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. . inown<br />

'JNE 4,<br />

.or* of Pro,<br />

nictuM yncucA^<br />

[^KIDDI ELAND<br />

DRIVE-IN PLAYGROUNDS ore featured in The MODERN THEATRE section this issue .<br />

Shown here nere<br />

is one of two play aroas at the Starlite Drive-In Theatre, Chicago, operated by Stanford Kohlberg. This<br />

is the Kiddieland, at which a five-cent fee is charged for rides. The other area has free play equipment.<br />

Story in The MODERN THEATRE.<br />

TM<br />

MEM<br />

TMiAmi<br />

SECTION,<br />

tmottar o< the Pjii OH.c<br />

Makly by '<br />

Kor^toi City,<br />

per y»or:<br />

^^v EXECUTIVE EDITIOr<br />

B It S4ctlon


!<br />

AFTER<br />

"BLACKBOARD JUNGL<br />

ANOTHER BOX-OFFld<br />

HOTFOOT<br />

A hitherto forbidden subject, M-G-M has dared to dramatize<br />

the revealing best-seller, "THE COBWEB." It<br />

will blast the nation just as "Blackboard Jungle" did.<br />

The secrets of the psychiatrist's couch are bared in the<br />

strange mansion on the hill whose occupants are caught<br />

in<br />

the Cobweb of human emotions.


\L<br />

This is the Strange Mansion on the Hilt.<br />

A GREAT SUBJECT FOR PUBLICITY!<br />

A complete condensation of the best -selling novel in Woman's Home<br />

Companion, out June 23rd. A natural for publicity. AND WATCH<br />

FOR THE DARING, OUTSPOKEN TRAILER, A TICKET-SELLER.<br />

'Om confided in him Once you have loved... Behind the dignity, a w/olf A neglected wife finds trouble The despot of the Mansion<br />

KHARD LAUREN CHARLES GLORIA LILLIAN<br />

[MARK BACALL BOYER GRAHAME GISH<br />

M-G-M<br />

CI N EMASCOPE - COLOR<br />

..,„,.... JOHN KERR .. SUSAN STRASBERG<br />

OSCAR LEVANT-TOMMY RETTIG-w„.„ JOHN PAXTON<br />

Additional Dialogue by WILLIAM GIBSON • Fromihe Novel by WILLIAM GIBSON * Photographed in EASTMAN COLOR<br />

Directed<br />

.^VINCENTE MINNELLI-..-...JOHN HOUSEMAN<br />

(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)


!<br />

AFTER<br />

"BLACKBOARD JUNGU<br />

ANOTHER BOX-OFFIck<br />

HOTFOOT<br />

A hitherto forbidden subject, M-G-M has dared to dramatize<br />

the revealing best-seller, "THE COBWEB." It<br />

will blast the nation just as "Blackboard Jungle" did.<br />

The secrets of the psychiatrist's couch are bared in the<br />

strange mansion on the hill whose occupants are caught<br />

in<br />

the Cobweb of human emotions.<br />

k


I<br />

This is the Strange Mansion on the Hill.<br />

A GREAT SUBJECT FOR PUBLICITY!<br />

A complete condensation of the best -selling novel in Woman's Home<br />

Companion, out June 23rd. A natural for publicity. AND WATCH<br />

FOR THE DARING, OUTSPOKEN TRAILER, A TICKET- SELLER.<br />

'om confided in him Once you have loved... Behind the dignity, a wolf A neglected wife finds trouble The despot of the Mansion<br />

KHARD LAUREN CHARLES GLORIA LILLIAN<br />

MARK BACALL BOYER GRAHAME GISH<br />

M-G-M „<br />

CINEMASCOPE -COLOR<br />

..,_.,„, JOHN KERR .. SUSAN STRASBERG<br />

..OSCAR LEVANT-TOMMY RETTIG -..-...JOHN PAXTON<br />

Additional Dialogue by WILLIAM GIBSON • From the Novel by WILLIAM GIBSON . Photographed in EASTMAN COLOR<br />

.^^.^VINCENTE MINNELLI-P......JOHN HOUSEMAN<br />

\l<br />

(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)


AFTER<br />

"BLACKBOARD JUNGU<br />

ANOTHER BOX-OFFICp<br />

HOTFOOT ! '<br />

A hitherto forbidden subject, M-G-M has dared to dramatize<br />

the revealing best-seller, "THE COBWEB." It<br />

will blast the nation just as "Blackboard Jungle" did.<br />

The secrets of the psychiatrist's couch are bared in the<br />

strange mansion on the hill whose occupants are caught<br />

in<br />

the Cobweb of human emotions.<br />

i


This is the Strange Mansion on the Hill.<br />

A GREAT SUBJECT FOR<br />

PUBLICITY!<br />

A complete condensation of the best -selling novel in Woman's Home<br />

Companion, out June 23rd. A natural for publicity. AND WATCH<br />

FOR THE DARING, OUTSPOKEN TRAILER, A TICKET-SELLER.<br />

nrttnenconfidedinhim Once you have loved... Behind the dignity, a v^olf A neglected wifefindstrouble The despot of the Mansion<br />

ICHARD LAUREN CHARLES GLORIA LILLIAN<br />

IDMARK BACALL BOYER GRAHAME GISH<br />

M-G-M „<br />

CINEMASCOPE - COLOR<br />

,.,.„..,. JOHN KERR .. SUSAN STRASBERG<br />

~uouni\ OSCAR LEVANT-TOMMY LLvn^ii lui.i.... RETTIG<br />

.».. . ..u .„„..,., JOHN PAXTON<br />

Additional Dialogue by WILLIAM GIBSON • From the Novel by WILLIAM GIBSON * Photographed in EASTMAN COLOR<br />

.,..«-., VI NCENTE IV1INNELLI-P.....J0HN Produced by HOUSEMAN<br />

(Available in Magnetic Stereophonic, Perspecta Stereophonic or 1- Channel Sound)


Mister Wilkerson w^ 1<br />

^<br />

,-:rj'<br />

'*-«<br />

* ^'-<br />

NEXT ATTRACTION<br />

RADIO CITY MUSIC HALL<br />

(REPRINTED IN ITS ENTIRETY FROM THE<br />

HOLLYWOOD REPORTER; MAY 19)<br />

• IT'S OUR GUESS, after listening to a mi-e^<br />

view audience howl for the better part oftwc<br />

hours, that the Warners-Leland Haywardiroduction<br />

of "Mister Roberts" will<br />

of the top grosses of this I"<br />

and any other year.<br />

Recently in this column<br />

I<br />

'<br />

hang upine<br />

f<br />

we offered an opinion that 1,<br />

our major and minor pro- i<br />

ducers were muffing big<br />

potential ticket sales through their refusal:|or<br />

inability)<br />

to come up with pictures that wild<br />

give audiences the big laughs they yearnd to<br />

enjoy through viewing motion pictures. A/e<br />

suggested the early foundation of this Ijsiness<br />

was accomplished through the exhibion<br />

of pictures that made the ticket<br />

buyers mtrry,<br />

gave them laughs, sent them home in hcJpy<br />

moods. Further, that our theatre patrons do<br />

not want to add to their worries through v3Wing<br />

pictures that burden them with additional<br />

mental griefs.<br />

jf<br />

^^ We hardly had the sheet out of this t'oe-<br />

/<br />

writer when a sneak showing of "Miter<br />

Roberts" at the Pontages answered our proer.<br />

We heard a jammed theatre rocked to its ary<br />

rafters with about the greatest continLJUS


::<br />

Too—<br />

;<br />

: fanning<br />

•<br />

ntch<br />

ts an editorial about<br />

Iluahter<br />

ANY theatre has ever had. Not only<br />

i "Mister Roberts" packed with good, sock<br />

uhWy laughs, it's an exceptionally Pine piece<br />

li Film entertainment that will pack every<br />

leatre in the land that's fortunate enough to<br />

: }jt its play.<br />

'•We didn't see the play — also produced<br />

'Ci(/<br />

Lelond Hayward — but our preview com-<br />

Ifjnion had seen it and told us the picture is just<br />

~||p^ 1 1 00% better than the stage<br />

M I showthat ran forthree years<br />

ii<br />

Hi^l<br />

in<br />

New York and reaped a<br />

boxoflRce harvest not only<br />

there but throughout its long<br />

road engagement.<br />

it's our guess that other big production<br />

''fritfits, once they see this picture, listen to the<br />

(idience reaction and then view the reports<br />

i ( its big cash take, will shift their thinking,<br />

itteh a lot of the heavy material now on their<br />

boards and reach for material that<br />

'vll<br />

produce fun and laughter and be able to<br />

theirown boxoflRce barometer rise. True,<br />

^<br />

tniu^ji^i<br />

On Sunday June 19th<br />

iullivan's "Toast of the<br />

'nV for the first time in its<br />

jven years on TV, will be<br />

ted entirely to a motion<br />

r<br />

(iy of them can't pick up a "Mister Roberts"<br />

iafost search, butthey can change theirsights<br />

who greater accent on comedy and find them-<br />

: Ives in a better picture business, winning back<br />

\ picture.<br />

The picture is<br />

MISTER ROBERTS<br />

ind over 50 million<br />

c<br />

ot of the audience they have lost and bring-<br />

1^ a lot of new faces to theatre ticket windows.<br />

"Mister Roberts" will be a sock attraction<br />

I<br />

people will be<br />

watching!<br />

fsrywhere.<br />

Thanks, Mister Warner! Thanks,<br />

^ster<br />

Hayward!


20th Cenfory-Fox presents BETTY GRABLE<br />

• SHEREE NORTH BOI<br />

•<br />

CUMMINGS CHARLES COBURN TOMMY NOONAN • in HOWiFO B<br />

•<br />

VERY, VERY POPULAR with Orson Bean Fred Clark<br />

• Produced, tectei<br />

and Screen Play by NUNNALLY JOHNSON** . COLOR by DEIXE


: Elsie<br />

' '<br />

No.<br />

: Fred<br />

I<br />

.<br />

.Monoging<br />

^^^^ y?2o&on T^cctwie /ftdiUt^<br />

IKATIONAL FILM WEEKLY<br />

1, jied in Nine Sectional Editions<br />

EN<br />

SHLY EN<br />

n-Chiel and Publisher<br />

D M. MER5EREAU Associote<br />

ubiishcr & General Manoger<br />

M JERAULD Editor<br />

iN COHEN. .Executive Editor<br />

.<br />

iHLYEN. Editor<br />

PEAR Western Editor<br />

HATCHER. .Equipment Editor<br />

SCHLOZMAN . Business Mgr.<br />

shed Every Saturday by<br />

OCIATED PUBLICATIONS<br />

on Ottices: 825 Van Brunt Blvd..<br />

IIS 24. Mo. Nathan Cohen, E.>;ecu-<br />

or: Jessf Shiyen, Managing Edlils<br />

Schlozman. Business Manager:<br />

irthcr. Editor The Modern Theatre<br />

Telephone CHestnut T777.<br />

(tfflces:45 Itockefeller Plaza. New<br />

N, V. Donald M. Mersereau.<br />

Publisher & General Manager:<br />

Jerauld. Editor: Hal Sloane.<br />

Promotlon-Showmandlser Section;<br />

Stocker. Equipment Advertising.<br />

COIumbus 5-63T0.<br />

)tfico: Editorial—920 No.<br />

Michl-<br />

,<br />

Chicago 11. 111.. Frances B.<br />

itphooe superior 7-3972. Adver-<br />

15 East Waclier Drive. Chicago 1.<br />

In( Hutchison and E. E. Yeck.<br />

t .\Ndover 3-3042.<br />

OKIcb: Editorial and Film Adver-<br />

404 HolLvnood Blvd.. Hollywood<br />

I. Ivi Tele<br />

Dllyvood 5-1186. Equipment and<br />

Advertising—672 S. Lafayette<br />

, t«s Angeles. Calif. Bob Wett-<br />

Mg«. Telephone Dunkirk 8-22S6.<br />

on Office: Al Goldsmith. 1365<br />

rrc-


,<br />

SAW<br />

',<br />

'<br />

.<br />

COMPO SUPPLYING EXHIBITORS]<br />

WITH AUDIENCE POLL BALLOTJ<br />

They Will Nominate Films<br />

And Players Which Public<br />

Will Vote on in November<br />

NEW YORK—The first official ballot<br />

for exhibitor nominations for the national<br />

Audience Awards poll to be conducted<br />

under Council of Motion Picture Organizations<br />

auspices is being supplied exhibitors,<br />

along with a highly attractive and meaty<br />

brochure outlining the plan. Two other<br />

ballots will follow.<br />

NOMINATING BALLOT ONLY<br />

The ballot Is a nominating ballot only and<br />

is not to be confused with the ballot which<br />

the public will use in the election to be held<br />

in theatre lobbies November 17-27. It covers<br />

pictures released during the period Oct. 1,<br />

1954-March 31, 1955. An envelope is inclosed<br />

for mailing to Pi-ice Waterhouse & Co.. 56<br />

Pine St., New York 5, N.Y., before July 11.<br />

Picture and player nominations are limited<br />

to ten each. No player can be nominated<br />

more than once. Players may be nominated<br />

for their work in a certain listed picture, as<br />

William Holden in connection with either "The<br />

Bridges at Toko-Ri" or "The Country Girl,"<br />

but there can be write-in nominations of both<br />

pictures and players. Nomination of a picture<br />

does not mean that the exhibitor must<br />

nominate any of the players In it.<br />

The ballot is divided into three parts—the<br />

best pictures, the best performances of male<br />

and female stars and the most promising<br />

young male and female personalities. In the<br />

following list, where there are asterisks after<br />

names, they indicate promising young personalities<br />

as distinct from stars, and where there<br />

are duplications of names for the same picture,<br />

it means the vote can go to the players<br />

either as stars or as young personalities. The<br />

list follows:<br />

ADVENTURES OF HAJJl BABA—John Derek, Elaine<br />

Stewart.<br />

THE AMERICANO—^Glenn Ford, Ursula Thiess, Abbe<br />

Lane*.<br />

ATHENA—Edmund Purdom, Vic Damone, Jane<br />

Powell, Debbie Reynolds, Virginia Gibson*.<br />

ABBOTT & COSTELLO MEET THE KEYSTONE KOPS<br />

— Bud Abbott, Lou Costello, Lynn Bori.<br />

THE BLACK WIDOW—Van Heflin, George Ratt,<br />

Ginger Rogers, Gene Tierney, Virginia Leith*.<br />

THE BRIDGES AT TOKO-RI—William Holden,<br />

Fredric March, Mickey Rooney, Grace Kelly.<br />

THE BAREFOOT CONTESSA—Humphrey Bogart,<br />

Avo Gardner, Rossano Brazzi*, Mori Aldon".<br />

THE BLACK KNIGHT—Alan Lodd, Patricio Medina.<br />

BIG COMBO—Cornel Wilde, Richard Conte, Jean<br />

Wallace.<br />

BATTLE CRY—Van Heflin, Aldo Ray, Mono Freeman,<br />

Nancy Olson, Tab Hunter*, Dorothy Malone*.<br />

BRIGADOON—Gene Kelly, Van Johnson, Cyd<br />

Chonsse, Elaine Stewart, Dody Heath*.<br />

ADDITIONAL FILM ENTRIES<br />

BEAU BRUMMELL—Stewart Grainger, Peter Ustinof,<br />

Robert Morley, Elizabeth Taylor.<br />

BAD DAY AT BLACK ROCK—Spencer Tracy, Robert<br />

Ryon, John Ericson".<br />

THE BLACKBOARD JUNGLE—Glenn Ford.<br />

BLACK SHIELD OF FALWORTH—Tony Curtis, Janet<br />

Leigh, Barbara Rush*.<br />

BENGAL BRIGADE—Rock Hudson, Arlene Dahl.<br />

CARMEN JONES—Horry Belofonte, Dorothy Dandridge,<br />

Harry Belofonte*, Dorothy Dondridge*.<br />

COUNTRY GIRL— Bing Crosby, William Holden,<br />

Grace Kelly.<br />

CREST OF THE WAVE—Gene Kelly, Jeff Richards*<br />

CAPTAIN LIGHTFOOT—Rock Hudson, Barbara<br />

Rush, Jeff Morrow*, Barboro Rush*.<br />

If Poll Succeeds, Rhodeii<br />

Sees a Business 'Boom'<br />

HOLLYWOOD--for the trade as a whole will result if the<br />

"terrific" business boom<br />

national audience poll<br />

to be conducted this<br />

fall under the auspices<br />

of COMPO succeeds in<br />

launching five or six<br />

new film personalities,<br />

Elmer C. Rhoden,<br />

president of National<br />

Theatres and chairman<br />

of COMPO's audience<br />

awards committee,<br />

declared here<br />

Wednesday (1).<br />

Speaking at an informal<br />

luncheon for<br />

Elmer C. Rhoden<br />

studio advertising-publicity chiefs, Rhoden<br />

opined that the poll some day will become<br />

one of the most important and powerful influences<br />

in getting people out to see more<br />

movies. It is, he added, "something that<br />

should have been put into practice many,<br />

many years ago, but because of the lack of<br />

coordinated effort and unity within our industry,<br />

this important job was left undone."<br />

As host at the luncheon session, Rhoden<br />

called upon the studio advertising and publicity<br />

executives to help in creating selling campaigns,<br />

particularly trailers on new personal-<br />

DESIREE—Marlon Brando, Michael Rennie, Jean<br />

Simmons, Merle Oberon, Charlotte Austin*.<br />

THE DETECTIVE—Alec Guinness, Joan Greenwood.<br />

DRUM BEAT—Alan Lodd, Audrey Dolton, Robert<br />

Keith*, Marisa Povon*.<br />

DEEP IN MY HEART—Jose Ferrer, Wolter Pidgeon,<br />

Merle Oberon, Helen Traubel, Doe Avedon*.<br />

DAWN AT SOCORRO— Rory Calhoun, Piper Laurie.<br />

DESTRY—Audie Murphy, Mari Blanchard.<br />

FOUR GUNS TO THE BORDER— Rory Calhoun,<br />

Colleen Miller, George Nader*, Colleen Miller*.<br />

FAR COUNTRY—James Stewart, Ruth Roman.<br />

GREEN FIRE—Stewart Granger, Paul Douglas, Grace<br />

Kelly.<br />

Ballot<br />

Distribution<br />

Through National Screen<br />

NEW YORK—The first COMPO ballot<br />

lists 72 pictures featuring 184 stars and<br />

is being distributed to 19.000 theatres by<br />

National Screen Service. The pictm'es<br />

were suggested for nomination by the<br />

sales managers of the distributing companies.<br />

All have the code seal, a mandatory<br />

provision in contest rules.<br />

Universal-International heads the list<br />

with 16. The other totals are: MGM, 13;<br />

20th Century-Fox, ten; Columbia, seven;<br />

Warner Bros., seven; Paramount, six;<br />

Allied Artists, five; RKO, four, and<br />

United Artists, four.<br />

ities, and said the exploitation for the pel ill<br />

get its springboard from Hollywood's d|hbeating<br />

staffs. He a.sked the assenled<br />

publicists to inform theatre operators ^e<br />

intensively about new screen talent iid<br />

supply more information to columnists,<br />

As concerns the showing of<br />

j^<br />

trailers fcd<br />

other studio-sponsored programs, thelrr<br />

executive said he had been assured by jping<br />

theatre organizations that they Bll<br />

"enthusiastically cooperate." 1<br />

Between 50 and 60 million people wJ'Ik<br />

given an opportunity to participate inttie<br />

poll, Rhoden declared, and by so doingfell<br />

"give to our producers in Hollywood Kt<br />

valuable information and serve as a guimo<br />

what our patrons like and support." *<br />

Additionally, more people will go to 4»re *re<br />

movies to help them decide how to cast<br />

ballots, Rhoden predicted, adding:<br />

"This will be the voice of the people.!<br />

Among those on hand were John C. p|n,<br />

representing Allied Ai-tists; David A. LiiOn.<br />

Universal-International; Teet Carle, I»-<br />

mount; Card Walker, Disney; Frank Vitbeck<br />

and Eddie Lawrence, MOM; Al Hortts,<br />

Columbia; Bill Hendricks, Warners; :;fte<br />

Wales, Ass'n of Motion Pictm-e Produas;<br />

Marty Weiser, tor Lippert and Pilmakers md<br />

Nat Dyches, 20th Century-Pox.<br />

HANSEL AND GRETEL—Kinemins (electronatly<br />

animated dolls).<br />

THE HUMAN JUNGLE—Gory Merrill, Jon Stei,^.<br />

HIT THE DECK—Tony Martin, Wolter Pit3Wi,<br />

Vic Damone, Jane Powell, Debbie Reynolds, Ann tiler.<br />

JUPITER'S DARLING—Howard Keel, Cirfle<br />

Sanders, Gower Champion, Esther Williams, litQe<br />

Champion.<br />

LITTLE KIDNAPPERS—Jon Whiteley*, V=enl<br />

Winter*.<br />

LONG GRAY LINE—Tyrone Power, Maureen OlSto,<br />

Bob Francis*, Bill Leslie*, Phil Carey*, Betsy PoW*.<br />

LAST TIME I PARIS—Van Johnson, M^'<br />

Pidgeon, Elizabeth Taylor, Donna Reed, Roger M'li*,<br />

Sandy Desher*.<br />

LAND OF FURY—Jack Hawkins, Glynis Johns.: J<br />

BOB MATH IAS STORY—Bob Mothias, .ilbo<br />

Mothias, Bob Mafhios*, Melbo Mothias*.<br />

MANY RIVERS TO CROSS— Robert Taylor, :tor<br />

McLoglen, Eleanor Parker, Russ Tomblyn.<br />

NEW YORK CONFIDENTIAL— Broderick Cra\ar


; [leriods<br />

,<br />

'<br />

I<br />

A<br />

I<br />

YOUNG<br />

I<br />

he<br />

I<br />

so THIS IS PARIS—Tony Curtis, Gloria DeHoven,<br />

Myrna Honsen*.<br />

SIX BRIDGES TO CROSS—Tony Curlib, JuIk-<br />

Adams, George Nader*.<br />

SMOKE SIGNAL—Dana Andrews, Piper Laurie, Rex<br />

?eoson*.<br />

THERE'S NO BUSINESS LIKE SHOW BUSINESS—<br />

JDon Dailey, Donald O'Connor, Johnny Ray, Ethel<br />

Iv^ermon, Marilyn Monroe, Mitzi Goynor.<br />

THREE RING CIRCUS—Deon Mortin, Jerry Lewis.<br />

TARZAN'S HIDDEN JUNGLE—Gordon Scotf.<br />

THREE HOURS TO KILL—Dana Andrews, Donna<br />

•^eed.<br />

TONIGHT'S THE NIGHT—David Niven, Barry Fitzjwold,<br />

Yvonne De Carlo.<br />

I<br />

TRACK OF THE CAT—Robert Mitchum, Teresa<br />

/Vright, Tab Hunter*.<br />

UNTAMED—Tyrone Power, Susan Hayward, Richard<br />

•gon', Rita Moreno*.<br />

UNDERWATER!— Gilbert Roland, Richard Egan, Jane<br />

?ussell, Lori Nelson*.<br />

VERA CRUZ—Gary Cooper, Burt Lancaster, Santa<br />

v^ontiel".<br />

THE VIOLENT MEN—Glenn Ford, Barbara Ston-<br />

«yck, Brian Keith*, Dianne Foster*, Moy Wynn*.<br />

WHITE FEATHER— Robert Wagner, Debra Paget,<br />

./irflinio Leith*.<br />

WOMAN'S WORLD—Clitton Webb, Fred Mac^<br />

/urroy, Cornel Wilde, Van Heflin, June Allyson,<br />

.Quren Bacali, Arlene Dohl.<br />

WHITE CHRISTMAS— Bing Crosby, Danny Koye,<br />

iosennary Clooney, Vera-Elien.<br />

WOMEN'S PRISON—Howard Dutf, Ida Lupino, Cleo<br />

v\oore".<br />

WEST OF ZANZIBAR—Anthony Steel, Sheila Sim.<br />

AT HEART—Frank Sinatra, Doris Doy, Gig<br />

('oung", Dorothy Malone*.<br />

YELLOW MOUNTAIN— Lex Barker, Mala Powers.<br />

rO PICK TOP TEN FILMS<br />

The ten pictures receiving the most nomilating<br />

votes from exhibitors will be con-<br />

;idered as having been nominated in the<br />

j'irst period of nominations covering releases<br />

rom Oct. 1, 1954, to March 31, 1955, and<br />

jVill be listed on the ballot to be marked by<br />

public in the public election. The same<br />

ipplles to the male and female stars and to<br />

iromising young male and female personiJities.<br />

In each of the second and third nominating<br />

the five pictures, the stars and the<br />

;iew personalities receiving the most exhibitor<br />

-lominating votes will be considered nomiiiated<br />

and their names listed on the ballot<br />

,0 be marked by the public during public<br />

otlng.<br />

Closing date for the second period will be<br />

,iugust 15 and for the third and final period<br />

)ctober 15. Ballots for distribution to the<br />

ublic will be available to exhibitors through<br />

lational Screen Service or some other agency,<br />

'articipating theatres may arrange for<br />

ublication of ballots in local newspapers as<br />

lection promotion, but all ballots to be<br />

liglble must be cast in ballot boxes set up<br />

,1 theatre lobbies.<br />

An appropriate national function for the<br />

.estowal of the awards will be arranged after<br />

:ie balloting, probably on December 5, 6 or 7.<br />

'. will be held in Hollywood and broadcast<br />

ationally on television and radio.<br />

CCESSORIES AVAILABLE<br />

Accessories to be available to exhibitors<br />

ill include a 12-page pressbook and two<br />

'ailers, one to be used in advance and the<br />

.her during the balloting period; one 40x60<br />

r>ster announcing the balloting in advance<br />

Id another listing the pictures and pei-sonities,<br />

printed ballots for distribution to paons<br />

and stickers to be pasted on ballot boxes.<br />

le pressbook will be free. There will be a<br />

iminal charge for the other items.<br />

The COMPO brochme lists the personnel<br />

the national committee, previously pubhed,<br />

and statements by Elmer C. Rhoden.<br />

tional chaij-man; Leonard H. Goldenson,<br />

'bert J. O'Donnell, Samuel Rosen, Sol A.<br />

hwartz, Joheph R. Vogel, Frank H. Ricket-<br />

1 jr., Ralph W. Russell, Wilbur Snaper,<br />

m Pinanski. Al Lichtman. Harry Brandt,<br />

lanuel Frisch, E. D. Martin. Ruben Shor.<br />

Martin Illness Delaying<br />

Talks With Distribution<br />

NEW YORK—Attempt.s by the joint Theatre<br />

Owners of America-National Allied committee<br />

on trade practices to continue meetings<br />

with distribution during the week have<br />

been postponed because of the illness of E. D.<br />

Martin, TOA president.<br />

Martin was taken ill at his Columbus, Ga.,<br />

home following the previous week's conference<br />

with 20th Century-Fox. TOA headquarters<br />

said he was considered essential to<br />

further negotiations with distribution, and<br />

that no attempts would be made to Initiate<br />

Senate Votes $4,484,000<br />

For Overseas Films<br />

WASHINGTON—The overseas film program<br />

of the U. S. Information Agency was<br />

voted the full $4,484,000 the administration<br />

asked for fiscal 1956, by the Senate on Tuesday<br />

(31). The House had voted only $3,000,000<br />

for this activity, about the same as the<br />

$3,087,000 actually available during the current<br />

fiscal year.<br />

Standard Anamorphic<br />

Prints Recommended<br />

PARIS—The International Union of Exhibitors<br />

has elected Italo Gemini president.<br />

He is an Italian theatre circuit<br />

operator and heads the Italian exhibitor<br />

association. The lUE is made up of exhibitor<br />

associations in 13 countries. Its<br />

convention here voted to campaign for<br />

standard prints from anamorphic films.<br />

It is organizing a television division with<br />

the aid of the Belgian unit.<br />

Messages were received from Julius<br />

Gordon of National Allied and Walter<br />

Reade jr. of Theatre Owners of America<br />

expressing an interest in future gatherings.<br />

The lUE will meet next in Rome<br />

late in September.<br />

Berger Still Relying<br />

On Congress Action<br />

MINNEAPOLIS—Ben Berger. chairman<br />

of the Allied States emergency defense committee,<br />

returned from the conference in New<br />

York and meeting with Spyros Skouras, 20th-<br />

Fox president, still feeling that the only way<br />

that relief can be forthcoming for small<br />

them until he recovered. It quoted his physician<br />

as saying his recovery might take a regulation of film rentals.<br />

exhibitors is through federal government<br />

week.<br />

Berger said nothing specific came out of<br />

Allied members of the committee were the meeting with Skouras, and he said he has<br />

notified. They had planned to be here Monday<br />

(30).<br />

other film company presidents will produce<br />

little hope that similar get-togethers with<br />

The committee had planned to seek meetings<br />

with Paramount and Warner Bros, dur-<br />

"I don't expect voluntary relief from any<br />

"the desired results."<br />

ing the week. They had said these two companies<br />

had been selected as the "toughest." tend, as I've contended all along, that we<br />

of the companies," said Berger. "I still con-<br />

It is still hoped that the meeting wibh Paramount,<br />

if it materializes, will be attended relief."<br />

must go to Congress to obtain film rental<br />

by Barney Balaban, Paramount president. Berger pointed out it's too late to introduce<br />

Who would represent Warner Bros, was uncertain.<br />

Harry M. Warner, president, is on Ti-ade Commission regulation of film rentals<br />

Abram F. Myers' bill calling for Federal<br />

the coast.<br />

in this session of Congress but the bill will<br />

Martin picked up a virus here and on his go into the hopper with Allied States' backing<br />

and, perhaps, too, with Theatre Owners<br />

return to Columbus visited his physician who<br />

gave him penicillin injections and told him of America support during the next session.<br />

to go to bed and rest. His condition, however,<br />

was not considered in any way serious. bill will "wise up" the nation on the extent<br />

The anticipated public hearings on the<br />

Besides Martin, the TOA contingent consists<br />

of Alfred Starr, Walter Reade jr. and lizing industry earnings and how the small<br />

to which "the film companies are monopo-<br />

Myron Blank. Allied is represented by Rube exhibitors are being hurt," according to<br />

Shor, president; Ben Marcus, Ben Berger and Berger.<br />

Jack Kirsch.<br />

He emphasized Skouras was courteous and<br />

cordial, but "nice words aren't enough—we<br />

need tangible action—and no definite commitments<br />

were received from Skouras."<br />

Spain Complicates Pact<br />

Negotiations With U. S.<br />

NEW YORK—The Spanish government has<br />

complicated negotiations for a new trade pact<br />

with the U. S. industry by insisting that<br />

American companies distribute Spanish pictures<br />

in return for a generous allotment of<br />

import permits.<br />

The board of the Motion Picture Export<br />

Ass'n received the news Tuesday (31) from<br />

G. Griffith Johnson, vice-president, who was<br />

in Madrid working on the pact. He said he<br />

would continue to oppose the move. It was<br />

thought here that it might be simply a<br />

bargaining device.<br />

Johnson was scheduled to leave Madrid at<br />

the weekend for talks with the West German<br />

government and film industry at Bonn and<br />

Frankfort where a ticket tax to aid production<br />

is being considered. He may return to<br />

Madrid.<br />

MPEA Awaits Remittance<br />

NEW YORK—The Motion Pictirre<br />

Export<br />

Ass'n is awaiting a remittance of $3,500,000<br />

from Italy in line with its recent approval by<br />

the Italian government. There have been a<br />

number of compensation deals arranged by<br />

the MPEA which released film earnings i:i<br />

Italy, but no official remittances for a year.<br />

June 4, 1955 9<br />

XOFFICE : :


SAW<br />

n<br />

I<br />

COMPO SUPPLYING EXHIBITORS<br />

WITH AUDIENCE POLL BALLOTS<br />

They Will Nominate Films<br />

And Players Which Public<br />

Will Vote on in November<br />

NEW YORK—The first official ballot<br />

for exhibitor nominations for the national<br />

Audience Awards poll to be conducted<br />

under Council of Motion Picture Organizations<br />

auspices is being supplied exhibitors,<br />

along with a highly attractive and meaty<br />

brochure outlining the plan. Two other<br />

ballots will follow.<br />

NOMINATING BALLOT ONLY<br />

The ballot is a nominating ballot only and<br />

is not to be confused with the ballot which<br />

the public will use in the election to be held<br />

in theatre lobbies November 17-27. It covers<br />

pictures released during the period Oct. 1,<br />

1954-March 31, 1955. An envelope is inclosed<br />

for mailing to Pi-ice Waterhouse & Co., 56<br />

Pine St., New York 5, N.Y., before July 11.<br />

Picture and player nominations are limited<br />

to ten each. No player can be nominated<br />

more than once. Players may be nominated<br />

for theii- work in a certain listed picture, as<br />

William Holden in connection with either "The<br />

Bridges at Toko-Ri" or "The Country Gii'l,"<br />

but there can be write-in nominations of both<br />

pictures and players. Nomination of a picture<br />

does not mean that the exhibitor must<br />

nominate any of the players In it.<br />

The ballot is divided into three parts— the<br />

best pictures, the best performances of male<br />

and female stars and the most promising<br />

young male and female personalities. In the<br />

following list, where there are asterisks after<br />

names, they indicate promising young personalities<br />

as distinct from stars, and where there<br />

are duplications of names for the same picture,<br />

it means the vote can go to the players<br />

either as stars or as young personalities. The<br />

list follows:<br />

ADVENTURES OF HAJJI BABA—John Derek, Elaine<br />

Stewart.<br />

THE AMERICANO—Glenn Ford, Ursula Thiess, Abbe<br />

Lone*.<br />

ATHENA—Edmund Purdom, Vic Damone, Jane<br />

Powell, Debbie Reynolds, Virginia Gibson*.<br />

ABBOTT & COSTELLO MEET THE KEYSTONE K0P5<br />

—Bud Abbott, Lou Costello, Lynn Ban.<br />

THE BLACK WIDOW—Van Heflin, George Raft,<br />

Ginger Rogers, Gene Tierney, Virginia Leith*.<br />

THE BRIDGES AT TOKO-RI—Williom Holden,<br />

Fredric March, Mickey Rooney, Grace Kelly.<br />

THE BAREFOOT CONTESSA—Humphrey Bogart,<br />

Avo Gardner, Rossano Brazzi*, Mori Aldon*.<br />

THE BLACK KNIGHT—Alan Ladd, Patricia Medina.<br />

BIG COMBO—Cornel Wilde, Richard Conte, Jean<br />

Wallace.<br />

BATTLE CRY—Van Heflm, Aldo Roy, Mono Freeman,<br />

Nancy Olson, Tab Hunter*, Dorothy Malone*.<br />

BRIGADOON—^Gene Kelly, Van Johnson, Cyd<br />

Charisse, Elaine Stewart, Dody Heath*.<br />

ADDITIONAL FILM ENTRIES<br />

BEAU BRUMMELL—Stewart Grainger, Peter Ustinot,<br />

Robert Morley, Elizabeth Taylor.<br />

BAD DAY AT BLACK ROCK—Spencer Tracy, Robert<br />

Ryan, John Ericson*.<br />

THE BLACKBOARD JUNGLE—Glenn Ford.<br />

BLACK SHIELD OF FALWORTH—^Tony Curtis, Janet<br />

Leigh, Barbara Rush*.<br />

BENGAL BRIGADE—Rock Hudson, Arlene Dahl.<br />

CARMEN JONES—Horry Belafonte, Dorothy Dondridge,<br />

Horry Belafonte*, Dorothy Dondridge*.<br />

COUNTRY GIRL—Bmg Crosby, William Holden,<br />

Grace Kelly.<br />

CREST OF THE WAVE—Gene Kelly, Jeff Richards*.<br />

CAPTAIN LIGHTFOOT—Rock Hudson, Barbara<br />

Rush, Jeff Morrow*, Borboro Rush".<br />

If Poll Succeeds, Rhoderi<br />

Sees a Business 'Boom<br />

HOLLYWOOD—A "terrific"<br />

business boom<br />

for the trade as a whole will result if the<br />

national audience poll<br />

to be conducted this<br />

fall under the auspices<br />

of COMPO succeeds in<br />

launching five or six<br />

new film personalities,<br />

Elmer C. Rhoden,<br />

president of National<br />

Theatres and chairman<br />

of COMPO's audience<br />

awards committee,<br />

declared here<br />

Wednesday (1).<br />

Elmer C. Rhoden Speaking at an informal<br />

luncheon for<br />

studio advertising-publicity chiefs, Rhoden<br />

opined that the poll some day will become<br />

one of the most important and powerful influences<br />

in getting people out to see more<br />

movies. It is, he added, "something that<br />

should have been put into practice many,<br />

many years ago, but because of the lack of<br />

coordinated effort and unity within our industry,<br />

this important job was left undone."<br />

As host at the luncheon session, Rhoden<br />

called upon the studio advertising and publicity<br />

executives to help in creating selling campaigns,<br />

particularly trailers on new personal-<br />

DESIREE—Marlon Brando, Michael Rennie, Jeon<br />

Simmons, Merle Oberon, Charlotte Austin*.<br />

THE DETECTIVE—Alec Guinness, Joan Greenwood.<br />

DRUM BEAT—Alan Ladd, Audrey Dalton, Robert<br />

Keith*, Mansa Pavan*.<br />

DEEP IN MY HEART— Jose Ferrer, Walter Pidgeon,<br />

Merle Oberon, Helen Traubel, Doe Avedon*.<br />

DAWN AT SOCORRO—Rory Calhoun, Piper Laurie.<br />

DESTRY—Audie Murphy, Mori Blanchard.<br />

FOUR GUNS TO THE BORDER— Rory Calhoun,<br />

Colleen Miller, George Nader*, Colleen Miller*.<br />

FAR COUNTRY—James Stewart, Ruth Roman,<br />

GREEN FIRE—Stewart Granger, Poul Douglas, Grace<br />

Kelly.<br />

Ballot<br />

Distribution<br />

Through National Screen<br />

NEW YORK—The first COMPO ballot<br />

lists 72 pictures featm'ing 184 stars and<br />

is being distributed to 19,000 theatres by<br />

National Screen Service. The pictm-es<br />

were suggested for nomination by the<br />

sales managers of the distributing companies.<br />

All have the code seal, a mandatory<br />

provision in contest rules.<br />

Universal-International heads the list<br />

with 16. The other totals are: MGM, 13;<br />

20th Centui-y-Fox, ten; Columbia, seven;<br />

Warner Bros., seven; Pai-amount. six:<br />

Allied Artists, five; RKO, four, and<br />

United Ai'tists, four.<br />

ities, and said the exploitation for the poll wj<br />

get its springboard from Hollywood's drunj<br />

beating staffs. He asked the assembli<br />

publicists to inform theatre operators moj<br />

intensively about new screen talent ai<br />

supply more information to columnists. !<br />

As concerns the showing of trailers aij<br />

other studio-sponsored programs, the N<br />

executive said he had been assured by leal<br />

ing theatre organizations that they w,<br />

"enthusiastically cooperate."<br />

Between 50 and 60 million<br />

j<br />

people will '<br />

given an opportunity to participate in tj<br />

poll, Rhoden declared, and by so doing fi<br />

"give to our producers in Hollywood mrt<br />

valuable information and serve as a guide »,<br />

what our patrons like and support."<br />

Additionally, more people will go to m(f<br />

movies to help them decide how to cast tht<br />

ballots, Rhoden predicted, adding: ;<br />

"This will be the voice of the people."<br />

j<br />

Among those on hand were John C. Pllil,<br />

representing Allied Artists; David A. Lipf,,<br />

Universal-International; Teet Carle, Pa^<br />

mount: Card Walker, Disney; Frank Wl:!-<br />

beck and Eddie Lawrence, MOM; Al Horwi,<br />

Columbia; Bill Hendricks, Warners; Dlb<br />

Wales, Ass'n of Motion Picture Produce<br />

Marty Weiser, for Lippert and Filmakers; E/i<br />

Nat Dyches, 20th Century-Fox.<br />

HANSEL AND GRETEL—Kinemins (electronic|il<br />

animated dolls).<br />

THE HUMAN JUNGLE—Gory Merrill, Jan Sterlii]<br />

HIT THE DECK—Tony Martin, Wolter PidgJi,<br />

Vic Damone, Jane Powell, Debbie Reynolds, Ann Mir.<br />

JUPITER'S DARLING—Howard Keel, Ge(«(<br />

Gower Champion, Esther Williams, Mi


p<br />

. WOMAN'S<br />

i<br />

1<br />

RING<br />

—<br />

; June<br />

-<br />

j) THIS IS PARIS—^Tony Curtis, Gloria DeHoven,<br />

mliQ Hansen*.<br />

X BRIDGES TO CROSS—Tony Curtis, Julie<br />

^cns, George Noder*.<br />

AOKE SIGNAL—Dana Andrews, Piper Laurie, Rex<br />

Uon*.<br />

JFOFS NO BUSINESS LIKE SHOW BUSINESS—<br />

Lv, Donald O'Connor, Johnny Roy, Ethel<br />

Vlarilyn Monroe, Mitzi Goynor.<br />

CIRCUS—Dean Martin, Jerry Lewis.<br />

'VRZAN'S HIDDEN JUNGLE—Gordon Scotf.<br />

IREE HOURS TO KILL— Dana Andrews, Donno<br />

Ri-i<br />

5NIGHT'S THE NIGHT—David Nr Borry Fitzijjid,<br />

Yvonne De Carlo.<br />

,!ACK OF THE CAT—Robert Mitchum, Tereso<br />

Wiiht, Tab Hunter*.<br />

NTAMED—Tyrone Power, Susan Hoyword, Richard<br />

Eci', Rito Moreno*.<br />

^IDERWATER!—Gilbert Roland, Richard Egon, Jane<br />

Riell, Lori Nelson".<br />

:RA CRUZ Gary Cooper, Burt Lancaster, Santo<br />

W'ielV<br />

HE VIOLENT MEN—Glenn Ford, Barbara Sfonv»',.,<br />

Brian Keith*, Dionne Foster*, May Wynn*.<br />

HITE FEATHER— Robert Wagner, Debro Paget,<br />

Viinio Leith*.<br />

WORLD—Clifton Webb, Fred Moc-<br />

Cornel Wilde, Van Heflin, June AllysonJ,<br />

M'"oy,<br />

Loen Bocall, Arlene Dohl.<br />

HITE CHRISTMAS— Bing Crosby, Danny Koye,<br />

R) mory Clooney, Vera-Ellen.<br />

OMEN'S PRISON—^Howard Duff, Ida Lupmo, Cleo<br />

Mre*.<br />

a lies to the male and female stars and to<br />

p nising young male and female person<br />

aiies.<br />

til<br />

|i each of the second and third nominating<br />

piods the five pictures, the stars and the<br />

personalities receiving the most exhibitor<br />

n^iinating votes will be considered nomiri'3d<br />

and their names listed on the ballot<br />

t(be marked by the public during public<br />

v;ng.<br />

losing date for the second period will be<br />

^ust 15 and for the third and final period<br />

Cober 15. Ballots for distribution to the<br />

p lie will be available to exhibitors through<br />

N ional Screen Service or some other agency.<br />

F'ticipating theatres may arrange for<br />

pilication of ballots in local newspapers as<br />

eUion promotion, but all ballots to be<br />

eMble must be cast in ballot boxes set up<br />

lobbies.<br />

i'..heatre<br />

n appropriate national function for the<br />

b owal of the awards will be arranged after<br />

tl balloting, probably on December 5, 6 or 7.<br />

I'viU be held in Hollywood and broadcast<br />

n onally on television and radio.<br />

A ESSORIES AVAILABLE<br />

ccessories to be available to exhibitors<br />

«'<br />

include a 12-page pressbook and two<br />

tl lers, one to be used in advance and the<br />

r during the balloting period; one 40x60<br />

P' e;- announcing the balloting in advance<br />

'I<br />

.mother listing the pictures and personal<br />

es, printed ballots for distribution to pa-<br />

J s and stickers to be pasted on ballot boxes.<br />

T pressbook will be free. There will be a<br />

" inal charge for the other items.<br />

le COMPO brochure lists the personnel<br />

ul he national committee, previously public<br />

^d, and statements by Elmer C. Rhoden,<br />

nional chaii-man; Leonard H. Goldenson.<br />

Rert J. O'Donnell, Samuel Rosen, Sol A.<br />

Si vartz, Joheph R. 'Vogel. Frank H. Ricketsc<br />

jr., Ralph W. Russell. Wilbur Snaper,<br />

Si Pinanski, Al Lichtman, Harry Brandt,<br />

El nuel Frisch, E. D. Martin. Ruben Shor.<br />

Martin Illness Delaying<br />

Talks With Distribution<br />

NEW YORK—Attempts by the joint Theatre<br />

Owners of America-National Allied committee<br />

on trade practices to continue meetings<br />

with distribution during the week have<br />

been postponed because of the illne.ss of E. D.<br />

Martin, TOA president.<br />

Martin was taken ill at his Columbus, Ga.,<br />

home following the previous week's conference<br />

with 20th Century-Fox. TOA headquarters<br />

said he was considered essential to<br />

further negotiations with distribution, and<br />

that no attempts would be made to hiitiate<br />

them until he recovered. It quoted his physician<br />

as saying his recovery might take a<br />

week.<br />

Allied members of the committee were<br />

notified. They had planned to be here Monday<br />

(30).<br />

The committee had planned to seek meetings<br />

with Paramount and Warner Bros, during<br />

the week. They had said these two companies<br />

had been selected as the "toughest."<br />

It is still hoped that the meeting wit*i Paramount,<br />

if it materializes, will be attended<br />

by Barney Balaban, Paramount president.<br />

Who would represent Warner Bros, was uncertain.<br />

Harry M. Warner, president, is on<br />

the coast.<br />

Martin picked up a virus here and on his<br />

return to Columbus visited his physician who<br />

gave him penicillin Injections and told him<br />

to go to bed and rest. His condition, however,<br />

was not considered in any way serious.<br />

Besides Martin, the TOA contingent consists<br />

of Alfred Starr, Walter Reade jr. and<br />

Myron Blank. Allied is represented by Rube<br />

Shor, president; Ben Marcus, Ben Berger and<br />

Jack Kirsch.<br />

Senate Votes $4,484,000<br />

For Overseas Films<br />

WASHINGTON—The overseas film program<br />

of the U. S. Information Agency was<br />

voted the full $4,484,000 the administration<br />

asked for fiscal 1956, by the Senate on Tuesday<br />

(31). The House had voted only $3,000,000<br />

for this activity, about the same as the<br />

$3,087,000 actually available during the current<br />

fiscal year.<br />

Standard Anamorphic<br />

Prints Recommended<br />

PARIS—The International Union of Exhibitors<br />

has elected Italo Gemini president.<br />

He is an Italian theatre circuit<br />

operator and heads the Italian exhibitor<br />

association. The lUE is made up of exhibitor<br />

associations in 13 countries. Its<br />

convention here voted to campaign for<br />

standard prints from anamorphic films.<br />

It is organizing a television division with<br />

the aid of the Belgian unit.<br />

Messages were received from Juhus<br />

Gordon of National Allied and Walter<br />

Reade jr. of Theatre Owners of America<br />

expressing an interest in future gatherings.<br />

The lUE will meet next in Rome<br />

late in September.<br />

Berger Still Relying<br />

On Congress Action<br />

MINNEAPOLIS—Ben Berger, chairman<br />

of the Allied States emergency defense committee,<br />

returned from the conference in New<br />

York and meeting with Spyros Skouras, 20th-<br />

Fox president, still feehng that the only way<br />

that relief can be forthcoming for small<br />

exhibitors is through federal government<br />

regulation of film rentals.<br />

Berger said nothing specific came out of<br />

the meeting with Skouras, and he said he has<br />

little hope that similar get-togethers with<br />

other film company presidents will produce<br />

"the desired results."<br />

"I don't expect voluntary relief from any<br />

of the companies," said Berger. "I still contend,<br />

as I've contended all along, that we<br />

must go to Congress to obtain film rental<br />

relief."<br />

Berger pointed out it's too late to introduce<br />

Abram P. Myers' bill calling for Federal<br />

T:-ade Commission regulation of film rentals<br />

in this session of Congress but the bill will<br />

go into the hopper with Allied States' backing<br />

and, perhaps, too. with Theatre Owners<br />

of America support during the next session.<br />

The anticipated public hearings on the<br />

bill will "wise up" the nation on the extent<br />

to which "the film companies are monopolizing<br />

industry earnings and how the small<br />

exhibitors are being hurt," according to<br />

Berger.<br />

He emphasized Skouras was courteous and<br />

cordial, but "nice words aren't enough—we<br />

need tangible action—and no definite commitments<br />

were received from Skouras."<br />

Spain Complicates Pact<br />

Negotiations With U. S.<br />

NEW YORK—The Spanish government has<br />

complicated negotiations for a new trade pact<br />

with the U. S. industry by insisting that<br />

American companies distribute Spanish pictures<br />

in return for a generous allotment of<br />

import permits.<br />

The board of the Motion Picture Export<br />

Ass'n received the news Tuesday (31) from<br />

G. Griffith Johnson, vice-president, who was<br />

in Madrid working on the pact. He said he<br />

would continue to oppose the move. It was<br />

thought here that it might be simply a<br />

bargaining device.<br />

Johnson was scheduled to leave Madrid at<br />

the weekend for talks with the West German<br />

government and film industry at Bonn and<br />

Frankfort where a ticket tax to aid production<br />

is being considered. He may return to<br />

Madrid.<br />

MPEA Awaits Remittance<br />

NEW YORK—The Motion Picture<br />

Export<br />

Ass'n is awaiting a remittance of $3,500,000<br />

from Italy in line with its recent approval by<br />

the Italian government. There have been a<br />

number of compensation deals arranged by<br />

the MPEA which released film earnings in<br />

Italy, but no official remittances for a year.<br />

B( OFFICE :<br />

4, 1955 9


20i. LIGHTS UP<br />

NEW YORK<br />

WITH 6<br />

FIRST-RUN<br />

HITS ON<br />

BROADWAY!


m<br />

MAUREEN O'HARA- ANTHONY QUINN<br />

A CINEMaScOP^ Picture<br />

An Edward t Alperson Presentation Released by 20tli CenturyFo*<br />

ASTOR<br />

(rN<br />

starring<br />

MARILYN MONROE<br />

and TOM EWELL<br />

A CINEMaScoPE Picture<br />

COLOR by DE LUXE<br />

" 's a pleasure to do


-<br />

Ists Corp. vice-presi-<br />

dent in charge of domestic<br />

operations, died<br />

Thursday (2). He had<br />

been taken critically ill<br />

a few days before while<br />

in the apartment of<br />

Joseph M. Schenck and<br />

was taken to St. Luke's<br />

Hospital. He had been<br />

in ill health about a<br />

j<br />

PuUc ^e^nU<br />

Reports 50-60% TV Shows<br />

Being Produced on Films<br />

T. Gentry Veal of Eastman Kodak says<br />

proportion is increasing as 20tli Century-Fox<br />

television subsidiary prepares to use old<br />

Western avenue studio for this purpose.<br />

*<br />

COMPO Luncheon Planned<br />

As Interest in Poll Jumps<br />

Elmer Rhoden to make trip to New York<br />

Thursday (9) for discussion of exhibitor reactions<br />

following mailing of ballots; other<br />

regional meetings to follow.<br />

•<br />

Shift in Personnel of FCC<br />

May Delay Toll TV Ruling<br />

Frieda Hennock departure, mass of problems<br />

to be studied, plus investigating moves<br />

expected in Senate are expected to set back<br />

? a decision until next year; filing deadline<br />

* is Thursday (9).<br />

•<br />

Two More 'Davy Crockett' Suits<br />

Are Filed in Baltimore<br />

Clothing manufacturers claiming trademark<br />

rights take court action against two mail<br />

order houses and file answer to halt Walt<br />

Disney suit against them, as merchandising<br />

eai-nings of almost $4,000,000 are foreseen.<br />

•<br />

U. S. Court Grants Second<br />

Loew Plea for Drive-In<br />

Judge Goddard approves acquisition of<br />

Jacksonville spot; other defendants in antitrust<br />

case who had been awaiting decision see<br />

possibility of expansion into open-air field;<br />

court had been slow to act in two previous<br />

cases.<br />

•<br />

Norton Tune Is Elected<br />

Tennessee TOA Head<br />

Succeeds Stacy Wilhite; other officers: W.<br />

Russell Holder, vice-president; Aubrey<br />

Crouch, secretary-treasurer; Alfred Starr and<br />

Kermit Stengel,<br />

directors.<br />

•<br />

New Universal Exchange<br />

Under Way in Memphis<br />

New home, to cost $100,000, expected to be<br />

completed in September; location is on northwest<br />

corner of Huling and St. Martin streets;<br />

Richard C. Setteen is manager.<br />

•<br />

Amusement Tax Receipts<br />

Increase in Kentucky<br />

Total for July-April totaled $1,377,321, as<br />

compared with $1,273,587 in the previous year;<br />

receipts in April were $90,794, against $88,-<br />

108 in April 1954.<br />

•<br />

Only 33 Films Produced<br />

In Mexico During '55<br />

Of that amount eight were made by Americans,<br />

according to the National Actors Union;<br />

only 500 of its 3,500 members were employed<br />

in pictures thus far this year.<br />

12<br />

MGM Plans to Produce<br />

13 Films in Two Months<br />

HOLLYWOOD — With the scheduled<br />

launching of eight more features between<br />

now and the end of July to supplement five<br />

already before the<br />

cameras, MGM will<br />

reach a five-year production<br />

peak within<br />

the next seven weeks,<br />

studio head Dore<br />

Schary disclosed. To<br />

meet the demands,<br />

work has begun on a<br />

construction program<br />

which will expand the<br />

facilities of numerous<br />

departments in some<br />

cases to more than<br />

Dore Schary double their present<br />

capacities.<br />

Schary said he expected the accelerated<br />

pace "to continue without interruption<br />

through the remainder of the year."<br />

SPENCER TRACY IN OPENER<br />

Launching the new program is a location<br />

trek to the Colorado Rockies for "Tribute to<br />

a Bad Man," starring Spencer Ti-acy, being<br />

produced and directed respectively by Sam<br />

Zimbalist and Robert Wise. It wiU be followed<br />

immediately by a location junket to<br />

South Dakota for "The Last Hunt." toplining<br />

Robert Taylor, Stewart Granger and Lloyd<br />

Nolan, which Richard Brooks will meg.<br />

Slated to start this month and next are<br />

"I'll Cry Tomorrow," autobiography of Lillian<br />

Roth, starring Susan Hayward, to be produced<br />

by Lawrence Weingarten and piloted<br />

by Daniel Mann; "The Tender Trap," romantic<br />

comedy with Debbie Reynolds, Frank<br />

Sinatra and David Wayne, also a Weingarten<br />

production, which Charles Walters<br />

will direct; "Gaby," starring Leslie Caron,<br />

produced by Edwin H. Knopf, megged by<br />

Curtis Bernhardt; "Weekend at Las Vegas,"<br />

a Joe Pasternak production, starring Cyd<br />

Charisse; "Fearful Decision," suspense drama<br />

which Nicholas Nayfack will produce; "The<br />

Rack," starring Gleian Ford, which Arthur<br />

M. Loew jr. is to produce.<br />

Additionally, Zanra Productions—headed by<br />

Desi Arnaz and Lucille Ball—will gun "Forever<br />

Darling," for MGM release, with Arnaz,<br />

Miss Ball and James Mason in the leads and<br />

Alexander HaU directing.<br />

ON THE SOUND STAGES<br />

Pi'esently on the sound stages are "Diane,"<br />

starring Lana Turner; "Kismet," with Howard<br />

Keel and Ann Blyth; "Forbidden Planet,"<br />

toplining Walter Pidgeon and Anne Francis;<br />

and two being filmed abroad, "Bhowani<br />

Junction," starring Ava Gardner and Stewart<br />

Granger, and "Quentin Durward," with Robert<br />

Taylor.<br />

All of the pictures now being lensed and<br />

five of the eight set to start are in Cinema<br />

Scope and color, the exceptions being "The<br />

Rack," "I'll Cry Tomorrow" and "Fearful Decision."<br />

Schary declared the augmented schedule<br />

will result in the highest employment index<br />

in more than five years at the studio.<br />

MGM to Double Output<br />

Of Cartoon Department<br />

HOLLYWOOD—Concurrent with its'<br />

projected upsurge in feature film production,<br />

MGM is doubling the output and<br />

personnel of its cartoon department and<br />

henceforth will turn out 18 pen-and-inkl.<br />

subjects annually, all in CinemaScopd<br />

'<br />

and Technicolor.<br />

Hal Ehas, associated for 18 years witW<br />

the production and distribution of MGM]<br />

short subjects, has been upped to man-j<br />

ager of the cartoon division, headed by!<br />

Fred Quimby, who is leaving on an ex-t<br />

tended vacation.<br />

j<br />

At the same time Joseph Barbera and<br />

William Hanna, writer-director team om<br />

the "Tom and Jerry" series, were pro-]<br />

moted to fuU producer status and will!<br />

supervise all of the 18 planned cartoons!<br />

Nine will be in the "Tom and Jerry')<br />

group, six will star "Droopy" and the bal-]<br />

ance will be adapted from published<br />

works.<br />

Harry Buckley. Veteran<br />

;<br />

In UA Operation, Dies<br />

NEW YORK—Harry Douglas Buckley, ;<br />

vice-president and a director of United AJ<br />

ists Theatre Circuit and former United A;<br />

year.<br />

Funeral services will<br />

be held Monday (6) at<br />

Donelly Funeral Home,<br />

St. Louis, his native city.<br />

Harry D. Buckle;<br />

He ___ leaves his wij.<br />

Florence. There were no children.<br />

j<br />

Buckley entered the theatre business w<br />

the age of 21 by becoming manager of ife<br />

Gan-ick Theatre, later the Columbia,<br />

Louis. Later he was UA branch manager jJ<br />

Kansas City and Los Angeles manager, f<br />

became business manager for Mary PickfW<br />

and Douglas Fairbanks, then a UA hon|office<br />

executive. He left UA when the adm<br />

istration of the late Paul V. McNutt tcC<br />

over in 1951. He was one of the origiil<br />

and one of the largest stockholders in Unifl<br />

Artists Theatre Circuit.<br />

Frank J. Downey<br />

DETROIT—Frank J. Downey, who n<br />

manager of the Detroit MGM exchange<br />

31 years, died May 28 in Los Angeles, wh<br />

he moved following his retirement last Sitember<br />

1. During his years as dean of loJ<br />

exchange executives, he came to be knop<br />

as Detroit's "Mr. Motion Picture Businesij<br />

BOXOFFICE June 4, 196!


,<br />

linn,<br />

'•<br />

I<br />

iring<br />

: Cinemascope<br />

i<br />

m.se<br />

I'<br />

I<br />

i)th-Fox Schedules 13<br />

luring June-October<br />

|( .>fEW YORK—Twentieth Century-Fox will<br />

*<br />

I.ce 13 features, 12 of them in Cinemascope<br />

[i color, in national release between June<br />

d October 1955. The total for the year 1955<br />

|r Lexpected to total 28.<br />

fune releases are headed by Charles K.<br />

';dman's "The Seven Year Itch," recently<br />

meed from the originally scheduled 1956<br />

date, which stars Marilyn Monroe<br />

, d Tom Ewell. Also in June are "Soldier of<br />

litune," starring Clark Gable and Susan<br />

jyward, and "The Magnificent Matador,"<br />

jrring Maureen O'Hara and Anthony<br />

an Edward L. Alperson production.<br />

. three are in Cinemascope and color.<br />

(uly releases will be: "House of Bamboo."<br />

., ! rring Robert Stack, Robert Ryan and<br />

, firley Yamaguchi; "How to Be Very, Very<br />

fpular," starring Betty Grable, Sheree North<br />

1 Robert Cummings, and the first Cinemape<br />

featurette, "The Living Swamp." "A<br />

in the Balance," a Panoramic Pi-oduction,<br />

rring Ricardo Montalban, Anne Bancroft<br />

J Lee Marvin, is the only black-and-white<br />

iture in the group of 13.<br />

[\ugust releases will be headed by "The<br />

gin Queen," starring Bette Davis, Richard<br />

dd, Joan Collins and Jay Robinson, and<br />

;ft Hand of God," starring Humphrey<br />

.gart and Gene Tierney, both in Cinema-<br />

JDpe and color by DeLuxe. September re-<br />

~ fses will be: "Love Is a Many-Splendored<br />

'<br />

ing," starring William Holden, Jennifer<br />

. ;es and Gloria Grahame, and "The Tall<br />

n," starring Clark Gable, Jane Russell and<br />

y Madison, both in Cinemascope and color<br />

DeLuxe.<br />

:<br />

rne October releases will be: "Seven Cities<br />

Gold," starring Richard Egan, Michael<br />

nnie, Rita Moreno and Cameron Mitchell,<br />

k ii "The Girl in the Red Velvet Swing,"<br />

* Ray MiUand and Joan Collins, both<br />

and color by DeLuxe. Only<br />

last named is still in production, all the<br />

;<br />

lers have been completed.<br />

'E Seeking Bank Loans<br />

5 Finance Production<br />

WW YORK—Italian Films Export has ap-<br />

;d to a number of American banks for<br />

ns totaling $500,000, which it will pass on<br />

producers of top pictures. Seymour Poe,<br />

'cutive vice-president, said IFE would have<br />

finance producers if it is to compete with<br />

er distributors, and that the producers<br />

'd not necessarily be Italian. He will visit<br />

me soon to meet with the IFE board and<br />

ise a program which IFE hopes will be<br />

ractive to independent producers.<br />

Jndlinger Making Survey<br />


There's a FORTUNE in ]2<br />

boxoffices iiaii "THi<br />

ROXY


m<br />

I<br />

mrER. as the nation's<br />

ING"OF 'EM ALL!<br />

JVAtl<br />

//<br />

THEATRES<br />

LOS ANGELES<br />

INDIANA<br />

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WEST COAST<br />

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COLUMBUS<br />

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From the Novel by Ernest K. Gann<br />

C|NemaS<<br />

COLOR by DELUXE<br />

Picture


I<br />

St. Louis Diocesan Paper<br />

Takes Wallop at Movies<br />

ST. LOUIS—In a two-column, first-page<br />

article headed "Movie Survey Shows 50-50<br />

Chances for Viewing Decent Film," the St.<br />

Louis Register, official publication of the<br />

St. Louis archdiocese of the Catholic Church,<br />

has come up with the most critical blast<br />

against the motion picture industry since "The<br />

French Line" controversy of February 1954.<br />

The paper, with a circulation in excess of<br />

100,000, is mailed to every Catholic home in<br />

the archdiocese which covers not only St.<br />

Louis and St. Louis County but a substantial<br />

portion of the eastern part of Missouri.<br />

TEXT OF ARTICLE<br />

The text of the article as it appeared in<br />

the Catholic paper follows:<br />

"Catholics in the St. Louis area had a<br />

50-50 chance of seeing a decent show last<br />

weekend at the 'big theatres' or at one of the<br />

drive-ins.<br />

"A survey of films being shown at local<br />

movie houses indicated that only three of<br />

the seven major theatres in the city offered<br />

a program that met Catholic Legion of Decency<br />

standards in its entirety.<br />

"The drive-ins did slightly worse, offering<br />

only three morally approved programs out<br />

of eight.<br />

"In each category of the survey, one theatre<br />

offered a program whose rating could not<br />

be immediately determined.<br />

"Of 61 current St. Louis films checked<br />

against Legion of Decency lists, 37 were classified<br />

as 'unobjectionable,' while 24 were rated<br />

as 'objectionable in part.' Only 18 of the 61<br />

were considered proper fare for children, according<br />

to the Legion's lists.<br />

"It was found that many of the theatres<br />

were coupling pictures classified A or A-1<br />

(unobjectionable for adults) with pictures<br />

that had been disapproved because of partial<br />

deviations from moral standards.<br />

"According to Legion of Decency ratings,<br />

such a combination of films should not be<br />

patronized.<br />

ON THE INCREASE<br />

"The local survey was taken following<br />

charges by the executive secretary of the National<br />

Legion of Decency that 'morally offensive<br />

material' is on the increase in the movies.<br />

" 'Variety,' a magazine of the entertainment<br />

business, recently reported that a trend toward<br />

a 'broader, more liberal. Production<br />

Code' was growing.<br />

"This report has been substantiated by recent<br />

columns of William Mooring, the nationally<br />

syndicated movie columnist of the<br />

'St. Louis Register.'<br />

"Warnings like these have increased the<br />

Censorship of Newsreels<br />

Ends in Maryland<br />

Baltimore — Newsreel censorship in<br />

Maryland ended Wednesday (1) by action<br />

of the state legrislature, which also provided<br />

that decisions in censorship controversies<br />

in the Baltimore city court may<br />

now be taken to the court of appeals.<br />

A Catholic Weekly Cautions<br />

Legion on Film Evaluations<br />

New York—The role of the Legion of<br />

Decency and film censorship are the subject<br />

of an editorial in the current issue<br />

of the Commonweal, weekly magazine<br />

edited by Catholic laymen which sometimes<br />

presents independent views. Catholics<br />

are represented as "defenders of moral<br />

values" and liberals as "protectors of<br />

freedom and creativity."<br />

The publication argues that the use of<br />

pressure is "one of freedom's indispensable<br />

weapons," and that liberals in opposing<br />

it "trap themselves in denying the legitimacy<br />

of pressure at all."<br />

"In a free society," it says, "the answer<br />

to pressure we don't like is not to denounce<br />

its use or its right to exist . . .<br />

but to organize counter-pressure."<br />

It continues:<br />

"The Legion of Decency . . . operates on<br />

the principle of making only moral evaluations<br />

of movies, leaving to others all<br />

consideration of their artistic aspects.<br />

This sounds fine; the trouble is, it cannot<br />

be done . . . Everything depends on the<br />

totality of the work. To abstract the<br />

theme or the conclusion from this totality<br />

and praise or blame it for itself is to<br />

praise or blame nothing.<br />

"Yet this is what the Legion of Decency<br />

is too often betrayed into doing by its<br />

single-minded attention to morals without<br />

art. It is fitting and proper, certainly,<br />

that the church concern itself with pubUc<br />

morals. It is necessary that such an organization<br />

as the Legion of Decency<br />

exist."<br />

necessity of providing full and adequate information<br />

about current films, members of<br />

the Legion of Decency said this week.<br />

"The St. Louis Circle of the International<br />

Federation of Catholic Alumnae has been<br />

working with four local high schools to post<br />

weekly listings of neighborhood and downtown<br />

movie offerings in 140 churches and 26<br />

high schools of the area.<br />

"Some parishes of the archdiocese indicate<br />

the Legion rating for each of the films playing<br />

at neighborhood theatres in the weekly<br />

parish bulletin.<br />

"Legion members pointed out to the 'St.<br />

Louis Register' that Istings should be clipped<br />

frequently and saved, so that revivals of certain<br />

films can be checked when they appear<br />

in local theatres.<br />

"The upswing in the number of immoral<br />

films led the St. Louis Chapter of the Legion<br />

of Decency to make the following recommendations<br />

recently:<br />

"1. Consult your church or bulletin board<br />

for the rating of current shows.<br />

"2. Attend only A-1 or A-2 movies and remain<br />

away from all others.<br />

"3. Refrain from patronizing places of<br />

amusement that show condemned movies as a<br />

matter of policy."<br />

Ohio House Approves<br />

New Censorship Bill<br />

COLUMBUS—The Ohio House of Repr6<br />

sentatives has passed and referred to tb<br />

Senate House Bill 29, backed by Gov. Fran<br />

Lausche's administration, which would re<br />

store prior censorship of films in Ohio. Vol<br />

on the measure was 105 to 10.<br />

Earlier, the House approved by a vote (<br />

124 to 3 the Chester-McGovern bill (No. 7i;<br />

providing penalties for exhibiting "obscenf<br />

films to children under 18 and selling "ol<br />

scene" comic books to minors. This measui<br />

too has gone to the Senate.<br />

Leading the debate for the prior censorsh<br />

measure was Rep. Andrew W. Putka, Demi<br />

crat, Cleveland, one of the authors of tl<br />

bill.<br />

"We have a constitutional, as well as mon<br />

right to stop this evil of obscene and obje<br />

tionable movies at the source," Putka said,<br />

Rep. Gilbert Bettman, Republican, Cincij<br />

nati, in opposing the bill, attacked it as u;<br />

constitutional and a violation of the cons'<br />

tutional right of free expression. He said o:<br />

three states now have censorship and that<br />

problem should be handled by the crimir]<br />

laws through punishment for showing<br />

jectionable films rather than attempting<br />

"unconstitutional approach of prior restrain!<br />

Rep. Roy H. Longenecker, Republicij<br />

Pemberville, likened some films to "garbi<br />

fed to little pigs." He said the legislature t|<br />

years ago passed a bill requiring farmers<br />

boil garbage before feeding it to pigs,<br />

that garbage is not as offensive as the rotti<br />

putrid stuff that is presented in some movlf<br />

he said. "It is worse than any garbage<br />

to the little pigs."<br />

Before passing the bill, the House, with<br />

a record vote, defeated an amendment<br />

H. B. 29 which would have required the »<br />

sorship only of films shown to those under<br />

Detroit Circuit Is Using<br />

Trading Stamps Plan<br />

DETROIT—Theatres at long last h<br />

joined supermarkets, gas stations and otj<br />

retail outlets here in offering their patrj<br />

trading stamps. The Sterling-A&W<br />

tres circuit of 12 houses, owned by Artl<br />

Weisberg, is introducing trading stamps to'<br />

adult patrons, at the premium rate of<br />

stamps for each admission. None is gift<br />

for children. Adult admissions vary fronwl<br />

to 60 cents.<br />

Sterling is cooperating with other ItU<br />

retail firms in introducmg the Gold HI<br />

Stamps, which is probably the best publiciid<br />

trading stamp deal currently in the Det<br />

area. It was introduced locally a few wi<br />

ago, with one supermarket chain, one 1(1<br />

gas station chain, and so on, franchisedj<br />

use the stamps.<br />

Weisberg secured exclusive rights to<br />

cooperative plan for theatres in the Det|ll<br />

area, and Ls sharing it with two indepem<br />

houses—Alfred Ackerman's East Side<br />

the Farnum in Hamtramck, operated by<br />

Schlussel family.<br />

"It is very satisfactory," Weisberg s<br />

predicting, "I believe it will work into a<br />

thing."<br />

An entire attraction board at each the<br />

is devoted to promotion of the plan, featu<br />

a blowup of the Gold Bell which is no<br />

familiar sign in all promotion for the p<br />

j<br />

p.<br />

16 BOXOFFICE June 4,


m<br />

'<br />

Grace<br />

—<br />

Somen's Clubs Award<br />

Rations to Films<br />

!" ADELPHIA — Four awards and a<br />

uere given for outstanding films and<br />

lit tlie convention of the General<br />

in of Women's Clubs at the Belleit<br />

ford Hotel May 27. Mrs. Charlotte<br />

3: itli i.s chairman of the motion picture<br />

ii<br />

;ion,<br />

siiecial award for spiritual values was<br />

11 t.i "The Robe" (20th-Fox>, now in the<br />

ie<br />

!i<br />

lid year of its showing, because it "made<br />

iti; an impact on audiences throughout the<br />

Died States that it is still considered by<br />

nlibers of the Federation to have portrayed<br />

tptual values more powerfully than any<br />

)t r film released in 1954-55."<br />

le award of the year for spiritual values<br />

vet to Dr. James K. Friedrich-Selected<br />

ptiiire.'i Corp. for "Day of Triumph." The<br />

.'<br />

Aas made on vote of members.<br />

ward of the year for individual<br />

i: .bility was given to "The Bridges at<br />

Ti i-Ri" for the characterization of indllual<br />

responsibility as the highest virtue<br />

th individual can render to society.<br />

lie conservation award of the year went<br />

to Valt Disney True-Life series from the<br />

Cc-ervation of Natural Resources Departm'f<br />

and the Motion Picture Division for<br />

•T' Living Desert" and "The Vanishing<br />

Pt^rie."<br />

'j-ee citations were given as follows: To<br />

Ja.is Dean for his stellar performance in<br />

th' portrayal of the youth Caleb Trask in<br />

W lers "East of Eden" and for his presentathe<br />

need for good inter-family reips.<br />

Lriiest Borgnine as character actor of<br />

th|'ear for his versatile presentation of such<br />

dlVse characters as Marty in "Marty," to<br />

C6f Ti-imble in "Bad Day at Black Rock,"<br />

anas Stadt in "Violent Saturday."<br />

Kelly for her distinguished perfoi<br />

ances during 1954 in "Dial M for Murde<br />

"Rear Window," "Green Fire," "Country<br />

Gi ' and "The Bridges at Toko-Ri."<br />

Fk Theatres Creditors<br />

Ae Awarded $100,000<br />

iiW YORK—Judge Lawrence E. Walsh in<br />

Feral District Court has awarded $100,000<br />

&(. the All Continent Corp. of New York to<br />

cr itors of the old Pox Theatres Corp. after<br />

agement by Fox trustees and Robert Aron-<br />

«t( . attorney for the creditors.<br />

le Fox circuit went into bankruptcy early<br />

lii;ne 1930s. Since then Aronstein has recored<br />

$2,000,000 for its creditors. He<br />

Dijaged a reversal of the 1937 decision of<br />

thlate Judge Martin T. Manton awarding<br />

tb Academy of Music to Skouras Theatres<br />

fo^$155,000. Later, the theatre was leased<br />

he circuit for 14 years at an annual<br />

il of $175,000. More actions pend.<br />

Hyward Busy Arranging<br />

F r Two Productions<br />

;w YORK — Leland Hayward, producer,<br />

tr ed here Monday (30) from Paris where<br />

.^impleted arrangements for location sites<br />

»(^ and in Spain for filming "The Spirit<br />

t t. Louis," starring James Stewart. He<br />

*)y air two days later to see Ernest Hemliy<br />

in Cuba on filming "The Old Man<br />

;: >}the Sea," starring Spencer Tracy. While<br />

i<br />

i he met with Warner Bros, officials.<br />

THROUGH<br />

his adamant refusal to Why. then, this sudden attack on the<br />

acquiesce to the recent pressure of instrument and the manner in which it is<br />

self-ordained censorship groups, Eric being applied to contemporary product?<br />

Johnston has added cubits to his stature To those familiar with the back-scenes<br />

as president of the Motion Picture Ass'n of machinations of individuals and groups<br />

America. At the same time, his fortitudinous<br />

position has accorded new meaning ment to further their own prestige and/or<br />

which would use the self- regulatory docu-<br />

and prestige to the industry's Pi-oduction profits, the answer is all too obvious.<br />

Code, the administration of which is an The foremost reason for initiating and<br />

integral portion of Johnston's organization.<br />

maintaining the code was to discourage and<br />

render unnecessary censorship of movies<br />

The MPAA chieftain made known his by federal, state and local governments.<br />

forthright stand at a press conference How markedly successful it has been in<br />

called on his behalf during his recent and attaining this goal is a matter of record.<br />

brief trip to Hollywood. At that parley he And while the PCA has been expensively<br />

left no doubt as to his determination that supported to serve as a bulwark against<br />

no such mentoring organizations operating widespread heckling, diversified and often<br />

outside the film trade will exert any influence<br />

contradictory censure, the exhibition<br />

whatsoever upon the personnel, poli-<br />

branch of the trade has expended addi-<br />

cies and modus operandi of the PGA tional vast sums and influence for the<br />

which, he declared, is "doing an excellent same purpose.<br />

job" and, possessing a "sensitive ear to pub-<br />

To discount all of that money and effort<br />

by knuckling under to one pressure group<br />

would not only be foolhardy but would be<br />

loudly inviting comparable busybody meddling<br />

by countless additional organizations<br />

of similar ilk; to say nothing of the abovementioned<br />

official policing which currently<br />

and fortunately is at an all-time low.<br />

lic opinion," welcomes constructive criticism<br />

but has no intention of becoming involved<br />

in controversy.<br />

His remarks were, indirectly, a reference<br />

to charges made some days earlier in New<br />

York by the Catholic Legion of Decency<br />

that "morally offensive" material in film<br />

fare is on the increase.<br />

It should hardly be necessary to remind<br />

that the code was formulated approximately<br />

23 years ago and purportedly incorporated<br />

the best thoughts of many industry<br />

and allied factions. And let it not be forgotten<br />

that persons who are today's champions<br />

of the CLOD were noteworthily active<br />

among those segments. As Johnston<br />

pointed out, administration of the credo<br />

has varied not one iota under the stewardship<br />

of Geoffrey Shurlock from that which<br />

obtained during the tenure of Joseph<br />

Breen, Shurlock's predecessor. In this connection,<br />

the MPAA president expressed unwavering<br />

confidence in the PGA administrator,<br />

praised him liberally for his achievements<br />

and noted that such esteem for<br />

Shurlock was shared by every major studio<br />

head.<br />

R. A. Mack Nominated<br />

To Succeed Hennock<br />

WASHINGTON—President Eisenhower on<br />

Friday (27) nominated Richard A. Mack of<br />

Coral Gables, Fla., to succeed Frieda B. Hennock<br />

on the Federal Communications Commission.<br />

Mack, a Democrat, is now second vicepresident<br />

of the National Ass'n of Railroad<br />

and Utilities Commissioners. The nomination<br />

is for the seven-year term beginning next<br />

July 1. Frieda B. Hennock, first and only<br />

woman commissioner to date, has been noted<br />

for her many and vigorous dissents from<br />

majority opinions.<br />

The nomination is subject to Senate confirmation.<br />

During recent weeks, scattered bookings<br />

on at least two features which were<br />

granted PCA seals were cancelled because<br />

the CLOD had given them "C" ratings.<br />

The pictures are Lippert's "They Were So<br />

Young" and RKO Radio's "Son of Sinbad."<br />

The showmen who are responsible for these<br />

cancellations are guilty of a disservice to<br />

their own long-pull best interests, as well<br />

as to those of the industry as a whole.<br />

The MPAA's self-censorship manifesto is<br />

their instrument, and so long as it is generally<br />

recognized—within and without the<br />

movie business—as the accepted yardstick<br />

by which the wholesomeness of screen fare<br />

is to be adjudged, exhibitors who permit<br />

their evaluation of film decency to include<br />

unofficial, often-bigoted blue-pencilling are<br />

inviting similar revenue-jeopardizing action<br />

from other quarters.<br />

Actors Re-Elect Vincent<br />

NEW YORK—Walter Vincent has been reelected<br />

president of the Actors Fund of<br />

America, a post he has held since 1941. Others<br />

elected are: Gilbert Miller, first vice-president;<br />

Katherine Cornell, second vice-president;<br />

Vinton Freedly, treasurer, and Warren<br />

P. Munsell, secretary and general manager.<br />

Skiatron Goes on Exchange<br />

NEW YORK—Skiatron Electronics and<br />

Televisio.a Corp. (ticker symbol SKI) is now<br />

being traded on the American Stock Exchange.<br />

Re, Re & Co. is acting as specialists<br />

on this issue.<br />

OFFICE June 4, 1955<br />

17


-<br />

MAMMOTH SERIAL THRILLS!<br />

MIGHTY JUNGLE ACTION<br />

VIOLENCE... INTRIGUE<br />

OF THE WORLD'S<br />

LAST FRONTIER-<br />

JOHN HART AS CAPTAIN AFRI<br />

RICK VALLIN- BEN WELDEN<br />

JUNE HOW]<br />

USE COLUMBIA'S HOT CAMPAIGN


AFRICA'S WONDER-WORL<br />

BOOST<br />

YOUR<br />

MATINEE<br />

BUSINESS<br />

WITH THIS<br />

story and Screen Play by<br />

GEORGE H. PLYMPTON<br />

Q^<br />

^<br />

Produced<br />

by<br />

SAM KATZMAN<br />

Directed<br />

by<br />

SPENCER G.<br />

A COLUMBIA<br />

SUPER-SERIAL<br />

BENNET<br />

LL<br />

THE SCREEN'S HOTTEST SERIAL!


