Jazz Index - Jazzinstitut Darmstadt
Jazz Index - Jazzinstitut Darmstadt
Jazz Index - Jazzinstitut Darmstadt
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<strong>Jazz</strong> <strong>Index</strong> – created on 4. September 2012<br />
The following bibliographical information is drawn from periodicals and books present in the archive of the<br />
<strong>Jazz</strong>institut <strong>Darmstadt</strong>. Our extensive periodical collection comprises more than 55,000 issues of some<br />
1,050 jazz periodicals. Close to two-thirds of the collection has been indexed.<br />
Following the more recent entries are abbreviations denoting the nature of the material in the respective<br />
articles. These symbols are:<br />
[A] = analytical remarks<br />
[B] = extensive book review<br />
[BT] = blindfold test<br />
[C] = concert review<br />
[D] = discography<br />
[F] = feature article<br />
[I] = interview<br />
["I"] = article written by the respective musician himself<br />
[O] = obituary<br />
[R] = extensive record review<br />
[T] = transcription<br />
The <strong>Jazz</strong> <strong>Index</strong> is a service of the...<br />
<strong>Jazz</strong>institut <strong>Darmstadt</strong>, Bessunger Strasse 88d, D-64285 <strong>Darmstadt</strong>, Germany<br />
phone ++49 (6151) 963740, fax ++49 (6151) 963744<br />
This bibliography has been compiled and mailed by ... <strong>Jazz</strong>institut <strong>Darmstadt</strong>,<br />
e-mail: jazz@jazzinstitut.de, Internet: http://www.jazzinstitut.de<br />
Monk, Thelonious (p * real name: Thelonious Sphere Monk; b: 10.Oct.1917, Rocky Mount/NC<br />
[People in <strong>Jazz</strong>; New Grove; rororo; Reclam; Who's Who; Dictionnaire; Gourse 1997; MusicHound;<br />
] {alt.date: 11.Oct.1917, Rocky Mount/NC [Companion; Rough Guide]} {alt.date: 10.Oct.1920, Rocky<br />
Mount/NC [Feather 1960]}; d: 17.Feb.1982, Weehawken/NJ {alt.date: 17.Feb.1982, Englewood/NJ<br />
[Who's Who; Rough Guide]}; Lexikon: Feather [1958]; Feather [1960]; People [1984]; Companion<br />
[1987]; New Grove [1988]; rororo [1988]; Reclam [1989]; Who's Who [1989]; Dictionnaire<br />
[1988,1995]; MusicHound [1999]; Rough Guide [1999]; vertical file: Thelonious MONK<br />
[...1998,2002,2005-2006])<br />
***<br />
Bill Gottlieb: Thelonious Monk - Genius in Bebop. Elusive Pianist Finally Caught in an Interview, in: Down<br />
Beat, 24.Sep.1947, p. 2 (F/I); Reprint, in: Down Beat: 60 Years of <strong>Jazz</strong>, Milwaukee 1995 (Hal Leonard<br />
Corp.) [book], p. 63-64 (F/I); Reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York<br />
2001 [book: University of Oxford Press], p. 22-25 (F/I)<br />
Orrin Keepnews: Thelonious Monk. The Original Interview, in: Orrin Keepnews: The View from Within.<br />
<strong>Jazz</strong> Writing 1948-1987, New York 1988 [book], p. 109-113 (F/I; Reprint von 1948)
Orrin Keepnews: Thelonious. Monk's Music May Be First Sign of Bebop's Legitimacy, in: The Record<br />
Changer, 7/4 (1948), p. 5, 20 (F); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New<br />
York 2001 [book: University of Oxford Press], p. 49-53 (F)<br />
Paul Bacon: Early Reviews, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001<br />
[book: University of Oxford Press], p. 27-35 (R; reprint from 1948-1949)<br />
Dan Burley: Thelonious Monk and His Bebop, in: New York Amsterdam News, 21.Feb.1948, p. 25 (F)<br />
[digi.copy]<br />
George Hoefer: The Hot Box. Pianist Monk Getting Long Awaited Break, in: Down Beat, 15/3<br />
(11.Feb.1948), p. 11 (F)<br />
George T. Simon: Bop's Dixie to Monk. Thelonious, Responsible for Much of Modern <strong>Jazz</strong>, Isn't Satisfied<br />
With All That's Happening to It, in: George T. Simon: Simon Says. The Sights and Sounds of the Swing<br />
Era, 1935-1955, New York 1971 [book], p. 413-415 (F/I; Reprint aus: Metronome, Feb.1948)<br />
Ira Peck: The Piano Man Who Dug Be-bop, in: PM's Sunday Picture News, 22.Feb.1948, p. M7 (F/I);<br />
Reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of<br />
Oxford Press], p. 41-49 (F/I)<br />
George Simon: Bop's Dixie to Monk, in: Metronome, Apr.1948, p. 20, 34-35 (F/I); reprint, in: Rob van der<br />
Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 54-56<br />
(F/I)<br />
Horst Lippmann: Bebop Bohemien und Avantgardist. Thelonious Monk, in: <strong>Jazz</strong> (Deutschand), #1 (1949),<br />
p. 8-10<br />
Paul Bacon: Portrait de Thelonious Monk, in: <strong>Jazz</strong> Hot, #36 (Sep.1949), p. 7-8 (F); Reprint, in: Boris Vian:<br />
Écrits sur le jazz. Tome 1: <strong>Jazz</strong> Hot/Combat, Paris 1981 [book: Christian Bourgois Éditeur], p. 195-200 (F)<br />
Paul Bacon: The High Priest of Bebop. The Inimitable Mr. Monk, in: The Record Changer, 8/11<br />
(Nov.1949), p. 9-11, 26 (F); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York<br />
2001 [book: University of Oxford Press], p. 56-62 (F)<br />
Horst Lippmann: Thelonious Monk. Be Bop Bohemien und Avantgardist, in: <strong>Jazz</strong> (Germany), #1<br />
(Dec.1949), p. 8-10 (F) [digi.copy]<br />
B. Hodgkins: Thelonious Monk in Person, in: Metronome, 66/11 (1950), p. 18 (C)<br />
Yves Buin: Thelonious Monk, Paris 1988 [book]<br />
Jerry Blume: Discographie de Thelonious Monk, in: <strong>Jazz</strong> Hot, #52 (Feb.1951), p. 30 (D)<br />
Claes Dahlgren: Nytt från New York. Monk insydd, in: Orkester Journalen, 19/10 (Oct.1951), p. 10 (short<br />
F)<br />
Erik Wiedemann: Thelonius Monk. Bebopens överstepräst, in: Orkester Journalen, 20/4 (Apr.1952), p. 12-<br />
13, 17 (F)<br />
NN: "Thelonious Monk" (Blue Note), in: Down Beat, 19/22 (5.Nov.1952), p. 11 (R)<br />
J. Turner: The Pianists in My Life. Washing Away the Duke, in: Melody Maker, 29/1025 (1953), p. 2<br />
Steve Race: ...Writes on Pianists, in: Melody Maker, 29/1054 (1953), p. 11
Joachim Ernst Berendt: Der Mönch der 88 Tasten. Gedanken über Thelonious Monk, in: <strong>Jazz</strong> Podium, 2/3<br />
(Apr.1953), p. 10-11 (F) [digi.copy]<br />
NN: Thelonious Monk – "Sweet and Lovely" / "Bye-Ya" / "Trinkle Tinkle" / "These Foolish Things"<br />
(Prestige), in: Down Beat, 20/7 (8.Apr.1953), p. 14 (R)<br />
NN: "Thelonious Monk" (Prestige 142), in: Down Beat, 20/11 (3.Jun.1953), p. 22 (R) [digi.copy]<br />
NN: Thelonious Monk – "Carolina Moon" / "Hornin' In" (Blue Note), in: Down Beat, 20/22 (4.Nov.1953), p.<br />
16 (R)<br />
Dieter Salemann: Thelonious Monk, in: <strong>Jazz</strong> Revue, 4/12 (Dec.1953), p. 171-172 (F)<br />
NN: Thelonious Monk – "Little Rootie Tootie" / "Monk's Dream" (Prestige), in: Down Beat, 20/25<br />
(16.Dec.1953), p. 16 (R)<br />
M. Nevard: Mulligan, Monk - and then a French Surprise, in: Melody Maker, 30/1081 (1954), p. 8-9<br />
Mary Lou Williams: The Mad Monk, in: Melody Maker, 30/1079 (1954), p. 11<br />
NN: Thelonious Monk for Paris <strong>Jazz</strong> Salon, in: Melody Maker, #1073 (10.Apr.1954), p. 1 (N) [digi.copy]<br />
Mary Lou Williams: Then Came Zombie Music and The Mad Monk, in: Rob van der Bliek (ed.): The<br />
Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 11-14 (F; reprint from:<br />
The Melody Maker, May 1954)<br />
N. Remy: Thelonious Monk, in: <strong>Jazz</strong> Hot, #88 (May 1954), p. 13, 19 (F)<br />
Leo Waldick: Aphorismen zum "3. Salon international du jazz", in: <strong>Jazz</strong> Podium, 3/7 (Jul.1954), p. 7-9 (C)<br />
[digi.copy]<br />
NN: Breaks. Thelonious Monk, in: Der Drummer, 10/1955, p. 6 (N: demonstrates development of jazz<br />
harmony) [digi.copy]<br />
Orrin Keepnews: Some Notes from the Trenches, in: Orrin Keepnews: The View from Within. <strong>Jazz</strong> Writing<br />
1948-1987, New York 1988 [book], p. 113-117 (F; Reprint aus diversen liner notes, 1955-1960)<br />
NN: <strong>Jazz</strong>-News. Amerika, in: <strong>Jazz</strong>-Echo, Jun.1955, p. 44 (N: Riverside contract) [digi.copy]<br />
NN: News, in: <strong>Jazz</strong> Podium, 4/6 (Jun.1955), p. 4 (N: Riverside contract) [digi.copy]<br />
Jörgen Grunnet Jepsen: <strong>Jazz</strong>ens instrumentalister. Pianot, in: Orkester Journalen, 23/9 (Sep.1955), p. 13<br />
(F)<br />
NN: <strong>Jazz</strong> News. Amerika, in: <strong>Jazz</strong>-Echo, Nov.1955, p. 43 (N: records Ellington LP for Riverside)<br />
[digi.copy]<br />
Stanley Dance: Lightly and Politely. Monkish Piano, in: <strong>Jazz</strong> Journal, 8/12 (Dec.1955), p. 32-33 (R)<br />
Diverse Autoren: Sur deux grands oeuvres du jazz d'aujourd'hui (Miles/Monk), in: <strong>Jazz</strong> Hot, 22/116<br />
(1956), p. 13ff.<br />
Joachim Ernst Berendt: A Note on Monk, in: <strong>Jazz</strong> Monthly, 2/4 (1956), p. 7, 31<br />
Martin Williams: Monk Unique, in: Martin Williams: <strong>Jazz</strong> Changes, New York 1992 [book: Oxford<br />
University Press], p. 229-230 (R; Reprint von 1956)
Raymond Horricks: Thelonious Monk. Two Sides of an Enigmatic Musician, in: <strong>Jazz</strong> Monthly, 2/2 (1956),<br />
p. 8-11<br />
Nat Hentoff: Memories of Monk, in: <strong>Jazz</strong> Hot, #111 (Jun.1956), p. 16 (N)<br />
Nat Hentoff: Just Call Him Thelonious, in: Down Beat, 23/15 (25.Jul.1956), p. 15-16; reprint, in: Down<br />
Beat, 61/7 (Jul.1994), p. 30, 32-33 (F/I); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader,<br />
New York 2001 [book: University of Oxford Press], p. 71-77 (F/I)<br />
Martin Williams: Thelonious Monk Monk with Art Blakey, in: Martin Williams: <strong>Jazz</strong> Masters in Transition,<br />
1957-1969, New York 1970 [book], p. 12-15 (liner notes, Reprint: liner notes, 1957); Reprint, in: Martin<br />
Williams: <strong>Jazz</strong> Changes, New York 1992 [book: Oxford University Press], p. 197-201 (F)<br />
Michael James: Thelonious Monk. A Personal Appreciation, in: <strong>Jazz</strong> Monthly, 3/5 (1957), p. 8-9<br />
Orrin Keepnews: Liner notes for "Brilliant Corners", in: Rob van der Bliek (ed.): The Thelonious Monk<br />
Reader, New York 2001 [book: University of Oxford Press], p. 85-88 (F: reprint from 1957)<br />
Martin Williams: Thelonious Monk. A Prelude to Success, in: Martin Williams: <strong>Jazz</strong> Masters in Transition,<br />
1957-1969, New York 1970 [book], p. 11-12 (R; Reprint aus: Record Changer, Jan.1957)<br />
Louis Felman: Bud Powell, le virtuose, et Thelonious Monk, le tortionnaire, in: <strong>Jazz</strong> Magazine, #24<br />
(Feb.1957), p. 15-17 (F)<br />
Ira Gitler: Ira Gitler Interviews Thelonious Monk, in: Metronome, 74/3 (Mar.1957), p.19-20, 30, 37 (I);<br />
reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of<br />
Oxford Press], p. 77-83 (I)<br />
Ira Gitler: En écoutant Thelonious, in: <strong>Jazz</strong> Magazine, #26 (Apr.1957), p. 18-19, 36 (I with Monk and his<br />
manager Harry Colomby); reprint, in: Les Années <strong>Jazz</strong> Magazine 1954-2000, Turin 2000 [book:<br />
Filipacchi], p. 66-68 (I); reprint, in: <strong>Jazz</strong> Magazine, #633 (Jan.2012), p. 42-45 (I) [digi.copy]<br />
Nat Hentoff: Thelonious Monk - "Brilliant Corners", in: Down Beat, 13.Jun.1957, p. 28-29 (R); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 88-89 (R)<br />
NN: Thelonious Monk - "Brilliant Corners", in: Metronome, 74/7 (Jun.1957), p. 25-26 (R); reprint, in: Rob<br />
van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p.<br />
90 (R)<br />
Dom Cerulli: Heard in Person. Thelonious Monk Quartet, in: Down Beat, 5.Sep.1957, p. 33 (C); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 91-94 (C)<br />
Jørgen Leth: Thelonious Monk – "Locomotiv" / "Hackensack" (Metronome MEP 285), in: <strong>Jazz</strong> Bladet,<br />
Oct.1957, p. 11 (R)<br />
Jørgen Leth: Thelonious Monk – "The Unique Thelonious" (London LP LTZ-U 15071), in: <strong>Jazz</strong> Bladet,<br />
Oct.1957, p. 15 (R)<br />
Whitney Balliett: Monk, in: Whitney Balliett: The Sound of <strong>Jazz</strong>. 46 Pieces on <strong>Jazz</strong>, London 1961 [book], p.<br />
124-128 (F/R; reprint from 1958); Reprint, in: Whitney Balliett: Collected Works. A Journal of <strong>Jazz</strong> 1954-<br />
2000, New York 2000 [book: St.Martin's Press], p. 47-49 (F/R)<br />
Martin Williams: Miles, Monk, Mulligan, Mingus, and Rollins, in: Martin Williams: <strong>Jazz</strong> Masters in<br />
Transition, 1957-1969, New York 1970 [book], p. 15-19 (R; Reprint aus: American Record Guide,<br />
Jan.1958)
E. Jackson: Monk Went His Own Way, in: Melody Maker, 22.Mar.1958, p. 14 (R: Brilliant Corners)<br />
Teddy Leyh: Piano Perspektiven. Thelonious Monk, in: <strong>Jazz</strong> Podium, 7/3 (Mar.1958), p. 60<br />
E. Jackson: Thelonious Monk Is An Artist, in: Melody Maker, 21.Jun.1958, p. 13 (R: Thelonious Himself)<br />
Horst H. Lange: Discophilia. Thelonious Monk, in: Schlagzeug, 3/13 (Sep.1958), supplement (D)<br />
[digi.copy]<br />
NN: news..., in: <strong>Jazz</strong> Podium, 7/9 (Sep.1958), p. 180 (N: writes film music) [digi.copy]<br />
Frank John London: Thelonious Monk. Can Monk Withstand Success?, in: Down Beat, 30.Oct.1958;<br />
Reprint, in: Down Beat, 63/6 (Jun.1996), p. 34-35 (F/I)<br />
Frank London Brown: More Man Than Myth, Monk Has Emerged from the Shadows, in: Down Beat: 60<br />
Years of <strong>Jazz</strong>, Milwaukee 1995 (Hal Leonard Corp.) [book], p. 105-107 (F/I; Reprint aus DB, 30.Oct.1958);<br />
reprint, in: Down Beat, 76/7 (Jul.2009), p. 106-107 (F/I) [digi.copy]<br />
NN: Monk Collapses On Way To Court. Due With Baroness On Dope Rap, in: New York Amsterdam<br />
News, 25.Oct.1958, p. 1, 2, 11 (F/photo; also arrested: Charlie Rouse) [digi.copy]<br />
Gunther Schuller: Reviews. Recordings, in: <strong>Jazz</strong> Review, 1/1 (Nov.1958), p. 22-27 (R: extensive review of<br />
different recordings by Thelonious Monk) [digi.copy]<br />
John S. Wilson: <strong>Jazz</strong> Concert, in: New York Times, 29.Nov.1958, p. 18 (C: Gerry Mulligan Quartet, Jimmy<br />
Giuffre Three, Miles Davis Sextet, Thelonious Monk Quartet) [digi.copy]<br />
C. Izard: Monk et Dizzy. Démêles avec la police / tournée européenne retardée, in: <strong>Jazz</strong> Magazine, #43<br />
(Dec.1958), p. 13 (F)<br />
NN: Thelonious Monk auf Abwegen, in: <strong>Jazz</strong> Podium, 7/12 (Dec.1958), p. 255<br />
A. Blume: An Interview with John Coltrane, in: <strong>Jazz</strong> Review, 2/1 (1959), p. 25 (über Monk)<br />
G. Coulter: Clark Terry with Thelonious Monk - In Orbit, in: <strong>Jazz</strong> Review, 2/1 (1959), p. 37-38 (R)<br />
J. McKinney: Giants in <strong>Jazz</strong>. Thelonious Monk, in: Metronome, 76/1 (1959), p. 21, 32<br />
Max Harrison: Thelonious Monk, in: Sinclair Traill & The Hon Gerald Lascelles (eds.): Just <strong>Jazz</strong> 3, London<br />
1959 [book: Landsborough Publications], p. 14-22 (F)<br />
R.A. Perlongo: In person - Tristano and Monk (at Half Note), in: Metronome, 76/4 (1959), p. 33 (C)<br />
Rap.: A Night of Thelonious, in: Metronome, 76/8 (1959), p. 18-19<br />
Raymond Horricks Thelonious Monk. Portrait of the Artist as an Enigma, in: Raymond Horricks (ed.):<br />
These <strong>Jazz</strong>men of Our Time, London 1959 [book: Victor Gollancz], p. 19-41 (F)<br />
Glenn Coulter: Clark Terry with Thelonious Monk – "In Orbit" (Riverside 12-262), in: The <strong>Jazz</strong> Review, 2/1<br />
(Jan.1959), p. 37-38 (R) [digi.copy]<br />
H. Thill: Wirkt Monk heute noch befruchtend?, in: <strong>Jazz</strong> Podium, 8/2 (Feb.1959),p. 44-45<br />
Burt Korall: Monk Band Cashes In (10-Piece Band), in: Melody Maker, 14.Mar.1959, p. 2<br />
NN: Essener <strong>Jazz</strong>-Tage ohne Thelonious Monk, in: <strong>Jazz</strong>press, 2/12 (30.Mar.1959), p. 2 (N) [digi.copy]
John A. Tynan: Thelonious Monk – "Misterioso" (Riverside 12-279), in: Down Beat, 26/8 (16.Apr.1959), p.<br />
29-30 (R: 3 stars) [digi.copy]<br />
André Hodeir: Monk, ou le malentendu, in: <strong>Jazz</strong> Hot, #142 (Apr.1959), p. 8-10 (F); part 2, in: <strong>Jazz</strong> Hot,<br />
#143 (May 1959), p. 28-32 (F)<br />
Erich T. Vogel: Nat Hentoff über Thelonious Monk, in: <strong>Jazz</strong> Podium, 8/4 (Apr.1959), p. 93<br />
NN: Breaks, in: Schlagzeug, #21 (May 1959), p. 34 (N: ten piece band for Newport) [digi.copy]<br />
NN: Personalien, in: Schlagzeug, #21 (May 1959), p. 21 (N: released of drug charges) [digi.copy]<br />
Gunther Schuller: Thelonious Monk at Town Hall, in: The <strong>Jazz</strong> Review, 2/5 (Jun.1959), p. 6-8 (C)<br />
[digi.copy]; reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book:<br />
University of Oxford Press], p. 94-100 (C)<br />
NN: Thelonious Monk kommt nach Europa, in: <strong>Jazz</strong>press, 2/19 (8.Jun.1959), p. 2 (N)<br />
Dick Wellstood: Monk's Music. "Thelonious Monk's Piano Originals, revealing instincts of The Genius of<br />
