum and candy<br />
counter, affording an open display of various<br />
assorted candies and chewing gum.<br />
Mrs. BuUard finds that people buy more<br />
when the candy and gum are easily accessible,<br />
rather than having to ask an attendant<br />
for the various choices.<br />
The customer is now ready for checking.<br />
While his bill is being computed, he can<br />
pick up straws and napkins in dispensers<br />
at the side of the register. After he pays<br />
his bill, he is ready to proceed to the condiment<br />
counter or outdoors again. Bottle<br />
warmer service for babies is available by<br />
asking the cashier.<br />
CIGARETS IN AUTOMATIC VENDER<br />
Cigarets are handled by a lighted dispenser<br />
machine on the same side of the<br />
dividing chain as the condiment counter.<br />
Off the concession stand on the fourth<br />
side of the building is a storage room with<br />
a deep freeze for wieners, burger meats and<br />
ice cream, an ice storage chest, an ice<br />
maker, sinks, hot plates for making the<br />
special recipe in Ark-Vue burgers. The<br />
manager's modernistic office opens off the<br />
storage room, giving the manager quick<br />
access to the concession area.<br />
Over the entire concession area, the<br />
floors are covered with inlaid linoleum,<br />
which aids in keeping the stand spotlessly<br />
clean.<br />
The Ark-Vue's 24x36-foot concession<br />
building and its adjoining playground and<br />
patio are located almost in the geographical<br />
center of the theatre area. The building<br />
has slanted, solid plate glass windows on<br />
three sides, and as an added decorative<br />
feature it is trimmed with native stone<br />
flower and shrubbery boxes.<br />
The color .scheme for the interior is<br />
turquoise, coral ro.se and canary yellow,<br />
accented by dark green draw drapes over<br />
the two short French windows at either<br />
end. The interior is lighted indirectly from<br />
The cafeteria counter and concessions equipment are kept spotlessly clean at the Ark-Vue Drire-ln. Word]<br />
would soon get around if it were not, according to Clara Bullard.<br />
This view of the CinemaScope<br />
screen and<br />
the<br />
concessions<br />
building was taken<br />
from the first ramp<br />
behind the concess<br />
i n s. Attractive<br />
planter boxes are on<br />
either side of the entrance<br />
to the concession,<br />
and brightly<br />
colored chairs are<br />
provided on the patio.<br />
The flat roof of the<br />
building can be used<br />
as a platform for<br />
special<br />
events.<br />
Below, a part of the playground as seen from inside the concessions building. A double door gives
Here's Why You'll<br />
tiliake<br />
More Money<br />
y^ith a New, Manley<br />
HD POPCORN MACHINE<br />
Visual Popping with New<br />
VisfaPop Kettle<br />
Controlled Popping Volume<br />
with Controlled Heat<br />
New VistaPop Kettle lets your customers see the corn<br />
as it is popping. The sight of popping kernels jumping<br />
around in the kettle in a lively manner attracts attention<br />
. . . stimulates impulse buying. Customers see more — buy<br />
more!<br />
In this machine you can expect every kernel to pop with<br />
the maximum volume inherent in the corn itself. It eliminates<br />
two troublesome profit robbers: operator's opinion of<br />
proper heat, and fluctuations in electrical energy supply.<br />
After the very first kettle, volume is uniformly consistent<br />
without guesswork on the part of the operator. A group of<br />
20 VistaPop Kettles, on test 14 months, were found to be<br />
within 7% of each other in dollar yield per lb. of corn.<br />
Unmatched Quality Control<br />
with<br />
"Hot Air Conditioning"<br />
New, "hot air conditioned" warming pan, with 126 more<br />
square inches of working space, keeps popped corn fresh,<br />
hot and crisp even in humid coastal areas. No more soggy<br />
popcorn with the Manley VistaPop! Here is real quality<br />
control to go along with volume control to give you more<br />
sales . . . more repeat sales . . . more profits!<br />
WANT PROOF OF PERFORMANCE?<br />
Send in the coupon, or have your Manley representative<br />
give you all the facts and figures on the<br />
sales and operating performance of the VistaPop in<br />
extensive field tests. You'll be amazed!<br />
KOFFICE : : June 4, 1955 45
II<br />
Quit Worrying About Ice Deliveries<br />
Automatic Ice-Making Equipment Solves<br />
Problems of Supply and Cleanliness<br />
l
! iis<br />
i<br />
j<br />
with<br />
. .<br />
. . . that<br />
''2<br />
the h.p. machines, especially if there<br />
e two lanes in the cafeteria, thus proding<br />
ice for each lane rather than having<br />
cart it about.<br />
The ice machines are available in models<br />
iiich spew the ice out into a storage bin,<br />
the bin as an integral part of the<br />
achine. In any case, it is advisable to<br />
',ve a storage bin in excess of the producm<br />
capacity of the machine to accumulate<br />
';<br />
for especially hot nights. All of the<br />
lachines have thermostats to shut down<br />
^oduction when the storage bin is filled.<br />
The ice-making equipment is available<br />
established accounts on long-tei'm<br />
.lortization plans practically on the basis<br />
, customary ice payments.<br />
I<br />
f<br />
DE-AERATED TO PRESERVE ZIP<br />
(York Corp. manufactures Model DER-2<br />
)rk-FlakIce automatic ice maker which<br />
educes about 300 pounds of crystal clear<br />
; fragments per day. The ice is derated,<br />
which means that it will preserve<br />
e zip in carbonated beverages, whereas<br />
judy ice will flatten such drinks by reising<br />
carbon dioxide. It has an air-<br />
'oled condenser. The ice is automatically<br />
irvested from the freezing drum by a<br />
ecision cast manganese bronze nickelated<br />
ice cutter and flows over the stainsteel<br />
collector blade in distinctive ribn<br />
form.<br />
Tee cubes or three different grades of<br />
.ushed ice from a single machine can be<br />
ntinuously provided from any one of a<br />
mplete line of automatic ice makers<br />
educed by Carrier Corp. The machines<br />
jjnufacture from 200 to 450 pounds of<br />
! daily.<br />
."Delivered Ice ranges from 90 cents to<br />
and up in some areas," Michael Kane,<br />
les manager, pointed out. "Our ice maker<br />
evides the same quantity for about 15<br />
nts worth of water and electricity."<br />
t Standard bins supplied with the ma-<br />
I ines range in capacity from 100 to 240<br />
unds. Larger custom-made bins are<br />
ailable.<br />
After each harvest of ice drops into the<br />
! 1 the machine automatically washes itself<br />
^an, draining off any sediment or mineral<br />
posits in the water supply before starting<br />
other crop.<br />
A Few Tips on Exploitation,<br />
Maintenance, Management<br />
(TAKEN FROM THE MARTIN CIRCUIT TIPSTER)<br />
You can make up a simple, inexpensive<br />
lobby board or window display through<br />
use of all various good luck charms you<br />
can find. (Rabbits feet, coins, horseshoes,<br />
elephants, wishbones, etc.) Wire them to<br />
the board along with stills of coming attraction.<br />
Copy states: "You don't need<br />
good luck charms any more, because it's<br />
everybody's lucky day when you see iPicture<br />
at the Martin, Date) ."<br />
Dye a quantity of chicken feathers and<br />
Scotch-tape them to throwaway cards that<br />
read; "It's a feather in your cap to see<br />
(Pic, Date) at the Martin."<br />
DID YOU KNOW .<br />
that if handles on the boiler and controls<br />
are painted a bright yellow, they will<br />
be easier to find in a dark boiler room, thus<br />
preventing possible burns.<br />
. . . that gasoline, benzine or naptha have<br />
the explosive potential of about a pound of<br />
dynamite? Be careful if you use them for<br />
cleaning.<br />
. . . that rust on brass fixtures can be<br />
removed by applying a heavy cream made<br />
of linseed oil and rottenstone? Apply with<br />
a soft cloth and rub until the tarnish disappears.<br />
Wipe off with linseed oil and<br />
polish.<br />
the first of the year it is a good<br />
idea to check, thoroughly and systematically,<br />
all metal work exposed to the weather.<br />
It is surprising how quickly these items<br />
will rust and deteriorate when neglected<br />
for any length of time.<br />
When were your fire extinguishers refilled?<br />
A great merchant once said that he attributed<br />
his success to his recognition of<br />
the value of time, the wisdom of economy,<br />
the power of kindness, and the obligation<br />
of duty. These fit right into the scheme<br />
of theatre management, which is, in<br />
principle, a kind of mercantile business<br />
itself.<br />
The proprietor of a place of business<br />
has to keep close to the people of that community,<br />
both outside and inside the theatre.<br />
He cannot bury himself in the daily<br />
routine, or hide himself in his office. He<br />
has clerical work to do, but he should have<br />
his job so organized that this can be done<br />
at light hours.<br />
INCREASES YOUR BUSINESS BECAUSE IT<br />
Makes popcornA vi^ys bdter!<br />
-—'• -- -<br />
,<br />
jJC<br />
Adds delicious buttery flavor<br />
,<br />
}1* Brings out all the natural goodness of the corn<br />
»%\V •L^ Gives popcorn an appetizing butter-Hke<br />
appearance<br />
'^ jlj Accentuates and intensifies all these<br />
wonderful flavors<br />
AVAILABLE AT ALL GOOD POPCORN SUPPLY DEALERS<br />
The Savorol Co./<br />
Popcorn Bldg., Nashville, Tenn.<br />
The NEW Patented SPEED-SCOOP<br />
Three timts more efficient. Scoop and pour a<br />
bagful of popcorn in one single easy motion.<br />
Mode of light, stoinless aluminum. Cool hardwood<br />
handle. Perfectly balanced for moximum<br />
efficiency and speed. Only $2.50 at your Theatre<br />
Supply or Popcorn Supply Dealer.<br />
SPEED-SCOOP<br />
109 Thornton Ave., Son Franelico 24, Calif.
j<br />
CAFETERIA OPERATION FAVORED<br />
Continued from page 44<br />
the ceiling, giving the area a soft and inviting<br />
atmosphere.<br />
The playground is just off the left of the<br />
concession and patio. A double door leads<br />
from the concession service area to the<br />
playground, so that children have easy<br />
access to the concession stand.<br />
PATIO ADJOINS CONCESSIONS<br />
The patio is to the east and front of<br />
the concession, with entrances into the<br />
serving area from each side.<br />
The patio is decorated with brightly<br />
colored chairs, and speakers are conveniently<br />
located so that parents may watch<br />
the movie or visit the concession stand<br />
while keeping an eye on the children entertaining<br />
themselves on the playground.<br />
Available on the playground are swings,<br />
see-saws, slides, tilt-a-whirls, sand boxes<br />
and picnic tables, all painted in bright<br />
colors. Mrs. Bullard finds that the picnic<br />
tables suggest just that to the younger set.<br />
with the result that many a "picnic" is<br />
purchased in the convenient concession<br />
stand and taken outside to the tables.<br />
The retaining wall around the playground<br />
is decorated with all the children's<br />
favorite cartoon characters as a summons<br />
to fun and frolic—and a snack or two.<br />
The roof of the concession stand is flat,<br />
with just enough slope to drain well. With<br />
the aid of the public address system, it can<br />
be used as a rostrum or platform for entertainment<br />
purposes. During Easter, it<br />
was used by the Christian Youth Ass'n to<br />
hold its Easter sunrise services.<br />
The restrooms, convenient to the concession<br />
stand, are spacious and gaily decorated,<br />
which helps in eliminating untidiness<br />
and promotes respectability, Mi's.<br />
Bullard believes. The men's restroom is in<br />
mint green, and the women's facilities are<br />
done in dubonnet, and there is a large<br />
mirror with a powder bar below it. There<br />
is also a small commode for younger children,<br />
making it possible to wait on themselves<br />
without mother's attendance.<br />
INCEPTION OF NAME<br />
The Ark-Vue. which was opened June 1,<br />
1954, is located on a gently sloping hill<br />
with a grass-covered draw between the<br />
screen tower and the theatre parking area.<br />
It was from the pleasant view of Arkansas<br />
City obtained from this hill that the theatre's<br />
name was conceived.<br />
The grounds of the theatre were plotted<br />
so that a huge triangle divides the entrance<br />
from the ramp area. This triangle is grasscovered<br />
and big cedar trees were transplanted<br />
to add to the landscaping, with<br />
more shrubbery and flowers to be added<br />
this season. All roadways and ramps are<br />
covered with gray gravel.<br />
The construction of the ramps, plus th<br />
elevation of the hill makes it possible fo<br />
each car after pulling up to the speake<br />
post to set level so that patrons loo<br />
straight ahead to the screen with absc<br />
lutely no interference from the cai<br />
parked on the ramps ahead.<br />
INSTALLING ORNAMENTAL FENCE<br />
The Ark-Vue is so located that it do(<br />
not need a fence to protect patrons froi<br />
glare of lights from traffic on the highwa<br />
but an ornamental fence to border tl<br />
theatre as one would frame a picture<br />
partially finished and wiU be complete<br />
by the end of this season.<br />
The boxoffice sets 400 feet on the brir<br />
of the hill from the highway. This allo\<br />
55 cars to be retained off the highway f.<br />
admittance through the boxoffice. Therj<br />
fore, it eliminates the hazard of traffic ail<br />
confusion on the thoroughfare.<br />
The Bullards are great believers in go(|<br />
lighting.<br />
All roads and ramp area are outlinj<br />
with assorted colored bulbs, making tha<br />
clearly distinguishable to all motorists f|<br />
entering or leaving. There also are we}<br />
lighted entrance and exit signs, and easpeaker<br />
post is lighted and numbere,<br />
Walkways before and aft the concessit<br />
building are lighted.<br />
Gene Bullard and his brother, Ray Bi<br />
lard of Pretty Prairie, Kas., designed t<br />
Ark-Vue.<br />
NATIONAL BRANDS<br />
ONE COMPANY SERVICE<br />
Top Quality • All Flavors<br />
81<br />
PROFIT fffsr By rAsre-Tfsr ®<br />
81<br />
PROFIT<br />
NEm<br />
I ^;;is;i|KppiKmn<br />
^— £S--7|B UMiTiiiiM<br />
COIA I ~ *«"w"<br />
Contact your local Nehi or Royal Crown Bottler or write — NEHI CORPORATION, Dept. 4, Columbus, Ga.<br />
48 The MODERN THEATRE SECT
Apco's SodaShoppes<br />
are used in such national chains as<br />
RKO-Lceu>-PaMwDiiitf<br />
pewwi"junif)<br />
as well as in thousands of leading<br />
independent theatres and<br />
other chains.<br />
'•'•""^BEBI^<br />
(mimml<br />
Dual Cup StBtion<br />
Theatre Model<br />
SODASHOPPE<br />
For the larger house. Features two cup stations, two coin<br />
inserts, end serves two people at one time. It handles<br />
twice the customers in half the time to double your profits<br />
during peak loads at picture breaks! It's a sensational<br />
producer indoors as well as in Drive-ins.<br />
;;2«^.<br />
3-Drink Sod3Shoppe Jr.^<br />
Specially designed for the smaller<br />
theatre. It has ail the service<br />
free features of every Soda-<br />
Shoppe. Allows for considerably<br />
bigger profits per patron!<br />
PCO INC.<br />
There is an Apco SodaShoppe fo fit ihe requirements of<br />
every iype and size of iheaUe. Get the fads — write for<br />
literature on the complete Apco Line and check with your<br />
operator or concessionaire to be sure he installs the<br />
SodaShoppe model designed for YOUR theatre - and<br />
watch your earnings zoom!<br />
^^ d's Foremost Pioneers of Beverage Dispensers<br />
'*> >odway (at 56th St.) N. Y. \9, N. Y. PLaxa 7-3123<br />
•Sio<br />
Soles Representatives Throughout The United Slates<br />
Coupon and<br />
MAIL TODAY!<br />
Vends 2 carbonaled and 1 non-corbonofed<br />
drink. Has 1000 cup capacity,<br />
1250 dri'nlc syiup capacily.<br />
APCO, INC.<br />
1740 Broadway, New York 19, N. Y.<br />
Gentlemen: Please send me complete information on:<br />
Q Dual Cup Station Theatre Model SodaShoppe<br />
6-Drink SodaShoppe D 3-Drink SodaShoppe Jr.<br />
n<br />
Q Complete Apco Line D Name and address of nearest<br />
SodaShoppe operator<br />
Name<br />
Addre<br />
City-
others. There is the newer, so-called<br />
;<br />
|<br />
;<br />
, . Questions<br />
and Answ^^<br />
like wire wound around the hose. Can we<br />
get a hose without this wire wrapping or<br />
one that is lighter a7id more flexible?<br />
f^<br />
I<br />
;<br />
The wire reinforcement around your<br />
vacuum hose is essential to prevent the<br />
hose from collapsing from the suction. .<br />
Some vacuum hose is more flexible than i<br />
O<br />
This regular Modern Theatre feature is conducted by Dave E. Smalley, contributor to many<br />
important magazines on maintenance and editor of Better Maintenance Mogozine. Questions from<br />
exhibitors are welcomed. Address them to Theatre Maintenance, The Modern Theatre, 825 Van<br />
Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply.<br />
ASPHALT TILE OVER CONCRETE<br />
In your maintenance column some<br />
time ago I saw where you recommended<br />
asphalt tile instead of linoleum on the concrete<br />
floor at a drive-in. This gave us the<br />
idea to install asphalt tile on the concrete<br />
floor of our drive-in concession stand.<br />
What we want to know is, can the asphalt<br />
tile be laid directly on the concrete or do<br />
we have to use some kind of uiiderlayment<br />
first?<br />
H To install tile on a concrete subfloor,<br />
no underlayment is needed. The tile<br />
is laid directly on the concrete which must<br />
be smooth, level and free from grease, wax,<br />
etc. Be sure you use the proper adhesive<br />
for a concrete floor. Your dealer should<br />
know.<br />
Q PRIMING BEFORE PAINTING<br />
We are going to paint our front and<br />
the walls of our lobby. Part of the front<br />
WORLD'S FINEST<br />
will be new woodwork. Should the new<br />
wood be primed and if so what should we<br />
use for a primer? Should the old woodwork<br />
be primed or roughened before applying<br />
a new coat"!<br />
n We would prime the new woodwork<br />
before painting, especially on the exterior<br />
where you may use boiled linseed<br />
oil for a primer or a good varnish-type<br />
sealer. There are also regular prepared<br />
primers available at paint stores. Interior<br />
new woodwork may be primed with shellac.<br />
It is not necessary to prime old painted<br />
surfaces. If the surface is glossy, or darker<br />
than the new paint, apply a coat of flat<br />
paint first.<br />
p<br />
VACUUM HOSE TOO UNWIELDY<br />
The vacuum hose on our new tank-type<br />
vacuum cleaner is so stiff and heavy it is<br />
awkward to use between the seats. This<br />
stiffness is largely caused by a stiff spring-<br />
Over-the-Counter<br />
POPCORN MACHINE<br />
"accordion hose" which is light and very<br />
flexible. Normally contracted to about six :<br />
feet in length, it can be stretched to about<br />
15 feet. There is a technique in using a '<br />
vacuum hose which simplifies using even a ,<br />
stiff one: start the cleaning operation at<br />
the machine and work away from it instead<br />
of first extending the hose and working<br />
back.<br />
p<br />
REMOVING DENTS IN METAL UNITS<br />
We have a rather bad dent in the side<br />
of one of our stainless steel units in out<br />
concession stand. We cannot get to U<br />
from the inside to push the dent out. Have<br />
you any suggestions?<br />
n Unless the dent is a sharp one yoi<br />
may be able to remove it with one ol<br />
the rubber cup-type drain openers, th(<br />
kind familiarly known as "plumbers<br />
friend." Wet the edges of the rubber cui<br />
and apply to the middle of the dent, pulling<br />
the metal out to its original position<br />
If you have difficulty in making the rubbei<br />
cup hold, coat the edges with a littli<br />
mucilage or paste.<br />
PROFIT<br />
From Being a Good Host<br />
To Your Patrons In<br />
D. I. T.<br />
1.<br />
Serve to your Patrons Hot Dogs . . .<br />
HOT<br />
Serve to your Patrons Popcorn . . .<br />
HOT and CRISPY<br />
Serve to your Patrons Cold Beverages<br />
... ICE COLD<br />
While the show is on, serve your<br />
Patrons TO their cars.<br />
TWIN ELEVATOR WELLS and<br />
AUTOMATIC PUSH-BUTTON SEASONING PUMP<br />
50<br />
• Greater Warming<br />
Capacity—tiolds<br />
equivalent of 200<br />
boxes popped corn.<br />
• New Forced Air<br />
Warming—Thermo-<br />
»tat controlled; keeps<br />
corn crisp,<br />
lieih.<br />
• Automatic Electric<br />
Seasoning Pump.<br />
• Ample Space for 2<br />
busy attendants.<br />
CKETORS' all-steel gas or electric kettle leameJ witli dual<br />
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enough popping and storage capacity to handle the heaviest<br />
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so necessary for king-size profits. Earning capacity up to<br />
$75.00 per hour. Handy, over-the-counter service. See your<br />
nearest CRETORS distributor about early delivery of an<br />
"Olympic" or any other CRETORS model.<br />
CRETORS<br />
POPCORN MACHINES<br />
Since 1885<br />
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ore enjoying your hospitality at its<br />
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401 Schweiter BIdg.<br />
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Phone: 4-5169<br />
Manufacturers of<br />
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Movable concession<br />
on wlieels<br />
Ask for literature<br />
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Equipment — Drink<br />
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Kiddie Rides<br />
Write for 50th Anniversary Catalog Quotation*<br />
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ONAL EXCELITE 1:<br />
?tt<br />
jox theatres with, f 1.8, / 1.7 or f 1.5 objective systems and<br />
projectors cleared for these high speed optical systems.<br />
51
PROJECTION<br />
AND SOUND<br />
n<br />
Seventh of a Series on Leading Sound Equipment<br />
STEP-BY-STEP SERVICING OF SOUND SYSTEM:<br />
7. Maintenance of RCA Sound Head, Speakers, Pre-Amplifiers<br />
By<br />
WESLEY TROUT<br />
In this seventh ai'ticle on general<br />
maintenance, installation and operating<br />
considerations, we will tell you about PICA<br />
Stereoscope sound systems, featui'ing the<br />
button-on sound head with the soft-loop<br />
film system, designed specifically for reproduction<br />
of single and four-track magnetic<br />
recording. RCA has developed a very fine<br />
button-on sound head which delivers<br />
crisp, clear sound reproduction with a minimum<br />
of distortion, the result of RCA's<br />
unique, specialized experience in magnetic<br />
sound recording in the film producing and<br />
radio broadcast fields. This sound head is<br />
constructed to filter out irregularities in<br />
film motion due to slightly bent reels and<br />
defective splicing. However, splices should<br />
be made correctly and only good house<br />
reels should be used with this sound head,<br />
and all other makes covered in previous<br />
articles.<br />
THREAD FILM CAREFULLY<br />
In order to secm-e perfect sound reproduction,<br />
this penthouse reproducer,<br />
and all others, should be carefully threaded,<br />