A Retouched Photograph of the Original Niclielodeon<br />

50 YEARS AGO .<br />

I<br />

life of the motion picture might have bei#<br />

In the first nine years of theatrical fil)<br />

production there had been but two fu|<br />

classified as "boxoffice" attractions, •-•^<br />

produced by the Edison Co. In 1901 i<br />

"Funeral of President McKinley." Its<br />

was short, but its drawing power tremend(<br />

Then in 1903 came the first of the "W(<br />

erns," the famous "Great Train RobI<br />

still considered the fii-st film based on a<br />

In the motion picture Hall of Fame,<br />

names of Harry Davis and John P. F<br />

should be inscribed at the top. Through<br />

showmanship and courage the Nickelodi<br />

was born and with its birth came the nucU<br />

for the founding of the present motion pict;<br />

theatres and production of films for tr<br />

maintenance.<br />

Prom the circus world to operators<br />

dime museum in their home town of Pil<br />

burgh was the first venture of these<br />

showmen. Soon thereafter several the*<br />

large and small, were under their direct:i<br />

The Grand Theatre on busy Fifth Ave:e<br />

became the local showplace of the iast griing<br />

Keith vaudeville circuit With the adv,.t<br />

of motion pictures in 189G, the Family T-^<br />

atre, a converted storeroom, offered a bill-'<br />

fare consisting of variety acts not of su<br />

'<br />

cient class to meet the Keith standard,<br />

tion pictures and illustrated songs at<br />

cents admission.<br />

Films as released were purchased oul<br />

used but a few times and then shelved<br />

books once read. Fortified by this large<br />

serve, screen material for their coming<br />

enterprise was assured.<br />

The basement of the Grand Theatre !-<br />

came the source of added revenue through le<br />

construction of an arcade. Reached b«<br />

. . THE FIRST MOVIE THEATRi<br />

An Historical Vignette on the Founding of the Nickelodeon by One Who Was Th«<br />

By ALEXANDER PARKE<br />

As told to Robert F. KUngensmith<br />

The story of the founding of the Nickelodeon<br />

in Pittsburgh half a century ago is the<br />

story of two astute American showmen who,<br />

as they say, "just stumbled into a good idea<br />

and followed it through."<br />

Harry Davis was associated with his<br />

brother-in-law, John P. Harris, in a number<br />

of Pittsburgh amusement enterprises. They<br />

were Pittsburgh boys who joined a circus in<br />

early life and then came home and opened<br />

a dime museum. This was the gaslight era<br />

when theatres were operated by conservative<br />

men.<br />

The vaudeville fever had become a national<br />

epidemic. Theatres clear across the nation<br />

had adopted the Keith style and manner in<br />

stage presentations. And now, in 1905, it was<br />

their screens that provided the source of<br />

revenue for the limited production units<br />

headed by the Edison Manufacturing Co.<br />

The demand wa-s for short subjects only,<br />

spliced together to provide the length of<br />

running time required to meet the entire program<br />

schedule. This restriction enabled oiJy<br />

a meager diet for the infant movie and retarded<br />

its growth.<br />

At the moment there were no signs ahead<br />

to forecast more abundant or longer film<br />

subjects, and the industry as a whole was<br />

20<br />

in a rather lethargic condition. Had it continued,<br />

it is ha:-d to predict what the future<br />

PITTSBURGH—T?ie stoTV of the Nickelodeon,<br />

world's first all moving picture<br />

theatre opened here 50 years ago, was<br />

told to R. F. KUngensmith, Boxoffice<br />

field representative, several years ago<br />

by the late Alexander Parke, who said,<br />

To have been present at the planting<br />

of the acorn; to have aided in its<br />

nurture, and then survive to behold it<br />

as a sturdy oak, was my gift from<br />

God." This is its first publication.<br />

Parke assisted greatly in popularizing<br />

nwtion pictures, after being a touring<br />

lecturer with lantern slides. He<br />

was one of the first to introduce moving<br />

pictures as a -new world" replacement<br />

for colored slides. In July 1902,<br />

three years before the birth of the first<br />

five-cent theatre devoted exclusively<br />

to pictures, Parke operated a Biograph<br />

tent show in the Homewood district of<br />

Pittsburgh, showiiig films from France<br />

and Italy. He started with Sigmund<br />

Lubin in Philadelphia as speiler in<br />

front of Lubin's Electric Theatre on<br />

the midway at the National Export<br />

Exposition there in the summer of 1899.<br />

Ua<br />

amp from the sidewalk, pedestrians £(Sj<br />

it a convenient walk-through tc Dian<br />

street in the rear. From early mornmg<br />

late at night a steady stream of traffic ps^<br />

through. Among the installations weij<br />

flower stand at the entrance, a barber<br />

lunch stand, several pool and billiard taes,<br />

and scattered here and there numcus<br />

Kinetoscope penny-in-the-slot machines ;M<br />

showed miniature movies of less than a m;ut<br />

duration. Over in a corner there was a im<br />

that provided space for about 35 persoi »<br />

stand and look at a human freak seat^-oi.<br />

an elevated platform. The admission. ;v.<br />

cents. „<br />

Without any dii-ect statement from H-i'<br />

and Davis, ever having been made d^M<br />

their lifetime, due to theii- natural relucncc<br />

to discuss the matter, it can only be assuej<br />

their Nickelodeon idea was conceived ailresult<br />

of the daily observance of nickel!-'<br />

dimes being changed to pennies to be drc?<br />

into the movie peep show machines, anif<br />

willingness of people to pay a nickel to :|<<br />

up as they gazed at a freak. In folUl<br />

through on their idea, it is safe to sayC<br />

anticipated no further extension of its<br />

f<br />

beyond the scene of introduction.<br />

,<br />

Around the corner from the Grand<br />

vacant stores at 433-35 Smithfield St. f<br />

undergoing alteration. A canvas coveif<br />

the work from view. At eight o'clock o:(<br />

morning of June 19, 1905. in about the \<br />

BOXOFFICE<br />

:<br />

: June 4J


I<br />

: June<br />

—<br />

Their Confidence in Movies Built the Nickelodeon<br />

a mill, a tiller of the soil, and of other<br />

trades galore. They were the gallant pioneers<br />

atop the bandwagon; with hope in ever heart.<br />

Some fell off and others jumped on. Some<br />

joined the production line.<br />

The speed of action, as new theatres appeared,<br />

created a strong demand for films.<br />

Then the wheels of a new and more confident<br />

industry began to turn. Their cameras chcked.<br />

Skilled artists stepped in. New ideas came.<br />

From practice came perfection. More and<br />

more as time moved on. From it all, as growing<br />

tree, came the beauty and grandeur visible<br />

today.<br />

So ends the first chapter in the life of<br />

God's great gift for the betterment of all<br />

mankind—the motion picture. As a potential<br />

messenger of peace and ambassador of goodwill,<br />

may the power of Edison's great illusion<br />

contribute much in the creation of love and<br />

mutual understanding among al! the peoples<br />

of the world.<br />

HARRY DAVIS<br />

wtiout<br />

-njiner as the unveiling of a monument<br />

ceremony, the canvas cover was retried<br />

and the first continuous showing, fivec*<br />

admission motion picture theatre opened<br />

h' business.<br />

ere marked the time and place of the acu<br />

entry of entertainment motion pictures<br />

ii' permanently established field of individuJ<br />

theatre operation.<br />

'ii this eventful morning, a passing parade<br />

oivorkers and shoppers paused and gazed<br />

Ii* wonderment at the scene before them.<br />

'' -Teething new has come to town. What<br />

.<br />

be? What does that name up there<br />

What is a Nickelodeon? I never<br />

1.<br />

h rd<br />

of that name before."<br />

HD THE ALADDIN TOUCH<br />

1 frontal appearance this ne'.v entertain-<br />

spot reflected an Aladdin touch—a page<br />

ir It<br />

fill Arabian Nights, a golden door to fairy-<br />

1. ! with a face tinted and toned in color<br />

: :le^ of harmonious beauty neither gaudy<br />

n bold. Just soft pastels, and so pleasing to<br />

tl' eye, and studded with clusters of incan-<br />

"(ij:ent lights glittering like diamonds in the<br />

nf-ning sun. This myriad of lights, then<br />

-slico, then burlap, and all touched with an<br />

a'st's brush had created this scene of<br />

ir sistible allure. In the rear between the<br />

ei ance and exit doors is a ticket booth enci<br />

led with lights around the top. "Showir"<br />

Continuously" is lettered on the front.<br />

Aard in a frame — rested on an easel reads<br />

"lowing Today 'Baffled Burglar' and 'Poor<br />

''a Honest'" (two subjects on one reeU.<br />

Orhead through an opening in the wall<br />

Si'ie the phonographic strains of the hit<br />

ti js of the day. Across the top of the front<br />

ft a \\all to wall a sign in metal letters with<br />

I' t lights signifies the theatre name<br />

N:kELODEON. At 431, next door, is a<br />

P ny Arcade. It displays two signs in front<br />

-Admission Free" and "Automatic Vaude-<br />

"<br />

V '<br />

Thus we have before us the movies<br />

he past and of the futui'e, in keen competi<br />

.n.<br />

lie converted store rooms provided space<br />

f< 96 old red plush-covered opera chairs.<br />

L !r the seating arrangement was changed<br />

t( iccommodate 200 chairs and a standing<br />

n n space in the rear. In an entire day's<br />

0' ation 8 a.m. to 11 p.m., fully 1,000 patrons<br />

JOHN P. HARRIS<br />

would stand. Successful from the opening<br />

hour, the daily average attendance was 7,000.<br />

It is a matter of official record as taken from<br />

the books still intact that as many as 10,000<br />

eople paid admission in a single day. Continuous<br />

shows at 15-minute intervals made<br />

this possible.<br />

When the time arrived to decide on a theatre<br />

name, Davis suggested "Bijou Dream"<br />

while Hanis preferred "Family." Then<br />

Eugene L. Connelly of the publicity staff<br />

suggested the words "nickel" and "odeon"<br />

be combined. Nickel to represent five cents<br />

and Odeon being the Greek word for theatre.<br />

No other theatre, of the thousands to follow,<br />

adopted this word as the theatre name. However,<br />

a rose is a rose and a Nickelodeon is a<br />

Nickelodeon.<br />

The day-to-day popularity of their Pittsburgh<br />

innovation convinced the founders it<br />

was not built upon the sands. Following the<br />

B. F. Keith technique at vaudeville's introduction,<br />

they too expressed confidence in the<br />

longevity of their creation. Before fall came<br />

similar theatres in storerooms opened in<br />

Philadelphia, Cincinnati, Detroit, and in towns<br />

immediately adjacent to Pittsburgh, exhibiting<br />

films which had been purchased in their<br />

circus and museum days. All were given the<br />

master's touch in frontal appearance. This<br />

sign of permanency so displayed was a very<br />

important factor in gaining immediate confidence.<br />

SERVED AS A MODEL<br />

These first theatres served as working<br />

models in their respective areas. For a time,<br />

watchful waiting was followed by the anxious<br />

onlookers. Free from vaudeville theatre suppression,<br />

because of the policy of short subjects<br />

only, the entertainment motion picture<br />

was now in a world of its own. The door of<br />

opportunity was wide open. A new bonanza<br />

had come. Free enterprise and American<br />

initiative went into action, and clear across<br />

the nation the search went on for vacant<br />

stores.<br />

However, venture capital viewed this craze<br />

as of short duration. At the start, it became<br />

a poor man's gamble. The vanguard in the<br />

cavalcade were men of limited financial<br />

means—keepers of small stores, of shoe-shine<br />

parlors, or dairy-lunch rooms, or a worker in<br />

TOA Pamphlet Promotes<br />

Convention Attendance<br />

NEW YORK—Theatre Owners of America<br />

has prepared a pamphlet inviting exhibitor<br />

reservations for its 1955 convention October<br />

6-9 at the Biltmore Hotel, Los Angeles. It<br />

is headed: "This Is Your Call to Action,"<br />

and asks for exhibitor support, counsel,<br />

energy, experience and wisdom through attendance.<br />

Morton G. Thalhimer of Richmond, Va.,<br />

is quoted as saying that "our aim is fair<br />

dealings between exhibitors, distributors and<br />

producers. It is the only sure road to success<br />

for our industry."<br />

The pamphlet notes that TOA policy will<br />

be set at the convention, that distribution<br />

as well as exhibition will be heard, that there<br />

will be a small theatre owners' clinic and a<br />

large tradeshow. and that there will be many<br />

opportunities for recreation.<br />

It concludes with: "Make yourself heard at<br />

TOA convention time."<br />

Decca Earnings Rise 28%<br />

For First 1955 Quarter<br />

NETW YORK—Decca, Inc., consolidated net<br />

earnings for the quarter ended March 31<br />

totaled $816,339, equal to 50 cents a share on<br />

1,602,501 shares of capital stock outstanding.<br />

The figure includes its share of the undistributed<br />

earnings of Universal Pictures, its<br />

subsidiary, and was up 28 per cent over 1954<br />

earnings for the same period.<br />

Decca owned 718.585 shares of Universal<br />

at the end of the 1955 period, representing<br />

71 per cent of the outstanding stock.<br />

Name Kaye 'Screen Father'<br />

NEW YORK—Danny Kaye has been named<br />

"Screen Father of the Year" by the National<br />

Father's Day Committee. His starring roles<br />

in "Assignment Children" and the coming<br />

"The Court Jester," Paramount pictures, figured<br />

in the award.<br />

Australia Sees 'Foys'<br />

NEW YORK—"The Seven Little Foys,"<br />

Paramount VistaVision picture, opened at<br />

the Prince Edward Theatre. Sydney, Australia,<br />

Wednesday ili with Bob Hope, the star,<br />

making a personal appearance. It was a<br />

benefit for the Australia Cerebral Palsy FMnd.<br />

B :OFFICE :<br />

4, 1955 21


TH£ SHOW CASe<br />

the W«*V SMJ*' ^,en•^<br />

By ^-ifi^^«?.^»vg.<br />

Tints'<br />

Or)eraW>'^ -,(.6<br />

^»9 \<br />

THE HOUSTON PRESS<br />

Movie Star Kim Novak<br />

And Hoc Goof Ba


1 ««<br />

h(.-ffiitfiiiJkiii!i«![i]iki4rnii:4i<br />

bia has a B.O. combo thafs a natural!<br />

eservices everywhere<br />

rr?d the story<br />

^$t^\<br />

• sensational \^<br />

nNlovak stunt that<br />

\ci<br />

national headline<br />

m for 5 AGAINST THE HOUSEI<br />

*0v!iS<br />

j„i,istthe<br />

to B«*<br />

,ole«e be.s v--" 9 ^^<br />

A PARTIAL LISTING OF THE TOP PERSONALITIES<br />

V\^HO PARTICIPATED IN THE PROMOTION INCLUDE:<br />

BOB BATTLE -Nashville Banner<br />

ROBERT STAPP- Rocky Mountain News<br />

B)CK- National Radio<br />

01 IE -National TV<br />

JIKI— Washington Daily News<br />

J IrOCKARD- Houston Chronicle<br />

I^IIS— Dallas Times-Herald<br />

BUCK HERZOG- Milwaukee Sentinel<br />

NORMAN NADEL- Columbia Citizen<br />

ARNOLD MARKS -Portland Oregon Journal<br />

BETTY CRAIG -Denver Post<br />

EDITH LINDEMAN- Richmond Times-Dispatch<br />

ANN MARSTERS- Chicago American<br />

PAUL HOCHULI- Houston Press<br />

JACK GORDON -Fort Worth Press<br />

ALLEN WIDEM- Hartford Times<br />

KASPAR MONOHAN- Pittsburgh Press<br />

JOHN ROSENFIELD- Dallas News<br />

WARNER TWYFORD- Norfolk Virginian-Pilot<br />

EMERY WISTER- Charlotte News<br />

IRVING KUPCINET- Chicago Sun-Times<br />

RIA<br />

VAK<br />

and introducing<br />

MOORE WILLIAM CONRAD KERWIN MATHEW&<br />

Screen Play by STIRLING SILLIPHANT. WILLIAM BOWERS and JOHN BARNWELL • Based upon the Good HouseKeepmg Magazine story by lACK FINNEY «<br />

Produced by STIRLING SILLIPHANT and JOHN BARNWELL • Directed by PHIL KARLSON


—<br />

]<br />

i<br />

-<br />

Can't Exist on 'Relief When<br />

Merited' Policy,<br />

He Says<br />

Judge Uvick, Former Michigan Allied Head, Offers<br />

A Two-Point Program to Help Save Small Theatres<br />

-<br />

By H. F. REVES<br />

jmm^mama^<br />

DETROIT — A simple but comprehensive<br />

two-point program to convert the "boxoffice<br />

battle line" into a profit line was proposed<br />

by Judge Joseph P. Uvick. owner of the<br />

Burton Theatre at Flint, Mich., and past<br />

president of Allied Theatres of Michigan.<br />

CITES LICHTMAN FIGURES<br />

Starting with statistics recently presented<br />

by Al Lichtman that 85 to 90 per cent of<br />

the earnings on "first class motion pictures"<br />

come from 4,500 theatres and big drive-ins<br />

and "the balance from double that number,"<br />

Uvick developed the two phases of what<br />

may be termed "the Uvick Plan":<br />

1. "Producers get completely out of the<br />

direct or indirect control or participation<br />

in boxoffice receipts"—as far as the approximately<br />

10,000 smaller theatres which earn<br />

the 15 per cent of total revenue are concerned.<br />

"It's time for producers to recognize that<br />

the courts have pushed them away some<br />

distance and that the legislative arm of the<br />

government is likely to give them another<br />

shove," Uvick argues, "for producers cannot<br />

justify forcing themselves in as uninvited<br />

partners on any other than arbitrary<br />

dictatorial we-have-the-power basis. The<br />

hangover carnival policy of 'you must get<br />

all you can today for he won't be here tomorrow'<br />

is not applicable to permanently<br />

established reliable businessmen that exhibitors<br />

now generally are.<br />

"By one great fell swoop producers should<br />

eliminate all 'must or else' percentage demands<br />

on the 10,000 little fellows. They would<br />

thereby remove the most nauseating stench<br />

and trouble-maker in our industry. They<br />

would eliminate the major portion of checking<br />

expended on the very minor part of<br />

revenue obtained, to say nothing of other<br />

connected abuses that would disappear.<br />

SALES POLICY REVERSAL<br />

2. "After having elminated the 'must'-percentage-or-no-product<br />

policy on the theatres<br />

in question, the producers should reverse<br />

their thinking completely on their sales<br />

policy. Do what other manufacturers are<br />

usually compelled to do: seek the lowest<br />

figure you can sell for instead of how much<br />

more can I get and how?"<br />

Developing the reasoning back of his plan,<br />

Uvick said, "The fight for the boxoffice<br />

dollar has always existed and will continue<br />

to exist. Of that we can be certain, for the<br />

producer of pictures must have a fair share,<br />

and so must the exhibitor as the very lifegiving<br />

substance for the existence of both.<br />

Our industry as a whole may be likened<br />

to a body—and its heart is the boxoffice. The<br />

dollars that roll in are the life-giving oxygen.<br />

"To date the constant battle for the division<br />

of that dollar has been without a<br />

referee. We have had schemes, plans, gimmicks,<br />

local and national policies, and .some<br />

JUDGE JOSEPH P. UVICK<br />

'skullduggery' made evident by the results<br />

of many lawsuits on the side of both production<br />

and exhibition.<br />

"To point to just two general classes of<br />

lawsuits:<br />

"1. On behalf of exhibitors and for the<br />

benefit of the public as a whole to get production<br />

out of direct control and ownership<br />

of the boxoffice—which spelled divorcement.<br />

"2. By producers for want of honest accounting<br />

on percentage engagements. The<br />

root of all past and present discord is control<br />

of boxoffice at its source. At what distance<br />

must production be kept away from<br />

direct or indirect control of this oxygen<br />

the boxoffice dollar?<br />

"Our courts have told producers to get<br />

out of exhibition and that they shall not<br />

dictate admission prices. Producers were<br />

thereby, in fact to some extent, 'regulated'<br />

away from boxoffice, the heart of the industry,<br />

but has it resulted in the exhibitor's<br />

ability to retain more or less of the admissions<br />

he now receives?<br />

REGULATION NOT THE ANSWER<br />

"The very existence of 'The Emergency<br />

Defense Committee' of Allied and the expressed<br />

views of TOA leadership indicate the<br />

exhibitors' contention that producers can<br />

and do still exercise some form of strangulation."<br />

Government regulation is not the answer,<br />

Uvick believes, and will bring in evils which<br />

can perhaps be only partly foreseen at this<br />

time.<br />

"As a last resort we are therefore about to<br />

invite the government to regulate our actions<br />

and agi'eements because there Is no<br />

other place to go.<br />

"Arbitration hopes seem to have died<br />

aborning.<br />

"Roundtable conferences at the sumn,<br />

we are told, are to be avoided because "tn;<br />

practices and sales policies' should not ?<br />

the subject for discussion with competitc<br />

"No other means, method or alternat;<br />

is even suggested. Mr. Lichtman's suggest i<br />

that arbitration might be invoked on accou s<br />

paying $50 or less is the only flicker of lijt<br />

in the deep dungeon of secretive, not-toopenly-discussed<br />

trade practices."<br />

Taking the Lichtman suggestion on artration<br />

and developing into a wider soe<br />

which becomes point one of the "Uvick Pla"<br />

the judge first excoriated the industry spokmen<br />

who have looked toward regulation:<br />

"One is almost forced to conclude that p.<br />

ducer leadership is conspiring to coni;l<br />

governmental intervention.<br />

WARNS OF BUREAUCRACY<br />

"Both producers and exhibitors will le<br />

the day when each will face governmeni<br />

bureaucracy with volumes of records pertEiing<br />

to their business, present, past and i-<br />

ture,<br />

including trade practices and sales picies,<br />

if you please—just to obtain considfition<br />

of something that a duly-authorized I'al<br />

distribution manager could adjust right m<br />

the spot, if taken out of strait jacket liitations.<br />

"What can be done, and how and whyto<br />

keep the industry free of direct governnnt<br />

regulation? Once in, we can rest assiad<br />

there will be no way out. We can expec.to<br />

be eventually saddled with an additional li'er<br />

of tax to defray the cost of such regulatio<br />

"Producers must admit that, if there a<br />

remedy, it is theirs to provide, to avoid U:le<br />

Sam's medicine, most of which the produrs<br />

will have to swallow. We must also anit<br />

that any remedy we can suggest must apiar<br />

to be financially sound or be consided<br />

'<br />

worthless.<br />

"If producer leadership could be liivinced<br />

that providing some remedy is no" in<br />

their power, and in theirs only, and is'pt<br />

to be more profitable than the alternati —<br />

to stay put and let exhibitors go hang, ten<br />

if both hang together—then and only ^n<br />

can remedial measures obtain immediate jisideration.<br />

Referring to the Lichtman statistics, Dick<br />

said that "The lowly 15 per cent earnerby<br />

9.000 theatres commands capable leadeiiip<br />

to seek an appropriate remedy. Lichtnrn's<br />

statement that 'It behooves all distribiirs<br />

to take care of the little fellow and (cp<br />

him in business,' implies fairness and c lability—and<br />

that he has given that ver 15<br />

per cent factor serious consideration.,No<br />

one on behalf of producer or distributcj as<br />

yet has offered any specific remedy."<br />

]<br />

FLAT RENTALS FOR 85 PER CENT<br />

Uvick's arguments sum up to:<br />

A. Flat rental terms for approximate) 85<br />

per cent of theatres, excluding the li?er<br />

houses.<br />

B. Reversal of industry thinking in pring<br />

for the other houses, to seek profit om<br />

minimum price, or terms, rather than iiximum.<br />

Both aspects of the plan are inseparjle,<br />

Uvick believes, in making their adoptii a<br />

wise choice for producers themselves, an he<br />

cites five reasons:<br />

1. The immediate result would be thatexhibitor<br />

leaders would also reverse their leld<br />

and help put out the fire generated tdet<br />

them. It certainly would improve inditry<br />

business relations.<br />

2. Pi-oducers' total risk or loss, if any, m*<br />

24 BOXOFFICE :: June 4 956


:<br />

Producers<br />

. tiugh<br />

'<br />

: June<br />

1<br />

nq be more than some part, perhaps a<br />

percentage, of the 15 per cent factor—<br />

srill<br />

gH<br />

eventually this may produce a profit as<br />

H'<br />

of film must admit that the<br />

pjlucers of customers are their exhibitors,<br />

s(Jo speak, and any loss in their number is<br />

so'e<br />

loss, however small, to themselves.<br />

Producers should realize that the present<br />

bigger, 4!) primarily transient, centrallylo<br />

ted theatres, mainly in larger cities with<br />

admissions, are not the theatres that<br />

hlier<br />

gi, birth to theatregoing habits. The smaller<br />

tens and neighborhood subsequent run thesis<br />

are generally for the first-timers and<br />

reilar customers, who later, now and then,<br />

borne the customers for the former class<br />

oi heatre.<br />

N5D THE SMALLER ACCOUNTS<br />

'.bus the planting ground is not in the<br />

Ifj'e,<br />

expensive fii'st runs, but out among the<br />

li'e fellows. Can producers afford to let<br />

tii field dry up to even le-ss than 15 per cent?<br />

t.ck asks.<br />

Suppose the little fellow does actually<br />

his product at half or less of what he<br />

bi<br />

eld pay if gouged a little? If that goes<br />

for any length of time, there will be two<br />

tiatres where there was just one before,<br />

lit is what has happened, and will happen<br />

a in and again. Does part of 15 per cent<br />

];;ify perpetuating a taint or revolt of the<br />

njority of exhibitors?<br />

•rhe time has come to bring about many<br />

Drms in our industry, but I have sug-<br />

Rted only tw'o," Uvick concluded.<br />

I also believe and hope that government<br />

r Idling is not to be the answer, even though<br />

i|inay appear necessary for lack of any<br />

oer alternative. If we cannot sit at a<br />

c ference table for the reasons given, may<br />

? not ask what law or reason there is for<br />

rjsing to remedy a situation that is adr<br />

tedly bad and getting no better?<br />

The remedy cannot be 'We will grant<br />

r ef when merited' as stated by Mr. Balaban,<br />

i dying one-at-a-time charitable consideram.<br />

The segment of the industry that is<br />

s: is the seeding ground as a whole. It<br />

cinot be cured by such consideration even<br />

charitable."<br />

(hesapeake Stockholders<br />

'.)<br />

See Demonstration<br />

lEW YORK—Stockholders of Chesapeake<br />

Hustries have been invited to attend a<br />

cnonstration of color film and exhibits by<br />

Msidiaries June 15 at the Trans-Lux Theat.<br />

The film will be "The Magnificent Mata-<br />

(" 20th Century-Fox CinemaScope proction<br />

with prints made by Pathe Laborat<br />

ies, a subsidiary.<br />

'Tie company continues to seek to add to<br />

i number of subsidiaries, now totaling nine,<br />

i ording to a letter mailed stockholders by<br />

rlliam C. MacMillen jr., president.<br />

IKO Theatres Retiring<br />

J<br />

13,976 Common Shares<br />

JEW YORK—RKO Theatres has retu-ed<br />

•'<br />

.976 shares of its authorized and unissued<br />

inmon stock, according to a report to the<br />

Purities and Exchange Commission. The<br />

'ion leaves 3,330,936 shares outstanding.<br />

' e stock rose a full point on the New York<br />

''Ck Exchange in the five business day.s<br />

lowing the decision of the board to retire<br />

'<br />

shares.<br />

Walter Reade Builds First<br />

Drive-In Theatre on Roof<br />

^iSlii^%tSlk'Wnc atnr<br />

Drive-in for 1,000 cars being built over roof of parking area in new shopping<br />

center at Dover, N. J.<br />

NEW YORK—Construction has been started<br />

at Dover, N. J., on a drive-in on a roof. It is<br />

believed to be the fu-st of its kind.<br />

The roof will be over the parking lot on a<br />

new shopping center and will have space for<br />

about 1,000 cars, according to Walter Reade<br />

jr., who has leased the area.<br />

Unlike most shopping centers, this one<br />

New Hilux Lens Created<br />

For Smaller Theatre<br />

NEW YORK—Projection Optics this week<br />

announced production of the new Hilux 264<br />

anamorphic lens, its fourth new item within<br />

the last year. Early in 1954, the company<br />

introduced Hilux f/1.8. In the summer of<br />

1954, it was the Hilux-Val, and in the spring<br />

of 1955 the Super Hilux series.<br />

The newest addition to the family is for<br />

the little neighborhood theatre, a fixed anamorphic<br />

lens which sells for S395 a pair.<br />

The Hilux 264 has the same optical features<br />

as the Hilux-Val. except that it is fixed and<br />

usable only with a 2 25 '32-inch or smaller<br />

projection lens. The mounting portion has<br />

been designed to fit into any standard 2 25 32<br />

projector mount, and will clear all accessories<br />

on the face of some projectors, the company<br />

announced. It will thread directly on the<br />

prime lens, and will never require support<br />

brackets or extension tubes.<br />

Projection Optics announced that approximately<br />

6,000 theatres are now equipped<br />

with its products.<br />

will be on the main street of Dover, a residential<br />

community located about 30 miles<br />

west of New York. The main street forms part<br />

of a main east-west highway with a growing<br />

population of commuters as well as a surrounding<br />

area peopled by many summer visitors.<br />

It is only a few minutes ride from Lake<br />

Hopatcong.<br />

The ."hopping center was conceived and is<br />

being built by Milton L. Ehrlich, Inc., 300<br />

Fourth Ave., New York City. The center<br />

will be one of the largest in North Jersey and<br />

will have branches of a number of nationally<br />

known stores. The architects are Kruger<br />

& Fana of Newark.<br />

A fully-equipped modern restaurant will be<br />

built in the center of the upper deck to serve<br />

shoppers during the day time and drive-in<br />

patroas at night. The same building also<br />

will house the projection booths for the theatre.<br />

The screen will be more than 100 feet<br />

wide and capable of showing CinemaScope or<br />

other types of wide.screen projection. At<br />

one end of the upper deck there will be a<br />

children's play area with slides, .swings,<br />

merry-go-rounds and other play equipment.<br />

These will be near the base of the screen.<br />

Reade plans installation of all the latest<br />

projection, sound and in-car speaker equipment.<br />

He also will put in in-car heaters for<br />

year-round operation.<br />

Conventional theatres have been built in<br />

connection with a number of shopping centers,<br />

but so far as Reade has been able to<br />

find out this is the first one to be on a<br />

second-story level. The theory is that if<br />

the patrons come to the shopping centers by<br />

car they will want to view their picture<br />

shows from their cars. It will be ready by the<br />

yearend.<br />

Reade's outfit is becoming one of the largest<br />

independent circuits in the east. He built his<br />

first drive-in at Woodbridge. N. J., in 1946.<br />

He now cpeates a total of eight drive-ins and<br />

has acquired property for a twin drive-in at<br />

Totowa, N. J. The circuit also has 30 conventional<br />

theatres in New Jersey and New<br />

York.<br />

Youngstein Plans Coast<br />

Survey of Production<br />

NEW YORK—Max E. Youngstein, vicepresident<br />

of United Ai-tists, will spend the<br />

summer in Hollywood checking on independent<br />

production, leaving here the end of the<br />

month with his family and returning to the<br />

home office in September.<br />

He returned from Hollywood Tuesday (31<br />

where he conducted a preliminary survey of<br />

production and met with Robert F. Blumofe,<br />

vice-president in charge of UA coast activities;<br />

Leon J. Roth, publicity coordinator, and<br />

independents producing films for UA release.<br />

Grainger Quits U. S. Post<br />

To Return to Law Firm<br />

NEW YORK—Edmund C. Grainger jr. has<br />

resigned as special assistant to the U. S. attorney<br />

general to rejoin the law firm of O'Brien.<br />

DriscoU & Raftery as tax counsel. He was in<br />

the government position two years. He is the<br />

son of Republic's circuit sales manager. His<br />

uncle. James R. Grainger, is RKO president.<br />

1 XOFFICE :<br />

4, 1955 25


THE CURTAIN'S RISING ON<br />

Paramount's Biggest Promotion<br />

BOB HOPE NATIONWIDE TOUR - in-person<br />

appearances to meet the press and public . . . and<br />

to skyrocket interest in the picture everywhere!<br />

Bob's itinerary includes strategically selected<br />

cities from coast to coast— all of them important<br />

population hubs from which saturation publicity<br />

will reach to all local areas.<br />

TIE-UPS GALORE — get all the details in the Paramount pressbook.<br />

Country-blanketing TV plugs from Bulova Watches—11,GOG drug and<br />

candy store displays and Saturday Evening Post page ads from<br />

Page & Shaw— point of sales displays from Sonic Capri Radio-<br />

Phonographs are typical of this great merchandising!<br />

(3o4i/ I>ij7^i4^i6^^


. . right<br />

VISTAVISIOK<br />

MOTION PICTURE f HIGH-FIDELITY<br />

^0^^^M<br />

puts you right in the heart<br />

ocven<br />

m^ ^m of the family . in<br />

^^^ ^^^<br />

^ ^ ^^^!^F ^^^^^^ "W^k. the middle of the fun!<br />

//<br />

Little Toys<br />

FULL COLOR NATIONAL ADS AND<br />

TERRIFIC TV-RADIO COVERAGE-Life,<br />

Saturday Evening Post, Wonnan's Honne<br />

Companion, American Weekly color<br />

pages— plus page ads in Seventeen and<br />

11 fan magazines to grand total of 125<br />

million readers. Top air shows to millions<br />

more via rating-leaders like Ed Sullivan's<br />

Toast of the Town, Edward R. Murrow's<br />

"Person to<br />

Person," Lux Video Theatre,<br />

General Foods NBC program, Arthur<br />

Godfrey, Dave Garroway, "Home" and<br />

many, many more.<br />

-ALL ADDING UP TO AN ALL-OUT UPROAR<br />

OF PRESELLING THAT STARTS NO>V,<br />

REACHES A PEAK IN JULY<br />

AND CONTINUES ALL SUMMER LONG...<br />

]vriL33r viXMJE<br />

GEORGE TOBIAS<br />

•<br />

Produced by<br />

ANGELA CLARKE<br />

Directed by<br />

•<br />

JACK ROSE MELVILLE SHAVELSON*<br />

Written for the Screen by<br />

MELVILLE SHAVELSON «d JACK ROSE


: June<br />

H<br />

j<br />

James Perkins Named<br />

To Para. Inl'l Post<br />

NEW YORK—James E. Perkins has been<br />

elected executive vice-president of Paramount<br />

International Films, according to a statement<br />

Wednesday (1)<br />

~^jjr~ by George Weltner.<br />

^^^^^"N Paramount worldwide<br />

sales head. Perkins<br />

^P^<br />

B<br />

^<br />

has been chairman and<br />

--,^9fc A managing director of<br />

4 y _ the international unit<br />

in the United King-<br />

''.'•f'l^<br />

"~"<br />

dom, with offices in<br />

,, ,^» London. He will head-<br />

^^^- r quarter in New York.<br />

^^^ ^<br />

I<br />

Perkins has been<br />

WHHk tm. I with Paramount 30<br />

years, joining it in 1925<br />

James E. Perkins<br />

as sales representative.<br />

He became manager in China in 1933, general<br />

manager for Japan, China and the<br />

Philippines in 1935, managing director of<br />

the Orient in 1941 and division manager for<br />

the Far East. Australasia and South Africa in<br />

1944. He took over the United Kingdom post<br />

in 1946.<br />

'Seven Year Itch' Given<br />

Opening in New York<br />

NEW YORK — Marilyn Monroe's "The<br />

Seven Year Itch" was given an elaborate premiere<br />

at Loew's State Wednesday (1) with<br />

the usual lights and celebrities, including<br />

Miss Mom'oe. The regular engagement started<br />

Friday morning.<br />

The 3,500-seat house was filled to capacity.<br />

CBS-TV film footage screened at the opening<br />

was screened on the late evening news<br />

programs and will go on again Sunday in<br />

Eric Severeid's "American Week" TV show.<br />

Movietone News and the metropolitan newspaper<br />

photographers covered the arrival of<br />

guests.<br />

Among the stars present were Lillian Roth,<br />

Eddie Fisher, Henry Fonda, Tyrone Power,<br />

Rita Gam. Shelley Winters, Basil Rathbone,<br />

Luba Malina, Sid Caesar, Nannette Fabray,<br />

Jackie Gleason, Milton Berle, Tex and Jinx<br />

McCrary, Arlene Francis and Raymond<br />

Massey.<br />

Double Theatre Standards<br />

Predicted by E. S. Gregg<br />

BANGKOK—Two technical standards for<br />

exhibition, including one for de luxe houses<br />

and a second for other theatres were predicted<br />

Tuesday 131) by E. S. Gregg, president<br />

of Westrex Corp., as the company concluded<br />

its first Far Eastern convention here.<br />

Gregg is of the opinion that the trend in<br />

exhibition indicates that the newest developments<br />

in projection and sound reproduction<br />

will be utilized by the larger theatres,<br />

enabling experimentation to continue. Use of<br />

the latest methods is consistent with the<br />

other superior benefits of de luxe theatre operation,<br />

he said.<br />

Decca to Pay 17 y2 Cents<br />

NEW YORK—Directors of Decca Records,<br />

Inc., have voted a quarterly dividend of 17 V4<br />

cents on the capital stock, payable June 30<br />

to stockholders of record June 16.<br />

HEINEMAN IN SPAIN—WiUiam J.<br />

Heineman, center. United Artists vicepresident<br />

in cliarge of distribution, talks<br />

witli stars Fredric March, riglit, and<br />

Ricliard Burton during location filming<br />

near Madrid of Robert Bossen's "Alexander<br />

tlie Great," multi-million-dollar<br />

UA Cinemascope epic. The spectacular<br />

dramatization of the life of the legendary<br />

Greek general is being produced and directed<br />

by Rossen from his own screenplay.<br />

Montreal Churches Present<br />

Censored 'Martin Luther'<br />

MONTREAL—Tlie Martin Luther film,<br />

which was banned 17 months ago by the<br />

Quebec Board of Cinema Censors, has been<br />

shown to capacity audiences in 11 Protestant<br />

churches in this area.<br />

The film was shown as part of a service of<br />

worship. Invitational cards reading: "You<br />

are invited to a church showing of the outstanding<br />

religious film 'Martin Luther,' " were<br />

distributed by over 100 churches. The picture<br />

was not advertised commercially, but clergymen<br />

extended invitations from their pulpits.<br />

Of the 11 churches, five were United Church<br />

of Canada, two were Lutheran, two P>resbyterian.<br />

one Baptist and one Anglican.<br />

After the censor ban Protestant churches<br />

protested and individuals sent numerous letters<br />

to Canadian newspapers.<br />

Hyman, Markley Head<br />

UCP Theatre Collection<br />

NEW YORK—Edward L. Hyman and Sidney<br />

M. Markley. vice-presidents of American<br />

Broadcasting-Paramount Theatres. Inc., have<br />

been named co-chairmen of the theatre collections<br />

committee of the United Cerebral<br />

Palsy Campaign, states Leonard H. Goldenson,<br />

board chairman of UCP.<br />

The goal is $10,000,000. The star of the 1955<br />

UCP trailer, "The Greatest of These," is<br />

Danny Thomas. It is now being distributed<br />

to theatres by National Screen Service. Herman<br />

Robbins, NSC president, is chairman of<br />

the distribution committee.<br />

David Gould to Handle<br />

Egyptian-Made Feature<br />

NEW YORK—David Gould, head of David<br />

Gould Pictures, overseas distributors specializing<br />

in the Far East areas, has taken over<br />

world representation, except for Europe,<br />

the Near East and Africa, of "Hamido,"<br />

starring Farid Chawky and an all-Egyptian<br />

cast. Chawky also produced the picture,<br />

which was directed by Niazi Moustapha under<br />

the Dollar Company of Egypt banner.<br />

Value of Audience Poll<br />

Detailed by COMPO<br />

NEW YORK— All exhibitors are urged t<br />

take part in the Audience Awards pool in<br />

statement written by Wilbur Snaper, Sar<br />

Pinanski and Al Lichtman, co-chairmen c<br />

the Council of Motion Picture Organization<br />

and contained in a new COMPO brochui<br />

describing the poll. The statement reads:<br />

"Aside from its enormous public relatioi<br />

benefits for our industry, the Audienc<br />

Awards, in our view, will mean heightent<br />

public interest in pictures and a defini<br />

enhancement of the boxoffice value of sever<br />

pictures.<br />

"Coming at the beginning of the Christm;<br />

holiday season, the announcement of tl<br />

awards will make it possible to re-relea<br />

.several of these pictures, thus providii<br />

powerful attractions for our theatres at<br />

time when new product is normally in she<br />

supply.<br />

"We, the members of the governing cor<br />

mittee of COMPO, first approved the pi:<br />

for an annual Audience Awards election<br />

April 1954. Worked out by a devoted groi<br />

of theatre advertising executives, the proji,<br />

has been approved by the principal exhibitas.sociations<br />

and by a large number of t'<br />

top exhibitors of the country.<br />

"We are all fortunate that Elmer .<br />

Rhoden, president of National Theatres, Is<br />

consented to be chairman of the campaii<br />

that will put this plan into effect. Enthuastic<br />

over the possibilities of this plan. 1-.<br />

Rhoden is making an enormous sacrifice p<br />

lead this campaign, so we ask that evy<br />

exhibitor support him. He is working for U<br />

of us. We are confident that he will dta<br />

magnificent job."<br />

United German Film Has<br />

Pictures for U. S.<br />

NEW YORK—"The revived German f(n<br />

industry has made tremendous strides," ;-<br />

cording to Munio Podhorzer, president^f<br />

United German Film Enterprises, which r,)-<br />

resents many of the leading German p-<br />

ducers and exporters in the U. S. UGFKs<br />

now negotiating for a group of imporlj<br />

German films, many of them in color<br />

all of them with English titles, for sho7<br />

in the U. S., particularly in the art houj<br />

Among these pictures are: "White Hs<br />

Inn," in color, based on the &ic ChfJl<br />

operetta, starring Johanna Matz and Rud


'<br />

have<br />

'<br />

•<br />

c<br />

.<br />

ti<br />

,<br />

isrest<br />

! think<br />

'<br />

p<br />

:<br />

lETTERS<br />

(lers Four Business-Building Ideas<br />

l BOXOFFICE:<br />

read in the Exhibitor Has His Say<br />

(i)artment of BOXOFFICE the complaints<br />

qmany exhibitors about poor boxoffice recpts.<br />

Below are four suggestions which may<br />

j|p these exhibitors increase their intake.<br />

1 1. Use the colorful ads in BOXOFFICE.<br />

put them out and spot them throughout<br />

jOur lobby.<br />

2. Use the free transcription records<br />

iffered. More people are influenced by<br />

learing than by trying to read a long ad-<br />

(•ertisement in the front display case.<br />

3. If the pressbook covers are in color<br />

jsuch as for RKO's "Underwater!") clip<br />

hem out and put them on display.<br />

' 4. Use advertisements which are offered<br />

'ree by the companies (such as 24-sheets)<br />

ind spread them in the lobby.<br />

that if these simple rules are fol-<br />

L/ed, your theatre will look better and be<br />

Sown better.<br />

JAMES BRESCOLL<br />

It Pressbook Co.,<br />

Byall Ave.,<br />

J'<br />

I'wling Green, Ohio.<br />

'inks, Mr. Parham<br />

BOXOFFICE<br />

am not much of a hand at writing this<br />

lie of letter, but just thought I would pass<br />

IS along to you for the good it might do.<br />

jiXOFFICE is the only trade journal that<br />

< subscribe to. However, I see others occa-<br />

,'nally, and I think BOXOFFICE has more<br />

i ormation for the exhibitor who wants m-<br />

1 mation about the exhibition end of our<br />

lilness, as well as distribution, past, presli<br />

«, and future. Keep up the good work.<br />

(-Owner, Manager<br />

]e Par-Co Co.<br />

Irrest City, Ark.<br />

JOSEPH W. PARHAM<br />

Superscope Bonus Offered<br />

With Lens Purchase<br />

HOLLYWOOI>—In a novel merchandising<br />

plan to introduce the projection system to<br />

those of the nation's theatres that are not as<br />

yet equipped therewith, Joseph Tushinsky,<br />

president of Superscope, disclosed that effective<br />

Monday (6) any showman who purchases<br />

a pair of Superscope lenses at the established<br />

price of $395 per pair will receive a bonus of<br />

$100 to be applied on the rental of any picture<br />

filmed in the anamorphic widescreen process.<br />

The exhibitor, upon placing his order for<br />

the lenses, will receive from Superscope by<br />

return mail a validated certificate into which<br />

is to be inserted the name of the Superscope<br />

film that has been rented and the date of<br />

the booking. Upon receipt of such information<br />

Superscope will send its check for $100<br />

to the theatreman to apply toward payment<br />

of<br />

the rental, Tushinksy declared.<br />

Cuj-rently available in the process are<br />

United Artists' "Vera Cruz" and three RKO<br />

Radio releases, "Underwater!" "Son of Sinbad"<br />

and "Escape to Burma." Upcoming are<br />

a number of others, including RKO Radio's<br />

"Jet Pilot," Allied Artists' "Body Snatchers"<br />

and Filmakers' "Battle Hell."<br />

Now an Umbrella for Car<br />

Parked in a Drive-In<br />

NEW YORK— Sightmaster Corp. of New<br />

Rochelle, N. Y., is marketing an "umbrella"<br />

for an automobile. It was developed at the<br />

insistence of Arthur Steel, a director, who<br />

owns drive-in theatres, and makes unnecessary<br />

during a rain of running the motor to<br />

operate the windshield wipers.<br />

The umbrella, called the rain-visor, is<br />

made of durable vinyl plastic 48 inches long<br />

and 18 inches wide. It can be stored in the<br />

car trunk and attached over the windshield<br />

by means of suction cups and straps with<br />

clamps. The effect is that of an awning.<br />

CALENDAR °! EVENTS<br />

JUNE<br />

Iiutzky Made Permanent<br />

;ltec Northeast Head<br />

fEW YORK—Ralph Kautzky, who wa--;<br />

fnporarily stepped up from northeastern<br />

^mch manager of Altec Service Corp. in<br />

Otober 1954, following the naming of C. S,<br />

f.-kins to the post of operating manager.<br />

«> been made permanent division manager<br />

Altec's northeastern division with headtirters<br />

in New York, according to Perkins.<br />

lautzky is a veteran employe of Altec and<br />

i predecessor, Electrical Research Products,<br />

I:., and has served in various capacities, intding<br />

field engineer, field supervisor and<br />

' nch manager.<br />

re;»:henck Resigns Top Post<br />

^^ith Magna Theatre Corp.<br />

;.- iIEW YORK—Joseph M. Schenck has re-<br />

&Md as board chairman of Magna Theatre<br />


n<br />

'<br />

'i^oUt^dMMd ^efrint<br />

By<br />

IVAN SPEAR<br />

On\y 25 Productions Start in June;<br />

MGM. U'l Top With Four Each<br />

statistics accumulated during a tally of<br />

filmmaking plans among both major and independent<br />

producers indicate that the lensing<br />

pace hereabouts during June will be at the<br />

lowest ebb so far registered in 1955—a dubious<br />

distinction, at best, since the year to date<br />

hasn't been characterized by anything resembling<br />

a production boom.<br />

Subject to possible last-minute changes,<br />

the outlook for the current period reveals a<br />

total of 25 starting features. This is two less<br />

that the aggregate recorded at the beginning<br />

of May.<br />

Sharing top honors as the town's busiest<br />

studios are MGM and Universal-International,<br />

each with four vehicles going onto<br />

the sound stages. Columbia, 20th Century-<br />

Fox and United Artists follow with three<br />

each; Allied Artists and RKO Radio will<br />

respectively account for a pair, and the balance<br />

will be supplied by Paramount, Republic,<br />

Warners and an independent.<br />

Here is the projected lineup:<br />

ALLIED ARTISTS<br />

"Operation Uranium." In the 40th in their<br />

series of comedies the Bowery Boys become<br />

involved in a current national craze, prospecting<br />

for uranium. Stars Leo Gorcey, Huntz<br />

Hall. Producer, Ben Schwalb. Director,<br />

Edward Bernds.<br />

"Son of Slade." A sequel to last season's<br />

"Jack Slade," this title-roles John Ericson<br />

as a stalwart citizen who wipes out an outlaw<br />

gang. Also stars Mari Blanchard, Neville<br />

Brand. Producer, Lindsley Parsons. Director,<br />

Harold Schuster.<br />

COLUMBIA<br />

"Battle Stations." The story of the U. S. S.<br />

Franklin, the aircraft carrier which was<br />

bombed off the coast of Japan in 1945 after<br />

heroic service during World War II. Stars<br />

Philip Carey. Producer, Bryan Foy. Director,<br />

Lewis Seller.<br />

"Inside Detroit." A reign of gangland terror<br />

and violence is wiped out when the mob<br />

leader is killed in a gun battle with the law.<br />

Stars Dennis O'Keefe, Pat O'Brien. Producer,<br />

Sam Katzman. Director, Fred F. Sears.<br />

"Perils of the Wilderness." A serial about<br />

life and adventure on the frontier. Stars not<br />

set. Producer, Sam Katzman. Director,<br />

Spencer Bennet.<br />

INDEPENDENT<br />

"Apache Woman." A redskins-vs-whites<br />

outdoor actioner, this will be lensed in Pathe<br />

color and is slated for distribution by American<br />

Releasing Corp. Stars not set. Producerdirector,<br />

Roger Corman.<br />

METRO-GOLDWYN-MAYER<br />

"Forever, Darling." A bride and groom<br />

embarking on their honeymoon find they are<br />

being escorted by a guardian angel who helps<br />

them iron out the stormy .spots in their<br />

marital career. Stars Lucille Ball. Desi Arnaz,<br />

James Mason. Producer, Desi Arnaz (Zanra<br />

Productions). Director, Alexander Hall. In<br />

Cinemascope and color.<br />

"I'll Cry Tomorrow." The biography of<br />

Lillian Roth, singer-entertainer who made a<br />

show business comeback after successfully<br />

combating alcoholism. Stars Susan Hayward,<br />

Richard Conte, Eddie Albert. Producer,<br />

Lawrence Weingarten. Director, Daniel<br />

Mann.<br />

"The Tender Trap." A playboy bachelor<br />

who has made a career of avoiding marriage<br />

is finally snagged by a determined girl who<br />

wants him as a husband. Stars Frank<br />

Sinatra, Debby Reynolds, David Wayne. Pi'oducer,<br />

Lawrence Weingarten. Director,<br />

Charles Walters. In Cinemascope and Eastman<br />

Color.<br />

"Tribute to a Bad Man." This is the story<br />

of one of the last of the great western horsebreeders<br />

in Wyoming, who specialized in raising<br />

fast steeds for express stagecoaches in<br />

the 1870's. Stars Spencer Ti'acy, Irene Papas,<br />

Stephen McNally. Producer, Sam Zimbalist.<br />

Director, Robert Wise. In Cinemascope and<br />

Eastman Color.<br />

PARAMOUNT<br />

"Too Late. My Love." This suspense drama,<br />

in VistaVision, concerns a wicked woman, a<br />

jewel theft and murder. Stars Carol Ohmart,<br />

Tom Tryon, Jody Lawrence. Producer-dli-ector,<br />

Michael Curtiz.<br />

RKO RADIO<br />

"Glory." A comedy-drama about horseracing,<br />

this will be filmed on location at the<br />

site of the Kentucky Derby in Louisville and<br />

at the Calumet breeding farms in Tennessee.<br />

Stars not set. Producer-director, David<br />

Butler. In Superscope and Technicolor.<br />

"Texas Lady." This adventure-romance,<br />

localed in Texas and Louisiana in the 1870s,<br />

is the story of a hard-as-nails gambler and<br />

a crusading feminine newspaper editor. Stars<br />

Claudette Colbert, Barry Sullivan, Ray Collins.<br />

Producer, Nat Holt (Holt-Rosen Pro-<br />

'Patterns/ Noted Teleplay,<br />

To Be Filmed for UA<br />

Another TV-to-movies transaction has<br />

been consummated with the disclosure<br />

that "Patterns," one of the year's mosttalked-about<br />

television programs, is to be<br />

transformed into a theatrical motion picture<br />

for United Artists release.<br />

Van Heflin has been signed to star in<br />

the property, which Michael Myerberg<br />

and Jed Harris will produce in New York.<br />

Rod Serling, who wrote the teleplay, will<br />

supply the script, and Fielder Cook, director<br />

of the video show, will pilot the feature<br />

project. In "Patterns" Heflin portrays<br />

a young executive who is embroiled<br />

in a hectic struggle for power in a huge<br />

industrial empire.<br />

ductions). Director, Tim Whelan. In Sup(<br />

scope and Technicolor.<br />

REPUBLIC<br />

"Come Next Spring." An Arkansas farn:<br />

leaves his wife and children and, returni<br />

after an absence of several years, is i<br />

generated by the faith and love of one of t<br />

children, a mute. Stars Steve Cochran, Ai<br />

Sheridan, Sherry Jackson. Director, R. «<br />

Springsteen. In Trucolor. 1<br />

20th CENTURY-FOX<br />

"The Girl in the Red Velvet Swing." Her!<br />

in is related the turn-of-the-century scant;<br />

that swept the nation when Stanford Wh<br />

was slain by Harry K. Thaw as the climax I<br />

a romantic triangle involving Evelyn Nesba<br />

Stars Joan Collins, Ray Milland, Far<br />

Granger. Producer, Charles Brackett,<br />

rector, Richard Fleischer. In CinemaSci<br />

and color.<br />

"Good Morning, Miss Dove." A romai<br />

drama based on Frances Gray Patton's no<br />

about a small-town school teacher. St ><br />

Jennifer Jones. Producer,<br />

j<br />

Samuel G. Eni .<br />

^<br />

Director, Henry Koster. In Cinemascope a 1 .ijj<br />

color.<br />

"The View From Pompey's Head." Fr i<br />

the novel by Hamilton Basso, this deals w i.ij<br />

an editor who returns to his home irj.j<br />

small southern community after a career ft;^<br />

the big city. Stars Richard Egan, Di|a<br />

Wynter. Producer-director, Philip Dunne<br />

Cinemascope and color.<br />

UNITED ARTISTS<br />

"A Kiss Before Dying." A scheming colig^i<br />

boy murders his fiancee when his plans irq<br />

marrying into a wealthy family are udt,i<br />

Stars Robert Wagner, Joanne Woodwa, ui<br />

Jeffrey Hunter. Producers, Robert Jas,<br />

Robert L. Goldstein (Crown Production<br />

D rector, Gerd Oswald. In CinemaScope Id<br />

color.<br />

"News Is Made at Night." Based pn<br />

Charles Einstein's novel, this is a dramwl<br />

newspaper life in Chicago. Stars Dana i-<br />

drews, Rhonda Fleming, Ida Lupino. Inducer,<br />

Bert E. Friedlob. Director, Fritz L;.g.<br />

"Top Gun." An action-drama of the ely<br />

west. Stars Sterling Hayden. Produr,<br />

Edward Small. Director, Ray Nazarro.<br />

UNIVERSAL-INTERNATIONAL<br />

"Backlash." A man scours the southwesm<br />

frontier in the 1870s for the renegade }io<br />

betrayed his father and four others tO;he<br />

Indians. Stars Richard Widmark, Dcna<br />

Reed. Producer, Aaron Rosenberg. Dire or,<br />

John Sturges. In Technicolor.<br />

"The Girl in the Cage." A rookie p-ce<br />

officer is assigned as an undercover maito<br />

break up a gang of teen-age car thlJes.<br />

Stars William Campbell, Kathleen Cse,<br />

Keenan Wynn. Producer, Howard Pine, director,<br />

Abner Biberman.<br />

"Tarantula." This science-fiction dib»<br />

concerns a medical researchist who isfexperimenting<br />

with a powerful synthetic -iutrient<br />

and who develops a king-sized taintula<br />

that terrorizes civilization. Stars 'hn<br />

Agar, Mara Corday, Leo G. Carroll. ProdfOr,<br />

William Alland. Director, Jack Arnolcj<br />

"World in My Corner." A boxer, falliii Ui<br />

love with a wealthy girl, offers to thr'.' a<br />

championship fight to gain the money vich<br />

he thinks he must have so that shewill<br />

marry him. However, he changes his lifld.<br />

wins the title and the girl. Stars j'dlf<br />

Murphy, Barbara Rush. Jeff Morrow. T"-<br />

• Continued on page 34)<br />

30 BOXOFFICE June 'IS'


Hut just TWO will do...<br />

MILLION WORDS<br />

!>%y5t^<br />

V<br />

PRIVATE<br />

WAR of<br />

MAJOR<br />

BENSON<br />

TECHNICOL-OR<br />

PRINT BV<br />

hv l/i<br />

rSAL<br />

Take your family or your sweetheart to the<br />

SPECIAL SCREENING your U-l EXCHANGE<br />

is arranging in your Territory!


BOXOFFICE BAROMETEI<br />

This chart records the performance of current attractions in the opening week of their first runs in<br />

the 20 key cities checked. Pictures with fewer than five engagements ore not listed. As new runs<br />

are reported, ratings are added and averages revised. Computation is in terms of percentage in<br />

relotion to normal grosses as determined by the theatre managers. With 100 per cent as "normal,"<br />

the figures show the gross rating above or below that mark.<br />

Annapolis Story, An (AA)<br />

Bedevilled (MGM) 100 75 100 75 85 120<br />

I,<br />

v^ Big Combo, The (AA) 100 130 80 70 150 50 100 80 110 60 65 100 80 91<br />

Big Tip Off, The (AA)<br />

Blackboard Jungle, The (MGM) 400 200 280 130 115 170 210 275 130 300 300 200 220 195 300 200 190<br />

Black Tuesday (UA) 120 140 200 85 85 125 105<br />

Cell 2455. Death Row (Col)<br />

Challenge the Wild (UA)


'<br />

General Traffic Manager Douglas Dawson of Norton Company tcilb<br />

''How Norton makes the sparks fly!"<br />

"When a plant's grinding operations break down, their pro-<br />

"How.-' With on-the-ball engineering and Air Express! pounds a day by Air Express, as we do !<br />

duction lines may grind to a halt, too. iJ V have to make the<br />

sparks fly! says Doug Dawson.<br />

"<br />

"The abrasive that can meet specifications — and gets there<br />

To us. Air Express is like a full warehouse in every community;<br />

we can deliver anywhere in the U.S. in a few hours.<br />

"Yet, we actually save money when we use Air Express<br />

instead of other air carriers. A typical 25-lb. shipment from<br />

first<br />

— gets the order.<br />

"We win those races time after time from our one big<br />

Worcester to Chicago, for example, costs S8.85. That's S3. 55<br />

cheaper than any other direct air service!<br />

plant in Worcester, Mass.<br />

—<br />

"Those savings add up when you ship as much as 1,000<br />

C^KUL. A.IIR<br />

EiCPr^ESS<br />

aipfess<br />

GETS TMEI^E Pir^ST ri,i US. ScheUiiled Airlines<br />

of r^^\IL.W^KV E^XPPtESS .AGC'IVCV<br />

rXOFFICE :<br />

: June 4, 1955<br />

33


1<br />

. . Fred<br />

. . Borrowed<br />

:<br />

June<br />

!<br />

Hollywood Report<br />

I Continued from page 30<br />

ducer, Aaron Rosenberg. Director, Jesse<br />

Hibbs.<br />

WARNER BROS.<br />

"Tlie Court-Martial of Billy Mitchell." In<br />

Cinemascope and WarnerColor, this deals<br />

with the chmactic events in the career of<br />

Gen. William Mitchell, regarded as the<br />

"father" of the U. S. air force and a determined<br />

proponent of air power. Stars Gary<br />

Cooper. Producer, Milton Sperling (United<br />

States Pictures). Director. Otto Preminger.<br />

U-I. WB and Republic<br />

Week's Story Buyers<br />

Buying 'em more or less in wholesale lots,<br />

two at a time, Universal-International picked<br />

up the screen rights to a pair of literary<br />

properties. Added to the studio's stockpile<br />

were "Teach Me How to Cry," a psychological<br />

melodrama by Patricia Joudry, and "Outlaw's<br />

Code," a—yep, you guessed it—western,<br />

penned by Evan Evans. "Cry" has been<br />

assigned to Ross Hunter to produce; the<br />

galloper, however, has not as yet been turned<br />

over to one of the studio's filmmakers for<br />

handling . . . Also in the sagebrusher category<br />

is an acquisition by Warners, which purchased<br />

"The Burning Hills," a new novel by<br />

Louis L'Amour. The tome will be the first<br />

chore at the Burbank film foundry for Richard<br />

Whorf, recently inked as a producer. A<br />

story of ranching in the early days of the<br />

southwest, it was penned by the author of<br />

"Hondo," last season's Wayne-Fellows production<br />

for Warner release which served as<br />

a starring vehicle for John Wayne . . Picked<br />

up by Republic was "Back of Beyond," an<br />

original screenplay by Thames Williamson,<br />

which has been assigned to William J.<br />

O'Sullivan to produce.<br />

Kirk Douglas to Tour U. S.<br />

To Promote 'Ulysses'<br />

Short notes from the sound stages: As a<br />

part of the advance promotion being cooked<br />

up for "Ulysses," the Ponti-De Laurentiis<br />

production to be distributed by Paramount,<br />

title-roler Kirk Douglas will undertake a<br />

nationwide key-city tour in addition to the<br />

prospective barnstorming swing of his co-star,<br />

Silvana Mangano. Douglas, currently starring<br />

in his first independent vehicle, "The<br />

Indian Fighter," for United Artists, probably<br />

won't be hitting the road until fall, however,<br />

since he's slated to trek to Europe in July<br />

to star as Vincent Van Gogh in MGM's "Lust<br />

for Life" . . . Because of the pressure of his<br />

responsibilities as general director of music<br />

at MGM, Johnny Green is retiring for the<br />

time being as first vice-president of the Academy<br />

of Motion Picture Arts and Sciences, a<br />

post he has held for the past three years.<br />

Green is the second top Academy officer to<br />

announce his withdrawal from executive activity,<br />

president Charles Brackett having recently<br />

disclosed he will not consider being<br />

nominated again for the berth.<br />

Jennifer Jones to Portray<br />

Teacher in Fox Film<br />

When the sound-stage classroom pupil<br />

assembled for 20th Century-Fox's "Gooi<br />

Morning, Miss Dove," bring apples for th<br />

teacher, recipient thereof will be Jennife<br />

Jones, just inked by the studio for the stella<br />

role in the projected film version of th<br />

novel by Frances Gray Patton . . . Charactf<br />

comedienne Thelma Ritter joins Debora<br />

Kerr and William Holden in Paramount<br />

July starter, variously known—and you taki<br />

your choice—as "The Magnificent Bastards<br />

"The Magnificent Devils" and "A Bree<br />

Apart" .<br />

Clark and Josephine Hutcl<br />

inson, onetime Warner contract players, r(<br />

turn to the studio for top parts in "Mirac<br />

in the Rain." starring Jane Wyman and Va<br />

Johnson . from 20th Centur;<br />

Fox, Dale Robertson will have the starrii<br />

spot in "Jagade," a Technicolor western whi(<br />

Universal-International will place before t<br />

cameras in July.<br />

Steve Sekely to Republic<br />

As Producer-Director<br />

Bringing to six the number of product;<br />

dii-ectors now under contract. Republic inW<br />

Steve Sekely to a term pact in those cap£^<br />

ities. Sekely's most recent credit was ti<br />

piloting job on an Italian-made feature, "l*<br />

Simiers," starring Ruth Roman.<br />

He joins Frank Lloyd. John H. Auer, ,i<br />

Kane, Franklin Adreon and Edward Lud'J<br />

as Republic filmmakers.<br />

COLUMBIA PICTURES ANNOUNCES THAT PRINTS OF THE FOLLOWING<br />

PICTURES ARE NOW AVAILABLE IN<br />

OUR EXCHANGES FOR SCREENINt j<br />

DENNIS O'KEEFEABBE LANE<br />

wi.h PAUL STEWART • XAVIER CUGAT And His Orchestra<br />

Screen Play by JOSEPH HOFFMAN • Directed by FRED F. SEARS • A CLOVER PRODUCTION<br />

@3II1HIEC]<br />

starring<br />

KENNETH TOBEY- FAITH DOMERGUE<br />

will,<br />

nnUAl n PIIDTIC<br />

UUUHLU uUlf I \0 Technical Eltects Created by RAY HARRYHAUSEN<br />

:""'"'"»»> (^EO'^'^E worthing VATESandHAl SMITH<br />

Executive Producer SAM KATZMAN • Produced by CHARLES H. SCHNEER Directed by ROBERT GORDON<br />

^<br />

WITH THE<br />

Atom brain<br />

Stonr and Screen Pliy by I lb, EDWARD LUHN<br />

34 BOXOFFICE<br />

:<br />

4


;<br />

increase<br />

,<br />

'<br />

; June<br />

[PEA Negoiiations Attend Preview of 'Major Benson'<br />

fith Spain Halted<br />

i>4EW YORK—The Motion Picture Export<br />

Js'n through G. Griffith Jolin.son. vicei-^idtiU.<br />

late in the week .suspended pact<br />

with Spain because of added de-<br />

.iered utterly unreasonable.<br />

-ii.ii.i .i.ikL'd for a dra.stic cut in dubbing<br />

Hints from 100 to 80. Its government would<br />

dubbing prices a.s follow.^:<br />

hek-and-white films, 600.000 pesetas to<br />

j).000: color, 700,000 to 1,000,000 and special<br />

tjcess films, not covered before, 1,300,000.<br />

rile government there al.so tried to tie-in<br />

tnbution in Spain. It demanded that the<br />

•<br />

provide for one permit for distribution<br />

a Spanish film along with each five pert^<br />

lor foreign films.<br />

The seven MPEA member companies with<br />

fices there were asked additionally to<br />

:ndle the distribution of eight Spanish films<br />

North America.<br />

After suspending negotiations, Johnson left<br />

adrid for western Germany. The next move<br />

11 be up to Spain.<br />

clot As a Stranger' Set<br />

!or Capitol June 29<br />

NEW YORK—"Not As a Stranger," Stanley<br />

earner's production for United Artists rei>e,<br />

will open at the Capitol Theatre, dayid<br />

date with the benefit opening at the<br />

arJey Warner Theatre, Beverly Hills, Calif,<br />

•oceeds from the latter opening will go to<br />

|e new Los Angeles Mt. Sinai hospital.<br />

IThe simultaneous openings will be carried<br />

li TV by the 76 stations of the National<br />

(•oadcasting Co. network, via Steve Allen's<br />

I'onight" program from the lobby of the<br />

;st coast house.<br />

jlartoon on Ticket Tax<br />

NEW KENSINGTON, PA.—School board<br />

;


—<br />

—<br />

—<br />

—<br />

—<br />

—<br />

.<br />

n<br />

.<br />

love Me and 'Davy Crocketf Both<br />

Smash in Big Holiday Weekend<br />

NEW YORK—The three-day Memorial Day<br />

weekend brought in crowds of out-of-town<br />

visitors, to take the place of the hordes of<br />

New Yorkers that left the city, and the Broadw^ay<br />

first runs benefited with business ranging<br />

to "terrific" at Radio City Music Hall to<br />

"quite good" at some of the holdovers.<br />

"Love Me or Leave Me," which got rave<br />

reviews, gave the Radio City Mus.c Hall its<br />

(Average Is 100)<br />

Astor The Mogniticent Matador (20th-Fox) ....125<br />

Baronet Hiroshimo (Continental), 2nd wk 110<br />

Capitol The Prodigal (MGM), 3rd wk 110<br />

Criterion—The For Horizons (Para), 2nd wk 115<br />

Arts To Paris With Love (Continental),<br />

9th 115<br />

Globe Dovy Crockett, King of the Wild Frontier<br />

(Buena Vista)<br />

I 75<br />

. , . . 1<br />

Gu.ld- -Gote of Hell (Harrison), 24th wk<br />

larnegie Green Magic (IFE), 2nd wk.<br />

Loew's State The Blackboard Jungle (MGM),<br />

11th<br />

Maytoir Violent Saturday i20th-Fox), 3rd wk. ..105<br />

Normandie The Adventures of Sodie (20th-Fox)<br />

2nd wk 115<br />

Palace Conquest of Space (Para), plus vaudeville 120<br />

r'aromount strategic Air Command (Paro),<br />

6th wk 125<br />

90<br />

Pans The Great Adventure (de Rochemont)<br />

Plaza Wuthering Heights (Goldwyn), reissue<br />

3rd wk no<br />

Radio City Music Hall Love Me or Leave Me<br />

(MGM), plus stage show 175<br />

Roxy Soldier of Fortune (20th-Fox) 165<br />

Surton Morty (UA), 7th wk 1 90<br />

frans-Lux 52nd Doctor in the House (Rep),<br />

15th wk 115<br />

Victoria Strange Lady in Town (WB), 2nd wk. ..110<br />

Warner Cinerama Holiday (SW), 16th wk. of<br />

two-a-day<br />

Wor.d One Summer of Hoppiness (Times), moveover,<br />

135<br />

10th wk<br />

105<br />

'Melody' Scores 165<br />

In Buffalo Bow<br />

BUFFALO-"Interrupted Melody" turned<br />

in a good week, following an especially big<br />

advance ad, radio and TV campaign. "Strategic<br />

Air Command" continued to do business<br />

in its second week, the holiday influx of<br />

biggest Memorial Day weekend in the history<br />

of the huge house and business for the<br />

week was "marvelous" for this time of year,<br />

according to the theatre treasurer. The Sunday<br />

night rain even helped to drive strollers<br />

into the theatre and the nearby Roxy Theatre,<br />

with "Soldier of Fortune," also got some<br />

of the overflow. Business for this Clark Gable<br />

picture was strong, as it was at the Globe,<br />

where "Davy Crockett, King of the Wild<br />

Frontier," attracted the youngsters, as well<br />

as their parents, for the best gross in many<br />

weeks.<br />

"The Magnificent Matador" was very good<br />

in its opening week at the Astor and "Conquest<br />

of Space" also drew the younger element<br />

to give the Palace Theatre its best bus-<br />

j<br />

visitors helping not only this but other first<br />

iness in several weeks.<br />

run theatres. "The<br />

.summer, for<br />

Sea Chase"<br />

the benefit of Salute to<br />

gave the<br />

Franc<br />

Among the holdovers, "Strategic Air Command"<br />

at the Paramount had a sixth week<br />

Center one of its best weeks in recent months<br />

according to Robert W. Dowling, chairman '<br />

and it looks like a second week is in the<br />

the board of the American National Theat<br />

bag.<br />

which equalled the fifth stanza but "The<br />

"Three for the Show" at the Lafayette and<br />

and Academy, and Ai'thur B. Krim, preside:<br />

Prodigal," in its third week "Shotgun" at<br />

at the<br />

the Century of<br />

were<br />

Capitol;<br />

both<br />

United Artists, which is distributing tl,<br />

better<br />

film.<br />

"Violent Saturday," in its third week<br />

than normal.<br />

The "Summertime" opening will coi^<br />

at the<br />

cide with the June 20 opening in Paris<br />

Mayfair, and "The Far Horizons," in its second<br />

week at the Criterion, were good but Century Shotgun (AA) 110 will open<br />

Buffalo Interrupted Melody (MGM) 165<br />

Center The Sea Chase (WB) 1 40 "Oklahoma!" the stage production, whi<br />

down from preceding weeks.<br />

Cinema<br />

the Salute to France program ai<br />

Animal Farm (DCA) 105<br />

Lafayette Three for the Show (Col) 115 bring American players, music and ballet<br />

In the art house field, excellent reviews for Poromount Strategic Air Command (Para),<br />

"The Great Adventure"<br />

2nd<br />

at the Paris gave the<br />

wk<br />

the French capital.<br />

150<br />

theatre a bigger first week than the recent<br />

"Wages of Fear" at that house and each Holiday Is Outdoor Time<br />

Martin and Lewis Party<br />

successive day was higher than the previous And Grosses Suffer<br />

day's business. And "Marty" kept up its terrific<br />

pace in its seventh week at the Sutton, holiday proved more of a detriment than a NEW YORK—Paramount will stage BALTIMORE—The Memorial Day weekend Scheduled in Catskills<br />

|<br />

with long waiting lines outside the small help to the first run boxoffices. Apparently, three-day press-radio-television preview pai|<br />

house nightly. Also continuing strong was pleasure seekers left the city and those who for "You're Never Too Young," the DeJ<br />

"Gate of Hell," which had a 24th week which remamed nearby at least sought amusement<br />

was higher than the 23rd at the tiny Guild parks for recreation—and certainly not the<br />

Martin-Jerry Lewis company, at Brown's HJ<br />

tel. Loch Sheldrake, N. Y., June 10-12.<br />

Theatre; "To Paris With Love," which had theatres. As a result, grosses are not at their The doings will head off with the presef<br />

a big ninth week at the Fine Arts; "Hiroshima,"<br />

usual holiday level.<br />

tation of the picture Friday, June 10. Boji<br />

in its second week at the Baronet Century The Blackboard Jungle (MGM), 4th wk. 125 of the comedians will be there. All the equif<br />

Theatre, and "Adventures of Sadie," good in Film Centre— Doctor in the House (Rank), 3rd wk. 100 ment needed to present it in the horizont,<br />

Hippodrome The Prodigal (MGM) 1 40<br />

its second week at the Normandie.<br />

Keiths Strategic Air Commond (Pora) 125 double-frame VistaVision apparatus, will i<br />

Little<br />

Heights (Goldwyn), wk. . . 80<br />

Maytair<br />

set<br />

Passage<br />

up at the hotel.<br />

;Rep) 90<br />

Day, the first week in June saw only two New—Daddy Long Legs i20th-Fox), 4th wk 90<br />

new Broadway films, "The Seven Year Itch"<br />

Playhouse—To Poris With Love (Cont), 4th wk. . . 85<br />

Stanley The Sea Chase (WB) 110<br />

at Loew's State June 3 and another from Town Violent Saturday (20th-Fox) 90<br />

After the six openings just before Memorial<br />

Wuthering<br />

Sonto Fe<br />

2nd<br />

20th-Pox, "Angela," at the Palace.<br />

The Cinema One Summer of Happiness (Times). . 90<br />

'SAC Sensational<br />

In Steel City<br />

PITTSBURGH—"Strategic Air Command"<br />

was out in front by a wide margin, turning<br />

in the best gross here in six months.<br />

Fulton—Abbott and Costello Meet the Mummy<br />

(U-l); The Looters (U-l) 40<br />

Harris That Lody (20th-Fox) 40<br />

Penn—Strategic Air Command (Para) 225<br />

Stanley Jump into Hell (WB); Mambo (Para). . . 50<br />

To Hold 'Cobweb' Premiere<br />

PITTSBURGH — Commemorating the<br />

golden anniversary of the nickelodeon, the<br />

John P. Harris Theatre here will stage the<br />

world premiere of "The Cobweb" the evening<br />

of June 15.<br />

Paramount's "The Ki.ss-Off" has been retitled<br />

"Too Late, My Love."<br />

Many Prizes Are Donated<br />

For NY Golf Tournament<br />

NEW YORK—Prizes have been donated fo:<br />

the foui'th annual film industry golf tourna^<br />

ment sponsored by Cinema Lodge of B'na<br />

B'r.th and to be held Thursday (9) at thi<br />

Vernon Hills Country Club, Tuckahoe, N. Y,<br />

William J. German, Inc., has donated thosi<br />

for the foursome winners and National Screei<br />

Service those for the foursome runnerup a<br />

in the three previous tournaments, accordin;<br />

to Martin Levine, chairman.<br />

Other donors include Artcraf t-Straus, Don<br />

ahue & Coe, Monroe Greenthal, John ^<br />

O'Connor, Gillians & Rubin, Raytone Screet<br />

Max A. Cohen, American Seating Co., Mov.e<br />

lab Film Laboratory, Coca-Cola, ABC Vend<br />

ing Corp., Ted Ebenstein, Neumade Product<br />

National Theatre Supply, Film Daily, Michai<br />

Levy and George Hornstein.<br />

Benefit Opening Planned<br />

For 'Summertime' by UA<br />

NEW YORK—"Summertime," the Ilya L(<br />

pert picture produced in Italy in Technicolo<br />

starring Katharine Hepburn and Rossai<br />

Brazzi, will open at the Astor Theatre Jui<br />

20, the day before the official opening<br />

i<br />

Nichols in New MGM Posi<br />

NEW YORK—George Nichols, for the pif<br />

six years a member of the MGM studio puf<br />

licity department, has been named speci<br />

representative of Howard Dietz, vice-presidet<br />

in charge of promotion, to build up intenp<br />

in three forthcoming MGM pictures: "Son:^<br />

bady Up There Likes Me," "Something I<br />

Value" and "The Last Hunt," all based t<br />

best-selling books.<br />

Many Allied Reservations<br />

NEW YORK—Allied Theatre Owners f<br />

New Jersey is receiving a record number i<br />

reservations for its annual convention JH<br />

21-23 at the Concord, Kiamesha Lake, N. '<br />

Besides business sessions there will be gi<br />

swimming, all-star shows and special f-<br />

tertainment for the ladies. A cocktail pa)'<br />

will precede the banquet to be held at t?<br />

close of the convention.<br />

36 BOXOFFICE :: June 4,1 5 j!jj


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'XOFFICE : :


. . Richard<br />

. . Robert<br />

. . Mrs.<br />

. . James<br />

. . Paul<br />

. . W.<br />

. . Peter<br />

. . Steve<br />

. . Frank<br />

. . Lester<br />

.<br />

BROADWAY<br />

Opyros P. Skouras, president of 20th-Fox, is father cf a daughter, Diane Beth, born to<br />

is back in New York following a one-week Mrs. Wachtel May 3 . . . Mrs. Charlotte<br />

trip to Mexico to meet local film industry Schiff. daughter of Mam-ice Grad, Columbia<br />

representatives. Murray Silverstone. president<br />

of 20th-Fox International, planed to a boy, Richard Barry, at Bethseda Naval Hos-<br />

short subjects sales manager, gave birth to<br />

London for a series of meetings on the Continent.<br />

He will return in mid-June .<br />

pital, Maryland, May 26 . . . Linda Salzberger<br />

C. of Paramount's foreign publicity department,<br />

Gehring, 20th-Fox executive assistant general returned from a European vacation.<br />

sales manager, left for Hollywood for studio<br />

conferences with Al Lichtman. currently on Dona'.d A. Henderson, 20th Century-Fox<br />

the west coast . . . James R. Velde, western<br />

vice-president and treasurer, left for London<br />

P. Horner. president<br />

division manager of United Artists, left for<br />

.<br />

Milwaukee and Chicago to confer with branch of Union Film Distributing Co., left<br />

executives and circuit heads on UA summer on the United States for a six-week tour<br />

of Europe Broidy, Allied Artists<br />

.<br />

releases.<br />

president, returned to the coast following<br />

home office conferences with Edward Morey,<br />

vice-president, and Morey R. Goldstein, sales<br />

head.<br />

Albert A. List, chairman of RKO Theatres,<br />

sailed for Europe on the Queen Elizabeth with<br />

Mrs. List to visit Fi-ance, Belgium, Holland,<br />

Denmark and Germany .<br />

Petrillo,<br />

president of the American Federation of<br />

Musicians and vice-president of AFL, and<br />

Elia Kazan, director of "East of Eden" for<br />

Warner Bros, and the stage hit, "Cat on a<br />

Hot Tin Roof," and Lillian Hellman, Broadway<br />

playwright, returned from Europe on the<br />

He de France . Graham, Paramount<br />

manager for Argentina, Uruguay and Paraguay,<br />

returned from Buenos Aires with Mrs.<br />

Graham . . . E. Z. Walters, Altec Service<br />

Corp. controller, has returned to New York<br />

from an extended European trip and will<br />

leave for Los Angeles shortly.<br />

.<br />

Carroll L. Puciato, president of Carroll Pictures,<br />

left for a five-week torn- of exchanges<br />

and to confer with various Holljrwood producers<br />

. Fi'ohlich, publicity director<br />

of Ascap, and Mrs. Frohlich planed to<br />

England and the Continent N.<br />

Lazarus jr., Columbia vice-president of advertising<br />

and publicity, and Ray MuiTay, acting<br />

exploitation manager, left for Hollywood . . .<br />

Betsy Blair, one of the stars of "Marty" for<br />

United Artists release, returned from Cannes,<br />

where the film won the grand prize at the<br />

International Film Festival . . Mrs. James<br />

.<br />

Stewart, wife of the star of "Strategic Air<br />

Command," returned from Europe and left for<br />

Michel Ray. 11-year-old star<br />

the coast . . .<br />

of King Bros. "The Boy and the Bull," returned<br />

to England on the Liberte.<br />

Francis M. Winikus, national director of<br />

advertising, publicity and exploitation for<br />

United Artists, flew to Washington Friday<br />

( 3 1 for meetings with U. S. Navy Department<br />

public relations personnel on the promotion<br />

campaign for "Run Silent, Run Deep," the<br />

novel which UA bought for the screen . . .<br />

Morgan Hudgins of MGM's studio publicity<br />

department, returned from Europe and<br />

headed back to the coast . . . Arthur Silverstone,<br />

20th-Fox assistant general sales manager,<br />

is on a business trip to Canada . . . Irving<br />

Rapper, who recently completed directing<br />

"The Boy and the Bull" for RKO in Mexico,<br />

is in New York for home office conferences.<br />

Max E. Youngstein, vice-president of<br />

United Artists, returned from the coast after<br />

a ten-day stay to confer with Robert F.<br />

Blumofe, vice-pre.sident in charge of west<br />

coast operations, and Leon J. Roth, west coast<br />

publicity coordinator . Albert Leonard,<br />

wife of the 20th-Fox manager at Caraca.s,<br />

Venezuela, gave birth to a boy, David Samuel,<br />

at Polyclinic Hospital, New York . . . Adam<br />

Wachtel, office manager of Sargoy & Stein,<br />

special counsel for motion picture distributors,<br />

Jeff Livingston, Universal eastern advertising<br />

manager, left for Chicago to set<br />

TV saturation advertising campaigns on<br />

"This Island Earth," which will open in<br />

900 situations coast-to-coast June 15 . . .<br />

Mori Krushen. exploitation manager for<br />

United Artists, went to Montreal to confer<br />

with field representatives and Canadian<br />

circuit heads King of the<br />

.<br />

King Bros., who completed "The Boy and<br />

the Bull" for RKO release, got in from<br />

Hollywood for home office talks with<br />

RKO executives Lothar Wolff, producer<br />

. . .<br />

for Louis de Rochemont Associates, has returned<br />

from 20 months in Indonesia, where he<br />

headed a team of motion picture specialists<br />

assisting the government in expanding its<br />

film activities.<br />

.<br />

Charles C. Moskowitz, MGM vice-president<br />

and treasurer, got back from a Miami vacation<br />

Gladys Markert, assistant to<br />

. . . Fred Lynch, head of publicity for the<br />

Radio City Music Hall, will return<br />

from her vacation May . .<br />

Arthur<br />

31 .<br />

Pincus of Loew's International publicity department,<br />

left for the coast to confer with<br />

Howard Strickling and his staff . .<br />

Esther<br />

.<br />

Williams, MGM star, and her husband, Ben<br />

Gage, retm-ned from atteading the Cannes<br />

Film Festival and went to Atlanta before<br />

returning to the coast Grady,<br />

member of the Paramount publicity department,<br />

was married May 22 to Brooke Dennis,<br />

member of the Barbizon School of Modeling,<br />

at the Park Avenue Community Church.<br />

UCP Benefit for Toys'<br />

NEW YORK—Paramount will open "The<br />

Seven Little Foys," starring Bob Hope as<br />

Eddie Foy, at the Criterion Theatre in June<br />

for the benefit of United Cerebral Palsy. The<br />

picture will follow the current paramount<br />

film, "Tlie Far Horizons." Hope, who is national<br />

chairman of UCP, is in Australia,<br />

where he attended the opening of the picture<br />

at the Prince Edward Theatre, Sydney, June 1.<br />

UJA Men Honor Ben Gross<br />

NEW YORK—Ben Gro.ss of Gross Distributors<br />

was honored by more than 250 men in<br />

the radio and television industries at a dinner<br />

at the Hotel Pierre Wednesday (25). This was<br />

the culmination of the annual United Jewish<br />

Appeal, which raised $200,000 this year in<br />

this division of the amusement industries.<br />

Bulk of U-I Expenditures<br />

Go Into Production: Daff<br />

BARCELONA—Out of every dollar spent bj<br />

Universal-International, 73 cents goes int(<br />

film production, Alfred E. Daff, executive<br />

director, told the final session here of thi<br />

1955 Eiu-opean sales conference conducted ii<br />

association with Universal-Internationa<br />

Films, its foreign subsidiary. Daff is presi<br />

dent of the international unit.<br />

Daff said further that U-I is the only com<br />

w<br />

pany making its films with its own peopl<br />

and its own money, and that was a reasoi<br />

why its business throughout the world ha<br />

continued to increase. He said there wer<br />

no plans for European production but tha<br />

European personalities will be used in thei<br />

features.<br />

Edward Muhl, studio production head, wi'<br />

visit Europe at the end of June to discus<br />

film properties with personalities there.<br />

Fifty-three delegates representing 16 con<br />

tinental offices besides representatives froi<br />

the Far East and Latin America attende<br />

the week-long sessions. Milton R. Rackmi<br />

U-I president; Americo Aboaf. U-I foreig<br />

general manager and international vice-pres<br />

dent, and Fortunat Baronat, foreign put<br />

licity director, also attended from the hon<br />

office.<br />

N. Y. Ready to Entertain<br />

Secretaries of Congress<br />

NEW YORK—Members of the Congre<br />

sional Secretaries Club were entertained 1<br />

the Metropolitan Motion Picture Theatr<br />

Ass'n when they arrived here Friday (3) f<br />

a three-day visit. The Capitol, Paramour<br />

Radio City Music Hall and Roxy theatr<br />

are host to them, according to Emani;<br />

Frisch, MMPTA president. One hundred ai<br />

sixty are here. They have been invit<br />

to headquarters at the offices of the Coum<br />

of Motion Picture Organizations.<br />

Frisch noted that the secretaries, head<br />

by Marie E. Warme, secretary to Rep. Mill<br />

of Nebraska, have always been "cheerfu<br />

i<br />

cooperative with people in our industry."<br />

Cahill Denies Mentioning<br />

U. S. Antitrust Report<br />

NEW YORK—John T. Cahill, general cousel<br />

of Radio Corp. of America, has denlj<br />

that the antitrust report of the U. S. attorr'<br />

general was cited by him in a Chicago coi;<br />

case a year before it was published. T-<br />

statement was reportedly made by Thou;<br />

C. McConnell, a Chicago attorney, beforei<br />

House judiciary subcommittee in an antitnt<br />

suit filed by Zenith against RCA.<br />

Cahill said the report to which he hi<br />

referred was that of the American Bar Asi<br />

committee on practice and procedure. He Is<br />

written Congressman Emanuel Celler, chaman<br />

of the subcommittee, to that effect<br />

Pine-Thomas-Shane Film<br />

NEW YORK—"The Big Caper," a novel i<br />

Lionel White, has been purchased by 'e<br />

newly named Pine-Thomas-Shane Proditions<br />

to launch the company's program I<br />

pictures for United Artists release. Jars<br />

Poe has been signed to write the screenpV<br />

and filming is scheduled to begin Augusts<br />

at the Samuel Goldwyn Studios in Holly^vol,<br />

where the new company will open its offi,s<br />

June 6.<br />

!<br />

I<br />

38<br />

BOXOFFICE :: June 4, l^ ^


I want<br />

Your help can mean the difference between<br />

the "Yes" or the "No" that answers this<br />

child's frightened question. For the girl's<br />

father has Cancer.<br />

Cancer plays no favorites. It strikes<br />

young as well as old, rich and poor, strong<br />

and weak. It lays its black finger on 1 out<br />

of every 4 Americans. But this terrible<br />

scourge can be conquered.<br />

It<br />

will be conquered. // you help.<br />

The American Cancer Society— through<br />

a legion of doctors, technicians, scientists,<br />

volunteers— wages endless war on our most<br />

dreaded disease. And every year some<br />

75,000 men, women and children win their<br />

own personal victory in the fight back to<br />

health.<br />

But too many are lost. Too many seek<br />

care too late. To fight this healing war<br />

takes money — money for education, research,<br />

drugs, equipment.<br />

Will you help conquer Cancer? By a<br />

check — to help others. By an annual<br />

checkup — to help yourself. What you give<br />

today may mean the difference between<br />

"Yes" and "No" for yourself— or someone<br />

dear to you — in the days to come.<br />

American<br />

Cancer Society<br />

GENTLEMEN;<br />

to help conquer Cancer.<br />

n Please send me free Information about Cancer.<br />

D Enclosed is my contribution of $ to the<br />

Cancer Crusade.<br />

Clty_<br />

_State_<br />

(MAIL TO: CANCER, CO your town's Postmaster)<br />

B COFFICE : : June 4, 1955 39


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:<br />

June<br />

"<br />

ALBANY<br />

The Paramount, dark for a year, has been<br />

relighted by Jules Perlmutter, who leased<br />

the Clinton avenue neighborhood theatre<br />

from Neil Hellman. Projectionists Local 324<br />

picketed it on the reopening May 29 and<br />

planned to continue doing so unless and<br />

until union operators were hu'ed. The union<br />

is said to have offered Perlmutter the same<br />

deal as the Eagle here, but he declined<br />

on the ground patronage would not warrant<br />

payment of the scale ... A widescreen and<br />

Cinemascope have been installed. The Paramount<br />

was a weekend, fall-to-spring operation<br />

in its final term of management by<br />

the Hellman organization. Perlmutter has<br />

operated indoor theatres in nearby Schenectady<br />

and Watervliet. He now has the Fort<br />

George Drive-In, Lake George, and the Lake<br />

Theatre in that village; the Cobleskill Drive-<br />

In at Richmondville, and a four-waller in<br />

Chestertown.<br />

William J. Jarvis, chief projectionist at the<br />

Troy in Troy and a boothman for more than<br />

35 years, died after a long illness. A member<br />

of Local 285, Jarvis traveled with D. W. Griffith's<br />

"Hearts of the World" and had been<br />

operator at the American and at Proctor's<br />

in Troy before coming chief projectionist at<br />

the Troy years ago. The requiem mass was<br />

celebrated at the St. Jean the Baptiste<br />

Church . . Claude E. Watkins, chief projectionist<br />

.<br />

at the Strand, and wife will go to<br />

Syracuse University June 6 to attend the<br />

graduation of their daughter Nancy. Johnny<br />

Gardner, owner of the Turnpike Drive-In,<br />

Westmere, and wife also will attend. Gardner<br />

worked with Watkins in the Strand booth for<br />

some time; later was a partner with him in<br />

the Sunset Drive-In, Burlington, and the<br />

Twin-Cities Drive-In, near Barre, Vt.<br />

Announcing plans for a closed-circuit telephone<br />

conference on behalf of the Will Rogers<br />

Memorial Hospital one-day collection drive,<br />

Joan Pratt, telephone operator in U-I, will<br />

be married to Richard Winkowski at Sacred<br />

Heart Church here June 11 . . . Johnny<br />

Capano will bow out June 10 as a U-I booker<br />

to rejoin Upstate Theatres, of Albany, in the<br />

same capacity. Capano also owns the State<br />

in Troy . . . Irving Sochim, U-I short subject<br />

manager, huddled with branch manager Norman<br />

Weitman on the promotion of newsreels<br />

and other briefies. Peter Dana, U-I eastern<br />

division manager, and Joseph Gins, district<br />

manager, were due here Tuesday, en route to<br />

the Schine circuit offices in Gloversville.<br />

"Everybody in show business, radio and<br />

television included, would certainly become<br />

Variety members if they attended a 'Variety<br />

International convention and heard the inspiring<br />

stories of aid to crippled, ill, retarded,<br />

unfortunate, worthy children from England<br />

to Mexico, and across the United States and<br />

Canada." The speaker was Jack Goldberg,<br />

MGM manager, who had returned from a<br />

three-week trip to California, during which<br />

he served as a delegate from Tent 9. Louis W.<br />

Schine of the Schine cii'cuit also was a<br />

delegate. Goldberg, assistant chief barker of<br />

the Albany unit, said that he and Schine were<br />

tremendously impressed with what they saw<br />

and heard.<br />

John Gardner is the first theatre owner<br />

hereabouts to install an automatic telephoneanswering<br />

service ... Mr. and Mrs. Paul<br />

Jacobson left Albany over the weekend for<br />

New York, where he has become associated<br />

with the NBC television department. A sonin-law<br />

of Simon H. Fabian, president of<br />

Fabian Theatres and of Stanley Warner<br />

Theatre Corp., Jacobson came here about<br />

three years ago to assume duties as treasurer<br />

and assistant to the president of Van Curler<br />

Broadcasting Co., operating WTRI-TV.<br />

WTRI was forced to suspend operations last<br />

February when the Columbia network affiliation<br />

was transferred suddenly to WROW, in<br />

which the Lowel Thomas interests had purchased<br />

control. WTRI is now contesting<br />

approval of the latter transaction before the<br />

FCC. Testimony showed Van Curler sustained<br />

heavy losses, about $487,000, according to one<br />

witness.<br />

Fabian's Palace presented Ai'mour & Co.<br />

gifts, including canned meat and soap, to the<br />

first 100 women at the premiere matinee of<br />

"The Pi-odigal." Manager Bill With worked<br />

with the concern on promotions which are a<br />

part of the national campaign for the picture.<br />

A Dodge car, one of the top prizes, was<br />

displayed in the theatre lobby. Fu'st prize<br />

nationally is a new ranch-type home or $25,-<br />

000 in cash to name Ballerina Taina Elg, who<br />

makes her first screen appearance in "The<br />

Prodigal." Some 151 additional prizes are<br />

awarded every week for six weeks. Winners<br />

at the Warner exchange the morning of<br />

will be notified by mail approximately June 18.<br />

June 7, distributor chah-man Ray Smith said<br />

that exhibitors and branch managers have<br />

been invited to hear addresses by national<br />

chairman S. H. Fabian and others. Later, a TV Now Helps Horse Fans<br />

meeting for film salesmen will be held, to<br />

See Finishes on Screen<br />

parcel out the exhibitors whom each will<br />

NEW YORK—Television has now invaded<br />

approach. Theatre owners and lessees will be<br />

the trotting track at Westbury, Long Island,<br />

asked to sign pledges on the audience collection<br />

. . . Sylvan Leff advertised that in keep-<br />

so the fans can see the finish. It doesn't go<br />

on the air outside the track; it simply helps<br />

ing with his policy of giving Black River<br />

those thousands of fans who stand around<br />

Drive-In, Watertown, patrons "the best," he<br />

not far from the betting windows to see<br />

had installed new projection equipment.<br />

what's going on.<br />

The idea was originated by Irving Gray,<br />

manager of Milton Berle, who is a television<br />

executive. The apparatus is called<br />

Finiscope. A closed TV circuit throws a picture<br />

on a 20-foot square screen.<br />

It might be a good idea for drive-in patrons<br />

who get caught in the concession stand<br />

when the picture resumes after an intermission.<br />

Brandt to Handle 'Hanged'<br />

NEW YORK—Leon L. Brandt Associates<br />

has been signed to handle the promotion and<br />

supervise the distribution of "Rebellion of the<br />

Hanged," produced by Jose Kohn in Mexico,<br />

for the U.S. and Canada. Directed by Alfredo<br />

B. Crevenna, the picture stars Pedro Armendariz<br />

and introduces Ariadna, sister of Linda<br />

Christian, to the American screen.<br />

INCORPORATIONS<br />

—ALBANY—<br />

Amerlons Corp.; Motion picture and lens bl<br />

ness at 625 Modison Ave. in New York; 100 shoi<br />

no par value; John Shelton and Frances Moldoi<br />

625 Madison Ave.<br />

Kewpies: Motion picture business in Kings Coui<br />

Address is: c/o J. L. Kollus, 111 East 21st<br />

Brooklyn. Other incorporators are Mrs. J. L. Kal<br />

1 1 1 East 2 1 St St., and Mrs. Roy E. Abraham, 334 V^<br />

87th.<br />

Sam Shain Publications: 200 shares, no par vo<br />

Sam Shain, Elsie Shain, Ben Nelson, 15 East 40th<br />

New York.<br />

French Cinema Center: $5,000, $100 par value.<br />

imily Drive-In Theatre Cii :uit Corp.: To carry<br />

ive-in theatre business in iVestbury, L. I. (P<br />

153); 200 shores, no pc<br />

Mencor Associates; Motion picture and theatre t<br />

ness; 100 shares, no par; Antonio Mendez, JosepI<br />

Cordero, Laura Mendez, 623 Seventh Ave.<br />

Columbia Pictures Corp. recorded certificates s<br />

ing a decrease in capital stock from 1,063<br />

shares at no par value, to 1,060,065 at no par vn<br />

a change from 1,060,065 shores at no par to l,t<br />

000 shores at $5 par each, and 60,065 shares o<br />

par; an increase in $5-par shares from 1,000,00<br />

2,000,000, no-par total remaining at 60,065<br />

Marilyn Monroe Productions: Formed to conduc;<br />

enter-tainment, theatrical productions, publishing<br />

photographic business in New York; 200 shore<br />

par value.<br />

Etereo Theatre Corp.; To conduct businesi<br />

East 1 38th St. in New York; 200 shares, no par v<br />

Wells Closed Circuit Network, Inc., has bee<br />

served as a corporate name in New York, a letl<br />

this effect having been filed with the Secretai<br />

State.<br />

Flanders Drive-In Theotre Corp has been fc<br />

to conduct business at Bay Shore, Suffolk Co<br />

$40,000, $100 por value; Joseph M. ond Morris S<br />

Walter F. J. Higgins, 233 West 49th St., New<br />

Leppert International Enterprises Corp.: To Co<br />

a motion picture business in New York; 200 st<br />

no par; George M. Leppert, Waidorf Astoria I:<br />

and Maurice K. Cheyette, 55 Liberty St.<br />

Bert E. Friedlob Productions: 345 Madison i<br />

New York; 200 shares, no par.<br />

;<br />

Eval, Inc.: To conduct an entertainment bull<br />

Buffalo, with William P. Rosenow, onetime<br />

in<br />

mount salesman here and now an exhibitor i.<br />

Lake City area, os an incorporator. Alma Rosp<br />

also of 70 Jewett Holmwood Rr., Orchard ParkJI<br />

Charles W. Schohl, of 756 Ellicott Squore if<br />

Buffalo, are the other incorporators. Capital<br />

IS 200 shares, no par value.<br />

Stanley Warner Research Corp., formed in<br />

wore, filed a certificate that its New York<br />

office is at 1585 Broadway in New York Cit<br />

Stewart McDonald, vice-president, signed the p<br />

ak Films Corp.: Stillman & Stillman, 4<br />

CK Enterprises, c/a Continental EnterprisesC<br />

Madison Ave.: Film distribution business in New!<br />

Cintel, Inc.: Motion picture ond broadcastintjl<br />

ness; Morgulies & Heit, 400 Madison Ave.<br />

Dean Picturi iidore Miller, 1501 Broodw'<br />

Altec Field Men on VV<br />

NEW YORK—C. S. Perkins, operating AI<br />

ager of Altec Service Corp., has as.'iM<br />

company field engineers from variou. J<br />

visions to accord technical sound supersll<br />

to the installation of VistaVision horint<br />

projectors in certain areas, includini<br />

Saenger Theatre, New Orleans: the C?it<br />

Theatre, Wa.shington, and the CriteriorNi<br />

York City.<br />

'<br />

42<br />

BOXOFFICE<br />

;<br />

19


V<br />

: June<br />

36th<br />

ANNIVERSARY CONVENTION<br />

of<br />

the<br />

ALLIED<br />

THEATRE OWNERS<br />

OF NEW JERSEY,<br />

q\ the fabulous<br />

CONCORD<br />

KIAMESHA LAKE, NEW YORK<br />

on<br />

INC<br />

TUESDAY-WEDNESDAY-THURSDAY<br />

JUNE 21-22-23, 1955<br />

For further information and to make reservations, contact:<br />

ALLIED THEATRE OWNERS OF NEW JERSEY, INC.<br />

34 West 44th Street LAckawanna 4-2530 New York, N.Y.<br />

BC OFFICE :<br />

4, 1955 E 42-A


. . . Stanley<br />

. . Steve<br />

. . Irvin<br />

a<br />

: June<br />

:<br />

i<br />

BUFFALO<br />

F. Lux, Elmart Theatres president and city<br />

council head, of a plaque to Lawrence D.<br />

Bell, president of Bell Aii"craft Corp., accepted<br />

in a stage ceremony by Leson Faneuf,<br />

general manager. Air Force personnel paraded<br />

to the theatre on opening night, with<br />

a number of local drum corps and the Bell<br />

Aircraft mixed chorus in the line of march.<br />

Niagara Employes Star<br />

In Color Safety Film<br />

BUFFALO—Some 1,200 municipal employes<br />

of Niagara Falls are the stars in a 15-minute<br />

color safety motion picture being filmed by<br />

Ulysses S. Grant, safety director of the<br />

Cataract City. With a 16mm camera bought<br />

by the city especially for the pur-pose. Grant<br />

is "shooting" city workers, electricians, streets<br />

and parks department men, office workers<br />

and others as they go about their daily tasks.<br />

The film will show the city workers doing<br />

their jobs in as safe a manner as possible.<br />

A sound track with commentary by Ed<br />

Tucholka of Buffalo's WEBR will be added<br />

later.<br />

The completed film will be used to train<br />

new employes and copies may be loaned to<br />

other municipalities for safety training of<br />

their employes. Grant declares the film will<br />

be the first of its kind in the world.<br />

"We're already planning a second film as<br />

soon as we finish this one," he said. "Starring<br />

in a motion picture will make our people<br />

especially safety conscious. They know you<br />

can't model for others without being tops<br />

yourself."<br />

Bob Hope and B&L Chief<br />

Exchange Signed Deals<br />

ROCHESTER—In addition to the Oscar he<br />

lugged back from Hollywood recently, Carl<br />

Hallauer, Bausch & Lomb president, brought<br />

TXrilliam Lambert has been appointed assistant<br />

manager at the Eckel Theatre in<br />

Syracuse, according to Manager Paul Johnson<br />

. Perozzi, MGM field representa-<br />

"contract" with Bob Hope. And Hope, in<br />

with him something equally interesting—<br />

tive in the Buffalo and Albany territories, turn, has a "contract" with the Bausch &<br />

was in Syracuse aiding Loew's State in the Lomb head.<br />

promotion of "The Prodigal" . Weber, Seems that while Hallauer was in Hollywood<br />

to accept the Oscar for B&L's devel-<br />

manager of the Rialto Theatre in Lockport,<br />

has put on some splendid exploitation campaigns<br />

opment of the lenses for use in Cinema-<br />

George H. Mackenna, Scope, he went to Romanoff's restaurant<br />

recently . . .<br />

Basil Theatres general manager, and Constantine<br />

where the movie folk were partying on Oscar<br />

J. Basil, president, are back in Buf-<br />

night. He got to talking with Hope.<br />

falo from a tour of West Coast studios.<br />

With the U. S. Open golf tournament<br />

Crystal Beach opened for its 57th season<br />

scheduled for Oak Hill Country Club here<br />

in 1956,<br />

and Earl Hubbard, who<br />

and because Hope and Bing Crosby<br />

has been handling<br />

publicity and advertising for Cinerama at the<br />

are notable golf enthusiasts, Hallauer invited<br />

Teck, is also doing the same for the Beach them to Kodak Town for the open. What's<br />

Weber, former<br />

more, said Hallauer, he would gladly be their<br />

local exhibitor,<br />

is back here for the summer with his wife.<br />

host while they were in Rochester.<br />

"Fine," said Hope. Then he reached into<br />

Weber again will manage the Port Erie race<br />

his<br />

track across the border In Canada . . . Harry<br />

pocket for a pen and proceeded to write<br />

vigorously and at some length on a piece of<br />

Fellerman, head of the U-I special sales<br />

division, was in for conferences with Jerry<br />

paper. "Here," he finally said, handing the<br />

Weschler, local manager, and during his stay<br />

paper to Hallauer. "Sign this."<br />

in town had lunch with Arthur Krolick, UPT "What is it?" asked Hallauer.<br />

district manager.<br />

"Well, I just like to get this sort of thing—<br />

about picking up tab—in writing," Hope<br />

Highlights of the premiere activities of joshed. "You know there are a lot of guys<br />

"Strategic Air Command" at the Pai-amount who come up with an offer like this, but<br />