<strong>Jazz</strong>. As recorded on Riverside Records", in: The <strong>Jazz</strong> Review, 2/6 (Jul.1959), p. 32 (B: sheet music;<br />
piano solo transcriptions) [digi.copy]<br />
George Hoefer & Gene Lees: Newport. The Biggest Ever! The High Points: Duke Ellington's astounding<br />
swing / Lambert-Hendricks-Ross with Count Basie / Hawkins and Eldridge / The Maynard Ferguson band /<br />
Thelonious Monk's stomping quartet / The American debut of the Johnny Dankworth band, in: Down Beat,<br />
26/16 (6.Aug.1959), p. 12-17 (C)<br />
NN: "The Unique Thelonious Monk" (Riverside), in: Down Beat, 26/20 (1.Oct.1959), p. 32 (R)<br />
Albert Goldman: Man, You Gotta Dig That Cat, Thelonious, the Thinker, the Skull, the Long Medulla, in:<br />
The New Leader, 19.Oct.1959, p. 27 (F); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk<br />
Reader, New York 2001 [book: University of Oxford Press], p. 111-113 (F)<br />
Humphrey Lyttelton: Monk - Genius in a Straw Hat, in: Melody Maker, 10.Oct.1959, p. 13<br />
NN: Laclos ne l'avait pas prévu. grâce à Vadim. Monk et Messengers effectuent la liaison dangereuse...,<br />
in: <strong>Jazz</strong> Hot, #147 (Oct.1959), p. 11-13 (F)<br />
NN: Monk et les Liaisons Dangereuses, in: <strong>Jazz</strong> Magazine, 5/52 (Oct.1959), p. 20-15, 45 (F); reprint, in:<br />
Les Années <strong>Jazz</strong> Magazine 1954-2000, Turin 2000 [book: Filipacchi], p. 77-84 (F)<br />
NN: Monk et les Liaisons dangereuses, in: <strong>Jazz</strong> Magazine, #52 (Oct.1959), p. 20-25, 45 (F)<br />
NN: music news. East. A Touch of Temperament, in: Down Beat, 26/22 (29.Oct.1959), p. 11 (C: Newport<br />
<strong>Jazz</strong> Festival tour)<br />
NN: Thelonious Monk – "Five by Monk by Five" (Riverside), in: Down Beat, 26/22 (29.Oct.1959), p. 34 (R)<br />
NN: music news. Monk's Times, in: Down Beat, 26/24 (26.Nov.1959), p. 13 (N: Monk arrives 1 hour early<br />
at gig at Black Hawk, San Francisco)<br />
Ira Gitler: Thelonious Monk, in: Down Beat, 56/9 (Sep.1989), p. 64 (C; Reprint aus den 60er Jahren)<br />
André Hodeir: De la popularité à la reconnaissance, in: <strong>Jazz</strong> Hot, #152 (1960), p. 20-22
Charles Fox & Peter Gammond & Alun Morgan & Alexis Korner: <strong>Jazz</strong> on Record. A Critical Guide, London<br />
1960 [book: Grey Arrow], p. 226-229 (F)<br />
G. Sales: I Wanted to Make It Better. Monk at The Black Hawk, in: <strong>Jazz</strong>, #5 (1960), p. 31-38<br />
Grover Sales Jr.: I Wanted to Make It Better. Monk at the Black Hawk, in: <strong>Jazz</strong>. A Quarterly of American<br />
Music, #5 (winter 1960), p. 31-38 (F/I); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader,<br />
New York 2001 [book: University of Oxford Press], p. 100-109 (F/I)<br />
H. Snitzer: Monk Defends Ping Pong Title, in: Metronome, 77/11 (1960), p. 23-25 (Fotos)<br />
Leonard Feather: The <strong>Jazz</strong>man as Critic. The Blindfold Test. Reactions to Thelonious Monk, in: Leonard<br />
Feather: The Encyclopedia of <strong>Jazz</strong>, New York 1960 [book: Bonanza Books], p. 480 (F/I with Miles Davis,<br />
George Wallington, Count Basie)<br />
Michael James: Thelonious Monk, in: Michael James: Ten Modern <strong>Jazz</strong>men, London 1960 [book:<br />
Cassell], p. 81-92 (F); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001<br />
[book: University of Oxford Press], p. 134-145 (F)<br />
Robert Reisner: Thelonious Monk, in: Robert Reisner: The <strong>Jazz</strong> Titans, Garden City/NY 1960 [book:<br />
Doubleday & Company], p. 87-90 (F)<br />
Whitney Balliett: Catching Trout, in: Whitney Balliett: Dinosaurs in the Morning. 41 Pieces on <strong>Jazz</strong>, London<br />
1965 [book], p. 67-70 (C; reprint from 1960); Reprint, in: Whitney Balliett: Collected Works. A Journal of<br />
<strong>Jazz</strong> 1954-2000, New York 2000 [book: St.Martin's Press], p. 104-105 (C)<br />
Gunther Schuller: ...de Monk, in: <strong>Jazz</strong> Hot, #150 (Jan.1960), p. 16-21 (F)<br />
John S. Wilson: Thelonious Monk - "Work" (Prestige), in: Down Beat, 27/1 (7.Jan.1960), p. 38 (R)<br />
NN: Breaks, in: Schlagzeug, #29 (Jan.1960), p. 17 (N: Humphrey Lyttelton about Thelonious Monk)<br />
[digi.copy]<br />
Eric T. Vogel: <strong>Jazz</strong>geschichte in der Town Hall, in: <strong>Jazz</strong> Podium, 9/2 (Feb.1960), p. 30-31 (C: Ornette<br />
Coleman, Benny Golson <strong>Jazz</strong>tet, Thelonious Monk, Ernestine Anderson, John Coltrane, Lee Konitz,<br />
Count Basie)<br />
M. Gibson: Modern <strong>Jazz</strong> Piano, in: <strong>Jazz</strong> Journal, 13/2 (Feb.1960), p. 9, 12<br />
NN: Breaks, in: Schlagzeug, #30 (Feb.1960), p. 18 (N: gets new piano for performance at Philadelphia<br />
club) [digi.copy]<br />
Ralph J. Gleason: Thelonious Monk - "In San Francisco" (Riverside), in: Down Beat, 27/7 (31.Mar.1960),<br />
p. 29-30 (R)<br />
Eric T. Vogel: Thelonious Monk - "Alone in San Francisco" (Riverside), in: <strong>Jazz</strong> Podium, 9/4 (Apr.1960), p.<br />
94 (R) [digi.copy]<br />
Bob Dawbarn: The Monk Logic Triumphs, in: Melody Maker, 28.May 1960, p. 15 (R: Bemsha Swing)<br />
Dan Morgenstern: An Evening with Monk, in: <strong>Jazz</strong> Journal, 13/5 (May 1960), p. 3-4, 40 F)<br />
NN: Thelonious Monk. Same Old Unusual Story, in: Down Beat, 27/10 (12.May 1960), p. 12 (F: TV-Show)<br />
NN: Thelonious Monk a encore "fait des siennes"..., in: <strong>Jazz</strong> Hot, #155 (Jun.1960), p. 20 (short F)
Don DeMichael: Thelonious Monk - "At the Blackhawk" (Riverside), in: Down Beat, 27/19 (15.Sep.1960),<br />
p. 28-29 (R)<br />
Bob Dawbarn: Monk's Genius Makes This a Must, in: Melody Maker, 3.Dec.1960, p. 10 (R: The<br />
Thelonious Monk Orchestra at Town Hall)<br />
Michel-Claude Jalard: Trois apotres du discontinu, in: <strong>Jazz</strong> Magazine, #65 (Dec.1960), p. 42-47, 63 (F:<br />
Duke Ellington, Thelonious Monk, Cecil Taylor); reprint, in: Les Années <strong>Jazz</strong> Magazine 1954-2000, Turin<br />
2000 [book: Filipacchi], p. 104-110 (F)<br />
NN: <strong>Jazz</strong>liebe, Humor oder Versehen der USA-Post?, in: <strong>Jazz</strong> Podium, 9/12 (Dec.1960), p. 260 (N/photo:<br />
Monk stamp actually shipped by US postal office) [digi.copy]<br />
Hans-Jürgen Winkler: Thelonious Monk, in: Hans-Jürgen Winkler: <strong>Jazz</strong> für Jedermann, München 1961<br />
[book], p. 262-263 (F)<br />
J.-M. Merret: Monk est un "Martien", in: <strong>Jazz</strong> Magazine, 7/67 (1961), p. 5<br />
Martin Williams: Monk and Coltrane - Echoes of 1957, in: Martin Williams: <strong>Jazz</strong> Masters in Transition,<br />
1957-1969, New York 1970 [book], p. 46-48 (R; Reprint aus: Down Beat, 1961); Reprint, in: Martin<br />
Williams: <strong>Jazz</strong> Changes, New York 1992 [book: Oxford University Press], p. 256-258 (R)<br />
Martin Williams: Thelonious Monk. Le jazz moderne a la recherche de la maturite, in: Les Cahiers du<br />
<strong>Jazz</strong>, #4 (1961), p. 6-15 (F)<br />
Nat Hentoff: Three Ways of Making It. John Lewis, Miles Davis, Thelonious Monk, in: Nat Hentoff: The<br />
<strong>Jazz</strong> Life, New York 1978 [book; Reprint, O: New York 1961], p. 178-203 (F)<br />
NN: The Art of Relaxation. Thelonious Monk & Lois Solomon, in: Metronome, 78/7 (1961), p. 7 (Satire)<br />
Raymond Mouly & J.-R. Masson: Monk - Newport - Cannonball - Mahalia, in: <strong>Jazz</strong> Magazine, 7/71 (1961),<br />
p. 22-27<br />
Siegfried Schmidt-Joos: Monk, in: Siegfried Schmidt-Joos: <strong>Jazz</strong>. Gesicht einer Musik, Gütersloh 1961<br />
[book], p. 343-346 (F)<br />
Teddy Leyh: Kritisches Mosaik. Monk's Music, in: <strong>Jazz</strong> Podium, 10/8 (1961), p. 197-198<br />
Whitney Balliett: Thelonious Monk, in: Ken Williamson (ed.): This Is <strong>Jazz</strong>, London 1961 [book: <strong>Jazz</strong> Book<br />
Club & George Newnes], p. 233-235 (F)<br />
NN: Monk i Maj, in: Orkester Journalen, 29/3 (Mar.1961), p. 4 (short F: tour)<br />
NN: Thelonious Monk Has a Fire, in: Down Beat, 28/6 (16.Mar.1961), p. 11 (short F) [digi.copy]<br />
Humphrey Lyttelton: Monk - Joker or Genius, in: Melody Maker, 29.Apr.1961, p. 5<br />
Max Jones: Magnificent - That's Monk, in: Melody Maker, 1.Apr.1961, p. 11 (R: At the Black Hawk)<br />
Bob Dawbarn: Monk and the Messengers. The Greatest Show in <strong>Jazz</strong>, in: Melody Maker, 6.May 1961, p.<br />
3<br />
Jean Tronchot: Trop courte prestation du quartette de Monk, in: <strong>Jazz</strong> Hot, #165 (May 1961), p. 20-21 (C)<br />
Max Jones: Monk Talks to the MM, in: Melody Maker, 6.May 1961, p. 2 (I)<br />
NN: Monk Leaves After "Mixed Receptions", in: Melody Maker, 13.May 1961, p. 20
NN: News..., in: <strong>Jazz</strong> Podium, 10/5 (May 1961), p. 124 (N: performs at Museum of Modern Art, New York)<br />
[digi.copy]<br />
Bertil Sundin & Lars Werner: En lektion I jazz. Recension av Thelonious Monks konserter I form av ett<br />
delvis redigerat bandat samtal mellan Bertil Sundin och Lars Werner, in: Orkester Journalen, 29/6<br />
(Jun.1961), p. 8-9 (C: Stockholm, 16. May 1961)<br />
Humphrey Lytelton: Monk Is Fantastic, Tells Charlie Rouse, in: Melody Maker, 17.Jun.1961, p. 7<br />
Max Harrison: Thelonious Monk, in: Max Harrison: A <strong>Jazz</strong> Retrospect, London 1991 [book; Reprint, O:<br />
1976], p. 28-31 (F; Reprint aus: <strong>Jazz</strong> Journal, Jun.1961)<br />
Ronald Atkins: Thelonious Monk, in: <strong>Jazz</strong> Monthly, 7/5 (Jul.1961), p. 15-16 (C)<br />
Bob Dawbarn: 1956 Monk - Weird But Wonderful, in: Melody Maker, 19.Aug.1961, p. 6 (R: Brilliant<br />
Corners)<br />
Gerald Lascelles: Thelonious Monk. Portrait of 'The Hat', in: <strong>Jazz</strong> Journal, 18/4 (Apr.1965), p. 10-12 (F)<br />
Sinclair Traill: Thelonious Monk at the Festival Hall, in: <strong>Jazz</strong> Journal, 18/4 (Apr.1965), p. 12 (C)<br />
Robert Kotlowitz: Monk Talk, in: Harper's Magazine, Sep.1961, p. 21.23 (F/I); reprint, in: Rob van der Bliek<br />
(ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 113-117 (F/I)<br />
Bob Dawbarn: Monk - At His Simplest, in: Melody Maker, 21.Oct.1961, p. 7 (R: Plays the Music of Duke<br />
Ellington)<br />
Martin Williams: "Thelonious Monk with John Coltrane" (<strong>Jazz</strong>land), in: Down Beat, 28/26 (21.Dec.1961), p.<br />
38, 40 (R: 5 stars) [digi.copy]<br />
Martin Williams: "Thelonious Monk with John Coltrane" (<strong>Jazz</strong>land 46), in: Down Beat, 72/1 (Jan.2005), p.<br />
82 (R: 5 stars; reprint, from: Down Beat, 21.Dec.1961) [digi.copy]<br />
André Hodeir: Monk or the Misunderstanding, in: André Hodeir: Toward <strong>Jazz</strong>, New York 1962 [book:<br />
Grove Press; London 1965: The <strong>Jazz</strong> Book Club], p. 156-177 (F); reprint, in: Rob van der Bliek (ed.): The<br />
Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 118-134 (F); reprint, in:<br />
André Hodeir & Jean-Louis Pautrot: The André Hodeir <strong>Jazz</strong> Reader, Ann Arbor/MI 2006 [book: University<br />
of Michigan Press], p. 163-180 (F)<br />
James Poling (ed.): Esquire's World of <strong>Jazz</strong>, London 1962 [book: Arthur Baker], p. 120-129 (F: chapter<br />
"The private world of Thelonious Monk")<br />
James Poling (ed.): Esquire's World of <strong>Jazz</strong>, London 1962 [book: Arthur Baker], p. 193-207 (F: chapter<br />
"The Future of <strong>Jazz</strong>"; short I with Thelonious Monk, Duke Ellington, Gerry Mulligan, Sonny Rollins, Dave<br />
Brubeck, John Lewis)<br />
Max Harrison: Monk, Thelonious, in: Stanley Dance (ed.): <strong>Jazz</strong> Era. The 'Forties, London 1962 [book: The<br />
<strong>Jazz</strong> Book Club & MacGibbon & Kee], p. 180-181 (F)<br />
W. Dohl: Thelonious Monk, in: Down Beat, 11/7 (1962), p. 162-163<br />
Demètre Ioakimidis: "Thelonious Monk with John Coltrane" (<strong>Jazz</strong>land), in: <strong>Jazz</strong> Hot, #172 (Jan.1962), p.<br />
43 (R) [digi.copy]<br />
Jean-Robert Masson: "John Coltrane with Thelonious Monk" (<strong>Jazz</strong>land), in: <strong>Jazz</strong> Magazine, #78<br />
(Jan.1962), p. 34-35 (R) [digi.copy]
George Hoefer: Hot Box. Thelonious Monk in the '40s, in: Down Beat, 29/27 (25.Oct.1962), p. 43-44 (F);<br />
reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of<br />
Oxford Press], p. 14-18 (F)<br />
J. Bens: Concert. Monk l'explorateur, in: <strong>Jazz</strong> Magazine, 9/93 (1963), p. 37-38<br />
J. Clouzot & M. Delorme: L'amertume du prophète, in: <strong>Jazz</strong> Magazine, 9/93 (1963), p. 38-41<br />
Jean Tronchot: Une rétrospective Monkienne, in: <strong>Jazz</strong> Hot, 28/185 (1963), p. 6<br />
LeRoi Jones: Recent Monk, in: LeRoi Jones: Black Music, New York 1967 [book], p. 26-34 (F; Reprint<br />
aus: Down Beat, 1963)<br />
Bill Coss: Caught in the Act: Student Nonviolent Co-Ordinating Committee Benefit, in: Down Beat, 30/8<br />
(28.Mar.1963), p. 45 (C: Mingus/Mann/Monk)<br />
Jean Tronchot: Une rétrospective monkienne, in: <strong>Jazz</strong> Hot, #185 (Mar.1963), p. 6 (F)<br />
Claude Lennisois & Jeff Gilson: Monk, un classique moderne, in: <strong>Jazz</strong> Hot, #186 (Apr.1963), p. 6-8 (C)<br />
François Postif: 'Round 'Bout Sphere, in: <strong>Jazz</strong> Hot, #186 (Apr.1963), p. 22-25, 39, 41 (I); Reprint, in:<br />
François Postif: <strong>Jazz</strong> Me Blues. Interviews et portraits de musiciens de jazz et de blues, Paris 1998 [book:<br />
Outre Mesure], p. 185-192 (I)<br />
Jean Clouzet & Michel Delorme: Thelonious Monk. Soliloque du prophète, in: <strong>Jazz</strong> Magazine, #443<br />
(Dec.1994), p. 33-35 (I; Reprint aus: <strong>Jazz</strong> Magazine, Apr.1963)<br />
NN: Monk and Adderley im Fernsehen, in: <strong>Jazz</strong> Podium, 12/4 (Apr.1963), p. 76<br />
R. Blome: Thelonious Monk in Deutschland, in: <strong>Jazz</strong> Podium, 12/4 (Apr.1963), p. 78<br />
NN: <strong>Jazz</strong>. Thelonious Monk Quartet, in: Showbusiness, 3/3 (15.May 1963), p. 6 (short F: TV performance<br />
in Germany) [digi.copy]<br />
Ole Just Astrup: Musikerna kring Monk, in: Orkester Journalen, 31/7-8 (Jul/Aug.1963), p. 10-11 (F)<br />
Horst Lippmann: Pianorama. Thelonious Monk - "Monk's Dream" (CBS), in: <strong>Jazz</strong> Podium, 12/10<br />
(Oct.1963), p. 216, 220 (R) [digi.copy]<br />
Ira Gitler: Thelonious Monk - "Two Hours with Thelonious Monk" (Riverside); "Criss-Cross" (Columbia), in:<br />
Down Beat, 30/28 (24.Oct.1963), p. 26-27 (R)<br />
NN: Steve Lacy. The Land of Monk, in: Down Beat, 30/27 (10.Oct.1963), p. 14-15 (F/I with Lacy)<br />
Gunther Schuller: Thelonious Monk, in: Martin Williams (Hg.): <strong>Jazz</strong> Panorama. From the Pages of <strong>Jazz</strong><br />
Review, New York 2/1967 [book, O: New York 11964], p. 216-238 (A/T)<br />
Joachim-Ernst Berendt: Twen Platte (25). Die Thelonious-Monk-Story, in: Twen, 6/2 (1964), p. 49ff.<br />
Martin Williams: Solo Monk, in: Martin Williams: <strong>Jazz</strong> Changes, New York 1992 [book: Oxford University<br />
Press], p. 202-204 (F; Reprint: liner notes, 1964)<br />
Martin Williams: Thelonious Monk - The Golden Monk, in: Martin Williams: <strong>Jazz</strong> Heritage, New York 1985<br />
[book], p. 201-205 (F; Reprint: liner notes, 1964)<br />
Martin Williams: Thelonious Monk. Prelude to Success, in: <strong>Jazz</strong>, 3/6 (1964), p. 8-10
Wilfrid Mellers: From art back to jazz. Modern jazz and the composing improviser. Thelonious Monk and<br />
Charlie Parker, Ornette Coleman and John Coltrane, in: Wilfrid Mellers: Music in a New Found Land.<br />
Themes and Developments in the History of American Music, London 1964 [book], p. 331-350 (F/A)<br />
NN: Kennedy's death causes tour and concert cancellations, in: Down Beat, 31/1 (2.Jan.1964), p. 11 (F)<br />
Barry Farrell: The Loneliest Monk. <strong>Jazz</strong>man Thelonious Monk, in: Time, 28.Feb.1964, p. 42-46, cover<br />
(F/I); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University<br />
of Oxford Press], p. 149-161 (F/I)<br />
Ira Gitler: Caught in the Act. Thelonious Monk, Philharmonic Hall, Lincoln Center, New York City, in: Down<br />
Beat, 31/6 (27.Feb.1964), p. 34-35 (C)<br />
Ira Gitler: Thelonious Monk, Philharmonic Hall, Lincoln Center, New York City, in: Down Beat, 31/6<br />
(27.Feb.1964), p. 34-35 (C)<br />
LeRoi Jones: The Acceptance of Monk, in: Down Beat, 31/6 (27.Feb.1964), p. 20-22 (F); responses, by<br />
Barry Farrell, Dennis R. Hendley, Ben S. Page, in: Down Beat, 31/9 (9.Apr.1964), p. 6 (letters); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 163-169 (F)<br />
LeRoi Jones: The Acceptance of Monk, in: Down Beat, 31/6 (27.Feb.1964), p. 20-22 (F)<br />
Martin Williams: A Night at the Five Spot, in: Down Beat, 31/4 (13.Feb.1964), p. 20-2 (F); Reprint, in:<br />