and all adjustments kept strictly according<br />
to manufacturers' recommendations.<br />
The above paragraphs read like a sales<br />
talk on this particular reproducer, but we<br />
are only giving you the facts on this equipment<br />
as we have in previous articles on all<br />
other makes. Before writing an article on<br />
any equipment, we have personally inspected<br />
each equipment in small and large<br />
theatres, checking every detail, rvmning test<br />
films in order to give you a true story and<br />
authentic information. We have serviced<br />
and installed, the past many years, all the<br />
standard brands of sound systems, and can<br />
write authentic data because of this long<br />
experience in the field. My complete files<br />
on all makes of theatre sound systems<br />
gives me a complete check on the circuits,<br />
components and maintenance data.<br />
ment is made, any component unless you<br />
are positive some adjustment is needed in<br />
order to secure peak performance. The<br />
adjustment of the magnetic pickup head<br />
IS a very delicate job and should be made<br />
according to instructions given in a previous<br />
issue, or by a service engineer.<br />
Generally, the pickup head does not need<br />
adjusting, only in rare cases on a new installation.<br />
RCA Service Co., Inc., a subsidiary of<br />
Radio Corp. of America, is staffed with expert<br />
engineers. It is best to have one of<br />
these engineers make the installation and<br />
show the projection staff how to properly<br />
operate and maintain the equipment for<br />
best sound reproduction. After the installation,<br />
it is the duty of the projectionist<br />
to keep the equipment properly serviced<br />
and clean, with an occasional inspection<br />
and adjustment of various units by a qualified<br />
sound engineer. If the projectionist<br />
has a background of audio and radio experience,<br />
he can, by following instructions<br />
given in this department, keep the equipment<br />
operating perfectly and avoid unnecessary<br />
loss or poor quality sound reproduction.<br />
It will pay you to carefully study<br />
instruction data sent with equipment, and<br />
keep on file instructions on maintenance of<br />
optic and magnetic sound equipment presented<br />
in this series on all leading sound<br />
systems for conventional and drive-in theatres.<br />
Wiring Diagram for<br />
Audio Amplifiers Installation—Considerable<br />
time and expense can be saved if the<br />
exhibitor has a survey made of his auditorium<br />
and projection room so that equi]<br />
ment can be installed correctly and a:<br />
ranged for easy maintenance. The exhib|<br />
tor, before planning installation, shou!<br />
communicate with the company for add;<br />
tional data on the particular model<br />
plans on installing.<br />
Type PG-301 and 301A sound syster':<br />
have been designed to reproduce soui,<br />
from a four channel magnetic tracks<br />
the "Cinemascope type." The sound fro<br />
the four magnetic tracks is fed through'<br />
four-channel amplifier system which fee'<br />
the three sets of stage speakers and t'i<br />
sound effects speakers around the auditci<br />
ium.<br />
Through the use of a switching contll<br />
system (MI-9716i the following combine<br />
tions of film reproduction are availab!;<br />
la) With switches in "magnetic" ai<br />
"single-film system" position, the for<br />
tracks of a CinemoScope-type film will s<br />
connected to the stage and auditoriiji<br />
speakers; (b) with switches in "magnet}'<br />
and "multiple film system" position, tp<br />
magnetic tracks of multiple films of tp<br />
3-D variety will be connected to the stefe<br />
speakers, the optical track wiU feed te<br />
effects speakers; (O switches in "opticj'<br />
and "single-film system" wUl place je<br />
sound from the standard optical soul<br />
track on the center stage speaker amplifr<br />
and all the other amplifiers will be loacd<br />
with a 250 ohm resistor to take care i<br />
this operation; (d) with the switches<br />
"optical" and "multiple film system" pc<br />
tion, 3-D sound on the center stage spei<br />
RCA PG-392 System<br />
PRE-<br />
VOLUME<br />
AMPLIFIER CONTROL Iamplifier<br />
<<br />
A COMPACT UNIT<br />
The RCA magnetic sound head is compact<br />
and easy-to-install on any make projector.<br />
It mounts between the upper magazine<br />
and projector mechanism, and is filmdriven.<br />
It should be carefully aligned in<br />
order to secure straight travel of the film<br />
from the upper reel down through the projector<br />
mechanism. Once the reproducer is<br />
carefully adjusted by the engineer, it needs<br />
no further attention except daily cleaning<br />
of all the components, particularly the<br />
sprocket, guide rollers and magnetic pickup<br />
head. The reproducer is carefully adjusted<br />
before it leaves the factory, but it should<br />
be checked with suitable test equipment<br />
and test films at least every two or three<br />
months. Don't disturb, once any adjust-<br />
10 CONNECTIONS = EXISTING<br />
TED CONNECTIONS = PG-392<br />
/7\ _ /RG-«2U FOR HIGH IMPEDANCE OPTICAL 5^<br />
^ lNo.8209 " LOW<br />
PG-392 SYSTEM -BLOCK DIAGRAM<br />
la<br />
1*<br />
52 The MODERN THEATRE SECTlNa
: June<br />
t|><br />
may be reproduced under emergency<br />
iiditions.<br />
PG-301 de luxe sound system proles<br />
a full 70-\vatt four-channel sound<br />
JRCA<br />
jipment available in two standard racks.<br />
"jie sound output from the penthouse repducer<br />
goes to foui' separate pre-ampli-<br />
^rs which are located in a wall mounted<br />
Cktrol cabinet. Prom here sound is carid<br />
to four different type pre-amplifiers<br />
tmnted in the top of one of the racks to-<br />
^;her with suitable power supply. Immeately<br />
below this panel is the monitor<br />
'itching panel which is followed by the<br />
nniitor amplifier. The next paii- of units<br />
t' two 35-watt power amplifiers which are<br />
(juiected in parallel to get a full 70 watts<br />
Jtput for sound effects in the auditorium<br />
^'akers. The second rack houses six 35-<br />
itt power amplifiers which are connected<br />
1 three separate pairs for the three stage<br />
f?aker assemblies.<br />
iThe PG-301 RCA Stereoscope sound<br />
!;tem features the all new, audio sync cir-<br />
. ts of the very finest for audio reproduc-<br />
II m theatres of any size. The racks are<br />
I ! photograph shows RCA stereosound reproducer<br />
r mted between the upper magazine and RCA<br />
I :hanism and optic sound reproducer. It illus-<br />
I es how to correctly thread the sound heads and<br />
I .hanism. On new installations, the magnetic<br />
i id head should be carefully aligned so the<br />
' will travel down in a straight line. This re-<br />
) iucer features a "soft-loop" which is supposed<br />
' "le/p filter out any irregularities in film motion<br />
< to slightly bent reel (play safe and use only<br />
i i house reels). Mu-metal shield guards mag-<br />
' c cluster (pickup head) from extraneous noise;<br />
' magnetic pickup head is carefully adjusted at<br />
t factory and made of material that will give<br />
' I<br />
service. The pad rollers, guide rollers and<br />
< s should be kept adjusted as per previous ins<br />
ctions on general maintenance of magnetic<br />
s ^d heads. Keep the interior clean, all dirt<br />
Jtrtulation brushed off of sprocket, and all pad<br />
1 irs turning freely. Any accumulation of dust<br />
tther foreign matter should be cleaned off the<br />
n 'netic pickup head daily. Lubricate according<br />
' chart sent by manufacturer. Keep the optic<br />
s id head clean and correctly adjusted for good<br />
s trf reproduction. The RCA projector delivers<br />
' -steady projection, automatic lubrication of<br />
^ 1 moving part, full view film path, and low<br />
" itenonce cost.<br />
of completely new design and employ recessed<br />
panels which are very easily removable<br />
with two knurled thumb screws<br />
for rapid and convenient servicing by either<br />
an engineer or projectionist. The components<br />
can be kept clean by brushing out<br />
with a small paint brush at regular intervals.<br />
Too, the arrangement of the units<br />
and easy removability of these units makes<br />
it very easy to check the wiring and connections<br />
from time to time. Power amplifiers<br />
may be tilted down if desii-ed or<br />
easily removed from the racks ^see photograph)<br />
.<br />
NOTE—The MI-9562 monitor switch<br />
allows the monitoring of each of the fourchannels<br />
separately or any combination<br />
simultaneously, and in an emergency the<br />
substitution or interchange of any inoperative<br />
channel.<br />
REMOVE GROUND WIRE<br />
When the MI-9377A amplifiers are connected<br />
in parallel as in the case of these<br />
systems, the ground wire connected to<br />
terminal No. 1 of the input transformer of<br />
07ie of the amplifiers of each paralleled<br />
pair o] amplifiers must be removed.<br />
RCA MI-9518 power unit is contained in<br />
the MI-9745 volume control and amplifier<br />
assembly. To eliminate the possibility of<br />
hum developing in the system, the power<br />
transformer of this unit must be removed<br />
and placed in a standard 4x4x4-inch box,<br />
a distance of three feet from the MI-9745<br />
assembly. This is an important modification<br />
note. After a complete check of the<br />
wiring and test with youi- testing equipment,<br />
all the cover panels for the various<br />
units should be replaced. With a wii'ing<br />
diagram and schematic for each unit, one<br />
can easily make necessary checkup of the<br />
system for satisfactory performance.<br />
FOR DRIVE-INS AND INDOOR HOUSES<br />
RCA Type PG-392—I am sui'e exhibitors<br />
and projectionists will be very much interested<br />
in this equipment which is designed<br />
to reproduce sound from the four<br />
magnetic tracks of a Cinemascope type<br />
film through a one-channel magnetic preamplifier<br />
into existing optical system for<br />
either a drive-in or conventional theatre.<br />
The basic system consists of the following<br />
items: two magnetic sound heads, two<br />
cables, one fader and changeover, fader<br />
extension rod, extension fader and lever,<br />
one magnetic pre-ampUfier and tubes.<br />
Under certain conditions, especially in conventional<br />
type theatres, the following PA-<br />
192 pre-amplifier DC filament supply is required<br />
in addition to the above units. Now<br />
if the filament supply unit is not used,<br />
filament supply must be taken from existing<br />
equipment and should be capable of<br />
supplying 6.3V, 0.35A AC.<br />
When considering the installation of the<br />
above equipment, for either drive-in or<br />
conventional-type theatre, where existing<br />
optical sound system does not have sufficient<br />
gain, the following PA-193 intermediate<br />
pre-amplifier will also be required<br />
in addition to the above equipment in<br />
order to seciu-e the desired results. This<br />
additional equipment consists of the fol-<br />
The Man-in-the-Booth<br />
Enjoys<br />
/^ml<br />
Key Position<br />
In purchasing<br />
any of the fine sound<br />
systems presented in<br />
this series on leading<br />
sound systems, the<br />
exhibitor has placed<br />
in your care the ultimate<br />
in sound reproduction<br />
equipment,<br />
precision - built, capable<br />
of unexcelled<br />
performance. Therefore,<br />
it is the duty of<br />
Wesley Trout<br />
every projectionist to<br />
thoroughly acquaint himself in the correct<br />
operation and maintenance of this equipment.<br />
Read all the material presented in<br />
this department and instruction sheets<br />
sent with the equipment, so you can perform<br />
youi- duties with a high degi'ee of<br />
efficiency. You have a position of key importance<br />
in presenting sound and projection<br />
in your theatre, and you should<br />
be justifiably proud of your profession.<br />
WORK OUT TECHNIQUES<br />
In the course of time, each projectionist<br />
has worked out the problems peculiar to<br />
his projection room relating to the operation<br />
of optic sound reproduction and he<br />
will, in most cases, work out his own techniques<br />
in the handling of stereosound<br />
equipment for best results. The writer<br />
strongly recommends, however, that each<br />
projectionist spend as much time as possible<br />
with the installation engineer to take<br />
advantage of that opportunity to become<br />
familiar with the methods that have proven<br />
successful in other installations. He<br />
should thoroughly read instructions on<br />
handling and care of magnetic sound film<br />
and general maintenance of stereosound<br />
systems.<br />
Of paramount importance are the adjustments<br />
of the filter mechanism and<br />
magnetic pickup head. They should not<br />
be disturbed until you have checked the<br />
adjustment as per instructions given in this<br />
department on each make. The tension on<br />
the upper reel must be kept perfectly adjusted<br />
so there will be an "even" pull<br />
down through the sound head. Intimate<br />
contact between the magnetic track and<br />
the pickup head surface is very important<br />
for high frequency reproduction—poor<br />
contact, low film tension and accumulation<br />
of dirt will destroy perfect contact. Keep<br />
the pickup head clean.—WT<br />
lowing: Wall bracket for intermediate amplifier<br />
and power supply, one shelf for these<br />
two units, one intermediate pre-amplifier,<br />
power supply and tubes, and two cover<br />
panels.<br />
NOTE—If, on high impedance systems<br />
(impedance of around 10,000 ohms), the<br />
PA-193 equipment is NOT used and gain<br />
of existing equipment is sufficient; run<br />
Continued on page 54<br />
E (OFFICE :<br />
4, 1955<br />
53
m<br />
i'<br />
SERVICING<br />
SOUND SYSTEAAS<br />
Contir}ued from page t<br />
RG-62U cable between optical sound heac<br />
and input to MI-1736. And also be sure 1<br />
run RG-62U cable between MI-136 ar<br />
input of existing optical pre-amplifier. Noi<br />
tor low impedance systems ( 500 ohms) ri<br />
Belden cable in place of RG-62U as spec<br />
fied for high impedance systems. We a<br />
presenting a PG-392 system wiring dii<br />
gram on wiring up this equipment.<br />
Briefly, in operation the sound from t)<br />
It's no mystery that adequate screen lighting demands an adequate<br />
power supply. This is especially necessary with today's wide screens,<br />
requiring more light over a large area.<br />
The Hertner HT 135/270 Transverter meets these needs and gives<br />
users an ample source of constant D.C. power. The generator has a<br />
capacity of 90 volts and is designed for continuous operation at 135<br />
amperes with a capacity for 270 amperes during changeover period.<br />
Complete installation includes Control Panel Type G and the Dualtype<br />
HD 100/140 Rheostat.<br />
For all the details of the many fine features of the HT 135 Transverter<br />
write for Bulletin No. 30 IB.<br />
Distributed by National Theatre Supply.<br />
In Canada : General Theatre Supply Company<br />
four magnetic tracks is taken off the fil<br />
by the sound head pickup clusters whi(<br />
are connected in series-parallel, and f<br />
into the MI-9268 pre-amplifier.<br />
The magnetic pre-amplifier is contain<br />
in the MI-1736-type control unit whii<br />
also houses a muting switch, balancing coi<br />
trol, fader switch, impedance matchit<br />
transformer and terminal boards for co><br />
necting the unit into the system. All co'<br />
nections should be carefully made a:l<br />
electrically firm. The MI-1736 unit shoil<br />
be mounted on the front wall to the rig;<br />
of projector "A" in such a position it wl<br />
not interfere with existing equipment. Ti:,<br />
the pre-amplifier power supply for filamet<br />
voltage, contained in a 10xl2x6-inch calnet,<br />
should be mounted on the wall ini<br />
position which allows short leads to be rk<br />
to the MI-1736-type control. The to •<br />
block diagrams will give you a clear p-<br />
ture of various units and how they le<br />
connected. These are the basic layouts al<br />
Continued on page6<br />
THE HERTNER ELECTRIC COMPANY<br />
12690 ELMWOOD AVE. • CLEVELAND 11, OHIO<br />
MOTORS • MOTOR GENERATORS • GENERATOR SETS<br />
A SUBSIDIARY OF GENERAL PRECISION EQUIPMENT CORPORATION<br />
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i<br />
Refund<br />
if not 100%<br />
Satisfied<br />
CALI CARBON COUPLERS ^"^^^^<br />
[<br />
Let You Burn All the Carbon ^^^ ' r*><br />
"They're Expendable"<br />
^^PMI<br />
The most popular carbon saver. Used by more Tliey COSt leSS than jUSt the repairs On<br />
theatres than ALL other makes COMBINED. high-priced automatic savers ond ore<br />
Per Hundred, postpaid: Not Packed in Mixed Sizes. "'
-<br />
1<br />
ER "135"<br />
IS<br />
NOW AVAILABLE WITH A<br />
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WATER-COOLED<br />
CARBON CONTACT ASS<br />
V-<br />
ppfjooa/<br />
IS'flJ or WA'fi.9 REFLECTOR.<br />
* Burn a choice of four carbon trims (9,<br />
10, or 11 mm regular, and 10 mm<br />
Hitex) to attain any desired degree of<br />
cost of operation, screen illumination,<br />
or burning time. Quick, simple changes<br />
attain the correct light requirements<br />
for VistaVision, CinemaScope, Cinerama,<br />
or any other of the new presentation<br />
techniques—even two or more on<br />
the same program. A TRULY ALL-<br />
PURPOSE LAMP!<br />
* Single control amperage selection.<br />
* Exclusive Lightronic system automatically<br />
maintains the correct position of<br />
the positive arc crater at the EXACT<br />
focal point of the reflector.<br />
A perfect<br />
light, evenly distributed, of constant<br />
intensity<br />
and unchanging color value,<br />
is maintained WITHOUT MANUAL<br />
ADJUSTMENTS.<br />
* Infra Ban Beam Cooler diverts heat<br />
rays from the aperture. New removable<br />
holder permits easy cleaning.<br />
* Filter cooled by separate blower.<br />
* New, long-life positive carbon contact.<br />
* New reflector and frame cooling<br />
device.<br />
* Air jet stabilization of the arc prevents<br />
deposit of soot on reflector.<br />
* Unitized component design.<br />
THE STRONG ELECTRIC CORPORATION<br />
• Ih, n;
—<br />
I<br />
JB<br />
'<br />
SERVICING SOUND SYSTEMS<br />
Continued from page 54<br />
should prove very interesting to projectionists<br />
and servicemen.<br />
RCA magnetic reproducers are designed<br />
to reproduce the four tracks of a magnetic<br />
film. However, as the clusters of the<br />
heads in this system are connected in<br />
series-parallel, it is possible to reproduce<br />
sound from film having one to four magnetic<br />
tracks of the Cinemascope type.<br />
Where the impedance in the MI-1736<br />
changeover is given as 10,000 and 500 ohms,<br />
it is understood that the 10,000-ohm connection<br />
will take care of optical systems<br />
of high impedance (100,000 ohms) or systems<br />
with 500/600-ohm transformer connections.<br />
The company furnishes diagrams<br />
W^ ^_ ^J ^J ^_<br />
for making many connections for various<br />
impedances.<br />
An ideal installation of equipment can<br />
be obtained if the installer and electrician<br />
wUl carefully follow instructions of the<br />
manufacturer, and closely adhere to all<br />
local and national regulations when installing<br />
conduit and wire sizes, etc. Neatness<br />
and careful arrangement of equipment<br />
is of paramount importance for better<br />
maintenance and convenience in servicing<br />
of all the units. Poor connections, dirt,<br />
general neglect of any sound unit, will<br />
cause unnecessary trouble sometimes a<br />
complete loss of sound output.<br />
RCA Type PG-302, 302A, 302AA—Here is<br />
a medium-priced, high quality sound system<br />
which will supply outstanding stereophonic<br />
sound for the medium and smallersize<br />
theatres. Elsewhere in this department<br />
you will find pictures of the amplifier.<br />
WORLD FAMOUS<br />
(NO WELDED SEAMS)<br />
DOddel seamless<br />
SCREEN<br />
COMPANY<br />
Durably tonstrucied,<br />
SCREENS<br />
controlled brightness factors<br />
for any type of theater,<br />
•<br />
2 Types of Metallic screens to choose from,<br />
competitively priced, single weight or double<br />
weight screens.<br />
•<br />
Extra bright' white matte screens available for<br />
extra wide theaters.<br />
•<br />
Tops for Cinemascope and large screen picture<br />
reproductions.<br />
See your Local Supply Dealer (or contact us direct for further information)<br />
BODDE SCREEN COMPANY • 8829 VENICE BLVD. < LOS ANGELES 34, CAL.<br />
H£YER-S1^ULTZ<br />
SEE<br />
Manufactured by HEYER-SHUITZ INC Cedar Grove. N J<br />
UNBREAKABLE<br />
GUARANTEED 5 YEARS!<br />
YOUR THEATRE SUPPLY DEALER<br />
OR WRITE FOR FULL PARTICULARS<br />
„ nil _ J<br />
5<br />
9IH<br />
hH<br />
T/iis de luxe high-powered sound amplification eqli<br />
ment insures the ultimate in quality, power outi<br />
crisp and clear stereophonic sound. All-new oik<br />
circuit, finest quality material and workman^<br />
has gone into this RCA de luxe sound system, ii<br />
equipment provides a full 70-watt /our-c/iole<br />
sound reproducing system, available in two ijl<br />
rocks. The sound output from the reproducer tp<br />
to four separate preamplifiers which are lociii<br />
in a wall-mounted control cabinet. From<br />
sound is carried to four different-type pre-onfh<br />
fiers mounted in the top of one of the rit<br />
together with a suitable power supply unit. Inei<br />
diately below this panel is the monitor switctif<br />
panel which is followed by the monitor ampiiti<br />
The next pair of units are two 35-watt power ariU<br />
fiers which are connected in parallel to gctfie<br />
full 70 watts for sound effects speakers.<br />
The sciirf<br />
rack houses six 35-watt power amplifiers whichv<br />
connected in three pairs for the three stage speei'<br />
assemblies. A two-tone umber finish adds to At<br />
appearance of these units. The speaker asseilf:<br />
for this de luxe system is RCA PL-301 spe:»<br />
system, a picture of this unit shown elsewheiin<br />
the department. Complete frequency range nJ<br />
"true" high fidelity sound can really be obtc^<br />
from this system.<br />
sound head and speaker units used<br />
the various models. This precision<br />
sound equipment is in the traditio)<br />
ruggedness and dependability of RCA p:j4'<br />
ucts. Instant accessibility for tube ch*<br />
ing, tube replacements, and servicinsj<br />
all the components, are some of the w<br />
features of this model and all models!<br />
reproduction of magnetic soimd.<br />
Pre-amplifiers—the output of the f,<br />
track reproducer is fed to a four-cha<br />
pre-amplLfier through four spil<br />
shielded cables. The pre-amplifiers coil<br />
of two separate units for each chaiiel.<br />
Four MI-9268 pre-amplifiers, which ,IK4<br />
compensated electrically for optimumrMJI /<br />
production from a magnetic track, W«fi<br />
mounted in the volume control unit, od<br />
fom- MI-9362 amplifiers are mountei in<br />
the rack. Now, the output level of 'Ch -<br />
channel can be easily adjusted so thaall|i«i<br />
channels will operate at the same relsive<br />
level. Over-all volume of all chanm<br />