Theatre here included presentation by Elmer when you get to their town you discover no<br />

one ever heard of 'em and you're on your<br />

own."<br />

Latin America Discussed<br />

NEW YORK—Maurice Silverstein, Latin-<br />

American director of Loew's International,<br />

discussed problems in that area at a luncheon<br />

meeting Wednesday (25) at the Harvard Club<br />

of the International Film Relations Committee<br />

of the Motion Picture Export Ass'n. Dave<br />

Blum, LI publicity director and chairman,<br />

presided.<br />

Hallauer, with a grin, wasted no time in<br />

affixing his signature to the paper. Then he<br />

pulled a scrap of paper from his own pocket<br />

and likewise began writing. He handed the<br />

finished product to Hope.<br />

"Bob, it's your turn," said Hallauer. "Here's<br />

my end of the deal . . . That you and Bmg<br />

will appear at a function I shall whip up,<br />

and sing one song and do one routine . .<br />

Sign<br />

.<br />

here."<br />

Hope, no man to back water, signed with<br />

a floui-ish. Hallauer is hanging on to that<br />

"contract."<br />

United Air Lines Reduces<br />

Its Rates on Film, Etc.<br />

CHICAGO—Rate reductions of from 46 to<br />

58 per cent on film and 23 other major commodities<br />

flown from Allentown-Bethlehem-<br />

Easton and Philadelphia to the New York<br />

area have been placed in effect by United Air<br />

Lines. Air freight rates from Allentown-<br />

Bethlehem-Easton have been cut to $2.57 per<br />

100 pounds; from Philadelphia to $2 per 100<br />

pounds.<br />

United operates three daily passengercargo<br />

flights from the tri-cities and 12 from<br />

Philadelphia to the New York area plus one<br />

all-cargo trip from the Quaker City.<br />

Syracuse Will See Fight<br />

On TV as Well as Live<br />

SYRACUSE—Closed-circuit television will<br />

bring the DeMarco-Basilio fight here Friday<br />

CIO) at the 9,000-seat New York State Pair<br />

Coliseum through an arrangement with Theatre<br />

Network Television. There will be no<br />

competition with attendance at the actual<br />

fight at the Syracuse War Memorial, also<br />

seating 9,000, because it has been sold out,<br />

but home T'V will be blacked out here.<br />

The closed-cii-cuit show will be seen on<br />

two special 20x25-foot screens set back to<br />

back. Tickets will be priced at $3.50 each.<br />

SYRACUSE<br />

Col Sorkin, manager of Keiths, won the $lor ^'"<br />

savings bond as first prize in the "Con<br />

quest of Space" exploitation contest con<br />

ducted by Paramount. William W. Howar<br />

of RKO Theatres noted that Sorkin's cam<br />

paign was outstanding . . . Ronald M. Der*<br />

. . Schir.<br />

nison. assistant at Keiths, resigned. He W£:<br />

replaced by Donald McKinnon .<br />

managers met here Thursday. Present wei<br />

Louis W. Schine, Donald Schine, Seymoi<br />

Morris and Bernie Diamond of the hoir<br />

office in Gloversville.<br />

Sam Oilman, manager of Loew's State, ri<br />

ported several changes in personnel. Re:<br />

Rabakuk of Boston, who was in Syracuse f(<br />

a year and a half, has been transferred ba<<br />

there to the State. Bob Randall has bef<br />

transferred from Boston here as second a<br />

sistant to Oilman. Stella Cerio has replace<br />

Stella Garvey as head candy girl at Loen<br />

State. Carol Davis replaced Dora Schlict<br />

;,<br />

evening cashier.<br />

Sol Sorkin of RKO Keiths has an extra b<br />

grin the days he receives maU from Puer<br />

Rico where his son-in-law, Lt. Mel Besdi<br />

and daughter, Phyllis, are stationed . . . TJ<br />

Kallet and DeWitt drive-ins both have n(<br />

widescreens this season for CinemaSco<br />

films . . . Harry Unterfort. zone manager<br />

Schine, and wife will be in Forest Hills, L.<br />

June 12 for the wedding of Miss Marcia Sai<br />

to Joseph Lampe. Lampe is the son of<br />

and Mrs. Gus Lampe of Los Angeles. Lam<br />

was former city manager here.<br />

52 Buffalo Area Airers<br />

All Get Widescreens<br />

BTJFFALO— It looks like that by mid-Ju<br />

every drive-in iri this area will be equipf<br />

to present attractions via CinemaSeo<br />

Vista'Vision, Superscope or whatever technic<br />

Hollywood has to offer. From $25,000<br />

$75,000 has been spent for new equipmei,<br />

for remodeling and for ground improveme:<br />

this spring alone.<br />

Buffalo had the first drive-in theatre<br />

New York state, the Buffalo in Harlem re<br />

which was opened back in 1942, with hoi<br />

carrying the sound. Next in line was 1i<br />

Skyway Niagara, on the Niagara Falls bou;<br />

vard. It was followed by the Star in Bl<br />

dell, the Lakeshore and the Delaware. 1<br />

Broadway, the Sheridan, the Aero and<br />

Park were opened in 1950.<br />

In this distribution zone—the territory fr<br />

Syracuse west—there are 52 drive-ins,<br />

withm 25 miles of Lafayette Square Jj*^<br />

Of the 52, 27 are booked by Cooperative Tl<br />

atres. Myron Gross, manager, sets 62 p<br />

grams every week, every one with dou<br />

features.<br />

Several drive-ins have regular church ^^<br />

vices. The Skyway Niagara, for example,<br />

been utilized for community services far s<br />

eral years. In fact Bill Brett, manager,<br />

augurated the idea.<br />

One other service, about which mo\<br />

goers probably know little: drive-in owr<br />

advise the Aii-craft Owners & Pilots AiO<br />

of their exact latitude and longitude, lnt«--<br />

gence included in aerial navigation chas.<br />

Not that the pilots see the pictures from -fi<br />

skies, but they do see the big screens t'i<br />

so can check positions.<br />

42-B<br />

BOXOFFICE<br />

:<br />

4, 1'5


.<br />

j<br />

Richard<br />

:<br />

Washington<br />

I<br />

: Jack<br />

. . Joseph<br />

. . George<br />

. . Ben<br />

. . Raymond<br />

. . Frank<br />

. . Bert<br />

. . . Mr.<br />

. . John<br />

. . Lewis<br />

. .<br />

Maureen<br />

EALTIMORE<br />

Line Up Promotion Session<br />

For Virginia Convention<br />

RICHMOND—Hal Lyon, Fianklin exhibitor<br />

irths put on a big show for its opening<br />

and general chairman of the Virginia Motion<br />

Strategic Air Command." The pro-<br />

Picture Theatre A.ss'n convention, has named<br />

M/luded a band of music, a parade. Jerome Gordon, Palace Theatre, Newport<br />

-lus and a cocktail party preceding<br />

News, as head of the committee for the<br />

\itie.s, for Air Force top brass at the<br />

special promotion-publicity session scheduled<br />

ill Belvedere. Natt W. Hodgdon. manfor<br />

June 16.<br />

Fi'uchtman Theatres was host.<br />

A panel of leading Virginia promotionminded<br />

exhibitors will lead the discussion.<br />

Talmage Colley, publicist for Keiths<br />

New, arranged most of the promotion. There will be exhibits and achievement reports.<br />

Schnapf, manager of Loew's Century,<br />

William Wyatt of Charleston. W. Va.,<br />

vi-n<br />

will be one of the speakers.<br />

! -li down to Ocean City on his day off . . .<br />

s.dney. city manager for Loew's,<br />

Speakers at each of the business sessions<br />

is<br />

will<br />

:;iing his father Jack sr., in from Los<br />

be: Horace Adams, president of ITO of<br />

They attended the Preakness<br />

Ohio, and Robert<br />

at<br />

W. Coyne, COMPO special<br />

counsel. Fishman of Warner<br />

Wednesday; E. D. Martin, TOA president.<br />

Bros.<br />

^ in town for the Preakness.<br />

Thursday: Jack Beresin. past chief<br />

barker of Variety International, chief banquet<br />

oi^e Daransoll, manager of the Crest,<br />

speaker, Thursday.<br />

on business . . . Fred<br />

iitrger, jr., formerly part owner of<br />

IS now associated with a local adver-<br />

PHILADELPHIA<br />

,it;ency . . . Mike Siegle is the newly<br />

Baltimore and Washington represe<br />

.il-iinted<br />

ative for Kay Films of Atlanta .<br />

T ouis J. Goffman, Tent 13 chief barker, appeared<br />

i.i nthal, head of the Lord Baltimore Thea-<br />

on the Steve Allison radio show<br />

- been reappointed chairman of the help promote "Johnny Night" . . The<br />

to .<br />

State board of examiners of motion Variety Club auxiliary held its annual fashion<br />

lid<br />

Jack Whittle, owner<br />

show and cocktail party in the clubrooms<br />

operators . . .<br />

wenue, spent the Memorial Day week- recently. Fashions by Emily were modeled<br />

Clyde McD. Young, by the Variety Conover Girls. Bobby Cohen<br />

aiiager of the Variety Club, visited at Port emceed the event Blum, former<br />

St[:;laire, where he is building a new home. exhibitor and landlord of some theatre properties,<br />

bought the three-story Mallas Building<br />

rman Perkins is the new manager at the<br />

at the southeast corner of 10th and<br />

Pt'.psco. He formerly was with the Alpha<br />

Market streets for a reported $325,000 . . .<br />

Dizon, manager of the Town,<br />

John Nirenburg. who was with Stanley<br />

is jcationing his in with family Wisconsin<br />

Warner for 25 years and was the former<br />

. ..Bernard Terry, Stanley projectionist, has<br />

manager of the Strand Theatre, is now manager<br />

re rned from two weeks' vacation . . . Roland<br />

of the Arcadia.<br />

T; :;ersly, also of the Stanley's projection<br />

St:', was confined to his home with a virus Barney Cohen, manager of the SW Logan,<br />

Howard McCall has returned to was in the hospital for an emergency operation<br />

. Wolf, Rivoli manager,<br />

atick . . .<br />

di| at the Little Theatre after a siege with<br />

tbflu . Vreechsen, RKO manager, was injured when he fell on the theatre's<br />

»•» over from Washington . Kaplan,<br />

Piper Laurie was in town to help<br />

roof . . .<br />

CC' mbia's manager in Washington, came promote "Ain't Misbehavin' "... Clare Rosenthal<br />

a new clerk at Warner Bros. is ov to make several business calls.<br />

. . .<br />

Louis Bache, 67, manager some time ago<br />

L. Harrison, general manager. Southern<br />

of the First National here and uncle of MGM<br />

Miyland Theatres, having relocated his<br />

salesman Ben Bache, died at his home.<br />

of' e, is now at the Park Theatre, Lexington<br />

The mother of William Porter, Allied Artists<br />

P^: . . . Phil Isaacs, Paramount's manager<br />

Inj/ashington, was here to attend the open-<br />

John Colder is now<br />

Iniof "Strategic Air Command" . . . Miss auditor,<br />

associated<br />

died<br />

with his<br />

. .<br />

brother Sam in Golder<br />

Cc'ln Hamburger, manager of the Film Construction Co. They are doing the Ti-ans-<br />

Wre, is sporting an elaborate, new blackai^<br />

The daughter of<br />

Lux remodeling job . . .<br />

white convertible.<br />

independent distributor Jack Weiss, Dorothea,<br />

was married to Herbert Weiss, a textile<br />

worker . . . Theatres that have shuttered<br />

C.arlotte Firm Acquires<br />

recently include the Ritz in Coplay. the Andrea<br />

in Catawissa, Ritz in Treverton and<br />

Dive-In Near Roanoke<br />

the York in York . Leighton, manager<br />

of the Grand in Lancaster, was on sick<br />

3ANOKE, VA.—Craver Theatre Co. of<br />

Clrlotte, owned by S. W. Craver, J. F.<br />

W;te, F. H. Beddingfield and T. A. Little,<br />

leave.<br />

hf pui'chased the Lee Hi Drive-In, located<br />

or ne Lee highway between here and Salem, AFL Documentary Picture<br />

ar has closed it for repairs. The repairs<br />

Will Feature Petrillo<br />

wi cost about $40,000 and include a new<br />

be tfice, new lighting, a new 75xlOO-foot NEW YORK—The executive board of the<br />

sc m, a cafeteria-style snack bar, Cinema- American Federation of Musicians has voted<br />

Sc le, VistaVision, new sound systems and to have a documentary film made and to<br />

Si 'rscope projection equipment. John Garst have James C. Petrillo, president, appear in<br />

It as himself. The matter of a script and<br />

engaging a technical staff Is being considered.<br />

rnard Miles, English actor, writer, dirt'<br />

ir and producer, will make his film bow<br />

in aramount's "The Man Who Knew Too<br />

The film, which will run about 30 minutes,<br />

probably will enter production early In the<br />

summer. It will feature all types of music<br />

played by members of the union, and also<br />

present a history of the union and Its leader.<br />

WASHINGTON<br />

'The newly organized WOMPI met in the<br />

Variety clubrooms and elected the following<br />

officers: Lucille Traband, United Artists,<br />

president; Ora Donoghue. Jack Fruchtman<br />

Theatres, first vice-president; Sara S.<br />

Young, 20th-Fox, .second vice-president; Florence<br />

Garden, Allied Artists, recording secretary;<br />

Mary Louise Perry, Bernheimer Theatres,<br />

corresponding secretary; Agnes Turner,<br />

RKO, treasurer. President Traband appointed<br />

the following nominating committee to bring<br />

in nominations for seven directors: Sara S.<br />

Young. Hazel McCarthy and Ernestine Bandel.<br />

The next meeting will be a luncheon in<br />

the Paramount recreation room June 14.<br />

Willard Levy, 15-year-old son of Mr. and<br />

Mrs. Harold Levy, Allied Ai'tists, died after<br />

a long illness in Georgetown hospital . . . Bill<br />

Ewing. formerly with the Warner Theatres<br />

publicity department, is now selling hardware<br />

supplies for Snyder & Co. in Arlington, Va.<br />

and Mrs. Harley Davidson. Independent<br />

Theatres Service, spent a busy week attending<br />

the graduation exercises of their sons.<br />

Duane graduated from Emory and Henry college.<br />

Abingdon, Va., May 29 and Harley jr.<br />

graduated from the Medical School of Virginia,<br />

Richmond. May 31. Industry representatives<br />

who attended the graduation of<br />

Harley jr. included Glenn Norris, Ira Sichelman,<br />

John O'Leary, Phil Isaacs, Sam Wheeler,<br />

Harold Saltz and Jack Fruchtman.<br />

Glenn Norris, 20th-Fox eastern sales manager,<br />

was a Washington visitor . . . Mrs. Jack<br />

Sichelman, mother of Manager Ira Sichelman,<br />

spent the weekend visiting relatives in<br />

Washington .<br />

and John jr.,<br />

daughter and son of Mr. and Mi-s. John<br />

O'Leary. danced before 2.000 invited guests at<br />

the Pan American Union June 4. Heading the<br />

list of guests were Pi-esident and Mrs. Eisenhower<br />

Sichelman, son of Manager<br />

.<br />

Ira Sichelman, who plays left field with the<br />

Lewisdale Boys' club won his first game on<br />

Monday.<br />

MGM booker Henry Ajello spent the holiday<br />

weekend in Boston . . . Barker Art Jacobson.<br />

Tent 11, has gone back into Sibley<br />

hospital for treatment . . Columbia tiooker<br />

.<br />

. . . Head<br />

Walter Donahue is vacationing<br />

booker Elmer Moore spent the weekend in<br />

Ocean City. Md.. looking for an apartment.<br />

RKO cashier Agnes Turner went to Warrenton,<br />

Va., Wednesday night to install officers<br />

for 1955-56 of the Warrenton Soroptimist<br />

club . . . Louanne Wimer is the new<br />

clerk in the cashier's department at 20th-Fox<br />

O'Leary's secretai'y Leona Weedon<br />

is back after a siege of pneumonia . . . Shipper<br />

Cornelius Scott is spending his vacation<br />

motoring across country.<br />

.. ._


. . . The<br />

. . . Alden<br />

. . The<br />

. . Zay<br />

. . . The<br />

. . Milt<br />

. .<br />

. . Dusk<br />

. . Perry<br />

1<br />

PITTSBURGH<br />

jyjr. and Mrs. Samuel Rubinstein of this city<br />

have announced the engagement of their<br />

daughter Diana and Arthur Stern of Associated<br />

Drive-In Theatres, a son of Mr. and<br />

Mrs. Norbert Stern. A fall wedding is planned<br />

. . . Bill Graner, Allied Ai-tists booker, is observing<br />

his 40th year in the industry here<br />

Hi-Lander Theatre, New Castle,<br />

staged a benefit show for Neshannock Township's<br />

Little Big League, assisting the fund<br />

for purchase of baseball uniforms and other<br />

Early bird prices<br />

necessary equipment . . .<br />

of 50 cents are in effect Tuesday and Wednesday<br />

from 7:30 to 8:30 p.m., at the Family<br />

Drive-In, New Kensington, operated this<br />

season by owner Nat Farber.<br />

About 35 outdoor theatres in the area<br />

have a tiein with Pepsi-Cola whereby one<br />

coupon per auto reduces admission price<br />

40 cents on Monday, Tuesday and Wednesday<br />

evenings . Altoona city amusement<br />

tax receipts for April totaled only $1,988.52<br />

Phelps, Waterford outdoor theatre<br />

owner and Ei-ie County Democratic chairman,<br />

is calling a meeting to ask for a vote<br />

of confidence to continue as party leader<br />

. . . Thieves took $20. a $300 camera and a<br />

$200 pair of field glasses from an auto owned<br />

by Millard Green of the Guild Theatre in<br />

Squu-rel Hill while it was parked at his home<br />

on Beacon Street.<br />

Mr. and Mrs. Hyman M. Wheeler announce<br />

the engagement of their daughter Jacquelyn<br />

to Mai-vin Stein, son of Mr. and Mrs. Philip<br />

Stein of this city. The Screen Guild salesman<br />

says that his daughter plans a September<br />

wedding . . . Walt Disney's "Davy<br />

Crockett," which area Allied exhibitors in<br />

convention resolved not to exhibit, will open<br />

here within a few weeks at the SW Stanley<br />

Theatre. Meanwhile, the AUied office says<br />

that members may use the picture "at their<br />

discretion"<br />

. . . Sigel school of dancing at<br />

Altoona presented a tabloid revue on stage at<br />

the State Theatre there, and the Jean<br />

Bartsch dance show at New Castle was featured<br />

there . . . The Ladies Theatrical Club<br />

hosted the June 3 family night at the Variety<br />

Club in the Cathedral.<br />

George "Gabby" Hayes will appear in person<br />

June 12 at Kennywood Park<br />

and Martha Shulgold of<br />

. . .<br />

Crown Film<br />

Max<br />

were<br />

very pleased with a six-week engagement of<br />

"The Green Scarf" at the Guild Theatre here<br />

... In fifteen weeks at the Warner Theatre<br />

here "Cinerama Holiday" played to more<br />

than 150,000 admissions and continues on<br />

the increase . . Joe Rost, Warner Bros, office<br />

.<br />

manager, handed us a bag of Carnotite<br />

Uranium. It is an exploitation tieup for the<br />

two-reel "Uranium Fever," which goes into<br />

release soon . Bass, former manager<br />

of the Family Drive-In, New Kensington,<br />

is now an auto salesman in Miami.<br />

The Classic Car Club members will meet<br />

SAM FINEBERG<br />

TOM McCLEARY<br />

JIM ALEXANDER<br />

84 Van Broom Street<br />

PITTSBURGH 19, PA.<br />

Phone Express 1-0777<br />

Movies Are Better Than Eier How's Your EqulpmcntT<br />

in its annual four-state rally Sunday (12)<br />

at the Blue Dell Drive-In on Route 30 here.<br />

Ernest Stern of Associated Drive-In Theatres<br />

for a number of years has sported one<br />

or more automobiles of the classic and aged<br />

classification. Old cars are his hobby and<br />

he is a member of the club . . . The Fulton<br />

Theatre, a Shea unit, is to have a new and<br />

modern marquee to replace the old one which<br />

has hung there for more than 50 years. The<br />

marquee was erected in 1904 for the Gayety<br />

Theatre. The theatre name Fulton will be<br />

five feet high lighted letters facing the Allegheny<br />

River and the northside.<br />

A posthumous award of 'Wharang with gold<br />

star, issued by Son Won 111, minister of national<br />

defense. Republic of Korea, was presented<br />

on Memorial Day to Filmrow projectionist<br />

Francis Thomas and Mrs. Thomas,<br />

parents of Marine Pfc. Francis Robert Thomas,<br />

The school board of<br />

action in Korea<br />

Mount Pleasant<br />

. . .<br />

township<br />

has enacted a 10 per cent admission tax,<br />

which Bernard H. Buchheit, owner and manager<br />

of the Rustic Drive-In, states is arbitrary<br />

Mrs. James Laux, wife of the<br />

. . . manager of the Hollywood Theatre, Dormont,<br />

is recuperating from an operation in Homestead<br />

Hospital . Broudy, until recently<br />

a UA salesman, now is selling Buicks here.<br />

Warner Bros pictures will be tradescreened<br />

at the RKO exchange screening room, the<br />

fh-st showing to be "Sea Chase" at 1:30 p.m.,<br />

June 8. MGM has resumed screenings of<br />

standard and Cinemascope pictures at the<br />

exchange's little theatre. This setup is grand.<br />

Other companies are expected to resume<br />

screenings. Until recently CS pictures were<br />

screened at the nearby Mercy Hospital, but<br />

now Filmrow has several good screening<br />

rooms, equipped for the various processes.<br />

Paramount screens its W films in its projection<br />

department.<br />

Paul Bronder reports that his recently acquired<br />

Shiloh will be closed for a week to<br />

ten days for complete renovation, including<br />

painting, decorating, installation of a new<br />

marquee, carpeting, renovated and rebuilt<br />

seating, widescreen and anamorphic lenses.<br />

Restrooms, now in the basement, will be relocated<br />

on the auditorium floor and an attractive<br />

lobby featm-e will be a flower garden<br />

with a waterfall. A city exhibitor for a dozen<br />

years, Bronder has not exercised an option<br />

to pick up the lease on the Glade Theatre,<br />

which has been dark for about four years .<br />

Marvin, son of Mrs. Eve Friedman Elman,<br />

RKO secretary, has been elected vice-president<br />

of the Rodef Shalom Temple Alumni<br />

Ass'n.<br />

Alex Manos and his wife returned here<br />

after a vacation in California . . . Leroy Mc-<br />

Connell, Stanley Theatre projectionist, is recuperating<br />

at his home in Bridgeville after<br />

undergoing an operation in Mercy Hospital<br />

base of the large screen tower<br />

building at the Tri-State Drive-In near<br />

Slovan, which will be ready for opening<br />

within a few weeks, will be finished as a<br />

half dozen motel rooms, according to owners<br />

Tony and Don Mungello, Burgettstown exhibitors.<br />

A widescreen has been installed at the<br />

Gamble Theatre, Seward, which operates four<br />

nights weekly. L. I. Myers, manager and projectionist<br />

at this theatre, will serve as Tuesday<br />

night projectionist at the completely ri<br />

newed Super 422 Drive-In near Indiana<br />

Nate Lazier of Berlo Vending Co. and Mi<br />

Lazier are home after vacationing in Cal<br />

fornia. The ABC candyman reports that Pe<br />

Alderman, formerly of Filmrow here, ;<br />

novelty jewelry in Los Angeles is in got<br />

health, as is Sam Fleishman, former exhibit<br />

here who is in the shoe business there, I<br />

reports that former local exhibitor Mori<br />

Tauber is fine and that another former loc<br />

exhibitor Al Glazer is connected wi<br />

photography for the Ozzie and Harriet Nels<<br />

TV film show.<br />

The Super 422 Drive-In near Indiana, P<br />

which was acquired by the Manos circu<br />

was practically rebuilt and enlarged for t<br />

inaugural of the season Wednesday night C<br />

with John Coussoulis as manager. A doul<br />

bill program was offered at no admission J<br />

the opening night. Until taken over by t<br />

Manos organization, the outdoor theatre h<br />

been operated by the Serrao Bros., who ha<br />

theatres in New Kensington, Arnold a<br />

Ford City. Super 422 has a new 85 foot wi(<br />

screen and all equipments and fixtures i<br />

new.<br />

A number of drive-ins featured firewoi<br />

Memorial Day night. Included were loi<br />

ozoners Mt. Lebanon, Odin, Ranalli's, Boi<br />

19. Wexford Starlite. Cuppies, Ficks a<br />

Carrolltown to dawn shows w^<br />

presented at the Lakeside, Conneaut Lai<br />

Sunset, Waterford, and the Limestone ni<br />

Bradford, with free coffee and donuts ser<br />

Theodore Grance. outdr<br />

to patrons . . .<br />

circuit exhibitor, leased the Huntingdon, 1„<br />

drive-in to Wally Anderson, Mount JewJ<br />

circuit exhibitor . . . Bob Hope is schedui<br />

to come here next month for the opening!<br />

"Seven Little Foys" . Kinnear, owr<br />

of the Hill Top Drive-In neaj- Monongah'i,<br />

is busy constructing a new home there.<br />

1<br />

Filed in local federal district court iiK<br />

$450,000 antitrust suit by members of «<br />

Panagotacos family of Johnstown agaiit<br />

seven film distributors and Stanley Warir<br />

Theatres. The late George Panagotacos j-,<br />

tered the industry nearly fifty years ago :i<br />

following his death in 1938. his widow cy<br />

tinued operation of the Park Theatre tl<br />

with assistance of her daughter Alyce<br />

sons Plato and Orestes. The Park Thei]<br />

has been out of business about four ye]<br />

The suit claims that the defendants<br />

pressed competition in Johnstown.<br />

The antitrust case of the Eastwood ThSiji<br />

here against film distributors and WaiB<br />

theatres, on file<br />

in local federal district en<br />

for a number of years and due for heai|j<br />

June 6, again has been postponed<br />

Theodore Grance, Everett exhibitor<br />

drive-in cii-cuit operator, was in New<br />

to see his daughter-in-law Mi's. Henry Grd<br />

and her two children take of on a flighj<br />

France for visits with her parents,<br />

husband, a New York engineer, forn<br />

managed the Kenmawr Drive-In here.<br />

New Portage, Pa., Drive-I<br />

PORTAGE, PA.—Grand opening was<br />

last weekend in the new Bar-Ann Driv<br />

Theatre, occupying 11 acres of Spring<br />

Portage township. Owner of the<br />

capacity RCA equipped outdoor theatl<br />

George Wasko. operator of the indoor<br />

and Rex Theatres and an auto equipi^<br />

store here.<br />

42-D BOXOFFICE June 4,


: June<br />

i<br />

n<br />

^<br />

Stvnea frt<br />

THE ETERNAL SEA<br />

—^ HAYDEN • SMITH • JAGGER<br />

A RCPUfiLlC I<br />

airplane models, insignia identification<br />

boards, photos of ships in action, air shots<br />

etc., will all attract attention.<br />

A special set of four stills featuring aii<br />

photographs is available at National Screer<br />

while sound effect recording of a jet plant<br />

taking off may be ordered from a vender<br />

Included with another set of six stills froir^<br />

NSS are two art drawings, designed foiT<br />

blowups and still No. 1976-s23, a composit(<br />

of picture scenes and drawing of a je<br />

plane leaving a carrier, perfect for selectee<br />

placement around town.<br />

FLAGS ON MARQUEE<br />

Signal flags draped from the marque^<br />

and overhead wires can be used to brighte:<br />

the front. Cutouts of planes or five-and<br />

dime models can be suspended from unde<br />

the marquee.<br />

The field representatives of the compan<br />

manufacturing aircraft carrier and ji<br />

plane kits are listed in the pressbook an<br />

will cooperate with theatres in their rt<br />

The above centerpiece display still. No. 1976-s23, with simple, dignified credits, should be spotted in<br />

all possible locations. Enlargements of the plane con be colored and hung over the lobby entrance.<br />

PROMOTED<br />

THE ETERNAL SEA<br />

VIA U.S. NAVY COOPERATION<br />

Naval Units in All Areas Will Assist Campaigns,<br />

Model Kits Available<br />

The Navy will provide the stimuli for<br />

nationwide promotion of Republic's "The<br />

Eternal Sea," with special emphasis placed<br />

on local campaigns.<br />

Naval aviation is an added factor in the<br />

promotion of the film starring Sterling<br />

Hayden, Alexis Smith and Dean Jagger.<br />

How effective a job the Navy can do in<br />

publicizing and exploiting a playdate was<br />

demonstrated at the world premiere of the<br />

film in Pi-ovidence, R. I. Similar cooperation<br />

is assured in other situations, proportionate<br />

in scale. The manufacturer of aircraft<br />

carrier and jet plane model kits is<br />

also tieing in with the promotion on the<br />

picture while radio and TV air show accessories<br />

are available on loan.<br />

The Navy has sent a directive to all naval<br />

units highly recommending "The Eternal<br />

Sea" and suggesting they cooperate with<br />

theatres when requested to participate in<br />

promoting the film via civic celebrations,<br />

equipment displays, bands, parades, etc.<br />

The assistants at di-strict headquarters,<br />

listed in the pressbook, will furnish full<br />

information on arranging local contacts.<br />

Addresses of Naval Air Reserve contacts,<br />

Navy air stations and Navy recruiting stations<br />

also are listed and one or more of<br />

these offices should be alerted as soon as<br />

playdates are set. These Navy contacts<br />

have special A-board posters, plugging the<br />

Navy and the picture, and window cards<br />

with similar art and copy, will be<br />

furnished upon request. It is important the<br />

contact be made early and regardless of<br />

how distant the Navy office is located.<br />

The story of "The Eternal Sea" relates<br />

the experience of Admiral John M. Hoskins<br />

who is still on duty with the Navy. A salute<br />

to the admiral might be staged on opening<br />

night with the governor, mayor, local dignitaries<br />

and naval officers in attendance.<br />

If possible have the mayor issue a proclamation<br />

for the event, a navy band play<br />

under the marquee, with naval veterans<br />

present, interview ex-Navy aviators on TV<br />

or radio, ask all merchants to cooperate<br />

with window displays saluting the Navy, invite<br />

all Navy wives to the premiere and if<br />

there's a Sea Scout group in town, they<br />

can be asked to parade to the theatre.<br />

Local book stores can display all works<br />

dealing with the Navy and the sea. Displays<br />

can be set up in the schools and<br />

prizes offered for drawing, letter-writing<br />

or model-making contests. The youngsters<br />

can show their plane and naval craft<br />

models in a foyer display case.<br />

The several Navy contacts will be the<br />

source for equipment displays in addition<br />

to posters and recruiting station A-boards.<br />

Models of aircraft carriers, battle ships,<br />

etc., old Navy uniforms, jet engine and<br />

spective territories. Sales outlets for th.:<br />

company's product have been asked to c(<br />

operate in local promotions and stills<br />

posters should be furnished chain and d<br />

partment stores selUng the items. Tl<br />

manufacturer's salesmen have photos<br />

the completed models for displays and<br />

lobby contest may be set up with youthf.<br />

builders assembling kits for ticket pri;<br />

The actual kits may be sent to radio-li<br />

commentators with appropriate pictu,<br />

copy.<br />

Spot announcement radio<br />

'<br />

recordings<br />

various lengths are available on loan frc!<br />

Republic branch offices and suitable co^<br />

for live broadcast may be had upon requfi<br />

from Republic's Exploitation Dept., Ill<br />

Broadway, New York. The Repub^<br />

branches also have a set of TV trailers<br />

two one-minute and two 20-second sji<br />

announcements.<br />

A NAVY NIGHT SALUTE<br />

A Navy Night Salute can be set up Wi<br />

the TV and radio station, a local na'<br />

hero to appear on television and descrg<br />

his experiences while the disk jockeys ci:<br />

play music of the Navy and songs featiK<br />

ing the word "sea" or a sailing theme.<br />

contest can be worked with listeners iderr<br />

tying the titles of the songs for free pi<br />

tui'e tickets. A ship model club can sl^<br />

their handicraft on another TV progr^.<br />

Use a tape recorder for interviewing Nijjr<br />

pilots and personnel living in or near tcfl<br />

and use it on a DJ show with pictie<br />

credits. Play the jet airplane recordingis<br />

an introduction for spot announcements^<br />

air shows. Have the recruiting offir<br />

swear in new enlistees on a TV show<br />

Columbia is preparing commercial rsj<br />

transcriptions and a special teaser tr<br />

"<br />

for "The Night Holds Terror.<br />

CONTROL TRAFFIC . . . AVOID CONFUSION WI<br />

DIT-MCO PATENTED RAMPLIGHTS<br />

ismminmm<br />

COMPACT . . . ATTRACTIVE . . . ECONOMIf<br />

DRIVE-IN THEATRE MFG. CO. T.n*"'c"' T<br />

1:.<br />

a<br />

!jil<br />

— 168 — BOXOFFICE Showmandiser :<br />

4, 'MJ


'<br />

. . people<br />

'<br />

,<br />

IHE<br />

POSTCARD BECOMES AN INDUSTRY SALESMAN<br />

[red Mail Campaign is Aimed at Selling Movie Theatre to Hometown Merchants<br />

Vliiit is probably the industry's first<br />

pimcd direct mail campaign, to reach<br />

1, Imn citizens and merchants at the<br />

grass-roots level, in<br />

an effort to boost<br />

boxoffice receipts as<br />

well as to sell the<br />

motion picture theatre<br />

as a community<br />

institution, was<br />

launched last week.<br />

It is a promotion<br />

of United Film Ser-<br />

V i c e. Inc.. with<br />

h e adquarters<br />

in Kansas City. Mo.,<br />

but the thinking of<br />

some of the country's<br />

top exhibitors<br />

and promotion men<br />

has gone into the<br />

planning and production<br />

of the campaign<br />

— and while<br />

Hardy Hendrcn jr.<br />

UPS has prepared<br />

Jack Hillyer (I.) of<br />

the material and is<br />

[lei Film Service.<br />

assisting in the<br />

sical job of getting it under way, howf<br />

the firm is not identified in any of<br />

ti<br />

mailings.<br />

'iIES<br />

OF COLOR POSTCARDS<br />

'he campaign consists of a series of<br />

1 basic, and three optional jumbo color<br />

p tcards to be mailed on alternate weeks<br />

oil- a period of about 26 to 30 weeks. Each<br />

cc'ies a separate message from the exhitor<br />

to his hometown merchants and<br />

leiing citizens, providing space for the<br />

lifirint of the manager's name and his<br />

tfatre. In the event competing theatres<br />

d'ire to undertake the campaign in a<br />

Operative deal, this arrangement can be<br />

ntle.<br />

opies of a booklet containing reprotions<br />

of the 16 cards, plus information<br />

ut the campaign, were sent to several<br />

Musand exhibitors last week. In an ac-<br />

Cdpanying letter. 'W. Hardy Hendren jr..<br />

Priident of United Film Service, said:<br />

[^mong the poorest moviegoers of any<br />

t^n or city are the proprietors of the<br />

Idling businesses. Most of them are so<br />

^' pped up in their own problems that they<br />

o'-look the importance of your theatre<br />

ttthem. They forget that your theatre<br />

Pis people out of their homes and on to<br />

tlj streets past their store windows lead-<br />

^ to your theatre. They forget that<br />

yu- theatre pulls people into your town<br />

fi 1 rural areas who have<br />

to spend. They forget that the bet-<br />

'lur attendance, the better it is for<br />

'• !<br />

businesses.<br />

They not only need to be told, but to<br />

I<br />

ibk:onstantly reminded of just how much<br />

y|r show means to them."<br />

t jendren remarked that he had often<br />

JNi told by exhibitors that an important<br />

Be OFFICE Showmandiser :: June 4, 1955<br />

factor in the success of their theatre is<br />

their relationship with the businessmen<br />

of the community. There is a strong instinct<br />

to "follow the leader." he .said, and<br />

if the business leaders of a community<br />

speak well of a theatre, its operation, personnel<br />

and patronize the shows, many<br />

others in the community will follow their<br />

example.<br />

The direct mail campaign is aimed to<br />

develop this community climate—to make<br />

businessmen aware of the existence of<br />

their hometown movie house.<br />

It was a request by an Argos. Ind.. exhibitor.<br />

Ken Law, that United Film Service<br />

help him create a series of mailings to<br />

businessmen which led the company to<br />

undertake the present campaign. Jack Hillyer.<br />

vice-president and director of advertising,<br />

was handed the job of putting the<br />

package together, and Mike Simons, exhibitor<br />

relations director of MGM, was the<br />

chief source of ideas for the cards. Senn<br />

Lawler. division manager of National Theatres<br />

and Marc Wolff, head of the Y&'W<br />

circuit, along with Simons actively guided<br />

the preparation of copy. Then the cards<br />

and copy were submitted to scores of experienced<br />

exhibitors for constructive criticism.<br />

The cards are devoted to such subjects as<br />

"My Business is Good for Your Business,"<br />

which EKJints out how the moviehouse<br />

reaches out into the community and the<br />

countryside to draw customers for the<br />

merchant's store; "Keep a Light in Your<br />

Store Window." which advises the merchant<br />

to keep his displays illuminated at<br />

night because movie patrons do a lot of<br />

their window shopping to and from the<br />

show; "Safe and Happy," a message on<br />

how the movie theatre looks after the<br />

"kids of this community": and "If My<br />

Theatre Disappeared," which stresses the<br />

fact that traffic past the merchant's place<br />

of business would diminish considerably,<br />

if the theatre went out of business.<br />

DISCUSS PRODUCT EXCELLENCE<br />

Other cards talk about the excellence<br />

of current pictures, the happiness created<br />

by good movies, and how pictures create<br />

a desire to buy a great variety of products<br />

sold in the hometown stores. One of the<br />

cards is a jumbo pass for two, and if an<br />

exhibitor so desires, an additional card<br />

of this type may be used in the campaign.<br />

Since this promotion would benefit the<br />

theatre industry generally. United wanted<br />

to make it available to all theatre owners.<br />

Hendren said. But since United is bearing<br />

all of the cost, including the printing of<br />

the cards, for economic reasons the company<br />

decided to limit the use to only<br />

theatres with which it is doing business,<br />

and the campaign is offered accordingly.<br />

Wliile the campaign is offered on a free<br />

basis to all such theatres, it is. of course,<br />

offered f.o.b. Kansas City. The cost to the<br />

— 169 —<br />

This is your<br />

Leading- Citizen Campaign<br />

designed to<br />

Increase your<br />

t>ox office gross.<br />

UhiteJ Film S^'Vice. Ina ,<br />

By way of introduction. United Film<br />

.Service, Inc., has sent a set of reproductions<br />

of its jumbo postcards to several<br />

thousand exhibitors. Shown here is the<br />

special cover design for the set of 16<br />

cards. This is the only one which goes<br />

only to theatremen. All others have been<br />

designed to contain a special message<br />

from the exhibitor to a hometown "leading<br />

citizen."<br />

exhibitor who washes to handle the addressing,<br />

imprinting, stamping and mailing<br />

of the cards himself, involves only a small<br />

packaging charge and the parcel post<br />

cost for shipping the campaign to him.<br />

If he wishes to do none of the work. United<br />

(Continued on page 5)<br />

WCSMSl<br />

WU%<br />

/<br />

n


. . . had<br />

PURPLE PLAIN' PROMOTIONAL GIMMICKS<br />

RANGE FROM EASEL CARDS TO ELEPHANTS<br />

Five-ton elephant trumpets "The Purple Plain" engagement at the Fox Wilshire in Beverly Hills as he<br />

plods Los Angeles street with pretty rider. Right photo, off-season Santo delights youngsters in stroll<br />

heralding the opening at the Fox in Detroit.<br />

A varied roster of contests, TV-radio<br />

coverage and live-wire street bally Is focusing<br />

attention on "The Purple Plain" around<br />

the country.<br />

Manager Joe Archuletta of the Paramount<br />

Theatre in Denver kicked off his<br />

campaign with a coloring contest. Using<br />

the pressbook outline drawing mat, he ran<br />

off 10,000 contest forms, which were dis-<br />

HAVE<br />

YOU<br />

COLUMBIA<br />

HAS<br />

tributed on the street, at the theatre and<br />

at four drive-ins operated by the same<br />

management. Top entrants were awarded<br />

passes.<br />

The E>enver public library and its 12<br />

branches cooperated by passing out 7,500<br />

bookmarks imprinted with playdate and<br />

credits. The library also spotlighted "The<br />

Purple Plain" with displays of the H. E.<br />

Bates best-seller, on which the film is<br />

based, and posters carrying scene stills. A<br />

radio contest


prsonal Contact<br />

ri<br />

Paper Pays<br />

10 value of personal contact with the<br />

.1 and publisher of the local newspaper<br />

;. ,\('n rrcently by Elmer N. DeWitt.<br />

I<br />

half-page co-op od feoturing the film title<br />

f the initio! letters of the individual ads.<br />

manager for Mailers Defiance. Ohio,<br />

IS. The newspaper, the Crescent<br />

.., .,. heretofore had been reluctant to<br />

gi stories on motion pictures and had<br />

dc; so, DeWitt said, probably no more<br />

thi a half dozen times in the last ten<br />

y«s.<br />

eWitt, however, contacted the editor<br />

publisher of the paper and gained two<br />

ail<br />

nS stories for his engagement of "West<br />

oianzibar" at the Strand.<br />

V working with the manager and progin<br />

director of the local radio station,<br />

Di/'itt obtained a contest, using quiz questijs<br />

on the picture. Other local merchants<br />

JcJed in the contest by giving merchandi;<br />

prizes. The contest was held for one<br />

W;S, with the station using the picture<br />

thne as the contest theme. On the final<br />

di the winner was brought to the station<br />

fca personal interview on the program.<br />

Oiy cost to the theatre was one pass good<br />

t^ a month at either of the downtown<br />

thfitres.<br />

eWitt promoted a half-page co-op ad<br />

w;i other merchants, also at no cost to<br />

tl-j theatre. DeWitt got the superintendent<br />

o^jhools to advise all fifth and sixth grade<br />

sd )oI teachers of the playdate and to ask<br />

tin to tell the students of the value of<br />

th picture educationally.<br />

local drug store cooperated with a<br />

S[';ial sundae, called a Zanzibar Sundae,<br />

af Swift & Co., who ran a full-page ad<br />

oihe anniversary of the store, gave a porti[<br />

of the ad to the sundae. A 24-sheet<br />

w hung on the plate glass front of the<br />

tritre above the marquee, but the day<br />

it';as put up a bad storm struck and it<br />

»' blown down. DeWitt distributed 3,000<br />

htilds at both theatres, on automobiles<br />

through his mailing list, and he posted<br />

ai<br />

K window cards. He used the 24-sheet, a<br />

OJ -sheet and other paper in the theatre<br />

lo ly, and mounted a three-sheet board on<br />

tl| back of the theatre pickup truck.<br />

jor "The Long Gray Line," DeWitt<br />

wi ked with the army recruiting service<br />

a> the national guard. Ai-my equipn:<br />

It was parked in front of the theatre<br />

a in the lobby during the entire playd<br />

! of the picture.<br />

What's Exploitable in the Magazines<br />

One of the most extensive color layouts<br />

ever accorded a motion picture by Life was<br />

given to 20th-Fox's "Daddy Long Legs" in<br />

the May 23 issue. The cover and a fivepage<br />

spread shows Fred Astaire and Leslie<br />

Caron, stars of the film, in two lavish<br />

musical sequences which the magazine<br />

terms "stupendous."<br />

A full-page, four-color layout on<br />

Howard Hughes' ''Son of Sinbad" ni<br />

the May 23 issue of Life introduced<br />

RKO's national color ad campaign on<br />

the film. Full-page, four-color ads for<br />

the picture also are set for the June 4<br />

issue of Look and the June 10 issue of<br />

Collier's. Total circulation for the<br />

three publications is 13.315,191.<br />

Screen Stories in its June issue selected<br />

two RKO reissues, "The Informer" and "I<br />

Remember Mama," for a picture layout,<br />

entitled "Four of the Greatest Movies Ever<br />

Made!"<br />

Kim Novak rated a full-color front<br />

cover and a page and a half story in<br />

the May 31 issue of Look, highlighting<br />

her rapid rise to stardom and plugging<br />

her latest film. "Five Against the<br />

House." for Columbia. Four pictures of<br />

Miss Novak illustrate the story.<br />

A one and one-half page illustrated<br />

review is devoted to Stanley Kramer-<br />

THE POSTCARD CAMPAIGN<br />

(Continued from page 3)<br />

has arranged with a mailing company in<br />

Kansas City to handle it all for him for<br />

less money than he can handle it himself.<br />

AVAILABLE AT LOW COST<br />

For example, the exhibitor who prefers<br />

to have cards imprinted, addressed and<br />

stamped for him, so that his only work<br />

will consist of taking the cards to his<br />

hometown postoffice can get a 15-card, 30-<br />

week campaign for $28.80 plus $2.50 to<br />

cover the cost of packaging and prepaying<br />

parcel post charges from Kansas City.<br />

First con^ments from exhibitors have<br />

already been received by Hendren and his<br />

associates. Ken Winkelmeyer of the Casino<br />

Theatre, Boonville, Mo., declared the<br />

cards cover "everything I have tried to get<br />

over to my public and merchants as an independent<br />

operator. I can see the merchants'<br />

faces now as they read and digest<br />

these thoughts and finally realize how<br />

much we stand for as a business." His<br />

sentiments are echoed in other letters<br />

received from theatremen who have seen<br />

the campaign cards.<br />

Buys 'Toward Unknown'<br />

Beirne Lay jr.'s story about U. S. Air<br />

Force experimental planes, "Toward the<br />

Unknown," has been bought and will be<br />

produced by Mervyn LeRoy for Warner<br />

Bros.<br />

B COFFICE Showmandiser : : June 4, 1955 — 171 —<br />

United Artists' "Not As a Stranger" in<br />

the May 31 issue of Look. The review<br />

terms the picture "a microscopic, controversial<br />

study of the public virtues<br />

and hidden flaws of the medical profession."<br />

The July i.ssue of Movie Pi-evue will name<br />

Kerwin Mathews as Guy of the Month.<br />

Mathews makes his screen debut in Columbia's<br />

"Five Against the House."<br />

MGM's "Love Me or Leave Me" has<br />

been chosen picture of the month in<br />

the June issue of Redbook by feature<br />

editor Florence Somers. Miss Somers<br />

terms James Cagney's performance in<br />

the role of Marty Snyder as one of the<br />

best of the season. She praised the<br />

performance of Doris Day as Ruth<br />

Etting and of Cameron Mitchell as<br />

Johnny, but says it is Cagney who<br />

comes close to stealing the show. "He's<br />

cocky, brutal and, at all times, believable<br />

and fascinating."<br />

Debbie Reynolds answers a series of<br />

questions about her romance with singer<br />

Eddie Fisher in the June issue of Woman's<br />

Home Companion. The questions were<br />

posed by the magazine's panel of teenage<br />

girls from all over the country. Introduction<br />

to the article mentions MGM's "Hit<br />

the Deck," in which she stars. The article<br />

is titled: "Debbie Tells the Girls: 'I've<br />

Never Been in Love Before.' "


li<br />

From Here^ There<br />

OfFrHtfRONTMttS<br />

SUSAN<br />

^<br />

HAYWARD i<br />

Taking a cue from the recent Susan Hayword sleepin<br />

pill incident, Jack H. Harris, head of Philadelphii<br />

Exploitation Productions, come up with this tim(<br />

shocker style display for "Smash-Up."<br />

These novelty automobiles certainly caused a stir as they drove around London, England,<br />

in a stunt promoted by Manager Jock Palmer to plug his premiere of "Prize of Gold" at<br />

the Odeon Leicester Square. The premiere was staged to aid the Royal London Society for the<br />

Blind.<br />

Manager Tom McMahon of the Sutton Theatre in tyj<br />

York devised this provocative lobby display for ^|<br />

world premiere engagement of "Morty."<br />

The Japanese flavor of Jim Gorman's<br />

promotion for his playdate of "Gate<br />

of Hell" at the Loop Theatre in Chicago<br />

included even this ricksha street ballyhoo.<br />

Opening night he hod several<br />

Japanese girls in native costumes dance<br />

on the street in front of the theatre.<br />

For his "20,000 Leagues Under the Sea"<br />

playdate. Manager Jeff Hardin of the<br />

Wallace Theatre at Levellond, Tex., designed<br />

this eye-catching lobby display,<br />

which included a revolving octopus and<br />

suspended mobile fish. Sea shells, not<br />

shown, also were included.<br />

This attractive window on "Hit the Deck" wos plan<br />

by Eddie Meade, Shea's Buffalo advertising dirc(f,<br />

in a local music store.<br />

Internes, a model and a hospital bed<br />

were the ingredients of this novel<br />

street ballyhoo staged by Maury<br />

Schworz of the Bridge Theatre, San<br />

Francisco, for "Doctor in the House."<br />

Ronald Baumberg had this attention-getting wall display ot the Metropolitan<br />

Theotre, Boston, in the outer lobby for four weeks in advance of "Strategic<br />

Air Command," drawing attention to its wider screen for the new horizontal<br />

VistaVision. The reproduction of the full proscenium helped stress the new<br />

screen width.<br />

Indian fronts have always pr6'<br />

popular.<br />

Here's a particularly effe"<br />

one, arranged by Manager t^^<br />

Sklucki ot the Broadway CapitCj<br />

Detroit for "Chief Crazy Horse." I<br />

1<br />

— 172 — BOXOFTICE Showmandiser :: June 4, 55 j|


I phone<br />

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INDUSTRY'S MOST COMPLETE AND<br />

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Hanper<br />

:<br />

June<br />

'<br />

BREAD WAR BRINGS GRAVY TO THEATRE<br />

IN FORM OF SPONSORED KID SHOWS<br />

Manager Bob Jackson Finds Action-Minded<br />

Youngsters Go for Group Singing<br />

A local bread war brought a certain<br />

amount of gravy to the Jefferson Theatre<br />

In Fort Wayne, Ind., with the sponsorship<br />

of a special Saturday morning kiddies<br />

matinee by the Perfection Biscuit Co.<br />

When the Continental Baking Co. came<br />

to town a month ago with Wonder Bread<br />

and enticed the younger consumer class<br />

with carousel rides and free balloons. Perfection,<br />

long established here with the Sunbeam<br />

brand, countered with the sponsorship<br />

of the matinees at the Jefferson.<br />

Though admittance to the performances is<br />

by simple presentation of a Sunbeam wrapper,<br />

the Jefferson doesn't rely on receipts<br />

from its label accumulations, since Perfection<br />

pays for the matinees by a flat<br />

rate.<br />

At the halfway mark of the eight "Sunbeam<br />

shows" contracted for by Perfection,<br />

Robert L. Jackson, Jefferson manager, said<br />

that thanks to the bread war, "Kiddies who<br />

haven't known anything but TV the past<br />

three or fom- years have gone back to the<br />

movies." Pi-esenting a feature and three<br />

color cartoons, the shows have been drawing<br />

700 to 800 wrapper-depositing payees a<br />

week, which Jackson feels is a good attendance<br />

by children in the spring months.<br />

At the start of the series, Jackson<br />

mingled a little stage action with the<br />

screen entertainment but isn't doing so now.<br />

The stage bits consisted of old stage games<br />

known to every exhibitor, like having the<br />

boys try on dresses. Though the action was<br />

brisk, the live entertainment was given<br />

up because "the kiddies grew restless, unless<br />

there was group participation," Jackson<br />

observed. The new TV-bred generation<br />

is action-minded as none others have ever<br />

DIT-MCO UNIVERSAL<br />

DRIVE-IN SPEAKERS<br />

Finest you can buy . . . ouHosts others.<br />

Attractively desiined . . . Beautiful 2-tone finish<br />

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HIGH QUALITY AT LOW COST<br />

Displays promoting Sunbeam bread and bakery-sponsored<br />

kid shows in lobby of the Jefferson Theotre.<br />

been, the Jefferson manager reports.<br />

On the other hand, Jackson has noted<br />

one facet in the new-generation audience<br />

that won't exhaust producer and exhibitor<br />

resources to satisfy: "These kiddies like to<br />

sing." Jackson wonders if the children's<br />

penchant for group singing doesn't offer<br />

an interesting and almost untapped potential<br />

in the child matinee field.<br />

To avoid a clustering of youngsters on<br />

the outside on Sunbeam matinee Saturdays<br />

which might faze adult patronage of the<br />

regular runs, Jackson limits the special to<br />

two hours and has the show over and the<br />

house empty by lunchtime.<br />

In addition, an $80 bicycle will be given<br />

away at the final show.<br />

Bantam Tieup on 'Affair'<br />

Mickey Rose, manager of the Michigan<br />

in Detroit, used the Bantam Book edition<br />

of Graham Greene's best-seller to hypo<br />

"The End of the Affair." Rose and the<br />

Cuitis Circulation Co., distributor of Bantam<br />

Books, fui-nished posters to 100 Cunningham<br />

drugstores covering Wayne<br />

County. Curtis also placed insert cards in<br />

3,000 Bantam Books and sent bulletins to<br />

all dealers handling the book.<br />

Album Gift on 'Show'<br />

Five days in advance of "Three for the<br />

Show" at the Orpheum in New Orleans,<br />

Manager Asa Booksh distributed 3,000<br />

blanks in the theatre lobby for patrons to<br />

address. Ten names were drawn and the<br />

winners were given a Mercui-y album of<br />

the songs from the picture. The drawing<br />

was broadcast from the lobby by station<br />

WNOE from a mobile unit. The stunt was<br />

publicized for five days by the radio.<br />

— 174 —<br />

Prizes for Windows<br />

Cost Theatre $12<br />

For 'Cry' Displays<br />

The offer of prizes for window dispU;,<br />

on the book and the pictui-e, "Battle Cr;<br />

brought top publicity to the Canadian pi<br />

miere of the film at the Orpheum in Vi<br />

couver, B. C, for Manager Ivan Acker;<br />

In a tieup with the Curtis Distributj<br />

Co. on the Bantam book, Ackery i-<br />

nounced prizes for the best window c-<br />

plays. Cunningham drug store executis<br />

liked the idea so much they chipped in i<br />

the prizes as an inducement for their miagers.<br />

Consequently, "Battle Ci-y " had<br />

5<br />

,<br />

full window displays for a total cost to e<br />

theatre of $12. Other news dealers eo<br />

gave good window space.<br />

Local newspapers cooperated, the Prp<br />

ince running a co-op page with a full b,.<br />

ner head. The Province also carried sto<br />

on Jonas Applegarth, who appears in t<br />

pictui-e, and gave a story on the Orpheuf<br />

new stereophonic soimd. The Sun raji<br />

four-column story on Applegarth aniii<br />

story on the stereosound. Two front-p?<br />

stories and cuts were used by the N^l<br />

Herald, and a review and scene piclb<br />

were used by the Chinese Times.<br />

Applegarth, in town before the open^<br />

was interviewed on local radio stations )t<br />

TV and appeared at city hall with Mip<br />

Hume.<br />

Yellow taxis carried bumper strips,<br />

stair risers were used in the theatreii<br />

24-sheet was pasted to the floor belli<br />

the theatre boxoffice. Two weeks ind<br />

vance, the back of the candy bar<br />

decorated with a mural, using the (a<br />

book idea to play up the Canadian je<br />

miere.<br />

Applegarth was interviewed on the e-<br />

atre stage on Fi-iday and Saturday ben<br />

opening.<br />

Plan Mother's Day Show<br />

As An Annual Event<br />

Lloyd W. Palmer, manager of ii<br />

Colonial Theatre at Port Arthur, Ont.,!f<br />

such tremendous success with his tj:<br />

annual News Chronicle Carrier «<br />

Mothers Day show that he now is c(jl<br />

dent that the event will be repeated («<br />

year.<br />

"It does a wonderful public relajii<br />

job," PaUner said, "and all concernecki<br />

very happy with this type show."<br />

The newspaper tieup this year ntfa<br />

Palmer a three-column, front-page fow<br />

and a photo spread across the top of Ui<br />

three. As one of the features of the -ow<br />

a drawing was held for boxes of I'fs,<br />

which were given to winning mothei<br />

'Tight Spot' at Crossings<br />

For "Tight Spot," Bill Zeilor, mai«< i.,<br />

of the J. P. Harris Theatre, Pittsb«l ti;<br />

arranged with the city traffic departbl<br />

to display small signs at the main plS 's<br />

trian crosswalks which read, "Cross'iU<br />

i<br />

are 'Tight Spots'—Cross Cautiously."<br />

BOXOFFICE Showmandiser<br />

:<br />

^<br />

4.9S k


j<br />

ith<br />

. ill)<br />

I nous<br />

MEWS AND VIEWS THE PRODUCTION CENTER<br />

iHoUvwood Office— Suite 219 at 6404 Hollywood Blvd.: Ivan Spear. Western Manager/<br />

Sreen Extras Guild<br />

Seks New Benefits<br />

ilI.YWOOD—Health and welfare bene-<br />

'.~tv extra playera will be one of the<br />

Extras Guild's principal collective<br />

;;ng demands this year, it was dis-<br />

>.., a at the organization's annual member-<br />

Stt meeting.<br />

h incumbent officers were reelected at the<br />

:., including President Richard H. Gorsaid<br />

the SEG, in its upcoming<br />

>!ions with filmmakers, will seek inm<br />

daily and weekly wage minimums<br />

improvements in working con-<br />

;!tained in office along with Gordon were<br />

Fuklyn Parnum. George Barton and Tex<br />

Biius, vice-presidents; Kenner Kemp, reeding<br />

secretary, and Jeffrey Sayre, treasJr.<br />

Named to three-year terms on the<br />

bo d of directoi-s were Mary Benoit, Heinle<br />

C


Blurbers<br />

STUDIO PERSONNELITIES<br />

Universal-International<br />

Jack Diamond set GEORGE LAIT os his assistant<br />

publicity director, effective Monday (13). Lait, until<br />

recently studio blurb chief at Columbia, has for the<br />

last several weeks been on a special tub-thumping<br />

assignment at Paramount.<br />

Briefies<br />

Universal-International<br />

George Auld and his All Stars headline a U-l<br />

lusical featurette which has gone before the<br />

Dmeros with Will Cowan producing and directing.<br />

Cleffers<br />

Allied Artists<br />

Warner Bros.<br />

PAUL FRANCIS WEBSTER is writing the lyrics for<br />

"Sincerely Yours," the melody of which was composed<br />

by Liberace for the letter's starring picture<br />

title.<br />

with the same<br />

Loanouts<br />

Metro-Goldwyn-Mayer<br />

Borrowed from U-l, RAY DANTON will have one<br />

of the leads with Susan Hayward, Richard Conte<br />

and Eddie Albert in "I'll Cry Tomorrow." Daniel<br />

Mann directs the Lawrence Weingarten production.<br />

Meggers<br />

Columbia<br />

Warwick Productions booked JOHN GILLING,<br />

British director, to pilot "The Gamma People," o Paul<br />

Douglas starrer to be lensed abroad.<br />

Options<br />

Allied Artists<br />

Producer Lindsley Parsons set JOHN ERICSON,<br />

MARI BLANCHARD and NEVILLE BRAND for the<br />

leads in "Son of Slode," which Harold Schuster will<br />

DRIVE-IN THEATRES<br />

You Can Get l^ette^<br />

SPECIAL TRAILERS<br />

and ^a^en, from<br />

MOTION PICTURE SERVICE CO.<br />

IZ5 HYDE ST. SAN FRANCISCO (Z) , CALIF.<br />

direct. CASEY ADAMS, JON 5HEP0DD, HOWARD<br />

PETRIE, RAYMOND BAILEY, MICHAEL ROSS, ALAN<br />

WELLS and JOHN DENNIS drew top supporting roles.<br />

Independent<br />

NICOLE MAUREY, French actress, wos handed the<br />

femme lead opposite Wendell Corey, Mickey Rooney<br />

and Don Taylor m "Battle Hell," which Hal t.<br />

Chester is producing for Filmokers. Lewis R. Foster<br />

directs.<br />

Metro-Goldwyn-Mayer<br />

Zanra Productions, formed by Desi Arnoz and<br />

Lucille Boll to film "Forever, Darling," inked JAMES<br />

MASON to star with Arnoz ond Miss Ball in the<br />

romantic Hall will<br />

LOUIS CALHERN will portray Lucille Ball's father.<br />

comedy, which Alexander meg.<br />

Republic<br />

Moppet SHERRY JACKSON was inked to portray<br />

the daughter of Steve Cochran and Ann Sheridan in<br />

"Come Next Spring," romantic drama in Trucolor,<br />

being directed by R. G. Springsteen.<br />

20th Century-Fox<br />

SIDNEY BLACKMER joins Dona Wynter, Richard<br />

Egan and Morjorie Rombeau in the topline cast of<br />

"The View From Pompey's Head," which Philip Dunne<br />

will produce and direct.<br />

Added to the cast of "The Girl in the Red Velvet<br />

Swing" were GLENDA FARRELL and PHILIP REED.<br />

Starring Joan Collins, Roy Milland and Farley Granger,<br />

the Charles Brockett production has Richard Fleischer<br />

OS director.<br />

The title role in "Good Morning, Miss Dove," story<br />

of a school teacher, goes to JENNIFER JONES.<br />

Henry Koster will direct for Producer Samuel G. Engel.<br />

United Artists<br />

Inked for a top role in "A Kiss Before Dying"<br />

was VIRIGINIA LEITH. Set for a key role in the<br />

Crown Productions film was MARY ASTOR. Starring<br />

Robert Wagner, Joanne Woodward and Jeffrey Hunter,<br />

the suspense drama will be megged by Gerd<br />

Oswald for Producers Robert L. Jacks and Robert<br />

Goldstein.<br />

Universal-International<br />

CHICO VEJAR, well-known boxer, was signed to<br />

make his film debut in "World in My Corner," starring<br />

Audie Murphy, Barbara Rush, Jeff Morrow and<br />

John Mclntire. It is now before the cameras with<br />

Jesse Hibbs directing for Aaron Rosenberg. Howard<br />

ST JOHN joined the cost.<br />

TIM HOVEY, 9-year-old youngster who made his<br />

film debut in "The Private War of Major Benson,"<br />

has been signed to a multiple-picture contract.<br />

RORY CALHOUN will star in "Back Trail," Technicolor<br />

western which Albert Zugsmith will produce.<br />

Drawing featured roles in "The Girl in the Cage"<br />

were MAMIE VAN DOREN and KEENAN WYNN.<br />

JOHN AGAR, MARA CORDAY and LEO G. CAR-<br />

ROLL will have the top roles in "Tarantula," a<br />

science-fiction drama to be megged by Jack Arnold<br />

tor Producer William Allond.<br />

Warner Bros.<br />

FRED CLARK was booked for a role in "Miracle in<br />

the Rain" starring Jane Wyman and Van Johnson.<br />

Rudolph Mate is directing and Frank P. Rosenberg<br />

producing. Stage-TV actress MARIAN HOLMES was<br />

cost in the film.<br />

Mexican film player ELSA CARDENAS was added<br />

the cast of "Giant," film version of the Edna<br />

to<br />

Ferber novel, being produced and directed by George<br />

Stevens. The topliners ore Elizabeth Taylor, rI<br />

Hudson, James Dean and Jane Withers.<br />

WALTER BRENNAN has been signed by bJ<br />

Productions to star in William A. Wellman's "*<br />

My Lady," which is scheduled to start in AuilL<br />

The film dramatization of the James Street n|<br />

'<br />

stars Phil Harris.<br />

Set as Liberace's leading ladies in "Sincty<br />

Yours" were JOANNE DRU and DOROTHY MALc'<br />

The musical drama, a Henry Blonke productiori<br />

being directed by Gordon Douglas.<br />

Scripters<br />

Columbia<br />

Assigned to do the screen treatment of<br />

Gold Cadillac," stoge play by Howard Teich<br />

Solid<br />

George and S. Koufmon, was BLAKE EDWA<br />

Starring Holliday, Judy the comedy will be prod'<br />

by Fred Kohlmar.<br />

Metro-Goldwyn-Mayer<br />

FAY and MICHAEL KANIN ore<br />

penning "Opp<br />

Sex," a romantic comedy localed Reno,<br />

starring vehicle for Esther Williams,<br />

duced by Joe Pasternak.<br />

Story Buys<br />

Independent<br />

Olympic Productior headed by Sam Wiesei<br />

acquired "The Quick nd the Dead," a screei<br />

by Fran! Grube? " based on the latter's novel<br />

Republic<br />

Acquired and handed to William J. 0'Sulliv<<br />

produce was "Back of Beyond," on original scree<br />

by Thames Williamson.<br />

Universal- International<br />

Film rights were secured to "Teach Me How to<br />

a psychological drama by Patricio Joudry, and<br />

low's Code," a western novel by Evan Evans,<br />

has been assigned to Ross Hunter to produce.<br />

Technically<br />

Allied Artists<br />

GLENN COOK was set as production manog.<br />

"Son of Slode." The crew includes WILLIAM<br />

NER cinematogropher; PHIL RAND and J<br />

DALY, assistant directors, and WARREN DOUi<br />

dialog director.<br />

Independent<br />

Mike Todd inked VERTES, European artist, t<br />

sign the sets ond costumes for "Around the '<br />

in 80 Days."<br />

RKO Radio<br />

Crew assignments for "Texas Lady" include D<br />

ZIMMER, assistant director; MAT HOLT Jr., prodi<br />

supervisor, ond RAY RENNAHAN, cameraman.;<br />

20th Century-Fox<br />

Costumes for "The Girl in the Red Velvet<br />

are being designed by CHARLES LE MAIRE.<br />

United Artists<br />

"News Is Made at Night," the Bert E. Frf<br />

is production, being photographed by En<br />

LASZLO.<br />

Warner Bros.<br />

EDWARD CARRERE has been set as art d|<br />

for the Liberace starring picture, "Sincerely<br />

BLAIR CUTTING, Broadway drama coo<br />

actor, has been assigned to serve as a test dil<br />

players signed f<br />

HANDY SUBSCRIPTION<br />

Title<br />

Changes


m<br />

; Harry<br />

ill Producers, Writers<br />

l^ Christopher Awards<br />

(fW YORK—Twenty-five producers, writ-<br />

5 directors and a composer in the film.<br />

/'Jadio and songwriting fields were named<br />

il-ipients of Christopher Awards for "out-<br />

»5ing contributions" during the six-month<br />

>f\i ended March 31. according to Father<br />

In's Keller, founder of the Christophers.<br />

1,! iiophers is an organization that emiimher<br />

standards of education, gov-<br />

„.:... labor relations. literature and enteral<br />

lent.<br />

l! film awards, in the form of bronze<br />

le^llions. went to: Robert Arthur, John<br />

or and Edward Hope, producer, director<br />

[ic'.vriter. re.spectively. of Columbia's "The<br />

01 Gray Line": to Louis DeRochemont.<br />

Benedick and Philippe de Lacey. di-<br />

Olrt<br />

- - iuid Otis Carney and Louis Dent<br />

jr., writers, for the Stanley Warire.<br />

"Cinerama Holiday," and to Wilai<br />

.St^lwyn, Francis D. Lyon and Richard<br />

ohs. producer, director and writer, for the<br />

11 .\rtists release, "Tlie Bob Mathias<br />

ilevision series also received bronze<br />

» uiuiis. They were: Walt Disney's "Dislejind"<br />

shows of "Davy Crockett," produced<br />

y lilliam Walsh, directed by Norman Foser<br />

id written by Thomas Blackburn; "Lesn<br />

Citizenship" of the "Father Knows<br />

for Eugene B. Rodney, producer;<br />

.series,<br />

im D. Russell, director, and Roswell<br />

s, writer; "Something About Love," of<br />

oretta Young series, to Tom Lewis, pro-<br />

Keller, director, and Marian<br />

ipson, WTiter, and to "Producers' Showversion<br />

of "Peter Pan," to Fred Coe,<br />

icer; Clark Jones, director, and Sumner<br />

'<br />

Elliott, writer.<br />

Pcadise in LA Denied<br />

Piketing Injunction<br />

IS ANGELES—A preliminary injunction<br />

»iiit by the Paradise Theatre to restrain<br />

lA'.E Local 150 from picketing the Westiheer<br />

district showcase has been denied<br />

)y|iperior court. The theatre, owned by<br />

U^ Schreiber, had petitioned for such inur<br />

ion as the outgrowth of a dispute with<br />

he oothmen's union. The court, in handing<br />

lot its decision against the Paradise, took<br />

lo^of the fact that the picketing took the<br />

on of the distribution of handbills outlining<br />

JOl ISO's point of view in the argument.<br />

']e local contends the Paradise locked<br />

iul:wo of its projectionists and hired a<br />

lociman from an independent union. It<br />

: lis charges the theatre's management has<br />

tied to consider the union's request for<br />

ornued hiring of two lATSE projectionists.<br />

Ch Paradise, on the other hand, maintains<br />

1 1 5 repeatedly requested the union to agree<br />

e use of only one booth operator as an<br />

ec )my measiu-e, contending the theatre has<br />

«( losing money for the past several years.<br />

Urting on 'Serenade'<br />

1 ILLYWOOD—That an early start is<br />

da led by Warner Bros, on the Mario Lanza<br />

ta T, "Serenade," was indicated with the<br />

i? ig of Anthony Mann to direct and<br />

'i( lias Brodsky to pen the musical score<br />

film version of James M. Cain's novel.<br />

5r le<br />

'8! 1 will begin prerecording for the fUm<br />

l^n two weeks and cameras are slated to<br />

Ija July with Henry Blanke producing.<br />

LEGION TRIBUTE — An American<br />

Legion resolution lauding the memory of<br />

the late Charles P. Skouras was presented<br />

at the recent annual .Americanism dinner<br />

co-spon.sored by Allied Post 302 and Fox<br />

West Coast, honoring 250 outstanding<br />

ROTC cadets in the Los Angeles high<br />

school area. Shown here (from left) are<br />

the Rev Thomas Grice, past national<br />

Legion chaplain, who received the post's<br />

Americanism award; Charles P. Skouras<br />

jr., who accepted the resolution honoring<br />

his father, who for many years spearheaded<br />

the patriotic event; William V.<br />

O'Connor, CaUfornia's deputy attorney<br />

general; municipal Judge Roger Alton<br />

Pfaff, Post 302 commander, and Edwin F.<br />

Zabel, FWC general manager.<br />

Technicolor Director<br />

To Receive PhD Degree<br />

HOLLYWOOD—For his achievement in<br />

the field of science. Dr. Maurice Nelles, director<br />

of research and diversification for Technicolor,<br />

will be awarded a doctor of science<br />

degree Monday (6) toy the University of<br />

South Dakota. Such a degree is handed out<br />

by the university once every five years.<br />

A graduate of that school, Nelles was active<br />

in the fields of chemistry, petroleum, cement,<br />

aircraft and marine engineering before being<br />

named to a directorship in the Technicolor<br />

organization in 1954.<br />

Columbia Lists 'Reprisal'<br />

As First Madison Starrer<br />

HOLLYWOOD—"Reprisal," a picturization<br />

of the novel by Arthur Gordon, will be Guy<br />

Madison's first film under his recently-inked<br />

six-picture pact with Columbia. Scheduled<br />

for an early start, the CinemaScope-Technicolor<br />

entry" will be directed by Phil Karlson.<br />

Madison and his associate Helen Ainsworth<br />

will work in collaboration with producers<br />

Arthur Gardner and Jules Levy on the film,<br />

the story of an Indian who passes as a white<br />

man in Oklahoma during frontier days.<br />

Rylander Leaves Columbia<br />

To Head NBC Exploitation<br />

NEW YORK—Al Rylander has resigned as<br />

exploitation director of Columbia Pictures to<br />

take the same position, a new post, with the<br />

National Broadcasting Co., effective June 6.<br />

He will have a headquarters and field staff<br />

to promote the NBC television programs, and<br />

his division will be associated with the press<br />

division under Sydney H. Eiges, vice-president.<br />

Rylander has directed exploitation for Columbia<br />

for two years. He joined the company<br />

in 1941 as supervisor of special publicity.<br />

Martin-Lewis Film<br />

In 3-Day Preview<br />

HOLLYWOOD—Dean Martin and Jerry<br />

Lewis will be honored at a three-day pre.ssradio-TV<br />

preview of their late.-^t Paramount<br />

comedy. "You're Never Too Young," beginning<br />

Friday at Brown's Hotel, Loch<br />

Sheldrake, New York. East and West Coast<br />

columnists, critics, radio-television personalities<br />

and disk jockeys will be on hand.<br />

The Technicolor-VistaVision comedy, produced<br />

by Paul Jones and megged by Norman<br />

Taurog, will be given a preview showing at<br />

Brown.s Martin and Lewis Playhouse, where<br />

Lewis made his first professional appearance.<br />

St. Louis will play tribute to a native<br />

daughter and the RKO release in which she<br />

stars when Virginia Mayo's new film, "Pearl<br />

of the South Pacific," is world-premiered<br />

there June 28 at the Fox Theatre. The<br />

Technicolor-Superscope drama was produced<br />

by Benedict Bogeaus.<br />

Miss Mayo will be accompanied on her trek<br />

to St. Louis by her husband. Michael O'Shea,<br />

and by Perry Lieber. national publicity-exploitation<br />

director for RKO. A round of<br />

festivities will include a testimonial luncheon<br />

to be given by the city's women's and men's<br />

advertising clubs.<br />

Milland Signs Three-Way<br />

Contract With Republic<br />

HOLLYWOOD—Following completion of<br />

"The Hostage," in which he both starred and<br />

made his directorial debut, Ray Milland has<br />

been inked by Republic to a nonexclusive<br />

ticket calling for him to produce, direct and<br />

star in three features and meg a fourth during<br />

the next four years.<br />

Milland, currently at 20th-Fox to star with<br />

Joan Collins and Farley Granger in "The Girl<br />

m the Red Velvet Swing," will return thereafter<br />

to Republic to do "LLsbon." an adventure<br />

drama based on an original by Martin Rackin.<br />

as his first three-way assignment under the<br />

new deal.<br />

AA Directors to Meet<br />

HOLLYWOOD—A meeting of the board of<br />

directors of Allied Artists will be held Tuesday<br />

(7) at the studio, it was announced by<br />

President Steve Broidy.<br />

SPEARHEADS<br />

appears this week<br />

on page 17.<br />

WE CAN SELL YOUR THEATRE<br />

SUBURBAN<br />

HOMES CO.<br />

THEATRE SALES DIVISION<br />

CALL- IRV BOWRON -wR/rf<br />

Ph. PR. 4-3275 KE ^"*<br />

274S-S.E. »2ni Portlond 46. Of*.<br />

P lli)rFICE : : June<br />

4, 1955<br />

45


— — —<br />

—<br />

—<br />

——<br />

—<br />

—<br />

———<br />

—<br />

——<br />

. . Marvin<br />

. . Robert<br />

. . Florence<br />

°<br />

GoodMemorial Day Weekend Business<br />

Helps Boost Los Angeles Grosses<br />

LOS ANGELES — Heavy Memorial Day<br />

weekend trade boosted a number of first<br />

run attractions to high grosses. Among newcomers,<br />

strongest was "The Sea Chase" at<br />

175 per cent, but two holdovers — "The Glass<br />

Slipper" with 210 in its third stanza and<br />

"Daddy Long Legs" at 190 in its fourth—were<br />

the town's top draws.<br />

(Average Is 100)<br />

Chinese Daddy Long Legs (20th-Fox), _4th<br />

Downtown Pari<br />

Egyptian The Seo Chose<br />

unt,<br />

(WB<br />

El Rey—The Heort of the Mofter (Ass'd Artists);<br />

An Inspector Colls 'Ass'd Artists), 2nd wk 50<br />

Fine Arts—The Gloss Slipper (MGM), 3rd wk 210<br />

Four Stor Doctor in the House (Rep), 10th wk. . 70<br />

Fox Wilshire The Prodigal (MGM), 4th wk 65<br />

Hillstreet, Warners Wiltern, Fox Tight Spot<br />

(Col) 110<br />

Hollywood Paramount, Warners Downtown Davy<br />

Crockett (UA); The Iroquois Trail (UA), reissues, 90<br />

Los Angeles, Hollywood, Uptown, Loyola Soldier<br />

of Fortune (20th-Fox) 160<br />

Orpheum, Vogue The For Horizons (Para) 120<br />

Pontages, State Village The Biockboord Jungle<br />

(MGM), 3rd wk 1 60<br />

-KEY CITY FOR SALE-<br />

ONE OF TOP TEN INDEPENDENT CONTROLLED<br />

SITUATIONS IN EAST ROCKIES AREA. Quality Drive-in<br />

jrlus all indoor houses. Remarkably short payout at<br />

$160,000, Financially qualified prospects given exceptional<br />

co-operation including tax reports. $55,000 handles.<br />

SELLING PRIVATELY. Give finances, show business<br />

experience first letter. Boxoffice. 5899.<br />

S


: June<br />

. . . Charles<br />

. . Tom<br />

^pril Film Dividends<br />

][)p Previous Year<br />

i'ASHIKGTON—Dividends publicly de-<br />

;ljed by film induxtry corporations during<br />

1955 rose far over payments during the<br />

'\)'\\<br />

sae month last year, largely because of the<br />

K'ition of a new company to the list, accord-<br />

In to the Depai-tment of Commerce on<br />

iVinesday (25).<br />

hesapeake Industries, which also manuf;,<br />

uri's such product-s a.s steel frames, now<br />

h; biin classed in the film industry because<br />

It<br />

ocisses film for such companies as United<br />

A st>. Universal and Warner-Pathe News.<br />

T firm paid three separate dividends in<br />

A il. $64,000, $57,000 and $912,000. The comp;<br />

y made no dividend payment in April 1954.<br />

jtal payment-s in the month were $2,313,-<br />

iii c.Mupared to $1,241,000 in April 1954.<br />

industry payments during the first four<br />

1'<br />

il<br />

ith.s n reached $9,456,000, compared with<br />

$(170,000 in the same period last year.<br />

ipril payments aside from Chesapeake were<br />

D riot Theatres, $15,000; Loew's Boston<br />

Taties, $23,000 and an extra of $16,000;<br />

R'ublic Pictures, $100,000, and American<br />

BJadcasting-Paramount Theatres, $1,126,000.<br />

A! were the same as last year, except for<br />

Boston Theatres which made an<br />

il two payments in May 1954.<br />

Pione Device Publicizes<br />

'^iterrupted' in Denver<br />

-ENVER—Frank Jenkins, MOM publicity<br />

nil, and William Hastings, manager of the<br />

OJheum, made history when they contracted<br />

fjthe use of Phonetel for a week to pubhcize<br />

"i;errupted Melody."<br />

is reported that more than 10,000 calls<br />

we made to the two machines in the week.<br />

T' device carried a drum with a message<br />

alut the film. The phone numbers, which<br />

w be used from time to time for different<br />

e^ts, were made known by thousands of<br />

sill slips handed out around town, and<br />

sijU teaser ads in the dailies. The device<br />

Wn a 24-hour basis with calls being counted<br />

bUhe machine itself. The message runs<br />

ajut a minute and can be changed whenev<br />

necessary. Carl Mock is handling the<br />

6 ce in Denver.<br />

'kternal Sea'Arrives byAir<br />

Ft Portland Opening<br />

DRTLAND—Jack Partin, manager of the<br />

Icl Republic exchange, pulled the stops In<br />

h promotion of "The Eternal Sea," which<br />

01 led at the Liberty Theatre during Armed<br />

Fi;es week. Knowing the Oregon National<br />

G' ,rd would be more than willing to win extra<br />

p


WAN<br />

To help book your fir<br />

NO IFS! NO ANDS! NO BUTS!<br />

HERE'S HOW!<br />

The moment you puchase a pair of Tushinsky Superscope Anamorphic Projection<br />

Lenses at the regular, established price of $395 (the lowest price in<br />

the field today) and send us a notification of your first Superscope booking,<br />

you will<br />

receive, by direct return mail, our check for one hundred dollars!<br />

All sales F.O.B. Los Angeles. Enclose $100 for each pair of Superscope<br />

lenses ordered — the balance C.O.D. Specify shipping instructions.<br />

Railway<br />

Express or Air Freight.<br />

HERE'S WHY!<br />

The cold, hard, cash-in-the-box-office facts speak for themselves! Only BIG<br />

pictures, BIG in scope and BIG in size, are the ones that are rolling up the<br />

BIG grosses today! Do you want a cut of the pie? A BIG cut? Then, think<br />

BIG, play it BIG, get the lenses that will do the BIG job for you!