Martin Williams: <strong>Jazz</strong> Changes, New York 1992 [book: Oxford University Press], p. 90-97 (F)<br />
Gérard Bremond & Jacques-J. Gaspard & Michel Delorme: En butte à Monk, in: <strong>Jazz</strong> Hot, #197<br />
(Apr.1964), p. 18-22 (F/C/I)<br />
Leonard Feather: Feather's Nest, in: Down Beat, 23.Apr.1964, p. 39 (F); reprint, in: Rob van der Bliek<br />
(ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 161-163 (F)<br />
Michel-Claude Jalard: Thelonious Monk a l'heure du simulacre, in: <strong>Jazz</strong> Magazine, #436 (Apr.1994), p.<br />
19-21 (F/C; Reprint aus <strong>Jazz</strong> Magazine, #105 [Apr.1964]); reprint, in: <strong>Jazz</strong> Magazine, #623 (Mar.2011),<br />
supplement, p. ii-iii (F/C)<br />
Don DeMichael & Pete Welding: <strong>Jazz</strong> Basics. Thelonious Monk - "Brilliant Corners" (Riverside), in: Down<br />
Beat, 31/14 (18.Jun.1964), p. 22 (R)<br />
Elliot Horne & John Birchard: Chords & Discords. Feather, No..., in: Down Beat, 31/13 (4.Jun.1964), p. 7<br />
(letters)<br />
Harvey Pekar: "Monk: Big Band and Quartet in Concert" (Columbia), in: Down Beat, 31/14 (18.Jun.1964),<br />
p. 25 (R)<br />
Dan Morgenstern: Caught in the Act. Thelonious Monk, Carnegie Hall, New York City, in: Down Beat,<br />
31/22 (30.Jul.1964), p. 17 (C)<br />
Martin Williams: Rehearsing with Monk, in: Down Beat, 31/22 (30.Jul.1964), p. 14-16 (F); reprint, in: Rob<br />
van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p.<br />
194-202 (F)<br />
Pete Welding: Miles Davis/Thelonious Monk - "Miles and Monk at Newport" (Columbia 2178 & 8978), in:<br />
Down Beat, 31/23 (13.Aug.1964), p. 22 (R: 3 1/2 stars); reprint, in: Frank Alkyer & Ed Enright & Jason<br />
Koransky (eds.): The Miles Davis Reader. Interviews and Features from DownBeat Magazine, New York<br />
2007 [book: Hal Leonard Books], p. 234-236 (R)
Martin Williams: Thelonious Monk. Arrival without Departure, in: <strong>Jazz</strong> Journal, 17/8 (Aug.1964), p. 12-14<br />
(F)<br />
Don Nelsen: Thelonious Monk - "It's Monk's Time" (Columbia), in: Down Beat, 31/28 (22.Oct.1964), p. 29<br />
(R); response, by John Pollard, in: Down Beat, 31/32 (17.Dec.1964), p. 9 (letter)<br />
W. Hein: Das moderne <strong>Jazz</strong>-Antiquariat (14. Folge). Harlem Jam Session, Mai 1941, in: <strong>Jazz</strong> Podium,<br />
13/10 (Oct.1964), p. 246-248#<br />
Max Barker: Monk - cornered!... but he's still not saying much. It took thirty interviews to compile a fourand-a-half-page<br />
feature for Time magazine, in: Crescendo, 3/4 (Nov.1964), p. 16 (F)<br />
C. Lenissois: Monk toujours, in: <strong>Jazz</strong> Hot, 31/208 (1965), p. 3, 5<br />
J.-L.Noames: <strong>Jazz</strong> à New York, in: <strong>Jazz</strong> Magazine, #123 (1965),p. 16-21<br />
Joe Goldberg: Thelonious Monk, in: Joe Goldberg: <strong>Jazz</strong> Masters of the 50s, New York 1965 [book], p. 24-<br />
44 (F/I)<br />
Whitney Balliett: A Celebration for Monk, in: Whitney Balliett: Dinosaurs in the Morning. 41 Pieces on<br />
<strong>Jazz</strong>, London 1965 [book], p. 25-27 (C)<br />
Bob Dawbarn: Old Bottles, But It's Still new Thelonious, in: Melody Maker, 13.Mar.1965, p. 14 (R: Five By<br />
Monk By Five)<br />
M.H.: Monk - The Mixture As Before (Quartet in Paris), in: Melody Maker, 13.Mar.1965, p. 8 (C)<br />
Mike Hennessey: Monk's Mood, in: Melody Maker, 20.Mar.1965, p. 9 (I)<br />
NN: Monk Quartett kommt, in: <strong>Jazz</strong> Podium, 14/3 (Mar.1965), p. 58<br />
NN: Monk Tour Starts, in: Melody Maker, 13.Mar.1965, p. 1<br />
Bill Mathieu: Thelonious Monk - "Monk" (Columbia), in: Down Beat, 32/8 (8.Apr.1965), p. 30 (R)<br />
Claude Lenissois: Monk Toujours, in: <strong>Jazz</strong> Hot, #208 (Apr.1965), p. 3, 5 (C)<br />
Jackie Sharpe: Thelonious Monk, Royal Festival Hall, in: Crescendo, 3/9 (Apr.1965), p. 9 (C)<br />
NN: Monk on the Critics, in: Crescendo, 3/9 (Apr.1965), p. 1 (short I)<br />
Les Tomkins: Thelonious speaking..., in: Crescendo, 3/10 (May 1965), p. 10-12 (F/I)<br />
Valerie Vilmer: Monk on Monk, in: Down Beat, 32/12 (3.Jun.1965), p. 20-22 (F/I); reprint, in: Down Beat,<br />
72/1 (Jan.2005), p. 56-58 (F/I) [digi.copy]<br />
Pete Welding: Thelonious Monk - "Solo Monk" (Columbia), in: Down Beat, 32/16 (29.Jul.1965), p. 31-32<br />
(R)<br />
B. Houston: Nutty, Twisted, Unorthodox, Hilarious - At His Best, in: Melody Maker, 28.Aug.1965, p. 10 (R:<br />
Solo Monk)<br />
NN: Getz, Dizzy, Monk to Solo with DB Festival Orchestra, in: Down Beat, 32/17 (12.Aug.1965), p. 10 (N)<br />
Randy Bloch: Chords & Discords. Monk Undeserving, in: Down Beat, 32/20 (23.Sep.1965), p. 12 (letter)
Jean-Louis Noames: Monk entre deux sommes, in: <strong>Jazz</strong> Magazine, #124 (Nov.1965), p. 46-49 (F/I);<br />
excrepted reprint, in: <strong>Jazz</strong> Magazine, #500 (Jan.2000), p. 12-13 (I)<br />
André Francis: <strong>Jazz</strong>, Bourges 1958 [book: Solfèges / Éditions du Seuil]; reprint: Bourges 1966 [book:<br />
Solfèges / Éditions du Seuil], p. 112-114 (F)<br />
Martin Williams: Misterioso, by the Thelonious Monk Quartet, in: Martin Williams: Where's the Melody? A<br />
Listener's Introduction to <strong>Jazz</strong>, New York 1966 [book], p. 68-70 (F)<br />
Martin Williams: Monk at the Five Spot, in: Martin Williams: Where's the Melody? A Listener's Introduction<br />
to <strong>Jazz</strong>, New York 1966 [book], p. 97-108 (F)<br />
Martin Williams: Smoke Gets In Your Eyes, by Thelonious Monk Quintet, in: Martin Williams: Where's the<br />
Melody? A Listener's Introduction to <strong>Jazz</strong>, New York 1966 [book], p. 54-58 (F)<br />
P. Lattes: Quelle palete!, in: <strong>Jazz</strong> Hot, 32/220 (1966), p. 5-6<br />
P. Nahman: Monk à Paris, in: <strong>Jazz</strong> Hot, 32/220 (1966), p. 5<br />
Kenny Dorham: Thelonious Monk - "Monk Misterioso" (Columbia), in: Down Beat, 33/2 (27.Jan.1966), p.<br />
32 (R)<br />
Henry Woodfin: The new jazz. 1. The beginning, in: Sounds & Fury, 1/4 (Feb.1966), p. 18-21 (F)<br />
[digi.copy]<br />
Henry Woodfin: The New <strong>Jazz</strong>. 1: The Beginning (Hommage an Sonny Rollins, Miles Davis, Thelonious<br />
Monk, Charles Mingus), in: Sounds & Fury, 1/4 (Feb.1966), p. 18-21 (F; poems by Jutta Hipp) [digi.copy]<br />
Jutta Hipp: Thelonious Monk, in: Sounds & Fury, 1/4 (Feb.1966), p. 20 (poem) [digi.copy]<br />
Leonard Feather: Blindfold Test. Thelonious Monk, in: Down Beat, 33/8 (21.Apr.1966), p. 39 (BT: Andrew<br />
Hill: "Flight 19"; Art Pepper; "Rhythm-a-ning"; Dizzy Gillespie: "I Can't Get Started/Rsound Midnight"; Bob<br />
Florence: "Straight, No Chaser"; Phineas Newborn: "Well, You Needn't"; Bud Powell: "Ruby, My Dear";<br />
Oscar Peterson: "Easy Listenin' Blues"; Denny Zeitlin: "Carole's Garden"); Reprint, in: Leonard Feather:<br />
The Encyclopedia of <strong>Jazz</strong> in the 60s, New York 1966 [book: Horizon Press], p. 29-30 (BT) [digi.copy];<br />
Reprint, in: Down Beat, 61/2 (Feb.1994), p. 78 (BT); Reprint, in: Rob van der Bliek (ed.): The Thelonious<br />
Monk Reader, New York 2001 [book: University of Oxford Press], p. 183-187 (BT); excerpte and<br />
translation, in: Ritmo, #773 (Oct.2002), p. 13-14 (BT)<br />
C. Bird: Monk. Now Instant Creation Twice Nightly, in: Melody Maker, 30.Apr.1966, p. 6<br />
NN: Potpourri. Thelonious Monk in Poland, in: Down Beat, 33/10 (19.May 1966), p. 14 (N)<br />
Philippe Nahman & Pierre Lattes: Monk à Paris, in: <strong>Jazz</strong> Hot, #220 (May 1966), p. 5-6 (C)<br />
David Hogarth: Monk in Europe, in: <strong>Jazz</strong> Journal, 19/6 (Jun.1966), p. 23 (C)<br />
Martin Williams: Rehearsing with Monk, in: Down Beat, 31/22 (30.Jul.1964), p. 14-16 (F); Reprint, in:<br />
Martin Williams: <strong>Jazz</strong> Masters in Transition, 1957-1969, New York 1970 [book], p. 208-216 (F); Reprint, in:<br />
Martin Williams: <strong>Jazz</strong> Heritage, New York 1985 [book], p. 123-134 (F)<br />
Robert Shelton: Park Shows Given by Monk and Evans, in: New York Times, 23.Aug.1966, p. 33 (C)<br />
[digi.copy]<br />
Martin Williams: Thelonious Monk - The High Priest, in: Martin Williams: <strong>Jazz</strong> Heritage, New York 1985<br />
[book], p. 206-209 (F; Reprint: liner notes, 1967)
NN: Gary McFarland's Original Score of Thelonious Monk's "Straight, No Chaser", in: Down Beat Music<br />
'67 (1967), p. 104-116<br />
Orrin Keepnews: Thelonious Monk: Straight No Chaser (Columbia CL 2651), in: Tom Piazza: Setting the<br />
Tempo. Fifty Years of Great <strong>Jazz</strong> Liner Notes, New York 1996 [book], p. 212-215 (F; Reprint of liner notes<br />
from 1967)<br />
Peter Clayton & Peter Gammond: Five Spot Blues, in: Peter Clayton & Peter Gammond: Fourteen Miles<br />
on a Clear Night, London 1967 [book: The <strong>Jazz</strong> Book Club & Peter Owen], p. 38-40 (R)<br />
Ian Carr: Monk in Perspective, in: <strong>Jazz</strong> Journal, 20/1 (Jan.1967), p. 4-6 (F/A); reprint, in: Rob van der Bliek<br />
(ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 203-210 (F/A)<br />
B. Houston: Thelonious With the Messengers, in: Melody Maker, 12.Aug.1967, p. 10 (R: Straight No<br />
Chaser)<br />
Denes Agay: The Joy of <strong>Jazz</strong>. Easy to Medium Grade Piano Solos, London 1968 [sheet music], p. 40-41<br />
(piano solo arrangement of "52nd Street Theme")<br />
Leonard Feather: Feather's Nest. Notes from All Over, in: Down Beat, 35/6 (21.Mar.1968), p. 15 (short F:<br />
Monk's real birthdate)<br />
Dan Morgenstern: Thelonious Monk – "Underground Monk" (Columbia CS 9632), in: Down Beat, 35/16<br />
(8.Aug.1968), p. 24 (R: 4 stars) [digi.copy]<br />
Diverse Autoren: Panorama des pianistes. Thelonious Monk, in: <strong>Jazz</strong> Hot, 35/247 (1969), p. 37<br />
Jorgen Grunnet Jepsen: A Discography of Thelonious Monk & Bud Powell, Copenhagen 1969 [bbok: Karl<br />
Emil Knudsen], p. 1-21 (D)<br />
Harvey Siders: Quotet. Which do you prefer: recording live, or in a studio?, in: Down Beat, 36/2<br />
(23.Jan.1969), p. 14 (short I; Monk: live)<br />
NN: Potpourri. Thelonious Monk at Chicago's Plugged Nickel, in: Down Beat, 36/8 (17.Apr.1969), p. 15<br />
(N)<br />
Barry McRae: <strong>Jazz</strong> Basics, No. 29. Thelonious Monk, in: <strong>Jazz</strong> Journal, 22/5 (May 1969), p. 37 (F)<br />
John Litweiler: Thelonious Monk - "Monk's Blues" (Columbia), in: Down Beat, 36/16 (7.Aug.1969), p. 23-<br />
24 (R)<br />
John S. Wilson: <strong>Jazz</strong>men of 1950's Play in Holmdel. Modern <strong>Jazz</strong> Quartet, Monk and Miles Davis<br />
Perform, in: New York Times, 8.Sep.1969, p. 49 (C) [digi.copy]<br />
Bob Dawbarn: Thelonious Monk Orchestra "In Concert", in: Melody Maker, 25.Oct.1969, p. 26 (R)<br />
Larry Neal: Monk at Count Basie's, in: The Cricket, #4 (ca.1970), p. 4-5 (poem) [digi.copy]<br />
Martin Williams: Thelonious Monk. Modern <strong>Jazz</strong> in Search of Maturity, in: Martin Williams: The <strong>Jazz</strong><br />
Tradition, New York 2/1983 [book; New York 1/1970], p. 154-171 (F); reprint, in: Rob van der Bliek (ed.):<br />
The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 210-223 (F)<br />
NN: Potpourri. Thelonious Monk hospitalized, in: Down Beat, 37/9 (30.Apr.1970), p. 11 (N)<br />
Jef Langford: Monk's Horns, in: <strong>Jazz</strong> Journal, 23/11 (Nov.1970), p. 2-6 (F); part 2, in: <strong>Jazz</strong> Journal, 24/1<br />
(Jan.1971), p. 7 (F); part 3, in: <strong>Jazz</strong> Journal, 24/2 (Feb.1971), p. 3 (F)
Gary Elder: Well, You Needn't, in: The Journal of Popular Culture, 4/4 (1971), p. 850-862 (F); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 170-181 (F)<br />
Sammy Mitchell: Caught in the Act. Thelonious Monk Quartet, Both/And Club, San Francisco, Cal., in:<br />
Down Beat, 38/5 (4.Mar.1971), p. 31 (C)<br />
Bill Dobbins: Music Workshop. Thelonious Monk's "I Mean You" Solo Transcribed and Annotated, in:<br />
Down Beat, 38/18 (28.Oct.1971), p. 38-39 (AT)<br />
Pearl Gonzalez: Monk Talk, in: Down Beat, 38/18 (28.Oct.1971), p. 12-13 (F/I); Reprint, in: Down Beat,<br />
66/7 (Jul.1999), p. 58-59 (F/I); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New<br />
York 2001 [book: University of Oxford Press], p. 187-193 (F/I)<br />
John Fordham: Monk, in: John Fordham: Shooting from the Hip. Changing Tunes in <strong>Jazz</strong>, London 1996<br />
[book: Kyle Cathie Limited], p. 26-27 (concert preview; Reprint, from: Time Out, Nov.1971)<br />
Lucien Malson: Thelonious Monk, in: Lucien Malson: Que sais-je? Les maitres du jazz, Paris 1972 [book],<br />
p. 88-98 (F)<br />
Brian Priestley: Monk in the Studio, in: Melody Maker, 22.Jul.1972, p. 30<br />
Bob Porter: Thelonious Monk – "Something in Blue" (Polydor 2460 152), in: <strong>Jazz</strong> Digest, 1/9-10<br />
(Sep/Oct.1972), p. 30 (R) [digi.copy]<br />
Tom Piazza: Caught in the Act. Thelonious Monk, Village Vanguard, New York City, in: Down Beat, 39/20<br />
(7.Dec.1972), p. 26 (C)<br />
Benny Green: Virtuosi. The Loneliest Monk, in: Benny Green: Drums in My Ears, London 1973 [book], p.<br />
121-122 (R)<br />
Hildred Roach: Thelonious Monk, in: Hildred Roach: Black American Music. Past and Present, Boston<br />
1973 [book], p. 90 (F)<br />
Balleras: Thelonious Monk - The Man I Love, in: Down Beat, 41/8 (1974), p. 30 (R)<br />
Gary Giddins: Thelonious Monk - Something In Blue, in: Down Beat, 41/2 (1974), p. 17 (R)<br />
Gary Giddins: Thelonious Monk - "Something in Blue" (Black Lion), in: Down Beat, 41/2 (31.Jan.1974), p.<br />
17 (R)<br />
NN: (Off the Record) It's Monk, in: Down Beat, 41/1 (17.Jan.1974), p. 9 (N)<br />
Jon Balleras: Thelonious Monk - "The Man I Love" (Black Lion), in: Down Beat, 41/8 (25.Apr.1974), p. 30<br />
(R)<br />
Will Powers: Thelonious Monk with John Coltrane – "Monk/Trane" (Milestone M-47011), in: <strong>Jazz</strong> Digest,<br />
3/4-5 (Apr/May 1974), p. 7 (R) [digi.copy]<br />
Peter Keepnews: Caught. New York <strong>Jazz</strong> Repertory Company. "The Music of Thelonious Monk",<br />
Carnegie Hall, New York City, in: Down Beat, 41/13 (18.Jul.1974), p. 37 (C)<br />
Peter Keepnews: Thelonious Monk, in: <strong>Jazz</strong> (Magazine) [USA], 1/1 (Summer 1976), p. 8 (short F)<br />
[digi.copy]<br />
Ira Gitler: Thelonious Monk Returns to Carnegie Hall, in: Radio Free <strong>Jazz</strong>, May 1976, p. 10 (C)
Michel Ruppli: Discographie de Thelonious Monk, in: <strong>Jazz</strong> Hot, #331 (Oct.1976), p. 22-25, 29 (D)<br />
Barry Levene (ed.): The Definitive <strong>Jazz</strong> Festival, London 1977 [sheet music] (T: piano solo arrangements<br />
of "Monk's Mood" [p. 53-55]; "In Walked Bud" [p. 56-57]; "'Round Midnight" [p. 58-59]; "Introspection" [p.<br />
60-61])<br />
Dave Gelly: Thelonious Monk, in: NN (ed.): Thelonious Monk. <strong>Jazz</strong> Masters, London 1977 [sheet music],<br />
p. 4-7 (F)<br />
NN (ed.): Thelonious Monk. <strong>Jazz</strong> Masters, London 1977 [sheet music] (T: piano solo arrangements of<br />
"Brilliant Corners"; "Coming On the Hudson"; "Criss Cross"; "Evidence"; "Friday the 13th"; "I Mean You";<br />
"Introspection"; "In Walked Bud"; "Locomotive"; "Misterioso"; "Monk's Dream"; "Off Minor"; "Pannonica";<br />
"Rhythm-a-ning"; "Monk's Mood"; Straight No Chaser"; "Work"; "Trinkle Tinkle"; "Ruby My Dear")<br />
Stanley Crouch: Thelonious Monk: At the Five Spot (Milestone M-47043), in: Tom Piazza: Setting the<br />
Tempo. Fifty Years of Great <strong>Jazz</strong> Liner Notes, New York 1996 [book], p. 255-266 (F; Reprint of liner notes<br />
from 1977)<br />
Valerie Wilmer: Round About Monk, in: Valerie Wilmer: <strong>Jazz</strong> People, London 1977 [book], p. 41-51 (F/I)<br />
Alan Groves: The loneliest Monk. Frustration beneath a funny hat, in: <strong>Jazz</strong> Journal, 30/11 (Nov.1977), p.<br />
10-13 (F)<br />
Jimmy Lyons: Whose Key?, in: Jimmy Lyons & Ira Kamin: Dizzy, Duke, The Count and Me. The Story of<br />
the Monterey <strong>Jazz</strong> Festival, San Francisco 1978 [book], p. 38 (F)<br />
Mark Gridley: Bop. Thelonious Monk, in: Mark Gridley: <strong>Jazz</strong> Styles, Englewood Cliffs 1978 [book], p. 128,<br />
130-132 (F)<br />
Dan Morgenstern: Doggin' Around. Monk's Music, in: <strong>Jazz</strong> Journal, 31/5 (May 1978), p. 21 (C)<br />
Al Fraser: Thelonious Sphere Monk, in: Dizzy Gillespie & Al Fraser: To Be or Not to Bop. Memoires, New<br />
York 1979 [book], p. 136-137 (I)<br />
Dizzy Gillespie: To Be, or Not to... Bop, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New<br />
York 2001 [book: University of Oxford Press], p. 18-22 (F; reprint, from 1979)<br />
Kitty Grime: <strong>Jazz</strong> at Ronnie Scott's, London 1979 [book], p. 51, 92-93 (short I)<br />