controlled by the ganged volume coi<br />
56 The MODERN THEATRE SECfl
! supply<br />
iiI-9745> mounted on the front wall of<br />
t projection room.<br />
>ower amplifiers, consisting of four 35-<br />
vtt channels, are mounted in a rack,<br />
.<br />
rectly.<br />
|<br />
'<br />
'<br />
SERVICING SOUND SYSTEMS<br />
Continued from preceding page<br />
The amplifier should be turned off when<br />
cleaning all the units.<br />
When checking amplifier, while it is<br />
turned on, use caution on account of high<br />
voltage. If you are checking the connections,<br />
again be cautious and use an orange<br />
stick for probing for a loose connection.<br />
work With a good quality multimeter and<br />
test loops. One should carefully check the<br />
tubes at regular intervals, check all the Voltages at tube elements should be measured<br />
with a 20,000 ohms/volt test equip-<br />
connections—there are many of them in a<br />
stereosound installation — at terminal ment in order to obtain accurate readings<br />
board, etc. Tubes should be removed and and not damage any delicate circuit. RCA<br />
the prongs and tube sockets cleaned at manufactures very fine sound systems and<br />
least every two months. Carefully brush, only high quality test equipment should<br />
using a medium-sized paint brush, all the be used. Too, one must have a fair basic<br />
dust and any carbon soot off of the components<br />
and the interior of the cabinet. circuits in order to service sound equip-<br />
knowledge of audio amplifiers and their<br />
Don't go about this too roughly as you may ment intelligently and comprehensibly.<br />
break a wir-e or disturb some component. Also, it is very necessary to have schematics<br />
Lens Sliowmansliip<br />
,M, 'W/ x^j/^ ,/ v>w/ v|,\,;<br />
?5553W (\if;ii^iki:t!^^^'^LK^j:^ (5) Ci.^>a(;VW.ao«o<br />
Ihii photograph shows the PL-301 speaker asserff<br />
which should be used with the RCA de luxe PGlIi<br />
sound system. For stereosound there must be tie<br />
of these units, and the necessary number of efttt<br />
speakers in the auditorium.<br />
and correct voltages when servicing eqiV<br />
ment. It can be done without schemati<br />
in some cases, but one has to have c<br />
siderable experience in sound servicina<br />
find trouble quickly and clear it up (j<br />
From Kollmorgen . .<br />
the newest, fastest<br />
projection lenses you con boy.<br />
To give you ttie brightest,<br />
cleorest, sharpest, most<br />
uniform picture you hove ever<br />
seen on your screen.<br />
For better BoxofTice,<br />
for better Showmanship, for better oil<br />
oround filming, try these new f/1.7<br />
Super Snoplites tocJoy.<br />
For more informotion<br />
osk your Theatre Supply<br />
Deoler or write for Bulletin 222.<br />
Plant: Northampton, Massachusetts<br />
f<br />
mProjection Lenses<br />
^yi^y/f/^yj/ I^OIt POIt ATIOK<br />
New York Office: / 30 CHURCH ST., NEW YORK 7, N. Y.<br />
58<br />
MUST KNOW EQUIPMENT<br />
If you have a sound service contract,<br />
data being presented in this series will 111<br />
you work hand-in-hand with the ser:<br />
engineer, and in some instances you II<br />
be able to clear up a minor sound troil<br />
over the phone if the engineer cannot!<br />
to your theatre for several hours. KnoVl<br />
your equipment cannot be overstresd<br />
Know where every fuse and switctJ<br />
located—keep a supply of fuses on<br />
for emergency.<br />
RCA also manufactures several dif<br />
ent type systems for drive-in theals<br />
supplying various sizes of amplifiers \i<br />
will furnish sufficient output power to<br />
care of the small and large capacity dre<br />
in theatres. They have a system for sinje<br />
track, three and four-track recording,<br />
of the sound systems is designed to re:i<br />
duce sound from the four magnetic tn!<br />
of the CinemaScope-type film througji<br />
one-channel pre-amplifier into the er.ting<br />
optical system. The basic equiprnt<br />
need is two magnetic reproducers, magi '^<br />
pre-amplifier, fader and changeover,<br />
a few other items to complete the insti<br />
tion. The sound is taken from the<br />
magnetic tracks by the magnetic re<br />
ducer sound head clusters which are<br />
'<br />
nected in series-parallel, and fed into<br />
pre-amplifier.<br />
If the present optical amplifier eoj<br />
ment does not have enough gain<br />
sometimes necessary to install anotheif<br />
termediate pre-amplifier for sufficient<br />
and power output.<br />
RCA offers four different basic<br />
systems for drive-in theatres. For drii<br />
theatres the feeding of four sound tr<br />
can be accomplished fairly successfully<br />
Continued on pa<br />
The MODERN THEATRE SEC13N
'<br />
j<br />
nu3<br />
'•<br />
"<br />
I i:iay<br />
,<br />
,<br />
!<br />
The<br />
' ir<br />
m<br />
or MORE INFORMATION on any Product Advertised in this issue or<br />
lentioned in the New Equipment and news pages or for copies<br />
f Manufacturers' Literature listed herein—Use Postcards Below. C READERS' BUREAU<br />
f4EW EQUIPMENT<br />
]nd DEVELOPMENTS<br />
riefed from the full description starting on page 63<br />
Key<br />
Number<br />
GNMAKING KIT P-1325<br />
B<br />
\ ; !» sign kit has bt-en developed by Hernard Manufacturkits<br />
each consist of a fiberboiird cabinet, guide<br />
d from three to lour fonts of plastic-cerumlc letters<br />
be to displiiy pinned backgrounds to give an added<br />
iii'ii lo sales messaiies. Three different models of the kits<br />
available.<br />
)RTABLE AIR CONDITIONER P-li26<br />
Activcaire Devices Inc. is now marketing a portable air<br />
ndltioner wliich Is capable of heathig and coolhig the air,<br />
uoihig soot, puhen and other impurities and humidifying<br />
- air. The unit was designed to create a comfort zone of<br />
[na 10 feet around It. It operates from standard electrical<br />
LletS.<br />
F>^ CIGARET DISPLAY CASES P-1327<br />
A cigaret case \\lth a capacity of 170 packs Is<br />
li^tribuled free by R. J. Reynolds Tobacco Co. to<br />
impulse buying. The unit, which will handle both<br />
iiKir and king-size packages. Is designed to fit all types<br />
upright cash registers For quick and convenient disnslng.<br />
it uses a gravity feed system. Two other display<br />
;its are also being offered free to retailers.<br />
^.ECTRONIC CAR HOP P-132S<br />
iFor tliose drive-in concessions operations that cater to<br />
traffic, 'bway an electronic car hop called Servus-Fone has<br />
{D devised by Motlograph, Inc. Consisthig of a switch-<br />
lird automatic record changer, amplifier and from 20 to<br />
service stations complete with two-way speakers, lighted<br />
and tray holders, it<br />
I<br />
each installation makes possible<br />
the patron to his send order direct to the kitchen and<br />
'ten to music v^hlle waiting.<br />
IsHT-lNTENSITY CONTROL P-1329<br />
^Luxtrol is a device manufactured by Superior Electric Co.<br />
I<br />
the control of the light intensity of rapid-start fluorescent<br />
'\m When used with special ballasts, the Luxtrol not only<br />
fiirols Intensity but eliminates warm-up time and tube<br />
'lacements on complex electronic devices. The units are<br />
liable for all circuits regardless of their capacities.<br />
[EREOPHONIC SPEAKER SYSTEM P-1330<br />
Stephens Manufacturing Corp, Is making a theatre speaker<br />
ftem. Model 432. to be used In conjunction with stereolUkiiiic<br />
sound installations. Proper phasing of the sound at<br />
both high frequency and bass levels Is achieved by use of<br />
the llim's P-30 high-frequency driver, attenuator and two<br />
103XL low-fiequeacy drivers. Shipping weight is 2U7 pounds.<br />
Measurements are 69x30x30% inclics.<br />
LOW-COST UPHOLSTERED CHAIR P.1331<br />
.\ new Urlfigs theatre seat combining comfort, durability<br />
is luid low price now being bandied by RCA theatre supply<br />
It dealers. Listed as Model 71MBW, features a short back,<br />
ball-bearUig hinges, steel-coil springs and braced double-<br />
^..ill end stands individually matched to floor Inclines to<br />
assure constant seat height and proper fitting. A wide choice<br />
of fabrics and plastic tops for tiie seat and back covers may<br />
be<br />
had.<br />
LIGHT-WEIGHT RUG-SHAMPOO MACHINE P.1332<br />
A rug-sliampoo maehine which Is smaller and lighter than<br />
convBUtional models is now produced by Kent Co. The K-11<br />
iiais an H-iiich brush and weighs only 49 pounds, thus<br />
ellmuiating the problem of crushbig the rug pile. A ^ b.p.<br />
ufi-set motur is used to power the brush at 135 r.p.m. Both<br />
the mutoi and solution lank are fully enclosed to protect<br />
tliem from foreign matter. Without the solution tank, the<br />
1
A<br />
A<br />
BA<br />
READERS' BUREAU<br />
For literature on products advertised or mentioned in this issue, see otlr<br />
side oi this sheet and read how to use the postcard coupons below.<br />
PRODUCTS ADVERTISED IN THIS ISSUE<br />
ADMISSION CONTROL SYSTEM, DRIVE-INS<br />
General Register Corp 68-<br />
K-Hill Signal Co.. Inc 30-B, 16-B<br />
ATTRACTION BOARDS AND LETTERS<br />
AdIer Silhouette Letter Co 6S-C<br />
Wagner Sign Service, Inc 65-C<br />
CARBON SAVERS<br />
Caii Products Co 54-B<br />
Pliillips Electro Extensions 6S-D<br />
CONCESSION EQUIPMENT, DRIVE-IN<br />
Concession Supply Co 50-B<br />
Ttieatre Candy Co 39-A<br />
Walky Service Co 50-C<br />
DISPLAY FRAMES AND EASELS<br />
Universal Corp 5-A<br />
DIRECTIONAL LIGHTS, DRIVE-IN<br />
Dri»e-ln Theatre Mfg. Co 30-A<br />
DRINKS, SOFT<br />
Canada Dry Ginger Ale, Inc 40-A, 41-<br />
Coca-Cola Co 2-<br />
Nelii Corp 48-*<br />
Pefsi-Cola Co 36-A<br />
DRINK VENDING MACHINES<br />
Apco 49-A<br />
Coca-Cola Co 2-A<br />
Manley, Inc 45-A<br />
FIREWORKS DISPLAYS<br />
Later Enterprises 21-B<br />
Liberty Display Fireworks Co 22-B<br />
FOUNTAINETTES<br />
Superior Refrigerator Mfg 47-C<br />
HAND DRYERS, ELECTRIC<br />
Electric-Aire Engineering Corp 54-A<br />
INSECT TRAP, DRIVE-IN<br />
Gardner M Co fg. 26- B<br />
INTERIOR LIGHT SHIELDS<br />
Wenzel Projector Co 65-<br />
KIDDY RIDES FOR DRIVE-INS<br />
Dreyer Co 23-A<br />
Hei schell Co., Inc. Allan 21-A<br />
King Amusement Co 16-C<br />
Miniature Train Co 20-A<br />
LADDERS, SAFETY<br />
Dayton Safety Ladder Co 66-A<br />
PLAYGROUND EQUIPMENT<br />
American Playground Device Co 21-C<br />
Miracle Equipment Co U-A<br />
National Theatre Supply Co 23-C<br />
Recreation Equipment Corp 16-A<br />
POPCORN BOXES AND SACKS<br />
Concession Supply Co 50-B<br />
POPCORN IVIACHINES<br />
Concession Supply Co 50-B<br />
Cretors Corp 50-<br />
Manley, Inc 45-A<br />
POPCORN SCOOPS<br />
Speed Scoop 47.<br />
POPCORN SEASONING OIL<br />
Concession Supply Co 50-B<br />
C. F. Simonin's Sons 42-A<br />
PROJECTION LENSES<br />
Bausch & Lomb Optical Co 61-A<br />
Kollmorgen Optical Co 58-A<br />
Projection Optics Co., Inc 1-BC<br />
Raytone Screen Corp 3-A<br />
S.O.S. Cinema Supply Co 67-A<br />
Star Cinema Supply Co. 66-B<br />
PROJECTION RECTIFIERS<br />
Ashcraft Mfg. Co 35-A<br />
National Excelite 51-A<br />
PROJECTION AND SOUND<br />
Ballantyne Co 29-A<br />
International Projector Corp 31-A<br />
Motiograpti, Inc 6-A<br />
RCA Engineering Products Co 5-A<br />
Star Cinema Supply Co 66-<br />
PROJECTOR ARC LAMPS<br />
Ashcraft Mfg. Co 35-A<br />
National Excelite 51-A<br />
Strong Electric Co 55-<br />
REFLECTORS<br />
Heyer-Shultz, S6-B<br />
Inc<br />
SAFETY LADDERS<br />
Dayton Safety Ladder Co 66-A<br />
SCALES, PENNY WEIGHING, FORTUNE<br />
Watling Mfg. Co 65-B<br />
SCREENS FOR OUTDOOR THEATRES<br />
Ballantyne Co 29-A<br />
Bodde Screen Co. 56-A<br />
SCREENS FOR INDOOR THEATRES<br />
Bodde Screen Co 56-A<br />
Raytone Screen Corp 31-A<br />
S.O.S. Cinema Supply Co 67-A<br />
Vocalite Screen Corp 64-C<br />
Williams Screen Co. 34-A<br />
SEAT MAINTENANCE AND REPAIR<br />
Theatre Seat Service Co 67-<br />
Oglesby Equipment 23-B<br />
SEATING, CONVENTIONAL THEATRES<br />
American Seating Co 22-A<br />
Heywood-Wakefield Co 68-B<br />
Ideal Seating Co 64-B<br />
Irwin Seating 62-A<br />
SPEAKERS, IN-CAR FOR DRIVE-INS<br />
Ballantyne Co 29-A<br />
Orive-ln Theatre Mfg. Co 30-A<br />
u<br />
Q .
|>und systems to fit any size drive-in the-<br />
again assuring the purchaser a system<br />
,iat will deliver high fidelity sound with<br />
-enty of reserve power which is so necesry<br />
in any drive-in theatre. You can be<br />
isured this company will supply the<br />
ight" type, size and combination of sound<br />
luipment for either type of theatre<br />
ive-in or conventional theatre.<br />
i<br />
;re,<br />
: June<br />
—<br />
.<br />
ERVICING SOUND SYSTEMS<br />
Continued from page 58<br />
jie small speakers for cars. But from exerience.<br />
the writer recommends the use<br />
f single-track recording in conventional<br />
leatres using only one speaker unit—high<br />
nd low frequency combination. You will<br />
|e better satisfied with the quality from<br />
lis setup, if you use only single-track<br />
lagnetic somid.<br />
Most projectionists are probably aware<br />
the fact that phase relationship between<br />
f<br />
IP four tracks is not consistent in all<br />
iint,s. That is why the "mixing" of four<br />
acks is all right for drive-in theatres using<br />
j-nall in-car speakers, but not very satisictory<br />
for indoor theatres, in the writer's<br />
pinion.<br />
COMMENTS—RCA can furnish<br />
various<br />
pmbinations of amplifiers, pre-amplifiers.<br />
nd speaker units to fit any type and size<br />
'f auditorium. The various types of power<br />
nd pre-amplifiers furnish the necessary<br />
ower output, and always with sufficient<br />
[i<br />
t^<br />
Scene from "The Seven Year Itch, 20th Century-F<br />
CinemaScope Production.<br />
Gross more<br />
every week<br />
with your<br />
iR'.^Oi<br />
Bausch & Lomb<br />
Super Cinephor<br />
Projection Lenses<br />
ZA'i all-new speaker design for conventional tfieres.<br />
High and low frequency units may be used<br />
various combinations to meet special acoustical<br />
quirements of any size theatre auditorium. This<br />
lit is used in PG-302 sound system. The right<br />
eaker combination is absolutely necessary in order<br />
secure brilliant, crisp, clear sound reproduction;<br />
so, speakers must be correctly phased for perfect<br />
suits.<br />
itra power to take care of any print with<br />
w-level recording in places. The many<br />
jeaker assemblies, some of them illusated<br />
in this article, assure good coverage<br />
nd high fidelity sound output in medium<br />
Id large auditoriums.<br />
Likewise, RCA offers a wide variety of<br />
The WTiter strongly recommends that the<br />
irchaser of new sound equipment seek the<br />
rvlces of a qualified engineer before makg<br />
final selection of any type of sound<br />
stem, if you want expert information on<br />
le size of amplifiers, speakers, and other<br />
PERFECT- PICTURE PAIR<br />
Count on Marilyn to bring them<br />
in . . . and count on your B&L<br />
Perfect-Picture Pair to bring<br />
them back, -week after<br />
week, to enjoy today's<br />
clearest, brightest fullscreen<br />
vievv's. Complete line<br />
for all projectors . . . for<br />
theatres and drive-ins . .<br />
for Wide Screen, CinemaScope,<br />
SuperScope.<br />
SEE THE BIG DIFFERENCE<br />
ON YOUR OWN SCREEN<br />
IN FREE DEMONSTRATION<br />
Write today for demonstration,<br />
and for Catalog E-123.<br />
Bausch & Lomb Optical<br />
Co., 72042 St. Paul St.,<br />
Rochester 2, New York.<br />
Continued on following page<br />
JXOFTICE :<br />
4, 1955<br />
61
If<br />
'<br />
SERVICING<br />
SOUND SYSTEMS<br />
Continued horn preceding page<br />
units necessary to fill the requirements of<br />
your particular situation. Rely on the unbiased<br />
opinion of a sound and projection<br />
engineer. I have seen too many installations<br />
where the selection of the power<br />
amplifier, sound heads, and speaker units<br />
were not right for the requirements of the<br />
theatre and had to be changed in order to<br />
secure perfect results: in many cases, a<br />
costly change which could have been<br />
avoided.<br />
Moreover, the modification of any make<br />
of sound system should be done by an<br />
engineer as he knows just what can be<br />
done with existing equipment to secure<br />
the desired results.<br />
Stencils on Porcelain Enamel<br />
Lobby wall designs of all kinds can be<br />
readily stenciled on porcelain enamel during<br />
its manufacture and fired on as indelibly<br />
as pottery decorations. Decalcomania<br />
transfers, like those for pottery, may<br />
also be applied. Even wood grains can be<br />
duplicated to give the effect of wood, with<br />
the permanence and durability of porcelain<br />
enamel. A number of artists around the<br />
country paint murals on porcelain enamel.<br />
It is one of the most attractive finishes for<br />
theatre walls.<br />
Each month in the MODERN THEATRE Section,<br />
Wesley Trout will present practical questions<br />
and answers pertaining to sound and projection.<br />
If you have a technical problem send it<br />
in and it will be answered here. Enclose a<br />
stamped, self-addressed envelope for a quick,<br />
personal<br />
reply.<br />
/ recently ran a picture and, ivluit a mess<br />
on changeover cues! The motor start and<br />
changeover cues were in the middle of the<br />
frame, and the dots on this company's<br />
picture, on the usual side where they are<br />
placed on all pictures, are small as a rule.<br />
I wonder why. These also were placed in<br />
a spot where it was hard to make the<br />
changeover right. I think sound on pictures<br />
should not start for say three feet from the<br />
start of each reel. A better changeover in<br />
sound could be made and no talking would<br />
be cut out. MGM does this and it is a real<br />
pleasure to run the picture. Where I work,<br />
most all the prints are in good condition,<br />
for lohich I am very thankful. Good leaders<br />
should be placed on the start and end<br />
of each reel so the print will not be damaged<br />
as when only a short piece of leader<br />
used.<br />
is<br />
Whatever became of those plastic shipping<br />
cases we read about that were being<br />
tested and supposed to be in use before<br />
long?<br />
I think all film companies should have a<br />
standard leader with large numbers, such<br />
as 1,2, 3, 4. etc. You really can see them<br />
without using a spy glass, and lately I have<br />
had a few prints where even a spy glass<br />
icould not help! Maybe some of the film<br />
companies will read this and put larger<br />
numbers on their prints for us projectionists.<br />
Well, all we can do about it is hope<br />
for a change like the above— standard<br />
leaders and larger numbers.— Earl Rupple.<br />
Kansas City, Mo.<br />
I agree with you! Changeover marks<br />
should be clearly visible and placed on the<br />
print so a changeover can be made perfectly,<br />
and any cues placed in the center<br />
of the frame would certainly mar projection.<br />
I think the new plastic shipping<br />
cases soon will be in use, after they are<br />
thoroughly tested.<br />
Film Must Run Smoothly<br />
The motion of film 'sound track) must<br />
be smooth and very steady past the scanning<br />
beam. Therefore the stabilizer drum<br />
should revolve freely and be kept very<br />
clean. The correct tension must be maintained<br />
so that it will revolve smoothly, and<br />
keep the film running past the scanning:<br />
beam at a steady speed and not by jerks.<br />
If the film does not travel smoothly, it<br />
will cause "flutter," which is a tremolo in<br />
the sound reproduction. The projectionist<br />
should always guard against this.<br />
Ri'SEAT with the<br />
IRWIN<br />
/%f\fjkrj<br />
...ITS A SOUND,<br />
INVESTMENT!<br />
Now that you again have 'em coming, don't lose 'em with old,<br />
inferior or uncomfortable seating. Re-seat with the IRWIN COMET chair. It's<br />
designed and built to provide that extra measure of comfort and good<br />
appearance that keeps your customers coming back again and again. Its<br />
newly improved consfrucfion assures exceptionally long and dependable<br />
service with a very minimum of maintenance cost. Write today for complete<br />
details on how you can boost profits by re-seating with the modern-to-the-minute<br />
IRWIN COMET, the investment that quickly pays for itself<br />
SiRCTTTB<br />
Irwin seating ^^i^S<br />
GRAND RAPIDS, MICHIGA N^<br />
62 The MODERN THEATRE SECnOI L
ew Sign-Making Kit<br />
jr Interior Displays<br />
P-1325<br />
FOR MORE<br />
INFORMATION<br />
An Electronic Car-Hop<br />
For Highway Patrons<br />
P-1328<br />
USE Readers'<br />
Bureau Coupons, Page 59<br />
Extra punch may be added to lobby and<br />
)ncessions displays with Hernard Manuicturing<br />
Co.'s 3-D sign kit, a complete<br />
ickage for making signs with changeable<br />
lessages. Basically, the kit consists of<br />
guide rule, a strong fiberboard cabinet<br />
Id three to four fonts of plastic-ceramic<br />
Iters and numerals varying from ^'4 to<br />
2 inches in height. Each of the letters<br />
js a hardened steel pin molded into its<br />
»ck so that it may be attached to any<br />
ift surface with a minimum of pressure,<br />
'hen not in use the letters, which may be<br />
;ed repeatedly, are stored on any of the<br />
X sliding shelves in the cabinet. The kits<br />
e available in three different models:<br />
0. 204 which contains 624 characters in<br />
iree different alphabets; Nos. 205 and 206<br />
ich containing 815 characters in four difrent<br />
alphabets. Two leatherette-covered<br />
;lotex display backgrounds measuring<br />
1x18 inches also accompany the kit. The<br />
ickgrounds come in a choice of black,<br />
d, blue, brown and green.<br />
irtable Air Conditioner P-1326<br />
ir<br />
Small Areas<br />
A portable conditioner, which is particurly<br />
adaptable for such small areas as a<br />
:eatre boxoffice, has been placed on the<br />
arket by Activeaire Devices, Inc. The<br />
lit humidifies the air and removes most<br />
the pollen and soot as well as either<br />
ating or cooling, the manufacturer reirts,<br />
thus creating a comfort zone of<br />
"Out 10 feet around the unit. It is portile,<br />
may be used anywhere where there<br />
an electrical outlet. The size of the air<br />
nditioner is 12x16x8.<br />
Display Cases for Cigarets P-1327<br />
Offered at No Cost<br />
R. J. Reynolds Tobacco Co. is now offering<br />
to drive-ins without cost a new allmetal<br />
display case with a capacity of 170<br />
packs of both regular and king-size<br />
cigarets. Designed to boost impulse buying,<br />
the merchandiser was built to fit all makes<br />
of upright cash registers. One of the main<br />
features of the unit is the gravity-feed system<br />
which allows packages to slip down<br />
and forward for quick and convenient dispensing<br />
by the concessions cashier. The<br />
cashier is the only person with access to<br />
the cigarets. Reynolds is also offering two<br />
other display units for its retailers. One is<br />
the Cavalier menu board which displays 12<br />
different items to make it suitable for concessions<br />
operations. The other is an enlarged<br />
counter or shelf display case with a<br />
capacity of 12 cartons of regular or kingsize<br />
cigarets.<br />
Claims made (or products described editorially<br />
on this and other pages are taken from the<br />
manufacturers'<br />
stotements.