1<br />

Edmund<br />

' Benedict<br />

j<br />

Benedict<br />

I want<br />

wish<br />

recommend<br />

.<br />

i<br />

GIVE YOU, nr. EXHIBIWR<br />

)0 CASH ON WE LINE i<br />

iperscope production!<br />

^iwhaf some of the thousands of SUPERSCOPE users are saying:<br />

ady bought 2 pairs of these<br />

we are using them with your<br />

you to know that I am<br />

d with them."<br />

ecommendation of Mr. Martin<br />

Theatres, Philadelphia, I wish<br />

ooir of your lenses."<br />

e pair of your Superscope Varine<br />

Orphic Lenses and like them<br />

'We put the most beautiful picture on our<br />

screen last night and I to tell you that<br />

your lenses are far superior to any we<br />

have used."<br />

—ED JOSEPH THEATRES<br />

'Results unbelievable."<br />

—H. W. LOEFFLER<br />

Central Stales Theatr,<br />

"We gave the new lenses a tryout last night<br />

and found the results very satisfactory. In<br />

fact my operator considers the new lens<br />

superior to other types."<br />

—O. J. GAUDE<br />

Mogic Theatre, Port Allen,<br />

la.<br />

'We are very well pleased with the results<br />

obtained and are hereby ordering 2 more<br />

pair of these Tushinsky Anamorphic<br />

Lenses."<br />

—NEIGHBORHOOD GROUP OF MOTION<br />

PICTURE THEATRES<br />

Richrriond, Va.<br />

"The Superscope Lenses are doing a job<br />

and everyone I them to is<br />

very pleased."<br />

— ALBERT M. PICKUS<br />

Stratford Ttieotre, Stratford, Conn.<br />

"We installed your lenses in four of our<br />

theatres and thought I would write you this<br />

letter of unsolicited praise."<br />

— R. D. GOLDBERG ENTERPRISES<br />

Omatio, Nebraska<br />

ce some of the SUPERSCOPE pictures that will help pay for your lenses:<br />

tO{l\DIO PICTURES, INC.<br />

Howard Hughes'<br />

"UNDERWATER"<br />

Howard Hughes'<br />

SON OF SINBAD"<br />

Howard Hughes'<br />

"JET PILOT"<br />

Edmund Grainger's<br />

iRi.SURE OF PANCHO VILLA'<br />

Grainger's<br />

iA DAY IN THE MORNING"<br />

Bogeaus'<br />

"iCAPE<br />

TO BURMA"<br />

Benedict Bogeaus'<br />

J<br />

•il3F THE SOUTH PACIFIC"<br />

Bogeous'<br />

TJNESSEE'S<br />

PARTNER"<br />

Benedict Bogeaus'<br />

'LOVE'S LOVELY COUNTERFEIT'<br />

Sam Wiesenlhal's & Gene Tevlin's<br />

"BENGAZI"<br />

Sam Wiesenthal's & Gene Tevlin's<br />

"HIGH DESTINY"<br />

Nat<br />

Holt's<br />

"TEXAS LADY"<br />

Nat<br />

Holt's<br />

"TRUMPETS OF COMPANY K"<br />

David<br />

Butler's<br />

"GLORY"<br />

From: UNITED ARTISTS PICTURES CORP.<br />

"VERA CRUZ"<br />

"DESERT SANDS"<br />

From: ALLIED ARTISTS PICTURES COMPANY<br />

Walter Wanger's<br />

"BODY SNATCHERS"<br />

From: MARK STEVENS PRODUCTIONS, INC.<br />

From: FILMAKERS<br />

"TIME TABLE"<br />

"BATTLE<br />

HELL"<br />

Si/P£/?SCOPE<br />

780 NORTH GOWER STREET, HOLLYWOOD 28, CALIFORNIA


. . Hospitalized<br />

. . Joining<br />

. . Celebrating<br />

. . . Ethel<br />

. . Gen<br />

. . The<br />

. . Ray<br />

. . The<br />

. . Jack<br />

. .<br />

. .<br />

AWARD TO AMPEX—A certificate of<br />

outstanding achievement in industrial<br />

accident prevention was presented last<br />

week to Ampex Corp., Redwood City,<br />

Calif., manufacturer of magnetic tape recording,<br />

by the Argonaut Insurance<br />

Group of San Francisco. In the photo are<br />

George I. Long, left, Ampex president,<br />

receiving the award from James Dalziel<br />

of Powers and Dalziel, insurance brokers<br />

for the Argonaut Insurance Group. The<br />

award was made for a record of one million<br />

man hours of labor in 1954 without<br />

lost time from accidents due to industrial<br />

causes.<br />

LOS ANGELES<br />

.<br />

Cervices were held for Prank Downey, 70, who<br />

died of a heart attack. MGM manager in<br />

Detroit for 30 years, he had been living here<br />

since his retirement last year . . . Eddie Deir<br />

has leased the Lyric Theatre in Monrovia<br />

from Simon Lazarus the sales<br />

staff at Paramount was Ai-nold Shartin,<br />

transferred from the company's branch in<br />

Minneapolis.<br />

Claude Ford and associates, currently operating<br />

the Los Feliz Drive-In, have scheduled<br />

a July 1 opening for their new 400-car Bishop<br />

Drive-In near Bishop . their-<br />

16th anniversary are Dick McKay, Pacific<br />

Drive-ins booker and advertising manager,<br />

and Mrs. McKay . with a<br />

heart attack is Genevieve Henderson, RKO<br />

cashier.<br />

Early-bird vacationers include Mike Newman,<br />

Columbia exploiteer, sojourning at<br />

Twenty-Nine Palms, and Iris Ross, PBX<br />

operator at MGM, who headed for San Diego,<br />

Back on the<br />

Tijuana and way points . . .<br />

job after a New York holiday is Ed Urschel,<br />

MGM officer manager.<br />

Booking-buying visitors included George<br />

Ingham, Town and Sierra theatres, San<br />

Fernando; Mr. and Mrs. Henry Ostrin, American<br />

Theatre, Newhall, and Tom Muchmore<br />

of the Plaza, Arroyo and Canoga. The<br />

Canoga's name is being changed to the Park<br />

and the showcase is being given an in-andout<br />

remodeling.<br />

400 SEAT THEATRE<br />

Only theatre in small town. Rich irrigated farm<br />

district. Modern masonry (1946), two bedroom<br />

bidg.<br />

apt. CrnemaScoped. Priced at a fraction of original<br />

cost, only $25,000, incl. bIdg. $10,000 down. Others.<br />

Write for list.<br />

THEATRE<br />

EXCHANGE CO.<br />

5724 S. E. Monroe St., Portlond 22, Oregon<br />

260 Kearny St., Son Francisco 8, California<br />

SAN FRANCISCO<br />

.<br />

plans for a new theatre in Sonora were announced<br />

by Robert N. Patton, manager<br />

of the Uptown Theatre there. The 750-seat<br />

house is to be built on property adjoining<br />

The new manager of the<br />

the postoffice . . ,<br />

Kings Drive-In near Hanford is George E.<br />

Petersen who had operated the Geneva<br />

Drive-In here . . William Blair, manager<br />

of the Crescent City Theatre, is honeymooning<br />

in Las Vegas with his bride, the former<br />

Marlene Bowen.<br />

. . . Publicist<br />

.<br />

.<br />

.<br />

Fred W. Curtice, manager of the Tower<br />

Theatre, Roseville. said that the theatre,<br />

which was damaged by fire March 17 with<br />

the loss of $80,000, will reopen June 15. It<br />

was necessary to rebuild the entire balcony,<br />

replace the screen and sound equipment and<br />

redecorate . Memorial weekend found<br />

filmrow nearly void of personnel<br />

Lew Maren remained in town to work<br />

on the opening of "Creature With the Atom<br />

Brain" and "It Came From Beneath the<br />

Sea" Sutton, Republic, spent the<br />

weekend with her husband in Reno . . . Dore<br />

Schary, MGM, was in town to help celebrate<br />

his<br />

. .<br />

daughter's<br />

S. J. Gardner,<br />

birthday<br />

MGM<br />

down<br />

resident<br />

at Stanfard<br />

manager,<br />

spent the holiday weekend at Richardson<br />

Springs Haberland and his wife<br />

went to Los Angeles for the weekend.<br />

Rudy Buchanan was in from Stateside and<br />

happily reports that his baby, who was rushed<br />

with a police escort to the hospital here, is<br />

Jack Hillman, exhibitor<br />

getting along fine . . .<br />

from Morgan Hill, died following a<br />

Emil Palermo, Star Theatre,<br />

lengthy illness . . .<br />

Stockton, was a visitor to the Row .<br />

Also in from out of town were Gordon Shirley,<br />

Victory Theatre, Hanford and Barney<br />

Gurnette, Crystal Theatre, Salinas.<br />

.<br />

Hannah Oppie, Westland Theatres, is<br />

home recuperating from a recent Ulness .<br />

. .<br />

Phil Weinstien, Columbia salesman, is still<br />

out ill and looks forward to retirement . . .<br />

Bill Lanning, Columbia's San Joaquin salesman,<br />

is anxiously awaiting the delivery of his<br />

Torey Roberts, Sacramento<br />

new car . . .<br />

salesman for Columbia, is spinning around<br />

the territory in his new company Ford<br />

Inez Brodie, Columbia secretary, picked up<br />

a new car in Detroit on her way back home<br />

Tramasure, Columbia northwest<br />

secretary, is vacationing.<br />

The Suisun Theatre in Suisun, has been<br />

taken over by George B. Campbell from<br />

William Hayden . Town Theatre, San<br />

Jose, has been taken over from Barney Gurnette<br />

by Mason Shaw, owner of the Saratoga<br />

Theatre at Saratoga. Shaw intends to<br />

equip the Town with Cinemascope . . . Corrine<br />

Wies, MGM, went to Eugene to visit her<br />

Al Adolph, Republic salesman, is<br />

folks . . .<br />

back in town following a swing through the<br />

territory.<br />

.<br />

Lester Blumberg, PrincipalTheatres, was in<br />

from Los Angeles to confer with Stan Lefcourt<br />

Rev Niffen, 20th-Fox assistant<br />

. . . district manager, was in town . . . Herman<br />

Wobber, 20th-Fox district manager, went to<br />

Honolulu for a vacation Erickson,<br />

20th-Fox manager, plans to visit Honolulu<br />

for a vacation.<br />

Variety Tent 32 is in the process of making<br />

plans to kick off the biggest Heart Fund<br />

drive of Us history in mid-August. Al Grub-<br />

/'•.-<br />

HOnOlULU<br />

IC»<br />

ALOHA—Ezra Stern, Los Angeles film<br />

attorney and chief barker of Variety Tent<br />

25 of Southern California is shown here<br />

with Mrs. Stern upon their arrival in<br />

Honolulu for a two-week vacation. They<br />

are the guests of Kroger Babb of Hall-j<br />

mark Productions. Stern was official host]|<br />

at the recent Variety Clubs Internationali<br />

convention, held in Los Angeles.<br />

. . . Rot9<br />

stick is chairman of the drive<br />

Harvey, Westland Theatres, donated a pd<br />

petual bowling trophy to the Tent 32 . . Bel<br />

.<br />

nie Kranze, UA general sales manager, a]<br />

Jim Velde, western division manager,<br />

in town for the Marciano fight. The t'l<br />

played host to a group of exhibitors for tij<br />

fight . . . Hugh Owen, Paramount executlli<br />

was in town to confer with Manager JaJJ<br />

Stevensen.<br />

Returns to Say Goodbye;<br />

Does $2,000 Damage<br />

PROSSER, WASH.—Damage estimated J<br />

$2,000 was done to the Princess Thea<br />

when a car driven by Carl Marley sr., fatj<br />

of the theatre manager, crashed into<br />

lobby.<br />

Driver Marley told officers he had parW<br />

vertically in front of the theatre and li<br />

gone in to talk to his son Acil. When he -<br />

turned he said he accidentally stepped .t<br />

the accelerator which sent the car hurtlg<br />

into the theatre front. Only minor dame<br />

was done to the car.<br />

Snyder & Adams Now Or?<br />

NEWPORT, WASH.—Darrell Snyder<br />

purchased the interest of his partner Roll<br />

Adams in the firm of Snyder & Ad8i<br />

which operates the local Rex Theatre d<br />

the Roxy at Priest River. Snyder who is ><br />

sumitig all obligations of the partnentp<br />

reported that Adams had moved to Lewisn,<br />

Ida., where he has taken a position \Ji<br />

Potlatch Forests.<br />

Charles D. Sheedy Dies<br />

DENVER—Charles D. Sheedy, 55, city ni-j<br />

'.<br />

ager for Fox Inter-Mountain Theatres at<br />

tngs, Mont., died at his home there receiM<br />

A graduate of Georgetown University, Shif<br />

had been with Fox Inter-Mountain The£j<br />

the past 23 years, and had managed the^<br />

in Trinidad, Colo.; Walsenbui-g, Colo.;<br />

Cruces, N. M.; Cheyenne, Wyo., and Billi<br />

He is survived by his wife and two sisir<br />

'^<br />

50 BOXOFFICE June 4,


'<br />

• .jecause<br />

—<br />

—<br />

—<br />

I wk<br />

I<br />

: June<br />

—<br />

IAC Draws 300 to End<br />

lansas City Slump<br />

ANSAS CITY— Grosses took a sensational<br />

cl|ib last week. Top honors went to "Strac<br />

Air Command," reporting a brilliant<br />

per cent. "The Blackboard Jungle" took<br />

Ml ond spot with an excellent 225. Other<br />

ly high grosses were reported by "The<br />

i^e" and an art house dual of "Song<br />

I, and" with "The Beachcomber." The<br />

nr of the first run scene held to<br />

including two long run art house<br />

Averoge Is 100)<br />

The Game of Love (Times), 6th wk 100<br />

The Glass Slipper (MGM), 8th wk 115<br />

The Purple Plain (UA), The Steel Coje<br />

85<br />

The Se Cha (WB), Quest for the Lost<br />

kO),<br />

Upto<br />

ay ond Granada Daddy<br />

ng Legs (20th-Fox) 115<br />

Po mount Strategic Air Commond (Para) 300<br />

R —The Blackboard Jungle (MGM) 225<br />

The Wild One (Col), Vivo Zopota!<br />

- :\), return engagements 100<br />

Song of the Land (UA); The Beachcomber<br />

170<br />

'jjigle' Keeps the Lead<br />

Vlh 2G0 in Chicago<br />

'hicagO—"Run for Cover" at the<br />

C -ago. "Strange Lady in Town" at the<br />

r cd Artists, and "The Marauders" paii-ed<br />

w I Bedevilled" at the Grand were well<br />

reived as newcomers over the Memorial<br />

EJ weekend. Holdovei-s benefiting from<br />

h('-1ay movie traffic were "The Blackboard<br />

in a fourth week at the Woods.<br />

It" billed with "Mad at the World"<br />

md week at the Roosevelt and "Stra-<br />

\:i Command" in the fourth week at<br />

..-ate Lake Theatre. "An Annapolis<br />

y" in its second week at McVickers The-<br />

S:<br />

at]<br />

maintained grosses of the previous week.<br />

. . . .<br />

Cd;gie Gote of Hell (Harrison-Davidson) 190<br />

Ch;igo—Run for Cover (Para), plus stoge revue. .245<br />

C,r no— Island Rescue (U-l), reissue 170<br />

Eiti Polcco—This Is Cinerama (Cineramaj,<br />

185<br />

The Country Girl (Para) 200<br />

The Marauders (MGM); Bedevilled (MGM) 220<br />

Comille MGM), reissue, 4th wk 1 85<br />

:•-'- -An Annapolis Story (AA); Seven Angry<br />

n AA), 2nd wk 200<br />

Mombo (Para), 3rd wk 205<br />

Mijoe<br />

On tol— Daddy Long Legs (20th-Fox), 3rd wk. . . 1 90<br />

RoTvelf Croshout (Filmakers); Mod ot the<br />

lirld (Filmakers), 2nd wk 220<br />

Lake Strategic Air Command (Para),<br />

Stj<br />

235<br />

-Animol<br />

1 90<br />

Su Farm 'Dist. Corp. of Americo)<br />

rtists- Stronge Lady in Town (WB) 195<br />

The Blockboord Jungle (MGM), 4th wk.. .260<br />

:, house— Green Mogic (IFE), 2nd wk...l90<br />

:<br />

J- The Wench ;SR), Forbidden Games<br />

.<br />

GETS GIBRALTAR FILMS—Sam<br />

Nathanson, standing, president of Gibraltar<br />

Motion Picture Distributors, Inc.,<br />

Hollywood, looks on wliile Harry Gaffney,<br />

head of Dixie Enterprises in Kansas City,<br />

signs a contract to handle Gibraltar's<br />

lineup of six productions in the Kansas<br />

City area. Three features have been completed.<br />

They are "Life at Stake," starring<br />

Angela Lansbury; "Fury in Paradise,"<br />

Eastman Color, all-star cast, and "Strange<br />

Love," Andrea King. "Wetbacks," starring<br />

Lloyd Bridges and Agnes Gates, is<br />

now in production. Hank McCune is producer<br />

and director. Two more productions<br />

are to be made before the yearend.<br />

N. W. Huston Purchases<br />

Columbus, Kas., Drive-In<br />

In<br />

COLUMBUS, KAS.—The Cherokee Drivehas<br />

been bought by N. W. Huston, owner<br />

of the Liberty Theatre, from the Stein Theatres,<br />

Inc., of Parsons. Huston took over<br />

its operation on May 15. He also operates<br />

the Maywood at Galena. Celeste Richardson<br />

will be the general manager of both the<br />

Liberty and Cherokee. Secretary to Huston<br />

for many years, she started managing the<br />

Liberty in August of last year.<br />

The Cherokee was built by the Stein Theatres,<br />

Inc., during the summer of 1952. and<br />

has been operated by the company since that<br />

time. It still operates the Twilight Drive-In<br />

at Baxter Springs and the Parsons Drive-In<br />

Workshop Panelists<br />

Chosen for St. Louis<br />

NEW YORK— Exhibitor panel members<br />

have been named for the 21st MGM ticketselling<br />

work.shop to be held Monday


m<br />

Special Purchase<br />

CARRY-OUT-TRAYS<br />

Regular<br />

$15.95<br />


'<br />

-In<br />

li<br />

I<br />

.md<br />

Kimbriel,<br />

1 liave<br />

1<br />

urate<br />

I lit<br />

I<br />

: Oklahoma<br />

1 1 ion,<br />

: development<br />

: June<br />

. . . Burglars<br />

. . Dina<br />

. . About<br />

. . The<br />

. . Mr.<br />

. . Ruth<br />

. . The<br />

tonsburg.<br />

isited with Ole Ohlson, former Uni-<br />

.;ilesman. who has a restaurant in<br />

and called on Tom Edwards at<br />

Dorothy Stampfel, Consolidated secis<br />

being replaced by Helen Rowland.<br />

1 left June 3 because of the illness<br />

mother.<br />

chliins Theatre Supply has in.stalled a<br />

r.i HjIux widescreen at the Oswego Theatre<br />

«euo. Kas.. new Panatar 300 anamorphic<br />

;i;<br />

Kollmorgen widescreen and prime<br />

Strong 1-KW lamps and rectifiers,<br />

,„ wiibons and many other items. The<br />

thl.tre is operated by the Kotsis brothers<br />

Jri and Nick.<br />

„<br />

.<br />

.<br />

l^MHl^i Theatre Supply has furnished new<br />

rectifiers for Consolidated's 81<br />

and 54 Drive-In at Wichita. Screen<br />

been widened to 100 feet and<br />

at 135 amps, which is a new<br />

giving tlie brightest<br />

of any lamp . . Mr. and Mrs. Eldon<br />

City, owners of Missouri<br />

Supply and Oklahoma Theatre Supseveral<br />

days here conferring with<br />

Missoui'i manager.<br />

rs, June Medcalf visited Filmrow here<br />

relntly and broke the news that she is<br />

leiling Kansas City June 24 and will sail<br />

JH 1 for Europe. After thi-ee days in Londcf<br />

she will fly to Frankfurt, Germany, for<br />

ar!'xtended visit with her son, Capt. Jack<br />

Mjcalf of the Air Force, and his family.<br />

M Medcalf is well known in film circles,<br />

hang started in 1915 with Universal at 12th<br />

ari McGee. For nearly 20 years she was<br />

se«'tary of KMTA and after that secretary<br />

to!;. R. Biechele. In 1948 she went home<br />

tojare for her mother, after whose death<br />

shivvorked for the Red Ci'oss, where she has<br />

renined until giving it<br />

up to take this trip.<br />

Fur Attend Workshop<br />

JBUQUE, IOWA—Exhibitors N. Y. Yianni;<br />

Wallace Shaffer, M. J. DewBrittain and<br />

R. ,. Davis were guests at a recent MGM<br />

Ti et Selling Workshop in Des Moines.<br />

WE Will DO<br />

THE<br />

JOB<br />

EMTIRE<br />

FOR YOU<br />

. „ drWe-ln<br />

theot-e or<br />

erect o new<br />

„,„u P.on.o ^_^^^^^^^^^<br />

our^P^^^^^^^_^^„,<br />

„n.en,p. '<br />

you money.<br />

pRE EOUIPMENT CO.<br />

^Cliiifry St. Toledo 4, Ohio<br />

Monte Jones Buys LC<br />

BEVIER. MO.—Monte Jones has bought<br />

the LC Theatre from Mr. and Mrs. F. A.<br />

Tucker and taken over its operation. The<br />

Tuckers, who had improved and remodeled<br />

the theatre, are moving to Clarence where<br />

they will be employed. Jones stated the show's<br />

policies will remain the same, courteous service<br />

and quality shows.<br />

thewTre equipment<br />

442 N. ILLINOIS ST., INDIANAPOLIS, INO.<br />

"Everything for the Theatre"<br />

53<br />

JO )FFICE :<br />

4, 1955


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54 BOXOFFICE :: June 4. 55 ^


film<br />

. . "The<br />

CHICAGO<br />

tp Hyde Park Theatre, located at Lake<br />

and 53rd, premiered "Dirty Hands"<br />

Ilk<br />

William Hollander, head of Balaban &<br />

;i ::blie;ty and promotion, and his wife<br />

New York for the confirmation of<br />

inddaughter, Gail Flor.'^heim . . . Ser-<br />

1 e held on the 26th for George Bee,<br />

111 r of lATSE Local 110.<br />

Ill i.eWnsohn left for Minneapolis, where<br />

I- hi ,-upervising jobs which Chicago Used<br />

CI ir Mart is doing for Minnesota Amuset<br />

Co.<br />

. . . Bell & Howell will add a $435.-<br />

building to its plant in Lincolnwood. The<br />

tstory structure, to be located north of<br />

present facilities at 7100 McCormick. will<br />

1<br />

se an expanded customer service departt<br />

and provide more space for .storage and<br />

ping.<br />

iriety Club of Illinois board of dii-ectors<br />

hold a meeting June 10 at Pi-itzel's reslant<br />

. . . Spector's, Filmrow's official resant,<br />

had three plate glass windows brokiuring<br />

the city's big windstorm last week.<br />

ring Mack recommends that theatre man-<br />

's striving for bigger business slant con-<br />

^on sales pitches to smallfry. In reminding<br />

lagers that there is strong buying power<br />

^ng children. Mack says, "school vacas<br />

mean an increase in smallfry audits<br />

and an increase in concessions profits<br />

le kids are given the sales pitch in their<br />

lingo."<br />

. Joseph Warren, Chicago Theatre electran,<br />

is father of a baby girl, the Warrens<br />

fi|<br />

child.<br />

iarner Wolff of Filmack's production dep\<br />

ment returned from a business trip to<br />

C';innati . . . Harry Goldman won the Ford<br />

SJ liner convertible, top prize resulting from<br />

lY, Variety Club charity fund giveaway last<br />

Snrday night.<br />

newly organized committee to head up<br />

pi IS for the Richard J. Finnegan Memorial<br />

cc prises top men in the theatre industry.<br />

L:ed on the committee for the LaRabida<br />

sa tarium, for which Finnegan was chairmi<br />

of the board of trustees, are John Balabf<br />

Dave Wallerstein, WDliam Hollander,<br />

Ji : Kirsch, Johnny Jones, Irving Mack,<br />

T 1 Flannery, Nat Nathanson, Mannie<br />

Eirling and Edwin Silverman. First meet-<br />

Iri of the committee was held in Variety<br />

Cj headquarters Friday (3).<br />

Griever has been appointed by M&R<br />

T atres to book pictures for the new Bel-<br />

A, Theatre being constructed at 31st and<br />

C TO. Official opening is set for July 1.<br />

G;ver also handles the bookings for the<br />

B'set and Double drive-ins. other outdoor<br />

tt^itre properties owned by M&R.<br />

1<br />

Showcase Theatre in suburban Evans-<br />

lie<br />

I which operated as a legitimate theatre<br />

!' the last couple of years, is reopening<br />

house July 1. It will be called the<br />

a-<br />

on Theatre. Ben and Julius Kaplan<br />

-owners. In the earlier days, it was<br />

- as the Stadium. Si Griever will<br />

r. tile bookings.<br />

-I managers of the midwestern sales divisi<br />

convened here for a sales meeting<br />

through two days. Foster Blake, western<br />

sales manager, presided over sessions attended<br />

by Roy Miller. Indianapolis; Pat Halloran.<br />

Milwaukee; Lou Berman, Chicago; Sam<br />

OOiry, Minneapolis.<br />

IFE's "Too Young for Love" will have its<br />

American premiere at the Ziegfeld June 24.<br />

Tom Dowd, manager, is preparing the advertismg<br />

and publicity for the film . . . Abe<br />

Teitel, head of A. Teitel Film Co. and owner<br />

of the World Playhouse, is enjoying a visit<br />

from his grandson Richard and a daughterin-law,<br />

wife of Dr. Bernard Teitel. Dr. Teitel<br />

had to forego the trip since he could not leave<br />

his Los Angeles practice at this time.<br />

Bell Howell Co. appointed<br />

Jim O'Riley, Kling Films director, married<br />

Cecilia Fox at Holy Name Cathedi-al Saturday<br />

&<br />

i28) . . . George L. Oakley as manager of its professional<br />

engineer divLsion and Everett F. Wagner<br />

as manager of its optical division,<br />

"Love Me or Leave Me" opens July 8 at<br />

McVickers Theatre, where Ruth Etting,<br />

around whom the story was built, had an early<br />

start In her career . Big Combo" had<br />

a simultaneous break into 38 neighborhood<br />

theatres Friday i20) ... Norman Pyle, MGM<br />

publicist, was on a week's vacation, trying<br />

out the various golf courses around the city.<br />

CANDY - POPCORN<br />

- SEASONING -<br />

for Theatres and Drive-Ins<br />

Distributors of<br />

LORRAINE CARBONS<br />

MISSION<br />

ORANGE<br />

Send for Price List<br />

Freight Prepaid on $100.00 or More<br />

KAYLINE CANDY CO.<br />

1220 S. Michigan Avenue Chicago 5, III.<br />

THROl'GH THE LOOKING GLASS—<br />

Bruce Trinz, manager of the Clark Theatre<br />

in Chicago and originator of the theare's<br />

popular film festivals, was continuously<br />

being hailed as Russell Nype,<br />

who in turn was often mistaken for Trinz,<br />

The bespectacled pair finally got together<br />

backstage at "The Tender Trap," in<br />

which Nype is starring at the Harris<br />

Theatre.<br />

> a screen game,<br />

HOLLYWOOD takes top<br />

honors. As a box-office attraction,<br />

It is without equal. It has<br />

seen a favorite with theatre goers for<br />

over 15 years. Write today for complete details.<br />

Be sure to give seating or cor capacity.<br />

HOLLYWOOD AMUSEMENT CO.<br />

831 SaulhWaboih Av*nu« • Chicago 5, llllnolt<br />

For Quicker, Easier Profits from Wide Screen Pictures<br />

Abbott Points a Sure-fire Woy with —<br />

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Sound Equipment<br />

For Drive-ins and Indoor Theatres<br />

/I/da, Another Special^ . Push<br />

Contact Abbott right away for the full RCA story<br />

on how YOUR Theatre . . . indoor or drive-ln . . .<br />

can be easily and economically converted to exhibit<br />

the popular, new wide screen pictures NOW grossing<br />

big volume EVERYWHERE.<br />

With the help of nationally-known RCA theatre<br />

engineers, Abbott Theatre Equipment mokes recommendations<br />

at no cost to you for a COMPLETE<br />

PACKAGE to fit your theatre ond your budget.<br />

RCA Stereophonic Equipment is ovoilahje In everything<br />

from single trock magnetic sound for drlve-ln<br />

Abbott Theatre Equipment Co. Inc.<br />

Back Chairs<br />

theatres (at only $1,536) to 1, 3 ond 4 track sound<br />

systems for indoor theatres (ot $2,040 and up).<br />

RCA Projection Equipment, Sound Systems and<br />

superior Dyno-Lite Wide Screens ore giving complete<br />

sotisfoction in hundreds of prosperous fheotrej<br />

throughout America and the Chkogo area. Let<br />

us show you the list of tha<br />

many satisfied users.<br />

Everything in Theatre<br />

Bqulpment and Supplies<br />

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B :OFFICE ;<br />

: June 4, 1955 55


'<br />

Doctor<br />

'<br />

'<br />

SELBYS^ SCREEN TOWERS<br />

SELBY INDUSTRIES, INC.<br />

1350 Ghent Hills Rd. Akron AKron 13. IJ, Ohio Ul<br />

Montroie (through Medina, Ohio) 6-7211<br />

ULTRAPHONE SOUND USERS!<br />

rts tor sound heads available for i<br />

models. Write tor price list.<br />

See Your Dealer or Write<br />

Direct to Manufacturer<br />

PROJECTION SERVICE & SUPPLY CO.<br />

Ill N. nth St. Minneapolis 3, Minn.<br />

Ben H. Crocker, Exhibitor<br />

At Ulysses, Kas., Is Dead<br />

ULYSSES, KAS.—Ben H. Crocker, 67,<br />

died<br />

Monday (23i. He moved to Ulysses from<br />

Tribune in 1936, and he and his son Charles<br />

ran the Grant Theatre until they built the<br />

Crocker Theatre and the Ulysses Drive-In<br />

after World War II. Because of ill health,<br />

the deceased has not been active in the operation<br />

of the theatres in the last .several years.<br />

His wife, son and four daughters survive<br />

him.<br />

Character Roles in Texas Lady'<br />

Character parts in RKO's "Texas Lady" will<br />

be played by John Litel, Ray Collins and Celia<br />

Lovesky.<br />

TO ALL THEATRE OWNERS<br />

who screen<br />

for<br />

United Film Service, Inc.<br />

// you have not received this envelope . . .<br />

Disney Starts TV Series<br />

At Kansas City TWA<br />

KANSAS CITY—The first<br />

film in Disnej<br />

television series, "When I Grow Up," will i<br />

made here. Eight Disney officials arrivi<br />

Wednesday (25) followed by 24 technicia.<br />

and 3,000 pounds of photographic and soui<br />

equipment. The location here will be tl<br />

Trans World Airlines facilities which will<br />

featured.<br />

Gordon McLean, unit manager and assi;<br />

ant producer, was among the early arrivi<br />

as were Charles Haas, director; StirUng Sil<br />

phant, writer of the series; Ted Schlitz, scri<br />

supervisor: Ed Coleman, head camerama<br />

Jim Potevin, chief electrician; Gary Lai<br />

brecht, chief grip, and Jim Woolwine, loc<br />

tion auditor.<br />

According to McLean, the film features'<br />

boy and a girl wanting to be an air Hi<br />

pilot and an air line hostess. Two ch'.i<br />

•<br />

actors from Hollywood and Alvy Moore,<br />

older actor, will play the leads. The rest<br />

the cast will consist of regular TWA employ;<br />

He said the film would show a pilot and<br />

,<br />

air hostess going through training and soii<br />

of their regular duties.<br />

Filming started June 1 and the series is :<br />

the new program for Disneyland call<br />

"Mickey Mouse Presents." Three weeks is tV<br />

alloted time for making the film.<br />

Fort Wayne Finally Gets<br />

Its Own Art Theatre<br />

FORT WAYNE—The doors of the Lit<br />

Cinema, the first local art theatre,<br />

opened recently with the English fi<br />

in the House." The theatre whj<br />

will operate continuously from 12:45 pi<br />

daily, was formerly the Capital Theatre, tti<br />

was completely remodeled and redecorafli<br />

for the new policy. It is being operated<br />

Quimby Theatres, under Mr. and Mrs. Fri<br />

J. Benedict.<br />

A gleaming, modernistic black and wlp,<br />

front, a foyer with dark green walls, and<br />

informal setting created by antique furnitte<br />

from the home of the Benedicts are featuji<br />

at the theatre. In a short talk before<br />

opening, welcoming patrons, Benedict sil,<br />

"Some people think art films are an exh<br />

tion of oil paintings." Citing the difficij:<br />

encountered in explaining what "art fill'<br />

are, he said he had decided that they<br />

films aimed at a particular group of pers(<br />

whereas the average film must be made<br />

appeal to all ages and groups.<br />

!<br />

It<br />

. . . please let us know at once!<br />

contains the "Leading Citizen" direct mail promotion<br />

which was created to build business for you,<br />

and will be supplied to you FREE. (See News Article<br />

in Promotion Section in this issue.)<br />

UNITED FILM SERVICE, INC.<br />

2449 Charlotte Street<br />

56<br />

Kansas City 8, Missouri<br />

Switches to Savings Time<br />

BRIDGEPORT, ILL.—The Allison Drive^<br />

between here and Vincennes, Ind.. reoei<br />

switched its program schedules to dayli<br />

savings time because of the large patron<br />

from Indiana that use the fast time. W<br />

shows continue to start at dusk, but the nia<br />

feature is shown first instead of after js<br />

intermission. Lester Lucas manages W<br />

drive-in.<br />

Buys Canton, Mo., Theatr!<br />

CANTON, MO.—The 500-seat Canton IB<br />

atre has been sold by William CoUinsof<br />

DeSoto to Lawrence J. Walter of Scih<br />

Dakota. Walter will also take over the lil<br />

of R. L. Adkins, who has been operating M<br />

theatre since last September.<br />

BOXOFFICE June 4, 51


. . Old<br />

. . Colcsseum<br />

liusual Coincidence<br />

I Life of Skoreys<br />

ICansas City—That long arm of coincidice<br />

reached pretty far with Vern<br />

Sjrey, now 20th-Fox sales manager here,<br />

gjl his brother Matt. The coincidence<br />

rurred years ago, 'way back in 1928.<br />

I It is a little more than a year younger<br />

t in Vern and in 1928 was a salesman<br />

f Universal out of the Denver office.<br />

Vn was a salesman for 20th -Fox out of<br />

tJ; 20th-Fox exchange at Calgary, Alta.,<br />

Onada.<br />

i)n a visit together that summer, Vern<br />

r'ates, the brothers made a $20 bet (half<br />

II fun) that the one who became a<br />

linch manager first would win the<br />

i.ney. Early in October of that same<br />

jiir, Vern received a wire from Matt<br />

\ich read: "Canceling bet. Have been<br />

i|-.de branch manager of Universal at<br />

^tte, Mont., effective October 22."<br />

jVow comes the coincidence, for Vern<br />

to wire back: "No need to can-<br />

Table<br />

bet. I become branch manager for<br />

l,x at Calgary October 22."<br />

llthough Matt had been responsible for<br />

'irn getting into the film business (he<br />

M studied dentistry). Matt left the injstry<br />

in 1931 when he was Universal<br />

Unch manager at Omaha. He is now a<br />

Ickard dealer in Denver.<br />

ST.<br />

LOUIS<br />

Jui Leventhal, partner of Charley Goldman<br />

[n the operation of several theatres here,<br />

reined from a trip to Mexico and the West<br />

C(^t. He was accompanied by his brother<br />

Ja' now in the finance business. While in<br />

Catornia they were the guests of Eddie<br />

As}is, district manager at Los Angeles for<br />

Pilakers and owner of several drive-ins.<br />

^x Midwest had an all-day business confeiice<br />

at the Sheraton Theatre here. In<br />

atudance from Kansas City were Richard<br />

mesident; Senn Lawler. general man-<br />

-iiarles F. Shafer, vice-president and<br />

" urer: Frank Banford, head of the conceons<br />

department, and Ralph Adams, buyer<br />

an booker. Managers of theatres in Bellevil<br />

Benton, Centralia, Christopher, Du-<br />

.<br />

with sales personnel. Attending were F. J.<br />

"Mike" Lee, district manager; Bud Edele,<br />

local manager and salesmen Eddie Stevens,<br />

J. R. Pierce, Tony Beninati, Tony Tedesco<br />

and Harold Kimniell Loge 19<br />

has named Robert C. Lightfoot of Allied Artists,<br />

national second vice-president, and<br />

President Wayne Stephenson of Paramount<br />

to be delegates to the national convention in<br />

Los Angeles this fall. Named alternate was<br />

Amos Leonard of Warner Bros.<br />

Gene Beckham, National Screen salesman,<br />

is back on the job. He still has his thumb<br />

bandaged, but is feeling fine . . Sandra<br />

.<br />

Craven, U-I contract clerk, will be married<br />

Sunday (5) to Ben Herkowitz at University<br />

The fence at the 67 Drive-In near<br />

City . . .<br />

Jacksonville, 111., was leveled by a recent<br />

tornado. Fortunately the tower, concessions<br />

building and other major units escaped<br />

damage . friends along Filmrow were<br />

grieved to learn of the recent death in Hardin<br />

of Sig Holloway, who operated the old Apple<br />

Blossom Theatre there for a number of<br />

years. He later sold it to George Varble.<br />

Holloway in recent years had operated a<br />

Ford agency. He is survived by his wife, two<br />

sons, two daughters and several grandchildren<br />

. . . M. L. Simons of MGM is in to<br />

make final plans for the Monday (6) Workshop<br />

at the Chase Hotel.<br />

.<br />

M. A. Levy, Minneapolis, 20th-Fox district<br />

manager, was a visitor . . Exhibitors<br />

seen along Filmrow included Bernie Palmer,<br />

Columbia Amusement Co., Paducah; Mr. and<br />

Mrs. Wayne Smith, Egyptian Drive-In, Herrin;<br />

Marvin Proffer and J. H. Yaeger, Jackson;<br />

Howard Bates, Cape Girardeau; E. L.<br />

Staup. ParLs; Albert Smith and Mrs. Alpha<br />

Hisey, Nashville; Earl Vandiver, Kennett;<br />

Robert Ellery, Gem City Drive-In, Quincy;<br />

Paul Horn, Jerseyville; Clyde Metcalfe, Edwardsville;<br />

and Lawrence J. Walter, new<br />

owner, and Robert Adkins, former owner.<br />

Canton Theatre, Canton.<br />

George Phillips, Realart co-owner, was in<br />

Chicago for a Lippert business conference<br />

. . . Edward, James and Dave Arthur of<br />

Panchon & Marco were visited recently by<br />

their sisters, Mrs. Jerome Doyle, New York;<br />

Mrs. Edward Hunt, Long Beach, Calif., and<br />

Mrs. George King and Mrs. Fi'ank Treanor,<br />

Santa Ana. Calif.<br />

Second Cinerama Debut<br />

To Aid Children's Camp<br />

CHICAGO—The women's board of the<br />

Peacock Camp for Crippled Children again<br />

will .sponsor a Cinerama benefit opening.<br />

Almo.st two years ago the board spon.sored the<br />

opening of "This Is Cinerama" at Eitel's<br />

Palace here. The second benefit premiere<br />

will be June 15 of "Cinerama Holiday." The<br />

entire proceeds will go to the camp. Mrs.<br />

Henry M. Henrik.sen. board president, at a<br />

planning luncheon held in the Bismarck Hotel,<br />

said plans were completed for a "Dutch<br />

Treat" dinner in the Bismarck's Walnut room<br />

and Swiss Chalet before the premiere at the<br />

Palace and tor a champagne supper party for<br />

patrons following the premiere.<br />

Otto K. Eitel is president of the Bismarck<br />

Hotel Co. and owner of the Palace.<br />

WIDE SCREEN and<br />

CINEMASCOPE<br />

Equipment of All<br />

Kinds<br />

MID -WEST THEATRE<br />

SUPPLY CO.,<br />

1638 Central Parkway<br />

INC.<br />

CINCINNATI 10, OHIO<br />

Qi|n, Jacksonville, Marion, Mount Vernon,<br />

Spjigfield, West Frankfort and Cape Gir-'<br />

Wjau, were on hand, as were John Mein-<br />

Wl district manager, and Russell Mortensoi<br />

district booker.<br />

.mes Velde, United Artists western division<br />

n^iger, was in and presided at conferences<br />

i~<br />

VO SYRUP CO,<br />

u NEW home!<br />

Visit our new factory<br />

and showrooms.<br />

1804-06 S. JEFFERSON<br />

ST. LOUIS 4, MO.<br />

Same Phone<br />

Numbers PR 2-4615<br />

bme Good Concession Service<br />

. and handy to Film Row, too.<br />

More CS Installations<br />

ST. LOUIS—Recent CinemaScope installations<br />

include the Town Hall Theatre, Hardin,<br />

operated by Earl Vaughn; the Rodgers circuit's<br />

Criterion Theatre, Poplar Bluff, and<br />

the Rodger Theatre, Carbondale; Clarence<br />

Kaimann's, O'Fallon, Baden, Salisbury and<br />

Plaza theatres, all in St. Louis; The Pauline<br />

Theatre, owned by Arthur Kalbfeld, and the<br />

Bremen Theatre, operated by William Kaimann.<br />

The Bloomer circuit is installing<br />

C'Scope facilities at its Starlight Drive-In,<br />

Alton, and have made these purchases<br />

through National Theatre Supply; Simplex<br />

X-L Aquair mechanisms, a 200-300 Hertner<br />

generator and Super Panatar anamorphic<br />

lenses for the Skyview Drive-In, Belleville,<br />

and new Ultra Panatar anamorphic lenses for<br />

both the Starlight at Alton and the Centralia<br />

at Centralia.<br />

Sumner, DL, House Shuttered<br />

SUMNER. ILL.—The Idaho Theatre, 300-<br />

seater, has been closed.<br />

Whatever You Need-<br />

We Can Supply It.<br />

v^ftft^nJv^^ftl4fvvvvv^v^vvvvvv^v^H^^<br />

EVERYTHING FOR THE THEATRE<br />

St.<br />

Louis Theatre Supply Company<br />

Arch Hosier<br />

3310 Olive Street, St. Louis 3, Mo.<br />

Telephone JE 3-7974, JE 3-7975<br />

"SELECT" FOUNTAIN SYRUPS<br />

DRINK DISPENSERS<br />

Select Drink Inc.<br />

4210 W. Florlssont Ave.<br />

St. Louis, IS, Mo.<br />

Phone<br />

Evergreen S-5935<br />


: June<br />

'<br />

I<br />

\.<br />

Jablonow-Komm Planning<br />

Airer in East St. Louis<br />

ST. LOUIS—Louis Jablonow, general manager<br />

of Jablonow-Komm Theatres, reports<br />

plans for the construction of a 700-car drivein<br />

in East St. Louis to cost upwards of<br />

$250,000.<br />

Jablonow also said that the circuit's $400,-<br />

000 Holiday Drive-In at Overland might have<br />

its grand opening June 4 or 5, provided that<br />

last-minute steps can be completed by that<br />

time. The recent strike of building material<br />

dealers workers held up this drive-in along<br />

with some $80 million of other construction<br />

in this area.<br />

The general contract for the new East St.<br />

Louis airer has been awarded to J. J. Altman<br />

& Co., while National Theatre Supply will<br />

PROVEN APPEAL<br />

PROVEN QUALITY<br />

furnish and install the Simplex sound and<br />

projection equipment. Simplex in-a-car<br />

speakers and posts and also in-a-car heaters<br />

to provide for year-around operation. The<br />

concession will operate on the cafeteria plan.<br />

Bill Hutchinson at Baltis<br />

KANSAS CITY—Bill Hutchinson has taken<br />

over the Baltis Theatre from Henry Sager<br />

and Cecil Mindle. The Baltis is at 3206 Indiana.<br />

Joe Passentino owns the building.<br />

Leases Dark Theatre, Reopens<br />

PALCO, KAS.—Fred Palmberg has leased<br />

the Palco Theatre from Melvin Eichmanand<br />

plans reopening. The theatre has been closed<br />

since March.<br />

TRACTORIDE<br />

^^ Hiller<br />

a<br />

T<br />

SCHENECTADY—The Union-Star edito| 'J<br />

Union-Star Commends<br />

Kansas Censor Repeal<br />

ialized that the action of Gov. Fred Hall |<br />

Jll'<br />

signing a bill which abolishes, after 38 yea .0<br />

the Kansas Board of Review, a motion pi ...jj<br />

tura censorship group, left only New Yo ,'jjji<br />

and four other states with such organiz: j.<br />

tions.<br />

,<br />

f<br />

The editorial quoted Governor Hall's mer j-iv*<br />

orandum of approval, "Every believer ';jt^<br />

freedom of expression will rejoice that Kai'lt *<br />

sas has repealed its ancient censorship laaK'<br />

It is to be hoped the lead of Kansas will V<br />

followed by her sister states that still hafl<br />

anachronistic censorship statutes on thfi^j'<br />

books."<br />

"One wonders," continued the editor, "if N'<br />

York. Pennsylvania, Ohio, Maryland andV,<br />

ginia citizens need statutory protection<br />

their tastes in motion pictures more thj<br />

the other 43 states. Or if Kansas will be<br />

worse after June 30 when the present «<br />

sorship law expires.<br />

"Movies have been steadily improving, e\i<br />

without censorship, in 42 states. Pul><br />

opinion, not legal sui-veillance, accomplisll<br />

it. Only an occasional picture was bann,<br />

and that sometimes raised a fury, as wj<br />

'The Moon Is Blue.'<br />

"It is that same public opinion, not la"<br />

that will be most effective in suppressing (<br />

eliminating bad comic books—which aret<br />

comic in any sense. Law cannot substit<br />

for legal conviction. That is why legal ci^<br />

sorship becomes 'anachronistic,' as conseri<br />

five Kansas has decided."<br />

Virgil Harbison Buys<br />

Paramount at Rockport<br />

ROCKPORT, MO.—Virgil Harbison<br />

pm'chased the Paramount Theatre which<br />

has been leasing for some time. Harbii<br />

also operates the Tarkio Theatre at Taxki(<br />

Dissolving Corporation<br />

GREENFIELD, ILL.—At a recent meet^<br />

of the stockholders of the Lyric Theatre, e<br />

directors were instructed to dissolve the C;<br />

poration and sell the theatre building i<br />

contents as quickly as possible. The thes«<br />

has been closed since April 13. Earl Daw<br />

is president of the corporation, while Prs<br />

Greer had been managing the theatre<br />

Mrs. Cray R. Bell Closes<br />

BLUE MOUND, ILL.—The Pix TheaJl<br />

owned by Mrs. Cray R. Bell, closed Suni<br />

H<br />

AVAILABLE IMMEDIATELY<br />

• Low Cost • Low Insurance Rates<br />

HILLER ENGINEERING CORPORATION<br />

219 State Street Los Altos, California<br />

Phone WHitecliff 8-3216<br />

1 29) for an indefinite period. The house 1<br />

been operating on a part-time basis for<br />

past month.<br />

Closes to Improve<br />

ST. CHARLES. MO.—The Ritz Thea<br />

owned by Variety Pictures, headed by C<br />

Lessing, closed to make a number of ><br />

provements, necessary repairs and red0-<br />

rating.<br />

Fair Theatre Is Reopenin<br />

FAIRFAX. MO.—The Pair Theatre, wl.Jl<br />

has been closed the past winter, has bill<br />

reopened by D. A. Prazier.<br />

Jessamyn West and Robert Wyler will<br />

laborate on the final shooting script of 4^<br />

"Friendly Persuasion."<br />

!(1<br />

58<br />

BOXOFTICE<br />

:<br />

4, M


;<br />

piic<br />

. :ji\e-in,<br />

, Three<br />

' r.<br />

I<br />

: June<br />

!ea Chase' Goes at 135<br />

]) Lead in Memphis<br />

EMPHIS—Three of the five fir.st runs did<br />

5, (1 than average business. The Warner set<br />

with "The Sea Chase" at 135 per<br />

Universal Consfructing New Home<br />

At Memphis at Cost of $100,000<br />

ii<br />

(Average Is 100)<br />

for fhe Show (Col) 90<br />

V,<br />

J, The Prodigal IMGM), 2nd wk 110<br />

- Torion the Ape Man (MGM); Torzan<br />

copes MGM) 75<br />

lid— Hell's Islond (Poro) 110<br />

ler—The<br />

f<br />

Seo Chose (WB) 135<br />

Giorge Hoover Gets<br />

C ive-In Approval<br />

lAMI—George C. Hoover has been<br />

'.,1 a county permit to build a drive-in<br />

nn Golden Glades road between 33rd<br />

ii avenues.<br />

former dLstrict manager for Florir<br />

Theatres here, secured the site over<br />

ctions of representatives of the huge<br />

Ciil City housing development, Col. Nathan<br />

BRood, builder, and the diocese of St.<br />

.\ upline. The diocese plans to build a<br />

ir school of higher learning just south<br />

iroposed drive-in, according to attor-<br />

:\de Atkins, and the congestion of<br />

the theatre would be an annoyance<br />

ling students, it was said.<br />

ommissioners, who previously had<br />

an application for a larger site for<br />

said that some recreational fac;<br />

y i.'^ needed in the area because of its<br />

n d growth and that they would rather see<br />

a:"ive-in there than a juke joint.<br />

granting Hoover the permit, the commiion<br />

I<br />

stipulated that construction must<br />

stjt within 60 days and that the theatre<br />

jstl be completed in nine months.<br />

'le permit also provides that the site<br />

Wenced iii and that it be extensively landscied<br />

so it will be hidden from residential<br />

detlopments.<br />

Dover, international chief barker of Van':<br />

Clubs and president of the children's<br />

hoital here, estimates his investment will<br />

bfibout $250,000.<br />

Nnnes New Airer Manager<br />

RLANDO. FLA.—The new Colonial Drive-<br />

It vill be managed by Allen F. Horton, who<br />

hi managed the Orlando Drive-In for the<br />

la six years. The airer is modern in every<br />

r^ect, including Cinemascope. A playgijind<br />

for the children is planned for the<br />

m- future, and Horton says he will turn<br />

tnozoner over to a church for Sunday morn-<br />

Irj<br />

services.<br />

V yside to Martin Circuit<br />

smAMA CITY, FLA.—The Wayside Drivelit<br />

las been sold by John Christo sr. and jr.<br />

tiihe Martin Theatres. This leaves one indfndent<br />

theatre, the Bud Davis Drive-In,<br />

01 ating in Bay County. Martin now owns<br />

tl Ritz, Bay, Panama, Isle-of-View, Gulf<br />

^^lside and Beach theatres. Gene dinger,<br />

fo lerly of Port St. Joe, will serve as city<br />

ni' ager.<br />

^Mescreen at Milton, Fla.<br />

ILTON, FLA.—A seamless widescreen has<br />

b( installed in the Milton Theatre. Hay-<br />

'^' i Hanna is manager.<br />

The architect's drawing above is of the new exchange being built in Memphis by<br />

Universal at a cost of $100,000. Construction has already begun on the modern building<br />

which will be finished in stucco with terra cotta brick around the glass and aluminum<br />

entrance. Present plans call for the building to be in use by this falL<br />

MEMPHIS—Construction of a new home<br />

for the Universal film exchange in Memphis<br />

has been started and is expected to be completed<br />

in September. The new $100,000 building<br />

is on the northwest corner of Ruling and<br />

St. Martin Streets, just behind the site of<br />

the present exchange.<br />

The new film exchange building will be of<br />

modern design, departing in several respects<br />

from the usual Filmrow facilities, according<br />

to Manager Richard C. Setteen.<br />

All-acetate film will be used in the new<br />

exchange and there will be no need for the<br />

frequent fire di-ills and the thick-walled<br />

storage vaults, specially constructed to collapse<br />

inwardly which were required for the<br />

highly explosive nitrate film formerly used.<br />

All film companies are gradually getting rid<br />

of nitrate film and U-I has had none in its<br />

Memphis exchange for nearly a year, Setteen<br />

said.<br />

The attractive new building will have an<br />

entrance on Huling, featuring decorative<br />

planters and a striking modern canopy at<br />

the lobby and office corridor.<br />

Arranged across the front will be three<br />

salesmen's offices, four bookers stalls, manager's<br />

office and secretarial space. A spacious<br />

lounge will be equipped with a refrigerator,<br />

kitchen sink and range for the convenience<br />

of employes. Off the main film room will<br />

be an examining room.<br />

Separate from the office section will be<br />

Arkansas ITO Session<br />

In '56 at Hot Springs<br />

Little Rock—J. S. Carbery, president of<br />

the Independent Theatre Owners of Arkansas,<br />

said that It had been decided<br />

definitely to hold the 1956 convention<br />

outside of Little Rock for the first time<br />

in 16 years.<br />

Hot Springs has been named as the convention<br />

site although details as to exact<br />

dates and location have yet to be decided<br />

on. Preferred date would be the week<br />

following the closing of the racing season<br />

there.<br />

a receiving and shipping room. A .shipping<br />

dock with a roll-away door will be screened<br />

from the street by a brick wall. Off-street<br />

parking for employes will be provided in<br />

at lot at the rear of the buOding.<br />

A new photographic system for processing<br />

sales records will eliminate considerable hand<br />

posting. Storage and equipment rooms will be<br />

contained in a penthouse on the rear of the<br />

building.<br />

L. W. Davidson & Associates, architects and<br />

industrial engineers of Los Angeles, designed<br />

the building. S. S. Jacobs of Jacksonville is<br />

the general contractor.<br />

The new building will be completely air<br />

conditioned. It will be the ninth in the system.<br />

New exchanges have been built in Dallas<br />

and Atlanta and another is under construction<br />

in Houston.<br />

Suit Over Lighting<br />

BARTOW, FLA.—Too much lighting on the<br />

premises of an adjacent restaurant resulted<br />

in the filing of an injunction suit against<br />

Marshall Gore by the corporation operating<br />

the Silver Moon Drive-In. The petitioner was<br />

granted a temporary restraining order banning<br />

the use of a string of high power light<br />

bulbs in front of the restaurant. It also forbids<br />

Gore from operating any additional lights<br />

until a hearing is held and the court decides<br />

whetlier a permanent injunction is to be<br />

Equipped With C'Scope<br />

MULBERRY, FLA.—The Fran-Lin<br />

In is now equipped with Cinemascope.<br />

issued. According to Henry P. Trawick jr.,<br />

attorney for the plaintiff, this is apparently<br />

the third suit of its kind in the United States.<br />

A Pinellas County airer won a similar action,<br />

as has another outdoor theatre in Massachusetts.<br />

Drive-<br />

Stars in True-Life Adventures<br />

Clifton Webb will star in 20th-Fox's "The<br />

Man Who Never Was," World War II drama<br />

based on the true-life adventures of Ewen<br />

Montague.<br />

BC OFFICE :<br />

4, 1955 SF. 59


Cathy<br />

. . Exhibitors<br />

. . Mrs.<br />

.<br />

i<br />

Extension of Minimum<br />

Wage Law to Wait<br />

From Eastern Edition<br />

WASHINGTON—The House Labor Committee<br />

will not at the present time consider<br />

extension of the minimum wage law to cover<br />

employes in retail and service establishments,<br />

including employes of interstate theatre<br />

chains, according to a Committee announcement<br />

on Tuesday (24).<br />

The administration first proposed such extension<br />

of coverage and then withdrew the<br />

proposal, explaining that it had only meant<br />

to suggest a Congressional study of the wisdom<br />

of extension. Spokesmen for theatres<br />

which would have been affected were distui'bed<br />

by the proposal.<br />

SERVICE<br />

and<br />

COURTESY<br />

For oyer 20 years<br />

OUR WATCH WORD<br />

»CENTURY rD'l^oi.VD' STRONG uTps<br />

CONCESSION EQUIPMENT AND SUPPLIES<br />

STANDARD THEATRE SUPPLY CO.<br />

CHARLOTTE<br />

. . .<br />

The Waylyn Theatre of Charlotte, S. C,<br />

opened May 27 with James W. Cox as<br />

manager. The house is served by Queen City<br />

Booking Agency . . . Mi-s. C. E. Wister,<br />

mother-in-law of Mi's. V. Wister, Screen<br />

Guild employe, is a patient in Mercy Hospital<br />

.. .<br />

Sykes, daughter of H. M.<br />

Sykes jr., operator of Queen City Booking<br />

Dave<br />

Agency, is ill at Mercy Hospital<br />

Williams, salesman for IFE Releasing Corp.,<br />

has been ill with a slight heart condition.<br />

He is improved now.<br />

The Brightleaf Drive-In of Mount Airy has<br />

reopened with E. L. Davis and E. R. Forrest<br />

as owners . . . C. A. Dandelake, president of<br />

the North and South Carolina Theatres<br />

Ass'n, is leaving for Hollywood on business . .<br />

Mi-s. Blanche Carr, cashier at MGM, is vacationing<br />

in Florida . Lillian Nolen<br />

missed the WOMPI banquet because of the<br />

serious illness of her father.<br />

Mrs. Sam Garber, owner of the Williston<br />

Theatre, Williston, S. C, was in town booking<br />

and buying. She had her arm in a sling due<br />

to a sprained wrist sustained in a fall. Her<br />

daughter accompanied her to Charlotte . . .<br />

Lloyd Todd jr., Stewart-Everett Enterprises,<br />

was made an officer in the American Legion<br />

Club at Morris field recently.<br />

T<br />

Hope: Jack Prye, booker, Stewart-Everett:<br />

J. K. Whitley, Towel Theatre, Karmapolis;<br />

B. B. Martin, Colonial, Leaksvilie; Joe Accardi.<br />

Skyline Drive-In, Morgantown; C. A<br />

Dandelake, Colonial, Majestic and Tar, Tarboro;<br />

Bill Talbert, Atlast and Piedmont Promotions:<br />

Doc Theimer, Piedmont Promotions;<br />

Johnny Wood, Carolina Booking Agency<br />

H. B. Meiselman, Meiselman Theatres; W<br />

Patrick, Rock Hill Drive-In, Rock Hill, S. C.<br />

Watt Parker, Gloria, Broadway, Myrtliu<br />

Beach, S. C, and Morris Nuger, Grand!<br />

Charlotte.<br />

Scott Lett, Screen Guild manager, has r&<br />

turned here after being out in the territor;<br />

plugging his feature, "Kentucky Rival"<br />

Gordon Bradley, Paramount district man<br />

ager who headquarters in Atlanta, was in towi<br />

visiting with local manager Al Duren. The<br />

motored to Concord for a sneak preview . .<br />

Rumor has it that Bob Hop>e is slated f«<br />

personal appearance here soon.<br />

Film and TV Stars Crowd<br />

Memphis During Week<br />

MEMPHIS—This city hosted several mc<br />

tion picture and TV stars during the week.i<br />

Maxine Cooper, feminine star of the late.-<br />

Mickey Spillane killer-thriller, and Elys'<br />

Novey, who will be the star in the next on<br />

were in town plugging "Kiss Me Deadly<br />

opening this week at Loew's Palace.<br />

IS YOUR BOXOFFICE SICK . .. ?<br />

. . .WE CAN MAKE IT WELL/<br />

CONTACT<br />

ATLAS PROMOTIONS & ADV. CO.<br />

Charlone, N. C. Phone FR-62245— FR-60564<br />

Cinemascope n<br />

Tom Fleming, owner of the Sylvia in York,<br />

S. C, was in Little's hardware store here<br />

browsing ai'ound among lawn and farm implements<br />

.<br />

on Pilmrow included<br />

Gary Caudell, Wallace: W. G. Fussell, Wonet,<br />

Bladenboro: R. D. McGowan, Jayce, Spring<br />

^^i^ze


(has. Coburn Crusades<br />

igainst Income Taxes<br />

,;AVANNAH. GA.— Film star Charles Cot-n,<br />

Savannah born and raised, returned<br />

1 lie for a visit with his sister. Coburn reeved<br />

his start in show business at the<br />

.^,,ii:i!;ih Theatre, now operated by Fred<br />

\ 1- Starting as program boy he worked up<br />

I<br />

niaiKieer at the age of 18 and it was then<br />

lit he turned to the legitimate acting field.<br />

I'er going to motion pictures.<br />

,ipeaking at a Rotary Club luncheon as a<br />

riresentative of the Organization to Repeal<br />

Iileral Income Taxes. Inc.. the veteran actor<br />

.td the income tax law. originally billed as a<br />

••|ak-the-rich" measure now soaks everybody<br />

I nercifuUy. As late as 1932, he pointed out,<br />

t lioad of a household was given a $2,500<br />

iniption, plus a $1,000 exemption for each<br />

cpendent. as against today's rate of a flat<br />

to for each taxpayer and each dependent.<br />

That's absurd—it costs the federal governrjnt<br />

$1,200 a year to keep a man in the<br />

Biitentiary." Coburn said.<br />

le concluded his talk by predicting good<br />

tiness for the motion picture industry<br />

bught about by the advent of Cinemascope.<br />

I! expressed the opinion that TV would tend<br />

tj type an actor much more than acting<br />

bore the motion picture cameras.<br />

|in interested club member was Andy Sull|m,<br />

city manager of the Highway 80. Circle<br />

ii Victory drive-ins. He had the managers<br />

ijm each as his guests. Coburn was intjduced<br />

by Hudson Edwards, who was with<br />

tl Dixie Drive-In group but is now in the<br />

cjdoor advertising business.<br />

? All Can See 'Peter'<br />

jT. PETERSBURG—Walter Tiemer, mana(r<br />

of the Florida Theatre, has been offeril<br />

free admission to any person unable to<br />

C' a ticket to see "A Man Called Peter." He<br />

\(it a step further, and when a bedfast inv,\(i<br />

was distressed because she could not<br />

8 to the theatre. Tremer made arrangerlnts<br />

with a local ambulance service to bring<br />

t' woman in. Incidentally, 150 free tickets<br />

V e distributed.<br />

fASHVILLE—"Battle Cry" was the feaed<br />

attraction as the Bel-Air Drive-In held<br />

formal opening of its new Cinemascope<br />

;en.<br />

THE RISHT ROAD TO<br />

SECURITV'S THROUGH...<br />

PAYROLL SAVINGS'*<br />

Buy U.S. Savings Bonds<br />

REGULARLY<br />

Charlotte<br />

Charter and Installs<br />

CHARLOTTE — The newly chartered<br />

Women of the Motion Picture Industry chapter<br />

here, seventh in the nation, held its installation<br />

ceremony recently in the newly<br />

Scott Lett, Screen Guild manager in<br />

Charlotte who was toastmaster at the<br />

WOMPI installation dinner, is shown<br />

above presenting the club's charter to<br />

Mrs. Myrtle Parker, president.<br />

decorated Chelsea room of the Charlotte<br />

Hotel, with Scott Lett, manager for Screen<br />

Guild, as master of ceremonies.<br />

Highlight of the installation was the presentation<br />

of the charter for the local club to<br />

Mrs. Myrtle Parker, president, by Lett. Congratulatory<br />

telegrams from the other six<br />

WOMPI clubs. Dallas. Atlanta, New Orleans,<br />

Memphis. Jacksonville and Toronto, Canada,<br />

were read, as were telegrams from national<br />

officers: Betty Rary, president; Johnny<br />

Barnes, national extension committee member;<br />

Laura Kenney. national secretary, and<br />

Frankie English, chairman of insignia, emblem<br />

and stationery.<br />

Among men guests honored at the installation<br />

dinner were Gene Dyer. Kermit High.<br />

W. M. Primm. Carl Patterson, office manager,<br />

Columbia; R. D. Williamson, branch<br />

manager. Columbia; J. E. Holston. 20th-Fox<br />

manager; Olin Mock. 20th-Poy. office manager;<br />

Dick Huffman; Jack Reville. MGM<br />

manager; J. King; F. Norman; R. M. Simril,<br />

NSS; R. M. Young; Weber Howell, Paramount<br />

office manager; A. B. Craver, Consolidated<br />

Theatres; J. H. Dillon. Republic manager;<br />

E. G. Stelling. Stelling & Gossett Theatres<br />

and president of Stewart-Everett Enterprises;<br />

Charles Ti-exler, treasurer and controller of<br />

Stewart -Everett; R. C. Saunders, Theatre<br />

Booking Agency; C. A. Dandelake, president,<br />

North and South Carolina TOA; W. Ayers;<br />

J. Greenleaf, U-I manager; A. Solar, WB<br />

office manager; R. L. Smart, Wilby-Klncey<br />

Theatres, and J. C. Tipton, Wil-Kin Theatre<br />

Supply.<br />

Preceding the dinner, Dandelake hosted a<br />

cocktail hour. Entertainment for the cocktail<br />

hour and the dimier was provided by<br />

Ziggy Hurwitz and his orchestra, and a feature<br />

of the entertainment was the Gay<br />

Nineties Quintet composed of Mrs. T. D.<br />

Newell, R. E. Wilson, Charles M. Stone, Mrs.<br />

R. E. Wilson and Mi-s. R. Edwards.<br />

Lett congratulated the club on the success<br />

it has already met on its project for the<br />

women of the county home and also in the<br />

fund-raising giveaway of a chair and a percolator.<br />

WOMPI Unit Receives<br />

Officers<br />

He said he hoped the club would meet with<br />

just as much success on the second project,<br />

which IS making smocks for the girLs of<br />

Crittendon home. He urged each member of<br />

the WOMPI to continue working for the .success<br />

of the organization by attending each<br />

meeting and by giving willingly of time on<br />

each project.<br />

As for the women's part in the motion picture<br />

industry, Lett lauded the film inspectors,<br />

cashiers, bookkeepers, bookers, theatre<br />

and availability clerks, contract clerks and<br />

the secretaries, without whom, he said, the<br />

industry could not operate.<br />

The Charlotte chapter then was termed<br />

"officially in business" when Lett presented<br />

the charter to Mrs. Parker. Other officers<br />

installed were Gladys Hawkins, first vicepresident;<br />

Rosaline Hutton, second vicepresident;<br />

Mildred Warren, treasurer; Mildred<br />

Hoover, recording secretary; Margaret<br />

Baker, corresponding secretary, and Hazel<br />

Miller, chaplain. Board of directors also includes<br />

Rebecca Miller. Pauline Griffith. Lillian<br />

Nolen and Viola Wister.<br />

The banquet weus attended by about 100<br />

persons. After the installation of officers.<br />

Mrs. Parker thanked Lett and the planning<br />

committee consisting of Pauline Griffith.<br />

Gladys Hawkins, Margaret Baker. Katherine<br />

Lomax and Mrs. V. Wister.<br />

Door prizes were awarded and were won<br />

by Ruby Bradley, percolator; Carl Patterson,<br />

sun lamp; Rose Mcllroy, box of candy; J. H.<br />

Dillon, four theatre passes, and Mae Phillips,<br />

a chair.<br />

Renovate at<br />

Bearden<br />

BEARDON, ARK.— L. Brazil jr., owner of<br />

the New Theatre hero, has installed a larger<br />

cooling system, new carpet, new widescreen.<br />

new lenses and reflectors in addition to refmishing<br />

the theatre lobby.<br />

Alger Managers Shift<br />

URBANA, ILL.—Manager Richard A. Welling<br />

has been transferred from the LaSalle<br />

Theatre at LaSalle to the Princess here by<br />

Alger Theatres, with Manager Irvin Chapman<br />

going from the Princess to the LaSalle.


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62 BOXOFFICE :: June 4,95*,


'<br />

Leland;<br />

•<br />

: the<br />

i<br />

. . Closed<br />

; June<br />

. . R.<br />

.<br />

.<br />

; 'TV<br />

. .<br />

C pcial<br />

EM PHIS<br />

theatre parties were given by Man-<br />

Cecil Vogel of Loew's Palace, Manroll<br />

Bea-sley of the Strand and Man-<br />

!Min Davis of the Malco for winning<br />

Cynthia Milk Fund tag day.<br />

who collected the largest amounts<br />

Is<br />

y for the Press-Scimitar's all-year<br />

Hi ilk fund were entertained free at<br />

iires for about a year, the<br />

.<br />

liiscue, Ai-k., has been remodeled and<br />

by T. R. Pemberton, owner.<br />

iirdon Hutchins. Corning, Ark., has purched<br />

the 64 Drive-In at Russellville, Ark.,<br />

IV I HiMiley Smith, Pocahontas . . . Arkansas<br />

:s visiting Filmrow included Orris<br />

Capitol and Majestic, Paragould: Mr.<br />

i: .Mrs. J. T. Hitt, Plaza. Bentonville: J. D.<br />

SI Jherd jr.. Rex. DuValls Bluff; Winfred<br />

G ner. Piggott and Motor Drive-In, Piggott;<br />

H ley Smith, Imperial, Pocahontas; Tom<br />

F( i. Fiird, Rector, and K. H. Kinney, Hays,<br />

"111 .Mississippi came Mrs. J. C. Noble,<br />

B. F. Jackson. Delta, Rule-<br />

L' N. Eudy, Houston, Houston; Mrs.<br />

Davis, Globe, Shaw, and J. Roland<br />

Aims, Rebel Drive-In, Oxford B.<br />

G|ch jr.. Ritz, Selmer; Amelia Ellis, Mason.<br />

Mon; Robert Lax, Skyvue Drive-In, Paris,<br />

aij Louise Mask. Luez, Bolivar, were visitors<br />

fr'i West Tennessee points.<br />

;nd Mrs. George Davis, owners, will<br />

I heir new Joy Theatre at Cleveland,<br />

m;. very soon. The Joy has been renv'eled<br />

with new chairs and air conditionin<br />

.<br />

It was formerly known as the Regent R 3. Cox, Eureka, Batesville, Miss., was tn<br />

toi.<br />

SrrecTION—R. L. Bostick, southern<br />

mi


•<br />

'<br />

f<br />

HART<br />

BEATS<br />

. By HARRY HART .<br />

Tames "Jim" Hart, booker at Columbia Pictures,<br />

is running for mayor at Union City, ply and the new drapes and curtains which<br />

carpeting installed by Wil-Kin Theatre Sup-<br />

Ga.<br />

make the theatre extra attractive. It has one<br />

The 85 Drive-In at Fayetteville, Ga., managed<br />

by O. E. Kilgo, has installed Cinema- freshment stand is located in the center of<br />

of the nicest lobbies of any theatre. The re-<br />

Scope. The installation was by Capitol City the entrance foyer with an automatic drink<br />

Supply.<br />

machine which sells Coca-Cola on the side.<br />

At the Sky Way Drive-In at Oxford, Ala., In the popcorn and candy stand they have an<br />

I found that Manager C. H. Watkins and his Orange Crush machine. The entire setup is<br />

wife had gone to Hot Springs, Ark., for their very attractive but not obtrusive to the patron.<br />

vacation and Mr. and Mrs. John Fryar are<br />

managing the situation in their absence.<br />

At the Calhoun Theatre in Anniston, manager<br />

H. T. Stafford who has completed over 20<br />

At the Ritz Theatre in Anniston, Ala.,<br />

years with Wilby Kincey Service Co.. was<br />

Thomas G. Coleman showed me the beautiful<br />

holding down everythmg and training a<br />

mighty attractive young man by the name<br />

of Clyde Goss to be assistant manager. John<br />

Brown, projectionist at the Noble Theatre,<br />

came in to say hello and then Noah Willis,<br />

projectionist at the Calhoun who has been<br />

projecting films since 1912, came in and told<br />

me he had been operating machines in Anniston<br />

since 1916.<br />

mlithmm<br />

I learned that former manager<br />

of the Noble, William Timmy, has been transferred<br />

to the Rialto in Augusta, Ga. Arvis<br />

Holland is now managing the Noble.<br />

In discussing the business of exhibition,<br />

Stafford said that lack of parking is hurting<br />

all uptown houses, but he has a deal on that<br />

will help at night. It will permit people to<br />

park Bear the theatre.<br />

At the Bama Drive-In Theatre, Anniston,<br />

Ala., James Aaron and Oscar Bagley, who<br />

own and operate the attractive airer which<br />

Got the Blues<br />

boasts a screen measuring 116x69 feet, pointed<br />

out that the airer has above-average width<br />

;n the Night?<br />

between cars at the speakers and the ramps<br />

are also wider than average. In discussing<br />

the business situation both stated that an<br />

ness . • •<br />

, „ 1 et us estimote<br />

above average picture did business and belowaverage<br />

films did nothing.<br />

^""^<br />

"'^''V : .o'.r,<br />

your wo.n.<br />

on repairing or rev j^„g<br />

.„con,for.ab,eseo,-A';'.,^^^_,„„.„<br />

H. W. Fulwider, owner of the Midway Drive-<br />

,he iob-ot >*'•;"<br />

D Signs andlll|iil|<br />

n Sound Equknin<br />

Television<br />

D Theatre FrI<br />

n Vending Ed<br />

Postage-paid reply cards for your further<br />

(J**,<br />

in obtaining information are provided in ThiM^<br />

THEATRE Section, published with the fir i<br />

each month.<br />

Ki<br />

I<br />

64<br />

BOXOFFICE<br />

;<br />

; June 4,9S


, . . I'lver<br />

: June<br />

. . Gene<br />

Phone:<br />

. . The<br />

Cdls $500 Color TV Set<br />

N(Key to Mass Market<br />

; YORK—A belief that a color tele-<br />

selling for $500 is the key to the<br />

na: market for color was called erroneous<br />

By r. W. R. G. Baker, vice-president and<br />

;en al manager of the General Electric<br />

Hs division, in a speech before the<br />

ub here.<br />

id his argument on two reasons. The<br />

~ that the mass market is not one<br />

but has levels of price classes, each<br />

if luih can be penetrated only by cer-<br />

[Aii price levels. The second was that the<br />

prli levels are not fixed but flexible, because<br />

18 le color market penetrates into lower in-<br />

Xin groups, the premium that buyers will<br />

[)a>'or color will decrease each year to an<br />

ultiate differential of about 25 per cent.<br />

y predicted that sales in volumes of more<br />

tha 500,000 color sets a year will not be<br />

pea ed until 1957.<br />

R(zing Boom Era House<br />

f<br />

PETERSBURG—The old Plaza Theatre<br />

buiing, put up in the boom era by the late<br />

Of 4e S. Gandy, is being demolished. Walter<br />

FST city manager, said that the<br />

. will be completely torn down.<br />

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ITED THEATRE SUPPLY CORP.<br />

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Atlanta, Ga. i<br />

T L<br />

A N T A<br />

r^ p. Jordan, veteran of 35 years on nimrow,<br />

has resigned as salesman with United<br />

Artist-s. Ed Hayes will take his place in the<br />

Tennessee territory. Bob Tarwatt-r. UA office<br />

ATLANTA WOMPI OFFICERS—Mrs.<br />

Stella Poulnot of the Republic exchange,<br />

seated on the right, was elected president<br />

of the Atlanta chapter of WOMPI at the<br />

group's recent election-luncheon meeting<br />

at the Variety Club quarters. Other new<br />

officers include, standing from left to<br />

right: Miss Edith Bryant of National<br />

Screen Service, treasurer; Mrs. Ernestine<br />

Carter of Paramount, second vice-president;<br />

Miss Doris Honea of Bucna Vista,<br />

recording secretary. Seated next to Mrs.<br />

Poulnot is Mrs. Evelyn Snow of Wil-Kin<br />

Theatre Supply, who was elected first<br />

vice-president.<br />

manager, is making a tour of the area with<br />

him . Garden has moved up from<br />

U-I's shipping department to booker. He<br />

replaced Dan Thomas who resigned. Garden<br />

has been with U-I for two years.<br />

Miss Jean Mann, office manager's secretary<br />

at U-I, believes in making her plans in<br />

advance. She will attend the WOMPI convention<br />

in New Orleans in September, but<br />

she already is "lining up" places she wants<br />

to visit during her stay . . . The Roxy Theatre<br />

has scheduled "Killers All" for the third<br />

time within three years, Ted Toddy of Toddy<br />

Pictures, says. The film has played most of<br />

the circuits and independent theatres in the<br />

South and now is playing return dates.<br />

Walter McDonald and Betty Rary of UA<br />

are enjoying their vacations. McDonald is<br />

District<br />

visiting in Asheville, N. C, and Miss Rary is<br />

"just staying home" . . . Manager<br />

James V. Frew of U-I is on the go again. He<br />

checked in from a hui-ried trip to Charlotte<br />

over the weekend and immediately took off<br />

for Cincinnati where he will huddle with the<br />

branch there. A trip to Memphis will follow.<br />

All films shown so fax in the Southeastern<br />

Movie Festival have topped the national average<br />

for the same pictures, according to J. H.<br />

Harrison, official of the Wilby circuit. Most<br />

of the pictures were shown in satiuration bookings<br />

throughout the three-state area of<br />

Georgia, Alabama and Florida.<br />

Seen on Filmrow: Jay Solomon, Independent<br />

Theatres, Chattanooga; L. J. Duncan, Al-<br />

Dun Amusements, West Point, Ga.; C. H.<br />

Simpson, State Tlieatre, Chattanooga; R. M.<br />

Kennedy, Kennedy Theatres, Birmingham;<br />

Doc Pincher, Fincher Theatres, Chatsworth.<br />

Ga.; G. O. Anderson, Rltz Theatre, Cullman,<br />

Ala.; H. R. Bramlett, Rainbow Drlve-In,<br />

Gadsden, Ala.; J. H. Thompson, Martln-<br />

Thomp.son Theatres, Haskinsville, Gka.; Pete<br />

Brice, Pal Amusement Co., Vidalla, Ga.;<br />

Rufus DavLs, Dothan, Ala.; Cecil D. Crummoy,<br />

Rochelle, Ga.; Preston Henn, Henn Theatres,<br />

Murphy, N. C; A. C. Gortatowsky,<br />

Albany, Ga.; C. L. Patrick, Martin Theatres,<br />

Columbus; Gene Skinner, Dixie Drlve-In<br />

Theatres, Atlanta.<br />

The Atlanta Variety Club and the Atlanta<br />

Journal-Constitution, co-sponsors of the Old<br />

Newsboys Day drive for cerebral paLsy, report<br />

$76,500 was netted in the recent campaign.<br />

Rain kept sales down, somewhat. But, the<br />

figure is a big increase over 1954's $66,000.<br />

J. E. Jones is oijening a new drive-in at<br />

Blue Ridge, Ga., on Friday (10). He has<br />

named it the Swan Drive-In . Ritz<br />

Theatre at Sylacauga, Ala., a Martin theatre,<br />

has been closed permanently . . . Mrs. Barbara<br />

Benson, secretary to Bill Kelly of U-I, Is<br />

expecting a baby.<br />

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I<br />

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PRINTERS OF THEATRE PROGRAMS<br />

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!C DFFICE ;<br />

4, 1955<br />

65


. . Producer<br />

. .<br />

. . . Members<br />

. . Roy<br />

:<br />

June<br />

«<br />

MIAMI<br />

n HolJywood camera crew has been in town<br />

shooting activities at Variety Children's<br />

Hospital. The film is to be included<br />

in a 90-minute Technicolor feature, "Heart<br />

of Showbusiness." The $150,000 film, produced<br />

and directed by Ralph Staub of Columbia,<br />

is a documentary of worldwide projects<br />

sponsored by Variety International.<br />

In addition to sequences made at the local<br />

hospital. Staub and his crew filmed Miami<br />

street scenes and a meeting of the local tent's<br />

board of directors. Shooting began in Oklahoma<br />

City and is to show Variety Club<br />

work with children in U. S. and foreign cities.<br />

Narration will be dubbed in later by Hollywood<br />

stars. Release date is set for November.<br />

The picture is a sequel to "The Variety Girl,"<br />

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with this sensational new, AUTOMATIC Coffee making and<br />

a musical that told the story of the origin of<br />

the clubs.<br />

Caplan's Roosevelt Theatre has booked<br />

"The Informer" for a revival showing in<br />

June . William Perlberg was a<br />

guest at the Joe Schenck home here .<br />

Nicholas Schenck and Mike Todd held a<br />

number of meetings here, concerned with<br />

possible MGM release of Todd's American<br />

Optical 65mm production of "Around the<br />

World in 80 Days." using the Mexican star,<br />

Cantinflas, as star.<br />

Walter Klements arranged a preview of the<br />

German film, "Angelika," for a Friday night.<br />

Patrons were asked to voice their opinions<br />

or to turn in cards with written comments.<br />

Klements is very happy about the run of<br />

"To Paris With Love." He's had packed houses<br />

Wometco is<br />

for every performance . . .<br />

building a conventional-type theatre in Nas-<br />

money with . .<br />

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struction. Myers says the circuit does exce? •"<br />

lent business with its first run Savoy Thes;.. .J<br />

tre on Bay Street. Four other houses HMM<br />

also operated by the circuit in Nassau. nii<br />

JACKSONVILLE t<br />

"The Studio Theatre, Florida State Theatri<br />

swank screening room on the seven<br />

floor of the Florida Theatre Bldg., has be<br />

converted to Cinemascope under the directi<br />

of FST's Mark DuPree and Maurice Shaab<br />

Wil-Kin Theatre Supply. All Florida tra<br />

screenings are now being held in the Stud<br />

with the exception of Warner screenii<br />

which take place at the St. John Theatre.<br />

The city's largest downtown fire in ma<br />

years gutted a major clothing store, but itw<br />

so completely controlled by firemen that t<br />

next-door Arcade Theatre, managed by<br />

Hildreth, was not damaged at all ... T<br />

long-dark Fairfax Theatre at Popular Po.<br />

will soon be reopened as a legitimate thear =i'<br />

for plays produced by the newly forrot<br />

Theatre GuUd. according to Paul Geisenhj<br />

guild director.<br />

Leon D. Netter, FST president who reti<br />

July 1, and Mrs. Netter left on a busini<br />

and pleasure trip to New York . . . Louis<br />

Finske, FST president-designate, retun<br />

from a week in the field downstate .<br />

Distributor men in from Atlanta were Byi<br />

Adams, United Ai'tists, and W. M. "Snal<br />

Richardson, Capitol Releasing Corp., «<br />

called at booking offices . . . S. O. Jenki^<br />

Sunset Drive-In, Brunswick, Ga., was h'<br />

after a visit to Hot Springs.<br />

Certainly, here is the quick and easy way to make and serve<br />

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And look! In this revolutionary coffee-making equipment<br />

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JACKSONVILLE<br />

Conferring with Dick Johnson and ,<br />

Thrift, both Carl Floyd bookers, was li<br />

Daugherty, Floyd general manager frj<br />

Haines City . . . Calling on local friends 'i<br />

George Stonaris, owner of the Dreka TJ<br />

atre, Deland . Smith, candy and pf<br />

corn supplier, left to spend two weeks at<br />

Tampa branch while Manager Billy Knijt<br />

left for a vacation in the middlewest . . )X<br />

town for the ceremonial opening of "Stratfjl<br />

Ail- Command" at the Florida Theatre ^<br />

Leonard Allen, southeastern publicist 1<br />

Paramount.<br />

Here to attend a FST executive confere<br />

at the home office were district supervi^<br />

Harry Botwick of Miami, James L. CartnTiit<br />

of Daytona Beach and Prank Bell, Tara<br />

of the MGM branch office<br />

planning a picnic for June 10 . . . Jaij<br />

Claxton presided at the monthly luncheo;<br />

the WOMPI held at the Roosevelt Hotf<br />

Airer to George S. Owen<br />

OPP. ALA.— George S. Owen, who receiiy<br />

purchased the DLxieland Drive-In here. >*<br />

bought the Midway Drive-In from Rolrl<br />

and Malcolm Senn.<br />

66 BOXOFFICE<br />

:<br />

4, 55 J


I<br />

.1 Deason<br />

I<br />

eded<br />

Ely Jones Leaving<br />

Iiterstaie Post<br />

\LLAS—Ray Jones, Interstate Theatres<br />

,1 hdoker, has resigned, effective July 1,<br />

I ines will begin operation of the TV<br />

Joe Jackson, left, has been promoted to<br />

;ad booker for Interstate Theatres, suc-<br />

! (eding Ray Jones, center, who has re-<br />

:ned to open his own business, TV<br />

iithern Booking Service. A. D. Deason,<br />

rmerly assistant city manager in Houiin<br />

for Interstate (on the right I has<br />

len transferred to the booking office in<br />

illas. taking over Jackson's former<br />

Sc hern Booking Service, located at 604<br />

,M|)a Theatre Bldg.<br />

'lies, a World War II veteran who has<br />

'"Md booker for ten years and in Interlooking<br />

department for 20 years, will<br />

by Joe Jackson. Jackson has<br />

Mi Hiking for the circuit's large city<br />

n theatres for four years. Before that,<br />

assistant city manager in Dallas,<br />

mg operation of the suburban the-<br />

• .M<br />

will take over Jackson's<br />

position. Deason has been with Interlur<br />

27 years, starting as an usher and<br />

gr uating to city manager in small towns.<br />

Fcithe last 13 years he has directed suburban<br />

thl tre operation in Houston in the capacity<br />

oflssistant city manager.<br />

l;ad bookers for the Texas Consolidated<br />

grip of theatres in the Interstate circuit,<br />

Hjard Baskin and Vean Gregg, will continue<br />

Inheir present capacities.<br />

announcing Jones' resignation, R. J.<br />

0',>nnell, general manager, said: "Ray Jones<br />

ii'lanning to establish a booking office to<br />

television stations with available motion<br />

sej?<br />

pifire product. While this is an innovation<br />

tajie TV field, I feel that if anyone can make<br />

aiccess of it, then Ray Jones is that man.<br />

ke of Interstate are sorry to lose the<br />

selices of an employe so valuable and expemced<br />

as Ray, but, at the same time, we<br />

fe confident that the booking office will<br />

cOjinue to function efficiently and effp'vely<br />

with Joe Jackson and A. D. Deason."<br />

iie.s explained that his services as film<br />

01 r will be offered to television stations<br />

ai vhere. "At present, film buying is being<br />


. . Roland<br />

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. . Sam<br />

. .<br />

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: June<br />

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Purdue 32, 121/2 Plastic Bags per cwt.<br />

POPCORN $8.90<br />

Popsco colored per lb.<br />

COCOANUT OIL<br />

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TAPERED POPCORN BOX $8.75<br />

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POPCORN BOX $9.25<br />

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OKLAHOMA CH^<br />

•The Morris Loewenstelns of the city and the<br />

Herman Hunts of Cincinnati were greeted<br />

aboard ship in Hawaii by .some friends who<br />

took the press boat to the Lurline to give the<br />

viiting quartet a royal welcome They received<br />

leis from the Royal American Hotel.<br />

Tha greeters were Ezra Stern, Variety chief<br />

barker in Los Angeles; Sam and Harry<br />

Switow, Louisville, Ky., circuit owners, and<br />

"Chappie" Chapman, assistant general manager<br />

of the Royal Amusement Co. of Hawaii.<br />

"It was wonderful," wrote Morris, who sent<br />

along a picture of the quartet, wearing the<br />

leis, which appeared in the Honolulu Advertiser.<br />

Morris wrote the quartet had visited<br />

Ernie Pyle's grave, toured Pearl Harbor,<br />

flown to some islands and had found Hawaii<br />

"a beautiful country." They were to sail for<br />

home June 2 and to arrive here June 7.<br />

Variety Tent 22 contributed $500 to the<br />

Blackwell tornado victims. The check was<br />

tent to the Oklahoma Publishing Co. as a gift<br />

to aid the Blackwell refugees . Brunk<br />

is no longer with Buena Vista. He was released<br />

by Dough Desch of Dallas, because the<br />

work will be handled from the Dallas Row,<br />

according to Brunk. Sam was with the company<br />

six months. He was with United Film<br />

for about six months prior to joining Buena<br />

Vista. Previously, he was with Paramount.<br />

Hired to service Texas three weeks and Oklahoma<br />

one week out of the month, according<br />

to Brunk, is Sede Miller, Paramount's assistant<br />

manager in Dallas. Miller, with Paramount<br />

about 20 years, will be in Oklahoma<br />

only one week out of each month as Buena<br />

Vista representative.<br />

HOUSTON<br />

pirst exclusive drive-in showing of the<br />

.<br />

Marciano-Cockell fight film was at<br />

Hempstead Drive-In followed by an exclusive<br />

at Irvington Drive-In Tent 34<br />

held its third annual Boys Club birthday<br />

party recently at the Boys Club. A barbecue<br />

was served to barkers and their wives after<br />

which new members were inducted into the<br />

club. Variety's membership drive at the halfway<br />

mark has brought in 54 new members .<br />

D'ck Kennedy, Variety manager, has been<br />

Barker Bill Hall is all<br />

sick with a cold . . .<br />

smiles over his feminine bowling team which<br />

won the city championship for sponsor<br />

Downey Bros.<br />

Visitors at Columbia exchange to see Chief<br />

John Winberry were Mrs. Henry Lazarus of<br />

the Lazarus ch-cuit in New Orleans, and<br />

Maurice Josephs, also of Lazarus cii'cuit .<br />

Bill Rau, booker for Alamo Statewide Theatres,<br />

was due in from San Antonio.<br />

.<br />

The Winberry's new Memorial Drive-In is<br />

due to be finished in July . Addison,<br />

United Artists representative, was in for conferences<br />

with Manager Homer McCallum at<br />

Loew's on new pictures . . . A. D. Deason,<br />

assistant to Al Lever at Interstate Theatres<br />

in Houston, is being transferred to the Dallas<br />

office where he will replace Ray Jones as<br />

booker C. Conner is the new<br />

student assistant at Loew's. Conner has just<br />

finished four years service in the Air Force<br />

and completed his tour of duty at Ellington<br />

Field. He was in charge of theatres while in<br />

the Air Force. He is married and now lives<br />

in Houston.<br />

; a screen game,<br />

HOLLYV/OOD takes fop<br />

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Pic saved my business last summer, it will|<br />

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ORDER EARLY—Write or Wire<br />

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Marrero Drive-in Theatre<br />

Marrero, La. Fillmore 1-2515 Box 68|<br />

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BOXOFFICE<br />

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4, M \


: June<br />

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4, 1955 69


. . Leonard<br />

. . The<br />

. . Eph<br />

. . The<br />

. .<br />

. . Mable<br />

, . Betty<br />

—<br />

:<br />

June<br />

SAN ANTONIO<br />

. . .<br />

TVyranuel Womble, owner of LaFeria and<br />

Donna theatres, was a recent visitor to<br />

the Mexican exchanges . Capitan at<br />

Pharr has been opened by Miguel Benitez<br />

of Weslaco . Limon. Azteca Films<br />

The<br />

inspector, returned from vacation<br />

Benitez circuit of Weslaco has taken over the<br />

lease on the Tropic at Elsa . . . The Zaragoza<br />

in Taft reopened following a recent fire.<br />

Manager Bob Lucchese of the National<br />

billed a Cuban stage show which did good<br />

business on a week's run . Charninsky<br />

YOU Cnn'T BERT<br />

FILNACK<br />

SPECIPL<br />

TBPiLEns<br />

SATISFACTION<br />

^BB<br />

Make Us Prove Itl<br />

has installed Cinemascope at his Prince<br />

Theatre . new snack bar at the<br />

Alamo Drive-In had a gala opening. There<br />

were free drinks and souvenirs for the<br />

children, courtesy of the management.<br />

.<br />

The Aztec has started a temporary policy<br />

of having two feature films twice a week.<br />

"Five Guns West" and "Mad at the World"<br />

inaugurated the change-over. New change<br />

days are now Thursdays and Sundays<br />

The H:-Park and Ti'ail Drive-ins had the<br />

first exclusive showing of the Rocky Marciano-Don<br />

Cockell championship fight films.<br />

Business hit a new high for the special showings.<br />

They were also shown at the Fredericksburg<br />

Drive-In here.<br />

Eddie Edwards, head booker at Clasa-<br />

Mohme, writes in to say that his company<br />

is releasing a new series of westerns known<br />

as the "Adventureros." In the fall, another<br />

series based on the story of Pancho Villa<br />

will be released . . Visitors to the exchanges<br />

.<br />

were Humberto Gonzalez, the American,<br />

Bishop; Manuel Soils, Rancho Drive-In,<br />

Alice; Mrs. E. R. Ruenes, the Ruenes, San<br />

Benito, and her daughter, Mrs. Philip Brady,<br />

who manages the theatre.<br />

DALLAS<br />

XX7iIton Wayne Spruce, 60, retired MGI<br />

office manager, died last week in a Dall;<br />

hospital after a long illness. Spruce retire<br />

last year after 30 years with the film coir<br />

pany. He was born in Troup, Tex. He was<br />

member of the Variety Club. His wife, tY<br />

former Lillian Francis of Huntsville, teachi<br />

in the Hillcrest high school. Other survivo!<br />

include three daughters, Mrs. George S. M(<br />

Ghee and Emily Spruce, both of Dallas, ar<br />

Mrs. William McQueen of Garden Grov<br />

Calif., and a brother, W. Clark Spruce.<br />

Chillicothe, has installed a widescreen ar<br />

Cinemascope . Guinan, RKO, pres<br />

dent of the Pilot Club, spent the Decorati(<br />

Day weekend entertaining national office i.i<br />

of the club . . . Mrs. Ha Sample and JoyJ<br />

Symes of the UA cashier department wej<br />

on vacations King, Edna Mulll]|<br />

and J. D. Moore will leave on their vacJ<br />

tions June 6 . . . Frankie Weatherford, secrj<br />

tary at Republic, left on a vacation.<br />

^ll'"^IIJI"»<br />

BUFFALO<br />

3409 Oak Lawn, Room 107<br />

Send Us Your Next Order.<br />

fffrwffli'i'ji<br />

SAN DIEGO, TEX.—The Regis Theatre is<br />

being redecorated and new ceiling and widescreen<br />

are being installed.<br />

COOLING EQUIPMENT<br />

BUFFALO ENGINEERING CO., INC Dallos, Texas<br />

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OUT AT $160,000. $55,000 handles. Financially qualifi<br />

prospects given unusual co-operation including tax record<br />

Opportunity of lifetime. Private sale. Boxoffice, 5S9<br />

Fastest Switch In Soft Drink History<br />

63% more theatres now vending Pepsi than one year ago.<br />

And here's why Pepsi is the right choice for your theatre.<br />

MORE DRINKS PER GALLON<br />

MORE PROFIT PER DRINK<br />

Pepsi profit tops all nationally advertised and nationally<br />

available cola syrup lines. Pepsi's syrup price is<br />

the lowest of any nationally advertised cola<br />

far<br />

lower than the nearest comparable cola. Add extra<br />

profits from Pepsi's extra drinks—128 drinks per<br />

gallon, compared with 115 for the nearest comparable<br />

cola.<br />

PEPSI IS AMERICA'S FASTEST<br />

GROANING COLA DRINK<br />

Write for full details. We'll be around to discuss<br />

this important subject with you.<br />

Sterling Sales<br />

& Service, inc.<br />

Theatre Equipment Supplies & Service<br />

Phone PR-3191 • 2019 Jackson Street Dallas, Texas<br />

70<br />

BOXOFFICE<br />

:<br />

4,«


—<br />

, 10<br />

: June<br />

Funk Thomas Replaces<br />

R y Copeland at Allied<br />

AnSAS city—Frank Thomas has been<br />

na ed successor to Ray M. Copeland, Allied<br />

Ar ts branch manager the last three years,<br />

Thomas<br />

Ray Copeland<br />

wfie retirement has just been announced.<br />

Tl Tias has been a member of the sales depament<br />

for five years, coming over from<br />

Ps.mount. He started in the ad-sales depa'ment<br />

at Paramount; in the late '20s,<br />

to Des Moines to take charge of the<br />

- department and then was transsalesman.<br />

He came back in that<br />

ra,city to the Kansas City Paramount office,<br />

th: went to Allied Artists. He has a wife<br />

an a son.<br />

iipeland retired once before after 25 years<br />

vi Paramount, and once was manager.<br />

Hfame out of retirement to head the Allied<br />

Aiists branch but insists now he is really<br />

reed and going to make it stick. His indiry<br />

friends are invited to call on him at<br />

hi home and hold down a second rockingcYt.<br />

'lIC Continues to Lead<br />

Ii Minneapolis Stay<br />

INNEAPOLIS—Top among the fresh entr<br />

here was "The Sea Chase." Bringing up<br />

threar were "The Purple Plain" and "Kiss<br />

M Deadly." It was the fifth and second<br />

wcs. respectively, for "Blackboard Jungle"<br />

"Strategic Air Command." both of which<br />

ai<br />

bt- cut a wide boxoffice swath.<br />

(Average Is 100)<br />

Gcer The Blackboord Jungle (MGM), 5th wk. 140<br />

Ly —Kiss Me Deadly (UA) 90<br />

Or sum—The Purple Plain (UA) 90<br />

Pa-Smoke Signal (U-l); Killers from Space<br />


. . . Joe<br />

J<br />

MINNEAPOLIS<br />

II mold Shartin, Paramount booking office<br />

manager, has been transferred to Los<br />

Angeles and promoted to salesman. Succeeding<br />

him here is Joe Rosen, who was promoted<br />

from head booker to booking office manager<br />

Loefler. Republic manager, has set<br />

"Eternal Sea" for day and date showings at<br />

two Twin Cities' top Minnesota Amusement<br />

Co. houses, the State and St. Paul Riviera.<br />

Irving Marks, Allied Artists manager here,<br />

has set "Annapolis Stor.v" for the RKO-Pan<br />

July 1 and "Seven Angry Men" for the Lyric<br />

July 13.<br />

Bob Mantzke, son of P^ank Mantzke. independent<br />

film distributor and buying-booking<br />

group head, and director of the world famous<br />

Choralaires singing group, has won a new<br />

honor in his field. He directed another chorus<br />

that won first place in the Minneapolis<br />

Aquatennial contest and is now eligible to<br />

compete at the Chicago Musical Festival. It<br />

was the Prudential Life Insurance Co. chorus,<br />

assembled and trained by young Mantzke.<br />

Congratulations to Ev Seibel, Minnesota<br />

Amusement Co. advertising-publicity head,<br />

who.se daughter Nancy, was ju.st married . . .<br />

Minnesota Amusement Co. neighborhood theatres<br />

staged Memorial Day Disneyrama<br />

matinees comprising 15 cartoons together<br />

with one True-Life Adventure short and one<br />

TO ALL THEATRE OWNERS<br />

who screen<br />

for<br />

United Film Service, Inc.<br />

If you have not received this envelope . . .<br />

novelty subject. There was a single shoW'«i({<br />

2 p.m. and admission was 25 cents for ir<br />

youngsters. The show was specially adv'<br />

tised.<br />

Suburban World, neighborhood fine al<br />

theatre, gets the British "Three Cases]<br />

Murder" for its first Twin Cities showing<br />

.<br />

20th-Pox exploiteer Chick Evens was hjj<br />

to work on the campaign for "Soldier<br />

Fortune" which follows "The Blackboil<br />

Jungle" into the Gopher here. In its<br />

week "Jungle" still was going great gil<br />

Minneapolis Morning Tribune sent sll<br />

writer Earl Wingard to Rapid City, S,<br />

to interview Richard Brooks who will diit<br />

MGM's new picture, "The Last Hunt,<br />

a $1,400,000 budget, out of there. BroolikiK<br />

former marine sergeant who also direc]<br />

"The Blackboard Jungle," headed an M'<br />

team in Rapid City to select locales for e<br />

filming. He told Wingard that he belies<br />

film companies are swinging more and n-e<br />

to the idea of shooting pictures in the<br />

involved in the story. In another year o:<br />

he thinks about half of the films will!<br />

made in Hollywood and half on<br />

I<br />

loca<br />

Brooks, his staff and the picture cast .iT<br />

return to the Rapid City headquarters shdy<br />

before June 30 when the actual filming sti<br />

A civic celebration is planned for the daj<br />

While in Minneapolis for the celebratioq<br />

the first anniversary here of "Cineraii<br />

Lowell Thomas, one of the company's big^<br />

as well as a famed radio and TV persona .y,~<br />

heard the Minneapolis Apollo club, lie<br />

chorus, sing and was so impressed than<br />

has started negotiating to have it appeai<br />

the third of the Cinerama productions, "S^<br />

Wonders of the World." !<br />

The British production of<br />

1<br />

"Romeo f<br />

Juliet," current J. Arthur Rank release haj<br />

its first Twin Cities run at the local neighfl<br />

hood fine arts Campus, was not only reviije<br />

by Bob Murphy, regular Minneapolis Hi<br />

Ti-ibune critic-editor, but also by Johijl<br />

Sherman, Star drama editor-critic. vB<br />

lavished superlatives on it. Among c^0<br />

things, Sherman declared "Shakespearefal<br />

rarely wooed the eye and stirred the feelB<br />

as he does in this picture." Sherman sai i<br />

probably ranks as one of the dozen "fi<br />

beautiful films ever made" and he decja<br />

he "was bewitched by its color, its brip<br />

evocation of Renaissance Italy, and, apvl<br />

all, its moving story of young love, all ajM<br />

dreams and idealism."<br />

It<br />

please let us know at once!<br />

contains the "Leading Citizen" direct mail promotion<br />

which was created to build business for you,<br />

and will be supplied to you FREE. (See News Article<br />

in Promotion Section in this issue.)<br />

UNITED FILM<br />

2449 Charlotte Street<br />

72<br />

SERVICE. INC.<br />

Kansas City 8, Missouri<br />

Sells to Fred Osterhage<br />

NORA SPRINGS. IOWA—Fred<br />

Osten9<br />

of Mason City has purchased the Fox M<br />

atre here from Mrs. Earl Stanton. A fd<br />

resident of Nora Springs, Osterhage anjl<br />

wife moved to Mason City in 1953 and hdl<br />

formerly employed by Montgomery \i<br />

Mr. and Mrs. Stanton came to Nora Sri<br />

in 1948, when they purchased the th|<br />

Following Stanton's death last October,!<br />

Stanton continued to operate the house f<br />

February of this year, when it was<br />

The new owner plans to open the th^'<br />

immediately.<br />

Ellsworth House Shutter<br />

ELLSWORTH, MINN.—This town's «<br />

theatre, the Mark, has shuttered. OwneiSeOj<br />

Sieve says the rea.son was poor business<br />

BOXOFFICE June 419


.<br />

rch<br />

! Biblical<br />

I' .•<br />

motion<br />

.<br />

elected<br />

Ivo Fine Bible Films<br />

\'eak at Twin Cities<br />

IINNEAPOLIS — Failure of the local<br />

ci<br />

clement to rally support for two repictures,<br />

"Day of Triumph" and<br />

ii lung From Heaven." has some indusinbers<br />

here shaking their heads and<br />

I told you so."<br />

pointed out that here again is the<br />

,, ;,ioiy. Religio\is groups rail against "un-<br />

ualjlc" pictures and put pre.ssure on Holly-<br />

' 111 produce ones on a higher moral<br />

Vet when such films come along they<br />

at the boxoffice. "Day of Triuph"<br />

and "Reaching From Heaven." did<br />

pir busine.ss at the local RKO-Pan and<br />

I eum. although they are highly meritorip<br />

Biblical pictures."<br />

hi rr were advance showings to which all<br />

;int clergymen were invited. Many acilie<br />

invitations and promised to recii:<br />

ml them from their pulpits and other-<br />

\\i.- and agreed to help in the distribution<br />

o'.-educed price tickets. Yet each fared pooriMt<br />

the boxoffice.<br />

D.iy of Triumph" was produced by a<br />

•. iirr Minnesota clergyman and tells part<br />

Oithe story of Jesus Christ,<br />

'rank Mantzke. "Reaching From Heaven"<br />

d ributor. says that in the smaller towns<br />

t ! picture has done very well.<br />

1) FCC Survey Post<br />

.'ILLIAMSBURG. IOWA—W. J. Newcomb.<br />

and operator of the Burg Theatre<br />

;,is been appointed to make a talent<br />

> > c,v by the American Number One Thea|?<br />

Authority to ascertain the availability<br />

0';alent in this area and transmit the findii;<br />

to the FCC and civic bodies. This is in<br />

lil' with a national survey which is being<br />

c|ducted on the theory that in each comninity<br />

and surrounding territories there may<br />

b sufficient talent that television productjis<br />

should be staged in local theatres inslid<br />

of limiting them to New York and<br />

H lywood.<br />

ly Pinky Lee Shows<br />

IINNEAPOLIS — "Pinky Lee's Theatre<br />

F ty." a special morning performance for<br />

t) youngsters designed to capitalize on the<br />

p ularity of Lee's children's .shows on tele-<br />

Vion, was featured Saturday at the Minn<br />

polls and St. Paul RKO Orpheum theat;;.<br />

Admission was 50 cents for adults and<br />

2|:ent.s for the small fry. The program also<br />

Cisisted of 12 cartoons, an old film and Roy<br />

Fjiers feature. Despite extra advertising and<br />

e loitation. the "parties" didn't do too well.<br />

Iwa House Closed<br />

ASHUA. lO'WA—The Nashua Theatre,<br />

w ch has been in operation for many years,<br />

H closed and will not reopen again. The<br />

Cu'les City theatre has purchased the seats<br />


. . Swelda<br />

. . Don<br />

'-<br />

. . Mr.<br />

Special Purchase<br />

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• These heavy quality Corry-Out-Trays are ova<br />

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COCOANUT OIL<br />

25c<br />

Special No. 3<br />

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No. 3 Automatic<br />

POPCORN BOX $9.25<br />

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Buena Vista Criticized<br />