Jacques Réda: Thelonious Sphere Monk. Un art sans commencement, in: <strong>Jazz</strong> Magazine, #275 (May<br />
1979), p. 20-23 (F); Reprint, in: Jacques Réda: L'improviste. Une lecture du jazz, Paris 1980 [book], p.<br />
128-148 (F); Reprint, in: Jacques Réda: L'improviste. Une lecture du jazz, Paris 1990 [book: Folio Essais],<br />
p. 224-241 (F)<br />
Jacques Réda: Thelonious Monk d'ou vient le prophete? Silencieux depuis plus de sept ans, Monk<br />
demeure dans l'universe pianistique une interrogation décisive..., in: <strong>Jazz</strong> Magazine, #276 (Jun.1979), p.<br />
48-49, 66 (F)<br />
B. Blumenthal: Thelonious Monk, in: Musician, #26 (1980), p. 52-55<br />
Michael Weiss: "Balue Bolivar Ba-Lues-Are" by Thelonious Monk, in: Down Beat Music '80 (1980), p. 58-<br />
60 (T) [digi.copy]<br />
Joël Pailhe: Monk by the Riverside, in: <strong>Jazz</strong> Hot, #378 (Nov.1980), p. 24-27 (F)
Arrigo Polillo: Thelonious Monk, in: Arrigo Polillo: <strong>Jazz</strong>. Geschichte und Persönlichkeiten, München 1981<br />
[book: Herbig], p. 524-535 (F); reprint, in: Arrigo Polillo (ed. Hans-Jürgen Schaal): <strong>Jazz</strong>. Die neue<br />
Enzyklopädie, München 2003 [book: Herbig], p. 562-573 (F)<br />
Denis Levaillant: Thelonious Monk, in: Denis Levaillant: L'improvisation musicale. Essai sur la puissance<br />
du jeu, Paris 1981 [book], p. 195 (T: Skippy)<br />
Orrin Keepnews: Thelonious Monk: April in Paris (Milestone M-47060), in: Tom Piazza: Setting the<br />
Tempo. Fifty Years of Great <strong>Jazz</strong> Liner Notes, New York 1996 [book], p. 203-212 (F; Reprint of liner notes<br />
from 1981)<br />
André Francis: <strong>Jazz</strong> (nouvelle édition), Malesherbes 1982 [book: Microcosme / Seuil], p. 123-124 (F)<br />
Bert Vuijsje: Monk en Riverside, in: <strong>Jazz</strong>jaarboek, 1 (1982), p. 46-57 (F/R; Reprint aus: <strong>Jazz</strong>wereld, #33<br />
[Mar/Apr.1971])<br />
Dan Morgernstern: Thelonious Monk, in: Dan Morgenstern: Living with <strong>Jazz</strong>. A Reader, New York 2004<br />
[book: Pantheon], p. 358-364 (F; originally published for "'Round Midnight", Milestone, 1982)<br />
Martin Williams: Monk Goes to College, in: Martin Williams: <strong>Jazz</strong> in Its Time, New York 1989 [book], p.<br />
233-235 (F; Reprint aus: <strong>Jazz</strong> Times, 1982)<br />
Russ Shor: Monk, in: IAJRC Journal, 15/1 (1982), p. 6 (F)<br />
Whitney Balliett: Monk, in: Whitney Balliett: Goodbye and Other Messages. A Journal of <strong>Jazz</strong> 1981-1990,<br />
New York 1991 [book], p. 37-39 (F/O; Reprint von 1982); reprint, in: Whitney Balliett: Collected Works. A<br />
Journal of <strong>Jazz</strong> 1954-2000, New York 2000 [book: St.Martin's Press], p. 604-606 (F/O); reprint, in: Rob<br />
van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p.<br />
227-229 (F/O)<br />
Louis-Victor Mialy: New York fête Monk, in: <strong>Jazz</strong> Hot, #391 (Jan.1982), p. 16-17 (C: Tribute to Thelonious<br />
Monk)<br />
Lee Jeske: Interpretations of Monk (by Steve Lacy, Don Cherry, Charlie Rouse, Roswell Rudd, Richard<br />
Davis, Ben Riley, Ed Blackwell, Muhal Richard Abrams, Barry Harris, Anthony Davis, Mal Waldron),<br />
Wollman Auditorium, Columbia University, New York City, in: Down Beat, 49/2 (Feb.1982), p. 57 (C)<br />
Orrin Keepnews: The Monk of <strong>Jazz</strong>. Memories of Tjelonious, The Legendary Pianist, in: Washington Post,<br />
18.Feb.1982, p. C1, C8 (F/O) [digi.copy]<br />
Marc Welinski, Jacques Chesnel, Francis Paudras, Henri Renaud, Kenny Clarke, Joel Pailhé, Armand<br />
Meignan: Thelonious Monk. Qui etait donc?, in: <strong>Jazz</strong> Hot, # 393 (Mar.1982), p. 17-23 (F)<br />
Whitney Balliett: The Talk of the Town. Notes and Comment, in: The New Yorker, 1.Mar.1982, p. 37-38<br />
(F/O) [digi.copy]<br />
Chris Sheridan: Porträt eines Einsiedlers. Thelonious Mon, 10. Oktober 1917 bis 17. Februar 1982, in:<br />
<strong>Jazz</strong> Podium, 31/4 (Apr.1982),p. 14-18 (F/O)<br />
Ira Gitler: Les mots de Monk. 1957 - Misterioso, in: <strong>Jazz</strong> Magazine, # 306 (Apr.1982), p. 7 (I)<br />
Jean Clouzet & Michel Delorme: Les mots de Monk. 1963 - Blue Monk, in: <strong>Jazz</strong> Magazine, # 306<br />
(Apr.1982), p. 8-11 (I)<br />
Jean-Louis Noames: Les mots de Monk. 1965 - Monk's Dream, in: <strong>Jazz</strong> Magazine, # 306 (Apr.1982), p.<br />
12 (I)
Lucebert & Simon Vinkenoog & Michael Horovitz: Thelonious Monk, in: <strong>Jazz</strong> Nu, 4/7 (Apr.1982), p. 269 (3<br />
Gedichte)<br />
Paul Slaughter: Les motsded Monk. 1970 - Reflections, in: <strong>Jazz</strong> Magazine, # 306 (Apr.1982), p. 14 (I)<br />
Ted Joans: The Funeral of Thelonious Monk, in: Coda, #183 (Apr.1982), p. 33-34 (C/O)<br />
Hans Lukas Lindenmaier: Thelonious Monk Diskographie, in: <strong>Jazz</strong> Podium, 31/5 (May 1982), p. 49-53 (D);<br />
Teil 2, in: <strong>Jazz</strong> Podium, 31/6 (Jun.1982), p. 44-46 (D)<br />
Eddy Determeyer: Thelonious Monk. Een verlegen muziekmens, in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 370-371<br />
(F/I mit Randy Weston)<br />
Fred Bouchard: Memorable Memorial (Boston), in: Down Beat, 49/6 (Jun.1982), p. 14 (C)<br />
Max Harrison: Shades of Monk, in: The Wire, #10 (Dec.1984), p. 36-37 (R)<br />
Misha Mengelberg: Thelonious Monk. Criss Cross met en zonder, in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 374-375<br />
(A/T)<br />
Renze de Vries: Theloniouus Monk. Op weg naar het einde: 1960..., in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 367-<br />
370 (F)<br />
Rudy Koopmans: Thelonious Monk. De beslissende jaren, 1944-1960, in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 364-<br />
367 (F)<br />
Tom Beetz: Thelonious Monk. De eerste stappen, 1917-1944, in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 362-364 (F)<br />
Wim Winsemius: Thelonious Monk Discografie, in: <strong>Jazz</strong> Nu, 4/9 (Jun.1982), p. 372-373<br />
(D/Plattenverzeichnis)<br />
André Hodeir: La obra de Thelonious Monk y sus prolongaciones, in: Quartica <strong>Jazz</strong>, #7/8 (Jul/Aug.1982),<br />
p. 27-37, 41 (F/A/T: "Coming on the Hudson")<br />
NN: Discografia. Thelonious Monk, in: Quartica <strong>Jazz</strong>, #7/8 (Jul/Aug.1982), p. 38-41 (D)<br />
Orrin Keepnews: Thelonious Monk. A Remembrance, in: Keyboard, Jul.1982, p. 17-23 (F/O); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 230-234 (F/O)<br />
Ran Blake: The Monk Piano Style, in: Keyboard Magazine, Jul.1982, p. 26-32 (A/T: excerpts from<br />
"Eronel", "Thelonious", "Hornin' In", "Crepuscule with Nellie", "Criss Cross", "Bags' Groove"); reprint, in:<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press],<br />
p. 248-260 (A/T)<br />
Peter Keepnews: Ad Lib. Monk's Music: Wrong Is Right, in: Down Beat, 49/12 (Dec.1982), p. 72 (F)<br />
Charles Blancq: Standard Tune Transformation. A Retrospective Look at Thelonious Monk (1917-1982),<br />
in: <strong>Jazz</strong> Research Papers, 3 (1983), p. 17-19 (F)<br />
H. hollenstein: Monk and Mingus. Gedanken beim Zusammenstellen eines Schallplatten-Vortrages, in:<br />
<strong>Jazz</strong> (Schweiz), 1/1983<br />
Lawrence O. Koch: Thelonious Monk. Composition Techniques, in: Annual Review of <strong>Jazz</strong> Studies, #2<br />
(1983), p. 67-80 (A)
Michael S. McLaughlin: African Music, Rhythm, and <strong>Jazz</strong>, in: <strong>Jazz</strong> Research Papers, 3 (1983), p. 74-91<br />
(A/T)<br />
NN: Da tutto il mondo. Nuove discografie (Monk on records), in: Musica <strong>Jazz</strong>, 39/3 (1983), p. 8 (B)<br />
Vittorio Castelli & Luca Cerchiari: <strong>Jazz</strong> su disco, Milano 1983 [book: Oscar Mondadori], p. 264-268 (R:<br />
"The Complete Genious", Blue Note; "Thelonious Monk", Prestige; "Thelonious Monk and John Coltrane",<br />
Milestone; "Sphere", Affinity)<br />
Kirk Silsbee: Thelonious Monk - "Live at the It Club" (Columbia), in: Down Beat, 50/1 (Jan.1983), p. 32-33<br />
(R)<br />
Lee Jeske: Thelonious Monk, 1917-1982, in: Down Beat, 49/5 (May 1982), p. 11 (O)<br />
Howard Mandel: Thelonious Monk -"Round Midnight" (Milestone); "Live at the <strong>Jazz</strong> Workshop"<br />
(Columbia), in: Down Beat, 50/7 (Jul.1983), p. 32-33 (R)<br />
Trevor Tolley: Thelonious Monk - The Complete Blue Note Recordings on Mosaic, in: Coda, #193<br />
(Dec.1983), p. 10-12 (F/R)<br />
Brian Priestley (ed.): Front Line Piano Solos 2, Ilford, Essex 1984 [sheet music], p. 43-47 (T: piano solo<br />
transcription of "Nice Work If You Can get It")<br />
Max Harrison: Thelonious Monk - 1961 European Tour Vols. 1&2/Live at the It Club, in: <strong>Jazz</strong> Forum, #90<br />
(1984), p. 57-58 (R)<br />
S. Futterman: Diverse Autoren: That's The Way I Feel Now. A Tribute to Thelonious Monl, in: Musician,<br />
#71 (1984), p. 82, 84 (R)<br />
Terry Martin: Thelonious Monk - "Tokyo Concerts" (Columbia); "Evidence" (Milestone), in: Down Beat,<br />
51/4 (Apr.1984), p. 42, 44-45 (R)<br />
Gerard J. Hoogeveen: The Complete Blue Note Recordings of Thelonious Monk, in: <strong>Jazz</strong> Nu, 6/68<br />
(Jun.1984), p. 326-329 (F/R)<br />
G. Buhles: A Tribute tzo Thelonious Monk - That's The Way I Feel Now, in: <strong>Jazz</strong> Podium, 33/10<br />
(Oct.1984), p. 52, 54 (R)<br />
Peter Kostakis: "That's the Way I Feel Now (A Tribut to Thelonious Monk)" (A&M), in: Down Beat, 51/10<br />
(Oct.1984), p. 33-34 R)<br />
Lars Westin: A Tribute to Thelonious Monk - That's The Way I Feel Now, in: Orkester Journalen, 52/11<br />
(Nov.1984), p. 29-30 (R)<br />
Scott Yanow: Diverse Autoren: A Tribute to Thelonious Monk. That's The Way I Feel Now, in: Cadence,<br />
10/11 (Nov.1984), p. 54-56 (R)<br />
Brian Priestley: Reflections, in: The Wire, #10 (Dec.1984), p. 34-35 (F)<br />
Jérôme Reese: Leaders et sidemen. Thelonious Monk, par Charlie Rouse, in: <strong>Jazz</strong> Hot, #416 (Dec.1984),<br />
p. 61-62 (F/I mit Charlie Rouse)<br />
Ran Blake: Round About Monk. The Music, in: The Wire, #10 (Dec.1984), p. 28-33 (F/A/T/D)<br />
Richard Cook: Tribute, in: The Wire, #10 (Dec.1984), p. 37 (R)<br />
Dave Liebman: Thelonious Monk. Blues Five Spot, in: Coda, #202 (1985), p. 13 (R)
Gary Giddins: Thelonious Monk, in: Gary Giddins: Rhythm-A-Ning. <strong>Jazz</strong> Tradition and Innovation in the<br />
80's, New York 1985 [book], p. 214-225 (F)<br />
Gerald Early: The Passing of <strong>Jazz</strong>'s Old Guard. Remembering Charles Mingus, Thelonious Monk, and<br />
Sonny Stitt, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of<br />
Oxford Press], p. 235-240 (F; excerpted reprint, from: The Kenyon Review, 7/2, spring 1985, p. 21-36)<br />
Gérard Moreau: Signé <strong>Jazz</strong>, Bordeaux 1985 [book: Editions du Ponant], p. 118-119 (very short F/drawing<br />
of the artist)<br />
Jacques Réda: Retour à Monk (1917-1982), in: Jacques Réda: L'improviste, II. Jouer le jeu, Paris 1985<br />
[book], p. 200-202 (F/O)<br />
Max Harrison: Mosaic Survey, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001<br />
[book: University of Oxford Press], p. 35-40 (F/R; reprint from <strong>Jazz</strong> Forum, #96/1985)<br />
Max Harrison: The Complete Blue Note Recordings of Thelonious Monk, in: <strong>Jazz</strong> Forum, #96 (1985), p.<br />
35-38 (R)<br />
Milton L. Stewart: Thelonious Monk. Be-Bop or Something Different?, in: <strong>Jazz</strong> Research Papers, 5 (1985),<br />
p. 182-194 (A/T: Au Privave, Blue Monk)<br />
Philippe Carles: Thelonious Monk on Riverside, in: <strong>Jazz</strong> Magazine, #340 (1985), p. 52 (R)<br />
R. Palmer: Thelonious Monk. In Japan 1963, in: <strong>Jazz</strong> Journal, 38/7 (Jul.1985), p. 31-32 (R)<br />
David Pate: "Monk", in: Marge Hofacre's No Name <strong>Jazz</strong>letter, 1/11 (Sep.1985), p. 14 (short F)<br />
S. Adams: Thelonious Monk. Genius of Modern Music Vol.1, in: <strong>Jazz</strong> Journal, 38/9 (Sep.1985), p. 32-33<br />
(R)<br />
S. Adams: Thelonious Monk. The Man I Love, in: <strong>Jazz</strong> Journal, 38/9 (Sep.1985), p. 33 (R)<br />
Hans Lukas Lindenmaier: A Discography of Thelonious Monk; Monk on records, in: <strong>Jazz</strong> Podium, 34/11<br />
(Nov.1985), p. 54 (B)<br />
G. Ballaris: On the Scene. Italy - Monk Festival, in: <strong>Jazz</strong> Forum, #103 (1986), p. 14 (C)<br />
Henry Martin: Thelonious Monk - "I Should Care", in: Henry Martin: Enjoying <strong>Jazz</strong>, New York 1986 [book],<br />
p. 172-174 (A)<br />
Michel-Claude Jalard: Le fantome de Monk. A propos d'un concert donné à Paris, in: Michel-Claude<br />
Jalard: Le <strong>Jazz</strong>. Est-il encore possible?, Marseilles 1986 [book], p. 75-77 (F/C)<br />
Michel-Claude Jalard: Trois apotres du discontinu. Duke Ellington, Thelonious Monk, Cecil Taylor, in:<br />
Michel-Claude Jalard: Le <strong>Jazz</strong>. Est-il encore possible?, Marseilles 1986 [book], p. 59-73 (F)<br />
Orrin Keepnews: The Complete Riverside Recordings, in: Orrin Keepnews: The View from Within. <strong>Jazz</strong><br />
Writing 1948-1987, New York 1988 [book], p. 117-144 (F; Reprint der liner notes von 1986)<br />
Trevor Tolley: Thelonious Monk. The Complete Black Lion and Vogue Recordings of Thelonious Monk, in:<br />
Coda, #211 (1986), p. 12 (R)<br />
Art Lange: The Complete Black Lion and Vogue Recordings of Thelonious Monk, in: Down Beat, 53/8<br />
(Aug.1986), p. 30 (R)
Trevor Tolley: "The Complete Black Lion and Vogue Recordings of Thelonious Monk", in: Coda, #211<br />
(Dec/Jan.1986/1987), p. 12-13 (F/R)<br />
W. Royal Stokes: Monk Center for Arts. Closer to Reality, in: <strong>Jazz</strong> Times, Dec.1986, p. 8-9 (F)<br />
Amina Baraka: All Is One for Monk, in: LeRoi Jones & Amina Baraka: The Music. Reflections on <strong>Jazz</strong> and<br />
Blues, New York 1987 [book], p. 36 (poem)<br />
Amiri Baraka: Bang/Bang Outish (For Monk), in: LeRoi Jones & Amina Baraka: The Music. Reflections on<br />
<strong>Jazz</strong> and Blues, New York 1987 [book], p. 49 (poem)<br />
Peter Niklas Wilson: Versuch über das "Monkische". Zur musikalischen Ästhetik Thelonious Sphere<br />
Monks und ihrem posthumen Weiterwirken, in: <strong>Jazz</strong>forschung/jazz research, #19 (1987), p. 41-59 (F/A/T:<br />
excerpts from "Epistrophy"; "Well You Needn't"; "Criss Cross"; "Bye-Ya"; "Misterioso"; "Played Twice";<br />
"Straight No Chaser"; "Ba-Lue Bolivar Ba-Lues-Are"; "Trinkle Tinkle")<br />
Stuart Isacoff (ed.): Thelonious Monk. <strong>Jazz</strong> Masters, New York 1987 [sheet music] (T: piano solo<br />
transcriptions of "Off Minor"; "I Mean You"; "Ruby My Dear"; "In Walked Bud"; "Monk's Mood";<br />
"Thelonious"; "Epistrophy"; "Introspection")<br />
Thomas Fitterling: Thelonious Monk. Sein Leben, seine Musik, seine Schallplatten, Schaftlach 1987 [book:<br />
Oreos] (F)<br />
Kirk Silsbee: Thelonious Monk. Exploring the Monk Canon, in: Los Angeles Reader, 20.Feb.1987, p. 11<br />
(F/I with Buell Neidlinger, Marty Krystall, Lou Donaldson) [digi.copy]<br />
Peter Kostakis: Down By the Riverside. Truth and Ugly Beauty - Thelonious Monk (The Complete<br />
Riverside Recordings), in: Down Beat, 54/6 (Jun.1987), p. 32, 34 (R)<br />
Peter Kostakis: Down By the Riverside. Truth and Ugly Beauty, in: Down Beat, 54/6 (Jun.1987), p. 32, 34<br />
(R: several albums)<br />
Javier Coma: Thelonious Monk. El mundo que nadie pudo robar, in: Quartica <strong>Jazz</strong>, #20 (Jul/Aug.1987), p.<br />
40-42 (F)<br />
Iron Werther: Thelonious Monk, in: Iron Werther: Bebop. Die Geschichte einer musikalischen Revolution<br />
und ihrer Interpreten, Frankfurt/Main 1988 [book], p. 119-124 (F)<br />
J. Bernlef: Hoe van de trap te vallen. Notities rond Monk-intrepretaties, in: <strong>Jazz</strong>jaarboek, 7 (1988), p. 67-<br />
78 (F/R)<br />
Jan Shapiro: In Search of the Original 'Round Midnight. A Study of Published Manuscripts, Transcriptions,<br />
and Recordings of Thelonious Monk's Composition, in: <strong>Jazz</strong> Research Papers, 8 (1988), p. 80-96 (F/T/D)<br />
Becca Pulliam: "Ruby My Dear". Notes from the Thelonious Monk International Piano Competition, in:<br />
<strong>Jazz</strong> & Keyboard Workshop, Jan.1988, p. 6-7 (A) [digi.copy]<br />
Bob Himmelsberger: "Ruby My Dear", in: <strong>Jazz</strong> & Keyboard Workshop, Jan.1988, p. 2-4 (T) [digi.copy]<br />
Stuart Isacoff: Thelonious Sphere Monk, in: <strong>Jazz</strong> & Keyboard Workshop, Jan.1988, p. 1, 5 (F/A)<br />
[digi.copy]<br />
Albrekt von Konow: Monks kväll i Stockholm. Thelonious Monk Quartet - "Live in Stockholm 1961"<br />
(Dragon), in: Orkester Journalen, 56/5 (May 1988), p. 27 (R)<br />