.<br />
Stereophonic Speaker System<br />
Now In Production<br />
P-1330<br />
RCA theatre supply dealers are now<br />
handling a new Griggs theatre chair combining<br />
comfort with durability at a new low<br />
cost. The short-back chair. Model 71MBW,<br />
features braced double-wall end stands individually<br />
matched to floor inclines to assure<br />
constant seat heights and proper fitting.<br />
The chairs are equipped with manually<br />
operated ball-bearing hinges for sure<br />
up and down stops. All metal parts have,<br />
been treated with a rust-resistant phosphate<br />
coat on the underside and baked<br />
enamel on the topside for longer life. Upholstery<br />
includes seats cushioned by steelcoil<br />
springs and padding for the combination<br />
metal and plywood-panel backs. A<br />
variety of plastic tops and fabrics are available<br />
for seat and back coverings. The<br />
chair is believed to be the lowest-priced<br />
of its<br />
type.<br />
A Smaller, Light-Weight P-1332<br />
Rug Shampoo Machine<br />
The Kent Co. claims its new K-ll rugshampoo<br />
machine with an offset motor has<br />
several advantages over the more conventional<br />
and larger models. By reducing the<br />
size and the weight, the K-ll is claimed to<br />
have a greater maneuverability and speed<br />
J<br />
Don't Swear — Install<br />
£/ecff/c-A ire<br />
"C" MODEL<br />
HAND DRYERS<br />
Eliminates towels! Provides safe, sanitary,<br />
economical, dependable, around-the-clock drying<br />
service I Keeps washrooms neat, clean.<br />
Available in recessed or surface mounting<br />
models.<br />
for Complete Details — WRITE Dept. D<br />
ELECTRIC*AIRE ENGINEERING CORP.<br />
209 W. Jackson Blvd. • Chicago 6, III.<br />
ELECTRIC-AIRE OF CANADA • 669 Talbot St. • St. Thomis. Ont.<br />
The >A^idest Line<br />
of<br />
Theatre Chairs<br />
Model 432 theatre speaker system is<br />
begin produced by the Stephens Manufacturing<br />
Corp. for stereophonic sound installations<br />
according to company spokesmen.<br />
By mounting the high frequency unit<br />
en a board, proper phasing of the sound is<br />
achieved. The unit furnished in flat black,<br />
which measures 69 inches high, 36 inches<br />
wide and 30 '2 inches deep, provides fine<br />
highs by use of the Stephens Tru-Sonic<br />
P-30 high frequency driver and attenuator<br />
with a ten-cell exponential horn and a 600-<br />
cycle crossover. Two 103XX. low frequency<br />
drivers assure a full bass response. Shipping<br />
weight for the unit is 297 pounds.<br />
Low-Cost Upholstered Chair P-1331<br />
Is<br />
Short-Back Type<br />
in operation. It uses an 11-inch brush as:<br />
compared to the standard 15 inches and<br />
weighs only 49 pounds, thus eliminating the<br />
problem of crushing rug pile. A fully enclosed<br />
!-! h.p. motor is used to power the"<br />
brush at 135 rpm. Longer life for the ma(<br />
chine is assured by thus protecting botl<br />
the motor and two-gallon solution tanl<br />
from foreign matter, such as dust, lin<br />
and moisture. Positive lubrication of al<br />
moving parts is accomplished by sealini<br />
them in a grease chamber. The handle 1:<br />
detachable and may be adjusted to an<br />
desired height. The machine also may b;<br />
used without the tank for polishing floors<br />
64<br />
Free<br />
planning<br />
service.<br />
• The lowest priced to the<br />
most luxurious.<br />
• Sturdy cost iron and/or<br />
steel.<br />
• Comfortable full-upholstered,<br />
padded or spring<br />
backs and seats.<br />
• Beautifully styled end<br />
standards.<br />
• Upholstering materials, finishes<br />
and colors for every<br />
taste.<br />
IDEAL<br />
See four Independent Theatre Supply<br />
Dealer or Write for Literature<br />
SEATING COMPANY<br />
Grand Rapids, MIchig<br />
BETTER<br />
SEATING<br />
MEANS<br />
BETTER<br />
BUSINESS<br />
^<br />
THEATRE TESTED and<br />
^1<br />
THE WORLD FAMOUS<br />
PROVEN<br />
SILVERLITE ff<br />
ALL PURPOSE SEAMLESS SILVER SCREEN — MAINTAINS HIGH QUALITY<br />
EVEN LIGHT DISTRIBUTION — MEETS ALL REQUIREMENTS — FOR ALL<br />
SYSTEMS— RATIOS<br />
GUARANTEED -NEW LOW PRICES<br />
THEATRE SCREENS WITH A V/ORLD-WIDE REPUTATION<br />
— SINCE 1927 —<br />
FOR FULL INFORMATION—SEE YOUR DEALER OR WRITE<br />
VOCALITE SCREEN CORPORATION<br />
ROOSEVELT, N. Y., U. S. A.<br />
The MODERN THEATRE SECnd<br />
^
I<br />
peak<br />
i many<br />
I<br />
1 National<br />
ift Drink Dispenser to<br />
ondle Peak Periods<br />
'<br />
;x20x40 inches.<br />
P-1333<br />
jirror for Advertising P-1334<br />
|i Attach to Dryer<br />
Dryer Sales Corp. has developed<br />
'.clever promotional item in the form of a<br />
lirror to be attached to its automotic hand<br />
|yers. Known as the Mirror-vue, the dryer<br />
jtachment looks like an ordinary mirror,<br />
!.t withing ten seconds after the dryer is<br />
'it into use it flashes a message which refiins<br />
until the drying action ceases. It is<br />
rticularly well-suited for the display mes-<br />
Sges concerning coming features or reiinders<br />
about keeping the restroom clean<br />
any other message that the exhibitor<br />
ght desire. Because of its special construction<br />
the Mirror-vue will flash any type<br />
of message whether it be a photograph or<br />
typed copy. The unit which is permamently<br />
mounted by means of wall fittings and wires<br />
to the dryer, is said to be very durable and<br />
an effective advertising medium becau.se it<br />
reaches a special captive audience.<br />
New Plastic Material P-1335<br />
For Masonry Repair<br />
Plyocrele, a neoprene rubber emulsion<br />
.suited for the repair of cracks, joints and<br />
worn spots on masoni'y side walls and other<br />
masonry construction, is now being marketed<br />
by United Laboratories. The new<br />
product is shipped dry but may be mixed<br />
into a plastic reforming material in a<br />
matter of minutes. It is claimed that it is<br />
easy to apply and dries within an hour.<br />
A variety of colors is available.<br />
jA new 16-model line of soft di-Juk dis-<br />
.'nsers has been introduced by the Koldraft<br />
division of Uniflow Manufacturing Ceiling or Shelf-Mounted P-1336<br />
). One of the main features of the new Air-Conditioning Units<br />
.18 is the introduction of the Uni-Jet. a<br />
For those theatre operations where floor<br />
Lrbonator which offers increased output<br />
space is at a premium and air conditioning<br />
periods by means of a controlled<br />
is needed, the commercial and air conditioning<br />
department of General Electric Co.<br />
\i bank and circulating ice water. The<br />
jainless steel units may be used for a<br />
has developed a line of ceiling or shelfmounted<br />
air-conditioning units. The air<br />
|riety of dispensing tasks by changing<br />
ie faucets. A single unit may dispense<br />
conditioners, which are available in either<br />
as four flavors, jet stream and<br />
water or air-cooled models, are being<br />
ft soda and ice water or non-carbonated<br />
of 5 and 7y2-ton<br />
liits<br />
e unit with syrup compartment are<br />
offered in a choice 3,<br />
id pulpy drinks with installation of the<br />
capacities. The same hermetically sealed<br />
oper number or type of faucets. The<br />
condensing units used in the floor models<br />
spensers are self-contained and remote<br />
are used in the water-cooled units. A five-<br />
are available. Basic dimensions of<br />
year warranty covers the entire refrigeration<br />
system of both models. Improvements<br />
on the new air conditioners include the<br />
reduction of sound, larger fans for volume<br />
air movement and an automatic "muggy<br />
weather" control to step up moisture removal<br />
from the air on humid days. Prices<br />
on the water-cooled models are comparable<br />
to the present floor models and slightly<br />
higher on the air-cooled type.<br />
When exploiting your theatre, or the<br />
product being shown, the exhibitor should<br />
forget the old saying that "The American<br />
people love to be fooled." It DOES NOT<br />
apply to theatre publicity! Large numbers<br />
of former movie patrons have deserted<br />
this type of entertainment because of overexploitation.<br />
*25<br />
DOWN<br />
Balance<br />
$10<br />
Monthly<br />
400 DELUXE<br />
PENNY<br />
FORTUNE<br />
SCALE<br />
NO SPRINGS<br />
Large Cash<br />
Box Holds<br />
$85.00 in<br />
Pennies<br />
WEIGHT 165 LBS.<br />
Invented and mode only by<br />
WAT L I N G<br />
Manufacturing<br />
Company<br />
4650 W. Fulton St. Chicago 44, Illinois<br />
Est. 1889-Telephone: Columbus 1-2772<br />
Coble Address: WATLINCITE, Chicago<br />
MORE THEATRES<br />
HAVE WAGNER<br />
CHANGEABLE<br />
COPY DISPLAYS<br />
ihan all other makes!<br />
Write for Illustrated Circulor<br />
showing these ond<br />
other Wenzel Improved<br />
ond New Products.<br />
WENZEL NEW<br />
INTERIOR<br />
SHIELD<br />
PRO 55<br />
LI.GHT<br />
to be used in conjunction with the PRO 47.<br />
•<br />
EW 78<br />
WENZEL PROJECTOR<br />
CO.<br />
2509-19 S. state St. Chicago 16, III.<br />
Write for free catalog.<br />
WAGNER SIGN SERVICE, INC.<br />
218 S. Hoyne Avenue • Chicogo 12, Illinois<br />
"PHILLIPS Carbon Savers, Save Carbon<br />
Waste. Only $2.50 each and Up.<br />
Mfd. by Phillips, Box 788, Charleston, W. Vo.<br />
Ask Your Theatre Supply Dealer<br />
I<br />
XOFFICE :<br />
: June 4, 1955 65
; crippled<br />
•<br />
. . . there's no business like<br />
s/iow business and t/iere<br />
about PEOPLE/ and PRODUCT<br />
are no iadders /il
T<br />
'<br />
Alexander<br />
'<br />
the<br />
to devote full time to research. The stipends<br />
vary from $1,400 to $2,100 for each<br />
student depending on his marital status.<br />
To satisfy the need for a versatile film<br />
coding and numbering machine created by<br />
the new screening processes, S.O.S. Cinema<br />
ic international scope of the Ampex Corp. opera-<br />
)n was illustrated recently when Cnrique Jorda,<br />
;/)(, conductor of the San Francisco Symphony<br />
•chestra, stopped at the plant to audition several<br />
his recordings that will be broadcast oyer the<br />
vpex-equipped Italian radio network. Shown disssing<br />
the project with Jorda are Wolfe Frank<br />
the left, who will soon become manager of the<br />
:ms ffices in London, England, and Harrison Johnm,<br />
new director of Ampex International.<br />
Film Co, has promoted H. V.<br />
homason from salesman for the North<br />
iarolina territory to district manager for<br />
lie states of North and South Carolina, He<br />
icceeds D. B. Kizziah, who retired recently.<br />
Continuing the program it inaugurated<br />
1939, Eastman Kodak Co. has announced<br />
will award 34 fellowships for advanced<br />
judy in physics, chemistry and chemical<br />
'igineei'ing for the academic year of 1955-<br />
;, The 34 scholarships valued at $100,000<br />
I ill go to a corresponding number of uni-<br />
^irsities and colleges in the United States<br />
id Canada, Each school will select a<br />
cipient for the fellowship with preference<br />
lown to students in their last year of<br />
'udy for the Ph.D. degree. The purpose<br />
program is to allow the students<br />
The improved Moy visible film edge numbering<br />
machine distributed by S.O.S. Cinema Supply Corp,<br />
It has a special inking system.<br />
Supply Corp. introduced its Moy visible<br />
film edge numbering machine. The 1955<br />
model features an improved inking system.<br />
The value of the machine lies in its ability<br />
to simplify the checking of titles and footage<br />
by eliminating the need for using the<br />
original film in editing. Instead, it uses a<br />
work print which can be matched with the<br />
original by edge numbering. This is an<br />
asset for the projectionist when frames<br />
break as he can easily identify the film by<br />
the numbers between the perforations. By<br />
means of the Moy machine, distributors can<br />
number, code and catalog every film before<br />
its release. S.O.S. reports that owners of<br />
older Moy models may replace the old inking<br />
systems with the new automatic units<br />
at a nominal cost.<br />
V<br />
Got the Blues<br />
In the Night?<br />
on repo.nng or repl a ^^^^<br />
„nco.fo.obieseots^Ate^^^^^__^^^,,,<br />
the job-o. «"'^-°*°;' ^ UP! You'll<br />
MANUFACTURERS<br />
and seat covers.<br />
DISTRIBUTORS<br />
Upholstery fabrics and<br />
general Seating Supplies.<br />
rvr PHONE 42-1658<br />
WRITE. WIRE PHONt<br />
or<br />
theatre seat<br />
Si<br />
PRESENT CINEMASCOPE<br />
at<br />
LOWEST PRICE EVER<br />
seruice co.<br />
»60 Hermifage Avenue<br />
Nashville. Tennessee<br />
CINEMATIC IV Adjustable Prismatic<br />
Anamorphic Lenses with<br />
permanent mounting brackets for<br />
all<br />
projectors.<br />
KOLLMORGEN Snaplite Series II<br />
Coated Prime Projection Lenses<br />
Proven by Performance.<br />
^<br />
THE PERfECT PAIR<br />
PERFECny PRICED<br />
All for ^595<br />
TIME DEALS AVAILABLE WITH ONLY $200 DOWN-FULL YEAR TO PAY ^<br />
SPECIAL OFFER!-<br />
MIRRO-CLAHIC SEAMLESS METALLIC SCREENS<br />
Al New Low Price 89c Sq. ft-<br />
S.O.S.<br />
CINEMA SUPPLY CORP.<br />
SPECIAL APERTURES for all<br />
Cinemascope Ratios from S4 pr.<br />
Dept. C, 602 WEST 52nd ST., N. Y. C.<br />
Phone. PLaza 7-0440—Cable: SOSOUND<br />
For<br />
YOUR<br />
BOXOFFICE<br />
Engraved by<br />
our exclusive<br />
process on lucite<br />
to your<br />
specifications.<br />
LAMOLITE<br />
ILLUMINATED PRICE ADMISSION SIGNS<br />
Our enlorged plant facilities assure<br />
OVERNIGHT service from coast to coast.<br />
Plastic Signs Engraved for the Entire Theotre<br />
Send for Folder *Pot pend<br />
Edgar S.<br />
682 Sixth Avenue<br />
Bowman<br />
New York 10, N. Y.<br />
t*XOFFICE<br />
67
—<br />
. Menominee<br />
—<br />
IP<br />
u<br />
is<br />
the time<br />
The following concerns have recently<br />
filed copies of interesting descriptive literature<br />
with the Modern Theatre Information<br />
Bureau. Readers who wish copies may<br />
obtain them promptly by u^ing the Readers<br />
Bureau postcard in this issue of The Modern<br />
Theatre.<br />
quiring return of construction and frames;<br />
E, large and complicated sets requiring<br />
experienced supervision. Not only<br />
does the catalog contain detailed information<br />
on prices, but it includes data on the<br />
use of fireworks such as the construction<br />
of displays and safety rules. Pull illustrations<br />
of special displays are included.<br />
L-1712 Specially designed clothing and<br />
uniforms are tiie subject of a new catalog<br />
issued by Collegiate Specialty Co. Typical<br />
of the many items featured in the 12-page<br />
lolder are long and short-sleeve shirts for<br />
both men and women, sweaters and jackets,<br />
skirts and ties, all bearing the name of the<br />
drive-in. Along with a selection of novelty<br />
hats, the catalog also lists a variety of<br />
name plaques that can be sewn on the<br />
clothing of personnel if entire uniforms are<br />
not desired. All of the items are illustrated<br />
and fully described, including prices. An<br />
order blank accompanies the material.<br />
L-1713 The Untted States Air Conditioning<br />
Corp., which was founded in 1924<br />
as Aixtic Nu-Aire, is offering a 12-page<br />
booklet that outlines its history, products,<br />
and facilities for manufacturing. The wellillustrated,<br />
two-color pamphlet not only<br />
traces the firm's contributions to the air<br />
conditioning industry but includes details<br />
on its line of heating, ventilating and air<br />
conditioning equipment.<br />
In<br />
Your Admissions<br />
Control System<br />
If there ever was a time when the<br />
Motion Picture Industry NEEDS<br />
every dollar that comes to its door—<br />
that time is now.<br />
Revenue lost through ticket manipulation<br />
or employee connivance can<br />
doom your operation. (Last year,<br />
America's theatres lost over 15 million<br />
dollars through improper ticket<br />
handling.)<br />
Make sure your theatre's admissions<br />
control system is profit-tight . . . with<br />
Automaticket Register and<br />
Ticketaker, to give you effective control<br />
both in the box office and at the<br />
door! Write for full information.<br />
General Register Corp.<br />
43-01 Twenty-Second Street<br />
Long Island City 1, N. Y.<br />
1018 S. Wobosh Ave., Chicago 5, Illinois<br />
L-1714—How TO CONVERT soft drink<br />
profits from pennies to dollars by using<br />
the ClubBar dispensers produced by Temprite,<br />
ClubBar, Inc., is told in detail in two<br />
publications issued by the makers. By<br />
means of a convincing set of charts and<br />
diagrams, Temprite offers a detailed explanation<br />
of how to build profits, save<br />
space and lower labor costs with the Club-<br />
Bar. Complete information is also offered<br />
on the unit's dimensions, operation and<br />
specifications. The all-electric ClubBars<br />
are designed to dispense a choice of four<br />
flavors and plain carbonated water at a<br />
rate of 240 glasses per hour.<br />
L-1715 The educational division of the<br />
PX-Lab Co., makers of FX-4 and FX-7<br />
used to prevent the clogging of septic tanks<br />
and cesspools, is now distributing a free<br />
booklet entitled "The Story of Willie Bacteria,<br />
or How to Take Care of Your Septic<br />
Tank or Cesspool." By means of cartoons<br />
and a simplified story, the eight-page<br />
booklet explains the workings of disposal<br />
systems and the necessary interaction of<br />
the bacteria. To assure the continued bacterial<br />
action so vital to efficient disposal.<br />
the booklet suggests the use of PX-bacterial<br />
preventives, which are sold with a moneyback<br />
guarantee.<br />
L-1716 Lafer Enterprises, manufacturer<br />
of fireworks, has issued a 28-page<br />
catalog which will be of interest to promotion-minded<br />
drive-in operators. The comprehensive<br />
publication is divided into five<br />
sections: Section A on made-up aerial displays;<br />
B, ground sets; C, aerial shells and<br />
miscellaneous items; D, special sets re-<br />
THEATRE CHAIRS<br />
Theatre Seating Division<br />
• Michigan l<br />
^^<br />
WretL<br />
ait<br />
ADLER ANNOUNC EST<br />
new<br />
sizes<br />
4" . 6 ' - 8 ' - 24'<br />
"THIRD DIMENSION"<br />
PLASTIC LETTERS<br />
Adler Changeable Letter Display<br />
Equipment the proven favorita<br />
for theatre signs that build boxoffice<br />
lines— now includes a complete<br />
range of sizes, from 4" to<br />
24", in Plastic or Cast Aluminum<br />
Letters.<br />
For Complete Information About Adler<br />
Letters and Frames, ConUct Yoiir Distributor<br />
or Write (or Free Catalog to:<br />
ADLER SILHOUETTE LETTER CO.<br />
11843-A W. Olympic Blvd., Los Angeles 64<br />
'Bsi<br />
68<br />
The MODERN THEATRE SECnOi<br />
^
, 'i<br />
i<br />
I-T<br />
flXOf f iCEiB D D ii J l] ii^ iJ J D 5<br />
Tie EXHIBITOR HAS HIS SAY >bout hctures<br />
ALLIED ARTISTS<br />
iagonfly Squadron (AA)—John Hodiak.<br />
Bijara Britton, Bruce Bennett. A good<br />
picture for a double. Our fans on<br />
V want westerns, etc., so this didn't<br />
hot." Played Sat. Weather: Okay.—<br />
D ,V Trisko. Runge Theatre, Runge, Tex.<br />
R- jI and small-town patronage.<br />
COLUMBIA<br />
imboo Prison (Col)—Robert Francis,<br />
ine Foster, Brian Keith. Very good<br />
jner of war story. Robert Francis, fresh<br />
1 his role in "The Caine Mutiny," is very<br />
I. He should become very popular soon.<br />
16 of the "brainwashing" scenes a little<br />
al. Did only average business. Played<br />
Sat. Weather; Fair.—Michael Chiaven-<br />
, Valley Theatre, Spring Valley, 111.<br />
ulation 5,000.<br />
ack Knight, The (Col)—Alan Ladd.<br />
P -icia Medina, Andre Morrell. That Ladd<br />
w hardly the type to put in a tin suit and<br />
w jot more experience with costumers and<br />
ki.hts with armor. Wish they would fix it<br />