By Rocky Mt. Allied<br />

From Western Edition<br />

DENVER—The board of directors of the<br />

AUied Rocky Mountain Independent Theatres<br />

met recently to elect James Peterson of<br />

Littleton, Colo., as president for the coming<br />

year and passed a resolution severely condemning<br />

the sales policies of the Buena<br />

Vista Film Distributing Co., Walt Disney's<br />

film outlet.<br />

The resolution concerning Buena Vista protested<br />


'.'<br />

u<br />

I<br />

JFFICE<br />

. ii.iiing<br />

'<br />

will<br />

1 matches<br />

. . The<br />

. .<br />

/iriely of Cleveland<br />

!(ts Fund Program<br />

'"'INLAND—The Viincty Club at :i<br />

in the Theatrical Grill unfolded a<br />

l; fund-raising plan for the support<br />

irebral Palsy School to take the<br />

jiinual or semiannual fund-raising<br />

Bon Voyage for Circuit Executive<br />

Iverthorne, chief barker, told memiie<br />

club and representatives of the<br />

u the plan works and to what extent<br />

il can benefit if enough time and<br />

put forth.<br />

im is patterned after one that has<br />

-I successfully in Memphis. In every<br />

;;! spot in the area such as cigar and<br />

'lunters. super markets, restaurants,<br />

uton of 50 paper book matches is<br />

..thin easy reach of the customer.<br />

uii also contains a box for voluntary<br />

:ons to the school. The matclies are<br />

the average person receiving change<br />

i-h register will drop a coin into the<br />

ion receptacle. Merchants are<br />

ui cooperate, because it relieves them<br />

:iig free matches with cigaret pur-<br />

.irtons will be serviced entirely by<br />

;s. Areas will be divided into disi:very<br />

district supervisor will be in<br />

1 a given number of volunteers.<br />

lunteers, it is anticipated that at<br />

be needed, will see that a full<br />

is maintained in each<br />

iment and will also collect the con-<br />

- which will be turned over to the<br />

1. who will turn them over to the<br />

Club.<br />

.Shenker of Berlo Vending Co. and<br />

CTreenberger. manager of the Hippoi<br />

neatre. were named co-chairmen of<br />

committee.<br />

y^ short film showing the handling and<br />

trelaient of cerebral palsy children at the<br />

-'-<br />

' .\ as shown. The film was directed and<br />

iiJhed by Jack Lewis. RKO salesman,<br />

a combat photographer during World<br />

II<br />

m<br />

Professional<br />

RESEAT OR RENOVATE<br />

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Renovation — factory trained<br />

crew. Your choirs recovered,<br />

using Foam Rubber or New<br />

Springs. Metal parts refinished<br />

in Baked Enamel— like<br />

new. Estimates anywhere.<br />

^ Nly 1200 plywood chairs<br />

650 full upholstered chairs<br />

^ 1500 squab seot, pad back<br />

HEYWOODWAKEFIELD SEATING<br />

20356 GRAND RIVER<br />

ROIT,<br />

MICHIGA<br />

KENWOOD 3-8740<br />

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LOCAL NEWSREELS<br />

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JEWELL<br />

PRODUCTIONS<br />

I McKerchey Bldg.. Detroit 1, Mich., WOodwvd 5-6299<br />

CLEVELAND—The office personnel of<br />

M. B. Horwitz, head of the Washington<br />

circuit, staged a surprise bon voyage party<br />

for him and his travel companion George<br />

Stone, prior to their leaving for a trip to<br />

Europe and Israel. They are, left to right:<br />

Edward Weiss, manager of the State in<br />

Cuyahoga Falls: Mrs. Henrietta Kinkel,<br />

Falls, Cuyahoga Falls: George Stone: Nat<br />

LOUISVILLE<br />

n report of state revenue compiled by the<br />

department of finance and the department<br />

of revenue, amusement tax revenue for<br />

April 1955 was $90,794.27 as compared to $88,-<br />

108.47 for April 1954. Tax revenue for July<br />

through April on .amusements 1954-1955 was<br />

$1,377,321.02 as compared to $1,273,587.46 for<br />

July through April 1953-54 .<br />

Bard<br />

Theatre, a subsequent run neighborhood<br />

house here, was sold at auction for $70,000.<br />

The theatre was sold to settle the estate of<br />

Chris Thodis, operator for many years of a<br />

restaurant at Third and Liberty. The sale<br />

will cover bequests of $61,557 left by Thodis.<br />

The building was bought by Oscar K. Fine<br />

of Evansville, Ind., who now operates the<br />

theatre.<br />

E. L. Ornstein, national director of the<br />

newly formed Allied Theatre Owners of Kentucky,<br />

w'as in New York recently to attend<br />

the National Allied board meeting ... An<br />

all out membership drive has been started by<br />

the Kentucky Allied . . . R. H. Robertson of<br />

the Majestic Theatre. Springfield, has been<br />

admitted to the Veterans Hospital here .<br />

James Howe of the Richland Theatre. Carrollton,<br />

has been admitted to the Good<br />

Samaritan Hospital. Cincinnati.<br />

Eight Airers in Toledo<br />

TOLEDO—The opening last week of the<br />

Starlite Drive-In by John Dempsey brings to<br />

eight the number of ozoners in the Toledo<br />

area. In addition to the Starlite, they are<br />

the Parkside and the Telegraph, also owned<br />

by Dempsey; the Jesse James, operated by<br />

Jack Armstrong; the Miracle Mile, operated<br />

by Al Boudouris and associates; tiie Maumee,<br />

a Paul Wintner theatre; Toledo, owned by the<br />

Ohio Drive-In Theatre Corp., and the Woodville<br />

at nearby Millbury. run by Charles De-<br />

Weese and Milo DeHaven.<br />

Freiberger. Plaza in Cleveland; Elsie Loeb,<br />

BOXOFFICE correspondent; Horwitz, his<br />

wife and daughter Mrs. Selma Leavitt; Eva<br />

Urdanf, secretary; Mrs. Harry Horwitz<br />

and Sanford Leavitt, assistant to M. B.<br />

In the rear are Lewis Horwitz, son and<br />

business associate: Hilbert Horwitz, manager<br />

Haltnorth Theatre: Gil Byron, Astor<br />

Theatre, and Birdie Miller, a daughter.<br />

Weisberg Acquires<br />

Broder's Interest<br />

DETROIT—Paul Broder. head of Realart<br />

Pictures, nas sold out his interest in the<br />

Sterling Theatres to Arthur Weisberg, who<br />

becomes sole owner of a dozen local theatres<br />

operating under both the Sterling and A&W<br />

Theatres titles. Broder is now active in the<br />

construction industry here.<br />

The circuit has closed the Carlton and<br />

moved its headquarters downtown to the<br />

Times Square Theatre. Houses remaining in<br />

the Sterlmg-A&W properties are the Alger,<br />

Crystal, East Detroit, Esquire, Grand, Parkside,<br />

Regent, Rex, Roseville. Senate, Seville<br />

and Times Square. These include the theatres<br />

owned by Jack Broder, a brother of Paul who<br />

now heads his own production company in<br />

Hollywood, which were known as the Van<br />

Houdt circuit.<br />

Sterling has also closed two other theatres;<br />

the Cinema, downtown first run art house,<br />

and the suburban West End.<br />

Installs Widescreen<br />

ABERDEEN. MD.—A widescreen for Cinemascope<br />

and Superscope has been installed<br />

at the Riverside Drive-In, according to Manager<br />

H. M. Walker jr.<br />

YDU CART BERT<br />

FILMACK<br />

BPBC.B^'i<br />

TB niLEi<br />

2aS2 sum<br />

SATISFACTION<br />

A^!I.V.'J.',M'M!I<br />

Make Us Prove Itl<br />

Send Us Your Next Order.<br />

WWITI<br />

ME 75


. . Hyman<br />

. . Stuart<br />

. .<br />

. . The<br />

: June<br />

.1<br />

i<br />

'<br />

DETROIT<br />

Tack Hebcrt, booker for Paramount, left for<br />

.<br />

a vacation in Florida, escaping our rainy<br />

season . Gordon, former owner of<br />

the Shore.s Theatre in St. Clair Shores, who<br />

is now semiretired, was in Chicago vacationing<br />

with his grandchildren L.<br />

Gorelick, who recently took over the Apollo<br />

Theatre, is also registering title to Concessions<br />

by Gorelick and the S. L. Gorelick Enterprises,<br />

both firms with headquarters at the Apollo.<br />

OVTSTANDING CRAFTSMANSHIP SHIP AND INCINecniNG<br />

INCINecniNO<br />

L


'<br />

'<br />

!<br />

;<br />

visit<br />

. . Ten<br />

. . Sam<br />

. . Loew's<br />

: June<br />

. . Mrs.<br />

— —<br />

—<br />

C LEVELAND<br />

frin Pollard of Imperial Pictures has<br />

II an apartment . . .<br />

riiimht his wife here from Detroit to<br />

Sam Barck,<br />

iiwner of the Market Square Theatre<br />

iitil recently part owner with his<br />

Maurice in the Park Auto Drive-In<br />

,!ice, is back in the business. He has<br />

iver the Lincoln Theatre in Lisbon.<br />

ii-seat house, formerly operated by<br />

I, .1^1 A. Rogers, has been closed several<br />

booking merger will take place on Satur-<br />

Tii when Anne Walker. Columbia<br />

becomes the bride of Virgil Jones,<br />

lui booker . Galant, Columbia<br />

fin division sales manager, combined<br />

rit.ss with pleasure and attended the gala<br />

il.ii dinner staged for Marshall Fine of<br />

ed Theatres, who was married May 29<br />

..:..cia Krow of McKeesport, Pa. Followthe<br />

wedding at the Oakwood Country<br />

), the couple left for a European wedding<br />

irry Rice, Columbia publicity represent-<br />

> back in town for several weeks to set<br />

paigns on "A Pi-ize of Gold" and "The<br />

the Affair" . . . Returned travelers<br />

the Nat Earaches of NSS and the<br />

The<br />

links of the Palace Theatre<br />

.jl former Paramount booker Lou Van<br />

flilen graduates this month from Shaker<br />

Hi;hts High School.<br />

iLirles Mack, one of the last of the small<br />

_ 1 '4,000 pop.) exhibitors to join the proce<br />

on, contracted with NTS branch manager<br />

piik Masel to install a widescreen, Cinema-<br />

& le lenses and other equipment in his<br />

St'nd Theatre at Sebring.<br />

iilton Wehmeyer, manager of Smith &<br />

B


II<br />

Arcade and Astor Dark;<br />

Long in Detroit 'A' List<br />

DETROIT—Closing of two of Detroit's<br />

cluster of "A" theatres, both dating back a<br />

third of a century or more, was announced by<br />

the operators—the Arcade, operated by Louis<br />

Spann jr., and the Astor, operated by Mitchell<br />

Victor. The latter house has been continuously<br />

under Victor's management since it<br />

was opened in 1922.<br />

Detroit exhibitors for many years made a<br />

fetish of finding shows names beginning in<br />

A, to secure early position in newspaper and<br />

other advertising. Future plans for both the<br />

Arcade and Astor remain unknown.<br />

Stephen McNally has been signed for a toplining<br />

part in MGM's "Jeremy Rodock."<br />

Jobil Co. Moves<br />

DETROIT—The Jobil Pr-oducts Co., manufacturer<br />

of a new type of quick-acting baby<br />

bottle warmer, designed as a special customer<br />

convenience for outdoor theatres, has moved<br />

their headquarters, formerly on Gratiot<br />

avenue, to 19 Clifford St. The firm is also<br />

preparing to bring a number of other new<br />

products on the market, 'William Berger,<br />

manager, said.<br />

B. M. Taylor Appointed<br />

LOUISVILLE—Brutus M. Taylor has been<br />

named sales engineer with Hadden Theatre<br />

Supply Co. here. Taylor has been active in<br />

the sales and service of projection equipment<br />

for the last 11 yeai-s. He will serve<br />

the Kentucky-Indiana territory.<br />

TO ALL THEATRE OWNERS<br />

who screen<br />

for<br />

United Film Service, Inc.<br />

// you have not received this envelope . . .<br />

Partner of Butterfield<br />

Leases Holland Airer<br />

;<br />

DETROIT— Henry Carley. partner with th<br />

Butterfield circuit in the three theatres a'<br />

Holland, Mich., is taking over the Starligh<br />

Drive-In there, formerly leased to Jack Loek<br />

Enterprises of Grand Rapids by Loew's Drive<br />

In Theatre. Inc., of which Louis Goldberi<br />

Detroit exhibitor, is president.<br />

Carley is embarking on an extended re<br />

modeling program, including enlargement c<br />

the screen and an addition to the concessio<br />

building.<br />

This move by a veteran Butterfield partm<br />

into the outdoor field is considered signiflcai;<br />

in view of the fact that this major Michiga'<br />

circuit has hitherto stayed strictly in coi<br />

ventional theatre operation, despite a pn<br />

gram for construction of approximately<br />

outdoor shows reported several years ai<br />

Joseph Denniston, another Butterfii<br />

partner, recently announced plans for a ne<br />

drive-in to be built at Mom'oe.<br />

Harlan Theatre Begins<br />

$30,000 Remodeling<br />

HARLAN, KY.—Tl-ie New Harlan Theal<br />

began a $30,000 remodeling program recent<br />

according to Bill 'Wright, spokesman for t<br />

majority stockholders. Major changes vn<br />

installation of a new 35-foot screen a<br />

Cinemascope equipment. A new concessiC(<br />

stand was built in the place formerly occ)<br />

pied by Price's newsstand, north of the tlrl<br />

atre lobby. It opens into the lobby and a^l<br />

I<br />

is accessible to the street. The interior of if\<br />

theatre was redecodated and all seats refij<br />

bished.<br />

Mrs. Martha 'Warren, manager of the thj<br />

tre for several years, is continuing in<br />

capacity. Price Coomer has been leasing<br />

theatre from the local owners and Wright 8^<br />

his father of Whitesburg, Ky.<br />

. . . please let us know at once!<br />

Cleveland Cinema Club<br />

Elects Mrs. E. P. Swisher<br />

;<br />

CLEVELAND—The Cleveland Cinema 01^,,<br />

whose recent 39th anniversary e.'^tablishest<br />

as the oldest club of its kind in the coun',:<br />

has elected the following officers for the cQ-i<br />

ing year: president, Mi-s. E. P. Swisher; ftfc<br />

vice-president, Mrs. A. A. Kaiser; second W<br />

president, Mi-s. R. C. Strong; recording secj<br />

tary, Mi'S. E. J. Carey; corresponding se({<br />

tary. Mrs. Marjorie Lawrence; treasurer,<br />

trude Robertson; chaplain, Mrs. A. C,<br />

Christ. Installation of new officers will<br />

held 'Wednesday il5i in the Higbee lou;<br />

The outgoing president, Mrs. Marie Jackfi<br />

served two years.<br />

It<br />

contains the "Leading Citizen" direct mail promotion<br />

which 'was created to build business for 'you,<br />

and will be supplied to you FREE. (See News Article<br />

in Promotion Section in this issue.)<br />

UNITED FILM SERVICE, INC.<br />

2449 Charlotte Street<br />

Kansas City 8, Missouri<br />

Gen. LeMay Helps 'SAC<br />

COLUMBUS—Gen. Curtis E.<br />

LeMay, cjeil^<br />

of the U. 8. Strategic Air Force, gave, inl-J«i<br />

feet, a preview of "Strategic Air Commsfl'<br />

in an address before the engineers confenj<br />

at Ohio State University. LeMay, a gradjte<br />

of Ohio State and South High School I<br />

told of the vital role of the air arm in fu<br />

LeMay was a member of the Si<br />

conflicts.<br />

High class of '24, in which Fred Oestreit<br />

publicity manager of Loew's Ohio, also<br />

a member. The Ohio will show the fei<br />

soon.<br />

78<br />

BOXOFFICE :: June 4,1


'<br />

i<br />

'.s<br />

I lieatres.<br />

. . Alec<br />

S I<br />

Adorno Jr. Opens<br />

}/[ddletown Airer<br />

IjDDLETOWN. CONN.—The $200,000. 850-<br />

cai^iddletown Drive-In on Route 9 here has<br />

bed opened by Sal Adorno jr. The night<br />

bele the official opening Adorno held a<br />

pri jening party, hosting area Kiwanis Club<br />

mc bers at a buffet dinner and screening of<br />

"Sunge Lady in Town." State and city offlc<br />

s participated in ribbon-cutting ceremr<br />

es the following night. May 25, with<br />

Af •.Annapolis Story" serving as the initial<br />

inn.<br />

iinv drive-in is not associated with<br />

of which Adorno jr. formerly<br />

;^tant general manager. His father<br />

,,1 of that three-theatre operation.<br />

',e May 24 party was marked by an infer'<br />

al ceremony held in the modernistic con-<br />

••»' in' building, with Kiwanis executive T.<br />

Shugrue and others extending good<br />

usages.<br />

been the Adorno family," said Shugrue.<br />

"tlj: has been in the forefront of extending<br />

f.i. ijps for civic functions and the like in<br />

",vn, and Kiwanis wishes to extend<br />

i.^hes to this latest entertainment<br />

pri'Ct."<br />

Jllowing the buffet dinner, the guests<br />

toi'd the 15-acre tract. Features of the<br />

nel open-airer include a .screen measuring<br />

120 eet wide, an asphalt driving and parking<br />

urface and an eight-car-wide exit to permi;uick<br />

north and south highway flow.<br />

-'diaper den," in which mothers may tend<br />

th( youngsters, is located in the concesslo<br />

building. A large terrace adjoining the<br />

bu- ing provides snack table facilities.<br />

'ade figures at the preopening party incK'd<br />

Milt LeRoy, Blue Hills Drive-In TheatiiCorp.,<br />

Hartford: Ralph Mauro, National<br />

IT tre Supply: W. E. Gilson, Altec Service<br />

Co ., and Allen M. Widem, amusement editoiHIartford<br />

Times.<br />

li Saves Furnishings<br />

)m Closed Theatres<br />

W HAVEN—Much of the projection<br />

)ment, seats<br />

and other furnishings from<br />

houses sold by Loew's Poli-New England<br />

tres in recent months will be used for rements<br />

in the circuit.<br />

and equipment from the Elm Street<br />

Its<br />

tre in Worcester, the Lyric in Bridgeand<br />

the Bijou here are generally In<br />

class condition. Some imits were immely<br />

moved to other theatres for replace-<br />

-s. The remainder of the contents taken<br />

the three sold theatres has gone into<br />

ge,<br />

for use as required,<br />

e theatres had a total capacity of 5,891,<br />

2,297 seat-s in the Elm Street, 2,165 in<br />

:.yric and 1,429 in the Bijou. Workmen<br />

ompleting the removal of theatre propfrom<br />

the Elm Street, sold a few weeks<br />

The Lyric and Bijou have been vacated<br />

e chain,<br />

three houses were sold under the condecree<br />

in the federal antitrust action<br />

^t Loew's.<br />

N« Play Area at Groton Airer<br />

IJITFORD— The Groton Drive-In has<br />

"> lied a new playground. Horseshoe courts<br />

»ri<br />

nother new attraction.<br />

DANNY KAVE HONORED—Joe Harring:ton,<br />

president of the Boston Press<br />

Club and city editor of the New England<br />

Post, is seen presenting: Danny Kaye<br />

with a citation for his performance in<br />

"Knock on Wood." The award was made<br />

by the critics during Kaye's trip around<br />

the world for United Nations, which trip<br />

resulted in his "Assignment Children."<br />

NEW HAVEN<br />

T oew's Globe, Bridgeport, has been closed for<br />

the summer. The dowTitown house, which<br />

does not have air conditioning, has been<br />

showing reissues with moderate success.<br />

Manager Al Domian will serve as relief manager<br />

in the circuit during hot weather<br />

months . Schimel, U-I manager, arranged<br />

a showing of "The Shrike" in the<br />

20th-Fox screening room for I. J. Hoffman<br />

of the Connecticut Theatre circuit and a<br />

nimiber of other exhibitors . . All Filmrow<br />

.<br />

managers attended the opening of the new<br />

Adorno Middletown Drive-In.<br />

Abe Bernstein, UA publicity man from New<br />

York, was in town to work on "Kiss Me<br />

Deadly" at Loew's College . . . The SW<br />

Roger Sherman is the latest theatre to employ<br />

an automatic telephone answering device,<br />

giving picture titles, stars, starting times and<br />

prices . . . Arthur Loew, president of Loew's<br />

International, wa-s in New Haven to attend<br />

the state tennis tournament . . . Elmer Hirth,<br />

Connecticut booker-buyer for Stanley Warner,<br />

leaving for a similar post at the Philadelphia<br />

office, was honored at a farewell luncheon<br />

given by Filmrow exchange managers, bookers<br />

and salesmen at Kaysey's, with 40 attending.<br />

Alec Schimel was chairman, Hirth was<br />

presented with a two-suit traveling bag.<br />

Ed Hinchey, play date manager for Warner<br />

Bros, in New York, also attended.<br />

Hartford Star Reopens<br />

HARTFORD — Community Amusement<br />

Corp. has reopened the 1,800-seat Star on a<br />

subsequent nm policy. Initial reopening bill<br />

consisted of U-I's "Flesh and Fury" and<br />

RKO's "Africa Adventure."<br />

Joins Time Remembered' Cast<br />

Raymond Greenleaf, character actor, ha.s<br />

been set for a role in U-I's "A Time Remembered,"<br />

starring Rock Hudson and Cornell<br />

Borchers,<br />

O'Donnell Will Emcee<br />

Great Heart Dinner<br />

BOSTON—Plans are nearing completion<br />

for the Variety Club of New England's 1955<br />

Great Heart banquet when Rudolph F. King.<br />

Massachusetts registrar of motor vehicles,<br />

will receive the award. The affair will be<br />

held June 20 in the Imperial ballroom of the<br />

Hotel Statler. Robert J. O'Donnell, general<br />

manager for Interstate Theatres of Texas.<br />

will be toastmaster. Dr. Sidney Farber will<br />

present the award to King, who is also treasurer<br />

of the Children's Cancer Research Foundation.<br />

Walter A. Brown, chief barker of the Variety<br />

Club, said that dignitaries from the<br />

judicial, automobile and insurance world will<br />

be in attendance. J. Edgar Hoover is expected<br />

to attend. Ted Williams and the entire roster<br />

of the Boston Red Sox also will be present.<br />

In accepting the role of toastmaster, O'Donnell<br />

said, "I have always had a sincere admiration<br />

for the showmen of New England<br />

for what they have accomplished in helping<br />

children afflicted with cancer. I consider<br />

it a privilege to be asked to take part in the<br />

Great Heart Award banquet."<br />

A capacity turnout has been assured for<br />

the banquet. Recent acceptances have been<br />

received from George Hoover. John Rowley.<br />

Edward Emanuel. George Eby and Jack<br />

Beresin.<br />

Judge John Pappas. president of the Suffolk<br />

Downs Racing Ass'n. again played host<br />

to the Variety Club at the Paddock Club on<br />

June 2 at a cocktail party and luncheon. He<br />

gave each person a free daily double ticket.<br />

A breakdown of individual theatre returns<br />

on the New England Jimmy fund drive<br />

of 1954 has been sent to each theatre throughout<br />

the area by Chairman Theodore Fleisher.<br />

Before the tabulations are formalized, the<br />

Variety Club will appreciate it if a notification<br />

be sent to the club should a theatre<br />

be omitted or listed incorrectly so that the<br />

corrections may be made en the revised<br />

edition. Theodore Fleisher again joins Bill<br />

Koster in extending his appreciation to every<br />

individual in the industry for his wonderful<br />

cooperation in the 1954 Jimmy fund drive.<br />

Major Louis Osborne has informed the club<br />

that the proceeds from a dance to be held<br />

in observance of Armed Forces Day will be<br />

turned over to the Variety Jimmy fund drive<br />

for 1955.<br />

Five Managers Win Cash<br />

In Stanley Warner Drive<br />

NEW HAVEN—Cash prizes have been given<br />

five SW managers in the New England zone<br />

for promotion efforts in the first month of the<br />

Stanley Warner Spring Festival. Irving Hillman,<br />

manager of the Roger Sherman here,<br />

took the top prize.<br />

Other winners were Mrs. O. Fearing, Avon,<br />

Utica, N. Y.. second, and Steve Barbett, Warner,<br />

Lawrence, Mass.: Bill McGrath, State,<br />

Manchester, and Joe Miklos, Embassy, New<br />

Britain, tied for third.<br />

Honorable mentions were given Bob<br />

Howell. Port, Newburyport, Ma.ss.; Joe Borenstein.<br />

Strand. New Britain; Harry Barrett,<br />

Capitol, Willimantic: Murray Howard, Warner,<br />

Worcester, and Harry Corlew, Commodore<br />

Hull, Derby,<br />

»0 3FFICE June 4, 1955<br />

NE<br />

79


. . Mrs.<br />

. . Edward<br />

'<br />

BOSTON<br />

ere<br />

.<br />

"The engagement has been announced of<br />

Elizabeth Stoddard to Paul Sutton jr. of<br />

Marblehead. Mass. She is the daughter of<br />

Chester Stoddard, a district manager for<br />

New England Theatres Jeanne<br />

Cullen Good is engaged to Frederick Tuton<br />

jr. She is the widow of John Good, Paramount<br />

booker here who later went to Buffalo<br />

as salesman for the same company. While in<br />

Buffalo, he contracted polio and died. The<br />

couple had a son John jr., now 8 years old.<br />

.<br />

Walt Disney's new production, "Davy<br />

Crockett, King of the Wild Frontier," is<br />

booked into the Keith Memorial for June 22<br />

through Buena Vista here S.<br />

Canter, treasurer of American Theatres<br />

Corp. who was hospitalized due to a kidney<br />

ailment, is now at home. After several tests,<br />

the doctors have decided against operating.<br />

He is expected back in his office in another<br />

Mr. and Mrs. Harry Zeitz,<br />

week or so . . .<br />

New Bedford exhibitors, celebrated their 35th<br />

... A welcome<br />

wedding anniversary May 30<br />

visitor to the district was John J. Scully,<br />

former district manager for Universal.<br />

EdVard Lider, Nathan Yamins, Carl Gold-<br />

IMAGE & SOUND SERVICE CORP.<br />

"The Best Value In Sound Service"<br />

Hancock 6-7984 445 Statler Building<br />

Boston, Mossachubetts<br />

man, Leslie Bendslev and Melvin Safner took<br />

in the Allied States board meeting in New<br />

York May 23-25. In his new position as<br />

executive secretary of Independent Exhibitors,<br />

Inc., of New England, Goldman attended<br />

his first Allied board meeting, cai-rying<br />

the new leather brief case, which was<br />

presented to him as a farewell gift from the<br />

staff of Affiliated Theatres, when he resigned<br />

last month to take over the post at<br />

lENE.<br />

The city council has adopted a resolution<br />

which would have all theatres in the city<br />

establish bundle-checking desks, and would<br />

reserve a "favorably located section in each<br />

theatre for the exclusive use of female patrons<br />

during and for some time after shopping<br />

hours." When asked the reason for the<br />

propo.sed female segregation, the sponsor,<br />

Councilman William J. Foley jr., replied:<br />

"Women will get the idea." He said his suggestion<br />

was among those designed "to make<br />

Boston more attractive as a place to seek<br />

entertainment."<br />

The Bowdoin Square Theatre, built in 1875,<br />

has closed and will be razed. The site will<br />

become a parking lot. Built originally for a<br />

stock company, the theatre had various<br />

policies of vaudeville, stage shows and films<br />

until 1930 when it went on a picture policy,<br />

playing 30 days after downtown Boston. In<br />

1937, the theatre property was purchased by<br />

Ben Williams, who operated it as a second<br />

run. When it converts to a parking lot,<br />

Williams will continue to manage the business.<br />

In the ScoUay Square area where thpi''"<br />

Bowdoin Square was a familiar landmarl'<br />

two other theatres have recently fallen pre<br />

to the demolition trend The old Howart<br />

famous burlesque house, which also playe<br />

films, has been torn down, while the Olympi<br />

is awaiting results of city legislation befor<br />

it will be razed.<br />

At the 19th annual election of officers<br />

the Cinema Club of Boston, consisting<br />

bookers and office managers, the followir|<br />

were elected to serve for one year; president<br />

William J. Cuddy, RKO; John Glaze:<br />

Western Massachusetts Theatre, fir.st via'<br />

president: Phil Berler, E. M. Loew Theatrr<br />

second vice-president: Max Berlone, Units'<br />

Artists, treasurer; C. F. McGerigle, RKi<br />

secretary. The executive committee is con!<br />

posed of William Romanoff, New Englari,<br />

~<br />

Theatres: William Cuddy, RKO; Richa:<br />

Owens, E. M. Loew Theatres; Charles Wilso<br />

Allied Artists: Harry Smith, RKO; NateObe<br />

man, MGM, and C. F. McGerigle, RKO.<br />

Roy Heffner of Goodwill Award and Har<br />

Germaine of Price Pi-emium have moved<br />

new quarters at 42 Winchester St. where th!<br />

are sharing offices. They formerly had spal<br />

in the offices of Independent Exhibitors<br />

New England . . . Still on crutches after I<br />

recent accident, Lloyd Clark, president<br />

j<br />

Middlesex Amusement Co., comes into tj<br />

district on rare occasions, driven into town *<br />

his partner Winthrop Kiiox jr. . . . Teil<br />

Turner of General Teleradio was in town a|<br />

huddled with Joseph Levine of Embas<br />

Pictures on forthcoming product.<br />

{<br />

George Roberts, treasurer of the Rifkin ct<br />

cuit, has been elected to represent the Gra)<br />

'^<br />

KEENE ADVERTISING SPECIALTIES<br />

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• BUSINESS GIFTS<br />

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O PAPERLYNEN HATS<br />

• BUMPER SIGNS<br />

• CHILDREN'S GIVEAWAYS<br />

• CALENDARS<br />

SHOWROOM -38 CHURCH STREET -<br />

HU 2-1141<br />

• NOVELTIES FOR DRIVE-INS<br />

• OVER 6,000 ITEMS<br />

TO CHOOSE FROM<br />

BOSTON, MASS. - SHOWROOM<br />

MYER I. RUHENBERG<br />

• Theatre Premiums of all Types<br />

• Factory Representative for Dinnerware<br />

• Come in and see the NEWEST and<br />

HOTTEST premium deal.<br />

HU 2-7257<br />

DRIVE-IN<br />

OWNERS<br />

Reduce Your Overhead<br />

And Improve Your Bookings<br />

For Next Season<br />

Contact<br />

JOSEPH G. COHEN<br />

HU 2-7257<br />

80<br />

BOXOFFICE<br />

;<br />

; June 4, SS^ ^


w<br />

'<br />

w<br />

1 June<br />

: June<br />

. . Herman<br />

-<br />

. .<br />

. . Two<br />

district I at the International trien-<br />

M-ntion in 1956 which will be held<br />

Attends 'One Shot' Ross Testimonial<br />

hn Dervin of Stratford Pictures was in<br />

1 for a few days on a selling trip, greet<br />

his friends on Filmrow and promising to<br />

on June 20 to take in the Great Heart<br />

rd banquet sponsored by the Variety Club<br />

.<br />

•Jew England Rifkin has<br />

to the west coast with Mrs. Rifkin to<br />

in the Allied Artists board meeting and<br />

ittend the wedding of Eleanor Broidy,<br />

!hter of AA's Pre.sident Steve Broidy .<br />

Marjorie Carter, mail girl at New<br />

and Theatres, has resigned. Mary Mack<br />

ambridge replaced her.<br />

iminations announced by the bureau of<br />

lay entertainment under the Massaetts<br />

department of public safety included:<br />

.„'ela." parts 1 to 9 . . .<br />

Deletion.s— cut<br />

|n scene showing Angela's breast exposed<br />

lart 9 (20th-Foxi: "Doctor in the House,"<br />

1 to 10 . . . Deletions: eliminate the word<br />

*'' in part 3. Eliminate dialogue "Sister<br />

!jue nearly had a baby" in part 5. Eliminword<br />

"hell" in part 6 (Republic), "Kiss<br />

Deadly." parts to 11 . . Deletions: El-<br />

1 .<br />

Ur ate dialogue "Let him go to hell" in part 10.<br />

hn J. Scully jr. has been appointed dis-<br />

Miager for E. M. Loew Theatres. re-<br />

Nick Lavidor w^ho is now general<br />

of the University Theatre, Cam-<br />

:Scully, who is associated with E. M.<br />

... the operation of the West End Driveli,<br />

.llentown. Pa., is moving his wife and two<br />

chiren to this area where he will oversee<br />

h E. M. Loew circuit. On June 18. the<br />

..^ reopening the Welles Beach. Me.,<br />

bowling alley and arcade. On Cape<br />

Casino Theatre in Falmouth will re-<br />

12. Two more drive-ins for<br />

;;.iut are under construction for late<br />

ie.jii openings, the Candlelight in Bridgepq.<br />

Conn., and the Hallendale in Florida,<br />

bo engineered and designed by Richard<br />

Ri n.<br />

Nw Haven Businessmen<br />

Vjw Garage in Film<br />

j:rw HAVEN—Twenty business leaders<br />

lef their offices this week to see "Five<br />

the House" at Loew's College. The<br />

of the trip was educational, even<br />

.. _.i businessmen also found the Columbia<br />

dr la<br />

cr.tertaining.<br />

e delegation, made up of downtown reta<br />

rs concerned about the city's parking<br />

pi' lem, caught the film to wat


—<br />

—<br />

—<br />

—<br />

—<br />

. . Dean<br />

. .<br />

Some<br />

. . The<br />

.<br />

If<br />

'<br />

'Doctor' Scores 300<br />

In Boston Opening<br />

BOSTON—A week of unseasonably hot<br />

weather dropped grosses substantially, with<br />

two new pictures, "Strategic Air Command"<br />

and "Doctor in the House," standing up under<br />

the pressure. Both films were backed by<br />

strong campaigns.<br />

(Average Is 100)<br />

. . . 1<br />

Astor—Wuthering Heights (Federal), 2nd wk.,... 85<br />

Beacon To Paris With Love (Continental),<br />

Hill<br />

5lh wk<br />

^^<br />

Boston—This Is Cineroma (SW), 73rd wk 80<br />

Exeter Street Doctor in the House (Rep) 300<br />

Kenmore—Aido (IFE), 7th wk<br />

u . , ^°<br />

Memorial— Thot Lady (20th-Fox); Devil Girl From<br />

|0<br />

50<br />

, Mors (Sporton)<br />

Metropolitan Strategic Air Command (Para)<br />

.<br />

Paramount and Fenway Hell's Island (Pora);<br />

Timberjock (Rep) 75<br />

Pilgnm Five Agoinst the House (Col); Deod<br />

Reckoning (Reissue)<br />

: ...\ ^^<br />

Orpheum The End of the Affair (Col); Bedevilled<br />

(MGM) 75<br />

state-Treasure of Ruby Hills (AA) 65<br />

'Captain Lightfoot," With 150<br />

Sets Pace in Providence<br />

PROVIDENCE—Aided and abetted by first<br />

exclusive films of the Marciano-Cockell<br />

world's heavyweight championship fight,<br />

"Captain Lightfoot" rang up 150 in what<br />

was more or less a dull week in Providence.<br />

"Doctor in the House" was closest to the<br />

leader, with 110. Exceptionally fine weather<br />

and several competitive events apparently cut<br />

down expected attendance.<br />

Albee—Jump Info Hell (WB) 90<br />

Avon Doctor in the House (Rep) 110<br />

Loews—The Purple Plain (UA) 100<br />

Moiestic Captain Lightfoot (U-l) 1 50<br />

Strand An Annapolis Story (AA) 95<br />

'Marty' Rates 200<br />

In New Haven<br />

NEW HAVEN—"Marty" was held for two<br />

extra days at the SW Roger Sherman, and<br />

the gross for the nine-day run was 200 per<br />

cent. "Daddy Long Legs" had a fair second<br />

week.<br />

College Daddy Legs (20th-Fox); Long Challenge<br />

the Wild (UA), 2nd wk 110<br />

Paramount Hell's Island (Para); Timberjock<br />

(Rep) 60<br />

Poll Thot Lady (20th-Fox): Battle Toxi lUA), ... 75<br />

Roger Shermon—Marty (UA); The Block Pirotes<br />

(LP), nine days 200<br />

'Command' Connecticut Bow<br />

Grosses 250 in Hartford<br />

HARTFORD—"Daddy Long Legs," was in<br />

it.s second week at the Palace.<br />

Allyn— Strategic Air Command (Para) 250<br />

Art—The Gome of Love (Times) 90<br />

E. M. Loew—A Prize of Gold (Col); The Petfy<br />

Girl (Coll reissue 110<br />

Poll Soldier of Fortune (20th-Fox) 135<br />

Palace Daddy Long Legs (20th-Fox); The Good<br />

Die Young (UA), 2nd d. t. wk 95<br />

Strand—The Seo Chase (WB) 1 25<br />

Ralph Mauro a Visitor<br />

HARTFORD—Ralph Mauro of National<br />

Theatre Supply was a local visitor.<br />

Edward Bernds will direct AA's "Operation<br />

Uranium," 40th in the Bowery Boys series<br />

starring Leo Gorcey and Huntz Hall.<br />

KINNER'S GLASS CLEANER<br />

Used by more theatres than<br />

for<br />

GLASS and<br />

any other cleoner<br />

CHROME<br />

Sold by Notional Theatre Supply<br />

KINNER PRODUCTS COMPANY ""^^omo<br />

""^<br />

Helicopter Flies Print of<br />

'Commanci' to Hartford<br />

HARTFORD—A helicopter brought the<br />

Allyn Theatre's print of "Strategic Air Command"<br />

from New York to launch opening<br />

day activities for the VistaVision drama's<br />

Connecticut debut.<br />

Ray McNamara, theatre manager, arranged<br />

distribution of jet photos by Air Force recruiting<br />

personnel in the lobby throughout<br />

the day. Air police were stationed in the<br />

lobby, and WAFs seved as usherettes.<br />

Huge military beams lighted up the street,<br />

and balloons containing passes were set off<br />

by McNamara and Harry Browning, New<br />

England Theatres district manager, just<br />

prior to the last evening performance. The<br />

Air Force provided sound trucks in the streets.<br />

An added promotion touch was planting<br />

by McNamara of a news photo showing his<br />

6-year-old son Paul looking over a lobby display<br />

of model planes.<br />

PROVIDENCE<br />

'The first Rhode Island showing of "Doctor<br />

in the House" was held at the Avon Cinema<br />

.<br />

Martin and Jerry Lewis and<br />

their Hollywood Review played a one-night<br />

stand at the Auditorium . 1,500 persons<br />

paid $3.50 each to see the Marciano-<br />

Cockell world's heavyweight championship<br />

fight on closed-circuit TV at Loew's State . . .<br />

Once again, the Metropolitan reopened, offering<br />

second run films, with a special Sunday<br />

stage show, featuring local radio station<br />

talent.<br />

As school closing nears, many of the openair<br />

theatres are presenting special Friday<br />

night features appealing to youngsters. The<br />

Route 44 Drive-In presents a half-hour of<br />

added color cartoons; the Bay State gives<br />

free lollipops, in addition to a special Kartoon<br />

Karnival, while other drive-ins are using<br />

bicycle giveaways and other gimmicks to<br />

entice parents to bring a car full of kiddies.<br />

. . . E. M. Loew's Drive-In at<br />

The Majestic cashed in on the Marciano-<br />

Cockell fight, presenting films of the bout<br />

three days after it took place . . The<br />

.<br />

Quonset Drive-In is now admitting all children<br />

under 12 without charge . . . Adventure<br />

seemed to be the catch-phrase at downtown<br />

first runs, and two ads, side-by-side, that of<br />

the Majestic, heralding "Captain Lightfoot,"<br />

and Loew's State, announcing "Purple Plain,"<br />

were both headed "Adventure" in screaming<br />

bold type<br />

the Providence-Pawtucket city line presented<br />

the Gionti Trio at a special Saturday night<br />

stage show.<br />

All nearby amusement parks are running<br />

full tilt Saturdays and Sundays, with plans<br />

under way for full-week operation starting on<br />

Memorial day . . . Many downtown first runs<br />

will experience slightly accelerated activity<br />

during the next few weeks when graduating<br />

classes from secondary and high schools hold<br />

informal theatre parties. While there are not<br />

so many of these affairs as in the past, a<br />

sizable number still hold to the old tradition<br />

of attending the movies, then going to informal<br />

dinners and dancing parties . . . Surrounding<br />

summer stock houses are lining up<br />

Hollywood screen celebrities to guest star<br />

on the straw hat circuit which opens in<br />

mid-June.<br />

HARTFORD<br />

jwraurice Shulman of the Shulman Theatre<br />

has completed installation of a wide<br />

screen, measuring 34x18 feet, at the Rlvoli<br />

Surface area provides a screening ratio o<br />

1.85 to 1. Shulman is advertising the nev<br />

unit as a Picturerama screen<br />

Amadeo, general manager. Pike Theatr<br />

Corp., got some impressive newspaper break<br />

with initial area drive-in booking of a doubl,«<br />

VistaVision bill, consisting of "Run for CoveriJ<br />

and "Three-Ring Circus," at the Pike DriveJ<br />

In, Newington. 1<br />

Mr. and Mrs. Joe Dolgin (he's film buyer'"<br />

booker for the Pine Drive-In, Waterburj<br />

continue their interest in stage activity. La;<br />

weekend Mrs. Dolgin, a veteran little theati<br />

performer-director, staged a Yiddish produt<br />

tion at the Hartford Jewish Communit<br />

Center, with Joe handling the business mar<br />

ager's duties.<br />

Ed O'Neill of Associated Management Cord<br />

booked in a first run attraction, AA's "bJ<br />

Combo," into the Bridge Drive-In, Grotoi<br />

normally a New London subsequent locatlol<br />

Downtown Hartford, like its counterparjl<br />

across the country, is plagued by parkiijj<br />

shortage, and the slightest move in directiJ<br />

of alleviating the headache is hailed on i,]<br />

sides locally. Latest action was opening oil<br />

six-level steel and aluminum facility, t<br />

Eastern Seaboard's first pigeonhole parki,<br />

garage, near the E. M. Loew's and Allyn th^<br />

atres. George E. Landers, Hartford divisi,.<br />

manager, E. M. Loew's Theatres, and Rji<br />

McNamara, Allyn manager, promptly placj]<br />

congratulatory ads, along with area<br />

chants, hailing the venture.<br />

Doug Amos, Hartford district mana<br />

Lockwood & Gordon Theatres, has announct^<br />

appointment of Donald McPhee as assists,<br />

manager at the Danbury Drive-In<br />

extensive remodeling program is planned t<br />

the State, downtown Hartford vaudevilli<br />

film house, closed for the summer .<br />

Totman, Stanley 'Warner Theatres, reports ><br />

stallation of an air conditioning plant at<br />

first run Strand, New Britain . ill<br />

Harrises of the State are planning a v^<br />

to Louisville to welcome their first graij-J<br />

child . . . Joe Giobbi, Crown, says air cij<br />

ditioning installation is now complete.<br />

George Smith. Colonial manager, has<br />

turned to the theatre, following illness ...<br />

Sperie Perakos, general manager, Peras<br />

Theatre Associates, New Britain, came ino<br />

confer with Tom Grace, Eastwood, ii<br />

Vince Capuano, Elm, 'West Hartford<br />

.<br />

Teresa Locatelli, East Hartford Family Dri-<br />

In manager, discovered a couple with a gu:-r<br />

in their car just before regular show tfim<br />

the other evening, and invited the twooilj<br />

croon a few lullabies over the public add:is^-<br />

.system. The stunt worked so .'tmoothly tit<br />

Miss Locatelli said she plans to build a sr 11<br />

platform in front of the screen and in<<br />

other talented patrons to perform.<br />

Mrs. Kate Treske of the Lenox is hc,e,<br />

following a vacation trek to Los Angeles Id il<br />

environs.<br />

'Daughter Iris' for 20th-Fox<br />

Jerome 'Weidman's novel, "Your Daug!<br />

Iris," has been purchased for 20th-Fox<br />

duction.<br />

82<br />

BOXOFFICE :: June 4.


I<br />

Rea,<br />

. I'lrig<br />

. dising<br />

: berman,<br />

I<br />

of<br />

; June<br />

il Canadian Premiere<br />

Mirks Para. Meeting<br />

i\TO— PaiKiiiouiU's Canadian .sales<br />

handi.sing conference at the King<br />

Hotel on May 26, 27 and 28 proved<br />

using occasion for branch managers<br />

men from across the country. The<br />

Ls marked by the introduction of<br />

il VistaVision with the Canadian<br />

of "Strategic Air Command" at the<br />

Theatre, where the delegates had<br />

irlunity of viewing it on the Dolargest<br />

screen.<br />

::in General Manager Gordon Lightsided<br />

at the convention after his<br />

.<br />

--turn from Paramount parley in<br />

111. He was flanked by a retinue of<br />

: 1 ice executives from New York in-<br />

George Weltner, Jerry Pickman,<br />

Morgan and Robert J. Rubin who<br />

optimism.<br />

I' engagement of the VV attraction,<br />

Russ McKibbin of the Famous<br />

:lagship here pushed an extensive<br />

campaign to serve as an<br />

tor the Paramount conference dele-<br />

.\n outside feature was an RCAF<br />

headed by the 60-piece 180th Air<br />

md. which drew a throng as the<br />

were inspected in front of the Imjv<br />

:.^<br />

Wing Commander Fowler<br />

Gobeil.<br />

Coniander of<br />

the Toronto district.<br />

,e two-score delegates to the regional conlei<br />

ice included Toronto head office. Gor-<br />

.<br />

histone. W. J. O'Neill, Win Barron;<br />

branch, Al Iscove, Ted Dowbiggin.<br />

Ambrose Theurer; Montreal,<br />

Murphy, Tom Dowbiggin, R. GoudiMlliam<br />

Young; Saint John, P. J. Hoi,a<br />

R. A. Thome; Winnipeg, Sylvestre Gunn,<br />

N. impson. A. Glass; Calgary, W. O. Kelly,<br />

W. L. Gibson, and Vancouver,<br />

J.<br />

Rl It Lightstone and Mickey Stevenson.<br />

'Backboard' Is Reported<br />

V thdrawn — by Request<br />

"jiRONTO "The Blackboard Jungle" has<br />

bef withdrawn from circulation in Ontario<br />

per.sonal request of Provincial Pre-<br />

-slie M. Frost, according to reports<br />

here.<br />

fe film had been protested by Alderman<br />

Wi am Dennison of Toronto city council and<br />

omen's group here on the ground that<br />

.lie was undesirable. Later, the board<br />

Lition took up the protest and the<br />

lustees voted to lodge a complaint<br />

the picture and advertising with the<br />

censor board. That body considered<br />

;i and refused to ban it. Now, it is<br />

ii that the Ontario premier asked for<br />

wr irawal of the picture and secured it.<br />

rz to Pay 371/2 Cents<br />

'iiRONTO— Secretary Angus MacCunn of<br />

Fii JU.S Players Canadian has announced<br />

mpany directors have declared a<br />

37'i> cents per share on the<br />

i> nun stock for the second quarter of 1955,<br />

pable June 29 to shareholders of record<br />

Ju! 3. The amount is the same as the<br />

di* end for the fu-st quarter. '<br />

Pe alia House Gets W<br />

1 TROLIA, ONT.—The VistaVision process<br />

ha been installed at the Iroquois Theatre<br />

he<br />

Salute to Joe Huber of Winnipeg 20th-Fox<br />

\n:^-<br />

-—<br />

I<br />

Among those at the head table at the Joe Huber testimonial dinner honoring his<br />

34 years of association with the motion picture industry were, left to right, Bob<br />

C'ringan. 20th-Fox manager at Calgary; Phil Geller. fcrmfr J \KO manager and<br />

Huber's replacement; Peter Myers. 20th-Fox general sjles manager; Huber, standing<br />

and thanking his many friends; Harry Gray, manager of the Lyceum Theatre and<br />

chairman of the dinner; Richard iMiles, Western Theatres general manager, and<br />

Haskell Masters, Warner Bros, general sales manager.<br />

WINNIPEG—The testimonial dinner for Joe<br />

Huber, manager of the local 20th-Fox exchange,<br />

upon his retirement from the motion<br />

picture industry after 34 years was marked<br />

by tears, laughter, reminiscence and the best<br />

wishes for the "sunset years of his life."<br />

More than 75 persons from all categories of<br />

the film industry convened Thursday (26) at<br />

the Marlborough Hotel to salute the veteran<br />

exchange manager.<br />

The chairmanship of the dinner was<br />

handled by Lyceum Manager Harry Gray.<br />

The head table included; A. E. McLean,<br />

Rainy River; J. Lundholme, Swift Current;<br />

Popcorn Sales in Canada<br />

Hit $25,000,000 in 1954<br />

TORONTO—Sydney Spiegel, chaij'man of<br />

the Canadian branch of the International<br />

Popcorn Ass'n, has pointed out that retail<br />

sales of popcorn in Canada reached an estimated<br />

$25,000,000 last year.<br />

Spiegel, who is general manager of Super<br />

Pufft Popcorn, said that, with the exception<br />

of a small quantity grown in Ontario, practically<br />

all popping corn is imported from the<br />

United States. He estimated that 18,000,000<br />

pounds of corn was bought from the U. S. in<br />

1954.<br />

The largest customers in Canada, Spiegel<br />

pointed out, are theatres and concession proprietors,<br />

who account for 70 per cent of total<br />

retail sales. The balance is divided among<br />

household purchasers and stores handling<br />

prepared popcorn.<br />

'Big Day' in Second Stanza<br />

TORONTO—The Fi-ench comedy. "The Big<br />

Day," held the attention of patrons at the<br />

International Cinema for a second week.<br />

Foreign-language fans had the choice of<br />

"Madonna delle Rose" at the Studio and<br />

"Canzoni di Mezzo Secolo" at the Pylon.<br />

P. Geller, new manager of 20th-Pox; C.<br />

Ki'upp, Alliance manager; R. Cringan, 20th-<br />

Fox manager at Calgary; J. Ferguson, Famous<br />

Players executive; P. Myers, 20th-Fox general<br />

sales manager; S. R. Miles, Western<br />

Theatres general manager and president of<br />

the MMPEA; H. Masters, Warner Bros, general<br />

sales manager; H. Hurvvitz, general manager<br />

of Odeon-Morton Theatres; J. D.<br />

McKenzie of Estevan, president of the Saskatchewan<br />

Exhibitors Ass'n; J. M. Rice.<br />

president of the supply house bearing his<br />

name; R. Besler, Park; N. Rothstein. president<br />

of Rothstein Theatres, and W. Johanneson.<br />

Pine Falls.<br />

Among some of the out-of-town personalities<br />

who were present at the affair were;<br />

Ernie Kendall, Morden; A. Bercovich, Regina;<br />

Sam Karby, Regina; Phil Bodnof, Regina;<br />

Max Shnier, Portage La Prairie; Stan<br />

Atkinson, General Films, Regina; Dr. Kowbell,<br />

Melville; C. L. MacGregor, Gladstone;<br />

Bill Welykholowa, Kamsack; Jack Roher,<br />

president, Peerless Films, and Joe Bermack,<br />

sales manager Peerless Films.<br />

Abe Feinstein read letters and wires from<br />

the great number of w'ell-wishers who were<br />

absent but contributed to Huber's gift.<br />

November 1 Is Date<br />

For Pioneer Av/ard<br />

TORONTO—Fui'ther arrangements have<br />

been made for next fall's convention program<br />

of the Motion Picture Industry Council and<br />

the National Committee of Moving Picture<br />

Exhibitors Ass'ns of Canada.<br />

The Canadian Motion Picture Distributors<br />

Ass'n w'ill entertain the conventioneers at a<br />

luncheon November 1 in the King Edward<br />

hotel. Coca-Cola will be host at a luncheon<br />

November 2 in the same hotel.<br />

The annual awards banquet of the<br />

Canadian Picture Pioneers has been definitely<br />

set for November 1 at the Royal York hotel,<br />

where the Canadian Pioneer of the Year will<br />

be honored. Last year the top award went to<br />

Jack Arthur of Toronto.<br />

Clowns Plug 'Circus'<br />

TRURO, N. S.— Gerry Tipper, manager of<br />

the Spencer Theatres here, arranged to have<br />

several clowns appear on the streets recently<br />

to plug "Three Ring Cii'cus," in advance of<br />

its billing at the Royal Theatre.<br />

BC DFFICE ;<br />

4, 1955 K &3


. . John<br />

. . Jack<br />

. . George<br />

. . Under<br />

'<br />

OTTAW A<br />

f^ttawa is to have a new film producing<br />

company, with Fred C. Leavens, president<br />

of Fredell Theatres, operating the Elmdale,<br />

Glebe and Towne here, joining forces<br />

with Ukrainian-born Nicholas Phillipowich<br />

Kaii'ez in the organization of a firm to specialize<br />

in biographical films about U. S. and<br />

Canadian personalities. Kairez spent some<br />

time in a German slave-labor camp during<br />

the last war and has been in North America<br />

since 1947.<br />

Mayor Charlotte Whitton of Ottawa said<br />

that a recent decision to raise the municipal<br />

license fees for theatres and drive-ins will be<br />

given further study by the Ottawa board of<br />

control . . . T. Ray Tubman, Famous Players<br />

district manager and manager of the local<br />

Capitol, was bereaved by the death of his<br />

brother W. Reed Tubman, 65, who retired<br />

last November following 18 years service with<br />

the city department of planning and public<br />

works. Born in Chicago, he had resided in<br />

Ottawa since childhood.<br />

Mrs. Gordon Adatnson, wife of the executive<br />

director of the Canadian Film Institute,<br />

Ottawa, and mother of three sons, is one<br />

of the year's diploma graduates of Carleton<br />

College ... A large group of Parliamentarians,<br />

including members of the special committee<br />

on broadcasting, enjoyed a junket to Montreal<br />

to visit the TV studios of the Canadian<br />

Broadcasting Corp. for a first-hand view of<br />

behind-the-scenes operations for television<br />

by the government agency.<br />

TELL YOUR PATRON$<br />

ALWAYS / ABOUT IT WITH A<br />

ALWAYS\^UUL^U<br />

^'''^^<br />

TRAILER<br />

467 SPADINA AVE. TORONTO, ONT.<br />

'Exclusive Canadian Distributor For Fllmock"<br />

TOA of Quebec Holds<br />

Quebec City Session<br />

QUEBEC CITY—The Theatre Owners Ass'n<br />

of Quebec met here Thursday (2) to discuss<br />

operational problems. Joseph Strauss, owner<br />

of the Empire Theatre. Montreal, and president<br />

of the association presided.<br />

The meeting was attended by a delegation<br />

of Montreal and district theatre owners, and<br />

it gave Quebec City district independents a<br />

chance to present their problems to the Montreal<br />

people.<br />

Strauss said that further discussions were<br />

held with the Quebec owners on the question<br />

of approaching the provincial authorities<br />

concerning attendance by juveniles.<br />

TOA executives also announced that the<br />

association recently incorporated the TOA<br />

Service Co., with Mel Lodge as manager. The<br />

service company operates as a buying and<br />

booking service for the independents.<br />

The meeting here was held in the Kerhulu<br />

restaurant and was a full one-day session.<br />

J. J. Fitzgibbons to Move<br />

To Home in California<br />

TORONTO—J. J. Fitzgibbons, president of<br />

Famous Players Canadian, and his wife have<br />

purchased a home at Arcadia, Calif., near<br />

Pasadena.<br />

Fitzgibbons said the move did not mean<br />

any change in his business affiliations, adding<br />

that he would become a "continental commuter,"<br />

although he would have an office<br />

in the Paramount Studio, Hollywood.<br />

"As much as anything," he said, "the<br />

change is intended to give Mrs. Fitzgibbons<br />

and me a chance to soak up a little more<br />

sun." There will be no change in the board<br />

of Famous Players or affiliated companies.<br />

For his work in international relations, Carl<br />

Schaeter. head of Warners' international press<br />

department, was inducted as a Chevalier of<br />

the French Legion of Honor.<br />

MONTREAL<br />

i<br />

"C Bode, owner of the Melody Theatre whici iP<br />

was recently opened on Milton Stret<br />

spent a few days on business in Toront<br />

Bode's theatre is under the supervision<br />

Nicolas Lacovitch and Paul Berzi, a cous<br />

of the owner, is the manager. Else Putz<br />

cashier. The 800-seat house will featu<br />

foreign films.<br />

Jack Bernstein, sales manager for Alii<br />

Artists of Canada, and Manny Manson, hei<br />

otfice International Film Distributors, visit<br />

. . E<br />

their respective Montreal offices to conf<br />

with Jo Oupcher, district manager .<br />

Cormier, sales representative for IFD, is<br />

a business trip to the Gaspe peninsula<br />

,<br />

Gilles Morin. IFD 16mm division, is travel!<br />

through Quebec province and the Maritii<br />

provinces . Levitt, sales representati<br />

for Columbia, toured Ottawa and district.<br />

Montreal premiere of the Marciano-Cock<br />

fight took place at the Princess . . . "Birth<br />

a Nation," D. W. Griffith's 40-year-old clas<br />

released through Peerless Films, v<br />

scheduled to be shown only three days I<br />

after a period of six days it is contiiiui<br />

on the bill.<br />

Leo Choquette of the Choquette circ; -i-r:<br />

will present Foto-Nite at his Bellerive Tljltlj<br />

atre, Valleyfield. Que. . Manna'^<br />

son of W. H. Mannard who is secreta> ;,<br />

treasurer of UACL, graduated from Mod ::<br />

University with a BS in Geology, with f;<br />

class honors . Roher, president I _<br />

Peerless Films, has left on a business '"<br />

tripf)<br />

Winnipeg. On his way back Roher will so ;[<br />

'.<br />

off at the company's Toronto office .<br />

Bertrand Frank, sales representative for I-<br />

pire-Universal, reported his trip throii<br />

Gaspe Peninsula was a success.<br />

Montreal's Beautification Week queen j<br />

chosen from the stage of Odeon's Champli<br />

Theatre. The young lady chosen was is<br />

Jacqueline Chantelois . the ausps<br />

of the Roman Catholic Cinema Centri*<br />

symposium was held under presidency itit;<br />

Father J. M. Poitevin. Several hundred d^|g|<br />

gates participated in the general discusilS.,<br />

J. M. RICE & COv Ltd.<br />

202 Canada Bldg.<br />

Telephone 93-5486<br />

Winnipeg, Manitoba<br />

10029 Jasper Ave.<br />

Telephone 28502<br />

Edmonton, Alberta<br />

35mm and 16mm Motion Picture and Sound Equipment<br />

EXPERT REPAIR DEPARTMENT<br />

Sole agents in Western Canada for Ballantyne Sound, Projectors, Drivein<br />

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Screens<br />

Arc Lamps<br />

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Check This List and See Us Soon:<br />

Radio Tubes and<br />

Tungar Bulbs<br />

Theatre Chairs<br />

Carbons Q Lenses<br />

D Generators g Lamps Q Tickets<br />

Electrical Supplies Batteries<br />

during the symposium. Subject under 'icussion<br />

was entitled "Is Cinema an Op«<br />

or a Spiritual Uplift?"<br />

Hamilton's Fifth Ozoner,<br />

The Scenic, Is Opened<br />

HAMILTON, ONT.—The second drive-i:o<br />

open within a month was the Scenic on le<br />

Green Mountain road. This gives HamiiB<br />

a total of five ozoners of which two are uts<br />

of Famous Players Canadian.<br />

The Scenic is a project of A. Rosentg,<br />

who has operated drive-ins in other partsl<br />

Ontario in recent years. Feature for «<br />

opening was "King of the Khyber Rifles"<br />

there were free drinks for everyone atteni<br />

Each of the first 100 women also receivi'<br />

ballpoint pen.<br />

The theatre is equipped for CinemaS*<br />

and the Simplex projection and sound eqP*<br />

ment was supplied and installed by Gar a'<br />

Theatre Supply Co., Toronto.<br />

Cobourg, Ont., Airer Robbed<br />

COBOURG. ONT.—Safecrackers robbeche<br />

Midway Drive-In here of $1,900 recently, lis<br />

was the second robbery at the theatre, wcli<br />

is a unit of Allen's Premier Theatres. Ah'S'<br />

also has the roofed Park here.<br />

84 BOXOFFICE :<br />

: June 4


1<br />

Ai-ch<br />

; holiday<br />

. . . The<br />

. .<br />

. . Frank<br />

(ommand' 2nd Week<br />

Srong in Toronto<br />

it iNTU— strategic Air Command" ill<br />

...n continued strong in its second<br />

,, ii the Imperial, while "Daddy Long<br />

emained for a second week at Shea's.<br />

(Average Is 100)<br />

iton University—The Man Who Loved Redbds'<br />

(British) no<br />

Sd The Divided Heorf (JARO) 105<br />

rial— Strategic Air Command (Paro), 2nd wk..l30<br />

's The Prodigal MGM), 2nd wk 105<br />

Un—The Country Girl (Para), 3rd wk 100<br />

r>—A Priie ot Gold (Col) 105<br />

Daddy Long Legs (20th-Fox) 2nd wk...llO<br />

i—From Here to Eternity (Col), 2nd run 90<br />

Gate ot Hell (Harrison-Davidson) 110<br />

n—The Mon from Bitter Ridge (U-l) 105<br />

I'ckboard' Leads<br />

Vdcouver Grosses<br />

'.TOUVER—Business remaiiied sluggish<br />

;li plenty of outdoor competition. The<br />

also did not help. "The<br />

lid Jungle" led the town by a wide<br />

The fight pictures helped the Para-<br />

.1 better than average week. "A Man<br />

I'l'ter" in its fifth downtown week was<br />

East ot Eden WB), 2nd wk Average<br />

Three Hours to Kill (Col) Averoge<br />

The Blackboard Jungle (MGM) .. Excellent<br />

Stranger on Horseback (UA);<br />

rc.ono-Cockell Fight (UA) Good<br />

A Man Called Peter (20th-Fox),<br />

t wk Fair<br />

End of the Affair (Col) Fair<br />

Ugetsu (IFD) Moderate<br />

Ma and Pa Kettle at Woikiki (U-l) .. Average<br />

Ctnada Musical Society<br />

Hlds Executive Confab<br />

)RONTO—An executive meeting of the<br />

M ical Protective Society of Canada was<br />

"/ednesday (1) at the King Edward<br />

',1th President S. G. Simpson, presid-<br />

111 lu i^et the lowdown on the recent hear-<br />

In; in Ottawa of the Royal Commission on<br />

Ci .'rights and Trademarks, headed by<br />

Ji ice J. L. Ilsley.<br />

one of its sessions in Ottawa. W. S.<br />

Lc general manager of the Composers.<br />

Anors and Publishers Ass'n of Canada, told<br />

tK commission that the Musical Pi'otective<br />

Kety had "never been known to promote<br />

orlncourage the development of Canadian<br />

mic."<br />

supporters the<br />

le of the principal of<br />

was the Canadian Ass'n of Radio and<br />

soi'ty<br />

Tt vision Broadcasters, Low asserted, after<br />

ki .<br />

th a.ssociation had argued that it was difficii<br />

to know who would be claiming performin<br />

1 ight fees because radio stations never<br />

who owned the copyright. Low de-<br />

^ I d that CAPAC had registered 300,000<br />

itions with the copyright office in<br />

H. Jolley represents the motion<br />

theatres in the Musical Protective<br />

of which he is vice-president.<br />

Petitcodiac House<br />

S 11<br />

rriTCODIAC, N. B.—The Corner Theatre<br />

hcibeen sold, and Lloyd Pollock, who owned<br />

Jt, as taken over what has been known as<br />

th Burlington Hotel.<br />

VANCOUVER<br />

'Dob Lightstone, Paramount manager, and<br />

Mike Stevenson, office manager, returned<br />

from Toronto where they attended a regional<br />

sales convention . . . Piojectionists Local 348<br />

is including a pension plan in its new contract<br />

with the circuits. The present agreement expires<br />

Mac Smee resigned as<br />

August 31 . . . assistant manager at the Orpheum and is<br />

moving to Edmonton, .succeeded by Warick<br />

Johnson, former Odeon manager . . . Donna<br />

Peterson, formerly at the Orpheum, is now<br />

cashier at the International Cinema . . .<br />

Orville Burrell, veteran projectionist, has<br />

been appointed production manager at Ti-ans-<br />

Canada Films, according to Wally Hamilton,<br />

president.<br />

Paul Garden, FPCC district booker for Alberta,<br />

lost his father, who died in Calgary .<br />

Don Hanna of the Orpheum floor staff resigned<br />

to be a lifeguard at a local beach<br />

for the summer . . . Haskell Masters, Warner<br />

Bros, Canadian general manager, hosted local<br />

executives and managers at a luncheon on his<br />

The Green Acres Drive-In<br />

recent visit . . .<br />

near Lethbrldge, Alta., installed 'Vista'Vision<br />

mother of Bob Phaser, manager of<br />

the Odeon in 'West Vancouver, died at North<br />

Vancouver Hospital.<br />

Len Keene of the Hastings and Ed Newton<br />

of the Vogue ai'e acting as relief managers<br />

for Odeon over the summer vacations . . .<br />

Joe Garfin, former Calgary manager for<br />

Empire-Universal, was promoted to the<br />

Toronto branch in the same capacity , .<br />

.<br />

FPC will build a new theatre in the North<br />

For professional answers "H<br />

to hundreds of DRIVE-IN )<br />

problems you need this ... J<br />

. . Fi-ed Steffin, owner of the<br />

John Cummings,<br />

Hill section of Calgary . . .<br />

former projectionist at the Rex in Regina,<br />

died in Winnipeg. He was 41 and was the<br />

brother-in-law of Jack Watson, who operates<br />

the Grand and Rex at Regina in partnership<br />

with FPC .<br />

Century, Bonnyville, Alta., will build a theatre<br />

in the interior town of Penticton, B. C. It<br />

will be in opposition to the FPC Capitol.<br />

Hugh Vassos will build a 700-seat theatre at<br />

Melville, Sask., to 'oe called the Paragon. It<br />

will be competition to the Prince.ss and Roxy.<br />

which have a combined seating capacity of<br />

1.020 . . . The east side Rex installed Vista-<br />

Vision . . . Jim Davie, RKO manager, helps<br />

promote the Greater Vancouver Operatic<br />

Society in his spare time . . . Eai'I Hill, former<br />

city band leader who led his own bands at<br />

the Orpheum and Strand theatres, died here<br />

in his 67th year.<br />

Kenneth Winkles of London, England, joint<br />

assistant managing director of JARO, was<br />

in on his first visit to the Pacific division. He<br />

was accompaned by C. R. B. Salmon of<br />

Toronto, vice-president of Odeon Theatres,<br />

and Gerry Sutherland, British Columbia district<br />

manager . Gow, FPCC division<br />

manager, reports that suburban business<br />

in its Vancouver houses is far off, and<br />

that it has closed its 763-seat Capitol in<br />

Kamloops, which leaves the railroad town<br />

with one theatre, the Paramount, a 1,000-<br />

seater which opened this year.<br />

The new title of 20th-Fox's "Raleigh and<br />

the Virgin Queen" is "The Virgin Queen."<br />

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T eatre Was Needed<br />

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BOXOFFICE<br />

(In Cwada add 26c. .Forei^ add 50c) 825 Van Brunt Blvd. Kansos City 24, Mo.<br />

June 4, 1955 85<br />

BC DFFICE : :


. .<br />

. . The<br />

. . Manitoba<br />

. . Bob<br />

. . . James<br />

.<br />

TORONTO<br />

pjcnry L. Nathanson, president of MGM<br />

Canada, was host Thursday i2) for<br />

formal opening of the company's new offi<br />

building, designed by Kaplan & Spracl<br />

and located at Victoria a:id Gould streets<br />

Variety Tent 28 met Monday night (30)<br />

hear reports on the recent George FormI<br />

six-night benefit tour in aid of Variety Vi<br />

lage school, through which $13,500 was<br />

for the heart fund. The barker:; also<br />

cussed plans for the annual Variety benel<br />

baseball game some four weeks hence<br />

Back after a six-week tour of Europe dli<br />

ing which he attended the Cannes Film<br />

:<br />

CANADl \Ns M riM) AUiM Mil: I INC— Amiin;; the record 401 exhibitors attending<br />

the recent MOM ticket selling workshop in Alinneapolis were these from Canada.<br />

Top photo, left to right: Hymie Schwartz, Rothstein circuit; Harold A. Bishop, supervisor,<br />

Famous Players, Winnipeg; Misho Triller, Dominion Theatre, Winnipeg; Robert<br />

U. Hurwitz, Starland, Fox Bijou and Regent, Winnipeg; Richard S. Miles, general<br />

manager, Western Theatres, Winnipeg, and Abe G. Levy, branch manager, Winnipeg.<br />

Bottom: Marcus Trester, Winnipeg exchange; Eddie Newman, Metropolitan, Winnipeg;<br />

Harry Prygrocki, Kings and Classic theatres, Winnipeg; Lou Miles, Grand, Winnipeg;<br />

Dave Carr, Oak, Winnipeg, and Lyric, Minnedosa, Man.; Fred Polenske, Fort and<br />

Royal, Fort Frances, Ont., and Levy.<br />

WINNIPEG<br />

pill and Fred Welykholowa of the Capitol<br />

and Elite, Kamsack, Sask., have purchased<br />

the Sunset Drive-In from Charlie Krupp and<br />

hi.s associates. The Sunset is located just<br />

outside of Kamsack and possibly will reopen<br />

June 9 or 10. The new owners are making<br />

plans to increase concession business .<br />

President of Peerless Films, Jack Roher is<br />

being accompanied by Sales Manager Joe<br />

Bermack on a trip west. Roher said that<br />

"Birth of a Nation" is doing phenomenal<br />

business in Montreal. Roher headquarters in<br />

the Montreal office, while Bermack heads the<br />

Toronto office and manages all western sales.<br />

The annual motion picture industry picnic<br />

will be held this year July 24 at the Maple<br />

Grove beach. Proceeds from program advertising<br />

usually go to the benevolent fund of<br />

the Canadian Picture Pioneers. Highlights<br />

I<br />

I<br />

^<br />

THEATRE<br />

FOR SALE<br />

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Also new British-Luxury Chairs available<br />

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of the event are the baseball game and the<br />

Ernie Diamond<br />

bathing beauty contest . . .<br />

has revived an old technique in getting patrons<br />

into the Rialto in an effort to revive<br />

his receipts. From seven to nine in the evening,<br />

Diamond walks along the Portage avenue<br />

sidewalk in front of his house and greets<br />

passersby, passes the time of day with them<br />

and suggests they go in and see the program.<br />

Diamond says, "you would be surprised at the<br />

large number of couples eventually finding<br />

their way to the boxoffice and entering the<br />

theatre—this casual 'soliciting' really pays<br />

off." For his engagement of International's<br />

"Children of Love," Diamond employed<br />

sandwich board walkers to traverse the<br />

heavily populated shoppers sidewalks between<br />

Eaton's and the Bay.<br />

Paramount Manager Syl Gunn, salesman<br />

Norman Simpson and office manager Alf<br />

Glass journeyed to Toronto for the amiual<br />

Paramount sales meeting . exhibitors<br />

intending to be present at the annual<br />

general meeting of the Manitoba Motion<br />

Picture Exhibitors Ass'n on Monday il3i<br />

and wishing hotel reservations are asked to<br />

communicate with Secretary Ken Beach, who<br />

will gladly make the arrangements for them.<br />

Letters to Beach should be addressed, care<br />

of Western Theatres, 300 New Hargrave Bldg.,<br />

Winnipeg.<br />

Max Shnier gave free Davy Crockett hats<br />

to all kiddies attending one Friday evening<br />

at the Circus Drive-In . Hurwitz<br />

didn't sell any children's tickets during his<br />

engagement of "Anna" and "Bitter Rice" at<br />

the Fox . Northmain Drive-In, besides<br />

a cash giveaway of $1,000 every Tuesday<br />

and Thursday, also gives away a 52-<br />

piece silverware set every Wednesday, and<br />

has a guessing contest involving the number<br />

of days a flagpole sitter will stay up there.<br />

Romantic Lead in 'One Night'<br />

The romantic male lead opposite June<br />

Allyson in Colutnbia's "It Happened 0:ie<br />

Night" has been assigned to Jack Lemmon,<br />

tival, Richard Newman ha.s resumed his I<br />

Beat column in the London, Ont., Free<br />

R. Nairn, head office advert!<br />

manager for Famous Players, has been bu<br />

with the special campaign for the introdu<br />

tion of VistaVi.^ion with "Strategic Air Co<br />

m-and" at the Toronto Imperial. The<br />

paign included display advertising in a nu<br />

ber of key daily newspapers in cities<br />

Ontario.<br />

Manager W. J. Burke of the Brantfl<br />

Capitol staged a stirring treasure hunt<br />

the engagement of "Long John Silve<br />

through the distribution of keys at stores<br />

cooperatirig merchants who donated pris<br />

which went to those who had the right opent:<br />

at the lobby display . . . J. D. McCuUoc<br />

owner of the Iroquois, Petrolia, and ps<br />

president of the Motion Picture Theatii<br />

Ass'n of Ontario, has urged small-town e<br />

hibitors to make use of the ticket-selU,<br />

plan for gift occasions. He pointed out th<br />

one school teacher bought 35 tickets as<br />

treat for her pupils yearly.<br />

George Cuthbert, general manager of Ge<br />

eral Theatre Supply Co., Toronto, is getti;<br />

a hand for the perfect VistaVision instal!<br />

tion in the Toronto Imperial, where the n<br />

image measures 1,377 square feet compai<br />

with 810 square feet for the previous screi<br />

The new dimensions are 54x28 feet<br />

Allward & Gouinlock, Toronto architet<br />

have completed blueprints for the 1,200-si<br />

unit, which Odeon will build in the Don M<br />

area here.<br />

David Ongley, an officer of Canadian P<br />

ture Pioneers for some years, was elec'<br />

president of the Dominion Drama Festival<br />

its Regina meeting.<br />

. . . Maul<br />

Manager W. C. Tyers of the Toro<br />

Hyland, who is leading the Odeon 1955 mi<br />

agers showmanship competition, receiveti<br />

delegation from the Margaret Eaton chap<br />

Imperial Order Daughters of the Empire,<br />

presentation of a painting of Queen Elizab<br />

to be hung in the theatre<br />

Weldon, manager of the 400 Drive-Xn,<br />

happy with the installation of a Cini<br />

Scope screen, the first for a Toronto 01<br />

• Everything for the theatr\<br />

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86 BOXOFFICE


'"...ciL^K. • cauuime^ • C«HC£44i9HA, • 47tu*itUuL*ice.<br />

JUNE 4. 1955<br />

SECTION Of BOXOFFICE<br />

The children's playground<br />

is an accepted<br />

and necessary part of<br />

drive-in theatre operation,<br />

serving to entertain<br />

the youngsters and get<br />

the family out early for<br />

the show .<br />

. . which<br />

helps the concessions<br />

business. This is one<br />

of two playgrounds at<br />

Hugh Bruen's new Sundown<br />

Drive-In Theatre,<br />

Whittier, Calif. This<br />

one in front of the<br />

screen tower is fenced<br />

in from the ramp area,<br />

and the other one is<br />

located directly behind<br />

the snack bar.<br />

Both playgrounds<br />

are equipped<br />

with swings, slides and<br />

merry - go - rounds, and<br />

comfortable benches for<br />

parents. The 1 ,000 -car<br />

Sundown was built at a<br />

cost of $460,000, including<br />

equipment.<br />

featuring


50,000,000 times a day . . .<br />

IT'S A MATTER OF<br />

Coca-Cola is the most asked-for<br />

soft drink at service stations!*<br />

1 . When motorists pause to refresh<br />

2 . These same people look for their<br />

and refill, they prefer Coke — by more<br />

favorite beverage in theatres, too.<br />

than 2V2 to 1 over the next three<br />

soft drinks combined.<br />

;: b IP r^ b £ \r\<br />

SELL<br />

em<br />

for extra<br />

profit<br />

Of theatres handling<br />

beverages,<br />

3. When yon feature Coca-Cola,<br />

you profit from America's preference.<br />

more than 3 out of 4 sell<br />

Coke!<br />

•1954 surveys by Alfred Politz Research, Inc.


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BC OFFICE : : June 4, 1955


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whether you buy projectors, sound systems, in-car speakers, arc lamps, motor-generators, or rectifiers,<br />

it pays to look to the oldest manufacturer of theatre equipment for your requirements.<br />

Your Motiograph dealer will arrange a demonstration and explain a liberal financing plan.<br />

The MODERN THEATRE SECION


,<br />

.<br />

Eost<br />

J N E 4, 19 5 5<br />

o n t n t<br />

Give Them Variety Frances Clow 8<br />

The Separate Kiddyland a Draw for Drive-In /. L. Thatcher 12<br />

Go After Today's Kids Jack D. Braunagel 14<br />

New Kiddie Rides on the Market 17<br />

All Rides Are Free in This Kiddyland David F. Barrett 18<br />

Miniature Train Exact Copy of Real One 22<br />

An Expert Tells How to Avoid Trouble With Septic Tanks<br />

in Drive-Ins George M. Petersen 24<br />

Beauty Treatment for Boston Art House Frances Harding 32<br />

Pizza— Hot Food Item With High Profit Angle Philip L. Lowe 37<br />

Cafeteria Operation Gives Timid Patron<br />

Equal Opportunity Brian Coyne 43<br />

Quit Worrying About Ice Deliveries 46<br />

Theatre Maintenance Questions and Answers Dave E. Smalley 50<br />

Step-by-Step Servicing of Sound Systems „ Wesley Trout 52<br />

DEPARTMENTS:<br />

Refreshment Service 37 New Equipment and<br />

Projection and Sound 52 Developments 63<br />

Readers' Service Bureau 59 About People and Product 66<br />

Advertising Index 60 Literature 68<br />

ON THE COVER<br />

The spacious, well-laid out playground in front of the screen<br />

tower in Hugh Bruen's neio Sundown Theatre. Whittier, Calif., is a<br />

model installation. The area is fenced in and provided with benches<br />

parents.<br />

tor<br />

IHE kiddyland in the drive-in<br />

tj-ieatre has proved a natural nucleus<br />

(or the growth of the outdoor recreation<br />

center offering multiple amusements for<br />

both children and adults. As exhibitors<br />

found the kiddyland prospering and<br />

proving a drawing card for the theatre<br />

operation, they have added, sometimes<br />

one crt a time, sometimes several at a<br />

time, new elements such as golf driving<br />

ranges, miniature golf, swimming<br />

pools, roller skating rinks, archery<br />

courses, ping pong setups, zoos, etc.<br />

People are drawn to such amusement<br />

centers because of the opportunity<br />

to enjoy many recreational pleassures<br />

in one location, which invariably<br />

provides ample parking facilities. Another<br />

factor cited for the success of<br />

such play centers is the desire for active<br />

participation in amusement activities,<br />

which has greatly increased, and<br />

which may be satisfied in the one-stop,<br />

multi-unit spots.<br />

In this issue there is an article about<br />

a multiple amusement center in Chicago<br />

which started with a drive-in theatre<br />

kiddyland and gradually has extended<br />

its operations to cover a wide<br />

field of adult amusements. It has<br />

proved most successful as an adjunct<br />

to the theatre as well as profitable in<br />

itself. Of particular interest to other<br />

exhibitors is the fact that this theatre's<br />

experience proves that it is not essential<br />

to start out with a full-fledged operation<br />

requiring a big investment.<br />

With regard to kiddylands alone, two<br />

other articles should be pointed out:<br />

one which discusses the value of a free<br />

kiddyland within' the confines of the<br />

drive-in theatre, and the other which<br />

stresses the reciprocal advantages of<br />

a separate, commercial kiddyland operated<br />

in conjunction with the theatre.<br />

L. THATCHER. Managing Editor<br />

I<br />

The MODERN THEATRE Section of BOXOFFICE is included m the first issue of eacn montti<br />

Editorial or general business corresoondence should be addressed to Associated Publicotions,<br />

825 Van Brunt Blvd.. Konsas City 24, Mo. Eastern ReDresentative: A. J. Stocker, 9 Rockefeller<br />

Plazo, New York 20, N. Y.; Central Representatives: Ewing Hutchison and E. E. Yeck, 35<br />

Wacker Drive, Chicago ' III.; Western Representative: Bob Wettstein, 672 South<br />

Lafayette Pork Place, Los Angeles 5, Colif<br />

ill


a ^ ai ai *ii nfi xt.®j.«i k i ^^m.<br />

Giue<br />

Them<br />

UflRIETV<br />

Miniature Goli Driving Range^ Skating Rii<br />

Chicago drive-in offers<br />

resort efitertaitiment to<br />

patrons at minimum<br />

cost^ near their homes<br />

Gayety seems to be in the very air in this picture of<br />

In Theatre. The course now consists of 18 holes<br />

summer the course will be increased to 36 holes. The price to fc; charged for the enlarged course has nc<br />

yet been determined. The course has proved a real attraction to patrons.<br />

by<br />

FRANCES CLOW<br />

W HEN MANY of the outdoor theatres<br />

in the Chicagoland area went in for<br />

patron - pulling attractions, the Starlite<br />

Drive-In, located at 6500 West 95th<br />

Street, drew up plans for what is developing<br />

into one of the biggest programs in the<br />

realm of outdoor theatre operation.<br />

Under the direction of Stanford Kohlberg,<br />

owner of the Starlite, a children's<br />

playground represented the initial start.<br />

This project, living up to its name of<br />

"Kiddie Land," is still in the process of<br />

being glorified as an amusement center for<br />

the younger set. A program of improvements<br />

and additions is almost constantly<br />

in progress.<br />

EXPAND ADULT ACTIVITIES<br />

The expansion of "extracurricular interests"<br />

for adults, also considered a major<br />

feature of what the Starlite wants to offer<br />

patrons, is nearly complete. Kohlberg said<br />

they have made a substantial inroad as far<br />

as their amusement program is concerned,<br />

but from time to time they put new ideas to<br />

work. He added that by taking their time<br />

about lining up the attractions, they are<br />

accomplishing their aims and at the same<br />

time operation at no time has to be suspended.<br />

Ever since Kohlberg took over the management<br />

of the Starlite and subsequently<br />

ownership, he has put a big share of effort<br />

into building an amusement arena for<br />

children. Equipped with a wide variety of<br />

The Starlite golf driving range, the first entertainment feature furnished for adult patrons, is<br />

in front of the theatre and adjacent to a refreshment concession. The theatre's owner believes that ml i<br />

people come to the theatre because of the driving range. Pails of golf balls sell for 50 cents to'<br />

dollar. Owner Kohlberg believes the range brings many new patrons to the theatre.<br />

entertainment features, Kiddie Land is<br />

fenced off right in the center of the Starlite<br />

lot. The central placement, Kohlberg<br />

explained, has a prime advantage for adult<br />

patrons who visit the drive-in for a relaxing<br />

evening and yet can keep an eye<br />

on their children with a minimum of effort.<br />

According to Kohlberg, this objective<br />

has been satisfactorily accomplished.<br />

At the same time they had to consider<br />

the disadvantages of a centrally located<br />

playground, such as noises from mechaical<br />

rides and accompanying music. Ko:-<br />

berg stated drawbacks of this nature hiJ<br />

been quite simply solved. The playgroul<br />

is thrown wide open two and a half ho'S<br />

before the show starts. Then, once ''<br />

movie begins. Kiddie Land is closed, sJ<br />

reopened only during the first 30-minC<br />

Intermission period.<br />

Those passing by the Starlite Drivetal<br />

gain the Impression that the theatre Wj<br />

8 The MODERN THEATRE SECTIB


s;back Riding. Arcade and Kiddyland-AII in One Drive-ln Layout<br />

r<br />

i- past winter an ice skating rink was installed at the Starlite<br />

Theatre, and regular theatre patrons as well as skating fans<br />

ayfjfnude extensive use of the facilities. The theatre stays open<br />

hro hout the winter season.<br />

Th's photo shows the roadside location of the driving range and the driving range<br />

lefreshment stand at the right which serves highway patrons as well as theatre and<br />

d-ivinj range customers. The range is open every day in the week, from 10 a.m. to<br />

12 p m. Mondays through Fridays and from 7 a.m. to /2 p.m. Saturdays and Sundays.<br />

^hercade is a new attraction for the 1955 season at the Starlite. As<br />

he gn says the coin-in-the-slot machines offer plenty of entertainner<br />

for both young and old. It has proved to be very popular with<br />

lati of the drive-in theatre.<br />

s<br />

The principal kiddyland at the Starlite is fenced in the center of the theatre, and<br />

is equipped with merry-go-round, swings, slides, etc. The photo above shows a 1955<br />

extension of the kiddyland. A merry-go-round and a ferris wheel have been added for<br />

pint-sized patrons. Rides are five cents.<br />

with a good old fashioned carnival<br />

riiere's plenty there to keep kids<br />

ro, five to fifteen years of age enterall<br />

d. An electrically operated merry-gooul,<br />

hobby horse rides, two power-con-<br />

W) d miracle whirls and giant elephant<br />

Uc make up the permanent equipment,<br />

ill which was supplied by Miracle Whirl<br />

5al;<br />

Co.<br />

^w last year were the bucking bunny<br />

inciirplane rides. These unique playtime<br />

tinucks, installed under lease by the<br />

naifacturer, the Carousel Amusement<br />

•Cure mounted to fences, and operated<br />

>y:otors which are installed behind the<br />

en<br />

,<br />

thus keeping riders entirely free<br />

ro; any possible harm which might result<br />

ro contact with mechanical apparatus.<br />

^ double precaution, attendants are al-<br />

^fa;<br />

on hand to help guide the children.<br />

Wt.dants are particularly careful about<br />

falling and scheduling riders on the<br />

Staite's four popular ponies.<br />

t.hlberg stated the Starlite management<br />

held some serious debates as to whether<br />

they should make a nominal charge for<br />

any and all rides. Ti-ial answered this<br />

question. To avoid the confusion of monopoly,<br />

particularly over the weekends,<br />

when between 800 and a thousand children<br />

simultaneously seem to be clamoring for<br />

rides, a charge of five cents per ride is<br />

made except for the bucking bunnies, which<br />

bring 10 cents.<br />

The Starlite golf driving range was<br />

started more or less as an experiment last<br />

year. Its popularity gained so rapidly that<br />

this year they arranged to add such features<br />

as a batting range, outdoor ping pong<br />

and a 36-hole miniature golf course. As is<br />

the case with Kiddie Land, the attractions<br />

for grownups are handily located, in this<br />

case directly in front of the theatre proper.<br />

According to Kohlberg, they have every<br />

reason to believe that more people actually<br />

came to see the Starlite's movie attractions<br />

because of the driving range, despite the<br />

fact that pails of golf balls cost from 50<br />

cents to a dollar. So far this season the<br />

miniature golf course consists of 18 holes,<br />

and a fee of 50 cents is charged for this<br />

sport. How much they will charge for playing<br />

the full course when it is completed late<br />

this summer, is still a matter of discussion.<br />

Kohlberg said it is possible a charge of<br />

from 25 to 50 cents will be made for ping<br />

pong, although this project is still undergoing<br />

some changes.<br />

This past winter an ice skating rink was<br />

installed. The Starlite management decided<br />

last year to operate throughout the<br />

winter, and with the aid of an unusually<br />

good winter, they found this operation<br />

profitable. Even so, if the weather is too<br />

bad for showing a movie, regular patrons<br />

and skating enthusiasts seemed glad to<br />

avail themselves of this diversion.<br />

Kohlberg stated they aim to furnish all<br />

the conveniences of a resort. They feel they<br />

are supplying facilities which will give<br />

Starlite habitants the pleasures of a week-<br />

Continued on following page<br />

JOjffice :: June 4, 1955


GIVE THEM VARIETY<br />

Continued from preceding page<br />

end vacation, without going too far from<br />

home and at a minimum cost.<br />

Newest innovations are an arcade and<br />

facilities for horseback riders and motorcyclists.<br />

There's a special section for motorcycles<br />

and a rack for horses. Free hay is<br />

provided for the horses. Admission for<br />

horses is free, but the rider needs a 50-<br />

cent ticket. The Starlite has its own refreshment<br />

concessions, but when the owners<br />

discovered people were bringing lunches<br />

from home, they started installing barbecue<br />

ovens and 200 picnic tables.<br />

A LANDSCAPING PROGRAM<br />

"We are always thinking of our patrons."<br />

Kohlberg declared. "Not only are we providing<br />

plenty for old and young alike to<br />

do," he added, "but we are beautifying the<br />

Starlite grounds for their pleasure." To<br />

bear this out, at least in part, they have<br />

begun landscaping to the extent of 250<br />

poplar trees and 80 bushes. A fence, seven<br />

feet high, which surrounds the entire area<br />

on which the Starlite is located, furnishes<br />

both class and privacy. Kohlberg mentioned<br />

that they have something of an advantage<br />

as far as landscaping is concerned . . . Starlite<br />

Drive-In, Inc. owns 87 acres of land<br />

adjoining the drive-in property, and therefore<br />

they have access to shrubbery and the<br />

able caretakers. As a matter of fact, all<br />

the planning and work done is undertaken<br />

by Starlite forces. Only the electrical work<br />

was done by outside forces.<br />

The daylight saving time observed in the<br />

Chicagoland area presented a problem,<br />

Kohlberg said. To combat this they have<br />

such added attractions as vaudeville acts<br />

and jitterbug contests. Between June first<br />

and perhaps mid-September, five vaudeville<br />

acts are presented on the heavy nights,<br />

such as Friday, Saturday, Sunday and<br />

Wednesdays. The jitterbug contests, filling<br />

in the daylight time on the remaining<br />

nights, require special orchestra music, also<br />

supplied by Starlite. This entertainment,<br />

Kohlberg said, brings in a sizeable number<br />

of people as early as 7:00 P.M., which is<br />

an hour and a half before the movie starts.<br />

INSTALLED<br />

WIDESCREEN<br />

Last October, a 135-foot Cinemascope<br />

screen was installed.<br />

Kohlberg said there has been considerable<br />

speculation as to whether or not the<br />

policy of varied entertainment at the Starlite<br />

pays. He said this can best be answered<br />

by the fact that they increased<br />

admission from $1.00 to $1.25. This new<br />

price, he added, even went into effect before<br />

the new Cinemascope screen was put<br />

in. Right now, the Starlite can accommodate<br />

2.000 cars; next they will provide for<br />

900 additional cars.<br />

Policy and concession announcements by<br />

tape recording free the manager to circulate<br />

among the patrons at intermission.<br />

A corner view of Starlite Drive-in's kiddyland presents a good view of the electrically controlled met<br />

go-round immediately back of one of the giant slides. Also shown, to the left, are airplane ride chairs, a<br />

in the foreground is a power controlled Miracle Whirl.<br />

Strange looking little animals which appear to be clinging to the fence at the Starlite Drive-In I 'j<br />

what is called a "Bucking Bunny" ride to youngsters visiting the outdoor theatre. The bucking fcuni<br />

were installed under lease by the Carousel Amusenent Co.<br />

Play Facilities a Profitable Enterprin<br />

The commercial value of kiddylands and<br />

amusement centers is pointed up by the<br />

startling investment of $9,000,000 in Disneyland,<br />

the 160-acre installation now<br />

nearing completion in Anaheim, Calif. It<br />

will, in addition to having a kiddyland,<br />

have a world's fair and a museum, thus<br />

extending its interest to adults.<br />

American manufacturing companies,<br />

aware of a powerful advertising medium,<br />

will add to the investment another $8,000,-<br />

000 for j>ermanent exhibits. Di-sney expects<br />

an attendance of 5,000,000.<br />

Management of shopping centers has<br />

also realized the money value of amusement<br />

centers, and most of the shopping<br />

centers being designed today incorporate<br />

this feature. Allied Stores, a national department<br />

store chain, is planning amusement<br />

centers in all seven of its new shopping<br />

centers. It already has three. In te<br />

of the new centers there will be a kidjland,<br />

an ice rink and a 500-seat auditorin.<br />

A miniature golf course is contemplate<<br />

Even downtown city merchants, havg<br />

witnessed the success of the shopping ftter<br />

playground as a means of building i


ip<br />

I<br />

!<br />

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si; for children of all ages! The motor operates the ride<br />

yih power to spore through a Dodge reduction gear which<br />

i; sealed in oil. A safety factor in this reduction gear<br />

p'vents the ride from ever moving backwards. The Miracle<br />

S r-Gozer also features a safety brake and safety-lock<br />

Sits. The frame is painted black and white in our popul(<br />

candy stripe design which contrasts beautifully with<br />

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I W w W<br />

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• The Miracle Pony Ride is the ideal merry-go-round for<br />

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set it up or take it down in less than an hour's time. The<br />

heaviest single piece weighs only 140 lbs. and the entire unit<br />

can be loaded on a small truck. No greasing or motor<br />

maintenance; all-steel framework and platform require<br />

little or no upkeep. Colorful cast-iron or fibreglass<br />

ponies outlast wooden models by years and always look<br />

more attractive. The Miracle Pony Ride is a tested trafficbuilder<br />

that provides safe, popular entertainment<br />

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B( OFFICE :<br />

: June 4, 1955 II


I<br />

This Kiddie Karnival is located about 300 yards from the Belt Drive-ln Theatre, St. Joseph, Mo., and is operated by a subsidiary of the Durv/ood<br />

circuit, owner of the theatre. It offers pony rides, a Fargo Express coach ride, train ride, merry-go-round and other motorized rides. Every child<br />

attending the theatre is given two free tickets for kiddyland rides, and this creates a reciprocal advantage.<br />