Art Lange: Thelonious Monk - Live in Stockholm 1961, in: Down Beat, 55/6 (Jun.1988), p. 36-37 (R)
Diverse Autoren: Monk-Sonderheft, in: Musica <strong>Jazz</strong>, 44/7 (Jul.1988), p. 18-57 (F/A/D: Artikel von Claudio<br />
Sessa, Ira Gitler, Michele Mannucci, Alberto Bazzuro, Gianfranco Salvatore, Giuseppe Piacentini, Giorgio<br />
Lombardi, Maurizio Franco, Franco D'Andrea)<br />
T. Wilborn: Monk Conservatory Announced, in: Down Beat, 55/10 (Oct.1988), p. 13<br />
Brian Priestley (ed.): <strong>Jazz</strong> Piano 5, Woodford Green, Essex 1989 [sheet music], p. 24-29 (T: piano solo<br />
transcription of "Just You, Just Me")<br />
Francois Postif: Thelonious Monk, in: Francois Postif: Les grandes interviews de <strong>Jazz</strong> Hot, Paris 1989<br />
[book], p. 67-74 (I); p. 209-210 (F)<br />
Philippe Koechlin & Filips & Artur & Patrice Narès & Alain Leroi: Oncle Ornicar presente <strong>Jazz</strong> Cartoon,<br />
Paris 1989 [book: Art Moderne], p. 54-55 (cartoon)<br />
Stephan Richter: Tradition im Werk Thelonious Monks, München 1989 [MA thesis: Ludwig-Maximilians-<br />
Universität] (F)<br />
Tony Scott: La mia vita nel mondo deineri, in: Blu <strong>Jazz</strong>, 1/3 (1989), p. 15-34 (F)<br />
Valerio Corzani: Monk al cinema. Straight No Chaser, in: Blu <strong>Jazz</strong>, 1/2 (1989), p. 34-35 (Film-R)<br />
Owen Cordle: Thelonious Monk Institute of <strong>Jazz</strong> Concert, in: Down Beat, 56/4 (Apr.1989), p. 46 (C)<br />
Peter Keepnews: Young Monk, in: The Village Voice, 8.Aug.1989, p. 18, 20-21 (F); reprint, in: Rob van der<br />
Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 4-11 (F)<br />
John McDonough: Thelonious Monk - Brilliant Corners, in: Down Beat, 56/9 (Sep.1989), p. 56 (R; Reprint<br />
aus den 50er Jahren)<br />
Art Lange: Straight, No Chaser, in: Down Beat, 56/11 (Nov.1989), p. 6 (R)<br />
Derek Ansell: Thelonious Monk. Derek Ansell surveys the recording career of the idiosyncratic high priest<br />
of bop, in: <strong>Jazz</strong> Journal, 42/11 (Nov.1989), p. 14-15 (F)<br />
John Norris: Thelonious Monk. Straight No Chaser. A Documentary Feature Movie Produced by Charlotte<br />
Zwerin and Bruce Ricker, in: Coda, #229 (Dec/Jan.1989/1990), p. 26 (Film-R)<br />
Brian Priestley (ed.): <strong>Jazz</strong> Piano 6, Woodford Green, Essex 1990 [sheet music], p. 36-41 (T: piano solo<br />
transcription of "Blue Monk")<br />
Helmut Weihsmann: Straight, No Chaser. Ein Flm über Thelonious Monk, in: <strong>Jazz</strong> Podium, 39/2<br />
(Feb.1990), p. 16-17 (Film-R)<br />
Kevin Whitehead: Genius of Modern Music Vol. 1/2; Straight No Chaser, in: Down Beat, 57/2 (Feb.1990),<br />
p. 34 (R)<br />
Stefan Richter: The Signifying Monk, in: <strong>Jazz</strong>thetik, 4/3 (Mar.1990), p. 6-11 (F)<br />
Edward Shanaphy Jr.: Thelonious Monk Institute Coming to Durham, in: The Piano Stylist & <strong>Jazz</strong><br />
Workshop, Apr/May 1990, p. 29 (F)<br />
Jean Vernay: Vieille nouvelle. Round About Monk, in: <strong>Jazz</strong> Notes, #8 (Apr/May 1990), p. 30-31 (F: Essay<br />
aus dem Jahr 1949)
Claude Loxhay: It's Monk Time!, in: <strong>Jazz</strong> in Time, #14 (Jun.1990), p. 25-26 (F/R); part 2, in: <strong>Jazz</strong> in Time,<br />
#15 (Jul/Aug.1990), p. 25-26 (F/R); part 3, in: <strong>Jazz</strong> in Time, #18 (Nov.1990), p. 26 (F/R); part 4, in: <strong>Jazz</strong> in<br />
Time, #19 (Dec/Jan.1990/91), p. 44 (F/R); part 5, in: <strong>Jazz</strong> in Time, #20/21 (Feb/Mar.1991), p. 42 (F/R)<br />
Paul Herruer: Monks Morphology ofwel de vormpjes van een 'constant-composer', in: <strong>Jazz</strong> Nu, #145<br />
(Dec.1990), p. 116-117 (F)<br />
Michael Naura: Ein Kuß für Monk. Erinnerung an einenb großen <strong>Jazz</strong>pianisten, in: Michael Naura: <strong>Jazz</strong>-<br />
Toccata. Ansichten und Attacken, Reinbek bei Hamburg 1991 [book: rororo], p. 167-171 (F)<br />
Michael Wilderman: Tee Tops Thelonious Trumpet Tourney, in: Down Beat, 58/2 (Feb.1991), p. 11 (F:<br />
Thelonious Monk International <strong>Jazz</strong> Instrumental Competition)<br />
Charley Gerard: "Dinah" as played by Thelonious Monk, in: The Piano Stylist & <strong>Jazz</strong> Workshop,<br />
Aug/Sep.1991, p. 1-4 (T)<br />
Bill Crow: Garner & Monk, in: Bill Crow: From Birdland to Broadway. Scenes from a <strong>Jazz</strong>y Life, New York<br />
1992 [book], p. 144-149 (F)<br />
David H. Rosenthal: Hard Bop. <strong>Jazz</strong> & Black Music 1955-1965, New York 1992 [book: Oxford University<br />
Press], passim (F)<br />
J. Bernlef: Monk is zonder twijfel meest invloedrijke jazzcomponist van dit moment, in: <strong>Jazz</strong> Nu, #158<br />
(Feb.1992), p. 212-213, 215 (F)<br />
Bob Kaufman & Claude Pélieu: Poetry <strong>Jazz</strong>, in: <strong>Jazz</strong> Hot, #487 (Mar.1992), p. 15 (F/poems)<br />
Jacques Ponzio: Les images de Thelonious Monk, in: <strong>Jazz</strong> Hot, #487 (Mar.1992), p. 36-39<br />
(F/Videography)<br />
NN: Tribute to Thelonious Monk. Round About Midnight - Discography, in. Swing Journal, Apr.1992, p.<br />
222-227 (D)<br />
NN: Le tour du piano par Thelonious Monk, in: Viva la Musica, #142 (May 1992), p. 16-17 (C; Reprint)<br />
Stefano Zenni: Frammenti di armonia Monkiana, in: Musica <strong>Jazz</strong>, 48/11 (Nov.1992), p. 51-53 (A)<br />
Stefano Zenni: 'Round Monk, in: Musica <strong>Jazz</strong>, 48/11 (Nov.1992), p. 14-20 (F)<br />
Charles D. Gerard: Thelonious Monk. master Re-Arranger, in: <strong>Jazz</strong> Educators Journal, 25/2 (Winter<br />
1993), p. 34-35 (F/A/T)<br />
Dan Morgenstern: Some Modern Masters, in: Dan Morgenstern & Ole Brask: <strong>Jazz</strong> People, New York 1976<br />
[book: Harry N. Abrams], p. 212, 215 (F)<br />
Francis Hofstein: Le Mélancholie de Monk/The Melancholy of Monk, in: International <strong>Jazz</strong> Archives<br />
Journal, 1/1 (Fall 1993), p. 48-49 (F)<br />
Frank Tirro: The Pianists - Tadd Dameron, Bud Powell, and Thelonious Monk [p. 316-323 (F/A/T:<br />
Misterioso / Bemsha Swing)]; Thelonious Monk Quartet - Bemsha Swing [p. 51-52 (A/T)], in: Frank Tirro:<br />
<strong>Jazz</strong> History, New York 2/1993 [book]<br />
Gil Goldstein: <strong>Jazz</strong> Composer's Companion, Rottenburg 2/1993 [book], p. 14 (short A/T excerpt: "In<br />
Walked Bud")<br />
Hattie Gossett: In the Window / Monk, in: African American Review, 27/4 (Winter 1993), p. 571-572<br />
(poem) [digi.copy]
Lewis Porter & Michael Ullman: Mary Lou Williams, Bud Powell, and Thelonious Monk, in: Lewis Porter &<br />
Michael Ullman: <strong>Jazz</strong>. From Its Origins to the Present, Englewood Cliffs/NJ 1993 [book], p. 197-206<br />
(F/A/T: Well You Needn't / Bags' Groove)<br />
Lionel Grigson (ed.): Thelonious Monk Study Album, London 1993 [sheet music: Novello] (F/A/T:<br />
"Misterioso"; "'Round About Midnight"; "Little Rootie Tootie"; "Trinkle Tinkle"; "Evidence"; "Played Twice";<br />
"Crepuscule With Nellie")<br />
Mark Gridley: Thelonious Monk, in: Mark C. Gridley: <strong>Jazz</strong> Styles. History and Analysis, Englewood Cliffs<br />
51993 [book], p. 146-149 (F)<br />
Laurent de Wilde: Thelonious Monk, la logique de l'orange, in: <strong>Jazz</strong>man, #162 (Jan.1993), p. 10 (F)<br />
Stefano Zenni: 'Round Monk. Le opere e i giorni del "genio", in: Musica <strong>Jazz</strong>, 49/1 (Jan.1993), p. 32-34 (F)<br />
Giuseppe Ballaris: <strong>Jazz</strong> Live. Thelonious Monk Competition, in: Musica <strong>Jazz</strong>, 49/2 (Feb.1993), p. 7 (C)<br />
Mario Benso: Monk en Arcueil, in: Cuadernos de <strong>Jazz</strong>, #18 (Sep/Oct.1993), p. 27-30 (F)<br />
Derek Ansell: Monk and Coltrane. Six months of magic, in: <strong>Jazz</strong> Journal, 46/11 (Nov.1993), p. 14-15 (F)<br />
Francis Marmande: La vie du jazz. Retour sur une des rares vraies rencontres du jazz et du cinéma, in:<br />
<strong>Jazz</strong> Magazine, #432 (Dec.1993), p. 16 (F)<br />
Gene Santoro: Monk Goes Downtown, in: Gene Santoro: Dancing In Your Head. <strong>Jazz</strong>, Blues, Rock, and<br />
Beyond, New York 1994 [book: Oxford University Press], p. 260-266 (F)<br />
John C. Paulson: The Mastery of Charlie Rouse. An Examination of Three Solo Transcriptions, in: <strong>Jazz</strong><br />
Research Papers, 14 (1994), p. 95-105 (A/T: tenor saxophone transcription of "Bright Mississippi"; "Bye<br />
Ya"; "Five Spot Blues")<br />
Philippe Baudoin: Une composition inédite de Monk et quelques découvertes, in: Les Cahiers du <strong>Jazz</strong>, #2<br />
(1994), p. 41-45 (F/T: Harlem Is Awful Messy)<br />
Roger Luccioni: Monk et Bud. Piano Contest, in: Les Cahiers du <strong>Jazz</strong>, #2 (1994), p. 47-54 (F)<br />
Steve Lacy: Thelonious Monk, in: Steve Lacy: Findings. My Experience with the Soprano Saxophone,<br />
Torcy 1994 [book], p. 14 (F)<br />
Bret Primack: In Walked Monk. Thelonius. A Celebration of Thelonious Monk, in: jazz Times, 24/1<br />
(Jan.1994), p. 36-41, 104-105 (F/I mit John lewis, Billy Taylor, Walter Bishop Jr., James Williams, Benny<br />
Green, Trevis Shook, Mulgrew Miller, Rachel Z, T.S. Monk, Cedar Walton, Horace Silver, Ronnie<br />
Mathews, John Hicks, Kenny Barron, Joey Calderazzo)<br />
Francis Marmande: La vie du <strong>Jazz</strong>. Ou la plus belle "video" du jazz, in: <strong>Jazz</strong> Magazine, #433 (Jan.1994),<br />
p. 20 (F)<br />
Claude Loxhay: More Monk...!, in: <strong>Jazz</strong> in Time, #49 (Feb.1994), p. 30-31 (F/R/D: Monk und andere<br />
spielen Monk)<br />
Abdullah Ibrahim: Monk in Harlem, in: Du, 3 (Mar.1994), p. 80 (F)<br />
Amiri Baraka: Der Hohepriester des Bebop. Warum war Monk so hip?, in: Du, 3 (Mar.1994), p. 20-23 (F)<br />
Amiri Baraka: Dichtung für Monk, in: Du, 3 (Mar.1994), p. 70 (Gedichte)
Brian Priestley: Monks Stil - Eine Technik des Unvermögens?, in: Du, 3 (Mar.1994), p. 58-59, 61 (F)<br />
Christian Rentsch: Das traurige Ende, in: Du, 3 (Mar.1994), p. 92-93 (F)<br />
Francois Lacharme: Steve Lacy. His Master's Voice, in: Du, 3 (Mar.1994), p. 62-63 (F) [digi.copy]<br />
Francois Postif: Round About Sphere. Ein Interview mit Thelonious Monk, in: Du, 3 (Mar.1994), p. 28, 30<br />
(I)<br />
Fred Canté: Thelonious Monk's debuut in Nederland, 1961, in: NJA Bulletin, #11 (Mar.1994), p. 31-35 (F)<br />
Hans-Jürgen Schaal: Architektur der Freiheit. Via Monk zum Free <strong>Jazz</strong>, in: Du, 3 (Mar.1994), p. 42-46 (F)<br />
Helga Leiprecht: Chronik von Leben und Werk, in: Du, 3 (Mar.1994), p. 82-85, 88-91 (F) [digi.copy]<br />
Helga Leiprecht: The Monk Family. Eine Spurensuche, in: Du, 3 (Mar.1994), p. 32-33, 36 (F)<br />
Jacques Ponzio: Monk sehen. Betrachtung eines visuellen Kuriosums, in: Du, 3 (Mar.1994), p. 74-75, 78-<br />
79 (F)<br />
Jon Hendricks: Der Einzigartigste. Texten mit Monk, in: Du, 3 (Mar.1994), p. 23-24, 26-27 (F)<br />
Jürg Laederach: Tastendämmerung, in: Du, 3 (Mar.1994), p. 86-87 (F)<br />
Manfred Straka: Komponist, Solist, Begleiter. Eine musiktheoretische Annäherung, in: Du, 3 (Mar.1994),<br />
p. 47-48, 50-51 (F/A/T) [digi.copy]<br />
Marco Meier: Fred Canté - Most Mad Monk Man, in: Du, 3 (Mar.1994), p. 68-69 (F)<br />
Michael Naura: Monks Klavierspiel. Ein Gespräch mit Carl Philipp Emanuel Bach, in: Du, 3 (Mar.1994), p.<br />
38-39, 41 (F); reprint, in: Michael Naura: Cadenza. Ein <strong>Jazz</strong>panorama, Hamburg 2002 [book: Europäische<br />
Verlagsanstalt], p. 12-18 (F)<br />
Peter Rüedi: Big Band Monk. Monk im grösseren Ensemble, in: Du, 3 (Mar.1994), p. 53-53-54, 56 (F)<br />
Sven Gächter: Monk diesseits von Monk, in: Du, 3 (Mar.1994), p. 97-98 (F: musikalische Monk-Rezeption)<br />
Scott DeVeaux: <strong>Jazz</strong> History. The Onliest Monk, in: <strong>Jazz</strong> Player, 1/3 (Apr/May 1994), p. 35-37 (F)<br />
Alessandro de Falco: Gaslini/Monk, Pieraniunzi/Evans. Da pianista a pianista, in: <strong>Jazz</strong> (Italy), 1/2<br />
(Jul/Aug.1994), p. 8-9 (F)<br />
Bill Shoemaker: Celebratin' Monk (Sr.), in: Down Beat, 61/11 (Nov.1994), p. 64 (R: Interpretetions of<br />
Monk; Monk Big Band and Quartet in Concert; Live at Newport 1958 & 1963)<br />
Barry Kernfeld: What to Listen for in <strong>Jazz</strong>, New Haven 1995 [book: Yale University Press], p. 30-31 (A/T:<br />
rhythm in "Misterioso"); p. 47 (A: blues form in "Misterioso"); p. 163-164 (A/T: use of blue notes in<br />
"Misterioso")<br />
Franz Krieger: <strong>Jazz</strong>-Solopiano. Zum Stilwandel am Beispiel ausgewählter "Body and Soul"-Aufnahmen<br />
von 1938-1992, in: <strong>Jazz</strong>forschung/jazz research, 27 (1995), p. 211-228 (A/T)<br />
Giampiero Cane: MonkCage. Il Novecento musicale americano, Bologna 1995 [book: Clueb], passim (F)<br />
Herman Leonard: <strong>Jazz</strong> Memories, Levallois-Perret/France 1995 [book: filipacchi], p. 132-133 (photos)
Nat Hentoff: Memories of Thelonious Monk, in: Nat Hentoff: Listen to the Stories. Nat Hentoff on <strong>Jazz</strong> and<br />
Country Music, New York 1995 [book], p. 72-74 (F)<br />
Peter Hollerbach: The Sound of Surprise. The Politics of Thought and Action in the Music of Thelonious<br />
Monk, in: International <strong>Jazz</strong> Archives Journal, 1/3 (Fall 1995), p. 141-160 (A)<br />
Stephan Richter: Einige Überlegungen zu Thelonious Monks Komposition "Blue Monk", in: Stephan<br />
Richter: Zu einer Ästhetik des <strong>Jazz</strong>, Frankfurt 1995 [book], p. 30-38 (A)<br />
Stephan Richter: The Beauty of Building, Dwelling, and Monk. Aesthetics, Religion, and the Architectural<br />
Qualities of <strong>Jazz</strong>, in: African American Review, 29/2 (Summer 1995), p. 259-268 (F) [digi.copy]<br />
Thomas Owens: Pianists. Thelonious Monk [p. 140-144 (A/T)]; Ensembles. Thelonious Monk [p. 214-216<br />
(A)], in: Thomas Owens: Bebop. The Music and the Players, New York 1995 [book]<br />
Jacques Ponzio: Thelonious Monk. Un grand pretre a Newport, in: <strong>Jazz</strong> Hot, no. special (Anfang 1995), p.<br />
32-37 (F/D)<br />
NN: Il cd del mese. Thelonious Monk, in: <strong>Jazz</strong> (Italy), 2/6 (Jan.1995), p. 34-35 (F)<br />
Philippe Baudoin: Su di una composizione inedita di Thelonious Monk e qualche altra scoperta, in: <strong>Jazz</strong><br />
(Italy), 2/6 (Jan.1995), p. 40-41 (F/T: "Harlem Is Awful Messy")<br />
Riccardo Scivales: I blues di Monk, Un ponte tra il passato e il futuro, in: <strong>Jazz</strong> (Italy), 2/6 (Jan.1995), p. 36-<br />
39 (F/A/T)<br />
Tom Piazza: How Two Pianists Remade a Tradition, in: Tom Piazza: Blues Up and Down. <strong>Jazz</strong> in Our<br />
Time, New York 1997 [book: St.Martin's Press], p. 144-150 (R: Bud Powell, Thelonious Monk; Reprint,<br />
aus: New York Times, Jan.1995)<br />
Martin Schouten: De ontroering van een raadselachtige pianist. 'Mijn oren gingen naar school bij Monk',<br />
in: <strong>Jazz</strong> Nu, #191 (Feb.1995), p. 18-19, 21, 23 (F/R)<br />
Brian Priestley: Starter Pack. Jelly Roll Morton & Thelonious Monk, in: <strong>Jazz</strong> Magazine International (GB),<br />
#29 (Mar/Apr.1995), p.58-59 (F)<br />
Jan Kaspersen, Michael Holbeck, Finn Nielsen, Ebbe Traberg: Thelonious Monk. Man at Work, in: <strong>Jazz</strong><br />
Special, #21 (Apr/May 1995), p. 30-33 (F)<br />
Preston Keys: "'Round Midnight", in: Piano Today, 15/3 (May/Jun.1995), p. 56-57 (T) [digi.copy]<br />
Herman te Loo: 'You've got to dig it to dig it, dig it?' Steve Lacy geeft workshop Monk, in: <strong>Jazz</strong> Freak,<br />
22/5-6 (Jul.1995), p. 6-7 (F)<br />
Jorge Camacho: Monk Atmosphere. Quand un peintre jazzfan parle d'un pianiste aux jeux de couleurs<br />
singuliers..., in: <strong>Jazz</strong> Magazine, #451 (Sep.1995), p. 20-21 (F)<br />
Willard Jenkins: 25 Who Mattered. Thelonious Monk, in: <strong>Jazz</strong> Times, 25/7 (Sep.1995), p. 48 (F)<br />
Bertrand Ravalard: Criss Cross. Monk - Ask for T, in: So What, Summer 1996, p. 3 (F)<br />
Chip Deffaa: Thelonious Monk, in: Chip Deffaa: <strong>Jazz</strong> Veterans. A Portrait Gallery, Fort Bragg/CA 1996<br />
[book: Cypress House], p. 142-143 (F)<br />
Dave Oliphant: From Bebop to Hard Bop, in: Dave Oliphant: Texan <strong>Jazz</strong>, Austin 1996 [book], p. 244-247<br />
(F)
James Kurzdorfer: Outrageous Clusters. Dissonant Semitonal Cells in the Music of Thelonious Monk, in:<br />
Annual Review of <strong>Jazz</strong> Studies, #8 (1996), p. 181-201 (A)<br />
Laurent de Wilde: Fondu au noir. A propos de Thelonious, in: Les Cahiers du <strong>Jazz</strong>, #7 (1996), p. 53-63 (F)<br />
Laurent de Wilde: Monk, New York 1996 [book: Marlow & Company] (F); review, by David Baise, in:<br />
Annual Review of <strong>Jazz</strong> Studies, #10 (1999), p. 315-320 (B) [digi.copy]; review, by Manfred Straka, in: <strong>Jazz</strong><br />