K he boys could get their money out of<br />
Eland in some other way, so I wouldn't<br />
hi; to suffer. If the little man with the<br />
ti suit tries to put this in your stocking,<br />
K him off. Played Fri., Sat. Weather: Dry.<br />
— ayme P. Musselman, Roach Theatre,<br />
Uoln, Kas. Small-town and rural patron-<br />
»(<br />
[tw vs. Billy the Kid. The (Col)—Scott<br />
Blly, Betta St. John, James Griffith. This<br />
oiloor action flicker should do well in most<br />
si itions. We doubled this with "Sabrina" for<br />
01: bread and butter change and did fairly<br />
Wj. Played Wed., Thurs., Fri. Weather:<br />
O'l.—Robert Klinge, Uptown Theatre.<br />
S»ilia, Mo. Medium-size town and rural pati^age.<br />
Do It Again (Col)—Jane Wyman, Ray<br />
l^t's<br />
i/i and, Aldo Ray. This oldie from Columbia<br />
(E: very fair terms) and in color is one<br />
d; Jy little show. Jane Wyman does some<br />
pi ty risque dancing in it. It all adds up<br />
ttifhat I would call a "cute" show. Aldo<br />
R' will pull in the teenagers; he plays<br />
ill-muscles and no-brain type for the<br />
relief. Played Sun.. Mon. Weather:<br />
I. Roche, Vernon Theatre, Vernon.<br />
r Population 610.<br />
] the Waterfront (Col)—Marlon Brando,<br />
Kl Maiden, Lee J. Coob, Eva Marie Saint.<br />
I ;ed it as did the few who came to see<br />
It. We played it after the reports that it<br />
w. nominated for so many Academy Awards,<br />
bi t was like all award.i pictures—people here<br />
jii don't come to see them—why, I'll never<br />
k'v! The novelty of TV hasn't worn off<br />
yt lere and we can see it. Played Sun., Mon.,<br />
T: ;. Weather: Fair.—Evelyn Burgess. Roxy<br />
T" itre. McClusky. N. D. Population 900.<br />
METRO-GOLDWYN-MAYER<br />
I<br />
hena (MGMi—Jane Powell. Edmund<br />
Pi lorn. Debbie Reynolds. Mighty satis-<br />
'« iry. Let's watch the business done by<br />
"i type of film and compare it to costume<br />
Pr uctions, heavy dramas—of course, any-<br />
'!i ; can be overdone. Played Tues., Wed.<br />
Weather: Good.—Elaine S. George, Star Theatre,<br />
Heppner, Ore. Small-town and rural<br />
patronage.<br />
Bad Day at Black Kocli i MGM)—Spencer<br />
Tracy, Robert Ryan, Anne F'rancis. Here is<br />
a good western with some red-blooded action<br />
that we should have used on our week-<br />
Horses, Actors Too,<br />
Do Bang-Up Job<br />
piDE CLEAR OF DIABLO (U-D—Audie<br />
Murphy, Susan Cabot, Dan Duryea.<br />
When and if Audie Murphy fails to draw<br />
a reasonable crowd, then it's high time<br />
to close the doors and go fishing. This<br />
one has a horse chase in it that is tops.<br />
Not only the horses but the actors do a .<br />
bang-up job. Susan Cabot drew a lot of<br />
good comment and so did the beautiful<br />
Technicolor. I put this with a Leon Errol<br />
comedy and a Tom & Jerry cartoon for a<br />
most satisfactory program. Double<br />
features won't draw any better.<br />
Vernon Theatre<br />
Vernon, Fla.<br />
I. ROCHE<br />
end cliange. It just wasn't the type for Sunday<br />
and we didn't have enough to fill the<br />
house once in all four days. Tracy was<br />
plenty good but no sale for us. Played Sun.,<br />
Mon., Tues., Wed. Weather: Nice.—Mayme P.<br />
Musselman, Roach Theatre, Lincoln, Kas.<br />
Small-town and rural patronage.<br />
Betrayed (MGM)—Clark Gable, Lana Turner,<br />
Victor Mature. Better than expected by<br />
the few patrons who came. This lost money.<br />
I can't explain the poor Technicolor of MGM<br />
prints; they look so washed out or faded.<br />
Other exhibitors have commented about thLs<br />
for years. Played Sun., Mon. Weather; Good.<br />
—Leonard J. Leise, Roxy Theatre, Randolph,<br />
Neb. Small-town and rural patronage.<br />
Brigadoon (MGM)—Gene Kelly, Van Johnson,<br />
Cyd Charisse. Darned if I know, we<br />
thought it a little too much fantasy for our<br />
people but had some nice comments on it.<br />
Lots of others just walked out with their<br />
teeth in their mouths like they thought we<br />
had put something over on them. The take<br />
was about average on our money nights.<br />
Played Fri., Sat. Weather: Good.—Paul<br />
Ricketts, The Charm Theatre, Holyrood, Kas.<br />
Small-town and rural patronage.<br />
Deep in My Heart (MGM)—Jose Ferrer,<br />
Merle Oberon, Helen Traubel. A beautiful<br />
picture but I guess it wasn't the small-town<br />
type. We hardly made film in three days.<br />
Floyd Faubion, Star Theatre, Teague, Tex.<br />
Executive Suite (MGM)—William Holden,<br />
June Allyson, Barbara Stanwyck. An excellent<br />
movie with a difference. Although the<br />
acting is first-class and the story most interesting,<br />
it can only be recommended to the<br />
larger houses in big areas. We did good business<br />
and it was enjoyed by most in good<br />
houses. It's good to see so many top stars<br />
all giving in their best in one movie. Played<br />
Sun., Mon. Weather: Pine.—Dave S. Klein,<br />
Astra Theatre,_ Kltwe-Nkana, Northern<br />
Rhodesia, Africa. Mining, government, business<br />
patronage.<br />
Gone With the Wind (MGM) Rei.ssue—Vivien<br />
Leigh, Clark Gable, Olivia DcHavilland.<br />
Here is the show that runs three hours and<br />
45 minutes, but in our opinion it's the best<br />
time that you will ever have in your theatre.<br />
This was played In Sturgis on wldescreen, and<br />
the print was new. Tire story, sound and color<br />
were as good as the print was when it wa-s<br />
released. Play it by all means; even at percentage<br />
you should do O.K. Played Tues..<br />
Wed., Thurs. Weather; Snow and cold.—<br />
Sam Holmt)erg, C. H. Grass, Regal Theatre,<br />
Sturgis, Sask. Small-town and rural patronage.<br />
Her Twelve Men iMGM)—Greer Garson.<br />
Robert Ryan, Barry Sullivan. This took a<br />
well-spent afternoon to get .some good wordof-mouth<br />
advertising. A week in advance I<br />
sat down and wrote a personal letter to every<br />
school principal in town inviting the teachers<br />
and PTA, giving them a brief sjnopsis of<br />
the picture. Suitable for Tuesday-Wednesday<br />
and it made us some friends. "The boxoffice<br />
was only average on Tuesday and below on<br />
Wednesday. Played Tues., Wed. Weather:<br />
Mild.—Lew Bray jr.. Queen Theatre, Mc-<br />
Allen, Tex. English and Spanish speaking<br />
patronage.<br />
Last Time I Saw Paris, The (MGM) —<br />
Elizabeth Taylor, Van Johnson, Walter<br />
Pidgeon.<br />
This picture is not for small towns.<br />
It is rather on the heavy side and although it<br />
IS a very good picture, it will not build any<br />
business for you. I had it booked for three<br />
days. It drew fairly well on the Sunday<br />
opening, but it died on Monday, so I pulled it.<br />
The picture was sold at top flat rental and I<br />
did not break even. But nobody can break<br />
even with the prices the producers demand<br />
Played Sun., Mon. Weather: Good.—W. L.<br />
Stratton, Lyric Theatre, Challis, Ida. Population<br />
700.<br />
Rogue Cop (MGM)—Robert Taylor, Janet<br />
Leigh, George Raft. I thoroughly enjoyed<br />
every minute of Rogue Cop. It's a man's<br />
show. Very few women came but it will get<br />
some men out who haven't been coming.<br />
Robert Taylor, as usual, is excellent. Janet<br />
Leigh also did a good job. My patrons would<br />
rather see her without Tony Curtis as the<br />
leading man.—W. S. Pimk, Star Theatre, St.<br />
Stephen, S. C. Population 1,000.<br />
PARAMOUNT<br />
Rear Window (Para) — James Stewart.<br />
Grace Kelly. Thelma Ritter. Swell, absolutely<br />
(Continued on next page)<br />
A Few More Like This<br />
Will Make More Fans<br />
•THREE RING CIRCUS (Para)—Dean<br />
Martin, Jerry Lewis, Joanne Dru. We<br />
did very well according to present conditions<br />
and our patrons liked the show<br />
enough to tell us the fact. Color in Vista-<br />
Vision is tops, we like it. But something<br />
will have to happen to get that lost<br />
audience weaned away from home and<br />
maybe a few more like this will turn the<br />
trick. Worth a date on your very best<br />
time.<br />
MATME P. MUSSELMAN<br />
Roach Theatre<br />
Lincoln, Kas.<br />
OFFICE BooldnGuide June 4, 1955
. .<br />
The EXHIBITOR HAS HIS SAY f<br />
(Continued from preceding page)<br />
swell, but fell fax short for Sunday-Monday.<br />
Shoulda stayed in bed, gone fisliin' or played<br />
it up Tuesday-Wednesday instead. Played<br />
Sun., Mon. Weather: Pair.—Lew Brady jr..<br />
Queen Theatre, McAllen, Tex. E^nglish and<br />
Spanish spealiing patronage.<br />
Sabrina (Para)—Humphi-ey Bogart, Audrey<br />
Hepburn, William Holden. Of all the Sunday,<br />
Monday, Tuesday runs on pictures in the past<br />
year, this brought the poorest grosses we've<br />
ever had. Not even half a house on Sunday<br />
night and didn't pay operating expense other<br />
two nights. Definitely not a small-town picture!<br />
Wrong man got the girl was the unanimous<br />
opinion. We enjoyed it immensely!<br />
Played Sun., Mon., Tues. Weather: Beautiful,<br />
showery.—Ida and Walt J. Breitling, Comfrey<br />
Theatre, Comfrey, Minn. Small-town and<br />
rural patronage.<br />
Three Ring Circus (Para)—Dean Martin,<br />
Jerry Lewis, Joanne Dru. Fine entertaining<br />
picture for old and young. Didn't do so well<br />
as previous M & L pictures. Rental outrageous,<br />
so no profit. The net profit of<br />
Pai-amount and other companies is staggering,<br />
while we small exhibitors struggle for<br />
existence to keep from closing our doors.<br />
Played Thurs., Fri., Sat. Weather: Good.—<br />
Leonard J. Leise, Roxy Theatre, Randolph,<br />
Neb.<br />
War of the Worlds (Para)—Gene Barry,<br />
Ann Robinson, Lewis Martin. If you take<br />
the picture at its face value, you will call<br />
it fantastic. But if you took a picture of<br />
the world today in our Atomic Age and had<br />
shown it 40 years ago, it would have appeared<br />
just as fantastic, while to us it is<br />
a grim reality. Maybe this picture 40 years<br />
from now will also be a grim reality. (Let us<br />
hope not). The picture is a little above the<br />
average science-fiction picture and drew a<br />
fair crowd under poor weather conditions.<br />
Played Fri., Sat. Weather: Very cold.—<br />
Fred L. Murray, Strand Theatre, Spiritwood,<br />
Sask. Small-town and rural patronage.<br />
RKO RADIO<br />
Mr. Blandings Builds His Dream House<br />
(RKO Reissue)—Cary Grant, Myrna Loy,<br />
Melvyn Douglas. Haven't reported to this<br />
column for quite some time, but after reading<br />
Robert Livingston's report on MGM's "Crest<br />
of the Wave" played at the Crescent Theatre,<br />
Philadelphia, I just had to send this Uttle<br />
article in because I don't want him to hold<br />
the world's record for a low gross. "We<br />
booked "Mr. Blandings Builds His Dream<br />
House" for Tuesday, Wednesday, Thursday.<br />
On the second night, no one here seemed<br />
to care whether he built his dream house or<br />
not. We never had a customer, not even a<br />
walk-in. Up to this moment, this puts Mr.<br />
Livingston in second place. Have been in<br />
this business 32 years, and our lowest gross<br />
prior to this one was 75 cents (three paid 25<br />
cent admissions) back in the 1931 depression<br />
days; and those three paid customers saw<br />
the picture, "You Got to Laugh to Keep From<br />
Cryin'."—Marion F. Bodwell, Paramount Theatre,<br />
Wyoming, 111. Population 1,500.<br />
REPUBLIC<br />
Susan Slept Here (RKO)—Dick Powell,<br />
Debbie Reynolds, Anne Francis. Absolutely<br />
the tops in entertainment. This is just about<br />
the cutest comedy ever to play these parts.<br />
Held up well the second night which, in my<br />
estimation, is the test of a good show. Up at<br />
our drive-in, however, it fell miserably short<br />
of my expectations. Guess it was so good<br />
they'd already seen it elsewhere. Small towns,<br />
you can't go wrong on this one. Played Sun.,<br />
Mon. Weather: The best.—I. Roche, Vernon<br />
Theatre, Vernon, Pla. Population 600.<br />
20th CENTURY-FOX<br />
River of No Return (20th-Fox)—Marilyn<br />
Monroe, Robert Mitchum, Rory Calhoun.<br />
first<br />
picture, which was in<br />
good focus all the way through. We did a<br />
Our Cinemascope<br />
nice business with it. The "riding-the-rapids"<br />
sequence alone was worth the ticket price.<br />
Marilyn Mom-oe isn't very well received here,<br />
although this was her best picture to date.<br />
Played Sun., Mon. Weather: Snow. Michael<br />
Chiaventone, Valley Theatre, Spring Valley,<br />
111. Small-town patronage.<br />
Sun Valley Serenade (20th-Fox Reissue)—<br />
Sonja Henie, John Payne, Glenn Miller. We<br />
had to use this because of a missout. Played<br />
without advertising and as a result business<br />
was terrible. Print very good for a reissue.<br />
Played Wed., Thurs. Weather: Okay.—D. W.<br />
Trisko, Runge Theatre, Runge, Tex. Smalltown<br />
and rural patronage.<br />
The Robe (20th-Fox) — Richard Burton,<br />
Victor Mature, Jean Simmons. A GREAT picture,<br />
and this is certainly not news. In our<br />
case it had been mUked dry and was not<br />
worth the time or terms demanded by Fox.<br />
We felt this to start with and in this case<br />
Will Leave Casting<br />
To Others, Says Funk<br />
yOUNG AT HEART (WB)—Doris Day,<br />
Frank Sinatra, Gig Young. When I<br />
heard that Doris Day would make this<br />
with Frank Sinatra, I felt almost as bad<br />
as I did when I heard that Gene Kelly<br />
would play Huckleberry Finn—or that<br />
Jose Ferrer would play Romberg. I'm now<br />
glad I don't pick casts for movies, because<br />
"Young at Heart" is a picture to<br />
give your theatre a boost—it's great.<br />
Star Theatre<br />
St. Stephen, S. C.<br />
W. S. FUNK<br />
"He who laughs last pays dearly." We barely<br />
grossed our overhead on It, so oiir loss is<br />
the amount of the film rental. Played Sun.,<br />
Mon., Tues., Wed. Weather: Good.—Paul<br />
Ricketts, Charm Theatre, Holyrood, Kas.<br />
Small-town and rural patronage.<br />
There's No Business Like Show Business<br />
(20th-Pox)—Ethel Merman, Donald O'Connor,<br />
Marilyn Monroe. There's no biz like show<br />
busine.ss and there was sho' no business in<br />
this show. However, for its kind, I thought it<br />
very good and enjoyed it. And it's a good<br />
thing, for it sure cost me a pretty penny to<br />
see it. Played Wed., Thurs. Weather: Fair<br />
and warm.—Joe and Mildred Faith, Linn<br />
Theatre, Linn, Mo. Population 900.<br />
Three Coins in the Fountain (20th-Fox)—<br />
Clifton Webb, Dorothy McGuire, Jean Peters.<br />
The opening of this one swept us off our<br />
feet with its panoramic scenes and beautiful<br />
color ... all in perfect focus. A good picture<br />
but for some reason it fell flat here,<br />
gave us our second worst Tuesday-Wednesday<br />
since we have had the theatre . . . and we<br />
some flat moments. We<br />
this one. Comment .<br />
have<br />
lost<br />
surely had<br />
our shirts on<br />
fair. Played Tues., Wed.—Lloyd Hutchins,<br />
84 Drive-In, Amherst, Tex. Rural patronage.<br />
Three Young Texans (20th-Fox) — Mitzi<br />
Gaynor, Keefe Brasselle, Jeffrey Hunter. This<br />
is a very good western. It was liked by all<br />
but failed to do average business—no fault<br />
of the picture. Played Sat.—W. S. Funk, Star<br />
Theatre, St. Stephen, S. C.—Small-town and<br />
rural patronage.<br />
«<br />
WW<br />
'<br />
UNITED ARTISTS<br />
Cinemascope production. Only one complair i<br />
among our trade—too many Indian picture f<br />
That is starting to hurt here, too. Playe<br />
Sun., Mon. Weather: Fair.—Michael Chis ( |*!<br />
ventone, Valley Theatre, Spring Valley, ll!| |y<br />
•<br />
Population 5,000. ,jj<br />
Sitting Bull (UA)—Dale Robertson, Mar<br />
Murphy, J. Carrol Naish. This was a goo :<br />
Twist of Fate (UA)—Ginger Rogerii, k*<br />
Jacques Bergerac, Herbert Lyon. A raystei'l I'ii<br />
with a different twist. A good enough shoj' tl<br />
for top of a double. Played Wed., Thur tl<br />
Weather: Okay.—D. W. Trisko, Runge Thi'<br />
;<br />
t<br />
atre, Runge, Tex. Rural and small-tow<br />
patronage.<br />
UNIVERSAL-INTERNATIONAL<br />
Far Country, The (U-I)—James Stewai<br />
Ruth Roman, Walter Brennan. A good pi<br />
ture that did only fair on four days, weekei<br />
playing. Another shoot 'em up that is ju<br />
running the female patrons away. Oi<br />
biggest gripe from the ladies is, "Eve;<br />
Cinemascope picture is a western." So, th(|<br />
have another excuse for staying away and d:<br />
This drew on a par with similar stories, b;<br />
we just don't do it on anything now. Playii<br />
Wed., Thurs., Fri., Sat. Weather: Nice.l<br />
Mayme P. Musselman, Roach Theati<br />
Lincoln, Kas. Small-town and rural patro;<br />
Ricochet Romance (U-I)—Marjorie Ma)i<br />
Chill Wills, Alfonso Bedoya. This offering<br />
corn seemed to be well liked by what hi<br />
come to be laughingly referred to as "averai<br />
attendance" here. Marjorie Main and Ch)<br />
Wills have both been rather popular he)!<br />
and before TV this would have drawn pretj<br />
well. The two Mexican characters are pret^<br />
good. Played Tues., Wed., Thurs. Weathel<br />
Good.—Paul Ricketts, Charm Theatre, Holj<br />
rood. Kas. Small-town and rural patronasj<br />
Saskatchewan (U-D—Alan Ladd, Shell<br />
Winters, J. Carroll Naish. Tlie title, t<br />
mounties, Injuns and locale combined ga<br />
us exceptional business over a three-nigj<br />
run. Shelley, in (or out) of her low nei<br />
dress, gave the mountains a run for thi'<br />
money. Buxom gal. Shelley.—Frank Sab,<br />
Majestic Theatre, Eureka, Mont. Populatii<br />
1,000.<br />
Six Briiiges to Cross (U-D—Tony Curi,<br />
George Nader, Julie Adams. Tony Curtis v i<br />
his best since "Houdini." This is a golj<br />
grosser in small towns. Don't be afraid of L'.J<br />
Something like the original "Dead End Kla -<br />
pictures. Best Sunday business this mom<br />
in spite of an all-day rain. Monday W<br />
above average, too! Played Sun., Mil<br />
Weather: Rain.—Michael Chiaventone, Val'f<br />
Theatre, Spring Valley, 111. Population 5,0|.<br />
So This Is Paris (U-D—Tony Curtis, Glol<br />
DeHaven, Gene Nelson. What a waste t<br />
good film on tripe like this. It might hf?<br />
made a good ten-minute musical short, l|ti<br />
as a feature it left too much to be desiTj,<br />
Certainly not worth top price or playi? I<br />
time I gave it. Played Sun., Mon. Weath<br />
Sprinkles.—M. W. Long, Lans Theatre, Lai<br />
mg, Iowa. Population 1,500.<br />
WARNER BROS.<br />
Drumbeat (WB)—Alan Ladd, Audrey D;<br />
ton, Marisa Pavan. After playing<br />
Warner Wonder duds, I am very glad _<br />
the tempo has changed. "Drumbeat" la<br />
movie that you can beat your drums abcl.<br />
It has suspense, a good story and will pie e<br />
in small towns.—W. S. Funk, Star Thea;^,<br />
St. Stephen, S. C. Population 1,000.<br />
';<br />
1(5<br />
i;<br />
BOXOFFICE BookinGuide : : June 4, l}5i ^^
I in<br />
prctivo ana<br />
irit ly; oudicnce<br />
(lortmcnt ser<br />
ii<br />
pjctc Guide Rev<br />
inus signs Indicate degree of<br />
of loy and trorlcprcss reviews. The plus and rr<br />
iifkotion is not rated. Listings cover current review ,<br />
3SCS. Numeral preceding title<br />
also as an ALPHABETICAL INDEX to feature rcli<br />
of release, see Feature Chart. >a9e number. For listings by company, in the ordc<br />
mm<br />
t Very Good; + Good; '- Fair; - Poor; — Very Poor. In the summary ''• is rated 2 pluses, — as 2 minuses.<br />
s
'<br />
+<br />
r<br />
REYSEW DIGEST<br />
++ very Good,- + Good,- ± Fair,- - Poor,- = very Poor. In the summary H is rated 2 pluses, — as 2 minuses.<br />
£ 1 S<br />
Green Buddha, The (..) Drama Rep<br />
1673 Green Fire (100) Drama MGM 12-25-54 + ± -I-<br />
ffl XK > iZ X«<br />
++ + + 8+1-<br />
1579 Guilt Is My Shadow (86) Drama Stratford 5- 8-54 + — 1+2-<br />
IffiJGypty Colt (72) Drama MGM 1-30-54+ + ± + ++ + 7+1-<br />
B<br />
Hans Christian Andersen (112)<br />