THE SEPARATE KIDDYLAND A DRAW FOR DRIVE-<br />

Bofh Children and Adults Attracted by Carnival-Type Rides<br />

And Theatre and Playland Profit Mutually by Proximity<br />

By I.<br />

L THATCHER<br />

I BELIEVE I'LL HOLD MY KID," sayS<br />

Dad with a sheepish grin, fooling no one<br />

but himself, as he takes a seat in the<br />

miniature train beside the youngster.<br />

Ed Gardiner, manager of the Kiddie<br />

Karnival adjoining the Belt Drive-In Theatre,<br />

St. Joseph, Mo., has heard that remark<br />

innumerable times, and not only<br />

from Dad, but from other adult members<br />

of the family, including grandparents.<br />

KIDDYLAND BRINGS PEOPLE OUT<br />

"We have as many adults as children<br />

on the train and the merry-go-round,"<br />

Gardiner said. "There's no doubt that<br />

a kiddyland has a big appeal for both.<br />

The kiddyland brings many people out who<br />

are not regular patrons of the drive-in but<br />

once there they finish off the evening in<br />

the theatre. Others who are regular patrons<br />

come out an hour before showtime<br />

to enjoy the rides. A kiddyland is a big<br />

investment, but it brings people out to the<br />

theatre location, and the combination is<br />

mutually advantageous."<br />

Every child attending the drive-in theatre<br />

is given two free tickets for kiddyland<br />

rides, and this brings patrons of the theatre<br />

over to the play area.<br />

"People follow the crowd," Gardiner<br />

commented, "so the kiddyland thus benefits<br />

from the theatre trade."<br />

The Kiddie Karnival is located 300 yards<br />

from the Belt Drive-In which is also managed<br />

by Gardiner.<br />

Kiddie Karnival presents a dazzling sight<br />

at night with an all-electric, double-faced,<br />

50-foot sign mounted on top of the concessions<br />

building. This sign, using 400 lights,<br />

was made by St. Joseph employes of the<br />

Durwood circuit, owner of the properties,<br />

during the winter.<br />

The fairyland spectacle is enhanced by<br />

festoon lighting, hung from a centerpole to<br />

poles at the four corners. The poles are<br />

galvanized iron, set in concrete and insulated,<br />

the center one being 36 feet out of<br />

the ground. Five hundred, ten-watt, insidefrosted<br />

lamp bulbs are used.<br />

Organ music is amplified all over th<br />

park to add to the carnival spirit.<br />

The merry-go-round is first in popularit<br />

at the Kiddie Karnival, with the minis;<br />

ture train and the pony rides sharing sec<br />

ond honors. The train, consisting of thrf<br />

large coaches, each seating 12 persons, hi<br />

a precision gasoline motor and cost aboi<br />

$10,000 complete with track. Every pn<br />

caution is taken for the safety of tl<br />

children and the man who runs the train r<br />

instructed to stop the train if a child stani^<br />

up in a coach and bring the youngster i<br />

to the seat behind him. The train is n,<br />

at a moderate 20 miles an hour.<br />

LEASE OUT PONY RIDES<br />

'i'^k<br />

The first season Gardiner operated tl^.fl65(|i<br />

pony rides the theatre had six ponies \'ljj(<br />

its own, but the job of caring for them w (i^jj^^<br />

too much, so now he leases out the poi- (ij^<br />

concession. The ponies are enclosed in! , f.^^<br />

chain link fence, four feet high to prevei s:.^<br />

children from patting them while they b< i\<br />

in their stalls, and the pony trail is 6' (.<br />

-'«Pr(<br />

12<br />

Tho MODERN THEATHE SECTKf


.<br />

I<br />

lilies<br />

.. (Hiimsters<br />

, man<br />

; 1 I ponies<br />

and<br />

located<br />

i<br />

u<br />

; vp<br />

i<br />

he<br />

1 .iffic<br />

1 each<br />

I i The<br />

i III a white fence all the way around.<br />

are ten cents, and there are<br />

vdiivu on the pony rides; they walk<br />

1-0 id with the kids if desired.<br />

I ;i vpar a new pony ring was laid out<br />

he road from the kiddyland, where<br />

trot the big children<br />

;c id for 20 cents.<br />

Till' is also the Fargo Express drawn<br />

iirown stallion with white tail and<br />

lud decked out in a $170 harness.<br />

can ride in the coach, and<br />

ride shotgun. There actually is a<br />

the coach. On the back of the<br />

lie theatre program is advertised.<br />

u<br />

I<br />

the mechanical rides are kept spic<br />

111, and there is a maintenance man<br />

IS nr the kiddyland. Gardiner thinks it<br />

1 ii;i|5ortant that the manager oversee<br />

'<br />

•:' iiitenance so that everything is<br />

111 tip-top shape.<br />

IS also a man to park cars and<br />

at all times.<br />

EMPLOYS ONLY FATHERS<br />

riiner employs only married men with<br />

Mtions. It is a requirement that<br />

ive a good job and kids of their<br />

men are uniformed in white,<br />

their shoes shined and be clean<br />

nan. There are eight operators for the<br />

id' with a foreman on the lot at all<br />

im .<br />

a swing man to spell them one<br />

man has a night off. This<br />

is the assistant foreman.<br />

/.long the rides is the Sky Fighter, elecric<br />

ly controlled, with eight planes each<br />

-- 1^ two. The guns sputter realistically<br />

iinds of the children. There is also<br />

wheel, its six cages entii'ely built<br />

tank for the boat ride is<br />

complete water change every two<br />

nd bluing is added to increase its<br />

eness. There is also a Kiddy Cart<br />

.L. or the smallest youngsters.<br />

r les are sold, six for 50 cents, with the<br />

xcition of the pony rides, to which the<br />

'B( us Ticket" does not apply.<br />

and the concessions building, and there are<br />

also 12x20-foot concrete patios with white<br />

tables and .seating for about 18 to a patio.<br />

Altogether there is seating for about 300.<br />

The patios are furnished with canvas sun-<br />

.••hades which may be tilted to follow the<br />

sun. They are operated by nylon cord.<br />

Fine chat is used to surface the kiddyland<br />

grounds.<br />

The Kiddie Karnival opens at 6:30 p.m.<br />

week days, and 3; 30 on Saturdays, Sundays<br />

and holidays, running until about 10:15.<br />

When preparing to open for the season,<br />

Gardiner brings in two high-priced precision<br />

mechanics to put the ride equipment<br />

together. "There must be 10,000 pieces,"<br />

he said, "but we got it up in exactly one<br />

week."<br />

OPERATED BY A SUBSIDIARY<br />

The Kiddie Karnival is operated by the<br />

Crystal Amusement Co., a Durwood subsidiary,<br />

making it a completely separate<br />

operation from the Belt Drive-In Theatre<br />

and requiring two sets of weekly reports.<br />

Last year, in its second year of operation<br />

of the Kiddie Karnival and the Belt<br />

Drive-In, the Durwood circuit made extensive<br />

improvements at the theatre. A new<br />

direct road, highly illuminated, was built<br />

to the front of the theatre and a new<br />

name sign was built for the white fence.<br />

Letters four feet wide, six feet high, of<br />

^4-inch Masonite were given three coats<br />

of green paint. Each letter is wired separately.<br />

Clare Woods, general manager for<br />

Durwood in the St. Joseph area, is mighty<br />

proud of that sign, because it was entirely<br />

built by Durwood personnel at a cost of<br />

less than $600. "We saved at least 70 per<br />

cent." Woods said. "A sign man estimated<br />

he would attempt to build one for $2,500<br />

and would probably lose his shirt." A<br />

similar sign was built for the Skylark<br />

Drive-In Theatre, another Durwood property<br />

in St. Joseph.<br />

The parking lot at the Belt was leveled,<br />

as 30 or 40 cars would be unable to get out<br />

of the former ditches, and was covered with<br />

a self-sealing chat. Speaker posts, which<br />

had been dark and were frequently run<br />

into by patrons, are now all white with<br />

aluminum speakers.<br />

The concessions was remodeled from a<br />

straight counter to a cafeteria and it is<br />

possible to run 1,500 people through a night<br />

without delay. Speakers were torn out in<br />

order to build an illuminated walkway to<br />

the concessions, and a red light on top of<br />

the concessions building extends 20 feet<br />

into the air and spins. It is all counterbalanced<br />

and can be rai.sed with two fingers<br />

at intermission time. A patio in front of<br />

the concessions seats 125 persons.<br />

There is a playground for children in<br />

front of the tower with chair swings, pony<br />

riJes, teeter-totters, slides and big swings.<br />

A ramp man watches the grounds continuously<br />

and when the show starts, asks<br />

the kids to go sit in the cars.<br />

WILL BOOK FREE ACTS<br />

"We have decided to book in big free acts<br />

this season," Gardiner said, "as we are of<br />

the opinion that mothers and fathers will<br />

enjoy this extra entertainment as much<br />

as the kiddies."<br />

An all-neon mural is featui'ed on the<br />

highway side of the Belt screen tower, with<br />

a Pony Express barn, fence and galloping<br />

pony all outlined in colored light.<br />

The Belt Drive-In Theatre and the Kiddie<br />

Karnival were built five years ago by<br />

C. H. Martin jr., from whom the Durwood<br />

circuit bought the properties in 1963.<br />

The most recent improvement at the<br />

theatre was the installation of a Cinemascope<br />

screen 36x72 feet. It was constructed<br />

of Ti'ansite and covered with Seidlitz white<br />

screen paint.<br />

CREDITS: Concessions equipment: Connelly grill.<br />

Star popcorn warmer • Ferris wheel: S. A. Roller<br />

Works • Mechanical rides: Allan Herschell • Patio<br />

awnings: Shade-O-Llne • Train: Miniature Train Co.<br />

EVERY FISH WINS A PRIZE<br />

/ Popular attraction is "Ye Old Fishin'<br />

'or<br />

' near the kiddyland concesiw<br />

stand. A galvanized stock tank,<br />

x3 feet, is filled with plastic fish, four<br />

long, in different colors. Each has<br />

m its nose and a number on the<br />

lot m. Poles and lines and hooks are furilsl'd<br />

for ten cents. The lucky fishermen<br />

>re tit their catches to the man at the<br />

:oi> ssions stand where the prizes are dis-<br />

>la:d. Every fish wins a prize, varying<br />

tof Pandas in thj-ee sizes, horses, to sun-<br />

Iry.ttle prizes, the least of which would<br />

OS' nore than ten cents in a store.<br />

1 i 12x20-foot concession stand is eneff<br />

by the attendants from the side. The<br />

roi moves out to open it up to the parol<br />

Ride tickets are sold at the stand<br />

'hi is operated by the concessions man-<br />

I<br />

iSeiand a girl helper, plus the cashier.<br />

jr??, Coca-Cola and orange bottled<br />

Iriis are sold, as well as hot dogs, candy<br />

ind Kjpcom.<br />

C lirs<br />

are provided all around the rides<br />

Among extensive improvements at the Belt Drive-In Theatre was the construction of a new direct road<br />

to the front of the theatre and the installation of first-class illumination system. The name sign on<br />

a<br />

the fence was built by Durwood employes at a saving of at least 70 per cent. Letters are four feet<br />

wide, six feet high, and each one is individually wired.<br />

'0> FFICE : : June 4, 1955 13


'<br />

"<br />

4<br />

Better grade playground equipment<br />

should be purchased, as it will receive abusive<br />

and heavy treatment. Wherever possible<br />

we think that a separate playgrounc<br />

of lighter and cheaper equipment should bi<br />

set up with a sign stating that this portioi<br />

of the playground is for children under '<br />

years only. This saves the worry of parent,<br />

of their smaller children getting run ove<br />

by the bigger ones.<br />

The more dangerous the equipment th<br />

better the children seem to like it. Merry<br />

go-rounds and climbers seem to be th<br />

most popular in our playgrounds, and hav<br />

to be constantly watched to see that chil<br />

dren are not injured. Little children sU<br />

like to play in sandboxes, and they are<br />

much used item that is often overlooke<br />

in playgrounds in drive-ins. The cost (<br />

them is nominal.<br />

MECHANICAL RIDES<br />

Children turned out in droves for the annual Easter egg hunt at the Dixie Gardens Drive-ln Theatre,<br />

Covington, Ky. This year it was co-sponsored by the Kentucky Times Star and all boys and girls under<br />

12 were invited. All they needed to compete was a coupon from the newspaper. Major prizes included<br />

a complete spring outfit, fully equipped bicycle and puppies. Many other prizes, such as candy<br />

eggs and theatre passes, were given. This is only one of many special events staged by Manager James<br />

Day to foster goodwill and increase patronage. Popular features of the Dixie Gardens are the completely<br />

equipped picnic grounds and the small lake stocked with blue gills. Poles are provided for both children<br />

and adults.<br />

GO AFTER<br />

TODAY'S KIDS<br />

Mechanical Rides, Playgrounds, Zoos, Special Events<br />

Sell the Kids and They Will Sell Their Parents<br />

By JACK D. BRAUNAGEL*<br />

/\ FEW YEARS BACK in his keynotc address<br />

at the Theatre Owners of America<br />

convention, Elmer Rhoden stated that more<br />

children would come of theatre going age<br />

in the next five years than in any other<br />

time in the history of the country. It is up<br />

to us, the theatremen of America, to do<br />

all we can to educate these children to the<br />

fact that the motion picture theatre—drivein<br />

or indoor—should be the center of their<br />

entertainment and fun thoughts, rather<br />

than the living room and the TV set.<br />

FEWER KIDDY CLUBS<br />

Yet we see less kiddy clubs, less catering<br />

to the child trade today than in any time<br />

in our theatre experience. TV stations are<br />

using all the old theatre stunts—I>avy<br />

Crockett and Roy Rogers Clubs, Big Brother<br />

clubs, badges, membership cards, etc.<br />

We feel that the drive-in theatre has the<br />

greatest challenge offered and the greatest<br />

opportunity to get children talking about<br />

movies rather than TV than any other<br />

medium. The answer, give them what TV<br />

can't give them on a 21-inch screen, and<br />

give it to them cheerfully and willingly.<br />

Get them coming, sell them movies, and<br />

they will sell the parents who have to<br />

bring them out. Here are a few of the<br />

tricks that will help accomplish making<br />

movies the talk of the kids' circle.<br />

PLAYGROUNDS<br />

Kids have excess energy—and they've got<br />

to work it out, and they can't do it on the<br />

living room floor. Therefore, every drivein<br />

should feature slides, swings and teeter<br />

totters as a minimum. However, like everything<br />

else, it just can't be put in the playground<br />

area and be kept a secret. The<br />

drive-in manager must make it attractive,<br />

he must constantly sell it, even though it<br />

is a free feature.<br />

SHOULD SUPERVISE PLAYGROUND<br />

The playground should also be supervised,<br />

especially before the show starts, to guard<br />

against injury and to prevent bigger children<br />

from chasing the smaller ones away<br />

from playing.<br />

Nationally, kiddylands exclusively, wlti^<br />

kiddy rides have been very spotty. Marihave<br />

gone broke. However, we have beeijj<br />

able to purchase used auto rides, ferrjj<br />

wheels and other mechanical rides froli<br />

bankrupt kiddylands, and they have provd<br />

a great attraction in the drive-ins.<br />

RIDES ONLY WITH TICKETS<br />

,<br />

. ;<br />

Rides are given only before the shoiAi<br />

and only with a ticket. Children<br />

'<br />

and pal<br />

ents must be made to realize they a<br />

really getting something extra in the<br />

rides. As a result, we give rides only wi<br />

tickets which are distributed at the bo<br />

office, one ticket for each ride we have f I<br />

*<br />

each child in the car. A sign on the ri;<br />

states— "Rides FREE with tickets obtain;<br />

55<br />

at boxoffice—EXTRA RIDES 10 cei,<br />

each." This makes parents and childr<br />

realize that they are getting a 10-cent ri<br />

for free.<br />

Again, the manager must constantly s;<br />

the rides, must see that proper personil<br />

who like and treat children courteous' .,.<br />

are on duty when the rides are in opeiffflaJs<br />

tion. Men used on the ramp later can SiKm<br />

used before show time on the playgrou3iiiniE<br />

and for the rides. Pony rides are also g0(,iitiii|<br />

but are dangerous if the right-tempe)!<br />

ponies are not obtained.<br />

KIDDYLAND ZOOS<br />

-fats<br />

Again, selling the kids and having p-| fe<br />

sonnel interested in handling is the sent lit*<br />

of success. The smaller the tpwn, the betrd<br />

this attraction is. Larger cities have faifi £N<br />

zoos, but the smaller-town children hei<br />

often never seen a monkey or other a-<br />

mals you might be able to obtain.<br />

MONKEYS ARE SHOWOFFS<br />

Monkeys seem to be the best attract!^<br />

both for adults and kids, for with a :<br />

patience of the caretaker they can be<br />

^<br />

showmen. They love the crowds, and<br />

show off for them, and in many drivef<br />

there is hardly a time, even when the 1<br />

is on when the monkeys do not have pe^<br />

watching them.<br />

Other animals, easy to take care 8<br />

that are attractions are squirrels, rabU<br />

raccoons, unusual birds and deodorj il,<br />

skunks. Care of the zoo is of utmost<br />

portance. It must be kept spotlessly cHi<br />

14 The MODERN THEATRE SECW


, ff<br />

: June<br />

—<br />

—<br />

—<br />

—<br />

[iday or odors will do more harm than<br />

30 does good. It has been found that<br />

J<br />

asiest way to keep cages clean is to<br />

!<br />

J a metal drawer arrangement in the<br />

Km of the cage that can be slid out<br />

ii and taken away from the zoo area,<br />

with hot water and returned spotsi<br />

BJjd<br />

clean. Sawdust shavings in the bot-<br />

^Df this will also control odors. There<br />

n excuse for odors around a drive-in<br />

ijxcept lack of supervision by the man-<br />

I<br />

i<br />

Grand Island, Neb., where Wally<br />

has one of the finest drive-in zoos<br />

riave ever seen—the lumber company<br />

a stockade type fence all around it<br />

II<br />

Jhas a regular entrance, and no adults<br />

ft Emitted to the zoo unless accompanied<br />

y child. The child gets the free ticket<br />

t le boxoffice. Tell people they can't<br />

et 1 someplace, and it creates a desire<br />

hurry. Wally will tell you that there<br />

I<br />

:<br />

,u been many people who have come to<br />

ic ii ive-in without children who have<br />

jlited the kiddies to take them into the<br />

rrijd Island zoo.<br />

GREAT DRAWING POWER<br />

Tat drive-in and others with good zoo<br />

aCities and playground activities will<br />

lav about 60 per cent of their crowd for<br />

lievening in the theatre before the show<br />

ta:;, proving the drawing power of the<br />

ar<br />

IAJ;S<br />

attractions.<br />

AND ACTIVITIES<br />

V;iety is show business, and we must<br />

OiJaue to give variety in our theatres.<br />

n laying to kiddies this includes preho<br />

fun that creates excitement for the<br />

?ahers c adults) and the children. Among<br />

of the activities that have proved<br />

ligiy successful are balloon showers<br />

rtt" some small prize in each balloon<br />

Irojed from the screen tower. Plying<br />

aurs sailed off the snack bar with spec-<br />

II .izes on certain saucers. Kiddies field<br />

lay-a must at every club or company<br />

>ici;—and something everyone enjoys.<br />

SH! include sack races, potato races and<br />

hr -legged races, and with the number of<br />

nt nts you get it will take up lots of<br />

im and give lots of laughs and fun. Every<br />

Mir.it loves to see his children perform<br />

ak, advantage of his likes.<br />

ENTHUSIASM A 'MUST<br />

I .se.shoe pitching contests, and many<br />

other contests that TV addicts spend hours<br />

watching can be worked into your evening<br />

programs. You will find it takes time to<br />

get people over theii' bashfulness in taking<br />

part in these contests—but once they do,<br />

your chief worry is trying to keep them<br />

from being irked that they can't take part.<br />

It takes a big selling job and enthusiasm<br />

on the part of the manager to make these<br />

things work. How would the Bert Park's<br />

television program using all gags of this<br />

sort look without the enthusiasm of Parks,<br />

and the many others as well? That is the<br />

big secret of success in selling kids and<br />

adults in any theatre or drive-in—enthusiasm<br />

of the manager. 'Without it, there's<br />

no use wasting money in trying anything.<br />

SOMETHING FOR EVERYONE<br />

We are quoting the copy taken from a<br />

lull page ad, paid for by the merchants,<br />

promoted in two colors by Wally Kemp<br />

of Grand Island. There's so much sold in<br />

that ad, he's bound to have sold something<br />

that everyone who picks up the<br />

paper would like—and his turnaway business<br />

on his opening before the show started<br />

proved it.<br />

Fii'st, he had local names ^50j placed<br />

in small type in merchants ads and his<br />

own on the page. He offered 25 passes to<br />

adults whose names appeared in the ads<br />

they must go to merchant to obtain the<br />

free tickets; 25 free sno-cones to children<br />

whose names appeared on the page, given<br />

at drive-in on opening night. Then, free<br />

roses to each lady; free lollipops off the<br />

lollipop tree to the kiddies; free pony tractor<br />

rides to the kiddies; free pony wagon<br />

rides for the kiddies; free cigars to dad;<br />

fireworks opening night; free kiddyland<br />

zoo and monkeyland, plus a good show<br />

with the shorts also played up prominently.<br />

How could they afford to stay away?<br />

NEW WAYS OF SELLING<br />

Also—remember this—kids are out of the<br />

habit of reading movie ads in a newspaper—you<br />

have to get to them some other<br />

way. We recently staged a cartoon comedy<br />

carnival in an indoor theatre—selling it<br />

with handbills, distributed on the streets<br />

to children going home from school. Result—the<br />

biggest children's attendance in<br />

that theatre in one day than there had<br />

been in any week in a year.<br />

A local doctor in that town accidently<br />

^laiw^<br />

The children's<br />

zoo at the Grand Island, Neb., drivein<br />

theatre is one of the finest in the country. There<br />

is a stockade fence all around it, and no adults are<br />

admitted unless accompanied by a child. Free<br />

tickets are available to the children at the boxoffice.<br />

Farm animals, ducks, rabbits, white mice,<br />

racoons, sheep, pigs and monkeys are among the<br />

exhibits. The zoo is kept spotlessly clean by daily<br />

maintenance, and odors are eliminated by using<br />

sawdust shavings in the drawer-like bottoms of the<br />

cages.<br />

taught us an interesting lesson. We quote<br />

him:<br />

"You played me a dirty trick last Friday.<br />

You gave Junior (7 years oldi a handbill<br />

on that cartoon comedy show and he<br />

brought it home and pestered me all day<br />

Fi-iday to take him—then again, Saturday.<br />

Finally, I could hold out no longer<br />

Saturday at 6 P. M. I took him to the<br />

show. At 8 I had to drag him out. If you<br />

hadn't passed out those D bills he<br />

wouldn't have known about it—now he<br />

wants to see the monkeys at the drive-in."<br />

"How long since he's been to a show?"<br />

we asked the Doc.<br />

"Oh, not since he was four years old,"<br />

he answered, "but he's probably going to<br />

give us trouble now, and will be dragging<br />

us out to the drive-in."<br />

There's an example—do you think that<br />

parent would have read the newspaper ad<br />

and told the child about it? Not on your<br />

life. He was going to keep it a secret.<br />

So, learn the lesson we did from an outsider—don't<br />

try to sell the parents to take<br />

the kids to the show sell the kids on taking<br />

the parents. Kids can be sold that<br />

movies are a new land of wonder to them<br />

get them in—then sell them as never before.<br />

Pony rides are featured<br />

at the Hi-Park<br />

Drive - In Theatre,<br />

San Antonio, Tex. At<br />

left some of the<br />

ponies having their<br />

oats, corn and hay.<br />

At right, one of the<br />

young patrons enjoys<br />

a pony cart ride.<br />

SOJ FFICE :<br />

4, 1955 IS


:<br />

.<br />

Over Half IPA Exhibit Booths Already Sold<br />

Spiro J. Papas<br />

The 1955 national<br />

convention of the International<br />

Popcorn<br />

Ass'n is getting off to<br />

a fast start. Over half<br />

of the 117 exhibition<br />

booths have been sold<br />

already and Bert<br />

Nathan, IPA president,<br />

has announced<br />

the appointment of<br />

Spiro J. Papas, head<br />

of the Automatic<br />

safety —<br />

PLUS STURDY SERVICE!<br />

Finest See-Saws you can buy — Recreation!<br />

All frames are made from standard weight<br />

hot dipped galvanized steel pipe, clamped<br />

together with certified malleable castings.<br />

Boards are select Old Growth Yellow Douglas<br />

Fir, free from defects. Two notched fulcrum<br />

castings allow adjustment for weight,<br />

yet chains will not allow boards to be lifted<br />

from the frame. Good for years of use<br />

under tough conditions!<br />

Vending Corp., Chicago, to be general<br />

convention chairman.<br />

IPA's convention and exhibition will be<br />

held in conjunction with National Allied<br />

Exhibitors, Theatre & Supply Manufacturers<br />

Ass'n and Theatre Equipment Dealers<br />

Ass'n. All four- organizations will convene<br />

at the Morrison Hotel, Chicago, on<br />

November 6, 7, 8 and 9.<br />

Heading the committee in charge of the<br />

exhibits will be Carl Siegel, executive of<br />

the Stanley Warner Management Corp.<br />

Assisting Siegel will be Nathan, IPA head<br />

PLAYGROUND<br />

EQUIPMENT<br />

and Theatre Popcorn Vending Corp. execi<br />

tive; Lee Koken, RKO Theatres; Lest,<br />

Grand, Confection Cabinet Corp.; Melv<br />

Berman, Tri-State Automatic Candy Cc<br />

Leo Beresin, Berlo Vending Co.; Joe Ke<br />

nell, ABC Vending Corp.; Nat Buchma<br />

Theatre Merchandising Corp., and Loy<br />

Haight, W. S. Butterfield Theatres.<br />

The following firms have reserved di<br />

play space for the November 6-9 event<br />

the Hotel Morrison in Chicago<br />

Apco, Inc.; Blevins Popcorn Co.; Bro!<br />

Quick Appliance Corp.; Buckingham D:-<br />

pensers; Coca-Cola Co.; Continental Cji<br />

Co.; Cretors Corp.; Diamond Crystal Si.<br />

Co.; Albert Dickinson Co.; Flavo-R;<br />

Foods;<br />

Henry Heide, Inc.; Hershey Chocols;<br />

Co.; Hollywood Servemaster; Walter I.<br />

Johnson Candy Co.; Manley, Inc.; Missji<br />

Dry Corp.; Mars, Inc.; Maryland Cup C<br />

Ben Newman Associates; Orange Crush C<br />

Pepsi-Cola Co.; Phenix Foods C<br />

Quaker City Chocolate & Conf. Co.; Ree<br />

Peanut Butter Cups; Rex Specialty Ig<br />

Corp.; Rowe Mfg. Co.; Savon Candy 0;<br />

Selmix, Inc.; C. F. Simonin's Sons; Stil<br />

Products Co.; Supurdisplay, Inc.; C. J. \n<br />

Houton & Zoon. Inc.; Tone Pi-oducts Co.<br />

The air conditioning load may be<br />

duced by: (1) Insulating or ventilatingiif<br />

roofs or attics, (2) Installation of actings<br />

or shades on sun exposed windows ir<br />

(3) Removal of heat-generating equment<br />

from conditioned area.<br />

Don't Oversell Space!<br />

* Every Drive-in Manager Shoii<br />

Know Hew Mony Cars Are Insid<br />

^iuU/ Twin" TRAFFIC<br />

at Boxoffice<br />

COUNTER<br />

Customers say, "Completely foolproof, oni;<br />

accurate in all respects."<br />

Notliing Else to Buy<br />

tubes.<br />

Send<br />

rnXTked $99-50 fob foctV<br />

I<br />

d driveway — 10 days FREE tr<br />

I Orders yours today!<br />

width of Boxoffice Concrete Base<br />

Uhrichsvill<br />

K-HILL SIGNAL CO., INC. Chic<br />

One of the finest swing safety devices<br />

ever invented — the Belt Seat by Recreation.<br />

Heavy rubberized transmission belting with<br />

malleable end fittings. Very light weightonly<br />

two pounds — protects youngsters from<br />

injury.<br />

Look — it's the Recreation Combination, featuring<br />

a see-saw, slide, trapeze bar and<br />

rings, and two swings. The frame is made<br />

of hot galvanized pipe to resist weather and<br />

wear. A sound investment, with almost no<br />

maintenance required!<br />

• Write Today for Recreation's<br />

Free Playground Equipment Catalog!<br />

RECREATION<br />

EQUIPMENT CORP.<br />

DEPT. B-65 • 724 W. S»h St. • ANDERSON. IND.<br />

16<br />

* Airplane Ride<br />

•<br />

•Rocket Ride<br />

* Elephant Ride<br />

* Speed Boat Ride<br />

*Auto Ride<br />

Miniature Trains<br />

KING AMUSEMENT CO.<br />

Mt. Clemens, Mich.<br />

The MODERN THEATRE SECON


: June<br />

New Kiddie Rides on the Market<br />

'hii children's roller coaster manufactured by Allan Herschell Co., Inc., has three cars,<br />

foc/i seating four youngsters. Dips are thriling but not dangerous. Installation includes<br />

he track structure and starting station.<br />

The Yardbird, a hand-operated locomotive, will whip one or two<br />

kids around 40 feet of circular track. Made by Charles William<br />

Doepke Manufacturing Co.<br />

ven very young children can operate this single hand-lever drive control The Tinkertown Trolley seats eight children and allows two to stand in each<br />

'ractoride powered by T/2 h.p., two-cycle gasoline engine. Manufactured by vestibule, ft reduces 110-volt AC to a safe, low 12-volt DC and supplies it<br />

lilhr Engineering Corp. Operates on any surface. to rails similar to a toy train. Tinkertown Co. is the maker.<br />

'Jjl j/ie Star-Gazer, made by Miracle Equipment Co., This prairie schooner when hitched to a couple of The Baby Eli ferris wheel carries six seats, with<br />

II<br />

provided with a Dodge reduction gear which pre- ponies provides an authentic western ride for ten capacity of two to three kiddies per seat. Seats<br />

\'nts the ferris wheel from ever moving backwards. children. Made by Midget Circus Wagon Mfg. Co. have safety handle bars. Made by Eli Bridge Co.<br />

3X0F7ICE ;<br />

4, 1955 17


i<br />

The South Twin Drive-In Theatre, St. Louis County, recently held its grand This photo was taken on the formal opening occasion. The kiddyland s<br />

opening upon the completion of this large and well-equipped kiddyland. located between the last ramps of the two drive-in sections.<br />

ALL RIDES ARE FREE IN THIS KIDDYLAND<br />

Located Between Last Ramps of One Side of Twin Drive-In Theatre<br />

It<br />

Operates Even During Shows Without Interfering With Program<br />

By DAVID F. BARRETT<br />

Kesidents of eastern Missouri from<br />

St. Liouis to Perryville, 85 miles to the<br />

south, are still talking about the April<br />

29, 30 grand opening of the 1,050-car South<br />

Twin Drive-In Theatre at Lemay Ferry<br />

and Buckley roads, St. Louis County. It<br />

is a unit of the F^-ed Wehrenberg circuit.<br />

A spectacular advertising and exploitation<br />

campaign was arranged by Paul Krueger,<br />

president and co-general manager of<br />

the circuit, in connection with the completion<br />

and opening of the kiddyland, the<br />

occasion for the grand opening celebration.<br />

The campaign recalled to many oldtimers<br />

the days when the late Pi'ed Wehrenberg,<br />

founder of the circuit, was popularizing<br />

motion pictures in the early 1900s.<br />

18<br />

Wehrenberg, later to become a national<br />

leader among motion picture theatre<br />

owners, gave South St. Louis its first motion<br />

picture theatre and did much to<br />

establish the movies as the leading entertainment<br />

for the American people.<br />

Just prior to the gala grand opening<br />

Krueger spotted large-sized advertisements<br />

in the St. Louis daily newspapers and a<br />

St. Louis County weekly newspaper, which<br />

circulates in the general area of the city<br />

and county served by the South Twin.<br />

This copy styled the South Twin as "St.<br />

Louis' Newest and Finest Year Round<br />

Drive-In," adding "This Summer Paradise-<br />

Winter Wonderland Has Everything for the<br />

Pleasure and Entertainment of Kiddies and<br />

Adults."<br />

The text also called attention to the<br />

open e\'t<br />

"Fabulous Kiddyland," which is<br />

during the show, and the "Ultramodei<br />

Cafeteria," and "The Finest HoUywci^<br />

Productions, Presented on Oui- Giant W;«<br />

Glass Screen."<br />

The campaign also included five-miniti<br />

programs on television station KTVI,<br />

ultrahigh frequency station, and via i"a'_<br />

station WTL at 5 p.m. dui-ing the<br />

prior to the grand opening.<br />

Sixty 24-sheets were spotted in stratftfl<br />

locations in St. Louis and St. Louis CouM<br />

and advertising copy also was used on if<br />

backs of some 25 benches used by persilj<br />

waiting for motorbuses at key spots in m<br />

vicinity of the drive-in. Arrows poiniT<br />

"This Way to the South Twin Di-iveij<br />

Theatre."<br />

On the afternoon of April 29, commeafei<br />

The MODERN THEATRE SECT^


s:<br />

;<br />

\ [le<br />

::<br />

'<br />

An<br />

'<br />

On<br />

r<br />

il<br />

3& GRAND OPENING/<br />

FRIDAY & SATURDAY APRIL 29-30<br />

dree days before the grand opening this half-<br />

3ge advertiserrtent was published in doily and<br />

leefc/y newspapers. A similar one but announcing<br />

the Night— Tomorrow, Too!" appeared<br />

lonight's<br />

le next day. Radio and TV were also used to<br />

iblicize the opening.<br />

ig at 5 O'clock, about 50 balloons filled<br />

ith helium were released from the roof of<br />

16 drive-in's concession building and from<br />

;her locations in the vicinity of the theae.<br />

One of the balloons carried a notaon<br />

that the finder would receive a $25<br />

. S. savings bond if he contacted the<br />

^ehrenberg circuit within the prescribed<br />

me. The finders of the other balloons<br />

ere rewarded with passes to the drive-in.<br />

interesting angle of the flight of<br />

lese balloons is that a number of men<br />

3d boys armed with shotguns took their<br />

ations in the vicinity of the drive-in<br />

jjping to shoot down the balloon carrying<br />

order for the $25 bond. Their plans,<br />

)wever, went awry when Lester R. Kropp,<br />

i-general manager of the Wehrenberg<br />

rcuit, realizing what the hunters were<br />

eking, carried the big prize balloon to a<br />

iblic school building some distance from<br />

le drive-in before letting it fly.<br />

to the youngsters vLsiting the kiddyland.<br />

He was assisted by the son of Louis May,<br />

manager of the Jefferson Barracks housing<br />

project.<br />

The kiddyland is located between the<br />

last ramps of the drive-in, so that it can be<br />

operated during the shows without interfering<br />

with the program on either screen.<br />

It is supervised constantly, when in u.se, by<br />

two uniformed employes. Its equipment<br />

includes a miniature train, merry-goround,<br />

two single and one double slide,<br />

a Jungle Jim, a Tilt-A-Whirl, and a fire<br />

truck. This playground alone cost upwards<br />

of $12,000.<br />

The train was made by Miniature Train<br />

Co., and the mechanical rides by Miracle<br />

Whirl Sales, Inc. The fire truck was built<br />

by the theatre staff under the direction of<br />

Krueger. It is pulled by a jeep.<br />

There is no charge for any of the rides.<br />

TWO-LANE CAFETERIA<br />

The concessions building contains an<br />

up-to-the-minute, double-lane cafeteria<br />

layout that was designed, built and installed<br />

by the Rio Syrup Co. of St. Louis,<br />

headed by Stu Tomber. The two large<br />

counters are designed to handle capacity<br />

crowds with efficiency and dispatch. Patrons<br />

are handled quickly because everything<br />

served is prepared and ready for the<br />

customers when they enter the concession<br />

building. There is a cashier at the end<br />

of each counter.<br />

The concessions building area devoted to<br />

the concessions is about 90x60 feet. There<br />

are 12 employes in the concessions, two in<br />

the kitchen, two cashiers and eight girls<br />

at the cafeteria counters.<br />

The menu of the cafeteria includes a<br />

wide variety of drinks and food to<br />

satisfy<br />

patrons, including ice cream novelties at<br />

10 and 15 cents; hot dogs, 20 cents; hot<br />

tamales, 20 cents; small and large soft<br />

.-js^aa<br />

Ronnie, son of Mr. and Mrs. Paul Krueger and<br />

grandson of the late Fred Wehrenberg, founder<br />

of the Wehrenberg circuit, handed out suckers<br />

and balloons at the grand opening. A gay clown<br />

suit and the family's pet monkey on his shoulder<br />

delighted the youngsters attending.<br />

drinks, 10 and 25 cents; small and large<br />

coffee, 10 and 25 cents; popcorn, 10 cents;<br />

buttered popcorn, 25 cents; familysized<br />

popcorn, 25 cents; box of fish sticks<br />

and R-ench-fried potatoes, 50 cents; "Box-<br />

O'-Shrimp" with P^-ench fries and buttered<br />

roU, 75 cents; "Box-O'-Chicken" with<br />

French fries and buttered roll, 95 cents;<br />

shrimp roll, 30 cents; Toddy, 25 cents;<br />

hamburgers, 35 cents; separate order of<br />

French fries, 20 cents; doughnuts, 10 cents;<br />

chocolate, 15 and 25 cents; a quarterpound<br />

Baby Ruth bar, 15 cents, and a half-<br />

Continued on following page<br />

i<br />

' '<br />

i<br />

„|[ BALLOON TRAVELED 85 MILES<br />

the morning of May 2, Kenneth<br />

^rgman, a farmer residing near McBride,<br />

.'<br />

:'<br />

'me three miles south of Perry ville. Mo.,<br />

und the balloon when he entered a part<br />

k<br />

t the farm to get his corn ground ready<br />

r planting. It was the first time he had<br />

-.: arked that ground since last December.<br />

"What a wonderful surprise today when<br />

found your balloon," he wrote Paul<br />

f [rueger. His farm is 85 miles by air from<br />

p te South Twin.<br />

On both April 29 and 30 free souvenirs<br />

:: !re given to those attending the South<br />

vin. Ronnie Krueger, grandson of Fred<br />

; ehrenberg and son of Mr. and Mrs. Paul<br />

rf rueger, in a special clown costimie and<br />

th the family's pet monkey on his<br />

... oulder, passed out balloons and suckers<br />

A carload of happy firemen at the opening!<br />

by Paul Krueger, and is pulled by a jeep.<br />

This fire truck was built by the theatre staff, directed<br />

'XOFFICE :<br />

: June 4. 1965 19


. . Any<br />

{<br />

ALL RIDES ARE FREE IN KIDDYLAND<br />

Continued from preceding page<br />

pound Hershey bar, 35 cents. The concessions<br />

department also sells cigars and<br />

cigarets at popular prices.<br />

There is also a Sno-Cone bar in the<br />

kiddy land at which such cones sell for 10<br />

cents. There is a patio adjacent to the<br />

concessions building and the kiddyland at<br />

which patrons may sit at a table and enjoy<br />

their drinks and food. The kiddyland<br />

opens at 6 p.m. on Pi'idays, Saturdays and<br />

Sundays until the regular school terms<br />

close.<br />

It may be stated that the South Twin's<br />

concessions sales per drive-in patron is<br />

running far above the national average<br />

for outdoor theatres.<br />

EXTENSIVE CONCESSIONS EQUIPMENT<br />

The concession and kitchen equipment<br />

includes a walk-in cooler, three restaurant-size<br />

refrigerators, a double bank of<br />

deep-fat friers, one large grill and a 48-<br />

inch electric stove: and, of course, the two<br />

large cafeteria counters with a Manley<br />

popcorn machine, a Star popcorn warmer,<br />

lour Star hot dog warmers, two Brickingham<br />

orange dispensers and two Nelson<br />

self-service ice cream boxes.<br />

Charles Fleming, manager, and George<br />

Robinson, assistant manager, head the<br />

In this combination projection and concessions building at the South Twin, 90x60 feet is occupiedfy<br />

the concessions setup. Moonlight lamps top the building, and there are neon "Refreshment Bar" sirs<br />

above the roof. Note the handsome display cases built into the walls.<br />

South Twin's staff of 25 regular employes,<br />

which includes six uniformed ushers, two<br />

car hops, cashiers, ticket sellers, and the<br />

concessions help.<br />

A special attraction in the kiddyland is<br />

the bear in a cage. The playful young<br />

bear brought from northern Minnesota is<br />

a constant source of amusement for the<br />

youngsters. Children under 12 years -e<br />

admitted free to the South Twin when f-<br />

companied by their parents.<br />

There are two drive-in sections, eachof<br />

about 500-car capacity. One faces a gls;-<br />

faced screen that is 102 feet wide andiS<br />

feet high, while the other has a convitional<br />

outdoor screen 85 feet wide and'15<br />

THE FAMILY CROWDS AT YOUR DRIVE-ir<br />

WITH ® MINIATURE TRAINS!<br />

Attract New Customers and Bring Back Old CustomrJ<br />

Again and Again With Crowd Pleasing MT Miniature TraisP<br />

MX Miniature Trains bring all the realism, excitement and thrills of a BIG TRAIN to your Drivln.<br />

Immensely popular, they have been directly responsible tor boxoffice receipt increases W to<br />

33-1/3%, and concession receipt increases up to 50%. MT Miniature Trains appeal to the


I<br />

: June<br />

—<br />

—<br />

he two-lane, cafeteria style concessions layout in the South Twin offers almost everything from ice<br />

earn corns to chickenin-a-box with trimmings. Sales in this drive-in, one-half of which was opened<br />

s( foil, run far above the national average.<br />

et high with plywood surfacing. One<br />

'ction of the theatre is equipped with<br />

ii-car heaters to permit year around opertion.<br />

This section was opened for busi-<br />

'ess last November.<br />

The South Twin cost in excess of $450,-<br />

DO. It is equipped for the presentation of<br />

'U the latest types of motion pictures, such<br />

5 Cinemascope. VistaVision. Sup)erscope,<br />

,c.. with stereophonic sound.<br />

The plans of the drive-in provide parkig<br />

space adjacent to the concession-pro-<br />

•ction building for 200 automobiles. The<br />

)ads leading to the drive-in have been<br />

€j For Your Drive-ln Playground<br />

provided with parking facilities for another<br />

250 cars, to comply with a ruling by the<br />

Missouri State Highway Commission that<br />

drive-ins must provide such off the highway<br />

facilities, for those waiting to enter,<br />

equal to 25 per cent of the automobiles<br />

that use the in-car speakers of the drivein.<br />

There are two service roads leading<br />

off the Buckley road and two others running<br />

from U. S. No. 67.<br />

The projection equipment of the South<br />

Twin includes the latest Simplex X-L<br />

mechanisms, Excelite lamps. Hertner generators.<br />

Simplex speakers and posts.<br />

KIDDIE WINNERS BY ALLAN HERSCHELL<br />

• Kiddies can't resist galloping on these realistic Allan<br />

Herschell Hobby Horses and will bring Mom and Dad<br />

back to your drive-in time and again. Firm steel base.<br />

Original equipment Allan Herschell Merry- Go -Round<br />

horses of cast aluminum built to last a lifetime under<br />

rough public usage. Gaily decorated with good tough<br />

paint. Two sizes: large (at left) and small.<br />

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World's largesi manufacturers of Merrv-Go-Rounds and<br />

other rides for Kiddielands<br />

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Send for catalog and save your money<br />

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repair-free service . . . Plus in safety<br />

for American craftsmen are aware of<br />

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Send for New Catalog<br />

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'XOFFICE :<br />

4. 1955 21


'<br />

'<br />

'<br />

Miniature Train Exact Copy of Real One<br />

Seated at the control of the new train owned by the 66 Park-In Theatre. St. Louis, is Arthur K. Atkinson,<br />

president of the Wabash, while standing facing the camera is Paul Krueger, president and co-general<br />

manager of the Wehrenberg circuit. The head sticking up over the end of the power car is that of an<br />

assistant advertising and publicity manager for the Wabash. Others, left to right, progressing to rear<br />

of car are: Stu Tomber, president and general manager, Rio Syrup Co.; Charles Fleming, manager.<br />

South Twin Drive- In; Leo Brown, advertising and publicity manager for Wabash; personal chauffer for<br />

Atkinson; Herman Bamberger, 66 Park-In Theatre manager, and Lester Kropp, co-general manager Wehrenberg<br />

circuit and president Missouri-Illinois Theatre Owners.<br />

The popular miniature train of the 66<br />

Park-In Theatre, a unit of the Fred<br />

Wehrenberg circuit, was modeled after the<br />

famed "Blue Bird" train of the Wabash<br />

Railroad. It is shown in front of the<br />

Soldiers Memorial building in downtown<br />

St. Louis while en route to the drive-in<br />

theatre on U. S. No. 66 in the southwestern<br />

part of St. Louis County, Mo. The train<br />

i-uns on jumbo tires rather than wheels<br />

and track, as most miniature trains do, so<br />

it can be operated anywhere.<br />

The power car of the train is painted to<br />

duplicate the diesel of the "Blue Bird,"<br />

even to the number, 1,000, while the opei<br />

coach for passengers in the rear carrie!<br />

the same number as the popular observa'<br />

tion car of the train that makes dail<br />

round trips between St. Louis and Chicagc<br />

The miniature train was received by th<br />

Wehrenberg circuit in an unpainted condi<br />

tion. It was then taken by the Wabas<br />

Railroad to its shops in Decatur, 111., to fr<br />

painted with the same color scheme c<br />

blue and silver that is used on the Blu<br />

Bird. The flag on the front and %<br />

Wabash name on the sides follow t^^<br />

colors used on the train. The train wa<br />

then returned to St. Louis, where it wt<br />

picked up by Krueger.<br />

Krueger reports that the 66 Park-I<br />

train is in great demand for use in churc;<br />

and school picnic parades and other pu^<br />

lie events. It is available for such ui<br />

when it is not needed for shows at tn<br />

drive-in. On each occasion two men fam<br />

liar with tlie use of the train are sent aloi<br />

by the circuit to make certain there are \<br />

mishaps and to prevent abuse of the trai<br />

It attracted considerable attention as<br />

passed through the downtown section<br />

St. Louis and on other streets on its way<br />

the 66 Park-In Theatre.<br />

Werfheimer on International Trip<br />

Adolph Wertheimer, executive vice-pre.4<br />

dent of Radiant Manufacturing Corp., \<br />

currently on a five-week international saft<br />

trip that will include 15 countries in t)<br />

Middle East and Europe. While on t's<br />

trip, he will introduce several of Radians<br />

new lines in projection screens. 8mm a;l<br />

16mm anamorphic lenses for amateur pijectionists<br />

and the Ultra Panatar anamophic<br />

lens designed for commercial theate<br />

use. A highlight of his trip to date<br />

his participation in the InternatiorJ<br />

Photographic Biennial at Paris as an<br />

hibitor.<br />

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22<br />

The MODERN THEATRE SECTIN


k<br />

. . ESTIMATES<br />

; June<br />

. . . See-Saws ! . . . Slides I . . . Merry-Go-Rounds<br />

They're<br />

Dffer a New Optional Feature<br />

ipor Rotating Type Carbon Arcs<br />

A woter-cooled carbon-contact assembly is now<br />

jvailoble<br />

for Strong's orojection lamp.<br />

Strong Electric Corp. is now offering a<br />

lew water-cooled carbon-contact assembly<br />

IS an optional feature for the Super 135<br />

projection arc lamp or any of its other<br />

rotating type carbon arcs.<br />

The new development is the latest in a<br />

series of developments by Strong that in-<br />

:lude the adoption of 18-inch reflectors, a<br />

aiore durable positive carbon contact,<br />

forced ventilation of reflectors and reflector<br />

frames plus a removable holder for the<br />

heat filter.<br />

Many times dark screen and loss of<br />

'sound can be prevented if projection and<br />

sound equipment are given a regular inspection<br />

by the projectionist, at least once<br />

^a week. Cleaning of the equipment should<br />

be done every day.<br />

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30X0FFICE :<br />

4. 1955<br />

23


\<br />

i<br />

An Expert Tells<br />

With Septic Tanks in<br />

How to Avoid Trouble<br />

Drive-Ins<br />

Adequate Size and Proper Design are Vital<br />

By GEORGE M. PETERSEN*<br />

IVloDERN Theatre receives many inquiries<br />

regarding the operation and maintenance<br />

of sewage disposal systems for<br />

drive-in theatres and this article was written<br />

in an effort to clarify this problem.<br />

In a large number of instances the sewage<br />

disposal system was improperly designed;<br />

the septic tank has an insufficient<br />

capacity: no means are provided for removing<br />

the sludge that accumulates on the<br />

bottom of the tank: the pipe from the<br />

septic tank to the filter bed is of improper<br />

size or has an incorrect fall; the filter<br />

bed is not large enough, is not properly designed,<br />

and in all probability is not vented<br />

in any manner. Sewage disposal is a<br />

science, but far too many systems in drivein<br />

theatres are designed, or are installed,<br />

by persons lacking specific information on<br />

the subject.<br />

when disposing of sewage in locations<br />

where the water supply must be obtained<br />

from any type of underground well, to be<br />

absolutely certain that no seepage from<br />

the sewage system can possibly contaminate<br />

the well water.<br />

Generally speaking, raw or untreated<br />

sewage may not be discharged into any<br />

stream or other body of water in the U. S.<br />

except in isolated cases that are too few<br />

to mention. However, when the flow in a<br />

watercourse is many times greater than<br />

the sewage discharge or when the velocity<br />

of the flow is above normal the only<br />

treatment that may be required could be<br />

the installation of settling tanks to remo:<br />

all solid matter from the sewage. In tlj<br />

vast majority of cases, however, addition]<br />

treatment is necessary to prevent<br />

sance or excessive stream pollution<br />

Sewage is commonly divided into tv<br />

classes or types, "Sanitary" and "Storm<br />

Under the former heading we find tl<br />

waste from urinals and closets and it<br />

this sanitary sewage in which we are ii<br />

terested. The storm sewage is composii<br />

of waste from lavatories, slop sinks, show<br />

baths, floor drains, rainwater, etc., and th<br />

type of sewage should be by-passed aroui<br />

the septic tank.<br />

i<br />

In sewage disposal systems for larl<br />

communities some means of purification<br />

i<br />

used to remove the solid and suspends<br />

matter and to render the effluent so f I<br />

\<br />

innocuous as to be neither a source<br />

annoyance nor a danger to public healti<br />

Many such systems strain the liqui<br />

through a bed of charcoal or ashes whi(j<br />

permit the liquid to escape but retain Vi<br />

.solid matter to air-dry and/or be treat<br />

with chemicals. Other systems make u<br />

of .settling tanks in which the liquid ooz<br />

I<br />

JOB MUST BE DONE PROPERLY<br />

The genuine cause of most sewage disposal<br />

problems, in the opinion of the writer<br />

after 17 years experience with hundreds of<br />

drive-in theatre operations, lies in the<br />

fact that the majority of exhibitors simply<br />

refuse to permit the expenditure of a sufficient<br />

sum of money to install an adequate<br />

sewage disposal system. They seem to<br />

have the idea that such an investment,<br />

placed underground where it cannot be<br />

seen by the patrons, is a waste of good<br />

money and, therefore, the work should be<br />

completed as cheaply as possible regardless<br />

of results obtained. These same exhibitors<br />

are the ones who complain the loudest when<br />

their bargain i<br />

? i installations fail to operate<br />

properly.<br />

NOT THOROUGHLY INFORMED<br />

There are also many instances where the<br />

designer was not thoroughly informed on<br />

his subject and trusted to the local health<br />

authorities to check, detect his errors, and<br />

correct the plans. Either of the attitudes<br />

is inexcusable as a large percentage of<br />

our serious health problems could originate<br />

from the improper disposal of sewage.<br />

The most common errors in design<br />

are septic tanks of insufficient capacity,<br />

far too frequently no provision is made for<br />

the removal of the sludge, and in the majority<br />

of instances no vents are provided<br />

on the filter bed laterals.<br />

Exceptional caution must be exercised.<br />

•Mr. Petersen is an authority on dr<br />

design and operation and is author ot Dr<br />

Manual published by BOXOFFICE.<br />

24<br />

Diagram of construction of septic tank and filter bed<br />

The MODERN THEATRE SECTICJ


—<br />

A REPORT FROM THE FIELD<br />

How Other Exhibitors Are Handling Their Septic Tank Problems<br />

Portland,<br />

Ore.<br />

Al Porman. United Theatres, operatini;<br />

the Super 99, Sandy Boulevard and<br />

82nd Street Drive-In Theatres, reports<br />

they use two septic tanks for each 400-<br />

car or over theatre. They have no problems,<br />

and have found the tanks do not<br />

need cleaning before the first part of<br />

the fifth year. For cleaning they employ<br />

a specializing company.<br />

At the Family Drive-In Theatre, Jesse<br />

Jones said they use a filtering system<br />

which disposes of waste with overflow<br />

soing into a nearby creek. It was installed<br />

by Interstate Theatre Supply.<br />

TWO TANKS PER THEATRE<br />

Alt Adamson of the Adamson circuit<br />

operating drive-ins in Vancouver, Portland<br />

and elsewhere in the state, reports<br />

they use two or more septic tanks per<br />

theatre, and that the tanks are cleaned<br />

every three to five years by an outside<br />

company.<br />

Tom Moyer, Moyer Drive-In Theatres,<br />

said they had not yet run into any problems,<br />

but they use two septic tanks to<br />

a theatre. When required, the cleaning<br />

will be done by an outside company.<br />

Cleveland, Ohio<br />

"At best, septic tanks are no good, but<br />

if properly built they do not give any<br />

trouble," according to the head of the<br />

Ohio Drive-In Management Co., owners<br />

of a circuit of seven outdoor theatres in<br />

Ohio and Pennsylvania.<br />

Drive-ins located in cities where they<br />

have to adhere to a sanitation code and<br />

where there is a sewage disposal system<br />

have none of the sanitation problems<br />

that confront drive-ins located in areas<br />

where there is neither a sanitation code<br />

nor a sewage disposal .sy.stem.<br />

"Although the .septic tank is a necessary<br />

evil, it does not have to cause the<br />

owners too much trouble. To insure<br />

against odors it is necessary, however,<br />

that construction and drainage be properly<br />

and scientifically done. If the soil<br />

is sandy, drainage and .seepage will not<br />

work properly. In such a situation one<br />

should use a sump pump and draw a<br />

leach bed. A natural antiseptic procedure<br />

is to lay drain tile in the location of<br />

the tank and cover the tile with building<br />

sand. We use this method where there<br />

is no natural drainage," the executive<br />

said.<br />

Sanitation service is maintained at all<br />

of the Ohio Drive-In Management theatres.<br />

The septic tanks are cleaned regularly<br />

once or twice a year by a specialist,<br />

not by any of the theatre employes.<br />

PROBLEM BECOMES ACUTE<br />

All drive-in theatre owners in this<br />

area agree that sanitation problems increase<br />

with the greater number of patrons.<br />

"It isn't that new problems develop<br />

in this situation," the Ohio Drive-<br />

In Management executive concludes,<br />

"but only that the problem becomes<br />

more acute because of greater use of<br />

restroom facilities and the need for m.ore<br />

frequent inspection and more frequent<br />

cleaning."<br />

Septic tanks and sanitation problems<br />

do not confront operators of drive-ins<br />

located in areas where there is a sewage<br />

disposal system. In these situations,<br />

restroom facilities in drive-ins equal,<br />

and in some instances surpass the facilities<br />

of even de luxe indoor theatres. An<br />

example of this type of drive-in is the<br />

Miles Drive-In. Cleveland. It was built<br />

several years ago and enjoys city sanitation<br />

facilities. The Miles Drive-In<br />

restrooms have terrazzo floors. They<br />

have hot and cold running water, roll<br />

towels and liquid .soap. They also have<br />

low toilets for small children.<br />

Leroy Kendis of Associated Theatres,<br />

which owns seven drive-ins in its circuit<br />

of 32 theatres, has about the same report<br />

to make. "The only trouble we have<br />

with septic tanks is when they occasionally<br />

fill up. To prevent this it is necessary<br />

to drain into a leach bed. We clean<br />

our tanks once or twice a year. This<br />

service is rendered by an outside company.<br />

Quite understandably, the trouble<br />

increases with the size of the audience<br />

not necessarily by the size of the theatre<br />

because the septic drainage is built<br />

with the size of the theatre in mind.<br />

But when more than the average number<br />

of people use the restrooms within a<br />

break period, a special strain is placed<br />

on the system."<br />

"Build 'em large enough and there is<br />

no trouble with septic tanks," says Herbert<br />

Ochs, who as head of the Ochs<br />

Drive-In Management Co., operates<br />

about a dozen outdoor theatres in Canada<br />

and the United States. "Dig a large,<br />

dry well and an unusually large leaching<br />

bed," Ochs continues, "and do not<br />

use tile connections to the tank. Instead<br />

use cast iron pipe. Our experience<br />

has been that tile cracks from<br />

heavy trucks traveling the area.<br />

SIZE IS IMPORTANT<br />

"Wherever there is any trouble at all<br />

with septic tanks it is because the tank<br />

was not large enough to take care of<br />

capacity business. We use up to 2,000-<br />

gallon tank capacity in all of our driveins.<br />

The restrooms are used in concentrated<br />

periods—just before the show, at<br />

the intermissions—at the end of the<br />

Continued on following page<br />

er a weir at the end opposite the inlet,<br />

le<br />

solid matter sinks to the bottom as a<br />

idge and is then removed from time to<br />

ne and disposed of. The area required<br />

proper use of settling tanks, together<br />

th the odor while the solid matter is dry-<br />

; out, prohibits the use of these open<br />

nks within a considerable distance of<br />

pulated areas so that an adaption was<br />

veloped in what we term septic tanks,<br />

le patent on these tanks expired in 1916.<br />

Septic tanks are really sedimentation<br />

nks with the added feature that the<br />

idge is retained in the tank for long<br />

riods of time to undergo anaerobic detnposition.<br />

As a result of this action,<br />

s-lifted particles of sludge are raised to<br />

the surface of the liquid. These particles,<br />

while still in a partial state of decomposition,<br />

are often carried away with the effluent<br />

so that a filter bed, or a dry well,<br />

should be provided to further pui-ify the<br />

sewage. Such conditions are frequently<br />

caused by a sudden change in the velocity<br />

of flow through the tank so that it is<br />

advisable to provide a baffle to deflect the<br />

direct flow of the sewage. Such a baffle<br />

is shown in the illustration in the form of<br />

a T which deflects the incoming flow in a<br />

downward movement.<br />

These septic tanks may be purchased,<br />

or constructed, of many kinds of materials<br />

and in a wide range of sizes but the most<br />

satisfactory for our type of construction<br />

are those made of reinforced concrete and<br />

they should never have less than 500-gallon<br />

capacity. The type of the tank is important<br />

and adequate capacity is vital. The<br />

tank should be of sufficient size to detain<br />

the sewage for a period of from six to<br />

eight hours, plus additional capacity for<br />

storage of accumulated sludge. There is no<br />

economy in providing a tank with insufficient<br />

capacity and, it may be advisable to<br />

state right here, that the capacity of the<br />

tank is figured below the flow line only.<br />

If the capacity of the tank is not great<br />

enough three things can happen: the raw<br />

sewage wiU be forced into the pipe to the<br />

filter bed and probably stop the flow to<br />

Continued on page 28<br />

'XOFFICE :<br />

; June 4, 1955 25


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FIELD REPORT ON SEPTIC TANKS<br />

Continued from preceding pe<br />

show. So it is my belief that a minim':)<br />

1,500 to 2,000-gallon capacity is a necessy<br />

to avoid trouble.<br />

"We never have to clean out seic<br />

tanks," Ochs continues. "We put culte<br />

into the tank and flush it in. This destr s<br />

all bacteria. We also flush it out wh<br />

stale buns from our concession stand. 7e<br />

yeast in the buns provides culture that 8ls<br />

in the destruction of bacteria.<br />

"In the spring of each year, we flush le<br />

tanks with fresh pig liver cut up id<br />

flushed into the tank. It is not necess'y<br />

ever to clean a tank in which there isio<br />

bacteria to emit odors, provided the tik<br />

is large enough and the well is dry.<br />

"We prepare at all times for a maxiirm<br />

audience and figuring that every tcet<br />

flush consumes five gallons of wateia<br />

1,500 to 2,000-gallon tank is a 'must' inw<br />

proper operation of sanitation."<br />

St. Louis, Mo.<br />

Midwest Drive-In Theatres, contrced<br />

by the Phil Smith interests of Bo£)n,<br />

Mass., is taking steps to eliminate theise<br />

of septic tanks at their drive-in theatre in<br />

St. Louis County, Mo.<br />

At the Manchester Drive-In in the les<br />

Peres area the drive-in has made a innection<br />

with the sewer system in that !Ction<br />

operated by the Metropolitan Siiei<br />

District of St. Louis and St. Louis Coity,<br />

and the restrooms of the new concess»S<br />

building opened in March this yean<br />

connected with the permanent sewer i<br />

tem. The old concessions building<br />

IS on a lower level of the drive-in's 1i<br />

of land, still has its restrooms serveiij<br />

the septic tank installed back i<br />

when the drive-in was opened.<br />

At the circuit's Airway Drive-In Th(||<br />

in the Overland section a new sewer<br />

be constructed to connect it with the mijj<br />

politan sewer system. Bids are beinilj<br />

ceived from contractors on the drivejl<br />

new sewer line. When this connectiiiftis<br />

made the use of the present septic ttik<br />

for this 1.200-car drive-in will be ajndoned.<br />

Compared with a permanent sewer an-<br />

EVANS<br />

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StnOXOFFICE :: June 4, 1955 27


EXPERT DISCUSSES SEPTIC TANKS<br />

Cont.nKec --on- page 25<br />

available on this subject from the TJ. S^<br />

Department of Agriculture and from Sk<br />

boards of health of most of the varimi!<br />

states.<br />

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caused by cars hooking into looping,<br />

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KORDS are compact, retractile<br />

speaker cords that extend to six<br />

times their coiled length, then retract<br />

against the speaker standard to their<br />

r»eat spring-like shape that no car<br />

can hook.<br />

KOILED KORDS add to the wellequipped<br />

feeling that all good driveins<br />

strive for. They are so neat, so<br />

compact. KOILED KORDS are long<br />

lasting and the tough neoprene<br />

jocket withstands sunshine or storm,<br />

high or low temperatures without<br />

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Whenever you buy new speakers be<br />

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start now by replacing your straight<br />

cords as required with KOILED<br />

KORDS. See your theater equipment<br />

dealer.<br />

Kol/ec/Kpn/s<br />

BOX K,<br />

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Trod* Morti of Kcil«-! Kordt Int.<br />

lie filler bed encirely. or ii wiZ carry liie<br />

iOlic maner into the filter bed and stop its<br />

acnoa- or the outlei from the tank -win plus<br />

sritr the solids and cause the se-vraee to back<br />

up SLxa the fissures and floor of the restrooans.<br />

Either of these results is not only<br />

annoying but may be very cosily.<br />

LOCATION Of TANK<br />

The location of the septic tank should<br />

be such that the top of the tank should be<br />

not much more than one foot belov the<br />

grotaid level. A foot of earth, or slag, fill<br />

heliK cushion the impact on the top of<br />

the tank from passing vehicles but more<br />

than a foot of fin means difficulty in repairs<br />

that may be required. F-orthermore.<br />

a deeply placed septic r.ant- means a deep>er<br />

filter bed as the pipe from, the tank must<br />

be graded do^mvard to the filter bed. The<br />

concrete floor and vaUs of the tank must<br />

be designed to withstand earth and water<br />

pressure, •while the cover slab must be designed<br />

to sustain the weight of the beverage<br />

trucks and the road rollers that may work<br />

over and around it.<br />

The floor of the tank should be sloped<br />

so that the sludge, or sediment, drains to a<br />

lew point at which a four-inch gate valve<br />

:s located, outside the tank, so that the<br />

sludge may be drawn off from time to time<br />

as may be required—perhaps two or three<br />

times a season. This should be about all<br />

the "cleaning" that is required.<br />

The grade, or slope, of the overflow pipe<br />

from the septic tank to the filter bed<br />

should t)e sufficient to provide a self-cleaning<br />

velocity of at least two feet per second.<br />

This would require a TniniTnum grade of<br />

0.6 per cent or a 712-inch fall per 100<br />

lineal feet for a six-inch cast iron pipe.<br />

This pipe should be laid to an even grade<br />

with all of the bells thoroughly caulked and<br />

leaded to prevent any seepage in transit.<br />

Ttie pipe must be firmly bedded to prevent<br />

breakage.<br />

CONSTRUCTION OF FILTER BED<br />

The filter bed should be constructed<br />

about as shown in the illustration but the<br />

plan must be approved by the local board<br />

of health before the work is started. Due<br />

attention must be given to the vents located<br />

at the low end of each lateral. It is<br />

the omission of these vents which could<br />

cause the liquid to be air-locked so that the<br />

water backs up into the septic tank, which<br />

action causes it to back up into the fixtures<br />

and restrooms. The absence of these vents<br />

is also the cause of several explosions that<br />

have ripped filter beds in the past few years.<br />

The writer cannot express too emphatically<br />

the importance of this subject of<br />

adequate sewage disposal, and also the fact<br />

that it is far less costly to do the job correctly<br />

at the start than it is to continually<br />

repair, or patch up. the system. This subject<br />

can become a bit complicated but if<br />

the exhibitor will be guided bj- the points<br />

mentioned herein he will not go wrong.<br />

Also remember that there is plenty of data<br />

FIELD REPORT ON SEPTIC TANKS<br />

Continues ironi page 2l'<br />

necrion. the use of septic tanks for driveins<br />

in heavily populated areas such as tboa<br />

in St. Louis County is not satisfactory, lbs<br />

septic T.anirs must be cleaned out once 0:<br />

twice each season at a cost of from $15(;<br />

to S200. and in addition constant watEl<br />

must be maintained to see that the auzjli<<br />

ary facilities of the septic tank functian a<br />

the county health authorities insist. Ui<br />

clean-out work for the septic tanks ij<br />

done by an outside company specialian<br />

m that work.<br />

The Jabionow-Komm Theatres has fcm<br />

the use of septic tanks at their Motmd<br />

Drive-In between East St. Louis and Col<br />

lingyjllp m., opened in 1949. and the Bel;<br />

Air Drtve-In about three miles north t<br />

Granite City. m.. opened on Dec. 25. 19S<br />

s source of many headaches for the drive<br />

in managers. In addition to the necessit<br />

for a complete clean-out at least once<br />

year, the bacteria count must be checta<br />

constantly to see that the standards s<br />

by the pubUc health officials are met. 13<br />

possibilities of the sanitary facilities of tl<br />

restrooms "backing up'" when a septic tu<br />

is used are considerably greater than \rt»c<br />

there is a pennanent connection with s<br />

established adequate sewer system. 13<br />

circuit's new Holiday Drive-In now oef<br />

tng completion will be connected with<br />

permanent sewer system so there will be 1<br />

need for a septic tank.<br />

ELIMINATING SEPTIC TANKS<br />

The F^ed Wehrenberg Circuit, Inc., wWi<br />

operates three drive-ins and is a ixd)<br />

owner in a fourth in St. Louis County,<br />

is eliminating the use of septic tanks<br />

favor of connections with a permanef<br />

sanitary sewer system.<br />

At the North Drive-In in the nortbe<br />

part of the county, in which the circuit<br />

partner with Clarence Kaimann, there<br />

already a connection with a sanitary<br />

system that has permitted the eliminal<br />

of the septic tank. "Work of connecting<br />

66 Park-In Theatre in the southwestd<br />

part of the county with the sewer system<br />

Crestwood, Mo,, is now in progress a<br />

should be completed in a short time, t<br />

circuit also plans to connect its new Soi<br />

Twin Drive-In in the southeastern part<br />

the county with a sanitary sewer system<br />

an early date, the present facilities at t<br />

1,000-car plus theatre being just<br />

porary.<br />

These steps will leave only one drive<br />

of the circuit, Ronnie's Drive-In,<br />

1.200-car capacity, dependent entirely<br />

a septic tank for the disposal of sew!<br />

from its restrooms.<br />

Paul Krueger. president and co-b<<br />

Continued on pogtil<br />

28 The MODERN THEATRE SECTIl


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DIT-MCO<br />

LIGHTING<br />

now available.<br />

A LIGHT FOR BVERY NEED.<br />

ENTRANCE<br />

Speed up traffi< onfu nd accidents.<br />

Proper lighting reduces<br />

attendant cost. Add to your customers enjoyment<br />

and comfort with DIT-MCO directional lights.<br />

Entrance and exit; lights out and on; ramp<br />

lights; center aisle lights; ramp end exit;<br />

roadway lights; moon light units; floodlights for<br />

breoks; rest rooms; concession.<br />

Add to the beauty of your drive-in with modern<br />

DIT-MCO lighting. Consult your engineers for recommendations.<br />

BUY DIT-MCO AND YOU BUY THE BEST.<br />

Write (ir Wire for Full Details, Prices im all items<br />

DRIVE-IN THEATRE MFG. CO. "dit-mm<br />

505 W. 9th StrEet, HArrison S007-S484, Kansas Citv, Mo.<br />

Don't Oversell Space!<br />

* Every Drive-In Manager Should<br />

Know How Many Cars Are Inside!<br />

!^*u/all "Twin" TRAFFIC COUNTER<br />

at Boxoffice<br />

Customers say, "Completely foolproof, and<br />

accurate in all respects."<br />

Nothing Else To Buy<br />

["ounVcTTn "lorded fob foctory<br />

I<br />

housing end driveway —10 d<br />

or is in the process of erecting more tin<br />

a half dozen towers, designed to withstJd<br />

the force of hurricanes and tornadoes.<br />

In Norfolk, Va.. Wilder Brothers, ^o<br />

operate the Wilder Drive-In chain, ><br />

stalled what is said to be one of the larist<br />

curved screen towers in the country in le IC<br />

new Wilder Di-ive-In Theatre. Its nri-,<br />

surements are 121 feet long and 52<br />

high.<br />

Other contracts are for installationiin<br />

a new 100-car Butterfield circuit drivin<br />

being built at Monroe, Mich.: the sw<br />

Midwest Drive-In at Battle Creek, M:n.,<br />

being constinicted by Phillips and ludouris.<br />

and a new twin drive-in at Media,<br />

N. Y., which Tony Raguco is building<br />

Harrisburg, Ohio, Associated Circuit's T4<br />

City Drive-In has replaced a wood tc'i<br />

that blew down in a heavy spring st(<br />

v,'ith a Selby durable tower.<br />

A Glamorized Junction<br />

Box<br />

f^<br />

A new look which combines functional qualitieyHh<br />

eye appeal has been achieved in the loudspkei<br />

junction boxes produced by the engineering prc'Cti<br />

division of RCA. Manager M. J. Yahr of 'A'i<br />

theatre and sound products division reports the (ne<br />

new Cirdiie boxes were designed to accommloU<br />

all models of RCA incar speakers. The d.oil<br />

aluminum junctions have built-in beacon ]mi<br />

behind plastic strips used to direct /ncii"?<br />

drivers and provide extra protection for the sfikei<br />

posts. A choice of red, green and white ligh ore<br />

available. Some of the other plus qualities irui^<br />

longer terminal units for simpler, quicker in:'llotion<br />

and contour design to aid the patron , rtmoval<br />

and replacement of the speakers.<br />

The MODERN THEATRE SEC ON<br />

M


Good entertainment, of course! Good entertainment, though, means more than<br />

just a good picture. It means qualify equipment that can show the picture at its<br />

best! That's why it's so important that your speal


. . pretty<br />

This is the view the patron of the remodeled Kertmore Theatre, Boston, sees as creates a suggestion of separation between the foyer and the luxuriously de<br />

he steps into the foyer. The smart planter with the widely spaced vertical rods rated lounge. The steps at the right lead to the manager's office.<br />

BEAUTY TREATMENT FOR BOSTON ART HOUSI<br />

Fire Damage Could Have Been Repaired but Owner Made If the Occasion<br />

For Completely Restyling Theatre, Creating Luxurious Showcase<br />

By FRANCES HARDING<br />

K. EPAiRs ONLY would have sufficed to<br />

put the Kenmore Theatre, Boston, back in<br />

business after it had suffered fire and<br />

water damage from a blaze started near the<br />

stage by a carelessly thrown cigaret last<br />

December 20. However, Louis Richmond,<br />

owner of the theatre and building, decided<br />

to do a complete remodeling job to give his<br />

art house patrons a truly de luxe showcase.<br />

The four walls remain and some<br />

of the structural sections, but otherwise<br />

the 35-year-old Kenmore is a "new" motion<br />

picture theatre.<br />

Proof of Richmond's good judgment<br />

came when the theatre reopened Easter<br />

Sunday to the advertised "Aida" and broke<br />

all house records in its first two weeks.<br />

They took in approximately $10,000 each<br />

week . good for a 700-seater. The<br />

film "Aida" was to have opened for the<br />

Christmas presentation when the fire<br />

occurred forcing the closing, and all during<br />

the remodeling the marquee kept patrons<br />

aware that the film would be shown<br />

at the reopening.<br />

32<br />

The Kenmore is interesting structurally<br />

in that it is built a little differently from<br />

most theatres because it is on a downgrade<br />

hill. Patrons, after entering the<br />

foyer, descend six steps from the street<br />

level to the auditorium.<br />

In the $65,000 remodeling the marquee<br />

was unchanged, but the theatre facade was<br />

rebricked with a glazed brick. The boxoffice,<br />

formerly a narrow enclosure of dark<br />

marble located in the center of the outer<br />

lobby, was moved to the right. It is attractively<br />

designed and centered in a sweeping<br />

curved wall composed of two huge bronze<br />

panels eight feet high, giving an effect that<br />

the entire area is the boxoffice.<br />

The new soffit of the outer lobby is<br />

plaster with inset downlights for illumination,<br />

and the floor is covered with rubber<br />

matting. Entrance doors to the foyer are<br />

at the left of the boxoffice.<br />

CREDITS: Air conditioning: Westinghouse •<br />

Architect: Wi'liam Riseman Associates, Inc. • Carpeting:<br />

Alexander Smith • Seating: International •<br />

ciates.<br />

The foyer has a white vinyl plastic<br />

floor, and as the patron steps into t|-S,<br />

small foyer he faces the attractive louijei<br />

which is an appealing spot for art lovffiil<br />

Canvases are by local artists and ie 'e<br />

changed every month or so. Cork was<br />

painted white, create an effective mount ir.<br />

the paintings which are illuminated lyj<br />

pendant spotlights. A fourth wall is draiidj<br />

in a figured charcoal gray material. Smtt,<br />

black and white fui-niture—settees, tabs,<br />

lamp—is arranged in conversation cornis,<br />

and the thick, light monotone carpet.ig<br />

extends from wall to wall.<br />

Separation of the lounge from the fo^r<br />

is only suggested by a handsome plaar<br />

with widely spaced vertical rods extend S<br />

Screen: Dyna-Lite • Stage draperies: Golden Assoif<br />

to the ceiling. "Live" flowers are arranid<br />

not only in the planter itself, but at variis<br />

heights on the rods, creating an ext.-<br />

ordinarily beautiful effect. For the Eas'r<br />

Sunday opening lilies were the motif of i?<br />

floral design.<br />

The manager's office is up a flight if<br />

six steps at the right of the lounge.<br />

The powder room was remodeled, wh<br />

walls paneled in mahogany. Modern fuii-<br />

The MODERN THEATRE SECTlN<br />

I


; June<br />

uie adds a bright note to the smart room.<br />

There is a candy case in the foyer.<br />

If the patron does not firsl visit th;'<br />

ounge but goes directly to the auditorium<br />

e turns left just inside the foyer entrance<br />

nd descends the few steps to that level.<br />

There is an illuminated standee rail.<br />

Within the auditorium the plaster ceilng,<br />

which was badly gutted by the fire,<br />

-.as been replaced by one of acoustical tile<br />

nto which downlight fixtures are recessed.<br />

Usles are carpeted in a figured pattern,<br />

ind the original seats have been completely<br />

epaired and reupholstered. A new screen<br />

nd new stage draperies replace those that<br />

.ere entirely destroyed by fire.<br />

The projection equipment was not damged<br />

by the fire as the flames were conined<br />

to the auditorium, so no replacements<br />

r repairs were needed in the booth.<br />

The Kenmore, which is managed by Al<br />

tonovan, is a downtown first run art house<br />

fith a drawing radius of 25 miles and<br />

000,000 persons.<br />

/lORE<br />

PICTURES ON FOLLOWING PAGE<br />

The white cork walls of the lounge provide a showplace for poirttings by local artists, and a fourth wall<br />

is draped in charcoal fabric. Wall-to-wall carpeting and imart, modern furniture help to create an atmosphere<br />

of charm and relaxation in the Kenmore's lounge.<br />

he old boxotfice was boxy and located in the center of the lobby. In the Two eight-foot-high bronze panels form a curved wall into which the boxoffice<br />

'.modeling it was moved to the right inner wall of the Kenmores lobby. The is centered. Colored, mosaic tile is used for the panels above and below the<br />

hite ceramic tile floor was replaced with rubber matting. ticket window. Lighting fixtures are recessed in the soffit.<br />

le marquee 0/ the Kenmore was unchanged in the sprucing up, but the front In this view the gleaming newness of the glazed brick facade and the attracts<br />

redone with glazed brick. The marquee was utilized while the theatre was five outer lobby with its sweeping curves are evident. Note the single, but very<br />

3sed to exploit the reopening picture. impressive, postercase.<br />

3X0FFICE :<br />

4, 1955 33


KENMORE THEATRE, BOSTON, MASS.<br />

Old and new v/ews of the foyer from the lourtge are<br />

shown at left and right. Observe how the planter<br />

with its live flowers not only creates a kind of<br />

separation but forms a backdrop for the loveseat,<br />

making a charming picture in what was before only<br />

empty space. The stairway in the center leads down<br />

six steps to the auditorium level. The carpeting of<br />

the lounge extends to meet the new white vinyl<br />

plastic tile floor of the foyer.<br />

x}><br />

As may be seen in the photograph below the cei/ii.<br />

0/ the auditorium was badly damaged by the fill<br />

and the entire proscenium area was burned. Ti<br />

fire started near the stage. In the picture at tj<br />

left, the Kenmore auditorium as it appears todc'<br />

with new acoustical tile ceiling and recessed ligl<br />

ing fixtures, new proscenium treatment, new ai:<br />

carpeting and completely repaired and reuphi<br />

stered seats.<br />

WILLIAMS SCREENS<br />

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ALL DOWNTOWN THEATRES IN<br />

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EXCEPT TWO NOW USE<br />

FIRST CHOICE EVERYWHERE<br />

WILLIAMS SCREEN CO. - 1674 SUMMIT LAKE BLVD. - AKRON, OHIO<br />

34 The MODERN THEATRE SECTI'N


4 ASHCRAFI<br />

MORE LICHT<br />

1 F 1.64—18 in. High Speed Precision Focus<br />

Bausch & Lomb Reflector. Collects and projects<br />

the maximum light. Perfect coordination<br />

with F 1.5-F 1.8 or F 1.7 High Speed<br />

Projection lenses.<br />

3 While the standard 1 1 mm carbon rs recommended<br />

at 118 to 130 amperes, the<br />

Cinex lamp can be operated with every<br />

size carbon from 9 mm to<br />

wide aperture applications.<br />

13.6 tor special<br />

S Complete circuit forced air injection into<br />

lamphouse through duct system ond complete<br />

forced exhaust permits use of higher<br />

arc currents— protects reflector<br />

and maintains<br />

low operating temperatures.<br />

2 High Powered — Low Angle — Super<br />

Brilliant-Mogneticolly Controlled Arc<br />

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obtained from conventional high angle,<br />

uncontrolled arcs.<br />

The Cinex lamp does not rely upon air<br />

cooling alone. An automatic— dependable<br />

water recirculotor maintains the carbon<br />

contacts at exactly the right temperature<br />

for optimum operation<br />

O Heavy duty—water cooled carbon contacts<br />

allow perfect high current conduction to<br />

rotating positive carbon. Contacts are<br />

maintained at low temperature at all times.<br />

MONEY CAN'T BUY THESE ASHCRAFT FEATURES IN ANY OTHER LAMP!<br />

U.S. Distribution through INDEPENDENT THEATRE SUPPLY DEALERS • Foreign: WESTREX CORPORATION • Canada: DOIMINION SOUND EQUIPMEIVITS, LTD.<br />

C. S. ASHCRAFT MANUFACTURING CO., INC.<br />

36-32 THIRTY-EIGHTH STREET, LONG ISLAND CITY 1, NEW YORK<br />

' IC0F7ICE : : June 4, 1955


wrr-'<br />

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> '4<br />

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Pepsi is today more popular than ever. This<br />

booming popularity sells more Pepsi in more<br />

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operators in whatever form it's served.<br />

Pepsi profit tops all nationally advertised arid nationally available<br />

cola syrup lines. Pepsi's syrup price is the lowest<br />

of any nationally advertised cola. Add extra profits from Pepsi's<br />

extra drinks—128 drinks per gallon, compared<br />

with 115 for other comparable colas.<br />

In your own theatre operation,<br />

Pepsi-Cola can boost your beverage<br />

sales and profits all along the line.<br />

Write today for full details.<br />

PEPSI-COLA COMPANY—3 West 57th Street, New York 19, N. V.<br />

36 The MODERN THEATRE SEC13N


I<br />

I<br />

I<br />

T)T '7 7 A ^ '~'°^ Food Item Which Has Been Winning Wide Favor<br />

iJL \^£^ JLj l\. With Drive-In Theatres Because of High Profit Angle<br />

ly<br />

PHILIP L LOWE*<br />

I HE AVERAGE clrive-in theatre in the<br />

[Northeast sells from 20 to 45 per cent of<br />

ts dollar volume in hot foods. The higher<br />

[he percentage, the higher the per-person<br />

i;ales. This is true because popcorn, drinks<br />

ind ice cream are fairly stable in their<br />

)er-person sales and are little affected by<br />

lot food sales.<br />

One hot food influences the sales of other<br />

lot foods, so if you are considering adding<br />

new hot food you can be reasonably sure<br />

hat the new food is going to take away<br />

ales from your existing hot food items,<br />

v'ortunately, you don't take away as much<br />

IS you add, and the net result is an inlease<br />

in per-person sales.<br />

With the above facts confirmed by exlerience,<br />

drive-in theatre owners in New<br />

England and the East, as well as concesionaires<br />

have looked with a jaundiced eye<br />

it adding new hot food items because they<br />

elt that the "trouble and expense" didn't<br />

eave enough additional net business to<br />

jay for them.<br />

EXCEPTION TO THE RULE<br />

However, we have found that pizza is<br />

in exception to the rule. Not the oldashioned<br />

15-cent or 25-cent piece of pizza<br />

eheated from a frozen precooked tray.<br />

lot the pizza to which was added a pre-<br />

>ared sauce and some grated cheese. But,<br />

ather. the 1955 style "family-size" pizza<br />

elling for 60 cents. It takes a moderate<br />

nvestment and amazingly little skill to<br />

nix and bake these happy money-makers.<br />

Irv Rosenblum of Savon Candy Co. of<br />

-aterson, N. J., perfected the family-size<br />

lizza<br />

for Mel Wintman, concessions direcor<br />

of Smith Management Co. for use in<br />

heir drive-ins throughout the Midwest,<br />

"he large pizzas are sold as far west as<br />

5t. Louis with surprising results. This<br />

lackaged deal includes proper equipment<br />

'hich simplifies the making and serving,<br />

nd prebaked crusts to vt-hich you add the<br />

iioper sauces, cheeses and spices.<br />

This hot food item really fits the bill,<br />

or it is a very high-imit sale and it yields<br />

Continued on next page<br />

Introduction of pizza at the Rockville Drive-ln in Washington, D. C. made the society page. This<br />

photograph of a family enjoying the delicacy was given a six-column play in the Washington Post.<br />

Charles Demma, manager of drive-in for the K-B Theatres circuit, invited the food editor of the<br />

paper to show her the newly installed ovens and how the pies are baked. She was so impressed,<br />

the society page spread followed. Helped business, too, says Demma.<br />

Pizza<br />

Equipment Calls<br />

For Outlay of About $580<br />

The drive-in theatre exhibitor who adds<br />

pizza pie to his concessions department<br />

will spend approximately $600 for equipment,<br />

an outlay which also includes shipment<br />

of equipment from the east.<br />

To go into business, this is what the<br />

concessions department will need:<br />

Quantity Item Cost<br />

1 Gas oven (32 pies) $225.00<br />

1 Work table with rack 225.00<br />

1 Cheese grinder 8.50<br />

2 16-inch linives, and<br />

1 9-inch knife - 6.00<br />

24 Metal trays at $1.65 39.60<br />

4 8'--qt. insert for table 22.00<br />

2 Stainless steel ladles 3.00<br />

2 Spreading spoons 2.00<br />

2 2-qt. stainless pots 7.50<br />

2 Paddles 5.50<br />

2 Pizza cutters - 2.50<br />

1 Oil can 3.25<br />

1 Set measuring spoons 25<br />

Estimated freight on oven and table 30.00<br />

$580.10<br />

To get into production, once he has installed<br />

his equipment, an exhibitor's first<br />

supplies will include the prepared crusts,<br />

which come packed 60 in a case, loaves of<br />

Mozzerella cheese, tomato sauce, grated<br />

Parmesan cheese, imported olive oil, and<br />

such seasoning as oregano, black pepper,<br />

red pepper and garlic. All of these are<br />

available in case lots.<br />

Prices fluctuate on the seasonings, but<br />

generally the crusts sell for about $5.50 for<br />

a case of 60, the Mozzerella cheese at 50<br />

cents a pound, the Parmesan cheese at<br />

85 cents a pound, the ohve oil at $3.80<br />

a gallon and the seasonings from 85 cents<br />

to $2.00 a pound.<br />

On such a basis, the cost breakdown per<br />

pie would be:<br />

1. Crust 0925<br />

2. Sauce, 2 oz. per pie 0275<br />

3. Oil, 1 gallon covers 600 pies 0065<br />

4. Mozzerella cheese, 1', oz 0435<br />

5. Grated cheese, 1 lb. per 100 pies.. .0085<br />

6. Wasted raw material, spoilage 0025<br />

$0.1800<br />

This cost is based on a pie crust 8 '2 to 9<br />

inches in diameter, with the baked item<br />

Continued on following page<br />

OXOFFICE :<br />

: June 4. 1955 37


j<br />

.:<br />

'<br />

•<br />

't<br />

n<br />

Shown here is the basic equipment needed for The first operation in preparing pizza. Over the Lost stop before the ovens: Atop the sauce go<<br />

pizza— the battery of electric ovens for the baking crust, a layer of Mozzerello cheese and a spread the grated cheese, a pinch of oregano, a squi<br />

and the worktoble and trays for storage of pies of sauce which is basically tomato, plus special of imported olive oil. Leftover unbaked pies ca<br />

before baking. The equipment is in the Meadow seasonings. A special ladle, supplying the exact be kept until the next day. They need only<br />

Glen Drive-ln, Medlord, Mass. amount, is used. touch of sauce and oil to freshen them up.<br />

PIZZA<br />

Continued from previous page<br />

a 70 per cent profit—as good as some, and<br />

considerably better than most hot foods.<br />

The experience of one drive-in theatre<br />

operator who has an unusually large variety<br />

of hot food items had been selling a<br />

25-cent square of preheated pizza. His hot<br />

food business was 40 per cent of his dollar<br />

volume. Of this 40 per cent, 6 per cent was<br />

the 25-cent pizza sales. His hot food costs<br />

were 39 per cent. He discarded the old,<br />

smaller pizza, added the new family-style<br />

pizza for 60 cents and here's the result:<br />

Hot food sales are 45 per cent of his dollar<br />

volume, of which pizza sales accounted for<br />

14 per cent of the 45 per cent—or more<br />

than double his former pizza percentage.<br />

Thus he added 5 per cent to his total hot<br />

food sales while increasing his pizza business<br />

8 per cent.