Research News, #1 (Nov.2000), p. 40-41 (B); review, by Franck Bergerot, in: <strong>Jazz</strong>man, #14 (May 1996),<br />
p. 24 (B)<br />
Mark S. Haywood: Rhythmic Readings in Thelonious Monk, in: Annual Review of <strong>Jazz</strong> Studies, #7<br />
(1994/95), p. 25-45 (A/T)<br />
Stephan Richter: <strong>Jazz</strong> as Religion in Some Works by Frank London Brown and Thelonious Monk, in:<br />
Robert Sacré: Saints and Sinners. Religion, Blues and (D)evil in African-American Music and Literature,<br />
Liège 1996 [book: Études & Éditions], p. 247-252 (F)<br />
Riccardo Scivales: "Functional". Other Aspects of Monk's Solo Piano Style, in: Piano Today, 16/1<br />
(Jan/Feb.1996), p. 48-51 (A/T) [digi.copy]<br />
John Murph: The Thelonious Monk International Competition, in: (California) <strong>Jazz</strong> Now, 5/9 (Feb.1996), p.<br />
15 (F)<br />
François Postif: Blue Monk. Qui était donc Thelonious Sphere Monk?, in: <strong>Jazz</strong> Notes, #37 (Mar.1996), p.<br />
18-20 (F)<br />
Laurent de Wilde: La Baronne sortit autour de minuit.., in: <strong>Jazz</strong> Magazine, #458 (Apr.1996), p. 20-21 (F)<br />
Diverse Autoren: Discografia selecta de Thelonious Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 36-37 (D/R)<br />
Jesper Anderson: Crepúsculo con Nellie. Memorias en la órbita del jazz, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p.<br />
46 (F)<br />
Joan Anton Corrales: Thelonious Monk. Gegangt del jazz, Thelonious Monk tota una eloqüent mostra<br />
intemporal de la bellesa de jazz, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 34 (F)<br />
Jordi Falgas: 'Round About Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 40-41 (F)<br />
Jordi Jové: Julio dentro de Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 43 (F)<br />
Josep Ramon Jové: El lugar de Thelonious Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 38-39 (F)<br />
Juan Campos: Visiones sobre Thelonious Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 35 (F)<br />
Kandido Huarte: Seis estampas de fray Thelonious, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 44-45 (F)<br />
Pio Lindegaard: Reflexiones acerca de Thelonious Monk, in: <strong>Jazz</strong>ology, #10 (Jun.1996), p. 42 (F)<br />
Graham Hearn: Woodshedding. The Unique Thelonious, in: <strong>Jazz</strong> UK, #10 (Jul/Aug.1996), p. 13, 26 (A)<br />
Amiri Baraka: "A Monk Story", in: Brilliant Corners, 1/2 (Summer 1997), p. 57-60 (poem)<br />
David Kahn Feurzeig: Making the Right Mistakes. James P. Johnson, Thelonious Monk and the Trickster<br />
Aesthetic, Cornell University 1997 [book/dissertation: University Microfilm facsimile] (F/A/T: "Round<br />
Midnight")<br />
Eric Nisenson: Blue. The Murder of <strong>Jazz</strong>, New York 1997 [book: St. Martin's Press], passim (F)
Gene Santoro: Master of Space. Thelonious Monk, in: The Nation, 258/14 (11.Apr.1994), p. 498-500 (F);<br />
reprint, in: Gene Santoro: Stir It Up. Musical Mixes from Roots to <strong>Jazz</strong>, New York 1997 [book: Oxford<br />
University Press], p. 80-84 (F); reprint, in: Rob van der Bliek (ed.): The Thelonious Monk Reader, New<br />
York 2001 [book: University of Oxford Press], p. 241-245 (F)<br />
Jacques Ponzio & François Postif: Blue Monk. Prophet der Moderne im <strong>Jazz</strong>, St. Andrä-Wördern 1997<br />
[book] (F); review, by Manfred Straka, in: <strong>Jazz</strong> Research News, #1 (Nov.2000), p. 37-38 (B)<br />
Leonel Santos: Thelonious Monk. "Eu nao toco assim" / "I don't play that way", in: O Papel do <strong>Jazz</strong>, #2<br />
(1997), p. 48-52 (F in Portuguese), p. 46-50 (F in English)<br />
Leslie Gourse: Straight, No Chaser. The Life and Genius of Thelonious Monk, New York 1997 [book:<br />
Schirmer Books] (F); review, by David Baise, in: Annual Review of <strong>Jazz</strong> Studies, #10 (1999), p. 315-320<br />
(B) [digi.copy]<br />
Philippe Adler & Pierre de Chocqueuse: Passeport pour le jazz. Les grands CD du jazz moderne 1944-<br />
1997, Paris 1997 [book: Balland], p. 291-294 (F/R: "Genius of Modern Music"; "Brilliant Corners"; "With<br />
John Coltrane"; "Alone in San Francisco")<br />
Sascha Feinstein: Poems Celebrating Thelonious Monk and his Music, in: African American Review, 31/1<br />
(Spring 1997), p. 55-59 (F) [digi.copy]<br />
Adrian Jackson: The 1996 Thelonious Monk International <strong>Jazz</strong> Saxophone Competition, in: <strong>Jazz</strong>Chord,<br />
#34 (Feb/Mar.1997), p. 16-17 (F/C)<br />
John Murph: The Thelonious Monk Institute of <strong>Jazz</strong> Competition 1996, in: (California) <strong>Jazz</strong> Now, 6/9<br />
(Feb.1997), p. 15 (C)<br />
Sorab Modi: <strong>Jazz</strong> Live. Thelonious Monk Competition, in: Musica <strong>Jazz</strong>, 53/2 (Feb.1997), p. 8-9 (C)<br />
Dan Ouellette: Monk on Monk, in: Down Beat, 64/9 (Sep.1997), p. 22-25 (F/I with T.S. Monk)<br />
Thomas Fitterling: Thelonious Monk. Der geheimnisvolle Schweiger, in: Rondo, 6/4 (Sep/Oct.1997), p. 30-<br />
31 (F)<br />
Martin Schuster: "It's always night or we wouldn't need light." Thelonious Monk wäre am 10. Oktober 80<br />
Jahre alt geworden, in: Concerto, Oct/Nov.1997, p. 42-43 (F)<br />
JÝrgen Siegumfeldt: Mærkelige Mr. Monk. Apropos en flot plakat: Thelonious Monks besÝg anno 1962 i<br />
Odd Fellow (selvfÝlgelig!), in: <strong>Jazz</strong> Special, #37 (Dec/Jan.1997/98), p. 42-43 (F)<br />
Bill Dobbins: The Style of Thelonious Monk, in: <strong>Jazz</strong> Improv, 1/2 (1998), p. 141-145 (A/T)<br />
Gary Giddins: Visions of <strong>Jazz</strong>. The First Century, New York 1998 [book: Oxford University Press], p. 308-<br />
318 (F: chapter "Thelonious Monk. Rhythm-a-ning")<br />
Jacques Ponzio & Ellen Bertet & Yves Sportis: Straight No Chaser - Discographie de Thelonious Monk, in:<br />
<strong>Jazz</strong> Hot, #special (1998), p. 47-56 (D)<br />
Lewis Porter: John Coltrane. His Life and Music, Ann Arbor 1998 [book: University of Michigan Press],<br />
passim (F)<br />
NN: Thelonious Monk - "Introspection", in: <strong>Jazz</strong> Improv, 1/2 (1998), p. 157-110 (A/T)<br />
NN: Thelonious Monk - "'Round Midnight", in: <strong>Jazz</strong> Improv, 1/2 (1998), p. 153-156 (A/T)
NN: Thelonious Monk - "Ruby My Dear", in: <strong>Jazz</strong> Improv, 1/2 (1998), p. 148-152 (A/T)<br />
Quincy Troupe & Ben Riley: Remembering Thelonious Monk. When the Music Was Happening The He'd<br />
Get Up and Do His Little Dance, in: Robert G. O'Meally (ed.): The <strong>Jazz</strong> Cadence of American Culture,<br />
New York 1998 [book: Columbia University Press], p. 102-110 (F/I with Ben Riley)<br />
Randi Hultin: Born Under the Sign of <strong>Jazz</strong>, London 1998 [book: Sanctuary], p. 211-214 (F)<br />
Rick Madigan: "Solo Monk", in: Brilliant Corners, 2/2 (Summer 1998), p. 7 (poem)<br />
Gary Giddins: The Arranger's Monk (Bill Holman / T.S. Monk / Fred Hersch), in: Village Voice,<br />
17.Feb.1998 (R); reprint, in: Gary Giddins: Weather Bird. <strong>Jazz</strong> at the Dawn of Its Second Century, New<br />
York 2004 [book: Oxford University Press], p. 186-189 (R)<br />
Antonio Berini: Il Monk Tentet, in: Ritmo, #725 (May 1998), p. 17-18 (C)<br />
François-René Simon: En direct. Monk Tentet, in: <strong>Jazz</strong> Magazine, #482 (Jun.1998), p. 16 (C: tribute band<br />
with Don Sickler, Jack Walrath, Eddie Bert, Howard Johnson, Steve Lacy, Phil Woods, Kenny Barron and<br />
others)<br />
Rick Madigan: Solo Monk, in: The Note, 10/2 (Sep.1998), p. 6 (poem)<br />
Doug Ramsey: Thelonious Monk - "Monk Alone. The Complete Columbia Solo Studio Recordings"<br />
(Columbia), in: <strong>Jazz</strong> Times, 28/8 (Oct.1998), p. 91 (R)<br />
Betsy Sholl: Shore Walk with Monk, in: Brilliant Corners, 4/1 (Winter 1999), p. 7-8 (poem)<br />
Brian Priestley: Thelonious Sphere Monk, in: Samuel A. Floyd Jr.: International Dictionary of Black<br />
Composers, Chicago 1999 [book: Fitzroy Dearborn Publishers], p. 832-839 (F/A: "'Round Midnight";<br />
"Straight, No Chaser"; "Skippy"; "Brilliant Corners"; work list) [digi.copy] [digi.copy]<br />
C.T. Goodman: Beyond the Competition. The Monk Institute, in: <strong>Jazz</strong> Times, 1999/2000 <strong>Jazz</strong> Education<br />
Guide, p. 36-38, 40 (F)<br />
Charles Bernstein: Thelonious Monk and the Performance of Poetry, in: Charles Bernstein: My Way.<br />
Speeches and Poems, Chicago 1999 [book: University of Chicago Press], p. 18-24 (poem) [digi.copy]<br />
Charles Graham & Dan Morgenstern (eds.): The Great <strong>Jazz</strong> Day, Emeryville/CA 1999 [book: Woodford<br />
Press], p. 57-58 (short biography)<br />
Chris Raschka: Reheimnisvoller Thelonious, Zürich 1999 [book: Sanssouci] (art book)<br />
Clifford Korman: "Criss Cross". Motivic Construction in Composition and Improvisation, in: Annual Review<br />
of <strong>Jazz</strong> Studies, #10 (1999), p. 103-126 (A) [digi.copy]<br />
Gary Giddins: Thelonious Monk, in: Charles Graham & Dan Morgenstern (eds.): The Great <strong>Jazz</strong> Day,<br />
Emeryville/CA 1999 [book: Woodford Press], p. 133-135 (F)<br />
Ingrif Monson: Monk Meets SNCC, in: Black Music Research Journal, 19/2 (Fall 1999), p. 187-200 (F)<br />
[digi.copy]<br />
Kenny Mathieson: Giant Steps. Bebop and the Creators of Modern <strong>Jazz</strong> 1945-65, Edinburgh 1999 [book:<br />
Payback Press], p. 154-185 (F)<br />
Konrad Heidkamp: Thelonious Monk. Rolf Dieter Brinkmanns 'Wurlitzer', in: Konrad Heidkamp: It's All<br />
Over Now. Musik einer Generation - 40 Jahre Rock und <strong>Jazz</strong>, Berlin 1999 [book: Alexander Fest Verlag;<br />
2nd edition: Reinbek bei Hamburg 2007: ro-ro-ro], p. 106-120 (F)
Krin Gabbard: Evidence. Monk as Documentary Subject, in: Black Music Research Journal, 19/2 (Fall<br />
1999), p. 207-225 (F) [digi.copy]<br />
Linda Dahl: Morning Glory. A Biography of Mary Lou Williams, Berkeley 1999 [book: University of<br />
California Press], passim (F)<br />
Manfred Straka: Untersuchungen zu Kompositionen von Thelonious Monk, in: <strong>Jazz</strong>forschung/jazz<br />
research, #31 (1999), p. 89-118 (A/T: "Round Midnight"; "Epistrophy"; "Rhythm-a-Ning"; "Well You<br />
Needn't"; "Thelonious"; "Evidence"; "Misterioso"; "Criss Cross"; "Blue Monk"; "Straight No Chaser"; "Friday<br />
the 13th"; "Brilliant Corners"; "Coming on the Hudson")<br />
Mark Haywood: Monkishness. A Sonnet Sequence, in: Annual Review of <strong>Jazz</strong> Studies, #10 (1999), p. 1-<br />
15 (F/A) [digi.copy]<br />
Mark Tucker: Editor's Introduction, in: Black Music Research Journal, 19/2 (Fall 1999), p. 129-131 (F:<br />
special Monk issue) [digi.copy]<br />
Mark Tucker: Mainstreaming Monk. The Ellington Album, in: Black Music Research Journal, 19/2 (Fall<br />
1999), p. 227-244 (F) [digi.copy]<br />
Michele Caniato: From Popular Song to <strong>Jazz</strong> Composition. Thelonious Monk's "Ruby, My Dear", in:<br />
Annual Review of <strong>Jazz</strong> Studies, #10 (1999), p. 89-102 (A) [digi.copy]<br />
Rob van der Bliek: A Selection of Monk Sources, in: Black Music Research Journal, 19/2 (Fall 1999), p.<br />
245-252 (annotated bibliography) [digi.copy]<br />
Robert Hodson: "Making the Changes". Complexity and Coherence in <strong>Jazz</strong> Harmony, in: <strong>Jazz</strong> Research<br />
Proceedings Yearbook, #19 (1999), p. 80-91 (F/A: "Rhythm-a-ning")<br />
Robin D.G. Kelley: New Monastery. Monk and the <strong>Jazz</strong> Avant-Garde, in: Black Music Research Journal,<br />
19/2 (Fall 1999), p. 135-168 (F) [digi.copy]<br />
Sascha Feintein: Misterioso, in: Black Music Research Journal, 19/2 (Fall 1999), p. 201-205 (poem)<br />
[digi.copy]<br />
Scott DeVeaux: "Nice Work If You Can Get It". Thelonious Monk and Popular Song, in: Black Music<br />
Research Journal, 19/2 (Fall 1999), p. 169-186 (F/A) [digi.copy]; reprint, in: Rob van der Bliek (ed.): The<br />
Thelonious Monk Reader, New York 2001 [book: University of Oxford Press], p. 260-278 (F/A)<br />
Samuel Fromartz: Circa 1983. The Route to the Monk Institute, in: <strong>Jazz</strong>iz, 16/2 (Feb.1999),Ed Enright:<br />
Down Beat Gallery. Bebop's Birthplace, in: Down Beat, 66/5 (May 1999), p. 77 (short F/photo)<br />
Jean Merlin: Monk in Paradise, in: Cuadernos de <strong>Jazz</strong>, #53 (Jul/Aug.1999), p. 34-35 (F/I with Fred Canté)<br />
Al van Starrex: Thelonious Monk. Maestroi Mysterioso, in: Coda, #287 (Sep/Oct.1999), p. 14-15 (F)<br />
Brian Priestley: Thelonious Monk and Charles Mingus, in: Bill Kirchner (ed.): The Oxford Companion to<br />
<strong>Jazz</strong>, New York 2000 [book: Oxford University Press], p. 418-431 (F)<br />
Gabriel P. Solis: Monk's Music and the Making of a Legacy, St. Louis/MO 2001 [PhD thesis: Washington<br />
University; published by UMI] (F/A/T: excerpts from "Eronel", "Bag's Groove", "I Mean You", "Ruby, My<br />
Dear"; "Round Midnight"; "Reflections")<br />
Geoffrey C. Ward & Ken Burns: <strong>Jazz</strong>. A History of America's Music, New York 2000 [book: Alfred A.<br />
Knopf; German translation as: "<strong>Jazz</strong>. Eine Musik und ihre Geschichte", München 2001 (Econ)], p. 382 (F:<br />
chapter "The Architect")
John F. Szwed: <strong>Jazz</strong> 101. A Complete Guide to Learning and Loving <strong>Jazz</strong>, New York 2000 [book:<br />
Hyperion], p. 171-174 (short F)<br />
Mark C. Gridley: <strong>Jazz</strong> Styles. History and Analysis, Upper Saddle River/NJ 7/2000 [book: Prentice Hall], p.<br />
154-157 (F/A)<br />
Robert Dean Hodson: Interaction and Improvisation. Group Interplay in <strong>Jazz</strong> Performance, Madison/WI<br />
2000 [PhD thesis: University of Wisconsin], p. 105-114 (A: chapter "'Rhythm-A-Ning". <strong>Jazz</strong> Harmony in<br />
Performance"); p. 128-139 (A: "Rhythm-A-Ning"; chapter "Common Forms"); p. 139-148 (A/T:<br />
"Misterioso"; chapter "Keeping the Form") [digi.copy]<br />
William Karlen: Anthologie du <strong>Jazz</strong> Classique. La synthèse d'un demisiècle de swing, Sierre/Switzerland<br />
2000 [book: Editions à la Carte], p. 163-166 (F)<br />
John Litweiler: Monk in Action, in: Coda, #289 (Jan/Feb.2000), p. 12-15 (F/R)<br />
Francisco Cruz & Thierry Pérémarti: Round About Monk, in: <strong>Jazz</strong>man, #55 (Feb.2000), p. 26-27 (F/I with<br />
Steve Lacy, Roswell Rudd, Reggie Workman, Enrico Rava)<br />
Steve Voce: Scratching the Surface... Bob and the Piano Players - Monk, in: <strong>Jazz</strong> Journal, 53/3<br />
(Mar.2000), p. 15 (F/I with Bob Brookmeyer)<br />
Max Harrison: Essential <strong>Jazz</strong> Records. Thelonious Monk, in: <strong>Jazz</strong> Review, #8 (May 2000), p. 26-29 (F)<br />
Franco Catalano: Monk for Ten, in: Ritmo, #749 (Jul.2000), p. 5-6 (C: tribute)<br />
Gerhard Graml: Der Hohepriester des Bop - eine Erinnerung, in: Concerto, Oct/Nov.2000, p. 12 (F)<br />
Duck Baker: Thelonious Monk - "The Complete Prestige Recordings" (Prestige), in: <strong>Jazz</strong> Times, 30/9<br />
(Nov.2000), p. 76 (R)<br />
Andy LaVerne: Master Class. Before Midnight. This classic Thelonious Monk tune "Round Midnight"<br />
presents special challenges to the improviser. In this first installment of a two-part Master Class, Andy<br />
LaVerne shows you how to spend the hours leading up to "Midnight", in: Keyboard, Dec.2000, p. 66-68,<br />
70, 72, 74 76 (A/T)<br />
Duck Baker: "Monkadelphia" (Dreambox Media), in: <strong>Jazz</strong> Times, 30/10 (Dec.2000), p. 147 (R: tribute to<br />
Monk)<br />
Adriaan Jaeggi: De waanzinnige jacht op details. Muzikale microscopie, in: <strong>Jazz</strong> (Nu), 24/5 (fall 2001), p.<br />
70-74 (F)<br />
Chris Sheridan: Brilliant Corners. A Bio-Discography of Thelonious Monk, Westport/CT 2001 [book:<br />
Greenwood Press] (F/D); review, by Bob Weir, in: <strong>Jazz</strong> Journal, 54/12 (Dec.2001), p. 22 (B); review, by<br />
John Truitt, in: <strong>Jazz</strong> Review, #28 (Jan.2002), p. 5 (B); review, by Robert Iannapollo, in: ARSC Journal,<br />
34/1 (Spring 2003), p. 60-61 (B)<br />
Frithjof Strauß: Epistrophy. Monkpoesi. En jazzpianostil som genstand for europaeisk og amerikansk<br />
litteratur, in: Walter Baumgartner & Per Erik Ljung & Frithjof Strauss (eds.): Skriva im jazz - skriva som<br />
jazz. Artiklar om ord och musik, Lund/Sweden 2001 [book: Absalon], p. 165-185 (F)<br />
Gabriel P. Solis: Monk's Music and the Making of a Legacy, St. Louis/MO 2001 [PhD thesis: Washington<br />
University], passim (F/A) [digi.copy]<br />
Hans-Jürgen Schaal (ed.): <strong>Jazz</strong>-Standards. Das Lexikon, Kassel 2001 [book: Bärenreiter], p. 42-43 (F:<br />
"Ask Me Now"); p. 58-59 (F: "Bemsha Swing"); p. 70-71 (F: "Blue Monk"); p. 135-137 (F: "Epistrophy"); p.