RKO U-29-52 Musical<br />
1£35 Hansel and Gretel (75) Fantasy<br />
++<br />
RKO 10-16-54 +<br />
tt<br />
+<br />
+<br />
+<br />
tt<br />
1636 Heat Wave (70) Drama LP 10-16-54 rt<br />
1548 Heidi (97) Drama UA 1- 9-54 ff ++ +<br />
1586 Hell Below Zero (90) Drama Col 5-29-54 + +<br />
1580 Hell Raiders o( the Deep (93) Drama. . I.F.E. 5- 8-54 +<br />
1558 Hell's Hall Acre (91) Drama Rep 2-13-54 ± ±<br />
1763 Hell's Island (84) Drama Para 5- 7-55 + ±<br />
1687 Hell's Outpost (90) Drama Rep 1- 8-55 -t- i<br />
1596 Her Twelve Men (91) Comedy-Drama MGM 7 3-54 -H tt<br />
160B High and Dry (93) Comedy U-l 8 28-54 + -ft<br />
1586 High and the Mighty, The (153) Drama<br />
(Cinemascope) WB 5-29-^4 -H-<br />
1775 Hioh Society (61) Comedy AA 5-21-55 ± ± ± ±<br />
1593 His Last Twelve Hours (89) Com-Dr. .. I.F.E. 6 26-54 +<br />
1722 Hit the Deck (112) Musical MGM 3- 5-55 ++ + ± tt<br />
1592 Hcbson's Choice (107) Comedy UA 6-19-54 ff ^ + tt<br />
1606 Human Desire (90) Drama uol 8-14-54 ± ± +<br />
1618 Human Jungle (82) Drama AA 9-18-54+ + + +<br />
1691 Hunters of the Deep (64) Dot OCA 1-15-55+ +<br />
Husband for Anna, A (105) Drama I.F.E.<br />
+ +<br />
+ +<br />
±- +<br />
+ =t<br />
+ ±<br />
± +<br />
+ +<br />
tt tt tt 13+<br />
± tt 6+1-<br />
1+1-<br />
tt<br />
tt + +<br />
+ +<br />
7+<br />
8+<br />
7+6--<br />
7+2-<br />
7+4-<br />
+ tt + 10+1-<br />
tt + + 9+<br />
++ tt tt tt tt tt 14+<br />
5+5-<br />
1+<br />
tt + 11+1-<br />
+ +11+<br />
± ± 5+5-<br />
+ ± *+l-<br />
+ + 5+<br />
I<br />
175S I Cover the Underworld (70) Drama Rep 4-30-55+ ± ± ± ± ± 6+5—<br />
1575 Indiscretion of an American Wife<br />
± (64) Drama Col 4-24-54+ ± ± + tt ± H-4-<br />
1738 Interrupted Melody (106)<br />
Musical-Drama MGM 3-26-55 tt tt tt tt tt tt tt 14+<br />
1569 Iron Glove. The (77) Drama Col 3-27-54+ ± ± - ± ±. 5+5-<br />
J<br />
1619 Jesse James' Women (S3) UA 9-18-54 ± ± ± — — 3+5-<br />
1588 Johnny Dark (85) Drama U-l 6-5-54+ ± + + tt + ± 8+2-<br />
1579 Johnny Guitar (110) Western Rep 5- 8-54 ± + ± tt<br />
— + + 7+3-<br />
1740 Jump Into Hell (90) Drama WB 3-26-55 - — :S: — ± 2i-5-<br />
1712 Jungle Gents (64) Comedy AA 2-19-55 ±; + ± 3+2-<br />
1586 Jungle Man-Eaters (67) Drama Col 5-29-54 ± ± ± — ± 4+5—<br />
1744 Jungle Moon Men (69) Adv.-Drama Col 4- 2-55 ± ± ± ± = — 4+7—<br />
1698 Jupiter's Darling (95) Musical MGM 1-29-55 tt ± -(- + tt + + 9+1-<br />
K<br />
Ketchikan ( . . ) Drama AA<br />
1608 Khyher Patrol (71) Drama UA 8-21-54 db ± ± ± ^ ± 6+5—<br />
1554 Killers From Space (71) Drama RKO 1-30-54= — * + — :t 3+«—<br />
Killer Leopard ( . . ) Drama AA<br />
King Dinosaur (59) Drama LP<br />
1598 King Richard and the Crusaders<br />
(113) Historical Drama WB 7-17-54 tt + + tt + + 8+<br />
1755 Kiss Me Deadly (105) Mystery Drama UA 4-23-55 ± ± + + ± ± ± 7+5—<br />
1572 Knock on Wood (103) Comedy Para 4-10-54 tt tt tt tt tt tt tt 14+<br />
L<br />
1754 Lady and the Tramp (76)
ff Very Good; i- Good; - Fair; — Poor; Very Poor. In the summary tt is rated 2 pluses, — as 2 minuses.<br />
KtVltWf mCltjl<br />
A<br />
ml The (92) Drama 20th-Fox 2- 5-55 +<br />
ligt Dawn (87) Western RKO<br />
liii'The (82) Drama 2Dth-Fox<br />
(all Into Laramie (82) Drama Ul<br />
lea/Vindow (112) Drama Para<br />
Ml »«r Shore (54) Western Rep<br />
llti From the Sea (80) Drama AA<br />
Mr to Treasure Island (75) Drama... UA<br />
Ini: of the Creature (82) Drama U-l<br />
Wa dy (115) Musical-Drama MGM<br />
- ' Romance (80) Comedy U-l<br />
ijun (75) Western WB<br />
(93) Drama WB<br />
,73) Drama LP<br />
Return (90) Drama<br />
5 ooe) 20th-Fox<br />
nci u bima ( . . ) Western Reo<br />
lebj !' Roost (82) Western U<br />
*cci Man. The (80) Drama 20th-Fox<br />
lag Cop (92) Drama MGM<br />
tot and Juliet (140) Drama UA<br />
s Bump (71) Comedy-Fantasy. .. Rep<br />
r Cover (92) Drama Para<br />
Sab^ (81) Drama UA<br />
(113) Drama Para<br />
Girl Friday, The (68) Drama. .RKO<br />
Fe Passaje (90) Western Rep<br />
bril Blade (76) Drama Col<br />
Sta.ase, The (118) Drama WB<br />
Mot the Incas (101) Drama Para<br />
itc^jf Risk (69) Drama AA<br />
S«in]:e Uorisins (74) Western Col<br />
SareAngry Men (90) Drama AA<br />
Sn^Jrides for Seven Brothers (103)<br />
«ical (Cinemascope) MGM<br />
ifH.ittle Foys. The (93) Musical. ... Para<br />
ititfm Itch, The (..) Comedy. .20th-Fox<br />
SliKii Story, The (90) Drama Rep<br />
i»i-l(, The (91) Drama Rep<br />
SHir for Murder (S2) Drama UA<br />
Slloli (SO) Drama AA<br />
Skri The (88) Drama U-l<br />
Sin I Red River, The (86)<br />
Cna<br />
Sign the Pagan (92) Historical<br />
20th-Fox
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£Br!Jll£ filJililT<br />
Feoture productions by eompony in order of releose. Number in square is notional release date.<br />
',<br />
Running<br />
time is in parentheses. Letters and combinations thereof indicate story type as follows: (C) Comedy; (0) i<br />
Dromo; (AD) Adventure-Dramo; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SW) Super-''<br />
western. Release number follows. U denotes BOXOFFICE Blue Ribbon Award Winner. Photography:,<br />
© Color; -^ 3-D; n Wide Screen. For review dotes ond Picture Guide page numbers, see Review Digest.<br />
ALLIED ARTISTS<br />
Human Jungle, The (82) D. .5501<br />
G:vry Merrill, Jan Sterling. Paula Baymood<br />
COLUMBIA<br />
On the Waterfront (108) D. .702<br />
Marlon Brando. Karl Maiden, Lee J. Cobb<br />
©Three Hours to Kill (77) W. .720<br />
Diina Andrews, Donna Reed. Diane B'oster<br />
LIPPERT<br />
M-G-M<br />
S] Rogue Cop (92) D g-j<br />
Robert Taylor. George Raft, J. Ldgb , .<br />
Bob Mothlas Story, The (80). .D. .5502<br />
Bob Mathlas, Diane Jergens, Ward Bond<br />
]©Beau Brummell (107) .D<br />
iaizabeth Taylor, Stewart Graoger<br />
a Torget Eorth (75) D. .5503<br />
Virginia Grey, Richard Dennlns, K. Crowlw<br />
Cry Vengeance (83) D. .5504<br />
Mark Stwens, Martlia Hyer. Joan Vote<br />
Affairs of Messolina, The (106). .D. .<br />
Maria 1'\*1L\, Georges Marchal<br />
©Block Knight, The (85) D..719<br />
Alan Laiid, Patricia Medina, Horrell<br />
A.<br />
Connibol Attack (69)<br />
D..7I8<br />
Judy Walsfc, Darld Bme«<br />
Johnny Welssmullef.<br />
©Fire Over Afrleo (84) D. .716<br />
Maureen O'Hara, Macdonald Carey<br />
S The Sl«s* (63)<br />
Spedal cast<br />
©Athena (96)<br />
M<br />
Jane Powell. Vic Damone, Deblile Reyno<br />
©Last Time I Sow Paris, The<br />
(116) D<br />
Elizabeth Taylor. Van Johnson, Donna li<br />
a Port of Hell (80) D. .5505<br />
Dane Clark, Carole Msthews, W. Mortis<br />
l©Tonlght'i the Night (88) C. .5506<br />
Yvonne De Carlo, Dartd Nlven, B. FlUgerald<br />
[g Bowery to Bagdad (*4) C. .5421<br />
Leo Gorcey, HunU Hall, Erto Blofe<br />
I<br />
Treasure of Ruby Hllli (71). . .W. .5507<br />
Zachary Scott. Bart MacLane, C. MaUiews<br />
Combo, The (89) D. .5508<br />
Cornel Wilde, Jean Wallace. Blcbard Oonte<br />
m Murder li My Beot (77) D. .5510<br />
Barbara Paj-ton, Paul Langton, Sdoia Boyle<br />
Phffft (88) C. .715<br />
Judy HolUday, Jack Carsop, J. Lenmon<br />
©They Rode West (84) W..717<br />
Robert Francis, Donna Reed, Phil Carey<br />
Bamboo Prison, The (80) D..731<br />
Diane Foster, Keith<br />
Brian Robert Francis.<br />
©Masterson of Kansas (73) W. .<br />
George Montgomery, Nancy Gates, David Bruce<br />
©Violent Men, The (96) W. .735<br />
Glenn Ford, B. Stanwyck, E. Q. Boblnson<br />
©Pirates of Tripoli (72) D. .706<br />
Patricia Medina, Paul Ilenreld<br />
©Ten Wanted Men (80) W. .725<br />
Randolph Scott, Jocelyn Brando, Richard Boone<br />
Women's Prison (80) D . . 726<br />
Ida Luplno, Howard Duff, Jan Sterling<br />
g) Crest of the Wove (91) D'<br />
Gene Kelly, John Justin, Jeff Rlchai^<br />
-<br />
©Deep in My Heart (132) MO<br />
Jose Ferrer, Merle Oberon, Helen ^aube<br />
%<br />
Hjl ©aGreen Fire (100) AD<br />
Stewart Granger. Grace Kelly. Paul De<br />
©Jupiter's Darling (95) M f<br />
Esther WUliams, Howard Keel, Oeofge<br />
©Mony Rivers to Cross (95).<br />
Eleanor Parker, Robert Taylor<br />
DIol Red O (62) D. .5509<br />
Bill Hllott, Kcltb Larsen, Helene Stanley<br />
Big Tip Off, The (77) D..5512<br />
RJcbard Conte, Virginia Grey, Constance Bmltk<br />
a Seven Angry Men (90) D. .551<br />
Rajinond Massey, Debra Paget. J. Hunter<br />
OAnnopolis Story, An (81) D. .5513<br />
John Derek, Diana Lynn, Kertn McCarthy<br />
High Society (61) C..5514<br />
Leo Oorcey, BunU Hall, AmaDda Blake<br />
eSliotgun (80) D. .5515<br />
Sterling Hayden, T. De Carlo, Z. Seott<br />
Detective, The (86) CD. .734<br />
Alec Guinness, Joan Greenwood, Peter Finch<br />
6>©c=]Long Groy Line, The (138). D. .736<br />
Tjrone Power. Maureen O'Hara<br />
New Orleans Uncensored (76) . . . D. . 730<br />
Arthur Franz, Beverly Garland, M. MaturH*<br />
©Wyoming Renegades (73) . . . W . . 727<br />
Phil Carey, Mart-ha Hyer. Gene Evans<br />
(Silver Star, The (73)<br />
W..5411<br />
Rdgar Bucttanan. Marie Windsor, L. Cbaney<br />
Jungle Moon Men (70) AD. .744 111 Thunder Over Songoland (73) AD. .<br />
Johnny WeissmuUer, Helene StantoQ<br />
Jon Hall. Bay Montgomery. Marjorie Lord<br />
©Three for the Show (93) M. .737 m Glass Tomb, The (59) D. .5409<br />
Betty Grable, Marge and Gower Champion<br />
John IrelaDd<br />
Blackboard Jungle, The (100)...C|<br />
Glenn Ford, Anne Francis, Louis Oih,<br />
B ©Hit the Deck (112)<br />
J:me Powell, Tony Martin, Debbie BejIS^'<br />
m Los Vegas Shakedown (77) D. .5516<br />
Dermis O'Keefe. Coleen Gray, Chas. Wtonlnger<br />
eSkabenga (61) Doc. .5517<br />
African Tribe<br />
Cell 245S, Deoth Row (77) D. .739 Bl Air Strike ( . . ) D . . 54 1<br />
William Campbell, Marian Cart, Kathryn Grant Richard Denning, Gloria Jean, Don Hagerty<br />
End of the AHoir, The (106) D. .724<br />
Deborah Kerr. Van Johnson, John Mills<br />
©Seminole Uprising (74) AD. .743<br />
George Montgomery, Karln Booth<br />
Tight Spot (97) D. .728<br />
Ginger Rogers. B. G. Robinson, Brian Kelt!<br />
j©Marouder5, The (81) \<<br />
Dan Durjca, Jeff Richards, Keenan W><br />
i<br />
Lord of the Jungle (69) AD. .5518<br />
Johnny Sbetfleld, Wayne Morris, Nancy Gates<br />
El Finger Man (82) D. .5519<br />
Prank Lovejoy, Peggie Castle, Forrest TtKker<br />
Five Against the House (84) D. .742<br />
Guv Madlsoo, Kim Novak, Brian Eeltti<br />
©Prize of Gold, A (98) 0..738<br />
Richard Wldmarlt, Mai Zetterllng. N. Patrick<br />
m King Dinosaur (59) D. .5418<br />
BiU Bryant, Wanda Curtis<br />
i<br />
Lonesome TroH, The (73) W. .5416<br />
Jobs Agar, Wayne Morris, Margla Dean<br />
©Love Me or Leave Me<br />
(122) M .5.<br />
C. Doris Day. Jaraes<br />
©Moonf ieet<br />
Cagney.<br />
(89)<br />
MllcheUi<br />
.'.4|-<br />
Blewart Granger, Vlveca 0|l<br />
Undfors. ].<br />
©Wichita (81) SW. .5520<br />
Joe* McCrea, Vera Glares<br />
Miles. Peter<br />
Cose of the Red Monkey (73). .D. .5521<br />
Anderson, B. Napier<br />
Richard Conte,<br />
a Spy Chasers<br />
Bona<br />
(61) C. .5522<br />
Leo Oorcey, Huntz Ball, Lisa Davis<br />
©Cobweb, The ( . . )<br />
Charles Boyer. Lauren Bacall. LilllU I<br />
©Interrupted Melody (106).."<br />
Eleanor Parker, Glenn Ford, Roger<br />
Betrayed Women (64) D 5524<br />
Bererlj Michaels, Tom Drake, Carole MatUiens<br />
Body Snotchers, The D. .<br />
Kevin McCarthy, Dana Wynter, Carolyn Jones<br />
©Gun Point W. .<br />
Fred MacMiirray, Dorothy Malone, W. Bremian<br />
Jail Busters C. .<br />
Leo Oorcey, Hunti Hall. Barton MaeLane<br />
Night Freight D.<br />
Foaest Tucker, Barbara Brltton, K. Larsen<br />
Phenix City D.<br />
Richard Kile;', John Mclntlre<br />
Ksthryn Grant.<br />
©aWarrlors, The (85) D. .5523<br />
riynn, Joanne Dm. Peter Pinch<br />
Brrol<br />
©Bring Your Smile Along M.<br />
Frankle Lalne, Keefe Brasselle, Connie Towers<br />
Cangoceiro (Bandit, The) (92).. D..<br />
Alberto Ruschel, Marlsa Prado, II. Blbelro<br />
Chicago Syndicate D .<br />
Dennis O'Keefe, Xavler Cugat, Abbe Lane<br />
©Count Three and Pray (. .). .D. .<br />
Van HefUn, Joaime Woodward. Pbll Carey<br />
©Gun That Won the West D. .<br />
Dennis Morgan. Paula Raymond, B. Denning<br />
It Came From Beneath the Sea. .D. .<br />
Faith Domergue, Kenneth Tobey. Ian Keith<br />
©oMon From Laramie, The. .<br />
©My Sister Eileen MC.<br />
James Stewart, Cathy O'DonneU, Donald Crisp<br />
Janet Leigh, Jack Lemmon, Betty Garrett<br />
Queen Bee (..) D.<br />
Joan Crawford, Barry Ireland<br />
©Rebound<br />
BuUlvan. John<br />
O .<br />
Btsrvart Granger, Jean Blmmons<br />
©BhowanI Junction<br />
Ava Gardner, Stewajt Granger, Abtl<br />
©Bor Sinister<br />
-^dH^<br />
Jarma Levis, Dean J«»<br />
Jeff RlcJiards.<br />
©Forbidden Plonet .,.<br />
Walter Pidgeon.<br />
©Guys -ar»d<br />
Anne Francis,<br />
Doili<br />
Usui'<br />
^<br />
Marlon Brando. Jean Simmons, Fmn-u.'<br />
©Invitation to ttie Donee<br />
Gene Kelly, Bclita. Tsmara Touni.ui<br />
©Ifs Always Fair Weather<br />
Gene Kelly. Csd Charlsse, Dan PaUo<br />
©King's Thief, The (..)••>«<br />
Ann Bbth. Edmund Purdom, David >»<br />
©Quentin Durward<br />
,_<br />
Robert Tavlor. Kaj Kendall, Robert iiO<br />
©dSeorlet Coot ^<br />
Cornel Wilde, Michael WUdlDg, JiMt W*<br />
©Svengall • • -'ijiv,<br />
HHdfgarde NefT. Docal-' Wnint T. Iiq,^
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©oDaddy<br />
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FEATURE<br />
CHART<br />
AMOUNT<br />
fldU) CD.. 5402<br />
rw Botart, Audrey Ilepbura. VV. Holden<br />
RKO RADIO<br />
, OPossion (84) D..503<br />
riirni-l Wlldc, Vumne lie Cjirlo. Lon Chaney<br />
©This Is My Love (90) D . . 504<br />
LImlii Darnell. Dn/i Diiryea. Kallti lloraergue<br />
REPUBLIC<br />
20TH CENTURY-FOX 3^<br />
©c:Advcnturos of Hoiii Baba,<br />
The (93)<br />
D..424<br />
John Derek, Eirclne Stewart, Thomas Gome?.<br />
B ©oWomon's World (94) CD. .421<br />
-Clltton Webb, June /Vllyson, Cornel Wilde<br />
©Cattle Queen of Montana<br />
(88) W..505<br />
Barbara Stanwyck,<br />
lionald BeaicaD, Lance Fuller<br />
m She-Wolf, The (91) D. .5312<br />
Kcrlma, Gttore Mannl, May Biltt<br />
Block 13 (75) D..428<br />
Peter lle\ Holds. Rona Anderson, Lena .Morris<br />
©Block Widow (95) D . .<br />
423<br />
V:in llefllM. Olii^er llogers, Gene Tlcrney<br />
! ©oDcsiree (110) D . .<br />
425<br />
Marlon Branilo. Je.in Simmons, Merle Oberon<br />
©Outlaw's Daughter, The (75). .W. .427<br />
BUI Williams, Jim Davis, Kelly Ryan<br />
White Christmas (120). .M. .5403<br />
hmby, D. Kaye, li. Cloones, Vera-EUen<br />
a ©Trouble in the Glen (91) D. .5313<br />
Martarel Ixjckuowl, P. Tucker, V. McLaglcn<br />
Atomic Kid, The (86) C..5314<br />
[a]<br />
Mlcki-y Kmmev, liiihrrt SlraiLss, Elaine Iiavls<br />
Hell's Outpost (90) W. .5315<br />
51<br />
Kuil Cameron. Joan Leslie. ChlU Wills<br />
Devil's Horbor (71) D. .429<br />
Richard Arlen, Greta Gynt, Mary Germalne<br />
Other Woman, The (81) D. .430<br />
Hugo ll.l.l^, Cb" .Moore. Lance Fuller<br />
i (JOaThere's No Business Like<br />
Show Business (117) M..501<br />
Ethel Merman, Dan Kalley, Marilyn Monroe<br />
[D African Manhunt (65) AD<br />
'<br />
Karin Biiotli. .lohn Kellogg. Ros.'i El<br />
51 Trouble In Store (86) C<br />
Margaret Kulherfurd. Norman Wisdom<br />
©Carmen Jones (105) M..422<br />
l:ilonte. i'iarl B.illey, D. Dandrldge<br />
Hurry B,<br />
©Prince of Players ( 1 02) .. D .. 502-5<br />
Iticliard Burton. Magiile McNamara, John Derek<br />
(Maes ot Tol
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.<br />
.<br />
.<br />
.<br />
1<br />
I Died a Thousand Times D. .<br />
.<br />
.<br />
f<br />
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'<br />
!<br />
FEATURE<br />
UNITED<br />
ARTISTS<br />
CHART<br />
©Barefoot Contesso, The (128).D. .5440<br />
Humphrey Bosarl, Ava Gardner, B. O'Brien<br />
ytittle Kidnappers, The (93) . . D. .5439<br />
Adrienne Corrie, J. Whlteley, V. Winter<br />
Operation Manhunt (77) D..5441<br />
Harry Tonnes, Irja Jensen, J. Aubuchon<br />
©aSitting Bull (105) W..5434<br />
Dale Uobertson, J. Carrol Nalsh<br />
Shield for Murder (82) D . .<br />
Edmond O'Brien, Maria Gngli^b<br />
Snow Creature (70) D. .5447<br />
Paul Lanston, Leslie Denlson<br />
Twist of Fate (89) D. .5446<br />
Ginger Rosers. Jacques Bergerac. Herbert Lom<br />
©White Orchid, The (81) D..54I4<br />
William LundiKan, Peggie Castle<br />
©You Know What Sailors Are<br />
(89) C. .5445<br />
©Romeo and Juliet (140) D..5449<br />
Laurence llarvcv. Flora Robison, S. ShentaU<br />
Steel Cage, The (80) D<br />
. . 5443<br />
Paul Kelly. M. O'SulllTan, W. gleiak<br />
Battle Taxi (82) AD.. 5502<br />
Sterling Hayden. Arthur Franz, M. Thompson<br />
©Beachcomber, The (82) D. .5501<br />
5450<br />
N'eviton, Gii3 Johns, Donald Slnden<br />
Robert<br />
Block Tuesday (80) D<br />
.<br />
E G. Robinson, Jean Parker, Peter Grates<br />
©Vera Crui (94) AD. ,5448<br />
Cooper, Gary Burt Lancaster. Denlje Diml<br />
Canyon Crossroads (83) W. .5506<br />
Richard Basebart. Phvllis Kirk, Russell Collins<br />
Good Die Young, The (100) D. .5505<br />
Jolin Ireland, Gloria Grabame, L. Harvey<br />
©Soboko (81) D..5504<br />
Boris Karloft, Victor Jory, E. Denny<br />
Big House, U.S.A. (82) D. .5507<br />
Broderick CrawTord, Ralph Meeker<br />
Marty (93)<br />
D..5509<br />
Ernest Borgnine, Betsy Blair<br />
©Stranger on Klorseback (66). .W. .5508<br />
Joel McCrea, Miroslava. Kevin HcCartlu<br />
Bullet for Joey, A (85) D. .5510<br />
E. G. Robinson, Oeone Eaft, Audrey Totter<br />
©Lilacs in the Spring (..)... .M. .551<br />
Errol Klynn, Anna Neaele, David Farrar<br />
©Purple Plain, The (100) D. .5503<br />
Gregory Pefi. B De Banzle, Win Mln Tbao<br />
Kiss Me Deodly (105) D. .5513<br />
Balpb iMecJcer. Cloris Leaehman, Albert Decker<br />
©Robbers' Roost (82) W. .5515<br />
Geo. Montgomery, Bruce Bennett, B. Boone<br />
©Tiger and the Flame (. .) D. .5514<br />
Filmed In India with native cast<br />
Top of the World (90) D. .5516<br />
Dale Robertson. DveLyn Kejea, Frani VoniQj<br />
Albert, R. N. (. .) C. .<br />
Anthony Steel. Jack Beatty<br />
Warner, B.<br />
(. .) Big Bluff, The D..<br />
John Bromtield, Martha Button<br />
Vickers, E.<br />
( . ) .<br />
Othello D<br />
\Velles, Orson Suzanne Cloutier, Fay Compluu<br />
Sea Shall Not Have Them,<br />
The (..) .D..<br />
©Summertime ( . . ) CD<br />
.<br />
Katharine llcpliurn. Rossano Marl Braral. Aldon<br />
©Alexander the Great . • D<br />
Richard Burton, Oalre Bloom. Frertrlr M,jrcli<br />
©Beast of Hollow Mounfoin. .D. .<br />
Giiv Madison. Patricia Meduia<br />
Big Knife, The D. .<br />
Jack ralancc. Ida Lupino, Shelley Winters<br />
©aDescrf Sands D .<br />
Ralph Meeker, Maria EnjUsb. J. Carol Nalsh<br />
©Gentlemen Marry BrunattM M .<br />
Jane Kiistrll, Jeanne Grain, flcott Brady<br />
©Kentucklan, The D .<br />
Burt Ijncjisler. Diana Lynn. Una Merkel<br />
Mobster, The D<br />
. .<br />
li'arley Crangrr. Anthony Qulnn. Anne Bancroft<br />
Night of the Hunter D. .<br />
Robert Mitrbom. Shelley Lillian Winters, Qljh<br />
Not As a Stranger D. .<br />
Rc.hert MItcJium. Olivia F. Sinatra<br />
de naiUland.<br />
©Star of Indio D. .<br />
Cornel Wilde. Jean W«llace Herbert Ixim<br />
UNIVERSAL-INT'L.<br />
Naked Alibi, The (86) D. .431<br />
Sterling Hayden, Gloria Grabame, Gene Barry<br />
©Bengal Brigade (87) D, .434<br />
Rock Hudson, Arlene Dahl, Tbeiss<br />
Ursula<br />
©Four Guns at the Border (87). .W. .502<br />
Rorv Calhoun, Colleen Miller, 0. Nader<br />
Ricochet Romance (80) C. .504<br />
Marjorie Main. Chill WillB. Budy Vallee<br />
©aSign of the Pogon (92) D. .505<br />
Jane Russell, Dan Duryea<br />
Jeff Chandler.<br />
©Yellow Mountain, The (78) W. .510<br />
Lex Barker, Mala Powers, Howard DufT<br />
©Destry (91)<br />
W..508<br />
Bettger<br />
Lyle Audle Murphy,<br />
©So This Is<br />
Marl Blancbard,<br />
Poris (96) MC. .507<br />
Tony Curtis, Coruine Cilvet, Nelson<br />
Gene<br />
©West of Zanlibor .(83) D..501<br />
Anthony Steel. Sheila Sim<br />
Abbott and CosteUo Meet the<br />
Keystone Kops (80) C. .513<br />
Abbott and Costello, Lynn Barl<br />
©For Country, The (97) D. .51 1<br />
James Stewart, Ruth Roman, Brennan<br />
Walter<br />