-<br />

Cafeteria Service Produces<br />

More Cents-Per-Person<br />

temperature and other factors—it's from 28<br />

to 50 cents. When warm weather arrives,<br />

the Mohawk's concession patronage will<br />

really boom. Ullman predicted.<br />

iOLD DRESSES UP UNIFORMS<br />

here's nothing like a little gold braid to brighten<br />

He outlook! Patrons, as well as the usherettes,<br />

ppreciate the uniform changes Manager Lester<br />

olack achieved by adding a touch of gold braid<br />

n the shoulders and gold binding around the<br />

ockets, sleeves, and down the skirt sides. These<br />

oung ladies show the "before and after" trfotment<br />

1 the lobby of Loew's Theatre in Rochester, N. Y<br />

Ice cream bars and the various "sides"<br />

re the most popular items among the ice<br />

'ream products sold by theatres.<br />

Over Old-Style Setup<br />

The cafeteria-type concession operation<br />

at the Mohawk Drive-In Theatre, Albany,<br />

N. Y., has already demonstrated its value<br />

to patrons and its profits to Fabian Theatres.<br />

This is the report of Irwin Ullman,<br />

supervisor of area drive-ins for the circuit.<br />

The new and expanded concession build<br />

ins, serviced and staffed by Berlo Vending<br />

Co. permits quicker handling of customers'<br />

needs at intermission, without loss<br />

of the per.sonal touch. The setup also increases<br />

purchases by four or five cents per<br />

per.son over the old-style operation, Ullman<br />

said.<br />

MORE OF THE INDIVIDUAL TOUCH<br />

He believes it provides "more, rather than<br />

less, of the individual touch," because the<br />

attendants do not have to make change.<br />

The latter is handled at the exit point,<br />

Ullman explained.<br />

The employe cost is a little higher week<br />

nights, but on Saturday and Sunday—the<br />

big evenings for business— it is about the<br />

same as before, Ullman added. Incidentally,<br />

he thinks cafeteria-operation is desirable<br />

and practical only in larger automobile<br />

theatres.<br />

The per-patron puixhase rate, Ullman<br />

stated, varies widely, with the season, the<br />

Open Display of Ice Cream<br />

Triples Sales in Theatres<br />

Vending ice cream is just as important<br />

in theatres as beverages, according to Carl<br />

Siegel, Stanley Warner Management Corp.<br />

Open display and self-service are important<br />

factors in moving this product, and Siegel<br />

has found that the theatres enjoy three<br />

times as great sales volume as when ice<br />

cream was kept behind the counter.<br />

In the Cinerama theatres where exceptionally<br />

luminous concession stands are<br />

maintained, ice cream is stored in refrigerators<br />

behind the counters until five minutes<br />

before the intermission when it is<br />

brought out and displayed on top of the<br />

counters along with pre-packaged orange<br />

drinks. For the most part, patrons help<br />

themselves, the attendants merely receiving<br />

the money.<br />

Siegel suggests that theatres offer novelty<br />

items not found too much on the<br />

outside. Eskimo Pies, Bon-Bons, sundae<br />

cups are all good.<br />

A novelty item which goes well for<br />

Van Myers of the Wometco circuit is ice<br />

cream eclairs.<br />

. .^<br />

FAMILY STYLE PIZZA<br />

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Created by:<br />

SAVON FOOD COMPANY<br />

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NO OTHER SEASONING AT ANY PRICE OFFERS AIL<br />

THE ADVANTAGES OF POPSIT PLUS. No wonder it's America's<br />

best selling popcorn oil— preferred by more theatres, carnivals<br />

and outdoor operators because it does the best job.<br />

Try Popsit Plus in your own refreshment stand . . .<br />

your<br />

local distributor will gladly give you a sample supply.<br />

^''* Dir.<br />

Rear view of the Star 55<br />

models trimmed with illuminated :d<br />

plastic are 25'/2x26x66y2 inches. Somqjf<br />

the many features of the unit are<br />

fluorescent lamp in the cabinet top,<br />

movable Plexiglas doors, recessed conol<br />

panel with rotary switches and a corrosiiresistant,<br />

stainless-steel corn pan with Bfforated<br />

corn screen. A special heating jstem<br />

assures that all of the corn willJe<br />

kept at the proper serving temperatre<br />

Accessories furnished with the Star 55<br />

elude corn cup, corn scoop, seasoning |s<br />

penser and cup.<br />

Liquid Popcorn Seasoning<br />

made by<br />

C.F.Simonin's Sons, Inc.<br />

PbUa. 34. Pa.<br />

Best Theatre Popcorn Town<br />

Superior, Wis., serviced by Minneaijlis<br />

film exchanges, has what it believes a<br />

new claim for distinction and fame, sue as<br />

are boasted by "good show towns."<br />

It claims to be "the best theatre popcrn<br />

town anywhere." ;<br />

Whereas the usual ratio in the Mii|eapolis<br />

area finds two bags of popcorn 'IdJ<br />

for every five theatre patrons, it runs f'Hil<br />

four to five in Superior, according t a-"<br />

survey.<br />

42 The MODERN THEATRE SECTl'N<br />

|


P"<br />

I<br />

#%<br />

I<br />

CAFETERIA OPERATION<br />

GIVES TIMID PATRON<br />

EQUAL OPPORTUNITY<br />

It<br />

Also Takes Drudgery Out of Work<br />

LEFT: Clara Bullard gets o lot of fun out of directing the concessions<br />

operation at the Ark-Vue Drive-ln Theatre, Arkansas City, Kos. The<br />

gentleman behind her is her husband. Gene Bullard, and the other man<br />

is K. R. Gent, manager of the theatre.<br />

iy<br />

BRIAN COYNE<br />

DRIVE-IN THEATRE is as good as its<br />

concession stand, and for that reason the<br />

Ark-Vue Drive-In. one-half mile north of<br />

Arkansas City. Kas., on U. S. 77 highway,<br />

operated by Mr. and Mrs. Gene Bullard,<br />

•ates tops among outdoor theatre enterjrises<br />

in Kansas.<br />

As much care and thought was put into<br />

:onstruction of the concession stand as in<br />

he theatre itself, because Clara Bullard.<br />

who manages the concessions as her own<br />

Special project, is convinced the concession<br />

litand is the hub of any drive-in operation.<br />

A cafeteria style of service is emphasized<br />

n the concession stand by Mrs. Bullard<br />

because it takes the drudgery out of the<br />

vork, it allows faster service and greater<br />

'olume, provides more customer satisfac-<br />

>ales<br />

Messages


CAFETERIA OPERATION FAVORED<br />

Continued from preceding page<br />

the concession cash register and outdoors<br />

on the flagstone patio.<br />

A condiment counter, containing relish,<br />

mustard, cream, sugar, napkins and<br />

spoons, is available on the other side of<br />

the chain which divides the concession<br />

area. This gets the customer away from<br />

the cafeteria service area, and also gives<br />

him the personal privilege of adding as<br />

much condiments as he likes to his sandwiches,<br />

hot dogs and coffee.<br />

SELF-SERVICE ICE CREAM<br />

As the customer nears the end of the<br />

cafeteria counter and the cash register,<br />

he is confronted with a self-service ice<br />

cream display where there is a choice of<br />

chicken sticks, bars, Eskimo Pies, ice cream<br />

cups and fudge bars, all to be lifted from<br />

the open freezer by the buyer. A Goober<br />

peanut warmer is visible behind the cash<br />

register for those who desire nuts.<br />

Next, and last, is a gum and candy<br />

counter, affording an open display of various<br />

assorted candies and chewing gum.<br />

Mrs. BuUard finds that people buy more<br />

when the candy and gum are easily accessible,<br />

rather than having to ask an attendant<br />

for the various choices.<br />

The customer is now ready for checking.<br />

While his bill is being computed, he can<br />

pick up straws and napkins in dispensers<br />

at the side of the register. After he pays<br />

his bill, he is ready to proceed to the condiment<br />

counter or outdoors again. Bottle<br />

warmer service for babies is available by<br />

asking the cashier.<br />

CIGARETS IN AUTOMATIC VENDER<br />

Cigarets are handled by a lighted dispenser<br />

machine on the same side of the<br />

dividing chain as the condiment counter.<br />

Off the concession stand on the fourth<br />

side of the building is a storage room with<br />

a deep freeze for wieners, burger meats and<br />

ice cream, an ice storage chest, an ice<br />

maker, sinks, hot plates for making the<br />

special recipe in Ark-Vue burgers. The<br />

manager's modernistic office opens off the<br />

storage room, giving the manager quick<br />

access to the concession area.<br />

Over the entire concession area, the<br />

floors are covered with inlaid linoleum,<br />

which aids in keeping the stand spotlessly<br />

clean.<br />

The Ark-Vue's 24x36-foot concession<br />

building and its adjoining playground and<br />

patio are located almost in the geographical<br />

center of the theatre area. The building<br />

has slanted, solid plate glass windows on<br />

three sides, and as an added decorative<br />

feature it is trimmed with native stone<br />

flower and shrubbery boxes.<br />

The color .scheme for the interior is<br />

turquoise, coral ro.se and canary yellow,<br />

accented by dark green draw drapes over<br />

the two short French windows at either<br />

end. The interior is lighted indirectly from<br />

The cafeteria counter and concessions equipment are kept spotlessly clean at the Ark-Vue Drire-ln. Word]<br />

would soon get around if it were not, according to Clara Bullard.<br />

This view of the CinemaScope<br />

screen and<br />

the<br />

concessions<br />

building was taken<br />

from the first ramp<br />

behind the concess<br />

i n s. Attractive<br />

planter boxes are on<br />

either side of the entrance<br />

to the concession,<br />

and brightly<br />

colored chairs are<br />

provided on the patio.<br />

The flat roof of the<br />

building can be used<br />

as a platform for<br />

special<br />

events.<br />

Below, a part of the playground as seen from inside the concessions building. A double door gives


Here's Why You'll<br />

tiliake<br />

More Money<br />

y^ith a New, Manley<br />

HD POPCORN MACHINE<br />

Visual Popping with New<br />

VisfaPop Kettle<br />

Controlled Popping Volume<br />

with Controlled Heat<br />

New VistaPop Kettle lets your customers see the corn<br />

as it is popping. The sight of popping kernels jumping<br />

around in the kettle in a lively manner attracts attention<br />

. . . stimulates impulse buying. Customers see more — buy<br />

more!<br />

In this machine you can expect every kernel to pop with<br />

the maximum volume inherent in the corn itself. It eliminates<br />

two troublesome profit robbers: operator's opinion of<br />

proper heat, and fluctuations in electrical energy supply.<br />

After the very first kettle, volume is uniformly consistent<br />

without guesswork on the part of the operator. A group of<br />

20 VistaPop Kettles, on test 14 months, were found to be<br />

within 7% of each other in dollar yield per lb. of corn.<br />

Unmatched Quality Control<br />

with<br />

"Hot Air Conditioning"<br />

New, "hot air conditioned" warming pan, with 126 more<br />

square inches of working space, keeps popped corn fresh,<br />

hot and crisp even in humid coastal areas. No more soggy<br />

popcorn with the Manley VistaPop! Here is real quality<br />

control to go along with volume control to give you more<br />

sales . . . more repeat sales . . . more profits!<br />

WANT PROOF OF PERFORMANCE?<br />

Send in the coupon, or have your Manley representative<br />

give you all the facts and figures on the<br />

sales and operating performance of the VistaPop in<br />

extensive field tests. You'll be amazed!<br />

KOFFICE : : June 4, 1955 45


II<br />

Quit Worrying About Ice Deliveries<br />

Automatic Ice-Making Equipment Solves<br />

Problems of Supply and Cleanliness<br />

l


! iis<br />

i<br />

j<br />

with<br />

. .<br />

. . . that<br />

''2<br />

the h.p. machines, especially if there<br />

e two lanes in the cafeteria, thus proding<br />

ice for each lane rather than having<br />

cart it about.<br />

The ice machines are available in models<br />

iiich spew the ice out into a storage bin,<br />

the bin as an integral part of the<br />

achine. In any case, it is advisable to<br />

',ve a storage bin in excess of the producm<br />

capacity of the machine to accumulate<br />

';<br />

for especially hot nights. All of the<br />

lachines have thermostats to shut down<br />

^oduction when the storage bin is filled.<br />

The ice-making equipment is available<br />

established accounts on long-tei'm<br />

.lortization plans practically on the basis<br />

, customary ice payments.<br />

I<br />

f<br />

DE-AERATED TO PRESERVE ZIP<br />

(York Corp. manufactures Model DER-2<br />

)rk-FlakIce automatic ice maker which<br />

educes about 300 pounds of crystal clear<br />

; fragments per day. The ice is derated,<br />

which means that it will preserve<br />

e zip in carbonated beverages, whereas<br />

judy ice will flatten such drinks by reising<br />

carbon dioxide. It has an air-<br />

'oled condenser. The ice is automatically<br />

irvested from the freezing drum by a<br />

ecision cast manganese bronze nickelated<br />

ice cutter and flows over the stainsteel<br />

collector blade in distinctive ribn<br />

form.<br />

Tee cubes or three different grades of<br />

.ushed ice from a single machine can be<br />

ntinuously provided from any one of a<br />

mplete line of automatic ice makers<br />

educed by Carrier Corp. The machines<br />

jjnufacture from 200 to 450 pounds of<br />

! daily.<br />

."Delivered Ice ranges from 90 cents to<br />

and up in some areas," Michael Kane,<br />

les manager, pointed out. "Our ice maker<br />

evides the same quantity for about 15<br />

nts worth of water and electricity."<br />

t Standard bins supplied with the ma-<br />

I ines range in capacity from 100 to 240<br />

unds. Larger custom-made bins are<br />

ailable.<br />

After each harvest of ice drops into the<br />

! 1 the machine automatically washes itself<br />

^an, draining off any sediment or mineral<br />

posits in the water supply before starting<br />

other crop.<br />

A Few Tips on Exploitation,<br />

Maintenance, Management<br />

(TAKEN FROM THE MARTIN CIRCUIT TIPSTER)<br />

You can make up a simple, inexpensive<br />

lobby board or window display through<br />

use of all various good luck charms you<br />

can find. (Rabbits feet, coins, horseshoes,<br />

elephants, wishbones, etc.) Wire them to<br />

the board along with stills of coming attraction.<br />

Copy states: "You don't need<br />

good luck charms any more, because it's<br />

everybody's lucky day when you see iPicture<br />

at the Martin, Date) ."<br />

Dye a quantity of chicken feathers and<br />

Scotch-tape them to throwaway cards that<br />

read; "It's a feather in your cap to see<br />

(Pic, Date) at the Martin."<br />

DID YOU KNOW .<br />

that if handles on the boiler and controls<br />

are painted a bright yellow, they will<br />

be easier to find in a dark boiler room, thus<br />

preventing possible burns.<br />

. . . that gasoline, benzine or naptha have<br />

the explosive potential of about a pound of<br />

dynamite? Be careful if you use them for<br />

cleaning.<br />

. . . that rust on brass fixtures can be<br />

removed by applying a heavy cream made<br />

of linseed oil and rottenstone? Apply with<br />

a soft cloth and rub until the tarnish disappears.<br />

Wipe off with linseed oil and<br />

polish.<br />

the first of the year it is a good<br />

idea to check, thoroughly and systematically,<br />

all metal work exposed to the weather.<br />

It is surprising how quickly these items<br />

will rust and deteriorate when neglected<br />

for any length of time.<br />

When were your fire extinguishers refilled?<br />

A great merchant once said that he attributed<br />

his success to his recognition of<br />

the value of time, the wisdom of economy,<br />

the power of kindness, and the obligation<br />

of duty. These fit right into the scheme<br />

of theatre management, which is, in<br />

principle, a kind of mercantile business<br />

itself.<br />

The proprietor of a place of business<br />

has to keep close to the people of that community,<br />

both outside and inside the theatre.<br />

He cannot bury himself in the daily<br />

routine, or hide himself in his office. He<br />

has clerical work to do, but he should have<br />

his job so organized that this can be done<br />

at light hours.<br />

INCREASES YOUR BUSINESS BECAUSE IT<br />

Makes popcornA vi^ys bdter!<br />

-—'• -- -<br />

,<br />

jJC<br />

Adds delicious buttery flavor<br />

,<br />

}1* Brings out all the natural goodness of the corn<br />

»%\V •L^ Gives popcorn an appetizing butter-Hke<br />

appearance<br />

'^ jlj Accentuates and intensifies all these<br />

wonderful flavors<br />

AVAILABLE AT ALL GOOD POPCORN SUPPLY DEALERS<br />

The Savorol Co./<br />

Popcorn Bldg., Nashville, Tenn.<br />

The NEW Patented SPEED-SCOOP<br />

Three timts more efficient. Scoop and pour a<br />

bagful of popcorn in one single easy motion.<br />

Mode of light, stoinless aluminum. Cool hardwood<br />

handle. Perfectly balanced for moximum<br />

efficiency and speed. Only $2.50 at your Theatre<br />

Supply or Popcorn Supply Dealer.<br />

SPEED-SCOOP<br />

109 Thornton Ave., Son Franelico 24, Calif.


j<br />

CAFETERIA OPERATION FAVORED<br />

Continued from page 44<br />

the ceiling, giving the area a soft and inviting<br />

atmosphere.<br />

The playground is just off the left of the<br />

concession and patio. A double door leads<br />

from the concession service area to the<br />

playground, so that children have easy<br />

access to the concession stand.<br />

PATIO ADJOINS CONCESSIONS<br />

The patio is to the east and front of<br />

the concession, with entrances into the<br />

serving area from each side.<br />

The patio is decorated with brightly<br />

colored chairs, and speakers are conveniently<br />

located so that parents may watch<br />

the movie or visit the concession stand<br />

while keeping an eye on the children entertaining<br />

themselves on the playground.<br />

Available on the playground are swings,<br />

see-saws, slides, tilt-a-whirls, sand boxes<br />

and picnic tables, all painted in bright<br />

colors. Mrs. Bullard finds that the picnic<br />

tables suggest just that to the younger set.<br />

with the result that many a "picnic" is<br />

purchased in the convenient concession<br />

stand and taken outside to the tables.<br />

The retaining wall around the playground<br />

is decorated with all the children's<br />

favorite cartoon characters as a summons<br />

to fun and frolic—and a snack or two.<br />

The roof of the concession stand is flat,<br />

with just enough slope to drain well. With<br />

the aid of the public address system, it can<br />

be used as a rostrum or platform for entertainment<br />

purposes. During Easter, it<br />

was used by the Christian Youth Ass'n to<br />

hold its Easter sunrise services.<br />

The restrooms, convenient to the concession<br />

stand, are spacious and gaily decorated,<br />

which helps in eliminating untidiness<br />

and promotes respectability, Mi's.<br />

Bullard believes. The men's restroom is in<br />

mint green, and the women's facilities are<br />

done in dubonnet, and there is a large<br />

mirror with a powder bar below it. There<br />

is also a small commode for younger children,<br />

making it possible to wait on themselves<br />

without mother's attendance.<br />

INCEPTION OF NAME<br />

The Ark-Vue. which was opened June 1,<br />

1954, is located on a gently sloping hill<br />

with a grass-covered draw between the<br />

screen tower and the theatre parking area.<br />

It was from the pleasant view of Arkansas<br />

City obtained from this hill that the theatre's<br />

name was conceived.<br />

The grounds of the theatre were plotted<br />

so that a huge triangle divides the entrance<br />

from the ramp area. This triangle is grasscovered<br />

and big cedar trees were transplanted<br />

to add to the landscaping, with<br />

more shrubbery and flowers to be added<br />

this season. All roadways and ramps are<br />

covered with gray gravel.<br />

The construction of the ramps, plus th<br />

elevation of the hill makes it possible fo<br />

each car after pulling up to the speake<br />

post to set level so that patrons loo<br />

straight ahead to the screen with absc<br />

lutely no interference from the cai<br />

parked on the ramps ahead.<br />

INSTALLING ORNAMENTAL FENCE<br />

The Ark-Vue is so located that it do(<br />

not need a fence to protect patrons froi<br />

glare of lights from traffic on the highwa<br />

but an ornamental fence to border tl<br />

theatre as one would frame a picture<br />

partially finished and wiU be complete<br />

by the end of this season.<br />

The boxoffice sets 400 feet on the brir<br />

of the hill from the highway. This allo\<br />

55 cars to be retained off the highway f.<br />

admittance through the boxoffice. Therj<br />

fore, it eliminates the hazard of traffic ail<br />

confusion on the thoroughfare.<br />

The Bullards are great believers in go(|<br />

lighting.<br />

All roads and ramp area are outlinj<br />

with assorted colored bulbs, making tha<br />

clearly distinguishable to all motorists f|<br />

entering or leaving. There also are we}<br />

lighted entrance and exit signs, and easpeaker<br />

post is lighted and numbere,<br />

Walkways before and aft the concessit<br />

building are lighted.<br />

Gene Bullard and his brother, Ray Bi<br />

lard of Pretty Prairie, Kas., designed t<br />

Ark-Vue.<br />

NATIONAL BRANDS<br />

ONE COMPANY SERVICE<br />

Top Quality • All Flavors<br />

81<br />

PROFIT fffsr By rAsre-Tfsr ®<br />

81<br />

PROFIT<br />

NEm<br />

I ^;;is;i|KppiKmn<br />

^— £S--7|B UMiTiiiiM<br />

COIA I ~ *«"w"<br />

Contact your local Nehi or Royal Crown Bottler or write — NEHI CORPORATION, Dept. 4, Columbus, Ga.<br />

48 The MODERN THEATRE SECT


Apco's SodaShoppes<br />

are used in such national chains as<br />

RKO-Lceu>-PaMwDiiitf<br />

pewwi"junif)<br />

as well as in thousands of leading<br />

independent theatres and<br />

other chains.<br />

'•'•""^BEBI^<br />

(mimml<br />

Dual Cup StBtion<br />

Theatre Model<br />

SODASHOPPE<br />

For the larger house. Features two cup stations, two coin<br />

inserts, end serves two people at one time. It handles<br />

twice the customers in half the time to double your profits<br />

during peak loads at picture breaks! It's a sensational<br />

producer indoors as well as in Drive-ins.<br />

;;2«^.<br />

3-Drink Sod3Shoppe Jr.^<br />

Specially designed for the smaller<br />

theatre. It has ail the service<br />

free features of every Soda-<br />

Shoppe. Allows for considerably<br />

bigger profits per patron!<br />

PCO INC.<br />

There is an Apco SodaShoppe fo fit ihe requirements of<br />

every iype and size of iheaUe. Get the fads — write for<br />

literature on the complete Apco Line and check with your<br />

operator or concessionaire to be sure he installs the<br />

SodaShoppe model designed for YOUR theatre - and<br />

watch your earnings zoom!<br />

^^ d's Foremost Pioneers of Beverage Dispensers<br />

'*> >odway (at 56th St.) N. Y. \9, N. Y. PLaxa 7-3123<br />

•Sio<br />

Soles Representatives Throughout The United Slates<br />

Coupon and<br />

MAIL TODAY!<br />

Vends 2 carbonaled and 1 non-corbonofed<br />

drink. Has 1000 cup capacity,<br />

1250 dri'nlc syiup capacily.<br />

APCO, INC.<br />

1740 Broadway, New York 19, N. Y.<br />

Gentlemen: Please send me complete information on:<br />

Q Dual Cup Station Theatre Model SodaShoppe<br />

6-Drink SodaShoppe D 3-Drink SodaShoppe Jr.<br />

n<br />

Q Complete Apco Line D Name and address of nearest<br />

SodaShoppe operator<br />

Name<br />

Addre<br />

City-


others. There is the newer, so-called<br />

;<br />

|<br />

;<br />

, . Questions<br />

and Answ^^<br />

like wire wound around the hose. Can we<br />

get a hose without this wire wrapping or<br />

one that is lighter a7id more flexible?<br />

f^<br />

I<br />

;<br />

The wire reinforcement around your<br />

vacuum hose is essential to prevent the<br />

hose from collapsing from the suction. .<br />

Some vacuum hose is more flexible than i<br />

O<br />

This regular Modern Theatre feature is conducted by Dave E. Smalley, contributor to many<br />

important magazines on maintenance and editor of Better Maintenance Mogozine. Questions from<br />

exhibitors are welcomed. Address them to Theatre Maintenance, The Modern Theatre, 825 Van<br />

Brunt Blvd., Kansas City 24, Mo. Enclose stamped, self-addressed envelope for personal reply.<br />

ASPHALT TILE OVER CONCRETE<br />

In your maintenance column some<br />

time ago I saw where you recommended<br />

asphalt tile instead of linoleum on the concrete<br />

floor at a drive-in. This gave us the<br />

idea to install asphalt tile on the concrete<br />

floor of our drive-in concession stand.<br />

What we want to know is, can the asphalt<br />

tile be laid directly on the concrete or do<br />

we have to use some kind of uiiderlayment<br />

first?<br />

H To install tile on a concrete subfloor,<br />

no underlayment is needed. The tile<br />

is laid directly on the concrete which must<br />

be smooth, level and free from grease, wax,<br />

etc. Be sure you use the proper adhesive<br />

for a concrete floor. Your dealer should<br />

know.<br />

Q PRIMING BEFORE PAINTING<br />

We are going to paint our front and<br />

the walls of our lobby. Part of the front<br />

WORLD'S FINEST<br />

will be new woodwork. Should the new<br />

wood be primed and if so what should we<br />

use for a primer? Should the old woodwork<br />

be primed or roughened before applying<br />

a new coat"!<br />

n We would prime the new woodwork<br />

before painting, especially on the exterior<br />

where you may use boiled linseed<br />

oil for a primer or a good varnish-type<br />

sealer. There are also regular prepared<br />

primers available at paint stores. Interior<br />

new woodwork may be primed with shellac.<br />

It is not necessary to prime old painted<br />

surfaces. If the surface is glossy, or darker<br />

than the new paint, apply a coat of flat<br />

paint first.<br />

p<br />

VACUUM HOSE TOO UNWIELDY<br />

The vacuum hose on our new tank-type<br />

vacuum cleaner is so stiff and heavy it is<br />

awkward to use between the seats. This<br />

stiffness is largely caused by a stiff spring-<br />

Over-the-Counter<br />

POPCORN MACHINE<br />

"accordion hose" which is light and very<br />

flexible. Normally contracted to about six :<br />

feet in length, it can be stretched to about<br />

15 feet. There is a technique in using a '<br />

vacuum hose which simplifies using even a ,<br />

stiff one: start the cleaning operation at<br />

the machine and work away from it instead<br />

of first extending the hose and working<br />

back.<br />

p<br />

REMOVING DENTS IN METAL UNITS<br />

We have a rather bad dent in the side<br />

of one of our stainless steel units in out<br />

concession stand. We cannot get to U<br />

from the inside to push the dent out. Have<br />

you any suggestions?<br />

n Unless the dent is a sharp one yoi<br />

may be able to remove it with one ol<br />

the rubber cup-type drain openers, th(<br />

kind familiarly known as "plumbers<br />

friend." Wet the edges of the rubber cui<br />

and apply to the middle of the dent, pulling<br />

the metal out to its original position<br />

If you have difficulty in making the rubbei<br />

cup hold, coat the edges with a littli<br />

mucilage or paste.<br />

PROFIT<br />

From Being a Good Host<br />

To Your Patrons In<br />

D. I. T.<br />

1.<br />

Serve to your Patrons Hot Dogs . . .<br />

HOT<br />

Serve to your Patrons Popcorn . . .<br />

HOT and CRISPY<br />

Serve to your Patrons Cold Beverages<br />

... ICE COLD<br />

While the show is on, serve your<br />

Patrons TO their cars.<br />

TWIN ELEVATOR WELLS and<br />

AUTOMATIC PUSH-BUTTON SEASONING PUMP<br />

50<br />

• Greater Warming<br />

Capacity—tiolds<br />

equivalent of 200<br />

boxes popped corn.<br />

• New Forced Air<br />

Warming—Thermo-<br />

»tat controlled; keeps<br />

corn crisp,<br />

lieih.<br />

• Automatic Electric<br />

Seasoning Pump.<br />

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51


PROJECTION<br />

AND SOUND<br />

n<br />

Seventh of a Series on Leading Sound Equipment<br />

STEP-BY-STEP SERVICING OF SOUND SYSTEM:<br />

7. Maintenance of RCA Sound Head, Speakers, Pre-Amplifiers<br />

By<br />

WESLEY TROUT<br />

In this seventh ai'ticle on general<br />

maintenance, installation and operating<br />

considerations, we will tell you about PICA<br />

Stereoscope sound systems, featui'ing the<br />

button-on sound head with the soft-loop<br />

film system, designed specifically for reproduction<br />

of single and four-track magnetic<br />

recording. RCA has developed a very fine<br />

button-on sound head which delivers<br />

crisp, clear sound reproduction with a minimum<br />

of distortion, the result of RCA's<br />

unique, specialized experience in magnetic<br />

sound recording in the film producing and<br />

radio broadcast fields. This sound head is<br />

constructed to filter out irregularities in<br />

film motion due to slightly bent reels and<br />

defective splicing. However, splices should<br />

be made correctly and only good house<br />

reels should be used with this sound head,<br />

and all other makes covered in previous<br />

articles.<br />

THREAD FILM CAREFULLY<br />

In order to secm-e perfect sound reproduction,<br />

this penthouse reproducer,<br />

and all others, should be carefully threaded,<br />

and all adjustments kept strictly according<br />

to manufacturers' recommendations.<br />

The above paragraphs read like a sales<br />

talk on this particular reproducer, but we<br />

are only giving you the facts on this equipment<br />

as we have in previous articles on all<br />

other makes. Before writing an article on<br />

any equipment, we have personally inspected<br />

each equipment in small and large<br />

theatres, checking every detail, rvmning test<br />

films in order to give you a true story and<br />

authentic information. We have serviced<br />

and installed, the past many years, all the<br />

standard brands of sound systems, and can<br />

write authentic data because of this long<br />

experience in the field. My complete files<br />

on all makes of theatre sound systems<br />

gives me a complete check on the circuits,<br />

components and maintenance data.<br />

ment is made, any component unless you<br />

are positive some adjustment is needed in<br />

order to secure peak performance. The<br />

adjustment of the magnetic pickup head<br />

IS a very delicate job and should be made<br />

according to instructions given in a previous<br />

issue, or by a service engineer.<br />

Generally, the pickup head does not need<br />

adjusting, only in rare cases on a new installation.<br />

RCA Service Co., Inc., a subsidiary of<br />

Radio Corp. of America, is staffed with expert<br />

engineers. It is best to have one of<br />

these engineers make the installation and<br />

show the projection staff how to properly<br />

operate and maintain the equipment for<br />

best sound reproduction. After the installation,<br />

it is the duty of the projectionist<br />

to keep the equipment properly serviced<br />

and clean, with an occasional inspection<br />

and adjustment of various units by a qualified<br />

sound engineer. If the projectionist<br />

has a background of audio and radio experience,<br />

he can, by following instructions<br />

given in this department, keep the equipment<br />

operating perfectly and avoid unnecessary<br />

loss or poor quality sound reproduction.<br />

It will pay you to carefully study<br />

instruction data sent with equipment, and<br />

keep on file instructions on maintenance of<br />

optic and magnetic sound equipment presented<br />

in this series on all leading sound<br />

systems for conventional and drive-in theatres.<br />

Wiring Diagram for<br />

Audio Amplifiers Installation—Considerable<br />

time and expense can be saved if the<br />

exhibitor has a survey made of his auditorium<br />

and projection room so that equi]<br />

ment can be installed correctly and a:<br />

ranged for easy maintenance. The exhib|<br />

tor, before planning installation, shou!<br />

communicate with the company for add;<br />

tional data on the particular model<br />

plans on installing.<br />

Type PG-301 and 301A sound syster':<br />

have been designed to reproduce soui,<br />

from a four channel magnetic tracks<br />

the "Cinemascope type." The sound fro<br />

the four magnetic tracks is fed through'<br />

four-channel amplifier system which fee'<br />

the three sets of stage speakers and t'i<br />

sound effects speakers around the auditci<br />

ium.<br />

Through the use of a switching contll<br />

system (MI-9716i the following combine<br />

tions of film reproduction are availab!;<br />

la) With switches in "magnetic" ai<br />

"single-film system" position, the for<br />

tracks of a CinemoScope-type film will s<br />

connected to the stage and auditoriiji<br />

speakers; (b) with switches in "magnet}'<br />

and "multiple film system" position, tp<br />

magnetic tracks of multiple films of tp<br />

3-D variety will be connected to the stefe<br />

speakers, the optical track wiU feed te<br />

effects speakers; (O switches in "opticj'<br />

and "single-film system" wUl place je<br />

sound from the standard optical soul<br />

track on the center stage speaker amplifr<br />

and all the other amplifiers will be loacd<br />

with a 250 ohm resistor to take care i<br />

this operation; (d) with the switches<br />

"optical" and "multiple film system" pc<br />

tion, 3-D sound on the center stage spei<br />

RCA PG-392 System<br />

PRE-<br />

VOLUME<br />

AMPLIFIER CONTROL Iamplifier<br />

<<br />

A COMPACT UNIT<br />

The RCA magnetic sound head is compact<br />

and easy-to-install on any make projector.<br />

It mounts between the upper magazine<br />

and projector mechanism, and is filmdriven.<br />

It should be carefully aligned in<br />

order to secure straight travel of the film<br />

from the upper reel down through the projector<br />

mechanism. Once the reproducer is<br />

carefully adjusted by the engineer, it needs<br />

no further attention except daily cleaning<br />

of all the components, particularly the<br />

sprocket, guide rollers and magnetic pickup<br />

head. The reproducer is carefully adjusted<br />

before it leaves the factory, but it should<br />

be checked with suitable test equipment<br />

and test films at least every two or three<br />

months. Don't disturb, once any adjust-<br />

10 CONNECTIONS = EXISTING<br />

TED CONNECTIONS = PG-392<br />

/7\ _ /RG-«2U FOR HIGH IMPEDANCE OPTICAL 5^<br />

^ lNo.8209 " LOW<br />

PG-392 SYSTEM -BLOCK DIAGRAM<br />

la<br />

1*<br />

52 The MODERN THEATRE SECTlNa


: June<br />

t|><br />

may be reproduced under emergency<br />

iiditions.<br />

PG-301 de luxe sound system proles<br />

a full 70-\vatt four-channel sound<br />

JRCA<br />

jipment available in two standard racks.<br />

"jie sound output from the penthouse repducer<br />

goes to foui' separate pre-ampli-<br />

^rs which are located in a wall mounted<br />

Cktrol cabinet. Prom here sound is carid<br />

to four different type pre-amplifiers<br />

tmnted in the top of one of the racks to-<br />

^;her with suitable power supply. Immeately<br />

below this panel is the monitor<br />

'itching panel which is followed by the<br />

nniitor amplifier. The next paii- of units<br />

t' two 35-watt power amplifiers which are<br />

(juiected in parallel to get a full 70 watts<br />

Jtput for sound effects in the auditorium<br />

^'akers. The second rack houses six 35-<br />

itt power amplifiers which are connected<br />

1 three separate pairs for the three stage<br />

f?aker assemblies.<br />

iThe PG-301 RCA Stereoscope sound<br />

!;tem features the all new, audio sync cir-<br />

. ts of the very finest for audio reproduc-<br />

II m theatres of any size. The racks are<br />

I ! photograph shows RCA stereosound reproducer<br />

r mted between the upper magazine and RCA<br />

I :hanism and optic sound reproducer. It illus-<br />

I es how to correctly thread the sound heads and<br />

I .hanism. On new installations, the magnetic<br />

i id head should be carefully aligned so the<br />

' will travel down in a straight line. This re-<br />

) iucer features a "soft-loop" which is supposed<br />

' "le/p filter out any irregularities in film motion<br />

< to slightly bent reel (play safe and use only<br />

i i house reels). Mu-metal shield guards mag-<br />

' c cluster (pickup head) from extraneous noise;<br />

' magnetic pickup head is carefully adjusted at<br />

t factory and made of material that will give<br />

' I<br />

service. The pad rollers, guide rollers and<br />

< s should be kept adjusted as per previous ins<br />

ctions on general maintenance of magnetic<br />

s ^d heads. Keep the interior clean, all dirt<br />

Jtrtulation brushed off of sprocket, and all pad<br />

1 irs turning freely. Any accumulation of dust<br />

tther foreign matter should be cleaned off the<br />

n 'netic pickup head daily. Lubricate according<br />

' chart sent by manufacturer. Keep the optic<br />

s id head clean and correctly adjusted for good<br />

s trf reproduction. The RCA projector delivers<br />

' -steady projection, automatic lubrication of<br />

^ 1 moving part, full view film path, and low<br />

" itenonce cost.<br />

of completely new design and employ recessed<br />

panels which are very easily removable<br />

with two knurled thumb screws<br />

for rapid and convenient servicing by either<br />

an engineer or projectionist. The components<br />

can be kept clean by brushing out<br />

with a small paint brush at regular intervals.<br />

Too, the arrangement of the units<br />

and easy removability of these units makes<br />

it very easy to check the wiring and connections<br />

from time to time. Power amplifiers<br />

may be tilted down if desii-ed or<br />

easily removed from the racks ^see photograph)<br />

.<br />

NOTE—The MI-9562 monitor switch<br />

allows the monitoring of each of the fourchannels<br />

separately or any combination<br />

simultaneously, and in an emergency the<br />

substitution or interchange of any inoperative<br />

channel.<br />

REMOVE GROUND WIRE<br />

When the MI-9377A amplifiers are connected<br />

in parallel as in the case of these<br />

systems, the ground wire connected to<br />

terminal No. 1 of the input transformer of<br />

07ie of the amplifiers of each paralleled<br />

pair o] amplifiers must be removed.<br />

RCA MI-9518 power unit is contained in<br />

the MI-9745 volume control and amplifier<br />

assembly. To eliminate the possibility of<br />

hum developing in the system, the power<br />

transformer of this unit must be removed<br />

and placed in a standard 4x4x4-inch box,<br />

a distance of three feet from the MI-9745<br />

assembly. This is an important modification<br />

note. After a complete check of the<br />

wiring and test with youi- testing equipment,<br />

all the cover panels for the various<br />

units should be replaced. With a wii'ing<br />

diagram and schematic for each unit, one<br />

can easily make necessary checkup of the<br />

system for satisfactory performance.<br />

FOR DRIVE-INS AND INDOOR HOUSES<br />

RCA Type PG-392—I am sui'e exhibitors<br />

and projectionists will be very much interested<br />

in this equipment which is designed<br />

to reproduce sound from the four<br />

magnetic tracks of a Cinemascope type<br />

film through a one-channel magnetic preamplifier<br />

into existing optical system for<br />

either a drive-in or conventional theatre.<br />

The basic system consists of the following<br />

items: two magnetic sound heads, two<br />

cables, one fader and changeover, fader<br />

extension rod, extension fader and lever,<br />

one magnetic pre-ampUfier and tubes.<br />

Under certain conditions, especially in conventional<br />

type theatres, the following PA-<br />

192 pre-amplifier DC filament supply is required<br />

in addition to the above units. Now<br />

if the filament supply unit is not used,<br />

filament supply must be taken from existing<br />

equipment and should be capable of<br />

supplying 6.3V, 0.35A AC.<br />

When considering the installation of the<br />

above equipment, for either drive-in or<br />

conventional-type theatre, where existing<br />

optical sound system does not have sufficient<br />

gain, the following PA-193 intermediate<br />

pre-amplifier will also be required<br />

in addition to the above equipment in<br />

order to seciu-e the desired results. This<br />

additional equipment consists of the fol-<br />

The Man-in-the-Booth<br />

Enjoys<br />

/^ml<br />

Key Position<br />

In purchasing<br />

any of the fine sound<br />

systems presented in<br />

this series on leading<br />

sound systems, the<br />

exhibitor has placed<br />

in your care the ultimate<br />

in sound reproduction<br />

equipment,<br />

precision - built, capable<br />

of unexcelled<br />

performance. Therefore,<br />

it is the duty of<br />

Wesley Trout<br />

every projectionist to<br />

thoroughly acquaint himself in the correct<br />

operation and maintenance of this equipment.<br />

Read all the material presented in<br />

this department and instruction sheets<br />

sent with the equipment, so you can perform<br />

youi- duties with a high degi'ee of<br />

efficiency. You have a position of key importance<br />

in presenting sound and projection<br />

in your theatre, and you should<br />

be justifiably proud of your profession.<br />

WORK OUT TECHNIQUES<br />

In the course of time, each projectionist<br />

has worked out the problems peculiar to<br />

his projection room relating to the operation<br />

of optic sound reproduction and he<br />

will, in most cases, work out his own techniques<br />

in the handling of stereosound<br />

equipment for best results. The writer<br />

strongly recommends, however, that each<br />

projectionist spend as much time as possible<br />

with the installation engineer to take<br />

advantage of that opportunity to become<br />

familiar with the methods that have proven<br />

successful in other installations. He<br />

should thoroughly read instructions on<br />

handling and care of magnetic sound film<br />

and general maintenance of stereosound<br />

systems.<br />

Of paramount importance are the adjustments<br />

of the filter mechanism and<br />

magnetic pickup head. They should not<br />

be disturbed until you have checked the<br />

adjustment as per instructions given in this<br />

department on each make. The tension on<br />

the upper reel must be kept perfectly adjusted<br />

so there will be an "even" pull<br />

down through the sound head. Intimate<br />

contact between the magnetic track and<br />

the pickup head surface is very important<br />

for high frequency reproduction—poor<br />

contact, low film tension and accumulation<br />

of dirt will destroy perfect contact. Keep<br />

the pickup head clean.—WT<br />

lowing: Wall bracket for intermediate amplifier<br />

and power supply, one shelf for these<br />

two units, one intermediate pre-amplifier,<br />

power supply and tubes, and two cover<br />

panels.<br />

NOTE—If, on high impedance systems<br />

(impedance of around 10,000 ohms), the<br />

PA-193 equipment is NOT used and gain<br />

of existing equipment is sufficient; run<br />

Continued on page 54<br />

E (OFFICE :<br />

4, 1955<br />

53


m<br />

i'<br />

SERVICING<br />

SOUND SYSTEAAS<br />

Contir}ued from page t<br />

RG-62U cable between optical sound heac<br />

and input to MI-1736. And also be sure 1<br />

run RG-62U cable between MI-136 ar<br />

input of existing optical pre-amplifier. Noi<br />

tor low impedance systems ( 500 ohms) ri<br />

Belden cable in place of RG-62U as spec<br />

fied for high impedance systems. We a<br />

presenting a PG-392 system wiring dii<br />

gram on wiring up this equipment.<br />

Briefly, in operation the sound from t)<br />

It's no mystery that adequate screen lighting demands an adequate<br />

power supply. This is especially necessary with today's wide screens,<br />

requiring more light over a large area.<br />

The Hertner HT 135/270 Transverter meets these needs and gives<br />

users an ample source of constant D.C. power. The generator has a<br />

capacity of 90 volts and is designed for continuous operation at 135<br />

amperes with a capacity for 270 amperes during changeover period.<br />

Complete installation includes Control Panel Type G and the Dualtype<br />

HD 100/140 Rheostat.<br />

For all the details of the many fine features of the HT 135 Transverter<br />

write for Bulletin No. 30 IB.<br />

Distributed by National Theatre Supply.<br />

In Canada : General Theatre Supply Company<br />

four magnetic tracks is taken off the fil<br />

by the sound head pickup clusters whi(<br />

are connected in series-parallel, and f<br />

into the MI-9268 pre-amplifier.<br />

The magnetic pre-amplifier is contain<br />

in the MI-1736-type control unit whii<br />

also houses a muting switch, balancing coi<br />

trol, fader switch, impedance matchit<br />

transformer and terminal boards for co><br />

necting the unit into the system. All co'<br />

nections should be carefully made a:l<br />

electrically firm. The MI-1736 unit shoil<br />

be mounted on the front wall to the rig;<br />

of projector "A" in such a position it wl<br />

not interfere with existing equipment. Ti:,<br />

the pre-amplifier power supply for filamet<br />

voltage, contained in a 10xl2x6-inch calnet,<br />

should be mounted on the wall ini<br />

position which allows short leads to be rk<br />

to the MI-1736-type control. The to •<br />

block diagrams will give you a clear p-<br />

ture of various units and how they le<br />

connected. These are the basic layouts al<br />

Continued on page6<br />

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* Burn a choice of four carbon trims (9,<br />

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PURPOSE LAMP!<br />

* Single control amperage selection.<br />

* Exclusive Lightronic system automatically<br />

maintains the correct position of<br />

the positive arc crater at the EXACT<br />

focal point of the reflector.<br />

A perfect<br />

light, evenly distributed, of constant<br />

intensity<br />

and unchanging color value,<br />

is maintained WITHOUT MANUAL<br />

ADJUSTMENTS.<br />

* Infra Ban Beam Cooler diverts heat<br />

rays from the aperture. New removable<br />

holder permits easy cleaning.<br />

* Filter cooled by separate blower.<br />

* New, long-life positive carbon contact.<br />

* New reflector and frame cooling<br />

device.<br />

* Air jet stabilization of the arc prevents<br />

deposit of soot on reflector.<br />

* Unitized component design.<br />

THE STRONG ELECTRIC CORPORATION<br />

• Ih, n;


—<br />

I<br />

JB<br />

'<br />

SERVICING SOUND SYSTEMS<br />

Continued from page 54<br />

should prove very interesting to projectionists<br />

and servicemen.<br />

RCA magnetic reproducers are designed<br />

to reproduce the four tracks of a magnetic<br />

film. However, as the clusters of the<br />

heads in this system are connected in<br />

series-parallel, it is possible to reproduce<br />

sound from film having one to four magnetic<br />

tracks of the Cinemascope type.<br />

Where the impedance in the MI-1736<br />

changeover is given as 10,000 and 500 ohms,<br />

it is understood that the 10,000-ohm connection<br />

will take care of optical systems<br />

of high impedance (100,000 ohms) or systems<br />

with 500/600-ohm transformer connections.<br />

The company furnishes diagrams<br />

W^ ^_ ^J ^J ^_<br />

for making many connections for various<br />

impedances.<br />

An ideal installation of equipment can<br />

be obtained if the installer and electrician<br />

wUl carefully follow instructions of the<br />

manufacturer, and closely adhere to all<br />

local and national regulations when installing<br />

conduit and wire sizes, etc. Neatness<br />

and careful arrangement of equipment<br />

is of paramount importance for better<br />

maintenance and convenience in servicing<br />

of all the units. Poor connections, dirt,<br />

general neglect of any sound unit, will<br />

cause unnecessary trouble sometimes a<br />

complete loss of sound output.<br />

RCA Type PG-302, 302A, 302AA—Here is<br />

a medium-priced, high quality sound system<br />

which will supply outstanding stereophonic<br />

sound for the medium and smallersize<br />

theatres. Elsewhere in this department<br />

you will find pictures of the amplifier.<br />

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(NO WELDED SEAMS)<br />

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Durably tonstrucied,<br />

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controlled brightness factors<br />

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•<br />

2 Types of Metallic screens to choose from,<br />

competitively priced, single weight or double<br />

weight screens.<br />

•<br />

Extra bright' white matte screens available for<br />

extra wide theaters.<br />

•<br />

Tops for Cinemascope and large screen picture<br />

reproductions.<br />

See your Local Supply Dealer (or contact us direct for further information)<br />

BODDE SCREEN COMPANY • 8829 VENICE BLVD. < LOS ANGELES 34, CAL.<br />

H£YER-S1^ULTZ<br />

SEE<br />

Manufactured by HEYER-SHUITZ INC Cedar Grove. N J<br />

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9IH<br />

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T/iis de luxe high-powered sound amplification eqli<br />

ment insures the ultimate in quality, power outi<br />

crisp and clear stereophonic sound. All-new oik<br />

circuit, finest quality material and workman^<br />

has gone into this RCA de luxe sound system, ii<br />

equipment provides a full 70-watt /our-c/iole<br />

sound reproducing system, available in two ijl<br />

rocks. The sound output from the reproducer tp<br />

to four separate preamplifiers which are lociii<br />

in a wall-mounted control cabinet. From<br />

sound is carried to four different-type pre-onfh<br />

fiers mounted in the top of one of the rit<br />

together with a suitable power supply unit. Inei<br />

diately below this panel is the monitor switctif<br />

panel which is followed by the monitor ampiiti<br />

The next pair of units are two 35-watt power ariU<br />

fiers which are connected in parallel to gctfie<br />

full 70 watts for sound effects speakers.<br />

The sciirf<br />

rack houses six 35-watt power amplifiers whichv<br />

connected in three pairs for the three stage speei'<br />

assemblies. A two-tone umber finish adds to At<br />

appearance of these units. The speaker asseilf:<br />

for this de luxe system is RCA PL-301 spe:»<br />

system, a picture of this unit shown elsewheiin<br />

the department. Complete frequency range nJ<br />

"true" high fidelity sound can really be obtc^<br />

from this system.<br />

sound head and speaker units used<br />

the various models. This precision<br />

sound equipment is in the traditio)<br />

ruggedness and dependability of RCA p:j4'<br />

ucts. Instant accessibility for tube ch*<br />

ing, tube replacements, and servicinsj<br />

all the components, are some of the w<br />

features of this model and all models!<br />

reproduction of magnetic soimd.<br />

Pre-amplifiers—the output of the f,<br />

track reproducer is fed to a four-cha<br />

pre-amplLfier through four spil<br />

shielded cables. The pre-amplifiers coil<br />

of two separate units for each chaiiel.<br />

Four MI-9268 pre-amplifiers, which ,IK4<br />

compensated electrically for optimumrMJI /<br />

production from a magnetic track, W«fi<br />

mounted in the volume control unit, od<br />

fom- MI-9362 amplifiers are mountei in<br />

the rack. Now, the output level of 'Ch -<br />

channel can be easily adjusted so thaall|i«i<br />

channels will operate at the same relsive<br />

level. Over-all volume of all chanm<br />

controlled by the ganged volume coi<br />

56 The MODERN THEATRE SECfl


! supply<br />

iiI-9745> mounted on the front wall of<br />

t projection room.<br />

>ower amplifiers, consisting of four 35-<br />

vtt channels, are mounted in a rack,<br />


.<br />

rectly.<br />

|<br />

'<br />

'<br />

SERVICING SOUND SYSTEMS<br />

Continued from preceding page<br />

The amplifier should be turned off when<br />

cleaning all the units.<br />

When checking amplifier, while it is<br />

turned on, use caution on account of high<br />

voltage. If you are checking the connections,<br />

again be cautious and use an orange<br />

stick for probing for a loose connection.<br />

work With a good quality multimeter and<br />

test loops. One should carefully check the<br />

tubes at regular intervals, check all the Voltages at tube elements should be measured<br />

with a 20,000 ohms/volt test equip-<br />

connections—there are many of them in a<br />

stereosound installation — at terminal ment in order to obtain accurate readings<br />

board, etc. Tubes should be removed and and not damage any delicate circuit. RCA<br />

the prongs and tube sockets cleaned at manufactures very fine sound systems and<br />

least every two months. Carefully brush, only high quality test equipment should<br />

using a medium-sized paint brush, all the be used. Too, one must have a fair basic<br />

dust and any carbon soot off of the components<br />

and the interior of the cabinet. circuits in order to service sound equip-<br />

knowledge of audio amplifiers and their<br />

Don't go about this too roughly as you may ment intelligently and comprehensibly.<br />

break a wir-e or disturb some component. Also, it is very necessary to have schematics<br />

Lens Sliowmansliip<br />

,M, 'W/ x^j/^ ,/ v>w/ v|,\,;<br />

?5553W (\if;ii^iki:t!^^^'^LK^j:^ (5) Ci.^>a(;VW.ao«o<br />

Ihii photograph shows the PL-301 speaker asserff<br />

which should be used with the RCA de luxe PGlIi<br />

sound system. For stereosound there must be tie<br />

of these units, and the necessary number of efttt<br />

speakers in the auditorium.<br />

and correct voltages when servicing eqiV<br />

ment. It can be done without schemati<br />

in some cases, but one has to have c<br />

siderable experience in sound servicina<br />

find trouble quickly and clear it up (j<br />

From Kollmorgen . .<br />

the newest, fastest<br />

projection lenses you con boy.<br />

To give you ttie brightest,<br />

cleorest, sharpest, most<br />

uniform picture you hove ever<br />

seen on your screen.<br />

For better BoxofTice,<br />

for better Showmanship, for better oil<br />

oround filming, try these new f/1.7<br />

Super Snoplites tocJoy.<br />

For more informotion<br />

osk your Theatre Supply<br />

Deoler or write for Bulletin 222.<br />

Plant: Northampton, Massachusetts<br />

f<br />

mProjection Lenses<br />

^yi^y/f/^yj/ I^OIt POIt ATIOK<br />

New York Office: / 30 CHURCH ST., NEW YORK 7, N. Y.<br />

58<br />

MUST KNOW EQUIPMENT<br />

If you have a sound service contract,<br />

data being presented in this series will 111<br />

you work hand-in-hand with the ser:<br />

engineer, and in some instances you II<br />

be able to clear up a minor sound troil<br />

over the phone if the engineer cannot!<br />

to your theatre for several hours. KnoVl<br />

your equipment cannot be overstresd<br />

Know where every fuse and switctJ<br />

located—keep a supply of fuses on<br />

for emergency.<br />

RCA also manufactures several dif<br />

ent type systems for drive-in theals<br />

supplying various sizes of amplifiers \i<br />

will furnish sufficient output power to<br />

care of the small and large capacity dre<br />

in theatres. They have a system for sinje<br />

track, three and four-track recording,<br />

of the sound systems is designed to re:i<br />

duce sound from the four magnetic tn!<br />

of the CinemaScope-type film througji<br />

one-channel pre-amplifier into the er.ting<br />

optical system. The basic equiprnt<br />

need is two magnetic reproducers, magi '^<br />

pre-amplifier, fader and changeover,<br />

a few other items to complete the insti<br />

tion. The sound is taken from the<br />

magnetic tracks by the magnetic re<br />

ducer sound head clusters which are<br />

'<br />

nected in series-parallel, and fed into<br />

pre-amplifier.<br />

If the present optical amplifier eoj<br />

ment does not have enough gain<br />

sometimes necessary to install anotheif<br />

termediate pre-amplifier for sufficient<br />

and power output.<br />

RCA offers four different basic<br />

systems for drive-in theatres. For drii<br />

theatres the feeding of four sound tr<br />

can be accomplished fairly successfully<br />

Continued on pa<br />

The MODERN THEATRE SEC13N


'<br />

j<br />

nu3<br />

'•<br />

"<br />

I i:iay<br />

,<br />

,<br />

!<br />

The<br />

' ir<br />

m<br />

or MORE INFORMATION on any Product Advertised in this issue or<br />

lentioned in the New Equipment and news pages or for copies<br />

f Manufacturers' Literature listed herein—Use Postcards Below. C READERS' BUREAU<br />

f4EW EQUIPMENT<br />

]nd DEVELOPMENTS<br />

riefed from the full description starting on page 63<br />

Key<br />

Number<br />

GNMAKING KIT P-1325<br />

B<br />

\ ; !» sign kit has bt-en developed by Hernard Manufacturkits<br />

each consist of a fiberboiird cabinet, guide<br />

d from three to lour fonts of plastic-cerumlc letters<br />

be to displiiy pinned backgrounds to give an added<br />

iii'ii lo sales messaiies. Three different models of the kits<br />

available.<br />

)RTABLE AIR CONDITIONER P-li26<br />

Activcaire Devices Inc. is now marketing a portable air<br />

ndltioner wliich Is capable of heathig and coolhig the air,<br />

uoihig soot, puhen and other impurities and humidifying<br />

- air. The unit was designed to create a comfort zone of<br />

[na 10 feet around It. It operates from standard electrical<br />

LletS.<br />

F>^ CIGARET DISPLAY CASES P-1327<br />

A cigaret case \\lth a capacity of 170 packs Is<br />

li^tribuled free by R. J. Reynolds Tobacco Co. to<br />

impulse buying. The unit, which will handle both<br />

iiKir and king-size packages. Is designed to fit all types<br />

upright cash registers For quick and convenient disnslng.<br />

it uses a gravity feed system. Two other display<br />

;its are also being offered free to retailers.<br />

^.ECTRONIC CAR HOP P-132S<br />

iFor tliose drive-in concessions operations that cater to<br />

traffic, 'bway an electronic car hop called Servus-Fone has<br />

{D devised by Motlograph, Inc. Consisthig of a switch-<br />

lird automatic record changer, amplifier and from 20 to<br />

service stations complete with two-way speakers, lighted<br />

and tray holders, it<br />

I<br />

each installation makes possible<br />

the patron to his send order direct to the kitchen and<br />

'ten to music v^hlle waiting.<br />

IsHT-lNTENSITY CONTROL P-1329<br />

^Luxtrol is a device manufactured by Superior Electric Co.<br />

I<br />

the control of the light intensity of rapid-start fluorescent<br />

'\m When used with special ballasts, the Luxtrol not only<br />

fiirols Intensity but eliminates warm-up time and tube<br />

'lacements on complex electronic devices. The units are<br />

liable for all circuits regardless of their capacities.<br />

[EREOPHONIC SPEAKER SYSTEM P-1330<br />

Stephens Manufacturing Corp, Is making a theatre speaker<br />

ftem. Model 432. to be used In conjunction with stereolUkiiiic<br />

sound installations. Proper phasing of the sound at<br />

both high frequency and bass levels Is achieved by use of<br />

the llim's P-30 high-frequency driver, attenuator and two<br />

103XL low-fiequeacy drivers. Shipping weight is 2U7 pounds.<br />

Measurements are 69x30x30% inclics.<br />

LOW-COST UPHOLSTERED CHAIR P.1331<br />

.\ new Urlfigs theatre seat combining comfort, durability<br />

is luid low price now being bandied by RCA theatre supply<br />

It dealers. Listed as Model 71MBW, features a short back,<br />

ball-bearUig hinges, steel-coil springs and braced double-<br />

^..ill end stands individually matched to floor Inclines to<br />

assure constant seat height and proper fitting. A wide choice<br />

of fabrics and plastic tops for tiie seat and back covers may<br />

be<br />

had.<br />

LIGHT-WEIGHT RUG-SHAMPOO MACHINE P.1332<br />

A rug-sliampoo maehine which Is smaller and lighter than<br />

convBUtional models is now produced by Kent Co. The K-11<br />

iiais an H-iiich brush and weighs only 49 pounds, thus<br />

ellmuiating the problem of crushbig the rug pile. A ^ b.p.<br />

ufi-set motur is used to power the brush at 135 r.p.m. Both<br />

the mutoi and solution lank are fully enclosed to protect<br />

tliem from foreign matter. Without the solution tank, the<br />

1


A<br />

A<br />

BA<br />

READERS' BUREAU<br />

For literature on products advertised or mentioned in this issue, see otlr<br />

side oi this sheet and read how to use the postcard coupons below.<br />

PRODUCTS ADVERTISED IN THIS ISSUE<br />

ADMISSION CONTROL SYSTEM, DRIVE-INS<br />

General Register Corp 68-<br />

K-Hill Signal Co.. Inc 30-B, 16-B<br />

ATTRACTION BOARDS AND LETTERS<br />

AdIer Silhouette Letter Co 6S-C<br />

Wagner Sign Service, Inc 65-C<br />

CARBON SAVERS<br />

Caii Products Co 54-B<br />

Pliillips Electro Extensions 6S-D<br />

CONCESSION EQUIPMENT, DRIVE-IN<br />

Concession Supply Co 50-B<br />

Ttieatre Candy Co 39-A<br />

Walky Service Co 50-C<br />

DISPLAY FRAMES AND EASELS<br />

Universal Corp 5-A<br />

DIRECTIONAL LIGHTS, DRIVE-IN<br />

Dri»e-ln Theatre Mfg. Co 30-A<br />

DRINKS, SOFT<br />

Canada Dry Ginger Ale, Inc 40-A, 41-<br />

Coca-Cola Co 2-<br />

Nelii Corp 48-*<br />

Pefsi-Cola Co 36-A<br />

DRINK VENDING MACHINES<br />

Apco 49-A<br />

Coca-Cola Co 2-A<br />

Manley, Inc 45-A<br />

FIREWORKS DISPLAYS<br />

Later Enterprises 21-B<br />

Liberty Display Fireworks Co 22-B<br />

FOUNTAINETTES<br />

Superior Refrigerator Mfg 47-C<br />

HAND DRYERS, ELECTRIC<br />

Electric-Aire Engineering Corp 54-A<br />

INSECT TRAP, DRIVE-IN<br />

Gardner M Co fg. 26- B<br />

INTERIOR LIGHT SHIELDS<br />

Wenzel Projector Co 65-<br />

KIDDY RIDES FOR DRIVE-INS<br />

Dreyer Co 23-A<br />

Hei schell Co., Inc. Allan 21-A<br />

King Amusement Co 16-C<br />

Miniature Train Co 20-A<br />

LADDERS, SAFETY<br />

Dayton Safety Ladder Co 66-A<br />

PLAYGROUND EQUIPMENT<br />

American Playground Device Co 21-C<br />

Miracle Equipment Co U-A<br />

National Theatre Supply Co 23-C<br />

Recreation Equipment Corp 16-A<br />

POPCORN BOXES AND SACKS<br />

Concession Supply Co 50-B<br />

POPCORN IVIACHINES<br />

Concession Supply Co 50-B<br />

Cretors Corp 50-<br />

Manley, Inc 45-A<br />

POPCORN SCOOPS<br />

Speed Scoop 47.<br />

POPCORN SEASONING OIL<br />

Concession Supply Co 50-B<br />

C. F. Simonin's Sons 42-A<br />

PROJECTION LENSES<br />

Bausch & Lomb Optical Co 61-A<br />

Kollmorgen Optical Co 58-A<br />

Projection Optics Co., Inc 1-BC<br />

Raytone Screen Corp 3-A<br />

S.O.S. Cinema Supply Co 67-A<br />

Star Cinema Supply Co. 66-B<br />

PROJECTION RECTIFIERS<br />

Ashcraft Mfg. Co 35-A<br />

National Excelite 51-A<br />

PROJECTION AND SOUND<br />

Ballantyne Co 29-A<br />

International Projector Corp 31-A<br />

Motiograpti, Inc 6-A<br />

RCA Engineering Products Co 5-A<br />

Star Cinema Supply Co 66-<br />

PROJECTOR ARC LAMPS<br />

Ashcraft Mfg. Co 35-A<br />

National Excelite 51-A<br />

Strong Electric Co 55-<br />

REFLECTORS<br />

Heyer-Shultz, S6-B<br />

Inc<br />

SAFETY LADDERS<br />

Dayton Safety Ladder Co 66-A<br />

SCALES, PENNY WEIGHING, FORTUNE<br />

Watling Mfg. Co 65-B<br />

SCREENS FOR OUTDOOR THEATRES<br />

Ballantyne Co 29-A<br />

Bodde Screen Co. 56-A<br />

SCREENS FOR INDOOR THEATRES<br />

Bodde Screen Co 56-A<br />

Raytone Screen Corp 31-A<br />

S.O.S. Cinema Supply Co 67-A<br />

Vocalite Screen Corp 64-C<br />

Williams Screen Co. 34-A<br />

SEAT MAINTENANCE AND REPAIR<br />

Theatre Seat Service Co 67-<br />

Oglesby Equipment 23-B<br />

SEATING, CONVENTIONAL THEATRES<br />

American Seating Co 22-A<br />

Heywood-Wakefield Co 68-B<br />

Ideal Seating Co 64-B<br />

Irwin Seating 62-A<br />

SPEAKERS, IN-CAR FOR DRIVE-INS<br />

Ballantyne Co 29-A<br />

Orive-ln Theatre Mfg. Co 30-A<br />

u<br />

Q .


|>und systems to fit any size drive-in the-<br />

again assuring the purchaser a system<br />

,iat will deliver high fidelity sound with<br />

-enty of reserve power which is so necesry<br />

in any drive-in theatre. You can be<br />

isured this company will supply the<br />

ight" type, size and combination of sound<br />

luipment for either type of theatre<br />

ive-in or conventional theatre.<br />

i<br />

;re,<br />

: June<br />

—<br />

.<br />

ERVICING SOUND SYSTEMS<br />

Continued from page 58<br />

jie small speakers for cars. But from exerience.<br />

the writer recommends the use<br />

f single-track recording in conventional<br />

leatres using only one speaker unit—high<br />

nd low frequency combination. You will<br />

|e better satisfied with the quality from<br />

lis setup, if you use only single-track<br />

lagnetic somid.<br />

Most projectionists are probably aware<br />

the fact that phase relationship between<br />

f<br />

IP four tracks is not consistent in all<br />

iint,s. That is why the "mixing" of four<br />

acks is all right for drive-in theatres using<br />

j-nall in-car speakers, but not very satisictory<br />

for indoor theatres, in the writer's<br />

pinion.<br />

COMMENTS—RCA can furnish<br />

various<br />

pmbinations of amplifiers, pre-amplifiers.<br />

nd speaker units to fit any type and size<br />

'f auditorium. The various types of power<br />

nd pre-amplifiers furnish the necessary<br />

ower output, and always with sufficient<br />

[i<br />

t^<br />

Scene from "The Seven Year Itch, 20th Century-F<br />

CinemaScope Production.<br />

Gross more<br />

every week<br />

with your<br />

iR'.^Oi<br />

Bausch & Lomb<br />

Super Cinephor<br />

Projection Lenses<br />

ZA'i all-new speaker design for conventional tfieres.<br />

High and low frequency units may be used<br />

various combinations to meet special acoustical<br />

quirements of any size theatre auditorium. This<br />

lit is used in PG-302 sound system. The right<br />

eaker combination is absolutely necessary in order<br />

secure brilliant, crisp, clear sound reproduction;<br />

so, speakers must be correctly phased for perfect<br />

suits.<br />

itra power to take care of any print with<br />

w-level recording in places. The many<br />

jeaker assemblies, some of them illusated<br />

in this article, assure good coverage<br />

nd high fidelity sound output in medium<br />

Id large auditoriums.<br />

Likewise, RCA offers a wide variety of<br />

The WTiter strongly recommends that the<br />

irchaser of new sound equipment seek the<br />

rvlces of a qualified engineer before makg<br />

final selection of any type of sound<br />

stem, if you want expert information on<br />

le size of amplifiers, speakers, and other<br />

PERFECT- PICTURE PAIR<br />

Count on Marilyn to bring them<br />

in . . . and count on your B&L<br />

Perfect-Picture Pair to bring<br />

them back, -week after<br />

week, to enjoy today's<br />

clearest, brightest fullscreen<br />

vievv's. Complete line<br />

for all projectors . . . for<br />

theatres and drive-ins . .<br />

for Wide Screen, CinemaScope,<br />

SuperScope.<br />

SEE THE BIG DIFFERENCE<br />

ON YOUR OWN SCREEN<br />

IN FREE DEMONSTRATION<br />

Write today for demonstration,<br />

and for Catalog E-123.<br />

Bausch & Lomb Optical<br />

Co., 72042 St. Paul St.,<br />

Rochester 2, New York.<br />

Continued on following page<br />

JXOFTICE :<br />

4, 1955<br />

61


If<br />

'<br />

SERVICING<br />

SOUND SYSTEMS<br />

Continued horn preceding page<br />

units necessary to fill the requirements of<br />

your particular situation. Rely on the unbiased<br />

opinion of a sound and projection<br />

engineer. I have seen too many installations<br />

where the selection of the power<br />

amplifier, sound heads, and speaker units<br />

were not right for the requirements of the<br />

theatre and had to be changed in order to<br />

secure perfect results: in many cases, a<br />

costly change which could have been<br />

avoided.<br />

Moreover, the modification of any make<br />

of sound system should be done by an<br />

engineer as he knows just what can be<br />

done with existing equipment to secure<br />

the desired results.<br />

Stencils on Porcelain Enamel<br />

Lobby wall designs of all kinds can be<br />

readily stenciled on porcelain enamel during<br />

its manufacture and fired on as indelibly<br />

as pottery decorations. Decalcomania<br />

transfers, like those for pottery, may<br />

also be applied. Even wood grains can be<br />

duplicated to give the effect of wood, with<br />

the permanence and durability of porcelain<br />

enamel. A number of artists around the<br />

country paint murals on porcelain enamel.<br />

It is one of the most attractive finishes for<br />

theatre walls.<br />

Each month in the MODERN THEATRE Section,<br />

Wesley Trout will present practical questions<br />

and answers pertaining to sound and projection.<br />

If you have a technical problem send it<br />

in and it will be answered here. Enclose a<br />

stamped, self-addressed envelope for a quick,<br />

personal<br />

reply.<br />

/ recently ran a picture and, ivluit a mess<br />

on changeover cues! The motor start and<br />

changeover cues were in the middle of the<br />

frame, and the dots on this company's<br />

picture, on the usual side where they are<br />

placed on all pictures, are small as a rule.<br />

I wonder why. These also were placed in<br />

a spot where it was hard to make the<br />

changeover right. I think sound on pictures<br />

should not start for say three feet from the<br />

start of each reel. A better changeover in<br />

sound could be made and no talking would<br />

be cut out. MGM does this and it is a real<br />

pleasure to run the picture. Where I work,<br />

most all the prints are in good condition,<br />

for lohich I am very thankful. Good leaders<br />

should be placed on the start and end<br />

of each reel so the print will not be damaged<br />

as when only a short piece of leader<br />

used.<br />

is<br />

Whatever became of those plastic shipping<br />

cases we read about that were being<br />

tested and supposed to be in use before<br />

long?<br />

I think all film companies should have a<br />

standard leader with large numbers, such<br />

as 1,2, 3, 4. etc. You really can see them<br />

without using a spy glass, and lately I have<br />

had a few prints where even a spy glass<br />

icould not help! Maybe some of the film<br />

companies will read this and put larger<br />

numbers on their prints for us projectionists.<br />

Well, all we can do about it is hope<br />

for a change like the above— standard<br />

leaders and larger numbers.— Earl Rupple.<br />

Kansas City, Mo.<br />

I agree with you! Changeover marks<br />

should be clearly visible and placed on the<br />

print so a changeover can be made perfectly,<br />

and any cues placed in the center<br />

of the frame would certainly mar projection.<br />

I think the new plastic shipping<br />

cases soon will be in use, after they are<br />

thoroughly tested.<br />

Film Must Run Smoothly<br />

The motion of film 'sound track) must<br />

be smooth and very steady past the scanning<br />

beam. Therefore the stabilizer drum<br />

should revolve freely and be kept very<br />

clean. The correct tension must be maintained<br />

so that it will revolve smoothly, and<br />

keep the film running past the scanning:<br />

beam at a steady speed and not by jerks.<br />

If the film does not travel smoothly, it<br />

will cause "flutter," which is a tremolo in<br />

the sound reproduction. The projectionist<br />

should always guard against this.<br />

Ri'SEAT with the<br />

IRWIN<br />

/%f\fjkrj<br />

...ITS A SOUND,<br />

INVESTMENT!<br />

Now that you again have 'em coming, don't lose 'em with old,<br />

inferior or uncomfortable seating. Re-seat with the IRWIN COMET chair. It's<br />

designed and built to provide that extra measure of comfort and good<br />

appearance that keeps your customers coming back again and again. Its<br />

newly improved consfrucfion assures exceptionally long and dependable<br />

service with a very minimum of maintenance cost. Write today for complete<br />

details on how you can boost profits by re-seating with the modern-to-the-minute<br />

IRWIN COMET, the investment that quickly pays for itself<br />

SiRCTTTB<br />

Irwin seating ^^i^S<br />

GRAND RAPIDS, MICHIGA N^<br />

62 The MODERN THEATRE SECnOI L


ew Sign-Making Kit<br />

jr Interior Displays<br />

P-1325<br />

FOR MORE<br />

INFORMATION<br />

An Electronic Car-Hop<br />

For Highway Patrons<br />

P-1328<br />

USE Readers'<br />

Bureau Coupons, Page 59<br />

Extra punch may be added to lobby and<br />

)ncessions displays with Hernard Manuicturing<br />

Co.'s 3-D sign kit, a complete<br />

ickage for making signs with changeable<br />

lessages. Basically, the kit consists of<br />

guide rule, a strong fiberboard cabinet<br />

Id three to four fonts of plastic-ceramic<br />

Iters and numerals varying from ^'4 to<br />

2 inches in height. Each of the letters<br />

js a hardened steel pin molded into its<br />

»ck so that it may be attached to any<br />

ift surface with a minimum of pressure,<br />

'hen not in use the letters, which may be<br />

;ed repeatedly, are stored on any of the<br />

X sliding shelves in the cabinet. The kits<br />

e available in three different models:<br />

0. 204 which contains 624 characters in<br />

iree different alphabets; Nos. 205 and 206<br />

ich containing 815 characters in four difrent<br />

alphabets. Two leatherette-covered<br />

;lotex display backgrounds measuring<br />

1x18 inches also accompany the kit. The<br />

ickgrounds come in a choice of black,<br />

d, blue, brown and green.<br />

irtable Air Conditioner P-1326<br />

ir<br />

Small Areas<br />

A portable conditioner, which is particurly<br />

adaptable for such small areas as a<br />

:eatre boxoffice, has been placed on the<br />

arket by Activeaire Devices, Inc. The<br />

lit humidifies the air and removes most<br />

the pollen and soot as well as either<br />

ating or cooling, the manufacturer reirts,<br />

thus creating a comfort zone of<br />

"Out 10 feet around the unit. It is portile,<br />

may be used anywhere where there<br />

an electrical outlet. The size of the air<br />

nditioner is 12x16x8.<br />

Display Cases for Cigarets P-1327<br />

Offered at No Cost<br />

R. J. Reynolds Tobacco Co. is now offering<br />

to drive-ins without cost a new allmetal<br />

display case with a capacity of 170<br />

packs of both regular and king-size<br />

cigarets. Designed to boost impulse buying,<br />

the merchandiser was built to fit all makes<br />

of upright cash registers. One of the main<br />

features of the unit is the gravity-feed system<br />

which allows packages to slip down<br />

and forward for quick and convenient dispensing<br />

by the concessions cashier. The<br />

cashier is the only person with access to<br />

the cigarets. Reynolds is also offering two<br />

other display units for its retailers. One is<br />

the Cavalier menu board which displays 12<br />

different items to make it suitable for concessions<br />

operations. The other is an enlarged<br />

counter or shelf display case with a<br />

capacity of 12 cartons of regular or kingsize<br />

cigarets.<br />

Claims made (or products described editorially<br />

on this and other pages are taken from the<br />

manufacturers'<br />

stotements.