157-158 (F: "Four in One"); p. 210-212 (F: "I Mean You"); p. 244-246 (F: "In Walked Bud"); p. 315-318 (F:<br />
"Misterioso"); p. 321-323 (F: "Monk's Mood"); p. 385-387 (F: "Pannonica"); p. 403-404 (F: "Reflections");<br />
p. 406-408 (F: "Rhythm-a-ning"); p. 410-413 (F: "Round Midnight"); p. 416-417 (F: "Ruby My Dear"); p.<br />
475-477 (F: "Straight No Chaser"); p. 525-526 (F: "Well You Needn't"); p. 565-566 (F: "52nd Street<br />
Theme")<br />
Henry Martin & Keith Waters: <strong>Jazz</strong>. The First 100 Years, Belmont/CA 2001 [book: Wadsworth/Schirmer],<br />
p. 192-193 (A: "Four in One")<br />
James Hale: Thelonious Monk - "The Columbia Years: '62-'68", in: Planet <strong>Jazz</strong>, 5 (fall/winter 2001), p. 24,<br />
26-27 (F/R)<br />
Richard Cook: Blue Note Records. The Biography, London 2001 [book: Secker & Warburg]; German<br />
translation, as "Blue Note. Die Biographie", Berlin 2004 [book: Argon], passim (F)<br />
Rob van der Bliek (ed.): The Thelonious Monk Reader, New York 2001 [book: University of Oxford Press]<br />
(F); review by James Hale, in: The <strong>Jazz</strong> Report, 14/3 (Spring 2001), p. 33 (B); review, by Brian priestley,<br />
in: Current Musicology, #71-73 (spring 2001-spring 2002), p. 500-508 (B) [digi.copy]; review, by John<br />
Robert Brown, in: Crescendo & <strong>Jazz</strong> Music, 38/4 (Aug/Sep.2001), p. 12 (B); review, by John Litweiler, in:<br />
<strong>Jazz</strong> Times, 31/7 (Sep.2001), p. 76 (B); review, by Aaron Cohen, in: Down Beat, 68/11 (Nov.2001), p. 72<br />
(B); review, by Laurence M. Svirchev, in: Planet <strong>Jazz</strong>, 5 (fall/winter 2001), p. 34-35 (B); review, by Kevin<br />
Whitehead, in: <strong>Jazz</strong> Notes, 12/4 (2001), p. 7-9 (B); review, by Philip Clark, in: <strong>Jazz</strong> Review (GB), #24<br />
(Sep.2001), p. 16-17 (B); review, by Richard Palmer, in: <strong>Jazz</strong> Journal, 55/3 (Mar.2002), p. 15 (B)<br />
Robert L. Doerschuk: 88. The Giants of <strong>Jazz</strong> Piano, San Francisco 2001 [book: Backbeat Books], p. 112-<br />
120 (F)<br />
Andy LaVerne: Master Class. Beyond Midnight. In this second installment of Andy LaVerne's de- and reconstruction<br />
of Monk's "Round Midnight", Andy presents some masterful interpretations of this classic<br />
tune, in: Keyboard, Jan.2001, p. 66-68, 70, 72, 74, 76 (A/T: versions of "Round Midnight" by Bill Evans,<br />
Herbie Hancock)<br />
Ted Panken: Workshop Monk, in: Down Beat, 68/1 (Jan.2001), p. 48 (R: "The Complete Prestige<br />
Recordings")<br />
Christina Grant: Springboard for <strong>Jazz</strong> in the Primary Classroom, in: <strong>Jazz</strong> Educators Journal, 33/5<br />
(Mar.2001), p. 39-41 (F: "Mysterious Thelonious": using Monk's music as teaching material in primary<br />
school)<br />
Denis Laborde: Thelonious Monk, le sculpteur de silence, in: L'Homme. Revue française d'anthropologie,<br />
#158/159 (Apr/Sep.2001: special issue "<strong>Jazz</strong> et Anthropologie"), p. 139-177 (F)<br />
Enno Blanke: Monk/Shepp. Scupule with Nellie... Jenseits des Verschrobenen - eine verlorene<br />
Möglichkeit, in: <strong>Jazz</strong> Podium, 50/7-8 (Jul/Aug.2001), p. 8-9 (F)<br />
Fred Bouchard: Thelonious Monk - "The Columbia Years, 1962-1958" (Columbia Legacy C3K 64887);<br />
"Tokyo Sessions" (Columbia Legacy C2K 63538), in: Down Beat, 68/10 (Oct.2001), p. 70 (R: 4 1/2 stars; 4<br />
stars) [digi.copy]<br />
Duck Baker: Thelonious Monk - "Genius of Modern Music, Volume 1/2" (Blue Note); "The Columbia Years<br />
'62-'68" (Columbia); "Monk in Tokyo" (Columbia); "Monk Live at the <strong>Jazz</strong> Workshop Complete"<br />
(Columbia), in: <strong>Jazz</strong> Times, 31/9 (Nov.2001), p. 111-113 (R)<br />
Henri Renaud: Monk jus'que au bout des doigts, in: <strong>Jazz</strong> Magazine, #520 (Nov.2001), p. 16-17 (F)<br />
Raymond Horricks: Miles Davis / Thelonious Monk. Two important new CD packages from<br />
Columbia/Sony, in: Crescendo & <strong>Jazz</strong> Music, 38/6 (Dec/Jan.2001/2002), p. 11-12 (R)
Frederick J. Spencer: <strong>Jazz</strong> and Death. Medical Profiles of <strong>Jazz</strong> Greats, Jackson/MS 2002 [book:<br />
University of Mississippi Press], p. 86-88 (F: cause of death)<br />
Jacques Ponzio: Intorno alla follia di Thelonious Monk, in: Ring Shout, 1 (2002), p. 11-28 (F)<br />
John Sinclair: 'round about midnight, in: Brilliant Corners, 6/2 (Summer 2002), p. 57-60 (poem)<br />
Luca Bragalini: Tra l'inquietudine e la beffa, l'asimmetria dei temi Monkiani, in: Ring Shout, 1 (2002), p. 43-<br />
75 (A)<br />
Mark Haywood: <strong>Jazz</strong> Quartet. A Sonnet Sequence, in: Annual Review of <strong>Jazz</strong> Studies, #12 (2002), p. 169-<br />
172 (poems about John Coltrane's "Greensleeves", Miles Davis' "So What", Thelonious Monk's "Blue<br />
Monk"; Oscar Peterson's "Georgia On My Mind") [digi.copy]<br />
Maurizio Franco: Il piamismo di Monk. Uno sguardo analitico, in: Ring Shout, 1 (2002), p. 29-42 (F)<br />
NN (ed.): Thelonious Monk Plays Standards Volume 1. 11 Transcriptions. Artist Transctiptions - Piano,<br />
Milwaukee/WI no date [ca.2002] [sheet music: Hal Leonard] (T: "April in Paris"; "Between the Devil and<br />
the Deep Blue Sea"; "Dinah"; "Don't Blame Me"; "Everything Happens to Me"; "I Should Care"; "I<br />
Surrender, Dear"; "Just a Gigolo"; "Liza"; "Nice Work If You Can get It"; "Sweet and Lovely")<br />
NN (ed.): Thelonious Monk Plays Standards Volume 2. 12 Transcriptions. Artist Transctiptions - Piano,<br />
Milwaukee/WI no date [ca.2002] [sheet music: Hal Leonard] (T: "All Alone"; "Body and Soul"; "Darn That<br />
Dream"; "Honeysuckle Rose"; "I Don't Stand a Ghost of a Chance"; "It Don't Mean a Thing (If It Ain't Got<br />
That Swing)"; "Memories of You"; "Mood Indigo"; "My Melancholy Baby"; "Remember"; "Solitude"; "You<br />
Are Too Beautiful")<br />
Paolo Vitolo: Guida al jazz. Gli autori e le musiche dal bebop alla creative music, Milano 2002 [book:<br />
Bruno Mondadori], p. 168-174 (F)<br />
Vijay Iyer: Embodied Mind, Situated Cognition, and Expressive Microtiming in African-American Music, in:<br />
Music Perception, 19/3 (Spring 2002), p. 387-414 (F/A: "I'm Confessin'") [digi.copy]<br />
Alex Dutilh: Les dix évidences de Thelonious Monk, in: <strong>Jazz</strong>man, #77 (Feb.2002), p. 18-19 (F)<br />
Arnaud Merlin: 'Round Midnight. Anatomie d'un standard, in: <strong>Jazz</strong>man, #77 (Feb.2002), p. 20-21 (F)<br />
Frank Bergerot & Guillaume Bregeras: Thelonious Monk, 20 ans après, in: <strong>Jazz</strong>man, #77 (Feb.2002), p.<br />
12-17 (F/I with Laurent Coq, Ellery Eskelin, Danilo Perez, Stéphan Oliva, Laurent Courthaliac, Baptiste<br />
Trotignon)<br />
Hans-Jürgen Schaal: Denksport mit Kanten. Der Erfinder des Bebop heißt Thelonious Monk, in: Fono<br />
Forum, Feb.2002, p. 98-101 (F)<br />
Franz Krieger: Transcription of Thelonious Monk's "I Should Care", in: <strong>Jazz</strong> Research News, #6<br />
(Mar.2002), p. 290-295 (T)<br />
Ben Ratliff: Nellie Monk, 80, Wife of a <strong>Jazz</strong> Legend, Dies, in: New York Times, 27.Jun.2002 (F/O) [vert.file]<br />
Chris Sheridan: Collector's Corner. Cloistered Monk, in: <strong>Jazz</strong> Review, #33 (Jun.2002), p. 15 (D: concerts<br />
in Paris)<br />
Franck Médioni: Yves Buin. "Monk est un exemple de rigueur, de détermination et de courage", in: <strong>Jazz</strong><br />
Notes, #69 (Jul/Aug.2002), p. 22-23 (F/I with author Yves Buin)<br />
Olivier Kociubinska: "Thelonious Monk", Yves Buin, in: <strong>Jazz</strong> Notes, #69 (Jul/Aug.2002), p. 42-43 (B)
Robin D.G. Kelley: The <strong>Jazz</strong> Wife. Muse and Manager, in: New York Times, 21.Jul.2002 (F: Nellie Monk,<br />
Anita Evans, Gladys Hampton, Lorraine Gordon) [vert.file: Thelonious MONK] [digi.copy]<br />
Bill Meredith: Copipous Thelonious, in: <strong>Jazz</strong>iz, 19/10 (Oct.2002), p. 63 (R: reissues)<br />
Jack Cooke: Play Misterioso for Me. Twenty years after the pianist's death, Jack Cooke considers how<br />
Thelonious Monk's music has been interpreted by other musicians on record, in: <strong>Jazz</strong> Review, #38<br />
(Nov.2002), p. 14-16 (F)<br />
André Hodeir: Le premier Monk, in: André Hodeir: Le B-A-Be du Bop, Pertuis 2003 [book: Rouge profond],<br />
p. 29-35 (F/A; reprint from a series of essays, originally published in <strong>Jazz</strong> Magazine, 1989-1990)<br />
Eddie S. Meadows: Bebop to Cool. Context, Ideology, and Musical Identity, Westport/CT 2003 [book:<br />
Praeger], passim, esp. p. 219-240 (F: chapter "The Musical Language of Thelonious Monk")<br />
Finn Slumstrup: Gyldendals bog om jazz, Copenhagen 2003 [book: Gyldendal], p. 265-267 (F: short<br />
biography)<br />
George Wein & Nate Chinen: Myself Among Others. A Life in Music, New York 2003 [book: Da Capo],<br />
passim (F)<br />
Hans-Jürgen Schaal: Thelonious Monk. Schrille Schönheit, in: Piano News, 3/2003 (F); reprint, in: Carsten<br />
Dürer (ed.): Gespräche mit <strong>Jazz</strong>-Pianisten. 54 Interviews und Porträts, Düsseldorf 2003 [book: Staccato<br />
Verlag], p. 135-139 (F)<br />
James Peterson: Concepts of the Underground in Black Culture, Philadelphia/PA 2003 [PhD thesis:<br />
University pf Pennsylvania], passim (F) [digi.copy]<br />
Jürgen Arndt: Thelonious Monk und der Free <strong>Jazz</strong>, Graz 2002 [book: Adeva Musik; Beiträge zur<br />
<strong>Jazz</strong>forschung Bd. 11] (A/T); review, by Joe Viera, in: <strong>Jazz</strong> Zeitung, 28/12 (Dec.2003), p. 16 (B)<br />
Paul Bacon: Thelonious Monk and the Riverside Album Covers, in: Brilliant Corners, 7/2 (Summer 2003),<br />
p. 26-39 (F)<br />
Philip Martin James Ford: American Popular Music in the Cold War. The Hip Aesthetic and the<br />
Countercultural Idea, Minneapolis 2003 [PhD thesis: The University of Minnesota], p. 58-71 (F/A: chapter<br />
"Ironic Reduction. Miles and Monk"); p. 309-320 (F/A: chapter "Going Out in <strong>Jazz</strong>") [digi.copy]<br />
Rick Walters: Performing Texts; Playing with <strong>Jazz</strong> Aesthetics, Durham/NH 2003 [PhD thesis: University of<br />
New Hampshire], passim; especially p. 122-151 (F: chapter "Listening to Monk") [digi.copy]<br />
Giuseppe Barazzetta: Il mio Monk. Incontri con la famiglia, in: Ritmo, #776 (Jan.2003), p. 32-34 (F)<br />
Thomas Conrad: CDs We Missed. Monumental Monk, in: Down Beat, 70/1 (Jan.2003), p. 47 (R)<br />
Ron Cherian: Monk spielt nichts als Monk. Thelonious Monks Solo über seine Komposition Bemsha<br />
Swing, in: <strong>Jazz</strong> Zeitung, 28/7-8 (Jul/Aug.2003), p. 20 (A/T)<br />
R.J. DeLuke: Monk 'Cottage Industry' on the Horzion, in: Down Beat, 70/12 (Dec.2003), p. 20 (F/short I<br />
with T.S. Monk)<br />
Duncan Schiedt: <strong>Jazz</strong> in Black & White. The Photographs of Duncan Schiedt, Bloomington/IN 2004 [book:<br />
Indiana University Press], p. 76-77 (F/photo)
Krin Gabbard: Evidence. Thelonious Monk's Challenge to <strong>Jazz</strong> History, in: Krin Gabbard: Black Magic.<br />
White Hollywood and African American Culture, New Brunswick/NJ 2004 [book: Rutgers University Press],<br />
p. 179-198 (F)<br />
Mark Tucker: Mainstreaming Monk. The Ellington Album, in: Robert G. O'Meally & Brent Hayes Edwards<br />
& Farah Jasmine Griffin (eds.): Uptown Conversation. The New <strong>Jazz</strong> Studies, New York 2004 [book:<br />
Columbia University Press], p. 150-165 (F/A)<br />
Roger Kurt Green: Toward an Ethical Aesthetics. A Study of Levinas, Mid Twentieth-Century Avant-Garde<br />
<strong>Jazz</strong> and Poetry, Denver 2004 [MA thesis: University of Colorado], p. 33-36 (F: chapter "Performance and<br />
Community") [digi.copy]<br />
Tammy Kernodle: Soul on Soul. The life and music of Mary Lou Williams, Boston 2004 [book:<br />
Northeastern University Press], passim (F)<br />
John Corbett (& Jim Macnie & John McDonough & Paul de Barros): Thelonious Monk - "Monk in Paris.<br />
Live at the Olympia" (Thelonious Records), in: Down Beat, 71/1 (Jan.2004), p. 64-65 (R)<br />
Bill Milkowski: Moogioso. Thelonious Moog swing Monk with ugly beauty, in: <strong>Jazz</strong> Times, 34/1 (Feb.2004),<br />
p. 27-28 (F)<br />
Duck Baker: Thelonious Monk - "Monk in Paris" (Thelonious), in: <strong>Jazz</strong> Times, 34/1 (Feb.2004), p. 128-130<br />
(R)<br />
Jason Koransky: Horace Silver on Thelonious Monk, in: Down Beat, 71/7 (Jul.2004), p. 58 (F) [digi.copy]<br />
John Ephland: Paul Motian on Thelonious Monk, in: Down Beat, 71/7 (Jul.2004), p. 107 (F) [digi.copy]<br />
John Janowiak: Danilo Perez on Thelonious Monk, in: Down Beat, 71/7 (Jul.2004), p. 59 (F) [digi.copy]<br />
Christian Braad Thomsen: Thelonious Monk. Det fravaerende centrum, in: <strong>Jazz</strong> Special, #77<br />
(Aug/Sep.2004), p. 38-48 (F)<br />
Bob Gold: The Onliest Monk, in: Jersey <strong>Jazz</strong>, Oct.2004, p. 18 (F)<br />
Duck Baker: Thelonious Monk - "Monk 'Round the World" (Thelonious/Hyena), in: <strong>Jazz</strong> Times, 34/9<br />
(Nov.2004), p. 118 (R)<br />
Donald L. Maggin: Dizzy. The Life and Times of John Birks Gillespie, New York 2005 [book: Harper<br />
Collins], passim (F)<br />
Gene Rizzo: The Fifty Greatest <strong>Jazz</strong> Piano Players of All Time. Ranking, Analysis & Photos,<br />
Milwaukee/WI 2005 [book: Hal Leonard], p. 58-61 (F)<br />
James John McGowan: Dynamic Consonance in Selected Piano Performances of Tonal <strong>Jazz</strong>,<br />
Rochester/NY 2005 [PhD thesis: University of Rochester], p. 249-264 (A: "'April in Paris'. Bud Powell and<br />
Thelonious Monk"); p. 356-362 (T: "April in Paris") [digi.copy]<br />
Peter Niklas Wilson: Thelonious Monk, in: Peter Niklas Wilson (ed.): <strong>Jazz</strong> Klassiker, Stuttgart 2005 [book:<br />
Reclam], p. 241-251 (F)<br />
Ralf Dombrowski: Basis-Diskothek <strong>Jazz</strong>, Stuttgart 2005 [book: Reclam], p. 157-160 (R: "Genius of Modern<br />
Music", Blue Note; "Plays the Music of Duke Ellingon", Riverside); reprint, in: Ralf Dombrowski: Basis-<br />
Diskothek <strong>Jazz</strong>, Stuttgart 4/2011 [book: Reclam], p. 181-185 (R)<br />
Richard Cook: It's About That Time. Miles Davis On and Off Record, London 2005 [book: Atlantic Books],<br />
passim (F)
Bernard McAlinden: Composers' Corner. Thelonious Monk, in: Crescendo & <strong>Jazz</strong> Music, 41/6<br />
(Dec/Jan.2004/2005), p. 25 (F)<br />
Jason Zinoman: Theater Review / 'Monk'. Glancing Lightly at a <strong>Jazz</strong> Icon, in: New York Times,<br />
22.Mar.2005 (C: theater play) [vert.file] [digi.copy]<br />
Katherine Silkaitis: Sweet & Lovely. Rare Monk and Coltrane recordings discovered, in: <strong>Jazz</strong> Times, 35/5<br />
(Jun.2005), p. 38 (F)<br />
Mike Zwerin: Monk, Coltrane and the missing link in the history of jazz, in: International Herald Tribune,<br />
7.Sep.2005 (F/R: "at Carnegie Hall") [digi.copy]<br />
Germar v. Mönch: Der letzte Track (27). Thelonious Monk: "Misterioso" (1948), in: <strong>Jazz</strong>thetik, 19/10<br />
(Oct.2005), p. 98 (R)<br />
John Corbett (& John McDonough & Jim Macnie & Paul de Barros): Thelonous Monk Quartet with John<br />
Coltrane – "At Carnegie Hall" (Blue Note 35173), in: Down Beat, 72/10 (Oct.2005), p. 65, 67 (R: 5 stars; 5<br />
stars; 4 stars; 5 stars) [digi.copy]<br />
Lewis Porter: Evidence. A recently discovered, high-quality live recording featuring Thelonious Monk and<br />
John Coltrane sheds new light on their brief partnership, in: <strong>Jazz</strong> Times, 35/8 (Oct.2005), p. 34-39 (F);<br />
reprint with further comments, in: <strong>Jazz</strong> Times, 36/1 (Feb.2006), p. 54-55 (R)<br />
Ralf Bei der Kellen: Die allwissende Müllhalde. Folge 8: Monk =3, in: <strong>Jazz</strong>thetik, 19/11 (Nov.2005), p. 89<br />
(F: websites on Monk)<br />
Henrik Wolsgaard-Iversen: jazzens hellige gral. Nu kommer de aldrig før hørte fremragende optagelser<br />
med for eksempel Monk og Coltrane, og det ligner magi – eller også er det, in: <strong>Jazz</strong> Special, #86<br />
(Dec/Jan.2005/2006), p. 56-58 (F/R)<br />
Larry Blumenfeld: Auditions. Seeds of change, unearthed, in: <strong>Jazz</strong>iz, 22/12 (Dec.2005), p. 50 (R:<br />
"Thelonious Monk Quartet with John Coltrane at Carnegie Hall", Blue Note)<br />
Chad Jenkins: Thelonious Monk. Evidence, in: Columbia <strong>Jazz</strong> Resources ,<br />
2006 (F/A) [digi.copy]<br />
Chad Jenkins: Thelonious Monk. I Should Care, in: Columbia <strong>Jazz</strong> Resources<br />
, 2006 (F/A) [digi.copy]<br />
David Yaffe: Fascinating Rhythm. Reading <strong>Jazz</strong> in American Writing, Princeton 2006 [book: Princeton<br />
University Press], passim (F)<br />
Fred van Doorn: De verborgen tapes van Monk met Coltrane. 'Holy shit!', in: <strong>Jazz</strong> Nu, 29/1 (Winter 2006),<br />
p. 56-59 (F)<br />
John Gennari: Blowin' Hot and Cool. <strong>Jazz</strong> and Its Critics, Chicago 2006 [book: University of Chicago<br />
Press], passim (F: and the critics)<br />
Lorraine Gordon & Barry Singer: Alive at the Village Vanguard. My Life In and Out of <strong>Jazz</strong> Time,<br />
Milwaukee 2006 [book: Hal Leonard], passim; especially p. 60-70 (F)<br />
NN: Thelonious Monk. Misterioso, in: Columbia <strong>Jazz</strong> Resources , 2006 (F/A)<br />
[digi.copy]<br />
Pannonica de Koenigswarter: Les Musiciens de jazz et leurs trois voeux, Paris 2006 [book:<br />
Buchet/Chastel; German translation as: "Die <strong>Jazz</strong>musiker und ihre drei Wünsche", Stuttgart 2007:
Reclam; English translation (original language) as: "Three Wishes. An Intimate Look at <strong>Jazz</strong> Greats", New<br />
York 2008: Abrams Image], p. 32-45 (short I/photos)<br />
Renée M. Motteler: An Analysis of Vocal and Instrumental Approaches to <strong>Jazz</strong> Improvisation, Long<br />
Beach/CA 2006 [MA thesis: California State University], p. 9-10, 18-22, 41 (F/A/T: "In Walked Bud")<br />
[digi.copy]<br />
Roberto Pollillo & Arrigo Polillo: Swing, Bop & Free. Il jazz degli anni '60, Milano 2006 [book: Polillo<br />
Editore], p. 130-135 (short F/photos)<br />
Stanley Crouch: Considering Genius. Writings on <strong>Jazz</strong>, New York 2006 [book: Basic Civitas Books], p. 86-<br />
94 (F: chapter "At the Five Spot. Thelonious Monk")<br />
Bob Doerschuk: Caught. Nashville Channels Monk, in: Down Beat, 73/1 (Jan.2006), p. 24 (C: tribute to<br />
Thelonious Monk) [digi.copy]<br />
Larry Appelbaum: Monk/Coltrane. Discovery of the Year, in: <strong>Jazz</strong> Zeit, #58 (Jan/Feb.2006), p. 35 (F)<br />
Alan Bergman: From Archive to Classic. The Story of the Epic Monk/Coltrane Carnegie Hall Recording, in:<br />
<strong>Jazz</strong> Education Journal, 38/4 (Feb.2006), p. C30-C32 (F)<br />
Matt Lavelle: Chords & Discords. Monk/Coltrane Tops Store's Chart, in: Down Beat, 73/3 (Mar.2006), p.<br />
10 (letter) [digi.copy]<br />
Lynne Heffley: Arts Notes. Monk is still blazing jazz trails, in: Los Angeles Times, 23.Apr.2006 (F: about<br />
Monk's influence) [vert.file] [digi.copy]<br />