Six Bridges to Cross (99) D. .512<br />
Curtis. Tony Julie Adams, Nader<br />
George<br />
©oCaptoin Lightfoot (92) D. .514<br />
Rock Hudson, Barbara Bush, Jeff Monow<br />
©Land of Fury (82) D. .509<br />
Jack Hawkins. Glynls Johns, Noel PurccU<br />
©Smoke Signal (89) W. .516<br />
Dana Andrews. Piper Laurie, Wllllim Talman<br />
©aChief Craxy Horse (86) SW. .517<br />
Victor Mature, Suzan Ball, John Lund<br />
Ma and Pa Kettle at Waikiki<br />
(79) C..519<br />
Marjorie Mibi, Percy Kilbride, Lorl Nelson<br />
©Man Without a Stor (92) SW. .520<br />
Kirk Douglas. Jeanne Crain, Claire Trevor<br />
Cult of the Cobro (82) D, .523<br />
Faith Domergue, Richard Lonj, K. Hughes<br />
Looters, The (87) D. .524<br />
Rory Calhoun, Julie Adams, Ray Danton<br />
^Revenge of the Creature (82). .D. .521<br />
John Agar. Lorl Nelson, John Bromfleld<br />
Abbott and Costello Meet<br />
the Mummy (79) C. .526<br />
Abbott k Costello, Marie Windsor<br />
©Man From BiMer Ridge, The<br />
(78) W..525<br />
Lex Barker, Mara Corday. Stephen McNally<br />
©This Island Earth (87) D. .527<br />
Rex Re.ison, Faith Domergue. Jeff Morrow<br />
. 529<br />
©Ain't Mhbehavln' (82) MC .<br />
Piper Laurie, Rory Caibuun, Jack Carson<br />
©All That Heaven Allows D. .<br />
Jane Wyman, Bock Hudson, Colleen Miller<br />
©Foxfire D. .<br />
Jeff Chandler, Jane Russell, Dan Duryea<br />
©Kisj of Fire D. .<br />
Jack Palance, Barbara Hyer<br />
Rush, Martha<br />
©Lady Godiva of Coventry D. .<br />
Maureen O'Hara. George Nader, McLaglcn<br />
V.<br />
©One Desire D . .<br />
Anne Baiter, Rock Hudson, Julie Adams<br />
©Private War of Major Benson<br />
(100) C, .533<br />
©i=iPurple Mask, The D. .<br />
Tonv Curtis, Colleen Miller. Angela Lansbury<br />
Shrike, The (88) D. .<br />
Kendall Jose Ferrer, June AUyson,<br />
©To Hell and Bock<br />
Clark<br />
D. .<br />
Audle Miirnhy. Charles Drake<br />
WARNER BROS.<br />
i<br />
©nTrock of the Cat (102) AD. .405<br />
Itobert Mltchum, Diana Lynn, Teresa Wright<br />
Q] ©Young ot Heart (117) MC-D. .409<br />
Doris Day, Frank Sinatra, E. Barrjmore<br />
j©QStar Is Born, A (154) MD. .403<br />
Judy Garland, James, Mason, Jack Carson<br />
Unchoined<br />
I (75) D..4I2<br />
Chester Morris, Barbara Hale, Elroy Hirseh<br />
63 ©Bottle Cry (148) D. .411<br />
Van HefUn, Aldo Itay, Tab Hunter<br />
EH New York Confidential (87) D..413<br />
Brod Crawford, Anne Bancroft, Richard Conte<br />
a Jump Into Hell (93) D. .410<br />
Jacques Seraas. Arnold Moss, Kurt Kaxnar<br />
i©i=iStrang« Lody In Town (1I2).W. .415<br />
Greer Oarson, Dana Andrews, Cameron Mitchell<br />
ai©ciToll Man Riding (83) W. .417<br />
Randolph Scott, Dorothy Malone, Peggie Castle<br />
©Blood Alley D .<br />
John Wayne, Lauren Bacall, Anita Bckberg<br />
Dombusters, The ( . . ) D . . 420<br />
lachard Todd, Michael Redgrave<br />
©Handful of Clouds, A (. .). .D. .<br />
Jack Palance. Shelley Winters, Lee Marvin<br />
©Helen of Troy D. .<br />
Rossana Podesta, Jacques Semas, C. Hardwlcke<br />
Waller Abel. Beverly Garland, Perry Lopei<br />
©Land of the Phoroohs (..)..D..4I9<br />
Jack ILiwklns, Joan Collins. Dewey Martin<br />
©Mister Roberts (123) 418<br />
Henry Fonda. James Caimey, Powell<br />
William<br />
©McConnell Story, The D .<br />
Alan Ladd, June AUyson, James Whitmore<br />
©inMoby Dick D. .<br />
Gregory Peck. R. Welles<br />
Basebart, Orson<br />
River Changes, The D.<br />
Toroct Zero<br />
.<br />
^><br />
MISCELLANEOUS<br />
AMERICAN RELEASING CORP.<br />
Fast ond Furious (74) AD..<br />
Joiiii Ireland. Iiurothy Malone, Bruce<br />
©Five Guns West (78)<br />
Car'lil,<br />
W..<br />
'<br />
John Lund, Dorothy Malone. Paul Birch<br />
ASTOR<br />
Moster Plan, The (77) D. .Fet.5<br />
\V.Tyne -Morris. Tilda Thamar<br />
Sleeping Tiger, The (89) D. f'<br />
B(igari){^'<br />
Alexis Smith, Ales,indcr Knox, D.<br />
J'"<br />
BUENA VISTA<br />
©Davy Crockett, King of the<br />
Wild Frontier (95) At<br />
Fcss Parker, Buddy Ebsen, Basil Busydit<br />
©Lady and the Tramp<br />
(76) Cart...Ap! m<br />
two Story of dogs<br />
©Vanishing Prairie (71) Doc<br />
©20,000 Leagues Under the<br />
Sea (128) D..De(»4<br />
P. Kirk Douglas, Lukas, irt<br />
CARROLL<br />
Four Ways Out (77) D.<br />
Gina LoUobriuida, Renato Gt<br />
BaUllnl, C.<br />
CONTINENTAL DISTRIBUTING<br />
©To Paris With Love (78). .C. .MojS 055,<br />
.^lec Guinness, Odile V'ei^ois, Vernon Graj:<br />
DISTRIBUTORS CORP. OF AMERUl i(it<br />
Animal Form (75) F<br />
Animated cartoon characters mi'<br />
©Hunters of the Deep (64) Doc, .De'<br />
©Long John Silver (109) AD<br />
Robert Newton, Kit Taylor, Eric Reiman<br />
Stranger's Hand, The (86). . .D. .Mc55<br />
Richard Basebart, Alida Valll, Trevor Hud<br />
FILMAKERS<br />
Croshout (90)<br />
Wm. Bcndix, Arthur Kennedy, B. Mlchail<br />
Mod at the World (. .) D..McL<br />
Frank Lovejoy. K. BrasseUe. C. O'Donnelj<br />
I.F.E.<br />
(American Dialog)<br />
©Aida (110)<br />
M..O1<br />
Sophia Loren, Lois Maxwell, Afro Poll<br />
Bread, Love and Dreams (90) D, .Sef<br />
City Stonds Trial (. .) D..At<br />
Silvana Pampanini, Amadeo Nazzarl<br />
Love in the City (90) D.<br />
Nonprofessional cast<br />
Mademoiselle GobeHe (78). . .0. .Fe-SS<br />
Silvana Pampanini. Lulgi Pavese. A. Tlei'<br />
©Theodora, Slave Empress<br />
(88) D. .Di5<<br />
Gianna Maria Canale, George MarchaJ<br />
Too Young for Love (88) D. .A| Si<br />
Marin Vlady, P. M. Beck, Aldo Fabrlzi<br />
Wayward Wife (91)<br />
D..A|>55<br />
(Una Lollobrlgida. Franco Interlenghi<br />
VISUAL DRAMAS, INC.<br />
Gangbusters (77)<br />
D. .M.-55<br />
Myron Healy, Don C. Harvey. Sam Bditai<br />
REISSUES<br />
COLUMBIA<br />
Petty Girl, The (87) Ju 55<br />
Robert Cummings, Joan Cauifieid<br />
©Return of October (89) D . . A -5:<br />
Glenn Ford, Terry Moore<br />
They All Kissed the Bride (87). Ju-55<br />
Joan Crawford, Melvyn Douglas<br />
MGM<br />
Anchors Aweigh (139) M..M-55<br />
Gene Kelly, Frank Sinatra<br />
Comille (110) D,.A-55<br />
Greto Garbo. Robert Taylor<br />
PARAMOUNT<br />
©Reop the Wild Wind (124).D. .Ni-5<<br />
John Wayne. Susan Hayward, Ray Mllli<br />
RKO RADIO<br />
Berlin Express (86) D.,A-55<br />
Robert Ryan, Merle Oberon, Paul Lukaf<br />
Big Street, The (88). ~<br />
'<br />
Henry Fonda, Lucille Ball<br />
Bringing up Baby (102) D..MJ<br />
Carv Grant, Katharine Hepburn<br />
Informer, The (91) D<br />
Victor McLaglen, Preston Foster<br />
I Remember Mama (1 1 9) . . .0. . VI<br />
Irene Dunne. Barbara Bel Geddes<br />
©She Wore o Yellow Ribbon _) ,j<br />
(103) D.-Cl-S'<br />
Henry Fonda, Joanne Dm<br />
20th CENTURY-FOX<br />
Belle Storr's Daughter (85)..W..F<br />
George Montgomery, Ruth Roman, B. Cla »(,.<br />
Coll Northside 777 (.. ) D..WH ,<br />
James Stewart. Helen Walker , ,1 m,<br />
Dakota Lil (88) W--?r<br />
George Montgomery. Marie Windsor, B. ll"^^,<br />
Day the Earth Stood Still, The ,1<br />
(92)<br />
D..-Fi"l<br />
MIcliael Rennle. Patrice Neal ',<br />
House of Strangers (101) D . .<br />
FH ^^<br />
Edward G. Robinson, Susan Hayward •"•<br />
Twelve O'clock High (132),.D..J<br />
Gregory Peck. H. Marlowe. Dean Jaggt ij^<br />
Where the Sidewalk Ends<br />
(..) .D..W-I<br />
Dana Andrews. Gene Tiemey 1<br />
ftf^"<br />
WARNER BROS. J ,<br />
Big Sleep, The (114)<br />
Humphrey Bogart. Lauren Bacall<br />
Saratoga Trunk (135) D.<br />
Inerld Rmrman. G.irv Cooper<br />
D..H-f«fe
,<br />
•<br />
°n<br />
,<br />
ALL-STAR<br />
t<br />
''<br />
(15<br />
nan<br />
1<br />
10-14-54<br />
. . 11-12-54<br />
lubiecls, listed by compony, in order of release. Running time follows title. First is notional<br />
> second the dote of review in BOXOFFICE. Symbol between dotes is rating from BOXOFFICE<br />
= Very Poor. O Indicates color photography.<br />
-|- Good. ±. Fair. — Poor . ,. Very Good.<br />
Allied Artists<br />
rio. Title Rel Date Rating Rev'd<br />
i9(lioMy Fortress, The (27)<br />
POPULAR SCIENCE<br />
(Reissues)<br />
iS'ublect J7-5 (10) 1- 9-55<br />
S:ubject J7-1 (10) 1-23-55<br />
15 ubiect J7-2 (10) 2- 6-55<br />
S.ub)ect J7-3 (10) 2-20-55<br />
Columbia<br />
tt 1- 1<br />
K 0. Title Rel Dale Rating Re/d<br />
COMEDIES<br />
tt-ire Chaser, The (16).. 9-30-54 + U-27<br />
11: Ids Will Be Kids (16) 12- 9-54 ± 2-12<br />
ir IS Pest Friend aW/z) 1-20-55<br />
U. I. Dood It (16) 2-17-55 ±3-5<br />
11' :ralcii-Scratch. Scratch<br />
(16' i)<br />
4-2S-55<br />
IK.oboJy s Horns (..)... 6-9-55<br />
ASSORTED FAVORITES<br />
i<br />
(Reissues)<br />
Id Sweet (17i/j) 9-16-54<br />
,as Her Man<br />
10-14-54<br />
!iliia Goes Nuts (16).. 12- 2-54<br />
tlf-Way to Hollywood<br />
(I71/2) 2-10-55<br />
night and a Blonde, A<br />
(14) 3- 3-55<br />
Si and Yell (18) 5- 5-55<br />
CANDID MICROPHONE<br />
(One-Reel Specials)<br />
SSJiblect No. 1 (11)<br />
Ireissue 9-23-54<br />
tS.^'bject No. 2 (IOI/2)<br />
.•i
.<br />
CINEMASCOPE<br />
.10-23-54<br />
12-25-54<br />
-Francoise<br />
Fcmandel.<br />
.Suzanne<br />
.Gerard<br />
C-<br />
-Akemi<br />
-Raf<br />
-CMna<br />
Dino<br />
-Hildegarde<br />
1U<br />
«<br />
SHORTS<br />
CHART<br />
20th Century-Fox<br />
Prod. No. Title Rel Date Rating Re/d<br />
SPECIALS<br />
(Technicolor)<br />
7418 Piano Encores (10) July-54 + 10-23<br />
7409 A Day Aboard Jet Carrier<br />
.30<br />
Pickwick Papers, The (109)<br />
(Mayer-Kingsley) .James Hajter.<br />
4-17-54<br />
Nigel Patrick<br />
2704 From A to Z-Z-Z (7) .<br />
2705 (7)<br />
++<br />
10-30-54 -f<br />
.10-16-54 12-25<br />
1- 1<br />
Quack Shot<br />
.<br />
Runaway Bus, The (78)<br />
(Kramer-Hyams) ..M. ItuUlfrford.<br />
12-11-54<br />
Howard<br />
F.<br />
2706 My Little Duckaroo (7). 11-27-54<br />
2707 Sheep Ahoy<br />
Scotch<br />
(..) 12-11-54<br />
on the Rocks (77) 7-31-54<br />
2708 Pizzicato Pussycat (7) . . 1- 1-55 +<br />
(Ivlngsley) . .Ronald Squire, K. Byan, 8. Sliaw<br />
2-<br />
Dusted 2709 Feather (7) 1-15-55 2<br />
3 Stops to Murder (76) 7-17-54<br />
2710 Pests for Guests (7)<br />
-I-<br />
1-29-55 4- 2-19 (Astor) . Conway, Chance<br />
-Tom Naomi<br />
. . . .<br />
2711 All Fowled Up (7).... 2-19-55 -f 3-12 Three Cases of Murder (99) 5-21-55<br />
2712 Stork Naked (..) 2-26-55<br />
John<br />
2713 Lighthouse Mouse (..).. 3-12-55<br />
SPORTS PARADE<br />
(Assoc. Artists) . Orson Welles,<br />
© To Peris With Love (78)<br />
(Continental) . .Alec Guinness,<br />
(Jregson<br />
4-30-55<br />
Versols<br />
Odile<br />
True ond the False, The (80) . . 4-23-55<br />
(Helene Davis) . -Signe Hasso, William Langford<br />
Welcome the Queen (50) 9-11 -54<br />
(BIS). -Queen EU2.ibeth, Duke of Edlntxirgh<br />
Women's Angle, The (87) 9-18-54<br />
(Stratford) .Cathy •'Donnell, Edward Uoderdiwn<br />
EGYPTAIN<br />
Hamido ( 1 22) 5-21-55<br />
(Gould). .Hodi Soultan, Farld Chawky<br />
FRANCE<br />
Beauties of tfM Night (84) 4-17-54<br />
(UA-Lopert) Gerard I'hlllpe, (Una LoUotjrisWa<br />
Caroline Cherio (118) 8-14-54<br />
(IJavis) . .M- CaroL P. Crcssoy, J. DacqmirM<br />
Companions of the Night (104) 8-28-54<br />
(Arlan) - Arnoul, Raymond Pellegrin<br />
Daughters of Destiny (104).... 8-21-54<br />
(Arlan) - aaudette Colbert. Mlchele Morgan<br />
Diary of a Country Priest (95) 7-31-54<br />
(Brandon) - L.-Uitu, N- Miiurey, A. Oulbert<br />
Dirty Hands (100) 12-25-54<br />
(Maclional.l) -<br />
-Daniel Gclln, Pierre Brasseur<br />
Earrings of Madame De, The<br />
(105) 8- 7-54<br />
(Arlan) . .C. Bover. D. Darrleui. V. de Sica<br />
French Touch, The (84) 9-25-54<br />
(Times) - Rcnce DeilUers<br />
Game of Love, The (108) 2-19-55<br />
Cnmes) I'ierri-Mirhd Berk. Bdwlge Peulllere<br />
Holiday for Henriette (103) 5-21-55<br />
(Ardoi) . .Dany Robin, Michael Auclalr<br />
la Ronde (85) 3-27-54<br />
(Hakim) - .,\fil(in Walhrook, Slmone Simon<br />
Le Plaisir (90) 7-31-54<br />
(Kingslcy) -Danielle DciTleux, Jean Gabin<br />
Mr. Hulot's Holiday (85) 10-30-5'><br />
(GBD Int'l) . .Jacques Tatl, Nathalie Paseaud<br />
ReviM<br />
Moment of Truth (87)... s.-,<br />
(Arlan) .Mlchele Morgan. Jean<br />
.<br />
Naked Heart (96)<br />
oihln<br />
s-,.<br />
(.\ssoc. Artists) .Michele K-'^<br />
. Morgan.'<br />
Night Is My Kingdom, The (109) S.'<br />
(Davis). .Jean Gabin, Slmone Valerie<br />
Pit of LoiKliness (84). ... "5 n<br />
(Davis) . .Edvvlge FeuUlere, Slmone 'siciii<br />
Red Inn, The { 1 00) 9. 4,<br />
(Davis) . -Fernandcl. F. Rosay, liid Gmi<br />
Seven Deadly Sins, The (124). II.51<br />
(Arlan) .Michele Morgan, Gerard Phlllc<br />
.<br />
Sextette (90) 8- U<br />
(Arlan) . -Marthie Carol, Frank Viuird<br />
Spice of Life, The (71) 2-U<br />
(.Maycr-Kingsley) . .Noel-Noel, Eeruni It—,<br />
GERMANY<br />
1^<br />
Angelika (99) )1.|'<br />
(Brenner) . .Maria<br />
Schell, Dieter BwxIk<br />
Berliner, The (80) 12--a<br />
(Joseph Burstyn) . Oert Frobe, CU Blell<br />
Grapes Are Ripe, The (92) 7--S(<br />
(Casino) -Gustav Knuth, Camilla Splra<br />
.<br />
Keepers of the Night (109) 2-.M<br />
(Casino) -Lulse Urlch, Hans Nielsm<br />
. t<br />
Merry Wives of Windsor (93). . . . .<br />
(Central Cinema) . -Sunja Zlemann, C. 6|)|<br />
Sunderin (80) 1.1<br />
(Prod. Reps.) Ncft, 0. I^|<br />
GREECE<br />
Barefoot Batolllon (89) frl<br />
(Brandt) . -Maria Costl, Nlcos Fennii<br />
HUNGARY<br />
Trio, The (76) 31-!;<br />
(Classic) . Bmest Deutich, GasUJ Urn<br />
Spell of Irelond, The (77)...<br />
(Celtic) - -Travel Feature, Eiigllsb dlilo|:<br />
ITALY<br />
(Color).<br />
n<br />
Aida (110) ^... 71-5'<br />
(I.F.E.) - -8- Loren, L. MameU, U Delllm<br />
Anita Garibaldi (95) /(-S<br />
(I-F-E-) -Anna Magnanl. Raf Vallone<br />
.<br />
Bread, Love ond Dreams (90)..<br />
(I-F-E) . Lollobriglda. Vittorlo ll
I His,<br />
. . The<br />
. . Outstanding<br />
. . Orson<br />
0>inions on Current Proaucnons<br />
Son of Sinbad<br />
RKO Radio (513)<br />
88 Minutes<br />
F<br />
Rati<br />
Fantasy<br />
2-1 (Supetscope,<br />
Technicolor)<br />
ReL May 31. '55<br />
As even a perfunctory perusal of the lecigers will reveal,<br />
Arabian Nights-ish pictures—if they boasted any merit whatsoever—have<br />
been reliable to please the average spectator<br />
and to assure profits to the theatres in which they were<br />
exhibited. If such past periormances are to be accepted as a<br />
yardstick, this flamboyant offering should pack them in,<br />
because it possesses something or other lifted from virtually<br />
every preceding photoplay of its category. And all of these<br />
tidbits are loosely woven together with such a marked<br />
tongue-in-cheek approach that no one should criticize the<br />
fact that the yarn doesn't attempt to make sense. It's offered<br />
as a fairy tale, and all stops ore pulled wide in its motivation<br />
as such.<br />
For the boys in the gallery, there probably never was<br />
so large an assemblage of cuties, curves and cleavage. The<br />
vrolf whistles will, with little doubt, resound through the<br />
house and leap over into the street. But that, too, however<br />
bawdy the reaction, should provide additional cash customers<br />
for the picture. Nor will its patronage be impaired<br />
because the funmaking is impressively and handsomely<br />
presented in Superscope photography and bright Technicolor,<br />
which pair of assets, incidentally, can play a prominent<br />
part in the slightly lurid exploitation which the feature so<br />
strongly invites.<br />
As to performances, the script and its multitude of plot<br />
elements demanded no staggering amount of acting talent.<br />
The topliners obviously refused to take their individual and<br />
collective chores too seriously, and as a result the delineations<br />
are generally acceptable. Concerning the major portion<br />
of the support, all its members had to do was look enticing,<br />
which they did in spades—and very few clothes. The vehicle<br />
was unstintingly mounted by producer Robert Sparks and<br />
efficiently directed by Ted Tetzlaff.<br />
Dale Robertson, Sally Forrest, Lili St. Cyr. 'Vincent Price,<br />
Mori Blanchard. Leon Asldn, lay Novello.<br />
CATCHLINES:<br />
Hold on to Your Turbans . . . Here Comes the Son of Sinbad<br />
With the Daughters of the Forty Thieves<br />
Topple and Kingdoms Fall When This<br />
. . .<br />
Romantic<br />
Harems<br />
Rogue<br />
Goes to Town.<br />
The Purple Mask<br />
F<br />
Ratio; Costume Drama<br />
2.55-1 (Cinemascope,<br />
tectlnicolor)<br />
Univ.-Infl (530) 80 Minutes Rel. July '55<br />
Take a time-tested swashbuckling formula, add the sweep<br />
of CinemaScope and the beauty«of Technicolor, not to mention<br />
a little marquee weight, and you're bound to satisfy<br />
some segments of the moviegoing public. However, here<br />
is a feature, which, though chockful of all these merchandising<br />
qualifications, contains little else noteworthy or redeeming<br />
enough to appeal to any but the underteen and<br />
audiences of like taste. The story, an obvious rehash of "The<br />
Scarlet Pimpernel," is blatantly adolescent and never quite<br />
delivers its promised action or excitement, seemingly sacrificing<br />
all logic and development for the sake of burlesque<br />
humor. Tony Curtis, for example, appearing as a fop and<br />
dandy, but in reality the mysterious Purple Mask outwitting<br />
the despot Napoleon at every turn, is so overdrawn in his<br />
characterization that he never rises above the ludicrous.<br />
as well as the appearances of such basically fine performers<br />
as Dan O'Herlihy and Angela Lansbury, represents<br />
a tragic waste of talent.<br />
History, too, comes in for its share of drubbing, with<br />
Napoleon presented as a fool and villain. Depending upon<br />
the view one takes of history, the Corsican, it is true, can be<br />
a villain, but never that much of a fool to have been outwitted<br />
by such a ridiculous, figure as this Purple Mask. Of<br />
course, the small fry will hardly be concerned with such<br />
problems, unless they've already begun their history lessons.<br />
Switching the "Pimpernel" setting from the immediate period<br />
of the French Revolution to the year 1803, Curtis, the<br />
Purple Mask, is busy rescuing noblemen from the guillotine<br />
and kidnaping government officials, whom he holds for<br />
ransom. Napoleon, annoyed at this drain on both his treasury<br />
and prison, sets a trap, but all ends well as Curtis, once<br />
more, outwits the future emperor of France. Produced by<br />
Howard Christie and directed by Bruce Humberstone.<br />
Tony Curtis, Colleen Miller. Gene Barry, Dan O'Herlihy,<br />
George Dolenz. John Hoyt. Angela Lansbury.<br />
CATCflLINES:<br />
Men Knew His Fury But<br />
His Lips Bui Not His Name .<br />
Women Knew<br />
Hidden Behind<br />
Not His Face .<br />
Was<br />
. .<br />
a 1/ask of Revenge .<br />
. . His Secret<br />
Lives and Loves of Adventure's<br />
Greatest Rogue.<br />
1782 BOXOFFICE<br />
Othello<br />
F<br />
Ratio:<br />
Standard<br />
United Artists ( ) 92 Minutes ReU June '55<br />
A beautifully staged, acted and photographed feature presenting<br />
Orson Welles in the title role of the Shakespearean<br />
tragedy. He also produced and directed it. It is a Mercury<br />
production made in Italy with the aid of skilled Italian technicians.<br />
'The backgrounds of mediaeval buildings and the<br />
interiors are classic. Silhouetted scenes are especially effective.<br />
Treatment is dignified throughout, with Welles not<br />
resorting to mugging, as he has done sometimes in the p>ast.<br />
The supporting cast does a fine job. The film is inevitably<br />
destined for the art houses. It is a fit successor to other<br />
fine films based on Shakespearean plays. Exploitation necessarily<br />
will play up the famous English author, and Welles'<br />
name will supply an added value.<br />
Othello, a Moorish general of noble birth, weds Desdemona,<br />
daughter of a Venetian senator. He is assigned to repel a<br />
Turkish invasion of the island of Cyprus. Desdemona accompanies<br />
him. Cassio is his lieutenant and friend. logo,<br />
his adjutant, is jealous of Cassio and by degrees convinces<br />