.<br />

Stereophonic Speaker System<br />

Now In Production<br />

P-1330<br />

RCA theatre supply dealers are now<br />

handling a new Griggs theatre chair combining<br />

comfort with durability at a new low<br />

cost. The short-back chair. Model 71MBW,<br />

features braced double-wall end stands individually<br />

matched to floor inclines to assure<br />

constant seat heights and proper fitting.<br />

The chairs are equipped with manually<br />

operated ball-bearing hinges for sure<br />

up and down stops. All metal parts have,<br />

been treated with a rust-resistant phosphate<br />

coat on the underside and baked<br />

enamel on the topside for longer life. Upholstery<br />

includes seats cushioned by steelcoil<br />

springs and padding for the combination<br />

metal and plywood-panel backs. A<br />

variety of plastic tops and fabrics are available<br />

for seat and back coverings. The<br />

chair is believed to be the lowest-priced<br />

of its<br />

type.<br />

A Smaller, Light-Weight P-1332<br />

Rug Shampoo Machine<br />

The Kent Co. claims its new K-ll rugshampoo<br />

machine with an offset motor has<br />

several advantages over the more conventional<br />

and larger models. By reducing the<br />

size and the weight, the K-ll is claimed to<br />

have a greater maneuverability and speed<br />

J<br />

Don't Swear — Install<br />

£/ecff/c-A ire<br />

"C" MODEL<br />

HAND DRYERS<br />

Eliminates towels! Provides safe, sanitary,<br />

economical, dependable, around-the-clock drying<br />

service I Keeps washrooms neat, clean.<br />

Available in recessed or surface mounting<br />

models.<br />

for Complete Details — WRITE Dept. D<br />

ELECTRIC*AIRE ENGINEERING CORP.<br />

209 W. Jackson Blvd. • Chicago 6, III.<br />

ELECTRIC-AIRE OF CANADA • 669 Talbot St. • St. Thomis. Ont.<br />

The >A^idest Line<br />

of<br />

Theatre Chairs<br />

Model 432 theatre speaker system is<br />

begin produced by the Stephens Manufacturing<br />

Corp. for stereophonic sound installations<br />

according to company spokesmen.<br />

By mounting the high frequency unit<br />

en a board, proper phasing of the sound is<br />

achieved. The unit furnished in flat black,<br />

which measures 69 inches high, 36 inches<br />

wide and 30 '2 inches deep, provides fine<br />

highs by use of the Stephens Tru-Sonic<br />

P-30 high frequency driver and attenuator<br />

with a ten-cell exponential horn and a 600-<br />

cycle crossover. Two 103XX. low frequency<br />

drivers assure a full bass response. Shipping<br />

weight for the unit is 297 pounds.<br />

Low-Cost Upholstered Chair P-1331<br />

Is<br />

Short-Back Type<br />

in operation. It uses an 11-inch brush as:<br />

compared to the standard 15 inches and<br />

weighs only 49 pounds, thus eliminating the<br />

problem of crushing rug pile. A fully enclosed<br />

!-! h.p. motor is used to power the"<br />

brush at 135 rpm. Longer life for the ma(<br />

chine is assured by thus protecting botl<br />

the motor and two-gallon solution tanl<br />

from foreign matter, such as dust, lin<br />

and moisture. Positive lubrication of al<br />

moving parts is accomplished by sealini<br />

them in a grease chamber. The handle 1:<br />

detachable and may be adjusted to an<br />

desired height. The machine also may b;<br />

used without the tank for polishing floors<br />

64<br />

Free<br />

planning<br />

service.<br />

• The lowest priced to the<br />

most luxurious.<br />

• Sturdy cost iron and/or<br />

steel.<br />

• Comfortable full-upholstered,<br />

padded or spring<br />

backs and seats.<br />

• Beautifully styled end<br />

standards.<br />

• Upholstering materials, finishes<br />

and colors for every<br />

taste.<br />

IDEAL<br />

See four Independent Theatre Supply<br />

Dealer or Write for Literature<br />

SEATING COMPANY<br />

Grand Rapids, MIchig<br />

BETTER<br />

SEATING<br />

MEANS<br />

BETTER<br />

BUSINESS<br />

^<br />

THEATRE TESTED and<br />

^1<br />

THE WORLD FAMOUS<br />

PROVEN<br />

SILVERLITE ff<br />

ALL PURPOSE SEAMLESS SILVER SCREEN — MAINTAINS HIGH QUALITY<br />

EVEN LIGHT DISTRIBUTION — MEETS ALL REQUIREMENTS — FOR ALL<br />

SYSTEMS— RATIOS<br />

GUARANTEED -NEW LOW PRICES<br />

THEATRE SCREENS WITH A V/ORLD-WIDE REPUTATION<br />

— SINCE 1927 —<br />

FOR FULL INFORMATION—SEE YOUR DEALER OR WRITE<br />

VOCALITE SCREEN CORPORATION<br />

ROOSEVELT, N. Y., U. S. A.<br />

The MODERN THEATRE SECnd<br />

^


I<br />

peak<br />

i many<br />

I<br />

1 National<br />

ift Drink Dispenser to<br />

ondle Peak Periods<br />

'<br />

;x20x40 inches.<br />

P-1333<br />

jirror for Advertising P-1334<br />

|i Attach to Dryer<br />

Dryer Sales Corp. has developed<br />

'.clever promotional item in the form of a<br />

lirror to be attached to its automotic hand<br />

|yers. Known as the Mirror-vue, the dryer<br />

jtachment looks like an ordinary mirror,<br />

!.t withing ten seconds after the dryer is<br />

'it into use it flashes a message which refiins<br />

until the drying action ceases. It is<br />

rticularly well-suited for the display mes-<br />

Sges concerning coming features or reiinders<br />

about keeping the restroom clean<br />

any other message that the exhibitor<br />

ght desire. Because of its special construction<br />

the Mirror-vue will flash any type<br />

of message whether it be a photograph or<br />

typed copy. The unit which is permamently<br />

mounted by means of wall fittings and wires<br />

to the dryer, is said to be very durable and<br />

an effective advertising medium becau.se it<br />

reaches a special captive audience.<br />

New Plastic Material P-1335<br />

For Masonry Repair<br />

Plyocrele, a neoprene rubber emulsion<br />

.suited for the repair of cracks, joints and<br />

worn spots on masoni'y side walls and other<br />

masonry construction, is now being marketed<br />

by United Laboratories. The new<br />

product is shipped dry but may be mixed<br />

into a plastic reforming material in a<br />

matter of minutes. It is claimed that it is<br />

easy to apply and dries within an hour.<br />

A variety of colors is available.<br />

jA new 16-model line of soft di-Juk dis-<br />

.'nsers has been introduced by the Koldraft<br />

division of Uniflow Manufacturing Ceiling or Shelf-Mounted P-1336<br />

). One of the main features of the new Air-Conditioning Units<br />

.18 is the introduction of the Uni-Jet. a<br />

For those theatre operations where floor<br />

Lrbonator which offers increased output<br />

space is at a premium and air conditioning<br />

periods by means of a controlled<br />

is needed, the commercial and air conditioning<br />

department of General Electric Co.<br />

\i bank and circulating ice water. The<br />

jainless steel units may be used for a<br />

has developed a line of ceiling or shelfmounted<br />

air-conditioning units. The air<br />

|riety of dispensing tasks by changing<br />

ie faucets. A single unit may dispense<br />

conditioners, which are available in either<br />

as four flavors, jet stream and<br />

water or air-cooled models, are being<br />

ft soda and ice water or non-carbonated<br />

of 5 and 7y2-ton<br />

liits<br />

e unit with syrup compartment are<br />

offered in a choice 3,<br />

id pulpy drinks with installation of the<br />

capacities. The same hermetically sealed<br />

oper number or type of faucets. The<br />

condensing units used in the floor models<br />

spensers are self-contained and remote<br />

are used in the water-cooled units. A five-<br />

are available. Basic dimensions of<br />

year warranty covers the entire refrigeration<br />

system of both models. Improvements<br />

on the new air conditioners include the<br />

reduction of sound, larger fans for volume<br />

air movement and an automatic "muggy<br />

weather" control to step up moisture removal<br />

from the air on humid days. Prices<br />

on the water-cooled models are comparable<br />

to the present floor models and slightly<br />

higher on the air-cooled type.<br />

When exploiting your theatre, or the<br />

product being shown, the exhibitor should<br />

forget the old saying that "The American<br />

people love to be fooled." It DOES NOT<br />

apply to theatre publicity! Large numbers<br />

of former movie patrons have deserted<br />

this type of entertainment because of overexploitation.<br />

*25<br />

DOWN<br />

Balance<br />

$10<br />

Monthly<br />

400 DELUXE<br />

PENNY<br />

FORTUNE<br />

SCALE<br />

NO SPRINGS<br />

Large Cash<br />

Box Holds<br />

$85.00 in<br />

Pennies<br />

WEIGHT 165 LBS.<br />

Invented and mode only by<br />

WAT L I N G<br />

Manufacturing<br />

Company<br />

4650 W. Fulton St. Chicago 44, Illinois<br />

Est. 1889-Telephone: Columbus 1-2772<br />

Coble Address: WATLINCITE, Chicago<br />

MORE THEATRES<br />

HAVE WAGNER<br />

CHANGEABLE<br />

COPY DISPLAYS<br />

ihan all other makes!<br />

Write for Illustrated Circulor<br />

showing these ond<br />

other Wenzel Improved<br />

ond New Products.<br />

WENZEL NEW<br />

INTERIOR<br />

SHIELD<br />

PRO 55<br />

LI.GHT<br />

to be used in conjunction with the PRO 47.<br />

•<br />

EW 78<br />

WENZEL PROJECTOR<br />

CO.<br />

2509-19 S. state St. Chicago 16, III.<br />

Write for free catalog.<br />

WAGNER SIGN SERVICE, INC.<br />

218 S. Hoyne Avenue • Chicogo 12, Illinois<br />

"PHILLIPS Carbon Savers, Save Carbon<br />

Waste. Only $2.50 each and Up.<br />

Mfd. by Phillips, Box 788, Charleston, W. Vo.<br />

Ask Your Theatre Supply Dealer<br />

I<br />

XOFFICE :<br />

: June 4, 1955 65


; crippled<br />

•<br />

. . . there's no business like<br />

s/iow business and t/iere<br />

about PEOPLE/ and PRODUCT<br />

are no iadders /il


T<br />

'<br />

Alexander<br />

'<br />

the<br />

to devote full time to research. The stipends<br />

vary from $1,400 to $2,100 for each<br />

student depending on his marital status.<br />

To satisfy the need for a versatile film<br />

coding and numbering machine created by<br />

the new screening processes, S.O.S. Cinema<br />

ic international scope of the Ampex Corp. opera-<br />

)n was illustrated recently when Cnrique Jorda,<br />

;/)(, conductor of the San Francisco Symphony<br />

•chestra, stopped at the plant to audition several<br />

his recordings that will be broadcast oyer the<br />

vpex-equipped Italian radio network. Shown disssing<br />

the project with Jorda are Wolfe Frank<br />

the left, who will soon become manager of the<br />

:ms ffices in London, England, and Harrison Johnm,<br />

new director of Ampex International.<br />

Film Co, has promoted H. V.<br />

homason from salesman for the North<br />

iarolina territory to district manager for<br />

lie states of North and South Carolina, He<br />

icceeds D. B. Kizziah, who retired recently.<br />

Continuing the program it inaugurated<br />

1939, Eastman Kodak Co. has announced<br />

will award 34 fellowships for advanced<br />

judy in physics, chemistry and chemical<br />

'igineei'ing for the academic year of 1955-<br />

;, The 34 scholarships valued at $100,000<br />

I ill go to a corresponding number of uni-<br />

^irsities and colleges in the United States<br />

id Canada, Each school will select a<br />

cipient for the fellowship with preference<br />

lown to students in their last year of<br />

'udy for the Ph.D. degree. The purpose<br />

program is to allow the students<br />

The improved Moy visible film edge numbering<br />

machine distributed by S.O.S. Cinema Supply Corp,<br />

It has a special inking system.<br />

Supply Corp. introduced its Moy visible<br />

film edge numbering machine. The 1955<br />

model features an improved inking system.<br />

The value of the machine lies in its ability<br />

to simplify the checking of titles and footage<br />

by eliminating the need for using the<br />

original film in editing. Instead, it uses a<br />

work print which can be matched with the<br />

original by edge numbering. This is an<br />

asset for the projectionist when frames<br />

break as he can easily identify the film by<br />

the numbers between the perforations. By<br />

means of the Moy machine, distributors can<br />

number, code and catalog every film before<br />

its release. S.O.S. reports that owners of<br />

older Moy models may replace the old inking<br />

systems with the new automatic units<br />

at a nominal cost.<br />

V<br />

Got the Blues<br />

In the Night?<br />

on repo.nng or repl a ^^^^<br />

„nco.fo.obieseots^Ate^^^^^__^^^,,,<br />

the job-o. «"'^-°*°;' ^ UP! You'll<br />

MANUFACTURERS<br />

and seat covers.<br />

DISTRIBUTORS<br />

Upholstery fabrics and<br />

general Seating Supplies.<br />

rvr PHONE 42-1658<br />

WRITE. WIRE PHONt<br />

or<br />

theatre seat<br />

Si<br />

PRESENT CINEMASCOPE<br />

at<br />

LOWEST PRICE EVER<br />

seruice co.<br />

»60 Hermifage Avenue<br />

Nashville. Tennessee<br />

CINEMATIC IV Adjustable Prismatic<br />

Anamorphic Lenses with<br />

permanent mounting brackets for<br />

all<br />

projectors.<br />

KOLLMORGEN Snaplite Series II<br />

Coated Prime Projection Lenses<br />

Proven by Performance.<br />

^<br />

THE PERfECT PAIR<br />

PERFECny PRICED<br />

All for ^595<br />

TIME DEALS AVAILABLE WITH ONLY $200 DOWN-FULL YEAR TO PAY ^<br />

SPECIAL OFFER!-<br />

MIRRO-CLAHIC SEAMLESS METALLIC SCREENS<br />

Al New Low Price 89c Sq. ft-<br />

S.O.S.<br />

CINEMA SUPPLY CORP.<br />

SPECIAL APERTURES for all<br />

Cinemascope Ratios from S4 pr.<br />

Dept. C, 602 WEST 52nd ST., N. Y. C.<br />

Phone. PLaza 7-0440—Cable: SOSOUND<br />

For<br />

YOUR<br />

BOXOFFICE<br />

Engraved by<br />

our exclusive<br />

process on lucite<br />

to your<br />

specifications.<br />

LAMOLITE<br />

ILLUMINATED PRICE ADMISSION SIGNS<br />

Our enlorged plant facilities assure<br />

OVERNIGHT service from coast to coast.<br />

Plastic Signs Engraved for the Entire Theotre<br />

Send for Folder *Pot pend<br />

Edgar S.<br />

682 Sixth Avenue<br />

Bowman<br />

New York 10, N. Y.<br />

t*XOFFICE<br />

67


—<br />

. Menominee<br />

—<br />

IP<br />

u<br />

is<br />

the time<br />

The following concerns have recently<br />

filed copies of interesting descriptive literature<br />

with the Modern Theatre Information<br />

Bureau. Readers who wish copies may<br />

obtain them promptly by u^ing the Readers<br />

Bureau postcard in this issue of The Modern<br />

Theatre.<br />

quiring return of construction and frames;<br />

E, large and complicated sets requiring<br />

experienced supervision. Not only<br />

does the catalog contain detailed information<br />

on prices, but it includes data on the<br />

use of fireworks such as the construction<br />

of displays and safety rules. Pull illustrations<br />

of special displays are included.<br />

L-1712 Specially designed clothing and<br />

uniforms are tiie subject of a new catalog<br />

issued by Collegiate Specialty Co. Typical<br />

of the many items featured in the 12-page<br />

lolder are long and short-sleeve shirts for<br />

both men and women, sweaters and jackets,<br />

skirts and ties, all bearing the name of the<br />

drive-in. Along with a selection of novelty<br />

hats, the catalog also lists a variety of<br />

name plaques that can be sewn on the<br />

clothing of personnel if entire uniforms are<br />

not desired. All of the items are illustrated<br />

and fully described, including prices. An<br />

order blank accompanies the material.<br />

L-1713 The Untted States Air Conditioning<br />

Corp., which was founded in 1924<br />

as Aixtic Nu-Aire, is offering a 12-page<br />

booklet that outlines its history, products,<br />

and facilities for manufacturing. The wellillustrated,<br />

two-color pamphlet not only<br />

traces the firm's contributions to the air<br />

conditioning industry but includes details<br />

on its line of heating, ventilating and air<br />

conditioning equipment.<br />

In<br />

Your Admissions<br />

Control System<br />

If there ever was a time when the<br />

Motion Picture Industry NEEDS<br />

every dollar that comes to its door—<br />

that time is now.<br />

Revenue lost through ticket manipulation<br />

or employee connivance can<br />

doom your operation. (Last year,<br />

America's theatres lost over 15 million<br />

dollars through improper ticket<br />

handling.)<br />

Make sure your theatre's admissions<br />

control system is profit-tight . . . with<br />

Automaticket Register and<br />

Ticketaker, to give you effective control<br />

both in the box office and at the<br />

door! Write for full information.<br />

General Register Corp.<br />

43-01 Twenty-Second Street<br />

Long Island City 1, N. Y.<br />

1018 S. Wobosh Ave., Chicago 5, Illinois<br />

L-1714—How TO CONVERT soft drink<br />

profits from pennies to dollars by using<br />

the ClubBar dispensers produced by Temprite,<br />

ClubBar, Inc., is told in detail in two<br />

publications issued by the makers. By<br />

means of a convincing set of charts and<br />

diagrams, Temprite offers a detailed explanation<br />

of how to build profits, save<br />

space and lower labor costs with the Club-<br />

Bar. Complete information is also offered<br />

on the unit's dimensions, operation and<br />

specifications. The all-electric ClubBars<br />

are designed to dispense a choice of four<br />

flavors and plain carbonated water at a<br />

rate of 240 glasses per hour.<br />

L-1715 The educational division of the<br />

PX-Lab Co., makers of FX-4 and FX-7<br />

used to prevent the clogging of septic tanks<br />

and cesspools, is now distributing a free<br />

booklet entitled "The Story of Willie Bacteria,<br />

or How to Take Care of Your Septic<br />

Tank or Cesspool." By means of cartoons<br />

and a simplified story, the eight-page<br />

booklet explains the workings of disposal<br />

systems and the necessary interaction of<br />

the bacteria. To assure the continued bacterial<br />

action so vital to efficient disposal.<br />

the booklet suggests the use of PX-bacterial<br />

preventives, which are sold with a moneyback<br />

guarantee.<br />

L-1716 Lafer Enterprises, manufacturer<br />

of fireworks, has issued a 28-page<br />

catalog which will be of interest to promotion-minded<br />

drive-in operators. The comprehensive<br />

publication is divided into five<br />

sections: Section A on made-up aerial displays;<br />

B, ground sets; C, aerial shells and<br />

miscellaneous items; D, special sets re-<br />

THEATRE CHAIRS<br />

Theatre Seating Division<br />

• Michigan l<br />

^^<br />

WretL<br />

ait<br />

ADLER ANNOUNC EST<br />

new<br />

sizes<br />

4" . 6 ' - 8 ' - 24'<br />

"THIRD DIMENSION"<br />

PLASTIC LETTERS<br />

Adler Changeable Letter Display<br />

Equipment the proven favorita<br />

for theatre signs that build boxoffice<br />

lines— now includes a complete<br />

range of sizes, from 4" to<br />

24", in Plastic or Cast Aluminum<br />

Letters.<br />

For Complete Information About Adler<br />

Letters and Frames, ConUct Yoiir Distributor<br />

or Write (or Free Catalog to:<br />

ADLER SILHOUETTE LETTER CO.<br />

11843-A W. Olympic Blvd., Los Angeles 64<br />

'Bsi<br />

68<br />

The MODERN THEATRE SECnOi<br />

^


, 'i<br />

i<br />

I-T<br />

flXOf f iCEiB D D ii J l] ii^ iJ J D 5<br />

Tie EXHIBITOR HAS HIS SAY >bout hctures<br />

ALLIED ARTISTS<br />

iagonfly Squadron (AA)—John Hodiak.<br />

Bijara Britton, Bruce Bennett. A good<br />

picture for a double. Our fans on<br />

V want westerns, etc., so this didn't<br />

hot." Played Sat. Weather: Okay.—<br />

D ,V Trisko. Runge Theatre, Runge, Tex.<br />

R- jI and small-town patronage.<br />

COLUMBIA<br />

imboo Prison (Col)—Robert Francis,<br />

ine Foster, Brian Keith. Very good<br />

jner of war story. Robert Francis, fresh<br />

1 his role in "The Caine Mutiny," is very<br />

I. He should become very popular soon.<br />

16 of the "brainwashing" scenes a little<br />

al. Did only average business. Played<br />

Sat. Weather; Fair.—Michael Chiaven-<br />

, Valley Theatre, Spring Valley, 111.<br />

ulation 5,000.<br />

ack Knight, The (Col)—Alan Ladd.<br />

P -icia Medina, Andre Morrell. That Ladd<br />

w hardly the type to put in a tin suit and<br />

w jot more experience with costumers and<br />

ki.hts with armor. Wish they would fix it<br />

K he boys could get their money out of<br />

Eland in some other way, so I wouldn't<br />

hi; to suffer. If the little man with the<br />

ti suit tries to put this in your stocking,<br />

K him off. Played Fri., Sat. Weather: Dry.<br />

— ayme P. Musselman, Roach Theatre,<br />

Uoln, Kas. Small-town and rural patron-<br />

»(<br />

[tw vs. Billy the Kid. The (Col)—Scott<br />

Blly, Betta St. John, James Griffith. This<br />

oiloor action flicker should do well in most<br />

si itions. We doubled this with "Sabrina" for<br />

01: bread and butter change and did fairly<br />

Wj. Played Wed., Thurs., Fri. Weather:<br />

O'l.—Robert Klinge, Uptown Theatre.<br />

S»ilia, Mo. Medium-size town and rural pati^age.<br />

Do It Again (Col)—Jane Wyman, Ray<br />

l^t's<br />

i/i and, Aldo Ray. This oldie from Columbia<br />

(E: very fair terms) and in color is one<br />

d; Jy little show. Jane Wyman does some<br />

pi ty risque dancing in it. It all adds up<br />

ttifhat I would call a "cute" show. Aldo<br />

R' will pull in the teenagers; he plays<br />

ill-muscles and no-brain type for the<br />

relief. Played Sun.. Mon. Weather:<br />

I. Roche, Vernon Theatre, Vernon.<br />

r Population 610.<br />

] the Waterfront (Col)—Marlon Brando,<br />

Kl Maiden, Lee J. Coob, Eva Marie Saint.<br />

I ;ed it as did the few who came to see<br />

It. We played it after the reports that it<br />

w. nominated for so many Academy Awards,<br />

bi t was like all award.i pictures—people here<br />

jii don't come to see them—why, I'll never<br />

k'v! The novelty of TV hasn't worn off<br />

yt lere and we can see it. Played Sun., Mon.,<br />

T: ;. Weather: Fair.—Evelyn Burgess. Roxy<br />

T" itre. McClusky. N. D. Population 900.<br />

METRO-GOLDWYN-MAYER<br />

I<br />

hena (MGMi—Jane Powell. Edmund<br />

Pi lorn. Debbie Reynolds. Mighty satis-<br />

'« iry. Let's watch the business done by<br />

"i type of film and compare it to costume<br />

Pr uctions, heavy dramas—of course, any-<br />

'!i ; can be overdone. Played Tues., Wed.<br />

Weather: Good.—Elaine S. George, Star Theatre,<br />

Heppner, Ore. Small-town and rural<br />

patronage.<br />

Bad Day at Black Kocli i MGM)—Spencer<br />

Tracy, Robert Ryan, Anne F'rancis. Here is<br />

a good western with some red-blooded action<br />

that we should have used on our week-<br />

Horses, Actors Too,<br />

Do Bang-Up Job<br />

piDE CLEAR OF DIABLO (U-D—Audie<br />

Murphy, Susan Cabot, Dan Duryea.<br />

When and if Audie Murphy fails to draw<br />

a reasonable crowd, then it's high time<br />

to close the doors and go fishing. This<br />

one has a horse chase in it that is tops.<br />

Not only the horses but the actors do a .<br />

bang-up job. Susan Cabot drew a lot of<br />

good comment and so did the beautiful<br />

Technicolor. I put this with a Leon Errol<br />

comedy and a Tom & Jerry cartoon for a<br />

most satisfactory program. Double<br />

features won't draw any better.<br />

Vernon Theatre<br />

Vernon, Fla.<br />

I. ROCHE<br />

end cliange. It just wasn't the type for Sunday<br />

and we didn't have enough to fill the<br />

house once in all four days. Tracy was<br />

plenty good but no sale for us. Played Sun.,<br />

Mon., Tues., Wed. Weather: Nice.—Mayme P.<br />

Musselman, Roach Theatre, Lincoln, Kas.<br />

Small-town and rural patronage.<br />

Betrayed (MGM)—Clark Gable, Lana Turner,<br />

Victor Mature. Better than expected by<br />

the few patrons who came. This lost money.<br />

I can't explain the poor Technicolor of MGM<br />

prints; they look so washed out or faded.<br />

Other exhibitors have commented about thLs<br />

for years. Played Sun., Mon. Weather; Good.<br />

—Leonard J. Leise, Roxy Theatre, Randolph,<br />

Neb. Small-town and rural patronage.<br />

Brigadoon (MGM)—Gene Kelly, Van Johnson,<br />

Cyd Charisse. Darned if I know, we<br />

thought it a little too much fantasy for our<br />

people but had some nice comments on it.<br />

Lots of others just walked out with their<br />

teeth in their mouths like they thought we<br />

had put something over on them. The take<br />

was about average on our money nights.<br />

Played Fri., Sat. Weather: Good.—Paul<br />

Ricketts, The Charm Theatre, Holyrood, Kas.<br />

Small-town and rural patronage.<br />

Deep in My Heart (MGM)—Jose Ferrer,<br />

Merle Oberon, Helen Traubel. A beautiful<br />

picture but I guess it wasn't the small-town<br />

type. We hardly made film in three days.<br />

Floyd Faubion, Star Theatre, Teague, Tex.<br />

Executive Suite (MGM)—William Holden,<br />

June Allyson, Barbara Stanwyck. An excellent<br />

movie with a difference. Although the<br />

acting is first-class and the story most interesting,<br />

it can only be recommended to the<br />

larger houses in big areas. We did good business<br />

and it was enjoyed by most in good<br />

houses. It's good to see so many top stars<br />

all giving in their best in one movie. Played<br />

Sun., Mon. Weather: Pine.—Dave S. Klein,<br />

Astra Theatre,_ Kltwe-Nkana, Northern<br />

Rhodesia, Africa. Mining, government, business<br />

patronage.<br />

Gone With the Wind (MGM) Rei.ssue—Vivien<br />

Leigh, Clark Gable, Olivia DcHavilland.<br />

Here is the show that runs three hours and<br />

45 minutes, but in our opinion it's the best<br />

time that you will ever have in your theatre.<br />

This was played In Sturgis on wldescreen, and<br />

the print was new. Tire story, sound and color<br />

were as good as the print was when it wa-s<br />

released. Play it by all means; even at percentage<br />

you should do O.K. Played Tues..<br />

Wed., Thurs. Weather; Snow and cold.—<br />

Sam Holmt)erg, C. H. Grass, Regal Theatre,<br />

Sturgis, Sask. Small-town and rural patronage.<br />

Her Twelve Men iMGM)—Greer Garson.<br />

Robert Ryan, Barry Sullivan. This took a<br />

well-spent afternoon to get .some good wordof-mouth<br />

advertising. A week in advance I<br />

sat down and wrote a personal letter to every<br />

school principal in town inviting the teachers<br />

and PTA, giving them a brief sjnopsis of<br />

the picture. Suitable for Tuesday-Wednesday<br />

and it made us some friends. "The boxoffice<br />

was only average on Tuesday and below on<br />

Wednesday. Played Tues., Wed. Weather:<br />

Mild.—Lew Bray jr.. Queen Theatre, Mc-<br />

Allen, Tex. English and Spanish speaking<br />

patronage.<br />

Last Time I Saw Paris, The (MGM) —<br />

Elizabeth Taylor, Van Johnson, Walter<br />

Pidgeon.<br />

This picture is not for small towns.<br />

It is rather on the heavy side and although it<br />

IS a very good picture, it will not build any<br />

business for you. I had it booked for three<br />

days. It drew fairly well on the Sunday<br />

opening, but it died on Monday, so I pulled it.<br />

The picture was sold at top flat rental and I<br />

did not break even. But nobody can break<br />

even with the prices the producers demand<br />

Played Sun., Mon. Weather: Good.—W. L.<br />

Stratton, Lyric Theatre, Challis, Ida. Population<br />

700.<br />

Rogue Cop (MGM)—Robert Taylor, Janet<br />

Leigh, George Raft. I thoroughly enjoyed<br />

every minute of Rogue Cop. It's a man's<br />

show. Very few women came but it will get<br />

some men out who haven't been coming.<br />

Robert Taylor, as usual, is excellent. Janet<br />

Leigh also did a good job. My patrons would<br />

rather see her without Tony Curtis as the<br />

leading man.—W. S. Pimk, Star Theatre, St.<br />

Stephen, S. C. Population 1,000.<br />

PARAMOUNT<br />

Rear Window (Para) — James Stewart.<br />

Grace Kelly. Thelma Ritter. Swell, absolutely<br />

(Continued on next page)<br />

A Few More Like This<br />

Will Make More Fans<br />

•THREE RING CIRCUS (Para)—Dean<br />

Martin, Jerry Lewis, Joanne Dru. We<br />

did very well according to present conditions<br />

and our patrons liked the show<br />

enough to tell us the fact. Color in Vista-<br />

Vision is tops, we like it. But something<br />

will have to happen to get that lost<br />

audience weaned away from home and<br />

maybe a few more like this will turn the<br />

trick. Worth a date on your very best<br />

time.<br />

MATME P. MUSSELMAN<br />

Roach Theatre<br />

Lincoln, Kas.<br />

OFFICE BooldnGuide June 4, 1955


. .<br />

The EXHIBITOR HAS HIS SAY f<br />

(Continued from preceding page)<br />

swell, but fell fax short for Sunday-Monday.<br />

Shoulda stayed in bed, gone fisliin' or played<br />

it up Tuesday-Wednesday instead. Played<br />

Sun., Mon. Weather: Pair.—Lew Brady jr..<br />

Queen Theatre, McAllen, Tex. E^nglish and<br />

Spanish spealiing patronage.<br />

Sabrina (Para)—Humphi-ey Bogart, Audrey<br />

Hepburn, William Holden. Of all the Sunday,<br />

Monday, Tuesday runs on pictures in the past<br />

year, this brought the poorest grosses we've<br />

ever had. Not even half a house on Sunday<br />

night and didn't pay operating expense other<br />

two nights. Definitely not a small-town picture!<br />

Wrong man got the girl was the unanimous<br />

opinion. We enjoyed it immensely!<br />

Played Sun., Mon., Tues. Weather: Beautiful,<br />

showery.—Ida and Walt J. Breitling, Comfrey<br />

Theatre, Comfrey, Minn. Small-town and<br />

rural patronage.<br />

Three Ring Circus (Para)—Dean Martin,<br />

Jerry Lewis, Joanne Dru. Fine entertaining<br />

picture for old and young. Didn't do so well<br />

as previous M & L pictures. Rental outrageous,<br />

so no profit. The net profit of<br />

Pai-amount and other companies is staggering,<br />

while we small exhibitors struggle for<br />

existence to keep from closing our doors.<br />

Played Thurs., Fri., Sat. Weather: Good.—<br />

Leonard J. Leise, Roxy Theatre, Randolph,<br />

Neb.<br />

War of the Worlds (Para)—Gene Barry,<br />

Ann Robinson, Lewis Martin. If you take<br />

the picture at its face value, you will call<br />

it fantastic. But if you took a picture of<br />

the world today in our Atomic Age and had<br />

shown it 40 years ago, it would have appeared<br />

just as fantastic, while to us it is<br />

a grim reality. Maybe this picture 40 years<br />

from now will also be a grim reality. (Let us<br />

hope not). The picture is a little above the<br />

average science-fiction picture and drew a<br />

fair crowd under poor weather conditions.<br />

Played Fri., Sat. Weather: Very cold.—<br />

Fred L. Murray, Strand Theatre, Spiritwood,<br />

Sask. Small-town and rural patronage.<br />

RKO RADIO<br />

Mr. Blandings Builds His Dream House<br />

(RKO Reissue)—Cary Grant, Myrna Loy,<br />

Melvyn Douglas. Haven't reported to this<br />

column for quite some time, but after reading<br />

Robert Livingston's report on MGM's "Crest<br />

of the Wave" played at the Crescent Theatre,<br />

Philadelphia, I just had to send this Uttle<br />

article in because I don't want him to hold<br />

the world's record for a low gross. "We<br />

booked "Mr. Blandings Builds His Dream<br />

House" for Tuesday, Wednesday, Thursday.<br />

On the second night, no one here seemed<br />

to care whether he built his dream house or<br />

not. We never had a customer, not even a<br />

walk-in. Up to this moment, this puts Mr.<br />

Livingston in second place. Have been in<br />

this business 32 years, and our lowest gross<br />

prior to this one was 75 cents (three paid 25<br />

cent admissions) back in the 1931 depression<br />

days; and those three paid customers saw<br />

the picture, "You Got to Laugh to Keep From<br />

Cryin'."—Marion F. Bodwell, Paramount Theatre,<br />

Wyoming, 111. Population 1,500.<br />

REPUBLIC<br />

Susan Slept Here (RKO)—Dick Powell,<br />

Debbie Reynolds, Anne Francis. Absolutely<br />

the tops in entertainment. This is just about<br />

the cutest comedy ever to play these parts.<br />

Held up well the second night which, in my<br />

estimation, is the test of a good show. Up at<br />

our drive-in, however, it fell miserably short<br />

of my expectations. Guess it was so good<br />

they'd already seen it elsewhere. Small towns,<br />

you can't go wrong on this one. Played Sun.,<br />

Mon. Weather: The best.—I. Roche, Vernon<br />

Theatre, Vernon, Pla. Population 600.<br />

20th CENTURY-FOX<br />

River of No Return (20th-Fox)—Marilyn<br />

Monroe, Robert Mitchum, Rory Calhoun.<br />

first<br />

picture, which was in<br />

good focus all the way through. We did a<br />

Our Cinemascope<br />

nice business with it. The "riding-the-rapids"<br />

sequence alone was worth the ticket price.<br />

Marilyn Mom-oe isn't very well received here,<br />

although this was her best picture to date.<br />

Played Sun., Mon. Weather: Snow. Michael<br />

Chiaventone, Valley Theatre, Spring Valley,<br />

111. Small-town patronage.<br />

Sun Valley Serenade (20th-Fox Reissue)—<br />

Sonja Henie, John Payne, Glenn Miller. We<br />

had to use this because of a missout. Played<br />

without advertising and as a result business<br />

was terrible. Print very good for a reissue.<br />

Played Wed., Thurs. Weather: Okay.—D. W.<br />

Trisko, Runge Theatre, Runge, Tex. Smalltown<br />

and rural patronage.<br />

The Robe (20th-Fox) — Richard Burton,<br />

Victor Mature, Jean Simmons. A GREAT picture,<br />

and this is certainly not news. In our<br />

case it had been mUked dry and was not<br />

worth the time or terms demanded by Fox.<br />

We felt this to start with and in this case<br />

Will Leave Casting<br />

To Others, Says Funk<br />

yOUNG AT HEART (WB)—Doris Day,<br />

Frank Sinatra, Gig Young. When I<br />

heard that Doris Day would make this<br />

with Frank Sinatra, I felt almost as bad<br />

as I did when I heard that Gene Kelly<br />

would play Huckleberry Finn—or that<br />

Jose Ferrer would play Romberg. I'm now<br />

glad I don't pick casts for movies, because<br />

"Young at Heart" is a picture to<br />

give your theatre a boost—it's great.<br />

Star Theatre<br />

St. Stephen, S. C.<br />

W. S. FUNK<br />

"He who laughs last pays dearly." We barely<br />

grossed our overhead on It, so oiir loss is<br />

the amount of the film rental. Played Sun.,<br />

Mon., Tues., Wed. Weather: Good.—Paul<br />

Ricketts, Charm Theatre, Holyrood, Kas.<br />

Small-town and rural patronage.<br />

There's No Business Like Show Business<br />

(20th-Pox)—Ethel Merman, Donald O'Connor,<br />

Marilyn Monroe. There's no biz like show<br />

busine.ss and there was sho' no business in<br />

this show. However, for its kind, I thought it<br />

very good and enjoyed it. And it's a good<br />

thing, for it sure cost me a pretty penny to<br />

see it. Played Wed., Thurs. Weather: Fair<br />

and warm.—Joe and Mildred Faith, Linn<br />

Theatre, Linn, Mo. Population 900.<br />

Three Coins in the Fountain (20th-Fox)—<br />

Clifton Webb, Dorothy McGuire, Jean Peters.<br />

The opening of this one swept us off our<br />

feet with its panoramic scenes and beautiful<br />

color ... all in perfect focus. A good picture<br />

but for some reason it fell flat here,<br />

gave us our second worst Tuesday-Wednesday<br />

since we have had the theatre . . . and we<br />

some flat moments. We<br />

this one. Comment .<br />

have<br />

lost<br />

surely had<br />

our shirts on<br />

fair. Played Tues., Wed.—Lloyd Hutchins,<br />

84 Drive-In, Amherst, Tex. Rural patronage.<br />

Three Young Texans (20th-Fox) — Mitzi<br />

Gaynor, Keefe Brasselle, Jeffrey Hunter. This<br />

is a very good western. It was liked by all<br />

but failed to do average business—no fault<br />

of the picture. Played Sat.—W. S. Funk, Star<br />

Theatre, St. Stephen, S. C.—Small-town and<br />

rural patronage.<br />

«<br />

WW<br />

'<br />

UNITED ARTISTS<br />

Cinemascope production. Only one complair i<br />

among our trade—too many Indian picture f<br />

That is starting to hurt here, too. Playe<br />

Sun., Mon. Weather: Fair.—Michael Chis ( |*!<br />

ventone, Valley Theatre, Spring Valley, ll!| |y<br />

•<br />

Population 5,000. ,jj<br />

Sitting Bull (UA)—Dale Robertson, Mar<br />

Murphy, J. Carrol Naish. This was a goo :<br />

Twist of Fate (UA)—Ginger Rogerii, k*<br />

Jacques Bergerac, Herbert Lyon. A raystei'l I'ii<br />

with a different twist. A good enough shoj' tl<br />

for top of a double. Played Wed., Thur tl<br />

Weather: Okay.—D. W. Trisko, Runge Thi'<br />

;<br />

t<br />

atre, Runge, Tex. Rural and small-tow<br />

patronage.<br />

UNIVERSAL-INTERNATIONAL<br />

Far Country, The (U-I)—James Stewai<br />

Ruth Roman, Walter Brennan. A good pi<br />

ture that did only fair on four days, weekei<br />

playing. Another shoot 'em up that is ju<br />

running the female patrons away. Oi<br />

biggest gripe from the ladies is, "Eve;<br />

Cinemascope picture is a western." So, th(|<br />

have another excuse for staying away and d:<br />

This drew on a par with similar stories, b;<br />

we just don't do it on anything now. Playii<br />

Wed., Thurs., Fri., Sat. Weather: Nice.l<br />

Mayme P. Musselman, Roach Theati<br />

Lincoln, Kas. Small-town and rural patro;<br />

Ricochet Romance (U-I)—Marjorie Ma)i<br />

Chill Wills, Alfonso Bedoya. This offering<br />

corn seemed to be well liked by what hi<br />

come to be laughingly referred to as "averai<br />

attendance" here. Marjorie Main and Ch)<br />

Wills have both been rather popular he)!<br />

and before TV this would have drawn pretj<br />

well. The two Mexican characters are pret^<br />

good. Played Tues., Wed., Thurs. Weathel<br />

Good.—Paul Ricketts, Charm Theatre, Holj<br />

rood. Kas. Small-town and rural patronasj<br />

Saskatchewan (U-D—Alan Ladd, Shell<br />

Winters, J. Carroll Naish. Tlie title, t<br />

mounties, Injuns and locale combined ga<br />

us exceptional business over a three-nigj<br />

run. Shelley, in (or out) of her low nei<br />

dress, gave the mountains a run for thi'<br />

money. Buxom gal. Shelley.—Frank Sab,<br />

Majestic Theatre, Eureka, Mont. Populatii<br />

1,000.<br />

Six Briiiges to Cross (U-D—Tony Curi,<br />

George Nader, Julie Adams. Tony Curtis v i<br />

his best since "Houdini." This is a golj<br />

grosser in small towns. Don't be afraid of L'.J<br />

Something like the original "Dead End Kla -<br />

pictures. Best Sunday business this mom<br />

in spite of an all-day rain. Monday W<br />

above average, too! Played Sun., Mil<br />

Weather: Rain.—Michael Chiaventone, Val'f<br />

Theatre, Spring Valley, 111. Population 5,0|.<br />

So This Is Paris (U-D—Tony Curtis, Glol<br />

DeHaven, Gene Nelson. What a waste t<br />

good film on tripe like this. It might hf?<br />

made a good ten-minute musical short, l|ti<br />

as a feature it left too much to be desiTj,<br />

Certainly not worth top price or playi? I<br />

time I gave it. Played Sun., Mon. Weath<br />

Sprinkles.—M. W. Long, Lans Theatre, Lai<br />

mg, Iowa. Population 1,500.<br />

WARNER BROS.<br />

Drumbeat (WB)—Alan Ladd, Audrey D;<br />

ton, Marisa Pavan. After playing<br />

Warner Wonder duds, I am very glad _<br />

the tempo has changed. "Drumbeat" la<br />

movie that you can beat your drums abcl.<br />

It has suspense, a good story and will pie e<br />

in small towns.—W. S. Funk, Star Thea;^,<br />

St. Stephen, S. C. Population 1,000.<br />

';<br />

1(5<br />

i;<br />

BOXOFFICE BookinGuide : : June 4, l}5i ^^


I in<br />

prctivo ana<br />

irit ly; oudicnce<br />

(lortmcnt ser<br />

ii<br />

pjctc Guide Rev<br />

inus signs Indicate degree of<br />

of loy and trorlcprcss reviews. The plus and rr<br />

iifkotion is not rated. Listings cover current review ,<br />

3SCS. Numeral preceding title<br />

also as an ALPHABETICAL INDEX to feature rcli<br />

of release, see Feature Chart. >a9e number. For listings by company, in the ordc<br />

mm<br />

t Very Good; + Good; '- Fair; - Poor; — Very Poor. In the summary ''• is rated 2 pluses, — as 2 minuses.<br />

s


'<br />

+<br />

r<br />

REYSEW DIGEST<br />

++ very Good,- + Good,- ± Fair,- - Poor,- = very Poor. In the summary H is rated 2 pluses, — as 2 minuses.<br />

£ 1 S<br />

Green Buddha, The (..) Drama Rep<br />

1673 Green Fire (100) Drama MGM 12-25-54 + ± -I-<br />

ffl XK > iZ X«<br />

++ + + 8+1-<br />

1579 Guilt Is My Shadow (86) Drama Stratford 5- 8-54 + — 1+2-<br />

IffiJGypty Colt (72) Drama MGM 1-30-54+ + ± + ++ + 7+1-<br />

B<br />

Hans Christian Andersen (112)<br />

RKO U-29-52 Musical<br />

1£35 Hansel and Gretel (75) Fantasy<br />

++<br />

RKO 10-16-54 +<br />

tt<br />

+<br />

+<br />

+<br />

tt<br />

1636 Heat Wave (70) Drama LP 10-16-54 rt<br />

1548 Heidi (97) Drama UA 1- 9-54 ff ++ +<br />

1586 Hell Below Zero (90) Drama Col 5-29-54 + +<br />

1580 Hell Raiders o( the Deep (93) Drama. . I.F.E. 5- 8-54 +<br />

1558 Hell's Hall Acre (91) Drama Rep 2-13-54 ± ±<br />

1763 Hell's Island (84) Drama Para 5- 7-55 + ±<br />

1687 Hell's Outpost (90) Drama Rep 1- 8-55 -t- i<br />

1596 Her Twelve Men (91) Comedy-Drama MGM 7 3-54 -H tt<br />

160B High and Dry (93) Comedy U-l 8 28-54 + -ft<br />

1586 High and the Mighty, The (153) Drama<br />

(Cinemascope) WB 5-29-^4 -H-<br />

1775 Hioh Society (61) Comedy AA 5-21-55 ± ± ± ±<br />

1593 His Last Twelve Hours (89) Com-Dr. .. I.F.E. 6 26-54 +<br />

1722 Hit the Deck (112) Musical MGM 3- 5-55 ++ + ± tt<br />

1592 Hcbson's Choice (107) Comedy UA 6-19-54 ff ^ + tt<br />

1606 Human Desire (90) Drama uol 8-14-54 ± ± +<br />

1618 Human Jungle (82) Drama AA 9-18-54+ + + +<br />

1691 Hunters of the Deep (64) Dot OCA 1-15-55+ +<br />

Husband for Anna, A (105) Drama I.F.E.<br />

+ +<br />

+ +<br />

±- +<br />

+ =t<br />

+ ±<br />

± +<br />

+ +<br />

tt tt tt 13+<br />

± tt 6+1-<br />

1+1-<br />

tt<br />

tt + +<br />

+ +<br />

7+<br />

8+<br />

7+6--<br />

7+2-<br />

7+4-<br />

+ tt + 10+1-<br />

tt + + 9+<br />

++ tt tt tt tt tt 14+<br />

5+5-<br />

1+<br />

tt + 11+1-<br />

+ +11+<br />

± ± 5+5-<br />

+ ± *+l-<br />

+ + 5+<br />

I<br />

175S I Cover the Underworld (70) Drama Rep 4-30-55+ ± ± ± ± ± 6+5—<br />

1575 Indiscretion of an American Wife<br />

± (64) Drama Col 4-24-54+ ± ± + tt ± H-4-<br />

1738 Interrupted Melody (106)<br />

Musical-Drama MGM 3-26-55 tt tt tt tt tt tt tt 14+<br />

1569 Iron Glove. The (77) Drama Col 3-27-54+ ± ± - ± ±. 5+5-<br />

J<br />

1619 Jesse James' Women (S3) UA 9-18-54 ± ± ± — — 3+5-<br />

1588 Johnny Dark (85) Drama U-l 6-5-54+ ± + + tt + ± 8+2-<br />

1579 Johnny Guitar (110) Western Rep 5- 8-54 ± + ± tt<br />

— + + 7+3-<br />

1740 Jump Into Hell (90) Drama WB 3-26-55 - — :S: — ± 2i-5-<br />

1712 Jungle Gents (64) Comedy AA 2-19-55 ±; + ± 3+2-<br />

1586 Jungle Man-Eaters (67) Drama Col 5-29-54 ± ± ± — ± 4+5—<br />

1744 Jungle Moon Men (69) Adv.-Drama Col 4- 2-55 ± ± ± ± = — 4+7—<br />

1698 Jupiter's Darling (95) Musical MGM 1-29-55 tt ± -(- + tt + + 9+1-<br />

K<br />

Ketchikan ( . . ) Drama AA<br />

1608 Khyher Patrol (71) Drama UA 8-21-54 db ± ± ± ^ ± 6+5—<br />

1554 Killers From Space (71) Drama RKO 1-30-54= — * + — :t 3+«—<br />

Killer Leopard ( . . ) Drama AA<br />

King Dinosaur (59) Drama LP<br />

1598 King Richard and the Crusaders<br />

(113) Historical Drama WB 7-17-54 tt + + tt + + 8+<br />

1755 Kiss Me Deadly (105) Mystery Drama UA 4-23-55 ± ± + + ± ± ± 7+5—<br />

1572 Knock on Wood (103) Comedy Para 4-10-54 tt tt tt tt tt tt tt 14+<br />

L<br />

1754 Lady and the Tramp (76)


ff Very Good; i- Good; - Fair; — Poor; Very Poor. In the summary tt is rated 2 pluses, — as 2 minuses.<br />

KtVltWf mCltjl<br />

A<br />

ml The (92) Drama 20th-Fox 2- 5-55 +<br />

ligt Dawn (87) Western RKO<br />

liii'The (82) Drama 2Dth-Fox<br />

(all Into Laramie (82) Drama Ul<br />

lea/Vindow (112) Drama Para<br />

Ml »«r Shore (54) Western Rep<br />

llti From the Sea (80) Drama AA<br />

Mr to Treasure Island (75) Drama... UA<br />

Ini: of the Creature (82) Drama U-l<br />

Wa dy (115) Musical-Drama MGM<br />

- ' Romance (80) Comedy U-l<br />

ijun (75) Western WB<br />

(93) Drama WB<br />

,73) Drama LP<br />

Return (90) Drama<br />

5 ooe) 20th-Fox<br />

nci u bima ( . . ) Western Reo<br />

lebj !' Roost (82) Western U<br />

*cci Man. The (80) Drama 20th-Fox<br />

lag Cop (92) Drama MGM<br />

tot and Juliet (140) Drama UA<br />

s Bump (71) Comedy-Fantasy. .. Rep<br />

r Cover (92) Drama Para<br />

Sab^ (81) Drama UA<br />

(113) Drama Para<br />

Girl Friday, The (68) Drama. .RKO<br />

Fe Passaje (90) Western Rep<br />

bril Blade (76) Drama Col<br />

Sta.ase, The (118) Drama WB<br />

Mot the Incas (101) Drama Para<br />

itc^jf Risk (69) Drama AA<br />

S«in]:e Uorisins (74) Western Col<br />

SareAngry Men (90) Drama AA<br />

Sn^Jrides for Seven Brothers (103)<br />

«ical (Cinemascope) MGM<br />

ifH.ittle Foys. The (93) Musical. ... Para<br />

ititfm Itch, The (..) Comedy. .20th-Fox<br />

SliKii Story, The (90) Drama Rep<br />

i»i-l(, The (91) Drama Rep<br />

SHir for Murder (S2) Drama UA<br />

Slloli (SO) Drama AA<br />

Skri The (88) Drama U-l<br />

Sin I Red River, The (86)<br />

Cna<br />

Sign the Pagan (92) Historical<br />

20th-Fox


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Feoture productions by eompony in order of releose. Number in square is notional release date.<br />

',<br />

Running<br />

time is in parentheses. Letters and combinations thereof indicate story type as follows: (C) Comedy; (0) i<br />

Dromo; (AD) Adventure-Dramo; (CD) Comedy-Drama; (F) Fantasy; (M) Musical; (W) Western; (SW) Super-''<br />

western. Release number follows. U denotes BOXOFFICE Blue Ribbon Award Winner. Photography:,<br />

© Color; -^ 3-D; n Wide Screen. For review dotes ond Picture Guide page numbers, see Review Digest.<br />

ALLIED ARTISTS<br />

Human Jungle, The (82) D. .5501<br />

G:vry Merrill, Jan Sterling. Paula Baymood<br />

COLUMBIA<br />

On the Waterfront (108) D. .702<br />

Marlon Brando. Karl Maiden, Lee J. Cobb<br />

©Three Hours to Kill (77) W. .720<br />

Diina Andrews, Donna Reed. Diane B'oster<br />

LIPPERT<br />

M-G-M<br />

S] Rogue Cop (92) D g-j<br />

Robert Taylor. George Raft, J. Ldgb , .<br />

Bob Mothlas Story, The (80). .D. .5502<br />

Bob Mathlas, Diane Jergens, Ward Bond<br />

]©Beau Brummell (107) .D<br />

iaizabeth Taylor, Stewart Graoger<br />

a Torget Eorth (75) D. .5503<br />

Virginia Grey, Richard Dennlns, K. Crowlw<br />

Cry Vengeance (83) D. .5504<br />

Mark Stwens, Martlia Hyer. Joan Vote<br />

Affairs of Messolina, The (106). .D. .<br />

Maria 1'\*1L\, Georges Marchal<br />

©Block Knight, The (85) D..719<br />

Alan Laiid, Patricia Medina, Horrell<br />

A.<br />

Connibol Attack (69)<br />

D..7I8<br />

Judy Walsfc, Darld Bme«<br />

Johnny Welssmullef.<br />

©Fire Over Afrleo (84) D. .716<br />

Maureen O'Hara, Macdonald Carey<br />

S The Sl«s* (63)<br />

Spedal cast<br />

©Athena (96)<br />

M<br />

Jane Powell. Vic Damone, Deblile Reyno<br />

©Last Time I Sow Paris, The<br />

(116) D<br />

Elizabeth Taylor. Van Johnson, Donna li<br />

a Port of Hell (80) D. .5505<br />

Dane Clark, Carole Msthews, W. Mortis<br />

l©Tonlght'i the Night (88) C. .5506<br />

Yvonne De Carlo, Dartd Nlven, B. FlUgerald<br />

[g Bowery to Bagdad (*4) C. .5421<br />

Leo Gorcey, HunU Hall, Erto Blofe<br />

I<br />

Treasure of Ruby Hllli (71). . .W. .5507<br />

Zachary Scott. Bart MacLane, C. MaUiews<br />

Combo, The (89) D. .5508<br />

Cornel Wilde, Jean Wallace. Blcbard Oonte<br />

m Murder li My Beot (77) D. .5510<br />

Barbara Paj-ton, Paul Langton, Sdoia Boyle<br />

Phffft (88) C. .715<br />

Judy HolUday, Jack Carsop, J. Lenmon<br />

©They Rode West (84) W..717<br />

Robert Francis, Donna Reed, Phil Carey<br />

Bamboo Prison, The (80) D..731<br />

Diane Foster, Keith<br />

Brian Robert Francis.<br />

©Masterson of Kansas (73) W. .<br />

George Montgomery, Nancy Gates, David Bruce<br />

©Violent Men, The (96) W. .735<br />

Glenn Ford, B. Stanwyck, E. Q. Boblnson<br />

©Pirates of Tripoli (72) D. .706<br />

Patricia Medina, Paul Ilenreld<br />

©Ten Wanted Men (80) W. .725<br />

Randolph Scott, Jocelyn Brando, Richard Boone<br />

Women's Prison (80) D . . 726<br />

Ida Luplno, Howard Duff, Jan Sterling<br />

g) Crest of the Wove (91) D'<br />

Gene Kelly, John Justin, Jeff Rlchai^<br />

-<br />

©Deep in My Heart (132) MO<br />

Jose Ferrer, Merle Oberon, Helen ^aube<br />

%<br />

Hjl ©aGreen Fire (100) AD<br />

Stewart Granger. Grace Kelly. Paul De<br />

©Jupiter's Darling (95) M f<br />

Esther WUliams, Howard Keel, Oeofge<br />

©Mony Rivers to Cross (95).<br />

Eleanor Parker, Robert Taylor<br />

DIol Red O (62) D. .5509<br />

Bill Hllott, Kcltb Larsen, Helene Stanley<br />

Big Tip Off, The (77) D..5512<br />

RJcbard Conte, Virginia Grey, Constance Bmltk<br />

a Seven Angry Men (90) D. .551<br />

Rajinond Massey, Debra Paget. J. Hunter<br />

OAnnopolis Story, An (81) D. .5513<br />

John Derek, Diana Lynn, Kertn McCarthy<br />

High Society (61) C..5514<br />

Leo Oorcey, BunU Hall, AmaDda Blake<br />

eSliotgun (80) D. .5515<br />

Sterling Hayden, T. De Carlo, Z. Seott<br />

Detective, The (86) CD. .734<br />

Alec Guinness, Joan Greenwood, Peter Finch<br />

6>©c=]Long Groy Line, The (138). D. .736<br />

Tjrone Power. Maureen O'Hara<br />

New Orleans Uncensored (76) . . . D. . 730<br />

Arthur Franz, Beverly Garland, M. MaturH*<br />

©Wyoming Renegades (73) . . . W . . 727<br />

Phil Carey, Mart-ha Hyer. Gene Evans<br />

(Silver Star, The (73)<br />

W..5411<br />

Rdgar Bucttanan. Marie Windsor, L. Cbaney<br />

Jungle Moon Men (70) AD. .744 111 Thunder Over Songoland (73) AD. .<br />

Johnny WeissmuUer, Helene StantoQ<br />

Jon Hall. Bay Montgomery. Marjorie Lord<br />

©Three for the Show (93) M. .737 m Glass Tomb, The (59) D. .5409<br />

Betty Grable, Marge and Gower Champion<br />

John IrelaDd<br />

Blackboard Jungle, The (100)...C|<br />

Glenn Ford, Anne Francis, Louis Oih,<br />

B ©Hit the Deck (112)<br />

J:me Powell, Tony Martin, Debbie BejIS^'<br />

m Los Vegas Shakedown (77) D. .5516<br />

Dermis O'Keefe. Coleen Gray, Chas. Wtonlnger<br />

eSkabenga (61) Doc. .5517<br />

African Tribe<br />

Cell 245S, Deoth Row (77) D. .739 Bl Air Strike ( . . ) D . . 54 1<br />

William Campbell, Marian Cart, Kathryn Grant Richard Denning, Gloria Jean, Don Hagerty<br />

End of the AHoir, The (106) D. .724<br />

Deborah Kerr. Van Johnson, John Mills<br />

©Seminole Uprising (74) AD. .743<br />

George Montgomery, Karln Booth<br />

Tight Spot (97) D. .728<br />

Ginger Rogers. B. G. Robinson, Brian Kelt!<br />

j©Marouder5, The (81) \<<br />

Dan Durjca, Jeff Richards, Keenan W><br />

i<br />

Lord of the Jungle (69) AD. .5518<br />

Johnny Sbetfleld, Wayne Morris, Nancy Gates<br />

El Finger Man (82) D. .5519<br />

Prank Lovejoy, Peggie Castle, Forrest TtKker<br />

Five Against the House (84) D. .742<br />

Guv Madlsoo, Kim Novak, Brian Eeltti<br />

©Prize of Gold, A (98) 0..738<br />

Richard Wldmarlt, Mai Zetterllng. N. Patrick<br />

m King Dinosaur (59) D. .5418<br />

BiU Bryant, Wanda Curtis<br />

i<br />

Lonesome TroH, The (73) W. .5416<br />

Jobs Agar, Wayne Morris, Margla Dean<br />

©Love Me or Leave Me<br />

(122) M .5.<br />

C. Doris Day. Jaraes<br />

©Moonf ieet<br />

Cagney.<br />

(89)<br />

MllcheUi<br />

.'.4|-<br />

Blewart Granger, Vlveca 0|l<br />

Undfors. ].<br />

©Wichita (81) SW. .5520<br />

Joe* McCrea, Vera Glares<br />

Miles. Peter<br />

Cose of the Red Monkey (73). .D. .5521<br />

Anderson, B. Napier<br />

Richard Conte,<br />

a Spy Chasers<br />

Bona<br />

(61) C. .5522<br />

Leo Oorcey, Huntz Ball, Lisa Davis<br />

©Cobweb, The ( . . )<br />

Charles Boyer. Lauren Bacall. LilllU I<br />

©Interrupted Melody (106).."<br />

Eleanor Parker, Glenn Ford, Roger<br />

Betrayed Women (64) D 5524<br />

Bererlj Michaels, Tom Drake, Carole MatUiens<br />

Body Snotchers, The D. .<br />

Kevin McCarthy, Dana Wynter, Carolyn Jones<br />

©Gun Point W. .<br />

Fred MacMiirray, Dorothy Malone, W. Bremian<br />

Jail Busters C. .<br />

Leo Oorcey, Hunti Hall. Barton MaeLane<br />

Night Freight D.<br />

Foaest Tucker, Barbara Brltton, K. Larsen<br />

Phenix City D.<br />

Richard Kile;', John Mclntlre<br />

Ksthryn Grant.<br />

©aWarrlors, The (85) D. .5523<br />

riynn, Joanne Dm. Peter Pinch<br />

Brrol<br />

©Bring Your Smile Along M.<br />

Frankle Lalne, Keefe Brasselle, Connie Towers<br />

Cangoceiro (Bandit, The) (92).. D..<br />

Alberto Ruschel, Marlsa Prado, II. Blbelro<br />

Chicago Syndicate D .<br />

Dennis O'Keefe, Xavler Cugat, Abbe Lane<br />

©Count Three and Pray (. .). .D. .<br />

Van HefUn, Joaime Woodward. Pbll Carey<br />

©Gun That Won the West D. .<br />

Dennis Morgan. Paula Raymond, B. Denning<br />

It Came From Beneath the Sea. .D. .<br />

Faith Domergue, Kenneth Tobey. Ian Keith<br />

©oMon From Laramie, The. .<br />

©My Sister Eileen MC.<br />

James Stewart, Cathy O'DonneU, Donald Crisp<br />

Janet Leigh, Jack Lemmon, Betty Garrett<br />

Queen Bee (..) D.<br />

Joan Crawford, Barry Ireland<br />

©Rebound<br />

BuUlvan. John<br />

O .<br />

Btsrvart Granger, Jean Blmmons<br />

©BhowanI Junction<br />

Ava Gardner, Stewajt Granger, Abtl<br />

©Bor Sinister<br />

-^dH^<br />

Jarma Levis, Dean J«»<br />

Jeff RlcJiards.<br />

©Forbidden Plonet .,.<br />

Walter Pidgeon.<br />

©Guys -ar»d<br />

Anne Francis,<br />

Doili<br />

Usui'<br />

^<br />

Marlon Brando. Jean Simmons, Fmn-u.'<br />

©Invitation to ttie Donee<br />

Gene Kelly, Bclita. Tsmara Touni.ui<br />

©Ifs Always Fair Weather<br />

Gene Kelly. Csd Charlsse, Dan PaUo<br />

©King's Thief, The (..)••>«<br />

Ann Bbth. Edmund Purdom, David >»<br />

©Quentin Durward<br />

,_<br />

Robert Tavlor. Kaj Kendall, Robert iiO<br />

©dSeorlet Coot ^<br />

Cornel Wilde, Michael WUdlDg, JiMt W*<br />

©Svengall • • -'ijiv,<br />

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CHART<br />

AMOUNT<br />

fldU) CD.. 5402<br />

rw Botart, Audrey Ilepbura. VV. Holden<br />

RKO RADIO<br />

, OPossion (84) D..503<br />

riirni-l Wlldc, Vumne lie Cjirlo. Lon Chaney<br />

©This Is My Love (90) D . . 504<br />

LImlii Darnell. Dn/i Diiryea. Kallti lloraergue<br />

REPUBLIC<br />

20TH CENTURY-FOX 3^<br />

©c:Advcnturos of Hoiii Baba,<br />

The (93)<br />

D..424<br />

John Derek, Eirclne Stewart, Thomas Gome?.<br />

B ©oWomon's World (94) CD. .421<br />

-Clltton Webb, June /Vllyson, Cornel Wilde<br />

©Cattle Queen of Montana<br />

(88) W..505<br />

Barbara Stanwyck,<br />

lionald BeaicaD, Lance Fuller<br />

m She-Wolf, The (91) D. .5312<br />

Kcrlma, Gttore Mannl, May Biltt<br />

Block 13 (75) D..428<br />

Peter lle\ Holds. Rona Anderson, Lena .Morris<br />

©Block Widow (95) D . .<br />

423<br />

V:in llefllM. Olii^er llogers, Gene Tlcrney<br />

! ©oDcsiree (110) D . .<br />

425<br />

Marlon Branilo. Je.in Simmons, Merle Oberon<br />

©Outlaw's Daughter, The (75). .W. .427<br />

BUI Williams, Jim Davis, Kelly Ryan<br />

White Christmas (120). .M. .5403<br />

hmby, D. Kaye, li. Cloones, Vera-EUen<br />

a ©Trouble in the Glen (91) D. .5313<br />

Martarel Ixjckuowl, P. Tucker, V. McLaglcn<br />

Atomic Kid, The (86) C..5314<br />

[a]<br />

Mlcki-y Kmmev, liiihrrt SlraiLss, Elaine Iiavls<br />

Hell's Outpost (90) W. .5315<br />

51<br />

Kuil Cameron. Joan Leslie. ChlU Wills<br />

Devil's Horbor (71) D. .429<br />

Richard Arlen, Greta Gynt, Mary Germalne<br />

Other Woman, The (81) D. .430<br />

Hugo ll.l.l^, Cb" .Moore. Lance Fuller<br />

i (JOaThere's No Business Like<br />

Show Business (117) M..501<br />

Ethel Merman, Dan Kalley, Marilyn Monroe<br />

[D African Manhunt (65) AD<br />

'<br />

Karin Biiotli. .lohn Kellogg. Ros.'i El<br />

51 Trouble In Store (86) C<br />

Margaret Kulherfurd. Norman Wisdom<br />

©Carmen Jones (105) M..422<br />

l:ilonte. i'iarl B.illey, D. Dandrldge<br />

Hurry B,<br />

©Prince of Players ( 1 02) .. D .. 502-5<br />

Iticliard Burton. Magiile McNamara, John Derek<br />

(Maes ot Tol


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FEATURE<br />

UNITED<br />

ARTISTS<br />

CHART<br />

©Barefoot Contesso, The (128).D. .5440<br />

Humphrey Bosarl, Ava Gardner, B. O'Brien<br />

ytittle Kidnappers, The (93) . . D. .5439<br />

Adrienne Corrie, J. Whlteley, V. Winter<br />

Operation Manhunt (77) D..5441<br />

Harry Tonnes, Irja Jensen, J. Aubuchon<br />

©aSitting Bull (105) W..5434<br />

Dale Uobertson, J. Carrol Nalsh<br />

Shield for Murder (82) D . .<br />

Edmond O'Brien, Maria Gngli^b<br />

Snow Creature (70) D. .5447<br />

Paul Lanston, Leslie Denlson<br />

Twist of Fate (89) D. .5446<br />

Ginger Rosers. Jacques Bergerac. Herbert Lom<br />

©White Orchid, The (81) D..54I4<br />

William LundiKan, Peggie Castle<br />

©You Know What Sailors Are<br />

(89) C. .5445<br />

©Romeo and Juliet (140) D..5449<br />

Laurence llarvcv. Flora Robison, S. ShentaU<br />

Steel Cage, The (80) D<br />

. . 5443<br />

Paul Kelly. M. O'SulllTan, W. gleiak<br />

Battle Taxi (82) AD.. 5502<br />

Sterling Hayden. Arthur Franz, M. Thompson<br />

©Beachcomber, The (82) D. .5501<br />

5450<br />

N'eviton, Gii3 Johns, Donald Slnden<br />

Robert<br />

Block Tuesday (80) D<br />

.<br />

E G. Robinson, Jean Parker, Peter Grates<br />

©Vera Crui (94) AD. ,5448<br />

Cooper, Gary Burt Lancaster. Denlje Diml<br />

Canyon Crossroads (83) W. .5506<br />

Richard Basebart. Phvllis Kirk, Russell Collins<br />

Good Die Young, The (100) D. .5505<br />

Jolin Ireland, Gloria Grabame, L. Harvey<br />

©Soboko (81) D..5504<br />

Boris Karloft, Victor Jory, E. Denny<br />

Big House, U.S.A. (82) D. .5507<br />

Broderick CrawTord, Ralph Meeker<br />

Marty (93)<br />

D..5509<br />

Ernest Borgnine, Betsy Blair<br />

©Stranger on Klorseback (66). .W. .5508<br />

Joel McCrea, Miroslava. Kevin HcCartlu<br />

Bullet for Joey, A (85) D. .5510<br />

E. G. Robinson, Oeone Eaft, Audrey Totter<br />

©Lilacs in the Spring (..)... .M. .551<br />

Errol Klynn, Anna Neaele, David Farrar<br />

©Purple Plain, The (100) D. .5503<br />

Gregory Pefi. B De Banzle, Win Mln Tbao<br />

Kiss Me Deodly (105) D. .5513<br />

Balpb iMecJcer. Cloris Leaehman, Albert Decker<br />

©Robbers' Roost (82) W. .5515<br />

Geo. Montgomery, Bruce Bennett, B. Boone<br />

©Tiger and the Flame (. .) D. .5514<br />

Filmed In India with native cast<br />

Top of the World (90) D. .5516<br />

Dale Robertson. DveLyn Kejea, Frani VoniQj<br />

Albert, R. N. (. .) C. .<br />

Anthony Steel. Jack Beatty<br />

Warner, B.<br />

(. .) Big Bluff, The D..<br />

John Bromtield, Martha Button<br />

Vickers, E.<br />

( . ) .<br />

Othello D<br />

\Velles, Orson Suzanne Cloutier, Fay Compluu<br />

Sea Shall Not Have Them,<br />

The (..) .D..<br />

©Summertime ( . . ) CD<br />

.<br />

Katharine llcpliurn. Rossano Marl Braral. Aldon<br />

©Alexander the Great . • D<br />

Richard Burton, Oalre Bloom. Frertrlr M,jrcli<br />

©Beast of Hollow Mounfoin. .D. .<br />

Giiv Madison. Patricia Meduia<br />

Big Knife, The D. .<br />

Jack ralancc. Ida Lupino, Shelley Winters<br />

©aDescrf Sands D .<br />

Ralph Meeker, Maria EnjUsb. J. Carol Nalsh<br />

©Gentlemen Marry BrunattM M .<br />

Jane Kiistrll, Jeanne Grain, flcott Brady<br />

©Kentucklan, The D .<br />

Burt Ijncjisler. Diana Lynn. Una Merkel<br />

Mobster, The D<br />

. .<br />

li'arley Crangrr. Anthony Qulnn. Anne Bancroft<br />

Night of the Hunter D. .<br />

Robert Mitrbom. Shelley Lillian Winters, Qljh<br />

Not As a Stranger D. .<br />

Rc.hert MItcJium. Olivia F. Sinatra<br />

de naiUland.<br />

©Star of Indio D. .<br />

Cornel Wilde. Jean W«llace Herbert Ixim<br />

UNIVERSAL-INT'L.<br />

Naked Alibi, The (86) D. .431<br />

Sterling Hayden, Gloria Grabame, Gene Barry<br />

©Bengal Brigade (87) D, .434<br />

Rock Hudson, Arlene Dahl, Tbeiss<br />

Ursula<br />

©Four Guns at the Border (87). .W. .502<br />

Rorv Calhoun, Colleen Miller, 0. Nader<br />

Ricochet Romance (80) C. .504<br />

Marjorie Main. Chill WillB. Budy Vallee<br />

©aSign of the Pogon (92) D. .505<br />

Jane Russell, Dan Duryea<br />

Jeff Chandler.<br />

©Yellow Mountain, The (78) W. .510<br />

Lex Barker, Mala Powers, Howard DufT<br />

©Destry (91)<br />

W..508<br />

Bettger<br />

Lyle Audle Murphy,<br />

©So This Is<br />

Marl Blancbard,<br />

Poris (96) MC. .507<br />

Tony Curtis, Coruine Cilvet, Nelson<br />

Gene<br />

©West of Zanlibor .(83) D..501<br />

Anthony Steel. Sheila Sim<br />

Abbott and CosteUo Meet the<br />

Keystone Kops (80) C. .513<br />

Abbott and Costello, Lynn Barl<br />

©For Country, The (97) D. .51 1<br />

James Stewart, Ruth Roman, Brennan<br />

Walter<br />

Six Bridges to Cross (99) D. .512<br />

Curtis. Tony Julie Adams, Nader<br />

George<br />

©oCaptoin Lightfoot (92) D. .514<br />

Rock Hudson, Barbara Bush, Jeff Monow<br />

©Land of Fury (82) D. .509<br />

Jack Hawkins. Glynls Johns, Noel PurccU<br />

©Smoke Signal (89) W. .516<br />

Dana Andrews. Piper Laurie, Wllllim Talman<br />

©aChief Craxy Horse (86) SW. .517<br />

Victor Mature, Suzan Ball, John Lund<br />

Ma and Pa Kettle at Waikiki<br />

(79) C..519<br />

Marjorie Mibi, Percy Kilbride, Lorl Nelson<br />

©Man Without a Stor (92) SW. .520<br />

Kirk Douglas. Jeanne Crain, Claire Trevor<br />

Cult of the Cobro (82) D, .523<br />

Faith Domergue, Richard Lonj, K. Hughes<br />

Looters, The (87) D. .524<br />

Rory Calhoun, Julie Adams, Ray Danton<br />

^Revenge of the Creature (82). .D. .521<br />

John Agar. Lorl Nelson, John Bromfleld<br />

Abbott and Costello Meet<br />

the Mummy (79) C. .526<br />

Abbott k Costello, Marie Windsor<br />

©Man From BiMer Ridge, The<br />

(78) W..525<br />

Lex Barker, Mara Corday. Stephen McNally<br />

©This Island Earth (87) D. .527<br />

Rex Re.ison, Faith Domergue. Jeff Morrow<br />

. 529<br />

©Ain't Mhbehavln' (82) MC .<br />

Piper Laurie, Rory Caibuun, Jack Carson<br />

©All That Heaven Allows D. .<br />

Jane Wyman, Bock Hudson, Colleen Miller<br />

©Foxfire D. .<br />

Jeff Chandler, Jane Russell, Dan Duryea<br />

©Kisj of Fire D. .<br />

Jack Palance, Barbara Hyer<br />

Rush, Martha<br />

©Lady Godiva of Coventry D. .<br />

Maureen O'Hara. George Nader, McLaglcn<br />

V.<br />

©One Desire D . .<br />

Anne Baiter, Rock Hudson, Julie Adams<br />

©Private War of Major Benson<br />

(100) C, .533<br />

©i=iPurple Mask, The D. .<br />

Tonv Curtis, Colleen Miller. Angela Lansbury<br />

Shrike, The (88) D. .<br />

Kendall Jose Ferrer, June AUyson,<br />

©To Hell and Bock<br />

Clark<br />

D. .<br />

Audle Miirnhy. Charles Drake<br />

WARNER BROS.<br />

i<br />

©nTrock of the Cat (102) AD. .405<br />

Itobert Mltchum, Diana Lynn, Teresa Wright<br />

Q] ©Young ot Heart (117) MC-D. .409<br />

Doris Day, Frank Sinatra, E. Barrjmore<br />

j©QStar Is Born, A (154) MD. .403<br />

Judy Garland, James, Mason, Jack Carson<br />

Unchoined<br />

I (75) D..4I2<br />

Chester Morris, Barbara Hale, Elroy Hirseh<br />

63 ©Bottle Cry (148) D. .411<br />

Van HefUn, Aldo Itay, Tab Hunter<br />

EH New York Confidential (87) D..413<br />

Brod Crawford, Anne Bancroft, Richard Conte<br />

a Jump Into Hell (93) D. .410<br />

Jacques Seraas. Arnold Moss, Kurt Kaxnar<br />

i©i=iStrang« Lody In Town (1I2).W. .415<br />

Greer Oarson, Dana Andrews, Cameron Mitchell<br />

ai©ciToll Man Riding (83) W. .417<br />

Randolph Scott, Dorothy Malone, Peggie Castle<br />

©Blood Alley D .<br />

John Wayne, Lauren Bacall, Anita Bckberg<br />

Dombusters, The ( . . ) D . . 420<br />

lachard Todd, Michael Redgrave<br />

©Handful of Clouds, A (. .). .D. .<br />

Jack Palance. Shelley Winters, Lee Marvin<br />

©Helen of Troy D. .<br />

Rossana Podesta, Jacques Semas, C. Hardwlcke<br />

Waller Abel. Beverly Garland, Perry Lopei<br />

©Land of the Phoroohs (..)..D..4I9<br />

Jack ILiwklns, Joan Collins. Dewey Martin<br />

©Mister Roberts (123) 418<br />

Henry Fonda. James Caimey, Powell<br />

William<br />

©McConnell Story, The D .<br />

Alan Ladd, June AUyson, James Whitmore<br />

©inMoby Dick D. .<br />

Gregory Peck. R. Welles<br />

Basebart, Orson<br />

River Changes, The D.<br />

Toroct Zero<br />

.<br />

^><br />

MISCELLANEOUS<br />

AMERICAN RELEASING CORP.<br />

Fast ond Furious (74) AD..<br />

Joiiii Ireland. Iiurothy Malone, Bruce<br />

©Five Guns West (78)<br />

Car'lil,<br />

W..<br />

'<br />

John Lund, Dorothy Malone. Paul Birch<br />

ASTOR<br />

Moster Plan, The (77) D. .Fet.5<br />

\V.Tyne -Morris. Tilda Thamar<br />

Sleeping Tiger, The (89) D. f'<br />

B(igari){^'<br />

Alexis Smith, Ales,indcr Knox, D.<br />

J'"<br />

BUENA VISTA<br />

©Davy Crockett, King of the<br />

Wild Frontier (95) At<br />

Fcss Parker, Buddy Ebsen, Basil Busydit<br />

©Lady and the Tramp<br />

(76) Cart...Ap! m<br />

two Story of dogs<br />

©Vanishing Prairie (71) Doc<br />

©20,000 Leagues Under the<br />

Sea (128) D..De(»4<br />

P. Kirk Douglas, Lukas, irt<br />

CARROLL<br />

Four Ways Out (77) D.<br />

Gina LoUobriuida, Renato Gt<br />

BaUllnl, C.<br />

CONTINENTAL DISTRIBUTING<br />

©To Paris With Love (78). .C. .MojS 055,<br />

.^lec Guinness, Odile V'ei^ois, Vernon Graj:<br />

DISTRIBUTORS CORP. OF AMERUl i(it<br />

Animal Form (75) F<br />

Animated cartoon characters mi'<br />

©Hunters of the Deep (64) Doc, .De'<br />

©Long John Silver (109) AD<br />

Robert Newton, Kit Taylor, Eric Reiman<br />

Stranger's Hand, The (86). . .D. .Mc55<br />

Richard Basebart, Alida Valll, Trevor Hud<br />

FILMAKERS<br />

Croshout (90)<br />

Wm. Bcndix, Arthur Kennedy, B. Mlchail<br />

Mod at the World (. .) D..McL<br />

Frank Lovejoy. K. BrasseUe. C. O'Donnelj<br />

I.F.E.<br />

(American Dialog)<br />

©Aida (110)<br />

M..O1<br />

Sophia Loren, Lois Maxwell, Afro Poll<br />

Bread, Love and Dreams (90) D, .Sef<br />

City Stonds Trial (. .) D..At<br />

Silvana Pampanini, Amadeo Nazzarl<br />

Love in the City (90) D.<br />

Nonprofessional cast<br />

Mademoiselle GobeHe (78). . .0. .Fe-SS<br />

Silvana Pampanini. Lulgi Pavese. A. Tlei'<br />

©Theodora, Slave Empress<br />

(88) D. .Di5<<br />

Gianna Maria Canale, George MarchaJ<br />

Too Young for Love (88) D. .A| Si<br />

Marin Vlady, P. M. Beck, Aldo Fabrlzi<br />

Wayward Wife (91)<br />

D..A|>55<br />

(Una Lollobrlgida. Franco Interlenghi<br />

VISUAL DRAMAS, INC.<br />

Gangbusters (77)<br />

D. .M.-55<br />

Myron Healy, Don C. Harvey. Sam Bditai<br />

REISSUES<br />

COLUMBIA<br />

Petty Girl, The (87) Ju 55<br />

Robert Cummings, Joan Cauifieid<br />

©Return of October (89) D . . A -5:<br />

Glenn Ford, Terry Moore<br />

They All Kissed the Bride (87). Ju-55<br />

Joan Crawford, Melvyn Douglas<br />

MGM<br />

Anchors Aweigh (139) M..M-55<br />

Gene Kelly, Frank Sinatra<br />

Comille (110) D,.A-55<br />

Greto Garbo. Robert Taylor<br />

PARAMOUNT<br />

©Reop the Wild Wind (124).D. .Ni-5<<br />

John Wayne. Susan Hayward, Ray Mllli<br />

RKO RADIO<br />

Berlin Express (86) D.,A-55<br />

Robert Ryan, Merle Oberon, Paul Lukaf<br />

Big Street, The (88). ~<br />

'<br />

Henry Fonda, Lucille Ball<br />

Bringing up Baby (102) D..MJ<br />

Carv Grant, Katharine Hepburn<br />

Informer, The (91) D<br />

Victor McLaglen, Preston Foster<br />

I Remember Mama (1 1 9) . . .0. . VI<br />

Irene Dunne. Barbara Bel Geddes<br />

©She Wore o Yellow Ribbon _) ,j<br />

(103) D.-Cl-S'<br />

Henry Fonda, Joanne Dm<br />

20th CENTURY-FOX<br />

Belle Storr's Daughter (85)..W..F<br />

George Montgomery, Ruth Roman, B. Cla »(,.<br />

Coll Northside 777 (.. ) D..WH ,<br />

James Stewart. Helen Walker , ,1 m,<br />

Dakota Lil (88) W--?r<br />

George Montgomery. Marie Windsor, B. ll"^^,<br />

Day the Earth Stood Still, The ,1<br />

(92)<br />

D..-Fi"l<br />

MIcliael Rennle. Patrice Neal ',<br />

House of Strangers (101) D . .<br />

FH ^^<br />

Edward G. Robinson, Susan Hayward •"•<br />

Twelve O'clock High (132),.D..J<br />

Gregory Peck. H. Marlowe. Dean Jaggt ij^<br />

Where the Sidewalk Ends<br />

(..) .D..W-I<br />

Dana Andrews. Gene Tiemey 1<br />

ftf^"<br />

WARNER BROS. J ,<br />

Big Sleep, The (114)<br />

Humphrey Bogart. Lauren Bacall<br />

Saratoga Trunk (135) D.<br />

Inerld Rmrman. G.irv Cooper<br />

D..H-f«fe


,<br />

•<br />

°n<br />

,<br />

ALL-STAR<br />

t<br />

''<br />

(15<br />

nan<br />

1<br />

10-14-54<br />

. . 11-12-54<br />

lubiecls, listed by compony, in order of release. Running time follows title. First is notional<br />

> second the dote of review in BOXOFFICE. Symbol between dotes is rating from BOXOFFICE<br />

= Very Poor. O Indicates color photography.<br />

-|- Good. ±. Fair. — Poor . ,. Very Good.<br />

Allied Artists<br />

rio. Title Rel Date Rating Rev'd<br />

i9(lioMy Fortress, The (27)<br />

POPULAR SCIENCE<br />

(Reissues)<br />

iS'ublect J7-5 (10) 1- 9-55<br />

S:ubject J7-1 (10) 1-23-55<br />

15 ubiect J7-2 (10) 2- 6-55<br />

S.ub)ect J7-3 (10) 2-20-55<br />

Columbia<br />

tt 1- 1<br />

K 0. Title Rel Dale Rating Re/d<br />

COMEDIES<br />

tt-ire Chaser, The (16).. 9-30-54 + U-27<br />

11: Ids Will Be Kids (16) 12- 9-54 ± 2-12<br />

ir IS Pest Friend aW/z) 1-20-55<br />

U. I. Dood It (16) 2-17-55 ±3-5<br />

11' :ralcii-Scratch. Scratch<br />

(16' i)<br />

4-2S-55<br />

IK.oboJy s Horns (..)... 6-9-55<br />

ASSORTED FAVORITES<br />

i<br />

(Reissues)<br />

Id Sweet (17i/j) 9-16-54<br />

,as Her Man<br />

10-14-54<br />

!iliia Goes Nuts (16).. 12- 2-54<br />

tlf-Way to Hollywood<br />

(I71/2) 2-10-55<br />

night and a Blonde, A<br />

(14) 3- 3-55<br />

Si and Yell (18) 5- 5-55<br />

CANDID MICROPHONE<br />

(One-Reel Specials)<br />

SSJiblect No. 1 (11)<br />

Ireissue 9-23-54<br />

tS.^'bject No. 2 (IOI/2)<br />

.•i


.<br />

CINEMASCOPE<br />

.10-23-54<br />

12-25-54<br />

-Francoise<br />

Fcmandel.<br />

.Suzanne<br />

.Gerard<br />

C-<br />

-Akemi<br />

-Raf<br />

-CMna<br />

Dino<br />

-Hildegarde<br />

1U<br />

«<br />

SHORTS<br />

CHART<br />

20th Century-Fox<br />

Prod. No. Title Rel Date Rating Re/d<br />

SPECIALS<br />

(Technicolor)<br />

7418 Piano Encores (10) July-54 + 10-23<br />

7409 A Day Aboard Jet Carrier<br />

.30<br />

Pickwick Papers, The (109)<br />

(Mayer-Kingsley) .James Hajter.<br />

4-17-54<br />

Nigel Patrick<br />

2704 From A to Z-Z-Z (7) .<br />

2705 (7)<br />

++<br />

10-30-54 -f<br />

.10-16-54 12-25<br />

1- 1<br />

Quack Shot<br />

.<br />

Runaway Bus, The (78)<br />

(Kramer-Hyams) ..M. ItuUlfrford.<br />

12-11-54<br />

Howard<br />

F.<br />

2706 My Little Duckaroo (7). 11-27-54<br />

2707 Sheep Ahoy<br />

Scotch<br />

(..) 12-11-54<br />

on the Rocks (77) 7-31-54<br />

2708 Pizzicato Pussycat (7) . . 1- 1-55 +<br />

(Ivlngsley) . .Ronald Squire, K. Byan, 8. Sliaw<br />

2-<br />

Dusted 2709 Feather (7) 1-15-55 2<br />

3 Stops to Murder (76) 7-17-54<br />

2710 Pests for Guests (7)<br />

-I-<br />

1-29-55 4- 2-19 (Astor) . Conway, Chance<br />

-Tom Naomi<br />

. . . .<br />

2711 All Fowled Up (7).... 2-19-55 -f 3-12 Three Cases of Murder (99) 5-21-55<br />

2712 Stork Naked (..) 2-26-55<br />

John<br />

2713 Lighthouse Mouse (..).. 3-12-55<br />

SPORTS PARADE<br />

(Assoc. Artists) . Orson Welles,<br />

© To Peris With Love (78)<br />

(Continental) . .Alec Guinness,<br />

(Jregson<br />

4-30-55<br />

Versols<br />

Odile<br />

True ond the False, The (80) . . 4-23-55<br />

(Helene Davis) . -Signe Hasso, William Langford<br />

Welcome the Queen (50) 9-11 -54<br />

(BIS). -Queen EU2.ibeth, Duke of Edlntxirgh<br />

Women's Angle, The (87) 9-18-54<br />

(Stratford) .Cathy •'Donnell, Edward Uoderdiwn<br />

EGYPTAIN<br />

Hamido ( 1 22) 5-21-55<br />

(Gould). .Hodi Soultan, Farld Chawky<br />

FRANCE<br />

Beauties of tfM Night (84) 4-17-54<br />

(UA-Lopert) Gerard I'hlllpe, (Una LoUotjrisWa<br />

Caroline Cherio (118) 8-14-54<br />

(IJavis) . .M- CaroL P. Crcssoy, J. DacqmirM<br />

Companions of the Night (104) 8-28-54<br />

(Arlan) - Arnoul, Raymond Pellegrin<br />

Daughters of Destiny (104).... 8-21-54<br />

(Arlan) - aaudette Colbert. Mlchele Morgan<br />

Diary of a Country Priest (95) 7-31-54<br />

(Brandon) - L.-Uitu, N- Miiurey, A. Oulbert<br />

Dirty Hands (100) 12-25-54<br />

(Maclional.l) -<br />

-Daniel Gclln, Pierre Brasseur<br />

Earrings of Madame De, The<br />

(105) 8- 7-54<br />

(Arlan) . .C. Bover. D. Darrleui. V. de Sica<br />

French Touch, The (84) 9-25-54<br />

(Times) - Rcnce DeilUers<br />

Game of Love, The (108) 2-19-55<br />

Cnmes) I'ierri-Mirhd Berk. Bdwlge Peulllere<br />

Holiday for Henriette (103) 5-21-55<br />

(Ardoi) . .Dany Robin, Michael Auclalr<br />

la Ronde (85) 3-27-54<br />

(Hakim) - .,\fil(in Walhrook, Slmone Simon<br />

Le Plaisir (90) 7-31-54<br />

(Kingslcy) -Danielle DciTleux, Jean Gabin<br />

Mr. Hulot's Holiday (85) 10-30-5'><br />

(GBD Int'l) . .Jacques Tatl, Nathalie Paseaud<br />

ReviM<br />

Moment of Truth (87)... s.-,<br />

(Arlan) .Mlchele Morgan. Jean<br />

.<br />

Naked Heart (96)<br />

oihln<br />

s-,.<br />

(.\ssoc. Artists) .Michele K-'^<br />

. Morgan.'<br />

Night Is My Kingdom, The (109) S.'<br />

(Davis). .Jean Gabin, Slmone Valerie<br />

Pit of LoiKliness (84). ... "5 n<br />

(Davis) . .Edvvlge FeuUlere, Slmone 'siciii<br />

Red Inn, The { 1 00) 9. 4,<br />

(Davis) . -Fernandcl. F. Rosay, liid Gmi<br />

Seven Deadly Sins, The (124). II.51<br />

(Arlan) .Michele Morgan, Gerard Phlllc<br />

.<br />

Sextette (90) 8- U<br />

(Arlan) . -Marthie Carol, Frank Viuird<br />

Spice of Life, The (71) 2-U<br />

(.Maycr-Kingsley) . .Noel-Noel, Eeruni It—,<br />

GERMANY<br />

1^<br />

Angelika (99) )1.|'<br />

(Brenner) . .Maria<br />

Schell, Dieter BwxIk<br />

Berliner, The (80) 12--a<br />

(Joseph Burstyn) . Oert Frobe, CU Blell<br />

Grapes Are Ripe, The (92) 7--S(<br />

(Casino) -Gustav Knuth, Camilla Splra<br />

.<br />

Keepers of the Night (109) 2-.M<br />

(Casino) -Lulse Urlch, Hans Nielsm<br />

. t<br />

Merry Wives of Windsor (93). . . . .<br />

(Central Cinema) . -Sunja Zlemann, C. 6|)|<br />

Sunderin (80) 1.1<br />

(Prod. Reps.) Ncft, 0. I^|<br />

GREECE<br />

Barefoot Batolllon (89) frl<br />

(Brandt) . -Maria Costl, Nlcos Fennii<br />

HUNGARY<br />

Trio, The (76) 31-!;<br />

(Classic) . Bmest Deutich, GasUJ Urn<br />

Spell of Irelond, The (77)...<br />

(Celtic) - -Travel Feature, Eiigllsb dlilo|:<br />

ITALY<br />

(Color).<br />

n<br />

Aida (110) ^... 71-5'<br />

(I.F.E.) - -8- Loren, L. MameU, U Delllm<br />

Anita Garibaldi (95) /(-S<br />

(I-F-E-) -Anna Magnanl. Raf Vallone<br />

.<br />

Bread, Love ond Dreams (90)..<br />

(I-F-E) . Lollobriglda. Vittorlo ll


I His,<br />

. . The<br />

. . Outstanding<br />

. . Orson<br />

0>inions on Current Proaucnons<br />

Son of Sinbad<br />

RKO Radio (513)<br />

88 Minutes<br />

F<br />

Rati<br />

Fantasy<br />

2-1 (Supetscope,<br />

Technicolor)<br />

ReL May 31. '55<br />

As even a perfunctory perusal of the lecigers will reveal,<br />

Arabian Nights-ish pictures—if they boasted any merit whatsoever—have<br />

been reliable to please the average spectator<br />

and to assure profits to the theatres in which they were<br />

exhibited. If such past periormances are to be accepted as a<br />

yardstick, this flamboyant offering should pack them in,<br />

because it possesses something or other lifted from virtually<br />

every preceding photoplay of its category. And all of these<br />

tidbits are loosely woven together with such a marked<br />

tongue-in-cheek approach that no one should criticize the<br />

fact that the yarn doesn't attempt to make sense. It's offered<br />

as a fairy tale, and all stops ore pulled wide in its motivation<br />

as such.<br />

For the boys in the gallery, there probably never was<br />

so large an assemblage of cuties, curves and cleavage. The<br />

vrolf whistles will, with little doubt, resound through the<br />

house and leap over into the street. But that, too, however<br />

bawdy the reaction, should provide additional cash customers<br />

for the picture. Nor will its patronage be impaired<br />

because the funmaking is impressively and handsomely<br />

presented in Superscope photography and bright Technicolor,<br />

which pair of assets, incidentally, can play a prominent<br />

part in the slightly lurid exploitation which the feature so<br />

strongly invites.<br />

As to performances, the script and its multitude of plot<br />

elements demanded no staggering amount of acting talent.<br />

The topliners obviously refused to take their individual and<br />

collective chores too seriously, and as a result the delineations<br />

are generally acceptable. Concerning the major portion<br />

of the support, all its members had to do was look enticing,<br />

which they did in spades—and very few clothes. The vehicle<br />

was unstintingly mounted by producer Robert Sparks and<br />

efficiently directed by Ted Tetzlaff.<br />

Dale Robertson, Sally Forrest, Lili St. Cyr. 'Vincent Price,<br />

Mori Blanchard. Leon Asldn, lay Novello.<br />

CATCHLINES:<br />

Hold on to Your Turbans . . . Here Comes the Son of Sinbad<br />

With the Daughters of the Forty Thieves<br />

Topple and Kingdoms Fall When This<br />

. . .<br />

Romantic<br />

Harems<br />

Rogue<br />

Goes to Town.<br />

The Purple Mask<br />

F<br />

Ratio; Costume Drama<br />

2.55-1 (Cinemascope,<br />

tectlnicolor)<br />

Univ.-Infl (530) 80 Minutes Rel. July '55<br />

Take a time-tested swashbuckling formula, add the sweep<br />

of CinemaScope and the beauty«of Technicolor, not to mention<br />

a little marquee weight, and you're bound to satisfy<br />

some segments of the moviegoing public. However, here<br />

is a feature, which, though chockful of all these merchandising<br />

qualifications, contains little else noteworthy or redeeming<br />

enough to appeal to any but the underteen and<br />

audiences of like taste. The story, an obvious rehash of "The<br />

Scarlet Pimpernel," is blatantly adolescent and never quite<br />

delivers its promised action or excitement, seemingly sacrificing<br />

all logic and development for the sake of burlesque<br />

humor. Tony Curtis, for example, appearing as a fop and<br />

dandy, but in reality the mysterious Purple Mask outwitting<br />

the despot Napoleon at every turn, is so overdrawn in his<br />

characterization that he never rises above the ludicrous.<br />

as well as the appearances of such basically fine performers<br />

as Dan O'Herlihy and Angela Lansbury, represents<br />

a tragic waste of talent.<br />

History, too, comes in for its share of drubbing, with<br />

Napoleon presented as a fool and villain. Depending upon<br />

the view one takes of history, the Corsican, it is true, can be<br />

a villain, but never that much of a fool to have been outwitted<br />

by such a ridiculous, figure as this Purple Mask. Of<br />

course, the small fry will hardly be concerned with such<br />

problems, unless they've already begun their history lessons.<br />

Switching the "Pimpernel" setting from the immediate period<br />

of the French Revolution to the year 1803, Curtis, the<br />

Purple Mask, is busy rescuing noblemen from the guillotine<br />

and kidnaping government officials, whom he holds for<br />

ransom. Napoleon, annoyed at this drain on both his treasury<br />

and prison, sets a trap, but all ends well as Curtis, once<br />

more, outwits the future emperor of France. Produced by<br />

Howard Christie and directed by Bruce Humberstone.<br />

Tony Curtis, Colleen Miller. Gene Barry, Dan O'Herlihy,<br />

George Dolenz. John Hoyt. Angela Lansbury.<br />

CATCflLINES:<br />

Men Knew His Fury But<br />

His Lips Bui Not His Name .<br />

Women Knew<br />

Hidden Behind<br />

Not His Face .<br />

Was<br />

. .<br />

a 1/ask of Revenge .<br />

. . His Secret<br />

Lives and Loves of Adventure's<br />

Greatest Rogue.<br />

1782 BOXOFFICE<br />

Othello<br />

F<br />

Ratio:<br />

Standard<br />

United Artists ( ) 92 Minutes ReU June '55<br />

A beautifully staged, acted and photographed feature presenting<br />

Orson Welles in the title role of the Shakespearean<br />

tragedy. He also produced and directed it. It is a Mercury<br />

production made in Italy with the aid of skilled Italian technicians.<br />

'The backgrounds of mediaeval buildings and the<br />

interiors are classic. Silhouetted scenes are especially effective.<br />

Treatment is dignified throughout, with Welles not<br />

resorting to mugging, as he has done sometimes in the p>ast.<br />

The supporting cast does a fine job. The film is inevitably<br />

destined for the art houses. It is a fit successor to other<br />

fine films based on Shakespearean plays. Exploitation necessarily<br />

will play up the famous English author, and Welles'<br />

name will supply an added value.<br />

Othello, a Moorish general of noble birth, weds Desdemona,<br />

daughter of a Venetian senator. He is assigned to repel a<br />

Turkish invasion of the island of Cyprus. Desdemona accompanies<br />

him. Cassio is his lieutenant and friend. logo,<br />

his adjutant, is jealous of Cassio and by degrees convinces<br />

Othello that Cassio is having an affair with Desdemona.<br />

Othello is grief-stricken. He decides that Desdemona and<br />

Cassio must die. He smothers Desdemona despite her pleas<br />

of innocence, while logo tries to do away with Cassio.<br />

Emilia, wife of logo, reveals him as engineering the plot<br />

and is killed by lago. Othello, now convinced of Desdemona's<br />

innocence, commits suicide. During the state funeral logo is<br />

imprisoned in a cage and hoisted high in the air where<br />

he will be picked to death by vjiltures.<br />

Orson Welles, Michael MacLiammoir, Suzanne Cloutier,<br />

Robert Coote. Hilton Edwards, Michael Lawrence.<br />

CATCHLINES:<br />

Shakespearean Tragedy Done in Classic Style by Orson<br />

Welles ... A Fitting Successor to Other Fine Shakespearean<br />

Films . Treat to the Eyes as Well as the<br />

Emotions . Welles Film Combines the Utmost<br />

in Beauty with Poignant Drama.<br />

The Tiger and the Flame F<br />

Ratio: Adventure Drama<br />

1.66-1 (Technicolor)<br />

United Artists (5514) 97 Minutes ReL May '55<br />

One of the rare Indian-made features, out of the hundreds<br />

produced in that country annually, deemed suitable for<br />

showing in the U. S., this is a lavish and colorful spectacle<br />

which should attract customers and do good business in the<br />

art houses. While not up to the high standard recently set<br />

by the Japanese "Gate of Hell," it has considerable excitement,<br />

especially during the several battle scenes, pageantry<br />

and exotic dances and other exploitable features for class<br />

patrons and art students.<br />

Although the predominantly Indian cast speaks English,<br />

the players are for removed from the American standard 'for<br />

good looks and the heroine, Mehtab, is short, dark and unattractive.<br />

Photographed in Technicolor by Ernest Haller,<br />

who captures the reds, golds and yellows of the costumes<br />

and backgrounds almost too vividly at times—softer tones<br />

are at a minimum. Produced and directed by Sohrab M. Modi,<br />

who also plays the venerable power-behind-the-throne with<br />

great dignity. The music, too, is strange but very effective.<br />

Forrest Judd is associate producer.<br />

Based on an historical incident which took place in the<br />

middle of the last century, the story is laid in the small Indian<br />

state of Jhansi, where Mubarak, a weak-willed widower,<br />

has just been made king with a small British force on hand<br />

to supervise affairs. Sohrab Modi, a devoted patriot, discovers<br />

a nine-year-old girl, Mehtab, whose horoscope predicts<br />

that she is destined to lead armies and he arranges<br />

for her to marry the aging Mubarak. After years of training,<br />

Mehtab becomes an expert horsewoman and, when her<br />

husband dies and the British refuse to recognize the boyemperor,<br />

she defies them and refuses their order to surrender.<br />

Through treachery, the British invade her fortress city, but<br />

she escapes and challenges them to battle on the plains.<br />

She is finally overwhelm.ed and wounded but dies a true<br />

warrior's death.<br />

Mehtab, Sohrab Modi, Mubarak, Sapru, Baby Shika,<br />

Ramsingh, Gloria Gosper, Ulhas, Michael Shea.<br />

CATCHLINES:<br />

. . .<br />

The Most Fcfbulo'us Adventure Ever to Flame Out of Mystic<br />

India , . . The Woman on Horseback Who Changed the<br />

See Course of Empire<br />

the Bloody<br />

the<br />

Conquest<br />

Dazzling<br />

of<br />

Coronation<br />

Jhansi . . .<br />

of<br />

With<br />

a<br />

Boy-Emperor and<br />

a Cast of 25,000.<br />

June 4, 1955 1783


—<br />

. .<br />

—<br />

REVIEWS<br />

Adiines for Newspaper and Program;<br />

That Lady F<br />

Ratio: Drama<br />

2.55-1 (Cinemascope,<br />

De Luxe Color)<br />

20th-Fox (504-1) 95 Minutes Rel. May '55<br />

Recent records reveal that features based on historical<br />

novels or ploys—even when they were good pictures<br />

lailed to burn up the theatre cash drawers. Which augurs<br />

discouragingly for this imported entry in the apparently<br />

endless cycle, because it is anything but a good picture.<br />

Its opulent productlonal trappings and its lootoge indicated<br />

that it is aimed at top billing on the more important programs.<br />

In order for the film even to begin to justify such<br />

exalted bookings, it will have to be accorded intensive and<br />

shrewd exploitation. Fortunately, there is much material<br />

tor merchandising.<br />

Foremost is CinemaScope, wllich, bolstered by De Luxe<br />

color, is effectively utilized to qapture the beauties of the<br />

ancient Spanish castles and their surrounding countryside<br />

against which most of the photoplay was lensed. In fact,<br />

the offering almost justifies itself as a travelog of Spain, and<br />

would come closer to so doing if its scenic splendors were<br />

not cluttered up by the heroics, melodramatics and hackneyed<br />

situations in which the screenplay by Anthony Veiller<br />

and Sy Bartlett (who produced also) abounds. That script<br />

stemmed from a play by Kate O'Brien, which treats of the<br />

confused 16th-century reign of King Philip. Expectedly, it<br />

specializes in cloak-and-dagger intrigue that becomes so<br />

intricate at times that spectators will encounter difficulty deciding<br />

who's doing what to whom and why.<br />

Inviting further showmanship attention are the two castleading<br />

stars, from Hollywood and possessing above-average<br />

marquee worth. Their performances, as well as those forthcoming<br />

from supporting actors, are as good as material<br />

permits. Finally, there are scattered sequences of spectacle<br />

which attain a stirring high during a bullfight in which the<br />

matadors are mounted and demonstrate superb horsemanship.<br />

Direction by Terence Young does little to alleviate the<br />

dated scenario.<br />

Olivia de Havilland. Gilbert Roland, Paul Scofield,<br />

Francoise Rosay, Dennis Price, Anthony Dawson.<br />

CATCHLINES:<br />

The Provocative Story of a Spanish Beauty Whose Flaming<br />

Heart Defies Tradition, Whose Scandalous Love Affairs Flaunt<br />

Convention ... in a Picture Laden With Tumultuous Daring.<br />

.e Rd<br />

RAD<br />

A Day to Remember<br />

F<br />

Ratio:<br />

Romantic<br />

1.66-1 Comedy<br />

Republic (5433) 72 Minutes HeL Mar. 29, '55<br />

Herein our British cousins ogoin display their penchant for<br />

gentle wit and the leisurely development of characterizations<br />

which have come to be accepted os hallmorks of the kind<br />

of romantic comedies that issue from their film factories. Unfortunately,<br />

in this one the humor is so insular and colloquial<br />

that most Americon audiences just won't dig it at all. That<br />

narrowing of oppeal indicotes a not-too-happy exhibition<br />

fate in this country, a prospect that is further hampered by<br />

the fact that the cost—competent though it is—hos little or<br />

no following in the U. S. except in the art houses. Booked<br />

into such specialized showcoses, the feature can be expected<br />

to attract on adequate amount of attention.<br />

Productionwise, the offering provides authentic and, on<br />

occasion, charming backgrounds, since it was photographed<br />

on location in France as well as in England. Among the<br />

players assembled, Joon Rice will probably be best-known<br />

to domestic moviegoers, she having appeared in one or two<br />

previous pictures that enjoyed some degree of success on this<br />

side of the water. The standout, however and one who<br />

ought to be a lead-pipe cinch to be snagged by Hollywood<br />

is o French doll named Odile Versois, as talented o pockage<br />

of Gallic pulchritude ond personality os the screen could<br />

hope to find.<br />

The plot concerns the varied adventures—romantic, comic<br />

and dramatic—which befall the members of a dart team<br />

from a British pub when they embark on their annual outing,<br />

o trip across the channel to Boulogne. During the one-doy<br />

trek one of the holidoyers finds true love, another realizes<br />

a life-long ambition to join the French Foreign Legion and.<br />

the rest pursue entertainment in diversified ways. The J.<br />

Arthur Rank presentation was produced by Betty E. Box<br />

and directed by Ralph Thomas.<br />

Stanley Holloway, loan Rice, Odile Versois, Donald Sinden,<br />

James Hayter, Bill Owen, Harry Fowler.<br />

CATCHLINES:<br />

There's o Delightful Date in Store for You When You See<br />

This Hilarious New Look at Life . . . It's Got That Wild,<br />

Wonderful Beat of Young Hearts in Love.<br />

The Adventures of Sadie F i''s5'.i iz^Zz'cZ)<br />

20th-Fox (508-2) 75 Minutes Rel. May '55<br />

A completely nonsensical farce-comedy abbut three men<br />

and a girl shipwrecked on a desert island, this British-made<br />

is occasionally more frantic than funny but the sexy angles,<br />

plus the allure of Joan Collins in a home-made Bikini, can<br />

be exploited in all except the neighborhood spots. Miss<br />

Collins, currently being given a buildup by 20th Century-<br />

Fox", is already familiar to art house patrons, as is Kenneth<br />

More, star of "Genevieve" and 'Doctor in the House."<br />

Filmed on the island of Majorca by George Minter and<br />

Noel Langley, who also directed and adapted it from the<br />

novel, "The Cautious Amorist," the Eastman Color enhances<br />

the lush island backgrounds and the becoming tan of Miss<br />

Collins, an eye-full if there ever was one. Although somewhat<br />

handicapped by a thick brogue which mokes some<br />

of his dialog unintelligible, Kenneth More is amusing and<br />

likable as o stoker and Robertson Hare is excellent as a<br />

prim, middle-aged professor. The famous British comedienne,<br />

Hermione Gingold, is hilarious in o brief guest appeoronce<br />

as o man-chosing spinster.<br />

Joan Collins is aboard o smoU cargo-passenger steamer<br />

which is rammed and sunk in the Pacific. Her hfeboat also<br />

picks up Kenneth More, a stoker with o fondness for liquor;<br />

Robertson Hare, a middle-aged professor, and George Cole,<br />

a cynical journalist who was rude to Joan on board. The<br />

four are marooned on on uninhabited island where the<br />

three men moke a pact to act like gentlemen toword Joan.<br />

First Cole lolls in love with her ond then the prim Hare is<br />

olso attracted, but More leaves her alone. After a year,<br />

they are rescued by a schooner and Joan confesses to More<br />

that she loves him, but he refuses to marry her. Another<br />

crash sinks the schooner and when Joon is again cast up on<br />

the island, she is gleeful when she hears More strumming<br />

his guitar in a hut.<br />

Joan Collins. Kenneth More, George Cole, Robertson Haxe,<br />

Hermione Gingold, Walter Fitzgerald, Hattie Jacques.<br />

CATCHLINES:<br />

The Most Wonderful Miss-Adventure of Your Life .<br />

just Imagine Being Stranded on a Desert Island With Luscious<br />

joon Collins . . A Desert Island Delight in Full Color.<br />

1784 BOXOFFICE<br />

SHORTS REVIEWS<br />

VistaVision Visits Mexico<br />

(Icnnes A. Fit^Patrick Special)<br />

Paramount<br />

_ 17 Mins.<br />

Very good. An exceptionally beautiful travel short done<br />

with the new VistoVision process in Technicolor. The wide<br />

screen and the clority of the photography make this like<br />

a series of paintings. Scenes in Mexico City, Acopulco, the<br />

Xochimilco volcano, the famed motorcycle police with their<br />

orchestra ond spectacular stunts and Latin music are presented<br />

at o ropid pace. Some of the moterial has been used<br />

before, but never with the sense of audience porticipotion<br />

ond distant vistos all in focus thot this new projection system<br />

provides.<br />

Devil Take Us<br />

RKO (Theatre of Life) 27 Mins.<br />

Very good. Starkly realistic scenes of automobile smashups<br />

on a California highway emphasize the theme of this film,<br />

vzhich is that there ore far too many dangerous drivers<br />

these days and that far too mony of them through their<br />

own foults meet deoth or wind up in hospitals—perhaps<br />

crippled for life. There is the thread of a story and there are<br />

amusing characterizations of careless drivers to lighten the<br />

sense of impending doom. The film should be shown everywhere.<br />

It has the booking of the Notional Safety Council,<br />

Americon Automobile Ass'n and insurance componies. The<br />

release date is June 17, Notional Screen Service will furnish<br />

accessories. Herbert Morgan wrote, produced ond directed<br />

in cooperation with the Associoted Press.<br />

Sh-h-h<br />

Univ.-Int'l (Laniz Cartune) 6 Mins.<br />

Good. A novel ond amusing Technicolor cortoon dealing<br />

with a trombonist, whose nerves are shattered by the constonf<br />

loud ploying. Told by a psychiatrist to toke a long<br />

rest, he goes to o quiet chalet in Switzerland. He is about to<br />

go to sleep when his neighbor in the room next door starts<br />

playing the trombone. Notes under the door and phone colls<br />

hcve no effect and he finally breaks through the door to<br />

find the psychiatrist and his wife ore on a vocation.<br />

1955 1781


!<br />

I<br />

' Experience<br />

I key<br />

: : 13<br />

I nl<br />

.silSc per word, minimum $1.50, cash with copy. Four consecutive insertions lor price<br />

CLOSING DATE: Monday noon preceding publication date. Send copy an<br />

fe<br />

Dieis to Box Numbers to BOXOFFICE, 825 Van Brunt Blvd.. Kansas City 24. Mo<br />

HELP WANTED<br />

Manager for Latln-.\merlcaii slluatlon.<br />

lit]<br />

i( nn-'v Job now open. Long Theatres,<br />

I Itiuidall Clark.<br />

.inager. De luxe Mcmplil:> indoor<br />

Me. Stale guulificattons. rcferiL'led.<br />

and enclose pltoto witli<br />

fllce. 6884.<br />

I e Managers. Experienced, exploi-<br />

and neigtiborhood tiouses.<br />

iirrounding territories. Write in<br />

IS Comar. Personnel Manager,<br />

rtieatres, 2217 Dark Building,<br />

se manager or experienced as-<br />

. Illeatie operation for IS.izabettl<br />

lina. territory. Air mail-speciai<br />

ilifications and past tlieatricji]<br />

:ilary ex-pected. Boxoffice, 5893.<br />

POSITIONS WANTED<br />

^ufiervlsion. Indoors. Ctiange after<br />

25 yejirs. Good<br />

lire. 5808.<br />

in sliow business, know every<br />

every post. General, technical,<br />

ent and back again. Boxotflce,<br />

urJieatre work witli future. Ten years ex-<br />

KtJl'rojeetlonist and manager. Age 35.<br />

fff'li fiimily. College degree. At present<br />

""• Arallable July 1. B. K. Holder,<br />

Irsarkana.<br />

Arkansas.<br />

OPCOHN MACHINES<br />

Desires<br />

es. all makes and styles. Re<br />

for all poppers. Complete remost<br />

macblnes, $185. 120 So<br />

E3INESS STIMULATORS<br />

NG MORE ACTION! $4.50M cards, Oiher<br />

'mlilile, on-off screen. .Novelty Games Co..<br />

lOE Ave.. Brooklyn. N. Y.<br />

ttildance wilh real Hawaiian orchids,<br />

each. Wrile Flovters of Hawaii, 670<br />

! Park I'lace, Los Angeles 5, Calif.<br />

GENERAL EQUIPMENT—USED<br />

Good as new. used 4 drlve-in seasons: 2<br />

Slroiig Mogul 70 amp lamps. $300: two .Motlograph<br />

100 amp lamps $300: one Century 80-1110<br />

.Molur generator complete $400. Charleston Theatre<br />

Supply. Charleston, West Va.<br />

Complete booth and screen outfit. Brcnkert<br />

35mni projectors, KCA sound and siieakers. New<br />

in used. (i-B 1947. never $1,750. Also Powers<br />

pro ectors. Mazda lamps, KCA sound. $150. G. M.<br />

McLaughlin. 350C West Pikes Peak, Colorado<br />

Springs,<br />

Colorado.<br />

For Sale—One pair of Simples high Intensity<br />

IKW lamps and one pair rectifiers all tor $650.<br />

Wayzata Theatre, Wayiata, Minn.<br />

For sale: RCA Bright Arc" 100 ampere lamps<br />

like new, $895 per pair. All sizes Superex lam[>s,<br />

irom $200 per pair. Lenses from $25. Ask for<br />

list of other good equipment. ATSCO, 980 N.<br />

Main St., Akron. Ohio.<br />

Lincoln 70-140 Generator. Used two seasons.<br />

$495- Two large spray type air washers fflth<br />

bliivvers. Two 5 h.p. motors with each, $495 eadi.<br />

2 Kairli.utks 5 h.p. pump and mot(>.s, good, $100<br />

each. Western Electric sound heads with Universal<br />

ba.ses and Simplex projectors $495. 3 sets<br />

of low intensity lamps with Hertner Generators.<br />

$100 set. Lenses Bausch & Lomb, series 2.<br />

I'" 2.3,3:75 B F, $100. Bausch & Lomb series 2.<br />

l>:75 E F, $75. Bausch i Lomb Series 1. 3:75<br />

B F. $40. State Theatre. Columbus. Kansas.<br />

New cmdition Sllverlite all-purpose screen<br />

IS'xanv overall. $175 f.o b. Brooksville.<br />

Florida. Dixie Theatre.<br />

GENERAL EQUIPMENT—NEW<br />

Special surplus screen sale— all new! Perforated<br />

solid<br />

headed lace-grommet. 15'6^'x20'6"—$75 (frame<br />

$251: 6'8"s9'3'^—$25: solid ll'xl4'—$35:<br />

olid Springroller 8'7"sll'7"—$75: solid ropeailley.<br />

ll'xH'—$75. Dept. CC, SOS. Cinema<br />

Supply Corp.. 602 W. 52nd St.. .New York 19,<br />

Attention Holmes users! Intermittent movements<br />

(less flywheels), $49 pair: slarwheel-sprockel<br />

issembly, $10 each; l,0OOW T-20 C-13D Mosul<br />

I'ref. lamps, $25 dozen ($3.95 each). Dept. CC.<br />

.S.O.S. Cinema Supply Corp., 602 W. 52nd St.,<br />

New York 19.<br />

Perfect pair, perfectly priced! Combination pair<br />

Cinematic IV adjustable anamorphlc lenses and<br />

pair Snaplite Series II prime projection lenses, all<br />

for $595; .Mirroclaric metalized seamless screen.<br />

sq. ft. 89c nept. CC. S.O.S. Cinema Supply Corp..<br />

St.. i;02 W. 52nd New York 19.<br />

LCLfflfilOGHOUSt<br />

«(!( IE-CUT CARDS. Increase your bo.\-<br />

IliO numbers. $4 50 per M. Best<br />

11 Products, 339 West 44th St.,<br />

s for all age groups. All types.<br />

lEiventory and greatest variety.<br />

it- 2.500 copies piepaid. The<br />

312, Ovvensboro. Ky.<br />

St, cheapest advert ising.<br />

lases concession sales for<br />

Special pictures. Plain<br />

Southern Bal.oons, 14 G B<br />

fit flashlight & key chain. Red<br />

lieaire promotions—sample 50c.<br />

Enterprises, Centralla, Illinois.<br />

k M u<br />

"Jaclison's" automatic Reel-Alarms. Really<br />

marvelous $21.50 pair. AH dealers'. Mfrs.: American<br />

1. Theatre Supply. Seattle Washington.<br />

DRIVE-IN THEATRE EQUIPMENT<br />

Your best CinemaScopc buy. Cinematic IV<br />

idjustable Prismatic Anamorphlc lenses plus Snapite<br />

11 Series prime lenses, all for $595. Availible<br />

on time, liept. CC. S.O.S. Cinema Supply<br />

Corporation, Street. 19.<br />

602 W. 52nd New York<br />

Driv<br />

"STJ S11)IO AND PRODUCTION<br />

EQUIPMENT<br />

$1,995: Cineflex 35mm<br />

t lenses: 2-400' maga-<br />

II ^ii!-if $1185: Moviola<br />

$VJ5: Escalator<br />

•'<br />

cameras on 3<br />

I I' :i.v with 2 seats.<br />

K.islman Airgraph<br />

$225; roMnt<br />

bidbs. $180<br />

-s n s Cinema Supply<br />

iJ Siieit. .New York 19.<br />

SUIPMENT FOR SALE<br />

ItSlrong 90 amp rectifiers. Used 6<br />

l| lllhes $.v


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