Larry Blumenfeld: The Thelonious Monk Guide. He recorded the same songs over and over and never<br />
wore them out, in: Village Voice, 6.Jun.2006 (F: annotated record guide) Aaron Cohen: Thelonious Monk<br />
Awarded Pulitzer and a Beer, in: Down Beat, 73/7 (Jul.2006), p. 18 (F) [digi.copy]<br />
NN: Prelude. Straight, with chaser, in: <strong>Jazz</strong>iz, 23/7 (Jul.2006), p. 14 (F)<br />
Gary Giddins: Cadenza. It's Always Monk's Time. To consider achievements in jazz, the Pulitzer would<br />
have to recognize jazz as a distinctive way of playing music, in: <strong>Jazz</strong> Times, 36/6 (Aug.2006), p. 22 (F)<br />
Steve Greenlee: Thelonious Monk with John Coltrane – "The Complete 1957 Riverside Recordings"<br />
(Riverside), in: <strong>Jazz</strong> Times, 36/7 (Sep.2006), p. 81-82 (R)<br />
Andy Hamilton: Lee Konitz. Conversations on the Improviser's Art, Ann Arbor 2007 [book: University of<br />
Michigan Press], p. 88-89 (F)<br />
Ingrid Monson: Freedom Sounds. Civil Rights Call Out to <strong>Jazz</strong> and Africa, New York 2007 [book: Oxford<br />
University Press], passim (F)<br />
Jeffrey Thomson: Epistrophy, in: Brilliant Corners, 12/1 (Winter 2007), p. 9 (poem)<br />
Vincenzo Caporeletti: Esperienze di analisi del jazz. Armstrong, Parker, Cesàri, Monk, Mingus, Intra, Soft<br />
Machine, Lucca 2007 [book: Libreria Musicale Italiana], p. 101-127 (A: chapter "Stratificazione metrica e<br />
modularità costruttiva in 'Straight No Chaser' di Thelonious Monk")<br />
Herb Boyd: Monk's Presence Returns to Minton's Playhouse, in: Down Beat, 74/1 (Jan.2007), p. 21 (F:<br />
one-man show "Monk") [digi.copy]<br />
Vincent Bessières: Généalogie. Thelonious Monk, in: <strong>Jazz</strong>man, #133 (Mar.2007), p. 13 (F)<br />
Will Friedwald: They Called Him Mr. Wizard, in: The New York Sun, 9.Apr.2007 (F) [digi.copy]
David Borgo: Thelonious Monk Quartet with John Coltrane – "At Carnegie Hall"; Thelonious Monk with<br />
John Coltrane – "The Complete Riverside Recordings", in: <strong>Jazz</strong> Perspectives, 1/1 (May 2007), p. 99-104<br />
(R) [digi.copy]<br />
Joe Lang: Caught in the Act. Tribite ti Thelonious Monk, Highlights in <strong>Jazz</strong>, Tribeca Performinc Arts<br />
Center, in: Jersey <strong>Jazz</strong>, 35/7 (Jul/Aug.2007), p. 20, 26 (C) [digi.copy]<br />
NN: Director Wants Wesley Snipes For Thelonious Monk Biopic, in: MTV Movies Blog, 31.Jul.2007 (short<br />
F) [digi.copy]<br />
Dan Ouellette: Tributes Galore. Contemporary musicians honor Monk, Dizzy and Rahsaan Roland Kirk, in:<br />
<strong>Jazz</strong> Times, 37/6 (Aug.2007), JVC <strong>Jazz</strong> Festival supplement, p. 6, 8 (F/I with Ben Riley, Don Sickler,<br />
Jimmy Heath, Steve Turre)<br />
Martha Waggoner: Six-Week Celebration of Thelonious Monk, in: San Francisco Chronicle, 6.Aug.2007<br />
(F: "Following Monk" festival; planned film documentary) [digi.copy]<br />
NN: Wesley Snipes as Thelonious Monk? 'El Cantane' director wants actor to play jazz innovator in<br />
planned biopic, in: Lee Bailey's EurWeb, 1.Aug.2008 (short F) [digi.copy]<br />
Grayson Currin: Classical Monk. A man whose life was changed by Monk's 1959 Orchestra performance<br />
gets to hear the music live once more in Durham, in: Independent Weekly, 10.Oct.2007 (F: Town Hall<br />
concert) [digi.copy]<br />
David Bosch: Monk at 90. The Monk Influence.New School University, in: <strong>Jazz</strong> Improv NY, 3/5<br />
(Nov.2007), p. 7 (C: tribute) [digi.copy]<br />
Alain Gerber: Vive critique des troubadours – éloge résolu de Thelonious, Chet et Charlie sur le bord du<br />
cratère, in: Les Cahiers du <strong>Jazz</strong>, #5 (2008), p. 74-79 (poem)<br />
Dariusz Terefenko: "Monk's Music. Thelonious Monk and <strong>Jazz</strong> History in the Making", by Gabriel Solis, in:<br />
ARSC Journal, 39/2 (Fall 2008), p. 314-316 (B)<br />
Gabriel Solis: Monk's Music. Thelonious Monk and <strong>Jazz</strong> History in the Making, Berkeley 2008 [book:<br />
University of California Press], passim (F)<br />
Garrett Williams: Monk by Moonlight, in: Brilliant Corners, 12/2 (Summer 2008), p. 10-11 (poem)<br />
Mike Hennessey: The Little Giant. The Story of Johnny Griffin, London 2008 [book: Northway<br />
Publications], passim (F/I) [digi.copy]<br />
Wynton Marsalis & Geoffrey C. Ward: Moving to Higher Ground. How <strong>Jazz</strong> Can Change Your Life, New<br />
York 2008 [book: Random House], p. 143-145 (F: chapter "Lessons from the Masters. Thelonious Monk")<br />
Ira Gitler. Apple Chorus. Honoring Monk, in: <strong>Jazz</strong> Improv, 3/9 (Mar.2008), p. 4 (F) [digi.copy]<br />
Michael Fitzgerald: Heard and Seen. Following Monk series at Duke University, in: Coda, #338<br />
(Mar/Apr.2008), p. 24-25 (C: tribute to Thelonious Monk)<br />
Paul de Barros: Scholar Recasts Monk's Influence, in: Down Beat, 75/3 (Mar.2008), p. 91 (B: "Monk's<br />
Music. Thelonious Monk and <strong>Jazz</strong> History in the Making", by Gabriel Solis)<br />
Eric Bishop: <strong>Jazz</strong> Loft Project Digs up Photographer's Musical Buried Treasures, in: Down Beat, 75/4<br />
(Apr.2008), p. 20 (F: W. Eugene Smith photo collection)<br />
George Kanzler: "Monk's Music", by Gabriel Solis, in: <strong>Jazz</strong> Times, 38/4 (May 2008), p. 138 (B)
Germán Lázaro: Un poco de Monk es mucho. Thelonious Monk - "The Complete Riverside Recordings",<br />
in: Cuadernos de <strong>Jazz</strong>, #106 (May/Jun.2008), p. 18-19 (F/R)<br />
Brian Priestley: "Monk's Music", by Gilbert Solis, in: <strong>Jazz</strong>wise, #124 (Oct.2008), p. 66 (B)<br />
Charles Hiroshi Garrett: "Monk's Music. Thelonious Monk and <strong>Jazz</strong> History in the Making", by Gabriel<br />
Solis, in: Journal of the Society for American Music, 2/4 (Nov.2008), p. 569-572 (B) [digi.copy]<br />
Amiri Baraka: Digging. The Afro-American Soul of American Classical Music, Berkeley 2009 [book:<br />
University of California Press], p. 222-235 (F/poem: chapter "The High Priest of BeBop")<br />
Eddy Determeyer: Middernacht met Monk. Kristalheldere muziek van een getroebleerde geest. De muziek<br />
van Thelonious Monk is tijdloos. Haar volstrekt eigenzinnige, weerbarstige karakter intrieert elke nieuwe<br />
generatie muzikanten. In Nederland eert het trio Borstlap-Bennink-Glerum de high priest of bop met een<br />
serie van drie CD's. Een overzicht, in: <strong>Jazz</strong> Nu, 32/2 (Spring 2009), p. 48-51 (F)<br />
Frederick Moehn: "Monk's Music. Thelonious Monk and <strong>Jazz</strong> History in the Making", by Gabriel Solis, in:<br />
American Music, 27/2 (Summer 2009), p. 258-263 (B) [digi.copy]<br />
Gary Giddins & Scott DeVeaux: <strong>Jazz</strong>, New York 2009 [book: W.W. Norton], p. 379-389 (F/A: chapter:<br />
"Thelonious Monk. 'Thelonious' / 'Rhythm-a-ning'")<br />
Leif Bo Petersen & Theo Rehak: The Music and Life of Theodore "Fats" Navarro. Infatuation, Lanham/MD<br />
2009 [book: Scarecrow Press], passim (F)<br />
Maxi Sickert: Clarinet Bird. Rolf Kühn. <strong>Jazz</strong>gespräche, Berlin 2009 [book: Christian Broecking Verlag], p.<br />
89-90 (F)<br />
Robin D.G. Kelley: Thelonious Monk. The Life and Times of an American Original, New York 2009 [book:<br />
Free Press], passim (F)<br />
Steve Larson: Analyzing <strong>Jazz</strong>. A Schenkerian Approach [Harmonologia. Studies in Music Theory, No. 15],<br />
Hillsdale/NY 2009 [Pendragon Press], passim (F/A: Thelonious Monk: "Round Midnight"; Oscar Peterson:<br />
"Round Midnight"; Bill Evans: "Round Midnight"); especially p. 33-50 (A), p. 109-126 (T: "Round Midnight",<br />
from "Monk's Greatest Hits")<br />
Joe Lang: <strong>Jazz</strong> at Lincoln Center Orchestra. The Music of Thelonious Monk. Frederick P. Rose Hall, in:<br />
<strong>Jazz</strong> Improv NY, Jan.2009, p. 12 (C) [digi.copy]<br />
Charles Tolliver: Megaphone. Musicians in their own words... Monk at Town Hall, in: All About <strong>Jazz</strong>, #82<br />
(Feb.2009), p. 11 (F) [digi.copy]<br />
Gary Heimbauer: 50 Years Later. Thelonious Monk Orchestra at Town Hall, in: <strong>Jazz</strong> Improv NY,<br />
Feb.2009, p. 12-14, 16 (F/I with Charles Tolliver, Jason Moran) [digi.copy]<br />
Nate Chinen: Home Life with Mikes. A <strong>Jazz</strong> History, in: New York Times, 22.Feb.2009 (F: W. Eugene<br />
Smith's tapes of Thelonious Monk and Hall Overton preparing the 1959 Town Hall concert arrangements)<br />
[digi.copy]<br />
Ben Ratliff: Music Review. 'In My Mind. Monk at Town Hall, 1959'. 2 Approaches to Monk's Historic Night,<br />
in: New York Times, 2.Mar.2009 (C: tribute concerts by Charles Tolliver, Jason Moran) [digi.copy]<br />
Will Friedwald: Monk's Town Hall Concert Reborn, Reworked, in: Wall Street Journal, 3.Mar.2009 (C:<br />
tribute concerts by Charles Tolliver, Jason Moran) [digi.copy]<br />
Marc Villard: Nouvelle Noir. Monk, in: <strong>Jazz</strong>man, #157 (May 2009), p. 74-75 (short story)
Gabriel Solis: Thelonious Monk Quartet with John Coltrane at Carnegie Hall, book proposal, 10.Jun.2009<br />
(F: book proposal) [digi.copy] {confidential, internal use only}<br />
José Angelilo: Thelonious Monk o el genio hecho jazz, in: Cuadernos de <strong>Jazz</strong>, 14/113-114 (Jul/Oct.2009),<br />
p. 57-61 (F/A)<br />
Larry Blumenfeld: Blu Notes. In the loft, in: <strong>Jazz</strong>iz, 26/3 (Jul.2009), p. 40 (F: about Hall Overton and<br />
Thelonious Monk rehearsing for the 1959 Town Hall concerts, and Sam Stephenson's rehearsal tapes)<br />
[digi.copy]<br />
Michael C. Heller: "Monk's Music. Thelonious Monk and <strong>Jazz</strong> History in the Making", by Gabriel Solis, in:<br />
<strong>Jazz</strong> Perspectives, 3/2 (Aug.2009), p. 177-181 (B)<br />
August Kleinzahler: Monk's Moods, in: New York Times, 18.Oct.2009 (B: "Thelonious Monk", by Robin<br />
D.G. Kelley) [digi.copy]<br />
Bobby Brown: Megaphone. Musicians in their own words... Monk's Music and the Guitar, in: All About<br />
<strong>Jazz</strong>, #90 (Oct.2009), p. 11 (F) [digi.copy]<br />
George Kanzler: Thelonious Monk. Pianists Riff on Monk, in: All About <strong>Jazz</strong>, #90 (Oct.2009), p. 9 (F/I with<br />
Geri Allen, Randy Weston, Jason Moran, Jim McNeely, Armen Donelian, Emilio Solla, Harold O'Neal,<br />
Clarice Assad, Gerald Clayton) [digi.copy]<br />
Paul de Barros: Monk's Life Thoroughly Detailed, Pointedly Reconsidered. "Thelonious Monk. The Life<br />
and Times of an American Original", by Robin D.G. Kelley, in: Down Beat, 76/11 (Nov.2009), p. 74 (B)<br />
[digi.copy]; response, by Robin D.G. Kelley: Chords & Discords. Monk Biographer Responds, in: Down<br />
Beat, 77/1 (Jan.2010), p. 10 (letter) [digi.copy]<br />
Jimmy Heath & Joseph McLaren: I Walked With Giants. The Autobiography of Jimmy Heath, Philadelphia<br />
2010 [book: Temple University Press], passim (F)<br />
Randy Weston & Willard Jenkins: African Rhythms. The Autobiography of Randy Weston, Durham/NC<br />
2010 [book: Duke University Press], passim (F)<br />
Sam Stephenson: The <strong>Jazz</strong> Loft Project. Photographs and Tapes of W. Eugene Smith from 821 Sixth<br />
Avenue, 1957-1965, New York 2010 [book: Alfred A. Knopf], passim (F); especially p. 50-68 (F/I: chapter<br />
"Thelonious Monk and Hall Overton")<br />
Felipe Díaz Reyes: 6 cuerdas para Monk, in: Cuadernos de <strong>Jazz</strong>, #116 (Jan/Feb.2010), p. 6-9 (F/I with<br />
Steve Khan, Peter Bernstein, Bobby Broom)<br />
Jimi Durso: Woodshed. Solo. Thelonious Monk's Iconoclastic Piano Solo On 'Bag's Groove', in: Down<br />
Beat, 77/2 (Feb.2010), p. 72-73 (A/T) [digi.copy]<br />
Robin D.G. Kelley: Straight, No Caricature. For decades the legacy of Thelonious Monk has been<br />
shrouded by the same false portrait that followed the pianist during his lifetime: Monk the unknowable<br />
oddball, the brilliant musical primitive whose compositional genius was rooted in mental quirks and cultural<br />
isolation. An unprecedented new biograogy by Robin D.G. Kelly, "Thelonious Monk. The Life and Times of<br />
an American Original" (The Free Press), aims to dispel this untruth. In this exclusive excerpt, Kelley<br />
highlights the humanity and worldliness of a sadly misunderstood giant, in: <strong>Jazz</strong> Times, 40/1 (Feb.2010),<br />
p. 54-57 (F: book excerpt)<br />
Vijay Iyer: Solo. Ode to a Sphere, in: <strong>Jazz</strong> Times, 40/1 (Feb.2010), p. 12 (F)<br />
Larry Blumenfeld: Blu Notes. Monk demystified, in: <strong>Jazz</strong>iz, 27/3 (Mar.2010), p. 40-41 (B: "Thelonious<br />
Monk. The Life and Times of an American Original", by Robin D.G. Kelley) [digi.copy]
John Fordham: 50 great moments in jazz. The renaissance of Thelonious Monk. The high priest of<br />
improv's 1956 album Brilliant Corners is a remarkable insight into his wayward musical mind, in: The<br />
Guardian, 29.Apr.2010 (F) [digi.copy]<br />
Philip Clark: "Thelonious Monk. The Life and Times of an American Original", by Robin DG Kelley, in: The<br />
Wire, #314 (Apr.2010), op. 76 (B)<br />
Richard Williams: "Thelonious Monk. The Life and Times of an American Original", by Robin DG Kelley.<br />
Richard Williams on the eccentric but compelling rhythms that make a giant of jazz tick, in: The Guardian,<br />
19.Jun.2010 (F/B) [digi.copy]<br />
Günter Buhles: Was uns die Musik verraten kann. Über Subtexte im <strong>Jazz</strong>, in: <strong>Jazz</strong> Podium, 59/7-8<br />
(Jul/Aug.2010), p. 3-7 (F: Duke Ellington, Thelonious Monk, Miles Davis, Bill Evans, John Coltrane,<br />
Ornette Coleman)<br />
John Robert Brown: "Thelonious Monk. The Life and Times of an American Original", by Robin D.G.<br />
Kelley, in: <strong>Jazz</strong> Journal, 63/8 (Aug.2010), p. 16 (B)<br />
Brian Priestley: "Thelonious Monk. The Life and Times of an American Original", by Robin D.G. Kelley, in:<br />
<strong>Jazz</strong>wise, #145 (Sep.2010), p. 52 (B)<br />
"Fredi Fußwipper": Die <strong>Jazz</strong>polizei ermittelt. Aktenzeichen 11.10. Heute: War Thelonious Monk ein<br />
Deutscher?, in: <strong>Jazz</strong>thetik, 24/11-12 (Nov/Dec.2010), p. 130 (F: satire) [digi.copy]<br />
Leonard Weinreich: "Thelonious Monk. The Life and Times oif an American Original", by Robin D.G.<br />
Kelley, in: IAJRC Journal, 43/4 (Dec.2010), p. 90-91 (B)<br />
^Mark Haywood: Monk Trio. A Sequence of Sonnets, in: Journal of <strong>Jazz</strong> Studies, 7/1 (2011)<br />
, p. 73-76 (poems) [digi.copy]<br />
Karl Lippegaus: John Coltrane. A Love Supreme, Hamburg 2011 [book: edel:vita], p. 62-69 (F: chapter<br />
"Thelonious") [digi.copy]; p. 70-73 (F: chapter "Soultrane") [digi.copy]; passim, especially p. 74-77 (F:<br />
chapter "At the Five Spot") [digi.copy]<br />
Márton Szegedi: "'Round Midnight" von Thelonious Monk. Eine musikalische Analyse, in: <strong>Jazz</strong> Research<br />
News, #39 (2011), p. 1860-1877 (A/T)<br />
Olivier Senn: "mieux citron que jamais." Thelonious Monk plays "Body and Soul", in: Claudia<br />
Emmenegger & Olivier Senn (eds.): Five Perspectives on "Body and Soul" And Other Contributions to<br />
Music Performance Studies, Zürich 2011 [book: Chronos], p. 77-91 (A/T)<br />
Paul Watkins: Disruptive Dialogics. Improvised Dissonance in Thelonious Monk and Wu-Tang Clan's 36<br />
Chambers, in: Critical Studies in Improvisation, 7/2 (2011), (F) [digi.copy]<br />
Ted Gioia: The History of <strong>Jazz</strong>, New York 2011 [book: Oxford University Press], p. 216-236 (F: mentioned<br />
in chapter "Modern <strong>Jazz</strong> Piano)<br />
Ulf Olsson: Strålande biografi om Thelonious Monk. "Thelonious Monk. The life and times of an American<br />
original", by Robin D.G. Kelley, in: Orkester Journalen, 79/1 (Feb/Mar.2011), p. 49 (B)<br />
Laurent de Wilde: Thelonious Monk. "S'il y a vien quelqu'un qui ne s'est jamais trahi, c'est bien Monk", in;<br />
<strong>Jazz</strong> Magazine, #623 (Mar.2011), supplement, p. iii (F)<br />
David Feuerzeig: The Right Mistakes. Confronting the "Old Question" of Thelonious Monk's Chops, in:<br />
<strong>Jazz</strong> Perspectives, 5/1 (Apr.2011), p. 29-59 (F/A/T: "Round Midnight") [digi.copy]
Tom Perchard: Thelonious Monk Meets the French Critics. Art and Entertainment, Improvisation, and its<br />
Simulacrum, in: <strong>Jazz</strong> Perspectives, 5/1 (Apr.2011), p. 61-94 (F/A: "Lulu's Back in Town") [digi.copy]<br />
Frank Alkyer: First Take. When 'Daddy' Became Thelonious Monk, in: Down Beat, 78/6 (Jun.2011), p. 8<br />
(F/I with T.S. Monk) [digi.copy]<br />
Frank Alkyer: Growing Up Monk. T.S. Monk Jr. on his father, his jazz family and the Monk Institute at 25,<br />
in: Down Beat, 78/6 (Jun.2011), p. 26-28, 30-31, 34-35 (F/I with T.S. Monk) [digi.copy]<br />
John Fordham: My favourite album. Brilliant Corners by Thelonious Monk, in: The Guardian, 30.Aug.2011<br />
(F) [digi.copy]<br />
François-René Simon: Thelonious Monk. "Monk's Music". En juin 1957, à New York, sous l'égide du<br />
producteur Orrin Keepnews, se déroule une séance d'enregistrement où le passé et le futur se<br />
rencontrant, incarnés par deux saxophonists de légende: Coleman Hawkins et John Coltrane. Trait<br />
d'union: Thelonious Monk. Aux baguettes: Art Blakey. What else?, in: <strong>Jazz</strong> Magazine, #628 (Aug.2011), p.<br />
50-53 (F)<br />
Classy Koehler: <strong>Jazz</strong> History. Short Takes, in: The Jassman, 6/1 (2012), p. 11 (short F) [digi.copy]<br />
Timme Rosenkrantz: Harlem <strong>Jazz</strong> Adventures. A European <strong>Jazz</strong> Baron's Memoir, 1936-1969 (edited by<br />
Fradley Garner), Lanham/MD 2012 [book: Scarecrow Press], passim (F)<br />
William Ford: The Faith of Thelonious Monk, in: Brilliant Corners, 16/2 (Summer 2012), p. 41-44 (poem)<br />
Jan Kaspersen: Musik der gjorde en forskel. Monk i Brønshøj, in: <strong>Jazz</strong> Special, #125 (Feb/Mar.2012), p.<br />
28-29 (F)<br />
Ib Skovgaard: Monks gode råd. Thelonious Monk var notorisk leveringsdygtig i kryptiske og gådefulde<br />
udsagn. Da sopran-saxofonisten Steve Lacy var medlem af Monks gruppe u 16 uger i 1960 noterede han<br />
en række i sin notesbog. De blev fundet i Lacys arkiv efter hans død i 2006 og er siden blevet kendt som<br />
Monks gode råd, in: <strong>Jazz</strong> Special, #126 (Apr/May 2012), p. 58-59 (F: Monk's advice to musicians, as<br />
noted down by Steve Lacy) [digi.copy]<br />
Christophe Izard: Monk et Dizzy, in: <strong>Jazz</strong> Magazine, #637 (May 2012), p. 43 (F) [digi.copy]<br />
Ethan Iverson: Rules of Grammar, in: , 19.Aug.2012 (F/A: often-made<br />
mistake in bridge to "Well You Needn't") [digi.copy]; follow-up: Ethan Iverson: Sure sign that you're a<br />
badass when ~60 yrs later the most basic facts of your work are still mysterious even to experts, in:<br />
, 21.Aug.2012 (F; reactions, readers' comments etc.) [digi.copy]<br />
Patrick Jarenwattananon: Could Thelonious Monk Win the <strong>Jazz</strong> Competition Named After Him?, in: A Blog<br />
Supreme , 28.Aug.2012 (F) [digi.copy] {filed under "<strong>Jazz</strong>preise/USA/Thelonious Monk<br />
Competition"}