Othello that Cassio is having an affair with Desdemona.<br />
Othello is grief-stricken. He decides that Desdemona and<br />
Cassio must die. He smothers Desdemona despite her pleas<br />
of innocence, while logo tries to do away with Cassio.<br />
Emilia, wife of logo, reveals him as engineering the plot<br />
and is killed by lago. Othello, now convinced of Desdemona's<br />
innocence, commits suicide. During the state funeral logo is<br />
imprisoned in a cage and hoisted high in the air where<br />
he will be picked to death by vjiltures.<br />
Orson Welles, Michael MacLiammoir, Suzanne Cloutier,<br />
Robert Coote. Hilton Edwards, Michael Lawrence.<br />
CATCHLINES:<br />
Shakespearean Tragedy Done in Classic Style by Orson<br />
Welles ... A Fitting Successor to Other Fine Shakespearean<br />
Films . Treat to the Eyes as Well as the<br />
Emotions . Welles Film Combines the Utmost<br />
in Beauty with Poignant Drama.<br />
The Tiger and the Flame F<br />
Ratio: Adventure Drama<br />
1.66-1 (Technicolor)<br />
United Artists (5514) 97 Minutes ReL May '55<br />
One of the rare Indian-made features, out of the hundreds<br />
produced in that country annually, deemed suitable for<br />
showing in the U. S., this is a lavish and colorful spectacle<br />
which should attract customers and do good business in the<br />
art houses. While not up to the high standard recently set<br />
by the Japanese "Gate of Hell," it has considerable excitement,<br />
especially during the several battle scenes, pageantry<br />
and exotic dances and other exploitable features for class<br />
patrons and art students.<br />
Although the predominantly Indian cast speaks English,<br />
the players are for removed from the American standard 'for<br />
good looks and the heroine, Mehtab, is short, dark and unattractive.<br />
Photographed in Technicolor by Ernest Haller,<br />
who captures the reds, golds and yellows of the costumes<br />
and backgrounds almost too vividly at times—softer tones<br />
are at a minimum. Produced and directed by Sohrab M. Modi,<br />
who also plays the venerable power-behind-the-throne with<br />
great dignity. The music, too, is strange but very effective.<br />
Forrest Judd is associate producer.<br />
Based on an historical incident which took place in the<br />
middle of the last century, the story is laid in the small Indian<br />
state of Jhansi, where Mubarak, a weak-willed widower,<br />
has just been made king with a small British force on hand<br />
to supervise affairs. Sohrab Modi, a devoted patriot, discovers<br />
a nine-year-old girl, Mehtab, whose horoscope predicts<br />
that she is destined to lead armies and he arranges<br />
for her to marry the aging Mubarak. After years of training,<br />
Mehtab becomes an expert horsewoman and, when her<br />
husband dies and the British refuse to recognize the boyemperor,<br />
she defies them and refuses their order to surrender.<br />
Through treachery, the British invade her fortress city, but<br />
she escapes and challenges them to battle on the plains.<br />
She is finally overwhelm.ed and wounded but dies a true<br />
warrior's death.<br />
Mehtab, Sohrab Modi, Mubarak, Sapru, Baby Shika,<br />
Ramsingh, Gloria Gosper, Ulhas, Michael Shea.<br />
CATCHLINES:<br />
. . .<br />
The Most Fcfbulo'us Adventure Ever to Flame Out of Mystic<br />
India , . . The Woman on Horseback Who Changed the<br />
See Course of Empire<br />
the Bloody<br />
the<br />
Conquest<br />
Dazzling<br />
of<br />
Coronation<br />
Jhansi . . .<br />
of<br />
With<br />
a<br />
Boy-Emperor and<br />
a Cast of 25,000.<br />
June 4, 1955 1783
—<br />
. .<br />
—<br />
REVIEWS<br />
Adiines for Newspaper and Program;<br />
That Lady F<br />
Ratio: Drama<br />
2.55-1 (Cinemascope,<br />
De Luxe Color)<br />
20th-Fox (504-1) 95 Minutes Rel. May '55<br />
Recent records reveal that features based on historical<br />
novels or ploys—even when they were good pictures<br />
lailed to burn up the theatre cash drawers. Which augurs<br />
discouragingly for this imported entry in the apparently<br />
endless cycle, because it is anything but a good picture.<br />
Its opulent productlonal trappings and its lootoge indicated<br />
that it is aimed at top billing on the more important programs.<br />
In order for the film even to begin to justify such<br />
exalted bookings, it will have to be accorded intensive and<br />
shrewd exploitation. Fortunately, there is much material<br />
tor merchandising.<br />
Foremost is CinemaScope, wllich, bolstered by De Luxe<br />
color, is effectively utilized to qapture the beauties of the<br />
ancient Spanish castles and their surrounding countryside<br />
against which most of the photoplay was lensed. In fact,<br />
the offering almost justifies itself as a travelog of Spain, and<br />
would come closer to so doing if its scenic splendors were<br />
not cluttered up by the heroics, melodramatics and hackneyed<br />
situations in which the screenplay by Anthony Veiller<br />
and Sy Bartlett (who produced also) abounds. That script<br />
stemmed from a play by Kate O'Brien, which treats of the<br />
confused 16th-century reign of King Philip. Expectedly, it<br />
specializes in cloak-and-dagger intrigue that becomes so<br />
intricate at times that spectators will encounter difficulty deciding<br />
who's doing what to whom and why.<br />
Inviting further showmanship attention are the two castleading<br />
stars, from Hollywood and possessing above-average<br />
marquee worth. Their performances, as well as those forthcoming<br />
from supporting actors, are as good as material<br />
permits. Finally, there are scattered sequences of spectacle<br />
which attain a stirring high during a bullfight in which the<br />
matadors are mounted and demonstrate superb horsemanship.<br />
Direction by Terence Young does little to alleviate the<br />
dated scenario.<br />
Olivia de Havilland. Gilbert Roland, Paul Scofield,<br />
Francoise Rosay, Dennis Price, Anthony Dawson.<br />
CATCHLINES:<br />
The Provocative Story of a Spanish Beauty Whose Flaming<br />
Heart Defies Tradition, Whose Scandalous Love Affairs Flaunt<br />
Convention ... in a Picture Laden With Tumultuous Daring.<br />
.e Rd<br />
RAD<br />
A Day to Remember<br />
F<br />
Ratio:<br />
Romantic<br />
1.66-1 Comedy<br />
Republic (5433) 72 Minutes HeL Mar. 29, '55<br />
Herein our British cousins ogoin display their penchant for<br />
gentle wit and the leisurely development of characterizations<br />
which have come to be accepted os hallmorks of the kind<br />
of romantic comedies that issue from their film factories. Unfortunately,<br />
in this one the humor is so insular and colloquial<br />
that most Americon audiences just won't dig it at all. That<br />
narrowing of oppeal indicotes a not-too-happy exhibition<br />
fate in this country, a prospect that is further hampered by<br />
the fact that the cost—competent though it is—hos little or<br />
no following in the U. S. except in the art houses. Booked<br />
into such specialized showcoses, the feature can be expected<br />
to attract on adequate amount of attention.<br />
Productionwise, the offering provides authentic and, on<br />
occasion, charming backgrounds, since it was photographed<br />
on location in France as well as in England. Among the<br />
players assembled, Joon Rice will probably be best-known<br />
to domestic moviegoers, she having appeared in one or two<br />
previous pictures that enjoyed some degree of success on this<br />
side of the water. The standout, however and one who<br />
ought to be a lead-pipe cinch to be snagged by Hollywood<br />
is o French doll named Odile Versois, as talented o pockage<br />
of Gallic pulchritude ond personality os the screen could<br />
hope to find.<br />
The plot concerns the varied adventures—romantic, comic<br />
and dramatic—which befall the members of a dart team<br />
from a British pub when they embark on their annual outing,<br />
o trip across the channel to Boulogne. During the one-doy<br />
trek one of the holidoyers finds true love, another realizes<br />
a life-long ambition to join the French Foreign Legion and.<br />
the rest pursue entertainment in diversified ways. The J.<br />
Arthur Rank presentation was produced by Betty E. Box<br />
and directed by Ralph Thomas.<br />
Stanley Holloway, loan Rice, Odile Versois, Donald Sinden,<br />
James Hayter, Bill Owen, Harry Fowler.<br />
CATCHLINES:<br />
There's o Delightful Date in Store for You When You See<br />
This Hilarious New Look at Life . . . It's Got That Wild,<br />
Wonderful Beat of Young Hearts in Love.<br />
The Adventures of Sadie F i''s5'.i iz^Zz'cZ)<br />
20th-Fox (508-2) 75 Minutes Rel. May '55<br />
A completely nonsensical farce-comedy abbut three men<br />
and a girl shipwrecked on a desert island, this British-made<br />
is occasionally more frantic than funny but the sexy angles,<br />
plus the allure of Joan Collins in a home-made Bikini, can<br />
be exploited in all except the neighborhood spots. Miss<br />
Collins, currently being given a buildup by 20th Century-<br />
Fox", is already familiar to art house patrons, as is Kenneth<br />
More, star of "Genevieve" and 'Doctor in the House."<br />
Filmed on the island of Majorca by George Minter and<br />
Noel Langley, who also directed and adapted it from the<br />
novel, "The Cautious Amorist," the Eastman Color enhances<br />
the lush island backgrounds and the becoming tan of Miss<br />
Collins, an eye-full if there ever was one. Although somewhat<br />
handicapped by a thick brogue which mokes some<br />
of his dialog unintelligible, Kenneth More is amusing and<br />
likable as o stoker and Robertson Hare is excellent as a<br />
prim, middle-aged professor. The famous British comedienne,<br />
Hermione Gingold, is hilarious in o brief guest appeoronce<br />
as o man-chosing spinster.<br />
Joan Collins is aboard o smoU cargo-passenger steamer<br />
which is rammed and sunk in the Pacific. Her hfeboat also<br />
picks up Kenneth More, a stoker with o fondness for liquor;<br />
Robertson Hare, a middle-aged professor, and George Cole,<br />
a cynical journalist who was rude to Joan on board. The<br />
four are marooned on on uninhabited island where the<br />
three men moke a pact to act like gentlemen toword Joan.<br />
First Cole lolls in love with her ond then the prim Hare is<br />
olso attracted, but More leaves her alone. After a year,<br />
they are rescued by a schooner and Joan confesses to More<br />
that she loves him, but he refuses to marry her. Another<br />
crash sinks the schooner and when Joon is again cast up on<br />
the island, she is gleeful when she hears More strumming<br />
his guitar in a hut.<br />
Joan Collins. Kenneth More, George Cole, Robertson Haxe,<br />
Hermione Gingold, Walter Fitzgerald, Hattie Jacques.<br />
CATCHLINES:<br />
The Most Wonderful Miss-Adventure of Your Life .<br />
just Imagine Being Stranded on a Desert Island With Luscious<br />
joon Collins . . A Desert Island Delight in Full Color.<br />
1784 BOXOFFICE<br />
SHORTS REVIEWS<br />
VistaVision Visits Mexico<br />
(Icnnes A. Fit^Patrick Special)<br />
Paramount<br />
_ 17 Mins.<br />
Very good. An exceptionally beautiful travel short done<br />
with the new VistoVision process in Technicolor. The wide<br />
screen and the clority of the photography make this like<br />
a series of paintings. Scenes in Mexico City, Acopulco, the<br />
Xochimilco volcano, the famed motorcycle police with their<br />
orchestra ond spectacular stunts and Latin music are presented<br />
at o ropid pace. Some of the moterial has been used<br />
before, but never with the sense of audience porticipotion<br />
ond distant vistos all in focus thot this new projection system<br />
provides.<br />
Devil Take Us<br />
RKO (Theatre of Life) 27 Mins.<br />
Very good. Starkly realistic scenes of automobile smashups<br />
on a California highway emphasize the theme of this film,<br />
vzhich is that there ore far too many dangerous drivers<br />
these days and that far too mony of them through their<br />
own foults meet deoth or wind up in hospitals—perhaps<br />
crippled for life. There is the thread of a story and there are<br />
amusing characterizations of careless drivers to lighten the<br />
sense of impending doom. The film should be shown everywhere.<br />
It has the booking of the Notional Safety Council,<br />
Americon Automobile Ass'n and insurance componies. The<br />
release date is June 17, Notional Screen Service will furnish<br />
accessories. Herbert Morgan wrote, produced ond directed<br />
in cooperation with the Associoted Press.<br />
Sh-h-h<br />
Univ.-Int'l (Laniz Cartune) 6 Mins.<br />
Good. A novel ond amusing Technicolor cortoon dealing<br />
with a trombonist, whose nerves are shattered by the constonf<br />
loud ploying. Told by a psychiatrist to toke a long<br />
rest, he goes to o quiet chalet in Switzerland. He is about to<br />
go to sleep when his neighbor in the room next door starts<br />
playing the trombone. Notes under the door and phone colls<br />
hcve no effect and he finally breaks through the door to<br />
find the psychiatrist and his wife ore on a vocation.<br />
1955 1781
!<br />
I<br />
' Experience<br />
I key<br />
: : 13<br />
I nl<br />
.silSc per word, minimum $1.50, cash with copy. Four consecutive insertions lor price<br />
CLOSING DATE: Monday noon preceding publication date. Send copy an<br />
fe<br />
Dieis to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd.. Kansas City 24. Mo<br />
HELP WANTED<br />
Manager for Latln-.\merlcaii slluatlon.<br />
lit]<br />
i( nn-'v Job now open. Long Theatres,<br />
I Itiuidall Clark.<br />
.inager. De luxe Mcmplil:> indoor<br />
Me. Stale guulificattons. rcferiL'led.<br />
and enclose pltoto witli<br />
fllce. 6884.<br />
I e Managers. Experienced, exploi-<br />
and neigtiborhood tiouses.<br />
iirrounding territories. Write in<br />
IS Comar. Personnel Manager,<br />
rtieatres, 2217 Dark Building,<br />
se manager or experienced as-<br />
. Illeatie operation for IS.izabettl<br />
lina. territory. Air mail-speciai<br />
ilifications and past tlieatricji]<br />
:ilary ex-pected. Boxoffice, 5893.<br />
POSITIONS WANTED<br />
^ufiervlsion. Indoors. Ctiange after<br />
25 yejirs. Good<br />
lire. 5808.<br />
in sliow business, know every<br />
every post. General, technical,<br />
ent and back again. Boxotflce,<br />
urJieatre work witli future. Ten years ex-<br />
KtJl'rojeetlonist and manager. Age 35.<br />
fff'li fiimily. College degree. At present<br />
""• Arallable July 1. B. K. Holder,<br />
Irsarkana.<br />
Arkansas.<br />
OPCOHN MACHINES<br />
Desires<br />
es. all makes and styles. Re<br />
for all poppers. Complete remost<br />
macblnes, $185. 120 So<br />
E3INESS STIMULATORS<br />
NG MORE ACTION! $4.50M cards, Oiher<br />
'mlilile, on-off screen. .Novelty Games Co..<br />
lOE Ave.. Brooklyn. N. Y.<br />
ttildance wilh real Hawaiian orchids,<br />
each. Wrile Flovters of Hawaii, 670<br />
! Park I'lace, Los Angeles 5, Calif.<br />
GENERAL EQUIPMENT—USED<br />
Good as new. used 4 drlve-in seasons: 2<br />
Slroiig Mogul 70 amp lamps. $300: two .Motlograph<br />
100 amp lamps $300: one Century 80-1110<br />
.Molur generator complete $400. Charleston Theatre<br />
Supply. Charleston, West Va.<br />
Complete booth and screen outfit. Brcnkert<br />
35mni projectors, KCA sound and siieakers. New<br />
in used. (i-B 1947. never $1,750. Also Powers<br />
pro ectors. Mazda lamps, KCA sound. $150. G. M.<br />
McLaughlin. 350C West Pikes Peak, Colorado<br />
Springs,<br />
Colorado.<br />
For Sale—One pair of Simples high Intensity<br />
IKW lamps and one pair rectifiers all tor $650.<br />
Wayzata Theatre, Wayiata, Minn.<br />
For sale: RCA Bright Arc" 100 ampere lamps<br />
like new, $895 per pair. All sizes Superex lam[>s,<br />
irom $200 per pair. Lenses from $25. Ask for<br />
list of other good equipment. ATSCO, 980 N.<br />
Main St., Akron. Ohio.<br />
Lincoln 70-140 Generator. Used two seasons.<br />
$495- Two large spray type air washers fflth<br />
bliivvers. Two 5 h.p. motors with each, $495 eadi.<br />
2 Kairli.utks 5 h.p. pump and mot(>.s, good, $100<br />
each. Western Electric sound heads with Universal<br />
ba.ses and Simplex projectors $495. 3 sets<br />
of low intensity lamps with Hertner Generators.<br />
$100 set. Lenses Bausch & Lomb, series 2.<br />
I'" 2.3,3:75 B F, $100. Bausch & Lomb series 2.<br />
l>:75 E F, $75. Bausch i Lomb Series 1. 3:75<br />
B F. $40. State Theatre. Columbus. Kansas.<br />
New cmdition Sllverlite all-purpose screen<br />
IS'xanv overall. $175 f.o b. Brooksville.<br />
Florida. Dixie Theatre.<br />
GENERAL EQUIPMENT—NEW<br />
Special surplus screen sale— all new! Perforated<br />
solid<br />
headed lace-grommet. 15'6^'x20'6"—$75 (frame<br />
$251: 6'8"s9'3'^—$25: solid ll'xl4'—$35:<br />
olid Springroller 8'7"sll'7"—$75: solid ropeailley.<br />
ll'xH'—$75. Dept. CC, SOS. Cinema<br />
Supply Corp.. 602 W. 52nd St.. .New York 19,<br />
Attention Holmes users! Intermittent movements<br />
(less flywheels), $49 pair: slarwheel-sprockel<br />
issembly, $10 each; l,0OOW T-20 C-13D Mosul<br />
I'ref. lamps, $25 dozen ($3.95 each). Dept. CC.<br />
.S.O.S. Cinema Supply Corp., 602 W. 52nd St.,<br />
New York 19.<br />
Perfect pair, perfectly priced! Combination pair<br />
Cinematic IV adjustable anamorphlc lenses and<br />
pair Snaplite Series II prime projection lenses, all<br />
for $595; .Mirroclaric metalized seamless screen.<br />
sq. ft. 89c nept. CC. S.O.S. Cinema Supply Corp..<br />
St.. i;02 W. 52nd New York 19.<br />
LCLfflfilOGHOUSt<br />
«(!( IE-CUT CARDS. Increase your bo.\-<br />
IliO numbers. $4 50 per M. Best<br />
11 Products, 339 West 44th St.,<br />
s for all age groups. All types.<br />
lEiventory and greatest variety.<br />
it- 2.500 copies piepaid. The<br />
312, Ovvensboro. Ky.<br />
St, cheapest advert ising.<br />
lases concession sales for<br />
Special pictures. Plain<br />
Southern Bal.oons, 14 G B<br />
fit flashlight & key chain. Red<br />
lieaire promotions—sample 50c.<br />
Enterprises, Centralla, Illinois.<br />
k M u<br />
"Jaclison's" automatic Reel-Alarms. Really<br />
marvelous $21.50 pair. AH dealers'. Mfrs.: American<br />
1. Theatre Supply. Seattle Washington.<br />
DRIVE-IN THEATRE EQUIPMENT<br />
Your best CinemaScopc buy. Cinematic IV<br />
idjustable Prismatic Anamorphlc lenses plus Snapite<br />
11 Series prime lenses, all for $595. Availible<br />
on time, liept. CC. S.O.S. Cinema Supply<br />
Corporation, Street. 19.<br />
602 W. 52nd New York<br />
Driv<br />
"STJ S11)IO AND PRODUCTION<br />
EQUIPMENT<br />
$1,995: Cineflex 35mm<br />
t lenses: 2-400' maga-<br />
II ^ii!-if $1185: Moviola<br />
$VJ5: Escalator<br />
•'<br />
cameras on 3<br />
I I' :i.v with 2 seats.<br />
K.islman Airgraph<br />
$225; roMnt<br />
bidbs. $180<br />
-s n s Cinema Supply<br />
iJ Siieit. .New York 19.<br />
SUIPMENT FOR SALE<br />
ItSlrong 90 amp rectifiers. Used 6<br />
l| lllhes $.v
P/vi&t^uudic<br />
ANAMORPHIC PROJECTION LENS<br />
A fine Anamorphic Lens to show all Cinemascope, Superscope and other major studios' Anamorphic release prints.<br />
Finest optical correction possible for color, definition and distortion. Compare and judge for yourself.<br />
MAGNIFICATION 2x, Fixed, for all 225/32" standard Projection Lenses.<br />
64 millimeter free rear aperture and the 225/32" diameter rear neck 21/2" long<br />
allows this lens to be placed right up to the Projection Lens assuring<br />
maximum non-vignetting light transmission.<br />
Threaded to fit Projection Lenses. No Support<br />
Brackets required. Completely enclosed and dustproof.<br />
CORRECTING<br />
Interchangeable and available for all projection throws.<br />
Net 33/4 lbs. per lens<br />
Tare (container)<br />
Gross (complete shipment)<br />
71/2 lbs. per pair<br />
2 lbs. per pair<br />
91/2 lbs. per pair<br />
ORDER THROUGH YOUR THEATRE SUPPLY<br />
DEALER /OR WRITE US) AND STATE:<br />
Projection Distance<br />
Make and Model of<br />
Projection Lens<br />
PROJECTION ORTICS CO.